D-Mu MS 8° 326

Universitätsbibliothek, München (Munich), Germany

partbook: 1543

Archive Universitätsbibliothek, München (Munich), Germany (D-Mu)
Shelfmark MS 8° 326
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface Paper
Numbering System Foliation
Measurements 143 x 208 mm
Other Identifiers
  • CCM: MunU 326
  • olim (Former shelfmark): Cim. 44b
Notations
  • black void mensural
Copyists
External Links
Provenance
  • Augsburg? Bavaria, Germany
Contents 59 pieces from 27 composers
General Description

A single Altus partbook. The main scribe was Narcissus Zänckl of Murnau, whose name appears on f. 1; three other scribal hands. Seventeen pieces apparently copied from print RISM 1538/8. Physical aspects similar to MunU 327, but two books not part of same set. Probably copied in Augsburg (FinschQW).

DIAMM, 2017
Binding

Original covers of pasteboard overlaid with parchment from l3th-century liturgical manuscript.

DIAMM, 2017
Watermark

resemble Briquet #1244, #5081, #8771, and #8880; same marks appear in MunU 327 (FinschQW).

DIAMM, 2017
Notation

black void mensural

DIAMM, 2017
Foliation

Modern ink and pencil foliation in two hands, 1-39 (one original folio missing between new ff. 28/29, another between new ff. 31/32)

DIAMM, 2017
Foliation

Other numberings: Some original numbering of pieces.

DIAMM, 2017
Decoration

No initials or decoration

DIAMM, 2017
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

1 hymn, 1 Passion, 2 German Passion sections, 34 motets, 1 German sacred piece, 3 German secular pieces, 1 Latin/Italian secular piece (with Latin psalm text in this source) = 43

(Arthopius)-1, (Brumel)-1, (Caen/Lupus/Richafort)-1, (Forster)-3, (Gombert/Josquin/Sermisy)-1, (Hellinck/Senfl/Verdelot)-1, (Isaac/ La Rue)-1, (Josquin)-3, (Josquin/Senfl)-1, (Lapicida)-1, (Lhéritier)-1, (Longaval/Obrecht/Venture)-1, (Mahu)-1, (Mouton)-1, (Paminger)-1, (Prioris)-1, (Senfl)-5, (Stappen)-1, (Unterholtzer)-1, (Walter?)-2, Willaert/(Obrecht)-1, Zinssmaister-1, anon-12

1 paper partbook (A-39 folios), 143 x 208. Modern ink and pencil foliation in two hands, 1-39 (one original folio missing between new ff. 28/29, another between new ff. 31/32). Some original numbering of pieces. Original covers of pasteboard overlaid with parchment from l3th-century liturgical manuscript. No index. The main scribe was Narcissus Zänckl of Murnau, whose name appears on f. 1; three other scribal hands. No initials or decoration. Watermarks resemble Briquet #1244, #5081, #8771, and #8880; same marks appear in MunU 327 (FinschQW). Seventeen pieces apparently copied from print RISM 1538/8. Physical aspects similar to MunU 327, but two books not part of same set.

1543 (date on f. 1). Probably copied in Augsburg (FinschQW).

Vol 4

Composers: Change "(Mouton)-1" to "(Josquin/Mouton)-1 "; add "(Willaert)-1"; change "anon-12" to "anon-11."

