D-Mu MS 8° 327

Universitätsbibliothek, München (Munich), Germany

partbook: c. 1543

Archive Universitätsbibliothek, München (Munich), Germany (D-Mu)
Shelfmark MS 8° 327
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface Paper
Numbering System Foliation
Measurements 139 x 212 mm
Other Identifiers
  • CCM: MunU 327
  • olim (Former shelfmark): Cim. 44b
Notations
  • black void mensural
External Links
Provenance
  • Augsburg? Bavaria, Germany
Contents 60 pieces from 30 composers
General Description

A single Tenor partbook. Copied by two main scribes and two additional scribes. Probably copied in Augsburg (FinschQW). Physical aspects are similar to MunU 326, but two books not part of same set.

DIAMM, 2017
Binding

Original covers of pasteboard overlaid with parchment from 15th-century missal.

DIAMM, 2017
Watermark

Resemble Briquet #1244, #5081, #8771, and #8880; same marks appear in MunU 326 (FinschQW).

DIAMM, 2017
Notation

black void mensural

DIAMM, 2017
Date

Ca. 1543 (collateral with MunU 326)

DIAMM, 2017
Foliation

Modern foliation, 1-50 (original folios now missing between new ff. 7/8, 28/29, 30/31, and 32/33); there are also remnants of original foliation.

DIAMM, 2017
Foliation

Other numberings: Some original numbering of pieces.

DIAMM, 2017
Decoration

A few inked initials; no other decoration

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

1 Mass, 32 motets, 3 German sacred pieces, 1 textless piece = 37

(Alder/Senfl)-1, Arbiter/(Buchner?)-1, Arcadelt/(Verdelot)-1, (Caen/Lupus/Richafort)-1, Clemens non Papa-1, (Ducis)-1, (Gombert)-1, Hagenperger-1, (Hellinck/Senfl/Verdelot)-1, (Hemmerlen)-1, Josquin-2, (La Rue)-1, Lemlin [Lorencius Lemel]-1, (Moulu)-1, (Paminger)-1, (Phinot)-1, Richafort/(Verdelot)-1, (Senfl)-1, Senfl/(Josquin)-1, (Stoltzer)-1, Unterholtzer-1, Walter-2, Willaert-1, anon-12

1 paper partbook (T-50 folios), 139 x 212. Modern foliation, 1-50 (original folios now missing between new ff. 7/8, 28/29, 30/31, and 32/33); remnants of original foliation. Some original numbering of pieces. Original covers of pasteboard overlaid with parchment from 15th-century missal. No index. Copied by two main scribes and two additional scribes. A few inked initials; no other decoration. Watermarks resemble Briquet #1244, #5081, #8771, and #8880; same marks appear in MunU 326 (FinschQW). Physical aspects similar to MunU 326, but two books not part of same set.

Ca. 1543 (collateral with MunU 326). Probably copied in Augsburg (FinschQW).

Vol 4

Composers: Add "(Cadéac)-1" and "(Crecquillon)-1"; change "(Ducis)-l" to "(Ducis/Maffoni)-1"; add "(Turchant)-l"; change "anon-12" to "anon-9."

