D-Ngm 83795 [Tenor]

Bibliothek des Germanischen Nationalmuseums, Nürnberg (Nuremberg), Germany

partbook: c. 1539-48

Archive Bibliothek des Germanischen Nationalmuseums, Nürnberg (Nuremberg), Germany (D-Ngm)
Shelfmark 83795 [Tenor]
Image Availability DIAMM does not have images of this source.
Surface Paper
Numbering System Foliation
Measurements 154 x 212; later trimmed to 144 x 201 mm
Other Identifiers
  • CCM: NurGN 83795
  • olim (Former shelfmark): M 369m
  • Alternative names: Kade's "Luther-Codex"
Notations
  • black void mensural
Copyists
Relationships
External Links
Provenance
  • Torgau, Saxony, Germany
Contents 222 pieces from 30 composers
General Description

A Tenor partbook. Main scribe of the Tenor book was Johann Walter; 12 additional scribes. Bassus book copied by one main scribe and seven additional scribes, none of whose hands appear in the Tenor. Although the two partbooks share a lot of the repertory, it seems they do not belong to the same set. Manuscript related to BerlPS 40013, BerlPS 40043, GothaF A98, and WeimB B (GerhW). Copied in Torgau, under direction of Johann Walter, for use in Pfarrkirche or Schlosskirche. Subsequent history unknown until 19th century; assertions of earlier ownership by Martin Luther or other branch of Luther family probably incorrect. Tenor book (and possibly Bassus book) acquired in 1830 by Wilhelm Schäfer of Leipzig; both books purchased in 1870 by the Dresden publisher Heinrich Klemm, through Butsch Antiquariat, Augsburg. Passed to Germanisches Nationalmuseum in Nuremberg after 1886.

DIAMM, 2017
Binding

original covers of white leather over wooden boards, tooled with portraits of Luther and Melanchthon; two brass clasps

DIAMM, 2017
Watermark

none

DIAMM, 2017
Liminary Note

on f. 1: 'Hat myr verehret meyn guter freund / herr Johann Walther / Componist Musice / zu Torgaw / 1530 / dem Gott gnade / Martinus Luther.'

DIAMM, 2017
Notation

black void mensural

DIAMM, 2017
Foliation

Original ink foliation, I-III + 1-270 ('155' omitted; f. 268 missing); new pencil foliation replaces original numbers obliterated by trimming.

DIAMM, 2017
Index

Original index on ff. I'-III' of Tenor groups pieces alphabetically by first letter of text, with subgrouping under each letter by order of appearance. Incomplete original index on ff. 252'-253' of Bassus lists pieces mainly by feasts.

DIAMM, 2017
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

6 Masses, 7 Kyrie-Gloria pairs, 1 Kyrie, 1 Credo, 19 Mass Proper sections, 17 Magnificats, 1 Te Deum, 8 office hymns, I processional hymn, 1 Latin Passion, 2 German Passions, 50 motets, 3 Latin/German sacred pieces, 25 German sacred pieces = 142 + 1 duplicate = 143

(Burckstaller)-1, (Caen/Lupus/Richafort)-1, (N. Champion)-1, (Clemens non Papa)-2, (Compère)-2, (Crecquillon)-1, (Dietrich)-1, A. Fevin-1, (Figulus/Walter)-1, (Finck)-1, (Gesius)-1, (M. Forestier/Josquin)-1, (Gombert)-2, (Hellinck/Senfl/Verdelot)-1, (Isaac)-2, (Jaquet of Mantua)-1, Josquin-5, Josquin/(La Rue)-1, (Josquin/La Rue)-1, (Josquin/Senfl)-1, La Rue-4, (Longaval/Obrecht/Venture)-1, (Mahu/Walter)-1, Prioris-2, Rener-3, (Richafort)-1, (Richafort/Verdelot)-1, Roselli-1, Senfl-10, Senfl/(Josquin)-1, (Stoltzer)-1, (Verdelot/Walter)-1, (Walter)-60 + 13?, anon-14

2 paper partbooks (T-i + iii + 268 + iv + i folios, B-ii + 253 + ii), 154 x 212 (T later trimmed to 144 x 201). Original ink foliation, I-III + 1-270, in T ("155" omitted; f. 268 missing); new pencil foliation replaces original numbers obliterated by trimming. Original ink foliation, 1-230, in B ("31" omitted; "204" applied to two consecutive folios); new pencil foliation, 231-254, includes first modern flyleaf at end. T book has original covers of white leather over wooden boards, tooled with portraits of Luther and Melanchthon; two brass clasps. B book rebound in new covers of brown leather over cardboard, with brass clasp. Original index on ff. I'-III' of T groups pieces alphabetically by first letter of text, with subgrouping under each letter by order of appearance. Incomplete original index on ff. 252'-253' of B lists pieces mainly by feasts.

Main scribe of T book was Johann Walter; 12 additional scribes. B book copied by one main scribe and seven additional scribes, none of whose hands appear in T. Watermark in B: shield of Saxony (probably Briquet #1410). Inscription [19th-century forgery — GerhW] on f. 1 of T: "Hat myr verehret meyn guter freund / herr Johann Walther / Componist Musice / zu Torgaw / 1530 / dem Gott gnade / Martinus Luther." Manuscript related to BerlPS 40013, BerlPS 40043, GothaF A98, and WeimB B (GerhW).