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
2–3 Passio Domini secundum Matthaeum - 1a pars (of 3): Passio Domini nostri Jesu Christi secundum Mattheum [Longaval/Obrecht/Venture]
Appears on: 2–3
Genres: Liturgical work, Motet, Passion
Source Attribution: [Longaval/Obrecht/Venture]
Voice: [no designation]
Languages: Latin
Voice Text: Passio domini nostri Jhesu Christi secundam Lucam(!) II: Apprehendit ergo eum Pilatus III: Orabat autem Jhesus pro crucifigantibus
3–4 Passio Domini secundum Matthaeum - 2a pars (of 3): Apprehendit ergo eum Pilatus -
Appears on: 3–4
Genres: Passion
4–5 Passio Domini secundum Matthaeum - 3a pars (of 3): Orabat autem Jesus pro crucifigentibus -
Appears on: 4–5
Genres: Motet
5v Inviolata integra et casta 24.4 - 1a pars (of 3): Inviolata integra et casta es Maria [Josquin]
Appears on: 5v
Genres: Motet
Source Attribution: [Josquin]
Voice: [no designation]
Languages: Latin
Voice Text: Inviolata integra et casta es Maria 24.4 II: Nostra ut pura pectora sint III: O benigna O regina O Maria
5v Inviolata integra et casta 24.4 - 2a pars (of 3): Nostra ut pura pectora fuit -
Appears on: 5v
Genres: Motet
6 Inviolata integra et casta 24.4 - 3a pars (of 3): O benigna o regina o Maria -
Appears on: 6
Genres: Motet
6–6v De profundis clamavi 15.14 (5vv - M29) - 1a pars (of 2): De profundis clamavi ad te Domine [Josquin/Senfl]
Appears on: 6–6v
Genres: Motet
Source Attribution: [Josquin/Senfl]
Voice: [no designation]
Languages: Latin
Voice Text: De profundis clamavi ad te domine 15.14 II: [A custodia] Matutina usque ad noctem
7 De profundis clamavi 15.14 (5vv - M29) - 2a pars (of 2): A custodia Matutina usque ad noctem -
Appears on: 7
Genres: Motet
7v Jerusalem luge - 1a pars (of 2): Jerusalem luge et exue te vestibus jocunditatis [Caen/Lupus/Richafort]
Appears on: 7v
Genres: Motet
Source Attribution: [Caen/Lupus/Richafort]
Voice: [no designation]
Languages: Latin
Voice Text: Jerusalem luge et exue te vestibus II: Deduc quasi torrentem lachrimas
8 Jerusalem luge - 2a pars (of 2): Deduc quasi torrentem lacrimas -
Appears on: 8
Genres: Motet
8v Festum nunc celebre magnaque gaudia 2 Conscendit jubilans laetus ad ethera 4 Oramus Domine conditor inclite devotos L. Zinsmaister
Appears on: 8v
Genres: Motet
Source Attribution: L. Zinsmaister
Voice: [no designation]
Languages: Latin
Voice Text: [Festum nunc celebre magnaque gaudia] 2 Conscendit iubilans letus ad ethera 4 Oramus domine conditor inclite devotos
8v–9 Da siceram merentibus et vinum his (=Je ne me puis tenir d'aimer 29.11) [Gombert/Josquin/Sermisy]
Appears on: 8v–9
Genres: Contrafactum, Motet
Source Attribution: [Gombert/Josquin/Sermisy]
Voice: [no designation]
Languages: Latin
Voice Text: Date siceram merentibus et vinum 29.11 [= Je ne me puis tenir d'aymer]
9v–10 Usquequo Domine oblivisceris me in finem Anon. Anonymous
Appears on: 9v–10
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Usquequo domine oblivisceris me in finem
10–12 Salve regina misericordiae Vita dulcedo II: Ad te suspiramus gementes et flentes III: Et Jesum benedictum fructum ventris IV: O pia Anon. Anonymous
Appears on: 10–12
Genres: Motet, Salve Regina
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Salve regina misericordie vita dulcedo
12v Patris sapientia veritas divina Christus Anon. Anonymous
Appears on: 12v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Patris sapientia veritas divina Christus
13 In te Domine speravi non confundar 28.18 [Josquin]
Appears on: 13
Genres: Contrafactum, Motet
Source Attribution: [Josquin]
Voice: [no designation]
Languages: Latin
Voice Text: [I]n te domine speravi non confundar 28.17
13–13v Sicut lilium inter spinas sic anima mea [Brumel]
Appears on: 13–13v
Genres: Motet
Source Attribution: [Brumel]
Voice: [no designation]
Languages: Latin
Voice Text: Sicut lilium inter spinas sic amica
13v Qui credit in filium habet vitam aeternam (= Dulcis amica Dei rosa vernans stella) [Prioris]
Appears on: 13v
Genres: Motet
Source Attribution: [Prioris]
Voice: [no designation]
Languages: Latin
Voice Text: [Q]ui credit in filium habet vitam aeternam [= Dulcis amica dei rosa vernans stella]
14–15 Homo quidam fecit caenam II: Quia parata sunt omnibus firmiter III: Venite comedite panem meum (P97, 4vv) [Senfl]
Appears on: 14–15
Genres: Motet
Source Attribution: [Senfl]
Voice: [no designation]
Languages: Latin
Voice Text: [H]omo quidam fecit coenam magnam et misit II: [Q]uia parata sunt omnibus firmiter III: [V]enite comedite panem meum
15 Accessit ad pedes - 1a pars (of 3): Accessit ad pedes Jesu peccatrix mulier [Mahu]
Appears on: 15
Genres: Motet
Source Attribution: [Mahu]
Voice: [no designation]
Languages: Latin
Voice Text: [A]ccessit ad pedes Iesu peccatrix mulier II: [E]t osculata est et lavit lachrymis III: [D]imissa sunt ei peccata multa
15v Accessit ad pedes - 2a pars (of 3): Et osculata est et lavit lachrimis -
Appears on: 15v
Genres: Motet
15v–16 Accessit ad pedes - 3a pars (of 3): Dimissa sunt ei peccata multa -
Appears on: 15v–16
Genres: Motet
16–16v Puer natus est nobis et filius datus est 26.9 [Josquin/Mouton]
Appears on: 16–16v
Genres: Motet
Source Attribution: [Josquin/Mouton]
Voice: [no designation]
Languages: Latin
Voice Text: [P]uer natus est nobis et filius datus 26.9
General Note