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
2v Ecce quam bonum et quam jocundum habitare II: Quod descendit in orem vestimenti III: Quoniam illic mandavit Dominus Anon. Anonymous
Appears on: 2v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Ecce quam bonum et quam iucundum habitare II: Quod descendet in oram vestimenti III: Quoniam illic mandavit dominus
3–3v In diebus illis (5vv) - 1a pars (of 3): In diebus illis erat vir Babyloniae Adrianus Wilhart
Appears on: 3–3v
Genres: Motet
Source Attribution: Adrianus Wilhart
Voice: [no designation]
Languages: Latin
Voice Text: In diebus illis [erat vir Babyloniae] II: [Susanna aliquando] Et senes videbant III: Deus [qui] absconditorum es cognitor
4–4v In diebus illis (5vv) - 2a pars (of 3): Susanna aliquando Et senes videbant -
Appears on: 4–4v
Genres: Motet
4v–5v In diebus illis (5vv) - 3a pars (of 3): Deus qui absconditorum es cognitor -
Appears on: 4v–5v
Genres: Motet
5v–6v Si bona suscepimus de manu Domini Richafort/[Verdelot]
Appears on: 5v–6v
Genres: Motet
Source Attribution: Richafort/[Verdelot]
Voice: [no designation]
Languages: Latin
Voice Text: Si bona suscepimus de manu domini
6v–7 Ecce ego mitto vos sicut oves in medio Rupertus Unterholtzer
Appears on: 6v–7
Genres: Motet
Source Attribution: Rupertus Unterholtzer
Voice: [no designation]
Languages: Latin
Voice Text: Ecce ego mit[t]o vos sicut oves in medio
7 Memento mei Domine Deus dum veneris Lorencius Lemel [= Lemlin]
Appears on: 7
Genres: Motet
Source Attribution: Lorencius Lemel [= Lemlin]
Voice: [no designation]
Languages: Latin
Voice Text: Memento mei domine deus dum veneris
7v De profundis clamavi 15.14 (5vv - M29) - 1a pars (of 2): De profundis clamavi ad te Domine Lu: Senfl/[Josquin]
Appears on: 7v
Genres: Motet
Source Attribution: Lu: Senfl/[Josquin]
Voice: [no designation]
Languages: Latin
Voice Text: De profundis clamavi ad te domine 15.14 [incomplete]
General Note

1a pars only; 2a pars lost with missing pages

8 Salva nos Domine vigilantes custodi nos Anon. Anonymous
Appears on: 8
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Salva nos [domine vigilantes] custodi nos
8v Stabat mater 25.9 - 1a pars (of 2): Stabat mater dolorosa iusta crucem Josquin de Pres
Appears on: 8v
Genres: Motet, Stabat Mater
Source Attribution: Josquin de Pres
Voice: [no designation]
Languages: Latin
Voice Text: Stabat mater dolorosa iuxta crucem 25.9 II: Eia mater fons amoris me sentire
8v–9 Stabat mater 25.9 - 2a pars (of 2): Eia mater fons amoris me sentire -
Appears on: 8v–9
Genres: Motet
9–9v Ecce sacerdos magnus qui in diebus suis II: Ecce sacerdos magnus qui in diebus Anon. Anonymous
Appears on: 9–9v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Ecce sacerdos magnus qui in diebus suis II: Ecce sacerdos magnus qui in diebus
9v–10 Verbum Domini manet in aeternam Joannes Walter
Appears on: 9v–10
Genres: Motet
Source Attribution: Joannes Walter
Voice: [no designation]
Languages: Latin
Voice Text: Verbum domini manet in eternum
10–11 Vae pastoribus qui pascebant semetipsos II: Quod infirmum fuit non consolidastis III: Sed cum austeritate imperabatis eis Anon. Anonymous
Appears on: 10–11
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Vae pastoribus qui pascebant semetipsos II: Quod infirmum fuit non consolidastis III: Sed cum austeritate imperabatis eis
General Note

"Pusauner in Haydlburck" - perhaps an author attribution, to a 'trombonist in Heidelberg'?