Ca. 1539-48, with additions in second half of 16th century. Copied in Torgau, under direction of Johann Walter, for use in Pfarrkirche or Schlosskirche. Subsequent history unknown until 19th century; assertions of earlier ownership by Martin Luther or other branch of Luther family probably incorrect. T book (and possibly B book) acquired in 1830 by Wilhelm Schäfer of Leipzig; both books purchased in 1870 by the Dresden publisher Heinrich Klemm, through Butsch Antiquariat, Augsburg. Passed to Germanisches Nationalmuseum in Nuremberg after 1886.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1–2 Resurrexi Et adhuc tecum sum alleluia Vs: Domine probasti me Tu cognovisti sessionem [Walter]
Appears on: 1–2
Genres: Motet
Source Attribution: [Walter]
Voice: [no designation]
Languages: Latin
Voice Text: [Resurrexi] Et adhuc tecum sum alleluia Vs: [Domine probasti me] Tu cognovisti
2v–4v Missa Paschalis: Kyrie [Rener]
Appears on: 2v–4v
Genres: Gloria (et in terra pax), Kyrie eleison, Mass Ordinary
Source Attribution: [Rener]
Voice: [no designation]
Languages: Latin, Greek
Voice Text: [Missa] Pascale [KG]
2v–4v Missa Paschalis: Gloria -
Appears on: 2v–4v
Genres: Gloria (et in terra pax), Mass Ordinary
4v–7v Missa Pascale a6: Kyrie [Isaac]
Appears on: 4v–7v
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: [Isaac]
Voice: [no designation]
Languages: Latin, Greek
Voice Text: [Missa] Paschale [KGSA]
4v–7v Missa Pascale a6: Gloria -
Appears on: 4v–7v
Genres: Gloria (et in terra pax), Mass Ordinary
8–9v Salve festa dies - 1a pars (of 3): Salve festa dies toto venerabilis aevo [Walter?]
Appears on: 8–9v
Genres: Motet
Source Attribution: [Walter?]
Voice: [no designation]
Languages: Latin
Voice Text: Salve festa dies toto venerabilis evo II: Ecce renascentis testatur gracia III: Namque triumphanti post tristia
8–9v Salve festa dies - 2a pars (of 3): Ecce renascentis testatur gratia -
Appears on: 8–9v
Genres: Motet
8–9v Salve festa dies - 3a pars (of 3): Namque triumphanti post tristia -
Appears on: 8–9v
Genres: Motet
9v–10v Victime paschali laudes immolent Christiani Agnus redemit oves Christus innocens [Rener]
Appears on: 9v–10v
Genres: Motet
Source Attribution: [Rener]
Voice: [no designation]
Languages: Latin
Voice Text: [Victime paschali laudes immolent Christiani] Agnus redemit oves Christus innocens
11–11v Christ ist erstanden von der marter alle / Christus resurgens ex mortuis [Walter]
Appears on: 11–11v
Genres: Hymn, Motet, Sacred Song
Source Attribution: [Walter]
Voice: [no designation]
Languages: German, Greek
Voice Text: Christ ist erstanden von der marter alle
12–12v Christ ist erstanden (5vv) [M16] [Senfl]
Appears on: 12–12v
Genres: Motet
Source Attribution: [Senfl]
Voice: [no designation]
Languages: German, Greek
Voice Text: Crist ist erstanden von der marter alle
12v–13 Christus surrexit mala nostra texit (5vv) Anon. Anonymous
Appears on: 12v–13
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Christus surrexit mala nostra texit
13–13v Christus surrexit mala nostra texit (6vv) Anon. Anonymous
Appears on: 13–13v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Christus surrexit mala nostra texit
14–15 Missa Pascale a6: Sanctus -
Appears on: 14–15
Genres: Mass Ordinary, Sanctus [& Benedictus]
14–15 Missa Pascale a6: Agnus Dei -
Appears on: 14–15
Genres: Agnus Dei, Mass Ordinary
15–15v Christ lag in Todesbanden für unser Sündt [Walter]
Appears on: 15–15v
Genres: Hymn, Motet, Sacred Song
Source Attribution: [Walter]
Voice: [no designation]
Languages: German
Voice Text: Christ lag in todesbanden fur unser sundt
16–17 Viri Galilei Quid admiramini aspicientes Vs: Omnes gentes plaudite manibus Iubi late deo in voce [Walter?]
Appears on: 16–17
Genres: Motet
Source Attribution: [Walter?]
Voice: [no designation]
Languages: Latin
Voice Text: [Viri Galilei] Quid admiramini aspicientes Vs: [Omnes gentes plaudite] Iubilate deo
17–17v Ascendo ad patrem meum et patrem vestrum (5vv) [Walter?]
Appears on: 17–17v
Genres: Motet
Source Attribution: [Walter?]
Voice: [no designation]
Languages: Latin
Voice Text: Ascendo ad patrem meum et patrem vestrum
17v–18v Ascendo ad patrem meum (6vv) - 1a pars (of 2): Ascendo ad patrem meum et patrem vestrum [Walter]
Appears on: 17v–18v
Genres: Motet
Source Attribution: [Walter]
Voice: [no designation]
Languages: Latin
Voice Text: Ascendo ad patrem meum et patrem vestrum II: Deum meum et deum vestrum
17v–18v Ascendo ad patrem meum (6vv) - 2a pars (of 2): Deum meum et Deum vestrum -
Appears on: 17v–18v
Genres: Motet
18v–20v Ite in orbem universum - 1a pars (of 3): Ite in orbem universum et praedicate dicentes [Walter]
Appears on: 18v–20v
Genres: Motet
Source Attribution: [Walter]
Voice: [no designation]
Languages: Latin
Voice Text: Ite in orbem universum et predicate II: Qui crediderit et baptisatus fuerit III: In nomine patris et filii et spiritus
18v–20v Ite in orbem universum - 2a pars (of 3): Qui crediderit et baptisatus fuerit -
Appears on: 18v–20v
Genres: Motet
18v–20v Ite in orbem universum - 3a pars (of 3): In nomine patris et filii et spiritus -
Appears on: 18v–20v
Genres: Motet
20v–21v Festum nunc celebre magnaque gaudia (5vv) [Walter]
Appears on: 20v–21v
Genres: Motet
Source Attribution: [Walter]
Voice: [no designation]
Languages: Latin
Voice Text: Festum nunc celebre magnaque gaudia
21v–22v Festum nunc celebre magnaque gaudia (4vv - I) [Walter]
Appears on: 21v–22v
Genres: Hymn
Source Attribution: [Walter]
Voice: [no designation]
Languages: Latin
Voice Text: Festum nunc celebre magnaque gaudia 4 Oramus domine conditor inclite devotos
22v–23v Spiritus Domini Replevit orbem terrarum Vs: Confirma hoc Deus A templo sancto [Walter]
Appears on: 22v–23v
Genres: Motet
Source Attribution: [Walter]
Voice: [no designation]
Languages: Latin
Voice Text: [Spiritus domini] Replevit orbem terrarum Vs: [Confirma hoc deus] A templo sancto
24–25 Veni sancte spiritus et emitte caelitus Veni pater pauperum veni dator munerum [Walter]
Appears on: 24–25
Genres: Motet, Veni sancte spiritus
Source Attribution: [Walter]
Voice: [no designation]
Languages: Latin
Voice Text: [Veni sancte spiritus et emitte coelitus] Veni pater pauperum veni dator
25–25v Nun bitten wir den heiligen geist (5vv) [Walter]
Appears on: 25–25v
Genres: Motet, Veni sancte spiritus
Source Attribution: [Walter]
Voice: [no designation]
Languages: German
Voice Text: Nhun bitten wir den heiligen geist
25v–28 Veni sancte spiritus 26.17 - 1a pars (of 2): Veni sancte spiritus et emitte [M. Forestier/Josquin]
Appears on: 25v–28
Genres: Motet, Veni sancte spiritus
Source Attribution: [M. Forestier/Josquin]
Voice: [no designation]
Languages: Latin
Voice Text: Veni sancte spiritus et emitte coelitus 26.17 II: O lux beatissima reple cordis
25v–28 Veni sancte spiritus 26.17 - 2a pars (of 2): O lux beatissima reple cordis -
Appears on: 25v–28
28–30 Apparuerunt apostoli dispertitae linguae - 1a pars (of 3): Apparuerunt apostoli dispertitae linguae [Walter]
Appears on: 28–30
Genres: Motet
Source Attribution: [Walter]
Voice: [no designation]
Languages: Latin
Voice Text: Apparuerunt apostolis dispartite lingue II: Seditque supra singulos eorum spiritus III: Loquebantur variis linguis apostoli
28–30 Apparuerunt apostoli dispertitae linguae - 2a pars (of 3): Seditque supra singulos eorum -
Appears on: 28–30
Genres: Motet
28–30 Apparuerunt apostoli dispertitae linguae - 3a pars (of 3): Loquebantur variis linguis apostoli -
Appears on: 28–30
Genres: Motet
30–31 Komm Gott Schöpfer Heiliger Geist [Walter]
Appears on: 30–31
Genres: Chorale, Sacred Song
Source Attribution: [Walter]
Voice: [no designation]
Languages: German
Voice Text: Komm Got schepfer heiliger geist
31–31v Veni sancte spiritus reple tuorum corda [Walter]
Appears on: 31–31v
Genres: Motet, Veni sancte spiritus
Source Attribution: [Walter]
Voice: [no designation]
Languages: Latin
Voice Text: [Veni sancte spiritus] Reple tuorum corda
31v–32v Benedicta sit Sancta trinitas atque indivisa Vs: Benedicamus patrem et filium Cum sancto spiritu [Walter?]
Appears on: 31v–32v
Genres: Motet
Source Attribution: [Walter?]
Voice: [no designation]
Languages: Latin
Voice Text: [Benedicta sit] Sancta trinitas atque Vs: [Benedicamus patrem] Cum sancto spiritu
32v–35v Benedicta sit Sancta trinitas atque indivisa Vs: Benedicamus patrem Cum sancto spiritu [Proprium de SS Trinitate] [Isaac]
Appears on: 32v–35v
Genres: Introit
Source Attribution: [Isaac]
Voice: [no designation]
Languages: Latin
Voice Text: Benedicta sit semper sancta sit trinitas
35v–36 Benedicta semper sancta sit trinitas O adoranda trinitas. Per te sumus redempti [Walter?]
Appears on: 35v–36
Genres: Motet
Source Attribution: [Walter?]
Voice: [no designation]
Languages: Latin
Voice Text: [Benedicta semper sancta sit trinitas] O adoranda trinitas per te sumus
36v–37 O lux beata trinitas et principalis 3 Deo patri sit gloria eiusque soli [Walter]
Appears on: 36v–37
Genres: Motet
Source Attribution: [Walter]
Voice: [no designation]
Languages: Latin
Voice Text: O lux beata trinitas et principalis 3 Deo patri sit gloria eiusque soli
37v–39 Ne timeas Zacharia Exaudita est oratio tua Vs: Domine in virtute Et super salutare tuum [Walter?]
Appears on: 37v–39
Genres: Motet
Source Attribution: [Walter?]
Voice: [no designation]
Languages: Latin
Voice Text: [Ne timeas Zacharia] Exaudita est oracio Vs: [Domine in virtute] Et super salutare
39–40 Inter natos mulierum - 1a pars (of 3): Inter natos mulierum non surrexit major [Walter]
Appears on: 39–40
Genres: Motet
Source Attribution: [Walter]
Voice: [no designation]
Languages: Latin
Voice Text: Inter natos mulierum non surrexit maior II: Qui viam domino preparavit III: Fuit homo missus a deo cui nomen
39–40 Inter natos mulierum - 2a pars (of 3): Qui viam Domino preparavit -
Appears on: 39–40
Genres: Motet
39–40 Inter natos mulierum - 3a pars (of 3): Fuit homo missus a Deo cui nomen -
Appears on: 39–40
Genres: Motet
40–41 Aeterno gratias patri omnes canant ecclesiae [Walter]
Appears on: 40–41
Genres: Motet
Source Attribution: [Walter]
Voice: [no designation]
Languages: Latin
Voice Text: Eterno gracias patri omnes canant ecclesie
41v–50v Missa Incessament mon pauvre coeur: Kyrie [La Rue]
Appears on: 41v–50v
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: [La Rue]
Voice: [no designation]
Languages: Latin
Voice Text: Missa super Incessament
41v–50v Missa Incessament mon pauvre coeur: Gloria -
Appears on: 41v–50v
Genres: Gloria (et in terra pax), Mass Ordinary
41v–50v Missa Incessament mon pauvre coeur: Credo -
Appears on: 41v–50v
Genres: Credo (patrem omnipotentem), Mass Ordinary
41v–50v Missa Incessament mon pauvre coeur: Sanctus -
Appears on: 41v–50v
Genres: Mass Ordinary, Sanctus [& Benedictus]
41v–50v Missa Incessament mon pauvre coeur: Agnus Dei -
Appears on: 41v–50v
Genres: Agnus Dei, Mass Ordinary
50v–57 Missa Maria Magdalena / Missa la Magdalena: Kyrie [Champion]
Appears on: 50v–57
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: [Champion]
Voice: [no designation]
Languages: Latin
Voice Text: Missa super Marie Magdalena
50v–57 Missa Maria Magdalena / Missa la Magdalena: Gloria (2 partes) -
Appears on: 50v–57
Genres: Gloria (et in terra pax), Mass Ordinary
50v–57 Missa Maria Magdalena / Missa la Magdalena: Credo (2 partes) -
Appears on: 50v–57
Genres: Credo (patrem omnipotentem), Mass Ordinary
50v–57 Missa Maria Magdalena / Missa la Magdalena: Sanctus with: Pleni: 4 voces, Osanna, Benedictus: 4 voces -
Appears on: 50v–57
Genres: Mass Ordinary, Sanctus [& Benedictus]
50v–57 Missa Maria Magdalena / Missa la Magdalena: Agnus -
Appears on: 50v–57
Genres: Agnus Dei, Mass Ordinary
57v–58v Salus populi ego sum Dicit Dominus Vs: Attendite popule meus Inclinate aurem vestram [Walter?]
Appears on: 57v–58v
Genres: Motet
Source Attribution: [Walter?]
Voice: [no designation]
Languages: Latin
Voice Text: [Salus populi ego sum] Dicit dominus Vs: [Attendite popule meus] Inclinate aurem
59–67 Missa Baisez-moi: Kyrie Petri Roselli
Appears on: 59–67
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Petri Roselli
Voice: [no designation]
Languages: Latin
Voice Text: Missa [Baisez moy]
59–67 Missa Baisez-moi: Gloria -
Appears on: 59–67
Genres: Gloria (et in terra pax), Mass Ordinary
59–67 Missa Baisez-moi: Credo -
Appears on: 59–67
Genres: Credo (patrem omnipotentem), Mass Ordinary
59–67 Missa Baisez-moi: Sanctus -
Appears on: 59–67
Genres: Mass Ordinary, Sanctus [& Benedictus]
59–67 Missa Baisez-moi: Agnus Dei -
Appears on: 59–67
Genres: Agnus Dei, Mass Ordinary
67–78 Missa Beata Virgine = Missa Coronata 3.3: Kyrie Iosquin/[La Rue]
Appears on: 67–78
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Iosquin/[La Rue]
Voice: [no designation]
Languages: Latin
Voice Text: Missa Coronata [= Missa De beata Virgine] 3.3
67–78 Missa Beata Virgine = Missa Coronata 3.3: Gloria -
Appears on: 67–78
Genres: Gloria (et in terra pax), Mass Ordinary
67–78 Missa Beata Virgine = Missa Coronata 3.3: Credo -
Appears on: 67–78
Genres: Credo (patrem omnipotentem), Mass Ordinary
67–78 Missa Beata Virgine = Missa Coronata 3.3: Sanctus -
Appears on: 67–78
Genres: Mass Ordinary, Sanctus [& Benedictus]
67–78 Missa Beata Virgine = Missa Coronata 3.3: Agnus Dei -
Appears on: 67–78
Genres: Agnus Dei, Mass Ordinary
78–79 Nos autem Gloriari oportet in cruce Vs: Deus misereatur nostri Illuminet vultum tuum super nos [Walter?]
Appears on: 78–79
Genres: Motet
Source Attribution: [Walter?]
Voice: [no designation]
Languages: Latin
Voice Text: [Nos autem] Gloriari oportet in cruce Vs: [Deus misereatur] Illuminet vultum tuum
79–86v Missa Nisi Dominus edificaverit: Kyrie Ludo: Senf:
Appears on: 79–86v
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Ludo: Senf:
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Missa super Nisi dominus
79–86v Missa Nisi Dominus edificaverit: Gloria -
Appears on: 79–86v
Genres: Gloria (et in terra pax), Mass Ordinary
79–86v Missa Nisi Dominus edificaverit: Credo -
Appears on: 79–86v
Genres: Credo (patrem omnipotentem), Mass Ordinary
79–86v Missa Nisi Dominus edificaverit: Sanctus -
Appears on: 79–86v
Genres: Mass Ordinary, Sanctus [& Benedictus]
79–86v Missa Nisi Dominus edificaverit: Agnus Dei -
Appears on: 79–86v
Genres: Agnus Dei, Mass Ordinary
87–88 Kyrie [Tro] magne Deus potentiae Anon. Anonymous
Appears on: 87–88
Genres: Mass Ordinary, Troped Kyrie
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Kyrie magne deus potentiae
88v–89v Ecce advenit dominator Dominus et regnum [in festo Epiphaniae] [Senfl]
Appears on: 88v–89v
Genres: Motet
Source Attribution: [Senfl]
Voice: [no designation]
Languages: Latin
Voice Text: [Ecce] Advenit dominator dominus et regnum Vs: [Deus judicium tuum] Et iusticiam tuam
89v–90v Alleluia. Vidimus stellam eius in oriente [in festo Epiphaniae] [Senfl]
Appears on: 89v–90v
Genres: Alleluia, Motet
Source Attribution: [Senfl]
Voice: [no designation]
Languages: Latin
Voice Text: Halleluia. Vidimus stellam eius
90v–94 Quae miris sunt modis ornata cunctisque [in festo Epiphaniae] [Senfl]
Appears on: 90v–94
Genres: Motet
Source Attribution: [Senfl]
Voice: [no designation]
Languages: Latin
Voice Text: [Festa Christi omnis Christianitas celebret] Quae miris sunt modis ornata
94v–95 Veni redemptor gentium ostende partum 2 Non ex virili semine Sed mistico 4 Procedens de thalamo suo pudoris aula Anon. Anonymous
Appears on: 94v–95
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [Veni redemptor gentium ostende partum] 2 [Non ex virili semine] Sed mistico 4 [Procedens de thalamo suo] pudoris aula
95v–98v Maria Magdalena - 1a pars (of 2): Maria Magdalena et altera Maria ibant [Clemens non Papa]
Appears on: 95v–98v
Genres: Motet
Source Attribution: [Clemens non Papa]
Voice: [no designation]
Languages: Latin
Voice Text: Maria Magdalena et altera Maria ibant II: Cito euntes dicite discipulis suis
95v–98v Maria Magdalena - 2a pars (of 2): Cito euntes dicite discipulis eius -
Appears on: 95v–98v
Genres: Motet
99–103 Missa Si bona suscepimus: Kyrie [Jaquet of Mantua]
Appears on: 99–103
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: [Jaquet of Mantua]
Voice: [no designation]
Languages: Latin, Greek
Voice Text: [Missa Si bona suscepimus] [KG]
99–103 Missa Si bona suscepimus: Gloria -
Appears on: 99–103
Genres: Gloria (et in terra pax), Mass Ordinary
103v–104 Grates nunc omnes (5vv) - 1a pars (of 2): Grates nunc omnes reddamus Domino Deo [Senfl]
Appears on: 103v–104
Genres: Motet
Source Attribution: [Senfl]
Voice: [no designation]
Languages: Latin
Voice Text: Grates nunc omnes reddamus domino deo II: Huic oportet ut canamus cum angelis [= ff. 192v-193]
Concordances