1a pars only

16v Adjuva nos Deus salutaris noster Anon. Anonymous
Appears on: 16v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [A]diuva nos deus salutaris noster
16v–17 Non potest homo quicquam a se ipso facere [Forster]
Appears on: 16v–17
Genres: Motet
Source Attribution: [Forster]
Voice: [no designation]
Languages: Latin
Voice Text: [N]on potest homo quicquam a se [ipso] facere
17 Conclusit Dominus omnia sub peccato [Forster]
Appears on: 17
Genres: Motet
Source Attribution: [Forster]
Voice: [no designation]
Languages: Latin
Voice Text: [C]onclusit dominus omnia sub peccato
17v–18 Veni electa mea et ponam in te thronum [Lapicida]
Appears on: 17v–18
Genres: Motet
Source Attribution: [Lapicida]
Voice: [no designation]
Languages: Latin
Voice Text: [V]eni electa mea et ponam in te thronum
18 Oime patientia [Unterholtzer]
Appears on: 18
Genres: Motet
Source Attribution: [Unterholtzer]
Voice: [no designation]
Languages: Latin
Voice Text: [O]ime patientia
18–18v Laus Deo pax vivis et requies defunctis Anon. Anonymous
Appears on: 18–18v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [L]aus deo pax vivis et requies defunctis
18v Rex autem David cooperto capite incedens [Willaert]
Appears on: 18v
Genres: Motet
Source Attribution: [Willaert]
Voice: [no designation]
Languages: Latin
Voice Text: [R]ex autem David cooperto capite incedens
19 Pulchra Sion filia (P110) - 1a pars (of 3): Pulchra Sion filia pro mortali tunica [Senfl]
Appears on: 19
Genres: Responsory
Source Attribution: [Senfl]
Voice: [no designation]
Languages: Latin
Voice Text: [P]ulchra Sion filia pro mortali tunica II: [A]b aestu mundi transfer nos
19–19v Pulchra Sion filia (P110) - 2a pars (of 3): Ab aestu mundi transfer nos -
Appears on: 19–19v
Genres: Motet
General Note