11–12 Judica me Deus - 1a pars (of 2): Judica me Deus et discerne causam meam [Gombert]
Appears on: 11–12
Genres: Motet
Source Attribution: [Gombert]
Voice: [no designation]
Languages: Latin
Voice Text: Iudica me deus et discerne causam meam II: Et introibo ad altare dei
1v–13 Judica me Deus - 2a pars (of 2): Et introibo ad altare Dei ad Deum -
Appears on: 1v–13
Genres: Motet
13v–14 Vulnerasti cor meum - 1a pars (of 2): Vulnerasti cor meum soror mea sponsa [Moulu]
Appears on: 13v–14
Genres: Motet
Source Attribution: [Moulu]
Voice: [no designation]
Languages: Latin
Voice Text: Vulnerasti cor meum soror sponsa mea II: Et vox tua dulcis in auribus meis
14–15 Vulnerasti cor meum - 2a pars (of 2): Et vox tua dulcis in auribus meis -
Appears on: 14–15
Genres: Motet
15–16 Benedicam Dominum - 1a pars (of 4): Benedicam Dominum in omni tempore semper [Bauldeweyn/Stoltzer]
Appears on: 15–16
Genres: Motet
Source Attribution: [Bauldeweyn/Stoltzer]
Voice: [no designation]
Languages: Latin
Voice Text: [Benedicam dominum in omni tempore] Semper II: [Oculi domini super justos et aures] (Pars II not present in this source) III: Venite filii audite me timorem IV: Clamaverunt iusti et dominus
16 Benedicam Dominum - 2a pars (of 4): Venite filii audite me timorem Domini -
Appears on: 16
Genres: Motet
General Note

Tenor tacet in this pars

16–16v Benedicam Dominum - 3a pars (of 4): Oculi Domini super iustos et aures -
Appears on: 16–16v
Genres: Motet
16v–17v Benedicam Dominum - 4a pars (of 4): Clamaverunt justi et Dominus exaudivit -
Appears on: 16v–17v
Genres: Motet
17v–19 Miserere mei Deus 18.3 - 1a pars (of 3): Miserere mei Deus secundum magnam [Josquin]
Appears on: 17v–19
Genres: Miserere mei Deus, Motet
Source Attribution: [Josquin]
Voice: [no designation]
Languages: Latin
Voice Text: Miserere mei deus [secundum magnam] 18.3 II: Audi auditui meo dabis gaudium III: Domine labia mea aperies et os
19–20v Miserere mei Deus 18.3 - 2a pars (of 3): Auditui meo dabis gaudium -
Appears on: 19–20v
Genres: Miserere mei Deus, Motet
20v–21v Miserere mei Deus 18.3 - 3a pars (of 3): Domine labia mea aperies et os -
Appears on: 20v–21v
Genres: Miserere mei Deus, Motet
22 Jerusalem luge - 1a pars (of 2): Jerusalem luge et exue te vestibus jocunditatis [Caen/Lupus/Richafort]
Appears on: 22
Genres: Motet
Source Attribution: [Caen/Lupus/Richafort]
Voice: [no designation]
Languages: Latin
Voice Text: Jerusalem luge et exue te vestibus II: Deduc quasi torrentem lachrimis
22–22v Jerusalem luge - 2a pars (of 2): Deduc quasi torrentem lacrimas -
Appears on: 22–22v
Genres: Motet
23–23v Missa Nunqua fue pena major: Kyrie [La Rue]
Appears on: 23–23v
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: [La Rue]
Voice: [no designation]
Languages: Latin, Greek
Voice Text: [Missa Nunca fue pena mayor] [KGCS]
23v–24 Missa Nunqua fue pena major: Gloria -
Appears on: 23v–24
Genres: Gloria (et in terra pax), Mass Ordinary
24–25 Missa Nunqua fue pena major: Credo -
Appears on: 24–25
Genres: Credo (patrem omnipotentem), Mass Ordinary
25v–26v Missa Nunqua fue pena major: Sanctus -
Appears on: 25v–26v
Genres: Mass Ordinary, Sanctus [& Benedictus]
26v–27v [Trium, untexted] Anon. -
Appears on: 26v–27v
Genres: textless
Source Attribution: Anon.
Voice: [no designation]
Languages: none
Voice Text: Textless
27v–28 Heilig heilig heilig ist Gott in seinem Thron Anon. Anonymous
Appears on: 27v–28
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Heÿlig heÿlig heÿlig ist Gott in seinen thronn
28–30 Maria Magdalena - 1a pars (of 2): Maria Magdalena et altera Maria ibant Clemens non Papa
Appears on: 28–30
Genres: Motet
Source Attribution: Clemens non Papa
Voice: [no designation]
Languages: Latin
Voice Text: Maria Magdalena et altera Maria ibant II: Cito euntes dicite discipulis eius
30, 32v–33 Maria Magdalena - 2a pars (of 2): Cito euntes dicite discipulis eius -
Appears on: 30, 32v–33
Genres: Motet
General Note