Gerhardt (p.9,11) states that this is a duplicate of the piece by Senfl at f. 192v; but Gasch/Troster's Senfl catalogue (p.101-2) lists the piece at f. 192v but not this one at f. 103v, implying that it is a different piece, not by Senfl.

103v–104 Grates nunc omnes (5vv) - 2a pars (of 2): Huic oportet ut canamus cum angelis -
Appears on: 103v–104
Genres: Motet
105–105v Puer natus est nobis Et filius datus est Vs: Cantate Domino Quia mirabilia fecit [Walter?]
Appears on: 105–105v
Genres: Motet
Source Attribution: [Walter?]
Voice: [no designation]
Languages: Latin
Voice Text: [Puer natus est nobis] Et filius datus est Vs: [Cantate domino] Quia mirabilia fecit
105v–107v Missa: Kyrie [Walter?]
Appears on: 105v–107v
Genres: Gloria (et in terra pax), Kyrie eleison, Mass Ordinary
Source Attribution: [Walter?]
Voice: [no designation]
Languages: Latin, Greek
Voice Text: [Missa] [KG]
105v–107v Missa: Gloria -
Appears on: 105v–107v
Genres: Gloria (et in terra pax), Mass Ordinary
107v–108 Grates nunc omnes - 1a pars (of 2): Grates nunc omnes reddamus Domino deo [Walter]
Appears on: 107v–108
Genres: Motet
Source Attribution: [Walter]
Voice: [no designation]
Languages: Latin
Voice Text: Grates nunc omnes reddamus domino deo II: Huic oportet ut canamus cum angelis
107v–108 Grates nunc omnes - 2a pars (of 2): Huic oportet ut canamus cum angelis -
Appears on: 107v–108
Genres: Motet
108v Gelobet seist Du, Jesu Christ, dass Du Mensch [Walter]
Appears on: 108v
Genres: Chorale, Sacred Song
Source Attribution: [Walter]
Voice: [no designation]
Languages: German
Voice Text: Gelobet seistu Jesu Christ dass dus(!) mensch
109–109v Ein kindelein so löbelich ist uns geboren [Walter]
Appears on: 109–109v
Genres: Motet, Sacred Song
Source Attribution: [Walter]
Voice: [no designation]
Languages: German
Voice Text: Ein kindelein so lobplich ist uns geboren
109v–110 Dies est laetitiae in ortu regali [Walter?]
Appears on: 109v–110
Genres: Motet
Source Attribution: [Walter?]
Voice: [no designation]
Languages: Latin
Voice Text: Dies est laeticie in ortu regali
110v–111 Verbum caro factum - 1a pars (of 3): Verbum caro factum est et habitavit [Walter]
Appears on: 110v–111
Genres: Motet
Source Attribution: [Walter]
Voice: [no designation]
Languages: Latin
Voice Text: Verbum caro factum est et habitabit II: Plenum gracia et veritate III: In principio erat verbum et verbum
110v–111 Verbum caro factum - 2a pars (of 3): Plenum gratia et veritate -
Appears on: 110v–111
Genres: Motet
110v–111 Verbum caro factum - 3a pars (of 3): In principio erat verbum et verbum -
Appears on: 110v–111
Genres: Motet
111v In principio erat verbum - 1a pars (of 2): In principio erat verbum et verbum erat [Walter]
Appears on: 111v
Genres: Motet
Source Attribution: [Walter]
Voice: [no designation]
Languages: Latin
Voice Text: In principio erat verbum et verbum erat
111v In principio erat verbum - 2a pars (of 2): Hoc verbum hodie in altari conflicitur -
Appears on: 111v
Genres: Motet
111v–113 Nesciens mater virgo virum peperit [Senfl]
Appears on: 111v–113
Genres: Motet
Source Attribution: [Senfl]
Voice: [no designation]
Languages: Latin
Voice Text: Nesciens mater virgo virum peperit
113–113v Christum wir sollen loben schon [Walter?]
Appears on: 113–113v
Genres: Hymn, Motet, Sacred Song
Source Attribution: [Walter?]
Voice: [no designation]
Languages: German
Voice Text: Cristum wir sollen loben schon
113v–114 In dulci jubilo nun singet und seid froh [Figulus/Walter]
Appears on: 113v–114
Genres: Chorale, Sacred Song
Source Attribution: [Figulus/Walter]
Voice: [no designation]
Languages: Latin, German
Voice Text: In dulci iubilo nhu singet und seit fro
114–115 Joseph, lieber Joseph mein - Eia virgo Deum genuit [Walter]
Appears on: 114–115
Genres: Sacred Song
Source Attribution: [Walter]
Voice: [no designation]
Languages: German
Voice Text: Ioseph lieber Ioseph mein hilf mir wigen
115v–116 Suscepimus Deus misericordiam tuam in medio Vs: Magnus Dominus et laudabilis In civitate Dei nostri [Walter]
Appears on: 115v–116
Genres: Motet
Source Attribution: [Walter]
Voice: [no designation]
Languages: Latin
Voice Text: [Suscepimus] Deus misericordiam tuam Vs: [Magnus dominus] In civitate dei
116v Et cum inducerent puerum Jesum parentes [Walter]
Appears on: 116v
Genres: Motet
Source Attribution: [Walter]
Voice: [no designation]
Languages: Latin
Voice Text: Et cum inducerent puerum Iesum parentes
117–118 Nunc dimittis - 1a pars (of 2): Nunc dimittis servum tuum Domine secundum [Walter]
Appears on: 117–118
Genres: Motet
Source Attribution: [Walter]
Voice: [no designation]
Languages: Latin
Voice Text: Nunc dimittis servum tuum domine II: Lumen ad revelationem gentium III: Lumen ad revelacionem gentium
117–118 Nunc dimittis - 2a pars (of 2): Lumen ad revelationem gentium et gloriam -
Appears on: 117–118
Genres: Motet
118v–119 Mit fried und freud ich fahr dahin [Walter]
Appears on: 118v–119
Genres: Chorale, Sacred Song
Source Attribution: [Walter]
Voice: [no designation]
Languages: German
Voice Text: Mit freud und fried ich fahr dohin
119v Christe qui lux es et dies noctis (6vv) 2 Precamur sancte Domine defende nos 3 Ne gravis somnus irruat ne hostis 4 Oculi somnum capiant cor ad te 5 Defensor noster aspice insidiantes 6 Memento nostri Domine in gravi 7 Deo patri sit gloria eiusque soli [Walter]
Appears on: 119v
Genres: Motet
Source Attribution: [Walter]
Voice: [no designation]
Languages: Latin
Voice Text: Christe qui lux es et dies noctis 2 Precamur sancte domine defende nos
120 Dies sind die Heilgen Zehn Gebot [ii] [Walter]
Appears on: 120
Genres: Chorale, Sacred Song
Source Attribution: [Walter]
Voice: [no designation]
Languages: German
Voice Text: Dis sindt die heilgen zehn gepot
120v–123 Emendemus in melius - 1a pars (of 2): Emendemus in melius quae ignoranter [Richafort]
Appears on: 120v–123
Genres: Motet
Source Attribution: [Richafort]
Voice: [no designation]
Languages: Latin
Voice Text: Emendemus in melius que ignoranter II: Peccavimus cum patribus nostris
120v–123 Emendemus in melius - 2a pars (of 2): Peccavimus cum patribus nostris -
Appears on: 120v–123
Genres: Motet
123–125 Domine non secundum 16.10 - 1a pars (of 4): Domine non secundum peccata nostra [Josquin]
Appears on: 123–125
Genres: Tract
Source Attribution: [Josquin]
Voice: [no designation]
Languages: Latin
Voice Text: [Domine non secundum peccata nostra] (Pars I missing) 16.10 II: Domine ne memineris iniquitatum III: Quia pauperes facti sumus nimis IV: Adiuva nos deus salutaris noster
123–125 Domine non secundum 16.10 - 2a pars (of 4): Domine ne memineris -
Appears on: 123–125
Genres: Tract
123–125 Domine non secundum 16.10 - 3a pars (of 4): Quia pauperes facti sumus nimis -
Appears on: 123–125
Genres: Tract
123–125 Domine non secundum 16.10 - 4a pars (of 4): Adjuva nos Deus salutaris noster - Et propitius esto -
Appears on: 123–125
Genres: Tract
125–126 Mitten wir im Leben sind mit dem Tod umfangen [Walter]
Appears on: 125–126
Genres: Chorale, Sacred Song
Source Attribution: [Walter]
Voice: [no designation]
Languages: German
Voice Text: Mitten wir im leben sindt mit dem todt
126–126v Jesus Christus nostra salus quod reclamat [Finck]
Appears on: 126–126v
Genres: Motet
Source Attribution: [Finck]
Voice: [no designation]
Languages: Latin
Voice Text: Iesus Christus nostra salus quod reclamat 2 O quem sanctus panis iste tu solus 5 Non est panis sed est deus homo
126v–127 Jesus Christus unser Heiland, der von uns [Walter]
Appears on: 126v–127
Genres: Chorale, Sacred Song
Source Attribution: [Walter]
Voice: [no designation]
Languages: German
Voice Text: Iesus Christus unser heilandt der von uns
127–127v Rex Christe factor omnium redemptor 3 Qui es creator syderum tegmen subisti 5 Cruci redemptor figeris terram sed omnem 6 Mox in paternae gloriae victor [Walter]
Appears on: 127–127v
Genres: Hymn
Source Attribution: [Walter]
Voice: [no designation]
Languages: Latin
Voice Text: Rex Christe factor omnium redemptor 3 Qui es creator syderum tegmen 5 Cruci redemptor figeris terram sed
128–128v Mitten wir im Leben sind mit dem Tod umfangen [Walter]
Appears on: 128–128v
Genres: Chorale, Sacred Song
Source Attribution: [Walter]
Voice: [no designation]
Languages: German
Voice Text: Mitten wir ym leben sindt sindt wir mit dem tod
129–134v Passio Domini secundum Matthaeum - 1a pars (of 3): Passio Domini nostri Jesu Christi secundum Mattheum [Longaval/Obrecht/Venture]
Appears on: 129–134v
Genres: Liturgical work, Motet, Passion
Source Attribution: [Longaval/Obrecht/Venture]
Voice: [no designation]
Languages: Latin
Voice Text: Passio domini nostri Iesu Christi secundum Mattheum II: Apprehendit ergo eum Pilatus III: Orabat autem Iesus pro crucifigentibus
129–134v Passio Domini secundum Matthaeum - 2a pars (of 3): Apprehendit ergo eum Pilatus -
Appears on: 129–134v
Genres: Passion
129–134v Passio Domini secundum Matthaeum - 3a pars (of 3): Orabat autem Jesus pro crucifigentibus -
Appears on: 129–134v
Genres: Motet
134v–138v Passio secundum Matthaeum: Ja nicht auf das fest [Walter?]
Appears on: 134v–138v
Genres: Liturgical work, Passion
Source Attribution: [Walter?]
Voice: [no designation]
Languages: German
Voice Text: [St. Matthew Passion]: Ia nicht auf das fest
138v–140v Passio secundum Johannem: Jesum von Nazareth [Walter?]
Appears on: 138v–140v
Genres: Liturgical work, Passion
Source Attribution: [Walter?]
Voice: [no designation]
Languages: German