The 'Gloria Patri' (3a pars) is not copied

19v Missa Salva nos Domine: Agnus III [Isaac/La Rue]
Appears on: 19v
Genres: Agnus Dei, Contrafactum, Mass Ordinary, Motet
Source Attribution: [Isaac/La Rue]
Voice: [no designation]
Languages: Latin
Voice Text: [S]alva nos domine vigilantes custodi nos [= Agnus III from Missa Salva nos]
20 Non lotis manibus manducare non coinquinat [Stappen]
Appears on: 20
Genres: Motet
Source Attribution: [Stappen]
Voice: [no designation]
Languages: Latin
Voice Text: [N]on lotis manibus manducare non coinquinat
20 Laudate pueri Dominum Anon. Anonymous
Appears on: 20
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [L]audate pueri dominum [incomplete]
General Note

incomplete

20v–21 Salutem ex inimicis nostris et de manu [Arthopius]
Appears on: 20v–21
Genres: Motet
Source Attribution: [Arthopius]
Voice: [no designation]
Languages: Latin
Voice Text: Salutem ex inimicis nostris et de manu
21–21v Ave Maria ... virgo serena 23.6 - 1a pars (of 2): Ave Maria ... virgo serena [Josquin]
Appears on: 21–21v
Genres: Ave Maria, Motet
Source Attribution: [Josquin]
Voice: [no designation]
Languages: Latin
Voice Text: Ave Maria gratia plena dominus tecum 23.6
21v–22 Ave Maria ... virgo serena 23.6 - 2a pars (of 2): Ave vera virginitas -
Appears on: 21v–22
Genres: Ave Maria, Motet
22 Patris sapientia veritas divina Christus Anon. Anonymous
Appears on: 22
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Patris sapientia veritas divina Christus
22v–24 Passio secundum Matthaeum: Ja nicht auf das fest [Walter?]
Appears on: 22v–24
Genres: Liturgical work, Passion
Source Attribution: [Walter?]
Voice: [no designation]
Languages: German
Voice Text: [St. Matthew Passion]: Ja nicht uf das fest
24–25 Passio secundum Johannem: Jesum von Nazareth [Walter?]
Appears on: 24–25
Genres: Liturgical work, Passion
Source Attribution: [Walter?]
Voice: [no designation]
Languages: German
Voice Text: [St. John Passion]: Jhesum von Nazareth
25v–26 Nisi Dominus - 1a pars (of 2): Nisi Dominus aedificaverit domum frustra [Senfl]
Appears on: 25v–26
Source Attribution: [Senfl]
Voice: [no designation]
Languages: Latin
Voice Text: Nisi dominus edificaverit domum in vanum II: Cum dederit delectis suis somnum
26–26v Nisi Dominus - 2a pars (of 2): Cum dederit dilectis suis somnum -
Appears on: 26–26v
26v–27v Pater noster (4vv) - 1a pars (of 2): Pater noster qui es in caelis Adrianus Vuillartt/[Obrecht]
Appears on: 26v–27v
Genres: Motet
Source Attribution: Adrianus Vuillartt/[Obrecht]
Voice: [no designation]
Languages: Latin
Voice Text: Pater noster qui es in caelis II: Ave Maria gratia plena dominus tecum
27v–28 Pater noster (4vv) - 2a pars (of 2): Ave Maria gratia plena Dominus tecum -
Appears on: 27v–28
Genres: Ave Maria, Motet
28v–29 Regina caeli laetare alleluia Anon. Anonymous
Appears on: 28v–29
Genres: Motet, Regina caeli laetare
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Regina coeli letare alleluia
29v–30 In te Domine speravi - 1a pars (of 2): In te Domine speravi [Hellinck/Senfl/Verdelot]
Appears on: 29v–30
Genres: Motet, Te Deum
Source Attribution: [Hellinck/Senfl/Verdelot]
Voice: [no designation]
Languages: Latin
Voice Text: In te domine speravi non confundar II: Quoniam fortitudo mea et refugium
30–30v In te Domine speravi - 2a pars (of 2): Quoniam fortitudo mea ... Et propter nomen -
Appears on: 30–30v
Genres: Motet
30v–31v Si Deus pro nobis - 1a pars (of 2): Si Deus pro nobis quis contra nos [Paminger]
Appears on: 30v–31v
Genres: Motet
Source Attribution: [Paminger]
Voice: [no designation]
Languages: Latin