the 2a pars is interrupted by several other pieces before being completed on ff. 32v-33

30v Parce mihi - 1a pars (of 2): Parce mihi Domini nihil enim sunt dies [Turchant]
Turchant (?)
Appears on: 30v
Genres: Motet
Source Attribution: [Turchant]
Voice: [no designation]
Languages: Latin
Voice Text: Parce mihi domine nihil enim sunt dies [incomplete]
General Note

incomplete - lacks ending

31 Dilexi quoniam - 2a pars (of 2): O Domine libera animam meam [Ducis/Maffoni]
Appears on: 31
Genres: Motet
Source Attribution: [Ducis/Maffoni]
Voice: [no designation]
Languages: Latin
Voice Text: [Dilexi quoniam exaudiet dominus] ... domino in regione vivorum [ending only]
General Note

incomplete - end only, from " ... Domino in regione vivorum"

31–31v Saepe expugnaverunt - 1a pars (of 2): Saepe expugnaverunt me a juventute mea H. Hagenperger
Appears on: 31–31v
Genres: Motet
Source Attribution: H. Hagenperger
Voice: [no designation]
Languages: Latin
Voice Text: Sepe expugnaverunt me a iuventute mea II: Fiant sicut fenum tectorum
31v–32 Saepe expugnaverunt - 2a pars (of 2): Fiant sicut fenum tectorum -
Appears on: 31v–32
Genres: Motet
33–34 In te Domine speravi - 1a pars (of 2): In te Domine speravi [Hellinck/Senfl/Verdelot]
Appears on: 33–34
Genres: Motet, Te Deum
Source Attribution: [Hellinck/Senfl/Verdelot]
Voice: [no designation]
Languages: Latin
Voice Text: In te domine speravi non confundar II: Quoniam fortitudo mea et refugium
34–35 In te Domine speravi - 2a pars (of 2): Quoniam fortitudo mea ... Et propter nomen -
Appears on: 34–35
Genres: Motet
35–36 Si Deus pro nobis - 1a pars (of 2): Si Deus pro nobis quis contra nos [Paminger]
Appears on: 35–36
Genres: Motet
Source Attribution: [Paminger]
Voice: [no designation]
Languages: Latin
Voice Text: Si deus pro nobis quis contra nos II: Quis igitur nos separabit a dilectione
36v–37 Si Deus pro nobis - 2a pars (of 2): Quis igitur nos separabit -
Appears on: 36v–37
Genres: Motet
37–38 Regina caeli laetare alleluia II: Resurrexit sicut dixit alleluia Anon. Anonymous
Appears on: 37–38
Genres: Motet, Regina caeli laetare
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Regina caeli letare alleluia II: Resurrexit sicut dixit alleluia
38–38v In trinitate o fideles confidamus - 1a pars (of 2): In trinitate o fideles confidamus nostram [Cadéac]
Appears on: 38–38v
Genres: Motet
Source Attribution: [Cadéac]
Voice: [no designation]
Languages: Latin
Voice Text: In trinitate O fideles confidamus nostram II: Purifica mentes nostris imaculatas
39–39v In trinitate o fideles confidamus - 2a pars (of 2): Purifica mentes nostras immaculatis -
Appears on: 39–39v
Genres: Motet
39v–40v Ne recorderis peccata mea Domine cum veneris [Hemmerlen]
Appears on: 39v–40v
Genres: Motet
Source Attribution: [Hemmerlen]
Voice: [no designation]
Languages: Latin
Voice Text: Ne recorderis peccata mea domine
40v–41v Domine da nobis - 1a pars (of 2): Domine da nobis auxilium de tribulatione [Crecquillon]
Appears on: 40v–41v
Genres: Motet
Source Attribution: [Crecquillon]
Voice: [no designation]
Languages: Latin
Voice Text: Domine da nobis auxilium de tribulatione II: Tibi subiecta sit anima mea
41v–42 Domine da nobis - 2a pars (of 2): Tibi subiecta sit amica mea -
Appears on: 41v–42
Genres: Motet
42v Salva nos Domine vigilantes custodi nos Anon. Anonymous
Appears on: 42v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Salva nos domine vigilantes custodi nos
43–43v Istorum est enim regnum caelorum [Phinot]
Appears on: 43–43v
Genres: Motet
Source Attribution: [Phinot]
Voice: [no designation]
Languages: Latin
Voice Text: Istorum est enim regnum celorum
43v Qui prophetice prompsisti - 3a pars (of 3): Vita in ligno moritur infernus ex morsu [Senfl]
Appears on: 43v
Genres: Motet
Source Attribution: [Senfl]
Voice: [no designation]
Languages: Latin
Voice Text: Vita in ligno moritur infernus ex morsu
General Note