Voice Text: [St. John Passion]: Iesum von Nazareth
140v–147 Officium de Cruce - 1a pars (of 9): In nomine Jesu omne genuflectator [Compère]
Appears on: 140v–147
Genres: Motet
Source Attribution: [Compère]
Voice: [no designation]
Languages: Latin
Voice Text: In nomine Jesu omne genuflectatur II: Adoramus te Christe et benedicimus III: Patris sapientia veritas divina IV: Hora prima ductus est Iesus V: Crucifige clamitant hora tertiarum VI: Hora sexta dominus Ihesus est cruci VII: Hora nona dominus Iesus expiravit VIII: De cruce deponitur hora vespertina IX: Hora completorii datur sepulture
140v–147 Officium de Cruce - 2a pars (of 9): Adoramus te Christe et benedicimus -
Appears on: 140v–147
Genres: Motet
140v–147 Officium de Cruce - 3a pars (of 9): Patris sapientie veritas divina -
Appears on: 140v–147
Genres: Motet
140v–147 Officium de Cruce - 4a pars (of 9): Hora prima ductus est Jesus -
Appears on: 140v–147
Genres: Motet
140v–147 Officium de Cruce - 5a pars (of 9): Crucifige clamitant hora tertiarum -
Appears on: 140v–147
Genres: Motet
140v–147 Officium de Cruce - 6a pars (of 9): Hora sexta Dominus Jesus est -
Appears on: 140v–147
Genres: Motet
140v–147 Officium de Cruce - 7a pars (of 9): Hora nona Dominus Jesus expiravit -
Appears on: 140v–147
Genres: Motet
140v–147 Officium de Cruce - 8a pars (of 9): De cruce deponitur hora vespertina -
Appears on: 140v–147
Genres: Motet
140v–147 Officium de Cruce - 9a pars (of 9): Hora completorii datur sepulturae -
Appears on: 140v–147
Genres: Motet
147–149v Popule meus - 1a pars (of 5): Popule meus quid feci tibi aut in quo [Walter?]
Appears on: 147–149v
Genres: Motet
Source Attribution: [Walter?]
Voice: [no designation]
Languages: Latin
Voice Text: Popule meus quid feci tibi aut II: Ego eduxi te de Egypto III: Ego transduxi te per mare rubrum IV: Ego eduxi te per desertum V: Quid ultra debui facere tibi
147–149v Popule meus - 2a pars (of 5): Ego eduxi te de Egypto in manu forti -
Appears on: 147–149v
Genres: Motet
147–149v Popule meus - 3a pars (of 5): Ego transduxi te per mare rubrum -
Appears on: 147–149v
Genres: Motet
147–149v Popule meus - 4a pars (of 5): Ego eduxi te per desertum -
Appears on: 147–149v
Genres: Motet
147–149v Popule meus - 5a pars (of 5): Quid ultra debui facere tibi -
Appears on: 147–149v
Genres: Motet
150–151 Da pacem Domine (4vv) - 1a pars (of 2): Da pacem Domine in diebus nostris [Walter]
Appears on: 150–151
Genres: Motet
Source Attribution: [Walter]
Voice: [no designation]
Languages: Latin, German
Voice Text: Da pacem domine in diebus nostris II: Verley und frieden gnedigklich
150–151 Da pacem Domine (4vv) - 2a pars (of 2): Verleih uns Frieden gnädiglich, Herr Gott -
Appears on: 150–151
Genres: Motet
151–151v Da pacem Domine (5vv) - 1a pars (of 2): Da pacem Domine in diebus nostris [Walter]
Appears on: 151–151v
Genres: Motet
Source Attribution: [Walter]
Voice: [no designation]
Languages: Latin, German
Voice Text: Da pacem domine in diebus nostris II: Verley uns frieden gnedigklich
151–151v Da pacem Domine (5vv) - 2a pars (of 2): Verleih uns Frieden gnädiglich, Herr Gott -
Appears on: 151–151v
Genres: Motet
152–153v Jesaja dem Propheten das geschah [Walter]
Appears on: 152–153v
Genres: Motet
Source Attribution: [Walter]
Voice: [no designation]
Languages: Latin
Voice Text: Iesaia dem propheten das geschach
153v–154 Gott sei gelobet und gebenedeyet der uns [Walter]
Appears on: 153v–154
Genres: Chorale, Sacred Song
Source Attribution: [Walter]
Voice: [no designation]
Languages: German
Voice Text: Got sei gelobet und gebenedeyet
154v–156 (Number "155" omitted by foliator) Ein feste Burg ist unser Gott ein gute Wehr [Walter]
Appears on: 154v–156 (Number "155" omitted by foliator)
Genres: Chorale, Motet, Sacred Song
Source Attribution: [Walter]
Voice: [no designation]
Languages: German
Voice Text: Ein feste burgk ist unser Got
156–157 Es wolt uns Gott genedig sein und seinen segen [Walter]
Appears on: 156–157
Genres: Song
Source Attribution: [Walter]
Voice: [no designation]
Languages: German
Voice Text: Es wolt uns Got genedig sein
157–158 Gott der vater won uns bei und las uns [Walter]
Appears on: 157–158
Genres: Sacred Song
Source Attribution: [Walter]
Voice: [no designation]
Languages: German
Voice Text: Got der vater won uns bey und las
158v–160 Pater noster / Ave Maria 20.9 - 1a pars (of 2): Pater noster qui es in caelis Josquin
Appears on: 158v–160
Genres: Ave Maria, Motet
Source Attribution: Josquin
Voice: [no designation]
Languages: Latin
Voice Text: Pater noster qui es in coelis 20.9 II: Ave Maria gratia plena dominus tecum
158v–160 Pater noster / Ave Maria 20.9 - 2a pars (of 2): Ave Maria gratia plena Dominus tecum -
Appears on: 158v–160
Genres: Ave Maria, Motet
162–162v Ego sum resurrectio et vita dicit Dominus Jesus [Mahu/Walter]
Appears on: 162–162v
Genres: Motet
Source Attribution: [Mahu/Walter]
Voice: [no designation]
Languages: Latin
Voice Text: Ego sum resurrectio et vita dicit Iesus
162v–163v Laudate Dominum omnes gentes laudate [Walter]
Appears on: 162v–163v
Genres: Motet
Source Attribution: [Walter]
Voice: [no designation]
Languages: Latin
Voice Text: Laudate dominum omnes gentes laudate
163v–164v Tanto tempore vobiscum (5vv, M112) - 1a pars (of 2): Tanto tempore vobiscum sum et non cognovistis - Philippe qui videt me [Senfl]
Appears on: 163v–164v
Genres: Motet
Source Attribution: [Senfl]
Voice: [no designation]
Languages: Latin
Voice Text: Tanto tempore vobiscum sum et non II: Non turbetur cor vestrum
163v–164v Tanto tempore vobiscum (5vv, M112) - 2a pars (of 2): Non turbetur cor vestrum creditis - Philippe qui videt me -
Appears on: 163v–164v
Genres: Motet
164v Haec dicit Dominus liberabo populum T: Circumdederunt me gemitus [= Nimphes nappés néridriades driades 30.6] [Josquin]
Appears on: 164v
Genres: Chanson, Contrafactum, Motet
Source Attribution: [Josquin]
Voice: [no designation]
Languages: Latin
Voice Text: Hec dicit dominus/Circumdederunt me 30.6 [= Nimphes nappés néridriades driades, Videte omnes populi]
165 Verbum Domini manet in aeternam [Walter]
Appears on: 165
Genres: Motet
Source Attribution: [Walter]
Voice: [no designation]
Languages: Latin
Voice Text: Verbum domini manet in eternum
165–166 Non moriar sed vivam et narrabo opera [Walter]
Appears on: 165–166
Genres: Motet
Source Attribution: [Walter]
Voice: [no designation]
Languages: Latin
Voice Text: Non moriar sed vivam et narrabo
166–166v Sic Deus dilexit mundum ut filium suum = Incessament mon povre coeur lamente 29.9 [Josquin/La Rue]
Appears on: 166–166v
Genres: Motet
Source Attribution: [Josquin/La Rue]
Voice: [no designation]
Languages: Latin, French
Voice Text: Sic deus dilexit mundum ut filium suum 29.9 [= Incessament mon povre cueur lamente]
166v–168v Ave Maria ... virgo serena 23.6 - 1a pars (of 2): Ave Maria ... virgo serena [Josquin]
Appears on: 166v–168v
Genres: Ave Maria, Motet
Source Attribution: [Josquin]
Voice: [no designation]
Languages: Latin
Voice Text: Ave Maria gracia plena dominus tecum 23.6
166v–168v Ave Maria ... virgo serena 23.6 - 2a pars (of 2): Ave vera virginitas -
Appears on: 166v–168v
Genres: Ave Maria, Motet
168v–170 Deus qui sedes super thronum (4vv) [Verdelot/Walter]
Appears on: 168v–170
Genres: Motet
Source Attribution: [Verdelot/Walter]
Voice: [no designation]
Languages: Latin
Voice Text: Deus qui sedes super thronum et iudicas
170v–171v Si bona suscepimus - 1a pars (of 2): Si bona suscepimus de manu Domini Anon. Anonymous
Appears on: 170v–171v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Si bona suscepimus de manu domini II: Dominus dedit dominus abstulit
170v–171v Si bona suscepimus - 2a pars (of 2): Dominus dedit Dominus abstulit - Anonymous
Appears on: 170v–171v
Genres: Motet
172–175 In te Domine speravi - 1a pars (of 2): In te Domine speravi [Hellinck/Senfl/Verdelot]
Appears on: 172–175
Genres: Motet, Te Deum
Source Attribution: [Hellinck/Senfl/Verdelot]
Voice: [no designation]
Languages: Latin
Voice Text: In te domine speravi non confundar II: Quoniam fortitudo mea et refugium
172–175 In te Domine speravi - 2a pars (of 2): Quoniam fortitudo mea ... Et propter nomen -
Appears on: 172–175
Genres: Motet
175–177v De profundis clamavi 15.14 (5vv - M29) - 1a pars (of 2): De profundis clamavi ad te Domine Ludo: Senf:/[Josquin]
Appears on: 175–177v
Genres: Motet
Source Attribution: Ludo: Senf:/[Josquin]
Voice: [no designation]
Languages: Latin
Voice Text: De profundis clamavi ad te domine 15.14 II: A custodia matutina usque ad noctem
175–177v De profundis clamavi 15.14 (5vv - M29) - 2a pars (of 2): A custodia Matutina usque ad noctem -
Appears on: 175–177v
Genres: Motet
178–182 Te decet hymnus - 1a pars (of 2): Te decet hymnus Deus in Sion et tibi [Walter]
Appears on: 178–182
Genres: Motet, Requiem
Source Attribution: [Walter]
Voice: [no designation]
Languages: Latin
Voice Text: Te decet hymnus deus in Zion et tibi II: Visitasti terram et inebriasti eam
178–182 Te decet hymnus - 2a pars (of 2): Visitasti terram et inebriasti eam -
Appears on: 178–182
Genres: Motet, Requiem
182v–184v Nisi Dominus - 1a pars (of 2): Nisi Dominus aedificaverit domum frustra Ludo: Senfl
Appears on: 182v–184v
Source Attribution: Ludo: Senfl
Voice: [no designation]
Languages: Latin
Voice Text: [Nisi dominus edificaverit] Nisi dominus II: Cum dederit dilectis suis somnum
182v–184v Nisi Dominus - 2a pars (of 2): Cum dederit dilectis suis somnum -
Appears on: 182v–184v