Voice Text: Si deus pro nobis quis contra nos II: Quis igitur nos separabit a dilectione
31v–32 Si Deus pro nobis - 2a pars (of 2): Quis igitur nos separabit -
Appears on: 31v–32
Genres: Motet
32v Ho ho lieber Hans besorg Dein gans [Forster]
Appears on: 32v
Genres: Motet
Source Attribution: [Forster]
Voice: [no designation]
Languages: German
Voice Text: Ho ho lieber Hans besorg dein gans
32v–33v Ho ho lieber Hans trauter Hans Zabarie II: Kumbt her ir liebn gsellen Anon. Anonymous
Appears on: 32v–33v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Ho ho lieber Hans trauter Hans Zabarie II: Kumbt her ir liebn gsellen
33v–34 Nun zu diesen zeiten sollen wir alle frelich II: Martine lieber Herre mein nun schenkh Anon. Anonymous
Appears on: 33v–34
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Nun zu disen zeyten sollen wir alle frelich II: Martine lieber Herre mein nun schenkh
34v–35 Regnum mundi - 1a pars (of 2): Regnum mundi et omnem ornatum saeculi [Lhéritier]
Appears on: 34v–35
Genres: Motet
Source Attribution: [Lhéritier]
Voice: [no designation]
Languages: Latin
Voice Text: Regnum mundi et omnem ornatum seculi II: Quem vidi quem amavi in quem credidi
35 Regnum mundi - 2a pars (of 2): Quem vidi quem amavi in quem credidi -
Appears on: 35
Genres: Motet
35v–36 Grates nunc omnes (5vv) - 1a pars (of 2): Grates nunc omnes reddamus Domino Deo [Senfl]
Appears on: 35v–36
Genres: Motet
Source Attribution: [Senfl]
Voice: [no designation]
Languages: Latin
Voice Text: Grates nunc omnes dicamus domino deo II: Huic oportet ut canamus cum angelis
36–36v Grates nunc omnes (5vv) - 2a pars (of 2): Huic oportet ut canamus cum angelis -
Appears on: 36–36v
Genres: Motet
36v–37 O admirabile commercium creator generis [Senfl]
Appears on: 36v–37
Genres: Motet
Source Attribution: [Senfl]
Voice: [no designation]
Languages: Latin
Voice Text: O admirabile [commercium] creator generis
40 Christ der ist erstanden von der marter Anon. Anonymous
Appears on: 40
Genres: Hymn, Motet, Sacred Song
Source Attribution: Anon.
Voice: [no designation]
Languages: German, Greek
Voice Text: Christ der ist erstanden von der marter
Composer Compositions
Anonymous
Arthopius, Balthasar (–1534)
Brumel, Antoine (ca. 1460–ca. 1513)
Caen, Arnold
Despres, Josquin (ca. 1450–1521)
Forster, Georg (ca. 1510–1568)
Gombert, Nicolas (ca. 1495–ca. 1560)
Hellinck, Lupus (ca. 1494–1541)
Isaac, Heinrich (ca. 1450–1517)
Lapicida, Erasmus (ca. 1440–1547)
Lheritier, Jean (ca. 1480–ca. 1551)
Longueval, Antoine de (fl. 1498-1525)
Mahu, Stephan
Obrecht, Jacobus (ca. 1457–1505)
Paminger, Leonhard (1495–1567)
Prioris, Johannes (Denis, Dionisius) (–1515)
Richafort, Jean (ca. 1480–ca. 1550)
Rue, Pierre de la (ca. 1452–1518)
Senfl, Ludwig (ca. 1486–ca. 1543)
Sermisy, Claudin de (ca. 1490–1562)
Stappen, Crispin van der
Unterholzer, Rupertus
Venture, Johannes a la (fl. c1500)
Verdelot, Philippe (ca. 1480–ca. 1532)
Walter, Johann (1496–1570)
Willaert, Adrian (ca. 1490–1562)
Zinsmaister, Leonhard
Composition Composers (? Uncertain) Folios / Pages
Accessit ad pedes - 1a pars (of 3): Accessit ad pedes Jesu peccatrix mulier 15
Accessit ad pedes - 2a pars (of 3): Et osculata est et lavit lachrimis 15v
Accessit ad pedes - 3a pars (of 3): Dimissa sunt ei peccata multa 15v–16
Adjuva nos Deus salutaris noster Anonymous 16v
Ave Maria ... virgo serena 23.6 - 1a pars (of 2): Ave Maria ... virgo serena 21–21v
Ave Maria ... virgo serena 23.6 - 2a pars (of 2): Ave vera virginitas 21v–22
Christ der ist erstanden von der marter Anonymous 40
Conclusit Dominus omnia sub peccato 17
Da siceram merentibus et vinum his (=Je ne me puis tenir d'aimer 29.11) 8v–9