Only this one part of the piece is copied

44–44v Optima virtutum Sophia mea viscera Anon. Anonymous
Appears on: 44–44v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Optima virtutum Sophia mea viscera
44v–45v Da Jacob das Kleid ansah mit großem Schmerzen [Alder/Senfl]
Appears on: 44v–45v
Genres: Motet
Source Attribution: [Alder/Senfl]
Voice: [no designation]
Languages: German
Voice Text: Da Jacob nun das klaid ansach
45v–46v Dum complerentur dies Pentecostes erant omnes Archadelt/[Verdelot]
Appears on: 45v–46v
Genres: Motet
Source Attribution: Archadelt/[Verdelot]
Voice: [no designation]
Languages: Latin
Voice Text: Dum complerentur dies pentecostes
46v Nun bitten wir den heiligen geist (5vv) [Walter]
Appears on: 46v
Genres: Motet, Veni sancte spiritus
Source Attribution: [Walter]
Voice: [no designation]
Languages: German
Voice Text: Nun bitten wir den heiligen geist
47 Discubuit Jesus - 1a pars (of 4): Discubuit Jesus et discipuli eius Guolphus Arbiterus/[Buchner?]
Appears on: 47
Genres: Motet
Source Attribution: Guolphus Arbiterus/[Buchner?]
Voice: [no designation]
Languages: Latin
Voice Text: Discubuit Jesus et discipuli eius II: Et accepto pane gratias agens III: Fecit Asuerus rex grande convivium IV: Et accepto pane gratias agens
47–47v Discubuit Jesus - 2a pars (of 4): Et accepto pane gratias agens -
Appears on: 47–47v
Genres: Motet
47v–48 Discubuit Jesus - 3a pars (of 4): Fecit Asuerus rex grande convivium -
Appears on: 47v–48
Genres: Motet
48 Discubuit Jesus - 4a pars (of 4): Et accepto pane gratias agens -
Appears on: 48
Genres: Motet
Composer Compositions
Alder, Cosmas (1500–1550)
Anonymous
Arbiter, Guolphus
Arcadelt, Jacques (ca. 1507–1568)
Bauldeweyn, Noel (ca. 1480–1529)
Cadeac, P(ierre?)
Caen, Arnold
Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Crecquillon, Thomas (ca. 1505–ca. 1557)
Despres, Josquin (ca. 1450–1521)
Ducis, Benedictus
Gombert, Nicolas (ca. 1495–ca. 1560)
Hagenperger, H.
Hellinck, Lupus (ca. 1494–1541)
Hemmerlen, Georgius
Lemlin, Lorenz (ca. 1495–ca. 1549)
Maffoni, Hieronymus
Moulu, Pierre (ca. 1484–ca. 1550)
Paminger, Leonhard (1495–1567)
Phinot, Dominique
Richafort, Jean (ca. 1480–ca. 1550)
Rue, Pierre de la (ca. 1452–1518)
Rupsch, Conrad
Senfl, Ludwig (ca. 1486–ca. 1543)
Stoltzer, Thomas (ca. 1480–1526)
Turchant
Unterholzer, Rupertus
Verdelot, Philippe (ca. 1480–ca. 1532)
Walter, Johann (1496–1570)
Willaert, Adrian (ca. 1490–1562)
Composition Composers (? Uncertain) Folios / Pages
[Trium, untexted] - 26v–27v
Benedicam Dominum - 1a pars (of 4): Benedicam Dominum in omni tempore semper 15–16
Benedicam Dominum - 2a pars (of 4): Venite filii audite me timorem Domini 16