185–185v Ego sum ipse qui deleo iniquitates (= Tenez moi en vos bras 30.12) [Josquin]
Appears on: 185–185v
Genres: Contrafactum, Motet
Source Attribution: [Josquin]
Voice: [no designation]
Languages: Latin
Voice Text: Ego sum ipse qui deleo iniquitates 30.12 [= Tenez moy en vos bras mon amy]
185v–187 Deum time - 1a pars (of 3): Deum time et mandata eius observa [Walter]
Appears on: 185v–187
Genres: Motet
Source Attribution: [Walter]
Voice: [no designation]
Languages: Latin
Voice Text: Deum time et mandata eius observa II: Hoc est omnis homo III: Timentibus deum nichil de est
185v–187 Deum time - 2a pars (of 3): Hoc est omnis homo -
Appears on: 185v–187
Genres: Motet
185v–187 Deum time - 3a pars (of 3): Timentibus Deum nihil deest nec -
Appears on: 185v–187
Genres: Motet
187–187v Vater unser im Himmelreich, der du uns [Walter]
Appears on: 187–187v
Genres: Chorale, Sacred Song
Source Attribution: [Walter]
Voice: [no designation]
Languages: German
Voice Text: Vater unser im himelreich der du uns
188–191 Cum rex gloriae - 1a pars (of 5): Cum rex gloriae Christus infernum debellaturus [Walter]
Appears on: 188–191
Genres: Motet
Source Attribution: [Walter]
Voice: [no designation]
Languages: Latin
Voice Text: Cum rex glorie Christus infernum II: Advenisti desiderabilis quem expectabamus III: Christus dei filius ab hoste IV: Delens Eve culpam latronem sero V: Quo iturus erat Petrum cum ceteris
188–191 Cum rex gloriae - 2a pars (of 5): Advenisti desiderabilis quem expecta -
Appears on: 188–191
Genres: Motet
188–191 Cum rex gloriae - 3a pars (of 5): Christus Dei filius ab hoste -
Appears on: 188–191
Genres: Motet
188–191 Cum rex gloriae - 4a pars (of 5): Delens Aeve culpam latronem sero -
Appears on: 188–191
Genres: Motet
188–191 Cum rex gloriae - 5a pars (of 5): Quo iturus erat Petrum cum ceteris -
Appears on: 188–191
Genres: Motet
191v–192 Vias tuas Domine demonstra mihi et semitas [Walter]
Appears on: 191v–192
Genres: Motet
Source Attribution: [Walter]
Voice: [no designation]
Languages: Latin
Voice Text: Vias tuas domine demonstra mihi
192v–193 Grates nunc omnes (5vv) - 1a pars (of 2): Grates nunc omnes reddamus Domino Deo [Senfl]
Appears on: 192v–193
Genres: Motet
Source Attribution: [Senfl]
Voice: [no designation]
Languages: Latin
Voice Text: Grates nunc omnes reddamus domino deo II: Huic oportet ut canamus cum angelis [= ff. 103v-104]
192v–193 Grates nunc omnes (5vv) - 2a pars (of 2): Huic oportet ut canamus cum angelis -
Appears on: 192v–193
Genres: Motet
193v–196 Sedit angelus - 1a pars (of 3): Sedit angelus ad sepulchrum Domini stola [Walter]
Appears on: 193v–196
Genres: Motet
Source Attribution: [Walter]
Voice: [no designation]
Languages: Latin
Voice Text: Sedit angelus ad sepulchrum domini II: Crucifixum in carne laudate III: Nolite timere dico vobis quia ille
193v–196 Sedit angelus - 2a pars (of 3): Crucifixum in carne laudate -
Appears on: 193v–196
Genres: Motet
193v–196 Sedit angelus - 3a pars (of 3): Nolite timere dico vobis quia ille -
Appears on: 193v–196
Genres: Motet
197v–200 Deus misereatur nostri - 1a pars (of 2): Deus misereatur nostri et benedicat nobis [Walter]
Appears on: 197v–200
Genres: Motet
Source Attribution: [Walter]
Voice: [no designation]
Languages: Latin
Voice Text: Deus misereatur nostri et benedicat nobis II: Laetentur et exultent gentes
197v–200 Deus misereatur nostri - 2a pars (of 2): Laetentur et exultent gentes quoniam -
Appears on: 197v–200
Genres: Motet
200v–202 Impetum inimicorum ne timueritis memores [Crecquillon]
Appears on: 200v–202
Genres: Motet
Source Attribution: [Crecquillon]
Voice: [no designation]
Languages: Latin
Voice Text: Impetum inimicorum ne timueritis memores
202v–203v Jauchzet dem Herren - 1a pars (of 2): Jauchzet dem Herren alle welt dienet [Burckstaller]
Appears on: 202v–203v
Genres: Motet
Source Attribution: [Burckstaller]
Voice: [no designation]
Languages: German
Voice Text: Jauchzet dem Hernn alle welt dienet II: Geht zu seinen thorenn ein
202v–203v Jauchzet dem Herren - 2a pars (of 2): Geht zu seinen Toren ein -
Appears on: 202v–203v
Genres: Motet
204–206 Beati omnes 15.2 [M12] - 1a pars (of 2): Beati omnes qui timent Dominum [Josquin/Senfl]
Appears on: 204–206
Genres: Motet
Source Attribution: [Josquin/Senfl]
Voice: [no designation]
Languages: Latin
Voice Text: Beati omnes qui timent dominum 15.2 II: Filii tui sicut novellae olivarum
204–206 Beati omnes 15.2 [M12] - 2a pars (of 2): Filii tui sicut novellae olivarum -
Appears on: 204–206
Genres: Motet
206v–209 Jerusalem luge - 1a pars (of 2): Jerusalem luge et exue te vestibus jocunditatis [Caen/Lupus/Richafort]
Appears on: 206v–209
Genres: Motet
Source Attribution: [Caen/Lupus/Richafort]
Voice: [no designation]
Languages: Latin
Voice Text: Hierusalem luge et exue te vestibus II: Deduc quasi in torrentem lachrymas
206v–209 Jerusalem luge - 2a pars (of 2): Deduc quasi torrentem lacrimas -
Appears on: 206v–209
Genres: Motet
210–211 Wir glauben all an einen Gott [Credo] (I) (4vv) [Walter]
Appears on: 210–211
Genres: Chorale, Credo (patrem omnipotentem), Sacred Song
Source Attribution: [Walter]
Voice: [no designation]
Languages: German
Voice Text: Wyr gleuben all an einen Got schepfer
211–212v Wir glauben all an einen Gott [Credo] (II) (4vv) [Walter]
Appears on: 211–212v
Genres: Chorale, Credo (patrem omnipotentem), Sacred Song
Source Attribution: [Walter]
Voice: [no designation]
Languages: German
Voice Text: Wyr gleuben all an eynen Got schepfer
212v–214 Wir glauben all an einen Gott [Credo] (6vv) [Walter]
Appears on: 212v–214
Genres: Chorale, Credo (patrem omnipotentem), Sacred Song
Source Attribution: [Walter]
Voice: [no designation]
Languages: German
Voice Text: Wir gleuben all an einen Got schepfer
214–217 Patrem omnipotentem [Credo] Adam Reneri
Appears on: 214–217
Genres: Credo (patrem omnipotentem), Mass Ordinary
Source Attribution: Adam Reneri
Voice: [no designation]
Languages: Latin
Voice Text: [Credo] Et in unum dominum
218–220 Magnificat primi toni: Et exultavit [K.724] [Dietrich]
Appears on: 218–220
Genres: BVM, Canticle, Magnificat
Source Attribution: [Dietrich]
Voice: [no designation]
Languages: Latin
Voice Text: Magnificat Primi Toni: Et exultavit spiritus meus
220v–223v Magnificat secundi toni: Et exultavit spiritus meus [La Rue]
Appears on: 220v–223v
Genres: BVM, Canticle, Magnificat
Source Attribution: [La Rue]
Voice: [no designation]
Languages: Latin
Voice Text: [Magnificat] Secundi Toni: Et exultavit spiritus meus
224–228 Magnificat tertii toni: Et exultavit [K.779] Anthon de Fevin
Appears on: 224–228
Genres: BVM, Canticle, Magnificat
Source Attribution: Anthon de Fevin
Voice: [no designation]
Languages: Latin
Voice Text: Magnificat Tertii Toni: Et exultavit spiritus meus
228v–232 Magnificat quarti toni: Et exultavit spiritus meus [La Rue]
Appears on: 228v–232
Genres: BVM, Canticle, Magnificat
Source Attribution: [La Rue]
Voice: [no designation]
Languages: Latin
Voice Text: Magnificat Quarti Toni: Et exultavit spiritus meus
232v–235v Magnificat Quinti Toni: Et exultavit [K.986] [Prioris]
Appears on: 232v–235v
Genres: BVM, Canticle, Magnificat
Source Attribution: [Prioris]
Voice: [no designation]
Languages: Latin
Voice Text: Magnificat Quinti Toni: Et exultavit spiritus meus
236–240 Magnificat sexti toni: Et exultavit spiritus meus Pe: de Larue
Appears on: 236–240
Genres: Motet
Source Attribution: Pe: de Larue
Voice: [no designation]
Languages: Latin
Voice Text: Magnificat Sexti Toni: Et exultavit spiritus meus
240–242 Magnificat Septimi Toni: Et exultavit [K.363] [Walter?]
Appears on: 240–242
Genres: BVM, Canticle, Magnificat
Source Attribution: [Walter?]
Voice: [no designation]
Languages: Latin
Voice Text: Magnificat Septimi Toni: Et exultavit spiritus meus
242–245 Magnificat octavi toni: Et exultavit [K.987] Prioris
Appears on: 242–245
Genres: BVM, Canticle, Magnificat
Source Attribution: Prioris
Voice: [no designation]
Languages: Latin
Voice Text: Magnificat Octavi Toni: Et exultavit spiritus meus
245–246 Magnificat primi toni: Et exultavit [K.1133] [Walter]
Appears on: 245–246
Genres: BVM, Canticle, Magnificat
Source Attribution: [Walter]
Voice: [no designation]
Languages: Latin
Voice Text: Magnificat Primi Toni: Et exultavit spiritus meus
246v–247 Magnificat Secundi Toni: Et exultavit [K.1134] [Walter]
Appears on: 246v–247
Genres: BVM, Canticle, Magnificat
Source Attribution: [Walter]
Voice: [no designation]
Languages: Latin
Voice Text: Magnificat Secundi Toni: Et exultavit spiritus meus
247v–248 Magnificat Tertii Toni: Et exultavit [K.1135] [Walter]
Appears on: 247v–248
Genres: BVM, Canticle, Magnificat
Source Attribution: [Walter]
Voice: [no designation]
Languages: Latin
Voice Text: Magnificat Tertii Toni: Et exultavit spiritus meus
248v–249 Magnificat Quarti Toni: Et exultavit [K.1136] [Walter]
Appears on: 248v–249
Genres: BVM, Canticle, Magnificat
Source Attribution: [Walter]
Voice: [no designation]
Languages: Latin
Voice Text: Magnificat Quarti Toni: Et exultavit spiritus meus
249v–250 Magnificat Quinti Toni: Et exultavit [K.1137] [Walter]
Appears on: 249v–250
Genres: BVM, Canticle, Magnificat
Source Attribution: [Walter]
Voice: [no designation]
Languages: Latin
Voice Text: Magnificat Quinti Toni: Et exultavit spiritus meus
250v–251 Magnificat Sexti Toni: Et exultavit [K.1138] [Walter]
Appears on: 250v–251
Genres: BVM, Canticle, Magnificat
Source Attribution: [Walter]
Voice: [no designation]
Languages: Latin