De profundis clamavi 15.14 (5vv - M29) - 1a pars (of 2): De profundis clamavi ad te Domine 6–6v
De profundis clamavi 15.14 (5vv - M29) - 2a pars (of 2): A custodia Matutina usque ad noctem 7
Festum nunc celebre magnaque gaudia 2 Conscendit jubilans laetus ad ethera 4 Oramus Domine conditor inclite devotos 8v
Grates nunc omnes (5vv) - 1a pars (of 2): Grates nunc omnes reddamus Domino Deo 35v–36
Grates nunc omnes (5vv) - 2a pars (of 2): Huic oportet ut canamus cum angelis 36–36v
Ho ho lieber Hans besorg Dein gans 32v
Ho ho lieber Hans trauter Hans Zabarie II: Kumbt her ir liebn gsellen Anonymous 32v–33v
Homo quidam fecit caenam II: Quia parata sunt omnibus firmiter III: Venite comedite panem meum (P97, 4vv) 14–15
In te Domine speravi - 1a pars (of 2): In te Domine speravi 29v–30
In te Domine speravi - 2a pars (of 2): Quoniam fortitudo mea ... Et propter nomen 30–30v
In te Domine speravi non confundar 28.18 13
Inviolata integra et casta 24.4 - 1a pars (of 3): Inviolata integra et casta es Maria 5v
Inviolata integra et casta 24.4 - 2a pars (of 3): Nostra ut pura pectora fuit 5v
Inviolata integra et casta 24.4 - 3a pars (of 3): O benigna o regina o Maria 6
Jerusalem luge - 1a pars (of 2): Jerusalem luge et exue te vestibus jocunditatis 7v
Jerusalem luge - 2a pars (of 2): Deduc quasi torrentem lacrimas 8
Laudate pueri Dominum Anonymous 20
Laus Deo pax vivis et requies defunctis Anonymous 18–18v
Missa Salva nos Domine: Agnus III 19v
Nisi Dominus - 1a pars (of 2): Nisi Dominus aedificaverit domum frustra 25v–26
Nisi Dominus - 2a pars (of 2): Cum dederit dilectis suis somnum 26–26v
Non lotis manibus manducare non coinquinat 20
Non potest homo quicquam a se ipso facere 16v–17
Nun zu diesen zeiten sollen wir alle frelich II: Martine lieber Herre mein nun schenkh Anonymous 33v–34
O admirabile commercium creator generis 36v–37
Oime patientia 18
Passio Domini secundum Matthaeum - 1a pars (of 3): Passio Domini nostri Jesu Christi secundum Mattheum 2–3
Passio Domini secundum Matthaeum - 2a pars (of 3): Apprehendit ergo eum Pilatus 3–4
Passio Domini secundum Matthaeum - 3a pars (of 3): Orabat autem Jesus pro crucifigentibus 4–5
Passio secundum Johannem: Jesum von Nazareth 24–25
Passio secundum Matthaeum: Ja nicht auf das fest 22v–24
Pater noster (4vv) - 1a pars (of 2): Pater noster qui es in caelis 26v–27v
Pater noster (4vv) - 2a pars (of 2): Ave Maria gratia plena Dominus tecum 27v–28
Patris sapientia veritas divina Christus Anonymous 12v
Patris sapientia veritas divina Christus Anonymous 22
Puer natus est nobis et filius datus est 26.9 16–16v
Pulchra Sion filia (P110) - 1a pars (of 3): Pulchra Sion filia pro mortali tunica 19
Pulchra Sion filia (P110) - 2a pars (of 3): Ab aestu mundi transfer nos 19–19v
Qui credit in filium habet vitam aeternam (= Dulcis amica Dei rosa vernans stella) 13v
Regina caeli laetare alleluia Anonymous 28v–29
Regnum mundi - 1a pars (of 2): Regnum mundi et omnem ornatum saeculi 34v–35
Regnum mundi - 2a pars (of 2): Quem vidi quem amavi in quem credidi 35
Rex autem David cooperto capite incedens 18v
Salutem ex inimicis nostris et de manu 20v–21
Salve regina misericordiae Vita dulcedo II: Ad te suspiramus gementes et flentes III: Et Jesum benedictum fructum ventris IV: O pia Anonymous 10–12
Si Deus pro nobis - 1a pars (of 2): Si Deus pro nobis quis contra nos 30v–31v
Si Deus pro nobis - 2a pars (of 2): Quis igitur nos separabit 31v–32
Sicut lilium inter spinas sic anima mea 13–13v
Usquequo Domine oblivisceris me in finem Anonymous 9v–10
Veni electa mea et ponam in te thronum 17v–18