Benedicam Dominum - 3a pars (of 4): Oculi Domini super iustos et aures 16–16v
Benedicam Dominum - 4a pars (of 4): Clamaverunt justi et Dominus exaudivit 16v–17v
Da Jacob das Kleid ansah mit großem Schmerzen 44v–45v
De profundis clamavi 15.14 (5vv - M29) - 1a pars (of 2): De profundis clamavi ad te Domine 7v
Dilexi quoniam - 2a pars (of 2): O Domine libera animam meam 31
Discubuit Jesus - 1a pars (of 4): Discubuit Jesus et discipuli eius 47
Discubuit Jesus - 2a pars (of 4): Et accepto pane gratias agens 47–47v
Discubuit Jesus - 3a pars (of 4): Fecit Asuerus rex grande convivium 47v–48
Discubuit Jesus - 4a pars (of 4): Et accepto pane gratias agens 48
Domine da nobis - 1a pars (of 2): Domine da nobis auxilium de tribulatione 40v–41v
Domine da nobis - 2a pars (of 2): Tibi subiecta sit amica mea 41v–42
Dum complerentur dies Pentecostes erant omnes 45v–46v
Ecce ego mitto vos sicut oves in medio 6v–7
Ecce quam bonum et quam jocundum habitare II: Quod descendit in orem vestimenti III: Quoniam illic mandavit Dominus Anonymous 2v
Ecce sacerdos magnus qui in diebus suis II: Ecce sacerdos magnus qui in diebus Anonymous 9–9v
Heilig heilig heilig ist Gott in seinem Thron Anonymous 27v–28
In diebus illis (5vv) - 1a pars (of 3): In diebus illis erat vir Babyloniae 3–3v
In diebus illis (5vv) - 2a pars (of 3): Susanna aliquando Et senes videbant 4–4v
In diebus illis (5vv) - 3a pars (of 3): Deus qui absconditorum es cognitor 4v–5v
In te Domine speravi - 1a pars (of 2): In te Domine speravi 33–34
In te Domine speravi - 2a pars (of 2): Quoniam fortitudo mea ... Et propter nomen 34–35
In trinitate o fideles confidamus - 1a pars (of 2): In trinitate o fideles confidamus nostram 38–38v
In trinitate o fideles confidamus - 2a pars (of 2): Purifica mentes nostras immaculatis 39–39v
Istorum est enim regnum caelorum 43–43v
Jerusalem luge - 1a pars (of 2): Jerusalem luge et exue te vestibus jocunditatis 22
Jerusalem luge - 2a pars (of 2): Deduc quasi torrentem lacrimas 22–22v
Judica me Deus - 1a pars (of 2): Judica me Deus et discerne causam meam 11–12
Judica me Deus - 2a pars (of 2): Et introibo ad altare Dei ad Deum 1v–13
Maria Magdalena - 1a pars (of 2): Maria Magdalena et altera Maria ibant 28–30
Maria Magdalena - 2a pars (of 2): Cito euntes dicite discipulis eius 30, 32v–33
Memento mei Domine Deus dum veneris 7
Miserere mei Deus 18.3 - 1a pars (of 3): Miserere mei Deus secundum magnam 17v–19
Miserere mei Deus 18.3 - 2a pars (of 3): Auditui meo dabis gaudium 19–20v
Miserere mei Deus 18.3 - 3a pars (of 3): Domine labia mea aperies et os 20v–21v
Missa Nunqua fue pena major: Credo 24–25
Missa Nunqua fue pena major: Gloria 23v–24
Missa Nunqua fue pena major: Kyrie 23–23v