Voice Text: Magnificat Sexti Toni: Et exultavit spiritus meus
251v–252 Magnificat Septimi Toni: Et exultavit [K.1139] [Walter]
Appears on: 251v–252
Genres: BVM, Canticle, Magnificat
Source Attribution: [Walter]
Voice: [no designation]
Languages: Latin
Voice Text: Magnificat Septimi Toni: Et exultavit spiritus meus
252v–253 Magnificat octavi toni: Et exultavit [K.407, K.1140] [Walter]
Appears on: 252v–253
Genres: BVM, Canticle, Magnificat
Source Attribution: [Walter]
Voice: [no designation]
Languages: Latin
Voice Text: Magnificat Octavi Toni: Et exultavit spiritus meus
253v–255v Te Deum laudamus Te aeternum patrem [K.1149] [Walter]
Appears on: 253v–255v
Genres: Liturgical work, Te Deum
Source Attribution: [Walter]
Voice: [no designation]
Languages: Latin
Voice Text: [Te deum laudamus] Te eternum patrem
256–257v Si bona suscepimus de manu Domini [Richafort/Verdelot]
Appears on: 256–257v
Genres: Motet
Source Attribution: [Richafort/Verdelot]
Voice: [no designation]
Languages: Latin
Voice Text: Si bona suscepimus de manu domini
258–262 Missa Maria Magdalena: KG Anon. Anonymous
Appears on: 258–262
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin, Greek
Voice Text: [Missa] [KG]
[-] Missa Maria Magdalena: Gloria - Anonymous
Appears on: [-]
Genres: Gloria (et in terra pax), Mass Ordinary
262–264 Ad te levavi oculos meos qui habitas in caelis [Gombert]
Appears on: 262–264
Genres: Motet
Source Attribution: [Gombert]
Voice: [no designation]
Languages: Latin
Voice Text: Ad te levavi oculos meos qui habitas
264v–266v Jubilate Deo - 1a pars (of 2): Jubilate Deo omnis terra servite Domino [Clemens non Papa]
Appears on: 264v–266v
Genres: Motet
Source Attribution: [Clemens non Papa]
Voice: [no designation]
Languages: Latin
Voice Text: Iubilate deo omnis terra servite domino II: Populus eius et oves pascuiae eius
[-] Jubilate Deo - 2a pars (of 2): Populus eius et oves pascuae -
Appears on: [-]
Genres: Motet
267–267v Ecce quam bonum et quam jocundum habitare Anon. Anonymous
Appears on: 267–267v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Ecce quam bonum et quam iocundum [incomplete]
269–270v Christus resurgens à mortuis jam non II: Christus traditus fuit propter Anon. Anonymous
Appears on: 269–270v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Christus resurgens à mortuis iam non II: Christus traditus fuit propter
Composer Compositions
Anonymous
Burckstaller, Joannes
Caen, Arnold
Champion, Nicolas (ca. 1475–1533)
Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Compère, Loyset (ca. 1445–1518)
Crecquillon, Thomas (ca. 1505–ca. 1557)
Despres, Josquin (ca. 1450–1521)
Dietrich, Sixt (ca. 1493–1548)
Fevin, Antoine de (ca. 1470–ca. 1512)
Figulus, Wolfgang (ca. 1525–1589)
Finck, Heinrich
Forestier, Mathurin
Gombert, Nicolas (ca. 1495–ca. 1560)
Hellinck, Lupus (ca. 1494–1541)
Isaac, Heinrich (ca. 1450–1517)
Longueval, Antoine de (fl. 1498-1525)
Mahu, Stephan
Mantua, Jacquet de (1483–1559)
Obrecht, Jacobus (ca. 1457–1505)
Prioris, Johannes (Denis, Dionisius) (–1515)
Rener, Adam (ca. 1485–ca. 1520)
Richafort, Jean (ca. 1480–ca. 1550)
Rouseli, Petri
Rue, Pierre de la (ca. 1452–1518)
Rupsch, Conrad
Senfl, Ludwig (ca. 1486–ca. 1543)
Venture, Johannes a la (fl. c1500)
Verdelot, Philippe (ca. 1480–ca. 1532)
Walter, Johann (1496–1570)
Composition Composers (? Uncertain) Folios / Pages
Ad te levavi oculos meos qui habitas in caelis 262–264
Aeterno gratias patri omnes canant ecclesiae 40–41
Alleluia. Vidimus stellam eius in oriente [in festo Epiphaniae] 89v–90v
Apparuerunt apostoli dispertitae linguae - 1a pars (of 3): Apparuerunt apostoli dispertitae linguae 28–30
Apparuerunt apostoli dispertitae linguae - 2a pars (of 3): Seditque supra singulos eorum 28–30
Apparuerunt apostoli dispertitae linguae - 3a pars (of 3): Loquebantur variis linguis apostoli 28–30
Ascendo ad patrem meum (6vv) - 1a pars (of 2): Ascendo ad patrem meum et patrem vestrum 17v–18v
Ascendo ad patrem meum (6vv) - 2a pars (of 2): Deum meum et Deum vestrum 17v–18v
Ascendo ad patrem meum et patrem vestrum (5vv) 17–17v
Ave Maria ... virgo serena 23.6 - 1a pars (of 2): Ave Maria ... virgo serena 166v–168v
Ave Maria ... virgo serena 23.6 - 2a pars (of 2): Ave vera virginitas 166v–168v
Beati omnes 15.2 [M12] - 1a pars (of 2): Beati omnes qui timent Dominum 204–206
Beati omnes 15.2 [M12] - 2a pars (of 2): Filii tui sicut novellae olivarum 204–206
Benedicta semper sancta sit trinitas O adoranda trinitas. Per te sumus redempti 35v–36
Benedicta sit Sancta trinitas atque indivisa Vs: Benedicamus patrem Cum sancto spiritu [Proprium de SS Trinitate] 32v–35v
Benedicta sit Sancta trinitas atque indivisa Vs: Benedicamus patrem et filium Cum sancto spiritu 31v–32v
Christ ist erstanden (5vv) [M16] 12–12v
Christ ist erstanden von der marter alle / Christus resurgens ex mortuis 11–11v
Christ lag in Todesbanden für unser Sündt 15–15v
Christe qui lux es et dies noctis (6vv) 2 Precamur sancte Domine defende nos 3 Ne gravis somnus irruat ne hostis 4 Oculi somnum capiant cor ad te 5 Defensor noster aspice insidiantes 6 Memento nostri Domine in gravi 7 Deo patri sit gloria eiusque soli 119v
Christum wir sollen loben schon 113–113v
Christus resurgens à mortuis jam non II: Christus traditus fuit propter Anonymous 269–270v
Christus surrexit mala nostra texit (5vv) Anonymous 12v–13
Christus surrexit mala nostra texit (6vv) Anonymous 13–13v
Cum rex gloriae - 1a pars (of 5): Cum rex gloriae Christus infernum debellaturus 188–191
Cum rex gloriae - 2a pars (of 5): Advenisti desiderabilis quem expecta 188–191
Cum rex gloriae - 3a pars (of 5): Christus Dei filius ab hoste 188–191
Cum rex gloriae - 4a pars (of 5): Delens Aeve culpam latronem sero 188–191
Cum rex gloriae - 5a pars (of 5): Quo iturus erat Petrum cum ceteris 188–191
Da pacem Domine (4vv) - 1a pars (of 2): Da pacem Domine in diebus nostris 150–151
Da pacem Domine (4vv) - 2a pars (of 2): Verleih uns Frieden gnädiglich, Herr Gott 150–151
Da pacem Domine (5vv) - 1a pars (of 2): Da pacem Domine in diebus nostris 151–151v
Da pacem Domine (5vv) - 2a pars (of 2): Verleih uns Frieden gnädiglich, Herr Gott 151–151v
De profundis clamavi 15.14 (5vv - M29) - 1a pars (of 2): De profundis clamavi ad te Domine 175–177v
De profundis clamavi 15.14 (5vv - M29) - 2a pars (of 2): A custodia Matutina usque ad noctem 175–177v
Deum time - 1a pars (of 3): Deum time et mandata eius observa 185v–187
Deum time - 2a pars (of 3): Hoc est omnis homo 185v–187
Deum time - 3a pars (of 3): Timentibus Deum nihil deest nec 185v–187
Deus misereatur nostri - 1a pars (of 2): Deus misereatur nostri et benedicat nobis 197v–200
Deus misereatur nostri - 2a pars (of 2): Laetentur et exultent gentes quoniam 197v–200
Deus qui sedes super thronum (4vv) 168v–170
Dies est laetitiae in ortu regali 109v–110
Dies sind die Heilgen Zehn Gebot [ii] 120
Domine non secundum 16.10 - 1a pars (of 4): Domine non secundum peccata nostra 123–125
Domine non secundum 16.10 - 2a pars (of 4): Domine ne memineris 123–125
Domine non secundum 16.10 - 3a pars (of 4): Quia pauperes facti sumus nimis 123–125
Domine non secundum 16.10 - 4a pars (of 4): Adjuva nos Deus salutaris noster - Et propitius esto 123–125
Ecce advenit dominator Dominus et regnum [in festo Epiphaniae] 88v–89v
Ecce quam bonum et quam jocundum habitare Anonymous 267–267v
Ego sum ipse qui deleo iniquitates (= Tenez moi en vos bras 30.12) 185–185v
Ego sum resurrectio et vita dicit Dominus Jesus 162–162v
Ein feste Burg ist unser Gott ein gute Wehr 154v–156 (Number "155" omitted by foliator)
Ein kindelein so löbelich ist uns geboren 109–109v
Emendemus in melius - 1a pars (of 2): Emendemus in melius quae ignoranter 120v–123
Emendemus in melius - 2a pars (of 2): Peccavimus cum patribus nostris 120v–123
Es wolt uns Gott genedig sein und seinen segen 156–157
Et cum inducerent puerum Jesum parentes 116v
Festum nunc celebre magnaque gaudia (4vv - I) 21v–22v
Festum nunc celebre magnaque gaudia (5vv) 20v–21v
Gelobet seist Du, Jesu Christ, dass Du Mensch 108v
Gott der vater won uns bei und las uns 157–158
Gott sei gelobet und gebenedeyet der uns 153v–154
Grates nunc omnes (5vv) - 1a pars (of 2): Grates nunc omnes reddamus Domino Deo 103v–104
Grates nunc omnes (5vv) - 1a pars (of 2): Grates nunc omnes reddamus Domino Deo 192v–193
Grates nunc omnes (5vv) - 2a pars (of 2): Huic oportet ut canamus cum angelis 103v–104
Grates nunc omnes (5vv) - 2a pars (of 2): Huic oportet ut canamus cum angelis 192v–193
Grates nunc omnes - 1a pars (of 2): Grates nunc omnes reddamus Domino deo 107v–108
Grates nunc omnes - 2a pars (of 2): Huic oportet ut canamus cum angelis 107v–108
Haec dicit Dominus liberabo populum T: Circumdederunt me gemitus [= Nimphes nappés néridriades driades 30.6] 164v
Impetum inimicorum ne timueritis memores 200v–202
In dulci jubilo nun singet und seid froh 113v–114
In principio erat verbum - 1a pars (of 2): In principio erat verbum et verbum erat 111v
In principio erat verbum - 2a pars (of 2): Hoc verbum hodie in altari conflicitur 111v
In te Domine speravi - 1a pars (of 2): In te Domine speravi 172–175
In te Domine speravi - 2a pars (of 2): Quoniam fortitudo mea ... Et propter nomen 172–175
Inter natos mulierum - 1a pars (of 3): Inter natos mulierum non surrexit major 39–40
Inter natos mulierum - 2a pars (of 3): Qui viam Domino preparavit 39–40
Inter natos mulierum - 3a pars (of 3): Fuit homo missus a Deo cui nomen 39–40
Ite in orbem universum - 1a pars (of 3): Ite in orbem universum et praedicate dicentes 18v–20v