denotes primary source study

Staehelin, Martin. 1977. Die Messen Heinrich Isaacs. Publikationen der Schweizerischen Musikforschenden Gesellschaft Serie II.  Bern and Stuttgart. Pages: I, xxxiii, 26, 78. Notes: physical description; contents list (partial); concordances (partial).

Windh, John Ernfrid. 1971. Early Lutheran Masses. University of Illinois, Unpublished D.M.A. thesis. Pages: 143-5. Notes: physical description (partial); mention of MS; discussion.

Gottwald, Clytus. 1968. Die Musikhandschriften der Universitätsbibliothek München. Die Handschriften der Universitätsbibliothek München.  Wiesbaden. Pages: 75-9. Notes: physical description; contents list; concordances.

Finscher, Ludwig. 1958. Eine wenig beachtete Quelle zu Johann Walters Passions-Turbae. Die Musikforschung, 189-95. Notes: physical description; contents list; concordances (partial).

Schmitz, Arnold (editor). 1955-. Musikalische Denkmäler.  Mainz. Pages: VIII, 145, 149ff. Notes: physical description; contents list (partial); concordances (partial); mention of MS; discussion.

Schröder, Otto (editor). 1953-70. Johann Walter: Sämtliche Werke.  Kassel and Basel. Pages: IV, 122-3. Notes: physical description (partial); contents list (partial); concordances (partial).

Geering, Arnold (editor). 1949-. Ludwig Senfl: Sämtliche Werke.  Wolfenbüttel and Zürich. Pages: VIII, 123, 125. Notes: physical description; contents list (partial); concordances (partial).

Geering, Arnold (editor). 1935. Das Erbe Deutscher Musik.  Leipzig, Kassel, Wolfenbüttel, and Wiesbaden. Pages: XIII, 115, 119-20. Notes: physical description; contents list (partial); concordances (partial).

Smijers, Albert (editor). 1926-64. Werken van Josquin des Prez: Motetten.  Amsterdam. Pages: I, xi, xiii. Notes: physical description (partial); contents list (partial); concordances (partial).

Wolf, Johannes (editor). 1908-21. Reprint: Farnborough, England, 1968. Werken van Jacob Obrecht.  Leipzig and Amsterdam,. Pages: XXVIII, [v-viii]. Notes: physical description (partial); contents list (partial); concordances (partial).

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description