Missa Nunqua fue pena major: Sanctus 25v–26v
Ne recorderis peccata mea Domine cum veneris 39v–40v
Nun bitten wir den heiligen geist (5vv) 46v
Optima virtutum Sophia mea viscera Anonymous 44–44v
Parce mihi - 1a pars (of 2): Parce mihi Domini nihil enim sunt dies
Turchant (?)
30v
Qui prophetice prompsisti - 3a pars (of 3): Vita in ligno moritur infernus ex morsu 43v
Regina caeli laetare alleluia II: Resurrexit sicut dixit alleluia Anonymous 37–38
Saepe expugnaverunt - 1a pars (of 2): Saepe expugnaverunt me a juventute mea 31–31v
Saepe expugnaverunt - 2a pars (of 2): Fiant sicut fenum tectorum 31v–32
Salva nos Domine vigilantes custodi nos Anonymous 8
Salva nos Domine vigilantes custodi nos Anonymous 42v
Si bona suscepimus de manu Domini 5v–6v
Si Deus pro nobis - 1a pars (of 2): Si Deus pro nobis quis contra nos 35–36
Si Deus pro nobis - 2a pars (of 2): Quis igitur nos separabit 36v–37
Stabat mater 25.9 - 1a pars (of 2): Stabat mater dolorosa iusta crucem 8v
Stabat mater 25.9 - 2a pars (of 2): Eia mater fons amoris me sentire 8v–9
Vae pastoribus qui pascebant semetipsos II: Quod infirmum fuit non consolidastis III: Sed cum austeritate imperabatis eis Anonymous 10–11
Verbum Domini manet in aeternam 9v–10
Vulnerasti cor meum - 1a pars (of 2): Vulnerasti cor meum soror mea sponsa 13v–14
Vulnerasti cor meum - 2a pars (of 2): Et vox tua dulcis in auribus meis 14–15

denotes primary source study

Windh, John Ernfrid. 1971. Early Lutheran Masses. University of Illinois, Unpublished D.M.A. thesis. Pages: 143-5. Notes: physical description (partial); mention of MS; discussion.

Gottwald, Clytus. 1968. Die Musikhandschriften der Universitätsbibliothek München. Die Handschriften der Universitätsbibliothek München.  Wiesbaden. Pages: 75, 79-82. Notes: physical description; contents list; concordances.

Finscher, Ludwig. 1958. Eine wenig beachtete Quelle zu Johann Walters Passions-Turbae. Die Musikforschung, 189-95. Notes: physical description (partial); contents list; concordances (partial).

Geering, Arnold (editor). 1935. Das Erbe Deutscher Musik.  Leipzig, Kassel, Wolfenbüttel, and Wiesbaden. Pages: XIII, 116, 120. Notes: physical description; contents list (partial); concordances (partial).

Smijers, Albert (editor). 1926-64. Werken van Josquin des Prez: Motetten.  Amsterdam. Pages: VIII, vi, viii-xv. Notes: physical description; contents list (partial); concordances (partial).

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David Wyatt

Friday, 9 June, 2017

DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Watermark Note; Notation Note; Date Note; Foliation Note; Foliation Note; Decoration Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description