Ite in orbem universum - 2a pars (of 3): Qui crediderit et baptisatus fuerit 18v–20v
Ite in orbem universum - 3a pars (of 3): In nomine patris et filii et spiritus 18v–20v
Jauchzet dem Herren - 1a pars (of 2): Jauchzet dem Herren alle welt dienet 202v–203v
Jauchzet dem Herren - 2a pars (of 2): Geht zu seinen Toren ein 202v–203v
Jerusalem luge - 1a pars (of 2): Jerusalem luge et exue te vestibus jocunditatis 206v–209
Jerusalem luge - 2a pars (of 2): Deduc quasi torrentem lacrimas 206v–209
Jesaja dem Propheten das geschah 152–153v
Jesus Christus nostra salus quod reclamat 126–126v
Jesus Christus unser Heiland, der von uns 126v–127
Joseph, lieber Joseph mein - Eia virgo Deum genuit 114–115
Jubilate Deo - 1a pars (of 2): Jubilate Deo omnis terra servite Domino 264v–266v
Jubilate Deo - 2a pars (of 2): Populus eius et oves pascuae [-]
Komm Gott Schöpfer Heiliger Geist 30–31
Kyrie [Tro] magne Deus potentiae Anonymous 87–88
Laudate Dominum omnes gentes laudate 162v–163v
Magnificat octavi toni: Et exultavit [K.407, K.1140] 252v–253
Magnificat octavi toni: Et exultavit [K.987] 242–245
Magnificat primi toni: Et exultavit [K.1133] 245–246
Magnificat primi toni: Et exultavit [K.724] 218–220
Magnificat Quarti Toni: Et exultavit [K.1136] 248v–249
Magnificat quarti toni: Et exultavit spiritus meus 228v–232
Magnificat Quinti Toni: Et exultavit [K.1137] 249v–250
Magnificat Quinti Toni: Et exultavit [K.986] 232v–235v
Magnificat Secundi Toni: Et exultavit [K.1134] 246v–247
Magnificat secundi toni: Et exultavit spiritus meus 220v–223v
Magnificat Septimi Toni: Et exultavit [K.1139] 251v–252
Magnificat Septimi Toni: Et exultavit [K.363] 240–242
Magnificat Sexti Toni: Et exultavit [K.1138] 250v–251
Magnificat sexti toni: Et exultavit spiritus meus 236–240
Magnificat Tertii Toni: Et exultavit [K.1135] 247v–248
Magnificat tertii toni: Et exultavit [K.779] 224–228
Maria Magdalena - 1a pars (of 2): Maria Magdalena et altera Maria ibant 95v–98v
Maria Magdalena - 2a pars (of 2): Cito euntes dicite discipulis eius 95v–98v
Missa Baisez-moi: Agnus Dei 59–67
Missa Baisez-moi: Credo 59–67
Missa Baisez-moi: Gloria 59–67
Missa Baisez-moi: Kyrie 59–67
Missa Baisez-moi: Sanctus 59–67
Missa Beata Virgine = Missa Coronata 3.3: Agnus Dei 67–78
Missa Beata Virgine = Missa Coronata 3.3: Credo 67–78
Missa Beata Virgine = Missa Coronata 3.3: Gloria 67–78
Missa Beata Virgine = Missa Coronata 3.3: Kyrie 67–78
Missa Beata Virgine = Missa Coronata 3.3: Sanctus 67–78
Missa Incessament mon pauvre coeur: Agnus Dei 41v–50v
Missa Incessament mon pauvre coeur: Credo 41v–50v
Missa Incessament mon pauvre coeur: Gloria 41v–50v
Missa Incessament mon pauvre coeur: Kyrie 41v–50v
Missa Incessament mon pauvre coeur: Sanctus 41v–50v
Missa Maria Magdalena / Missa la Magdalena: Agnus 50v–57
Missa Maria Magdalena / Missa la Magdalena: Credo (2 partes) 50v–57
Missa Maria Magdalena / Missa la Magdalena: Gloria (2 partes) 50v–57
Missa Maria Magdalena / Missa la Magdalena: Kyrie 50v–57
Missa Maria Magdalena / Missa la Magdalena: Sanctus with: Pleni: 4 voces, Osanna, Benedictus: 4 voces 50v–57
Missa Maria Magdalena: Gloria Anonymous [-]
Missa Maria Magdalena: KG Anonymous 258–262
Missa Nisi Dominus edificaverit: Agnus Dei 79–86v
Missa Nisi Dominus edificaverit: Credo 79–86v
Missa Nisi Dominus edificaverit: Gloria 79–86v
Missa Nisi Dominus edificaverit: Kyrie 79–86v
Missa Nisi Dominus edificaverit: Sanctus 79–86v
Missa Pascale a6: Agnus Dei 14–15
Missa Pascale a6: Gloria 4v–7v
Missa Pascale a6: Kyrie 4v–7v
Missa Pascale a6: Sanctus 14–15
Missa Paschalis: Gloria 2v–4v
Missa Paschalis: Kyrie 2v–4v
Missa Si bona suscepimus: Gloria 99–103
Missa Si bona suscepimus: Kyrie 99–103
Missa: Gloria 105v–107v
Missa: Kyrie 105v–107v
Mit fried und freud ich fahr dahin 118v–119
Mitten wir im Leben sind mit dem Tod umfangen 125–126
Mitten wir im Leben sind mit dem Tod umfangen 128–128v
Ne timeas Zacharia Exaudita est oratio tua Vs: Domine in virtute Et super salutare tuum 37v–39
Nesciens mater virgo virum peperit 111v–113
Nisi Dominus - 1a pars (of 2): Nisi Dominus aedificaverit domum frustra 182v–184v
Nisi Dominus - 2a pars (of 2): Cum dederit dilectis suis somnum 182v–184v
Non moriar sed vivam et narrabo opera 165–166
Nos autem Gloriari oportet in cruce Vs: Deus misereatur nostri Illuminet vultum tuum super nos 78–79
Nun bitten wir den heiligen geist (5vv) 25–25v
Nunc dimittis - 1a pars (of 2): Nunc dimittis servum tuum Domine secundum 117–118
Nunc dimittis - 2a pars (of 2): Lumen ad revelationem gentium et gloriam 117–118
O lux beata trinitas et principalis 3 Deo patri sit gloria eiusque soli 36v–37
Officium de Cruce - 1a pars (of 9): In nomine Jesu omne genuflectator 140v–147
Officium de Cruce - 2a pars (of 9): Adoramus te Christe et benedicimus 140v–147
Officium de Cruce - 3a pars (of 9): Patris sapientie veritas divina 140v–147
Officium de Cruce - 4a pars (of 9): Hora prima ductus est Jesus 140v–147
Officium de Cruce - 5a pars (of 9): Crucifige clamitant hora tertiarum 140v–147
Officium de Cruce - 6a pars (of 9): Hora sexta Dominus Jesus est 140v–147
Officium de Cruce - 7a pars (of 9): Hora nona Dominus Jesus expiravit 140v–147
Officium de Cruce - 8a pars (of 9): De cruce deponitur hora vespertina 140v–147
Officium de Cruce - 9a pars (of 9): Hora completorii datur sepulturae 140v–147
Passio Domini secundum Matthaeum - 1a pars (of 3): Passio Domini nostri Jesu Christi secundum Mattheum 129–134v
Passio Domini secundum Matthaeum - 2a pars (of 3): Apprehendit ergo eum Pilatus 129–134v
Passio Domini secundum Matthaeum - 3a pars (of 3): Orabat autem Jesus pro crucifigentibus 129–134v
Passio secundum Johannem: Jesum von Nazareth 138v–140v
Passio secundum Matthaeum: Ja nicht auf das fest 134v–138v
Pater noster / Ave Maria 20.9 - 1a pars (of 2): Pater noster qui es in caelis 158v–160
Pater noster / Ave Maria 20.9 - 2a pars (of 2): Ave Maria gratia plena Dominus tecum 158v–160
Patrem omnipotentem [Credo] 214–217
Popule meus - 1a pars (of 5): Popule meus quid feci tibi aut in quo 147–149v
Popule meus - 2a pars (of 5): Ego eduxi te de Egypto in manu forti 147–149v
Popule meus - 3a pars (of 5): Ego transduxi te per mare rubrum 147–149v
Popule meus - 4a pars (of 5): Ego eduxi te per desertum 147–149v
Popule meus - 5a pars (of 5): Quid ultra debui facere tibi 147–149v
Puer natus est nobis Et filius datus est Vs: Cantate Domino Quia mirabilia fecit 105–105v
Quae miris sunt modis ornata cunctisque [in festo Epiphaniae] 90v–94
Resurrexi Et adhuc tecum sum alleluia Vs: Domine probasti me Tu cognovisti sessionem 1–2
Rex Christe factor omnium redemptor 3 Qui es creator syderum tegmen subisti 5 Cruci redemptor figeris terram sed omnem 6 Mox in paternae gloriae victor 127–127v
Salus populi ego sum Dicit Dominus Vs: Attendite popule meus Inclinate aurem vestram 57v–58v
Salve festa dies - 1a pars (of 3): Salve festa dies toto venerabilis aevo 8–9v
Salve festa dies - 2a pars (of 3): Ecce renascentis testatur gratia 8–9v
Salve festa dies - 3a pars (of 3): Namque triumphanti post tristia 8–9v
Sedit angelus - 1a pars (of 3): Sedit angelus ad sepulchrum Domini stola 193v–196
Sedit angelus - 2a pars (of 3): Crucifixum in carne laudate 193v–196
Sedit angelus - 3a pars (of 3): Nolite timere dico vobis quia ille 193v–196
Si bona suscepimus - 1a pars (of 2): Si bona suscepimus de manu Domini Anonymous 170v–171v
Si bona suscepimus - 2a pars (of 2): Dominus dedit Dominus abstulit Anonymous 170v–171v
Si bona suscepimus de manu Domini 256–257v
Sic Deus dilexit mundum ut filium suum = Incessament mon povre coeur lamente 29.9 166–166v
Spiritus Domini Replevit orbem terrarum Vs: Confirma hoc Deus A templo sancto 22v–23v
Suscepimus Deus misericordiam tuam in medio Vs: Magnus Dominus et laudabilis In civitate Dei nostri 115v–116
Tanto tempore vobiscum (5vv, M112) - 1a pars (of 2): Tanto tempore vobiscum sum et non cognovistis - Philippe qui videt me 163v–164v
Tanto tempore vobiscum (5vv, M112) - 2a pars (of 2): Non turbetur cor vestrum creditis - Philippe qui videt me 163v–164v
Te decet hymnus - 1a pars (of 2): Te decet hymnus Deus in Sion et tibi 178–182
Te decet hymnus - 2a pars (of 2): Visitasti terram et inebriasti eam 178–182
Te Deum laudamus Te aeternum patrem [K.1149] 253v–255v
Vater unser im Himmelreich, der du uns 187–187v
Veni redemptor gentium ostende partum 2 Non ex virili semine Sed mistico 4 Procedens de thalamo suo pudoris aula Anonymous 94v–95
Veni sancte spiritus 26.17 - 1a pars (of 2): Veni sancte spiritus et emitte 25v–28
Veni sancte spiritus 26.17 - 2a pars (of 2): O lux beatissima reple cordis 25v–28
Veni sancte spiritus et emitte caelitus Veni pater pauperum veni dator munerum 24–25
Veni sancte spiritus reple tuorum corda 31–31v
Verbum caro factum - 1a pars (of 3): Verbum caro factum est et habitavit 110v–111
Verbum caro factum - 2a pars (of 3): Plenum gratia et veritate 110v–111
Verbum caro factum - 3a pars (of 3): In principio erat verbum et verbum 110v–111
Verbum Domini manet in aeternam 165
Vias tuas Domine demonstra mihi et semitas 191v–192
Victime paschali laudes immolent Christiani Agnus redemit oves Christus innocens 9v–10v
Viri Galilei Quid admiramini aspicientes Vs: Omnes gentes plaudite manibus Iubi late deo in voce 16–17
Wir glauben all an einen Gott [Credo] (6vv) 212v–214
Wir glauben all an einen Gott [Credo] (I) (4vv) 210–211
Wir glauben all an einen Gott [Credo] (II) (4vv) 211–212v

denotes primary source study

Staehelin, Martin. 1977. Die Messen Heinrich Isaacs. Publikationen der Schweizerischen Musikforschenden Gesellschaft Serie II.  Bern and Stuttgart. Pages: I, xxxiv-xxxv, 42, 70; III, 114-5. Notes: physical description; contents list (partial); concordances (partial); mention of MS; discussion.

Ferer, Mary Tiffany. 1976. The Feast of St. John the Baptist: Its Background and Celebration in Renaissance Polyphony. University of Illinois, Unpublished Ph.D. dissertation. Pages: 164, 185-8, 225-33, 238-9, 293ff. Notes: contents list (partial); concordances (partial); incipits (partial); mention of MS; discussion.

Windh, John Ernfrid. 1971. Early Lutheran Masses. University of Illinois, Unpublished D.M.A. thesis. Pages: 71-95, 268-9. Notes: physical description (partial); contents list; concordances (partial); mention of MS; discussion.

Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts.  Tutzing. Pages: 152. Notes: contents list (partial); concordances (partial); incipits (partial).

Hoffmann-Erbrecht, Lothar. 1964. Thomas Stoltzer: Leben und Schaffen. Die Musik in Alten und Neuen Europa.  Kassel. Pages: 43, 168, 177. Notes: physical description (partial); contents list (partial); concordances (partial).

Schröder, Otto (editor). 1953-70. Johann Walter: Sämtliche Werke.  Kassel and Basel. Pages: III, 81-2; IV, xxiv, xxvi, 122ff, passim; VI, passim. Notes: physical description; contents list (partial); concordances (partial); transcriptions (partial); facsimile (partial); mention of MS; discussion.

Geering, Arnold (editor). 1949-. Ludwig Senfl: Sämtliche Werke.  Wolfenbüttel and Zürich. Pages: VIII, 123, 125, 127. Notes: physical description (partial); contents list (partial); concordances (partial).

Gerhardt, Carl. 1949. Die Torgauer Walter-Handschriften: Eine Studie zur Quellenkunde der Musikgeschichte der deutschen Reformationszeit.  Kassel and Basel. Pages: 7-21, passim Plates 1-19. Notes: physical description; contents list; concordances (partial); facsimile (partial); mention of MS; discussion; additional bibliography.

Geering, Arnold (editor). 1935. Das Erbe Deutscher Musik.  Leipzig, Kassel, Wolfenbüttel, and Wiesbaden. Pages: V, 111, 117; XIII, 116ff; XXV, 78. Notes: physical description; contents list (partial); concordances (partial).

Kade, Otto. 1871. Ein feste burgh ist unser got. Der neuaufgefundene LutherCodex vom Jahre 1530.  Dresden. Notes: physical description (partial); contents list; concordances (partial); incipits; transcription (partial); facsimile (partial); mention of MS; discussion.

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description