Click an entry to see more information about that item.
Folio / Pages | Composition / Item title | Source attribution | Composers (? Uncertain) |
---|---|---|---|
2–3 | Tristis est anima mea usque ad mortem | Orlando di Lasso | |
Appears on:
2–3
Genres:
Motet
Source Attribution:
Orlando di Lasso
|
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2v–3 | Credidi propter - 1a pars (of 2): Credidi propter quod locutus sum ego | Orlandi di Lasso | |
Appears on:
2v–3
Genres:
Motet
Source Attribution:
Orlandi di Lasso
|
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3 | Credidi propter - 2a pars (of 2): Vota mea Domino reddam coram omni | - | |
Appears on:
3
Genres:
Motet
|
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3v–4v | Veni in hortum meum | Orlandi di Lasso | |
Appears on:
3v–4v
Genres:
Motet
Source Attribution:
Orlandi di Lasso
|
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3v–5 | Angelus ad pastores ait annuntio vobis | Orlando di Lasso | |
Appears on:
3v–5
Genres:
Motet
Source Attribution:
Orlando di Lasso
|
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4v–5 | In me transierunt irae tuae | Orlando di Lasso | |
Appears on:
4v–5
Genres:
Motet
Source Attribution:
Orlando di Lasso
|
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4v–5v | Pater noster | Pietro Philippi | |
Appears on:
4v–5v
Genres:
Motet, Pater noster
Source Attribution:
Pietro Philippi
|
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5v–6 | Iste est Joannes | Pietro Philippi | |
Appears on:
5v–6
Genres:
Motet
Source Attribution:
Pietro Philippi
|
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5v–6v | Ego sum panis - 1a pars (of 2): Ego sum panis vivus | Pietro Philippi | |
Appears on:
5v–6v
Genres:
Motet
Source Attribution:
Pietro Philippi
|
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6v–7v | Ego sum panis - 2a pars (of 2): Et panis quam ego | Pietro Philippi | |
Appears on:
6v–7v
Genres:
Motet
Source Attribution:
Pietro Philippi
|
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7–8 | Disciplinam et scientiam | Pietro Philippi | |
Appears on:
7–8
Genres:
Motet
Source Attribution:
Pietro Philippi
|
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7v–8 | Ave verum corpus | Pietro Philippi | |
Appears on:
7v–8
Genres:
Motet
Source Attribution:
Pietro Philippi
|
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8–9 | Maria Magdalena | Pietro Philippi | |
Appears on:
8–9
Genres:
Motet
Source Attribution:
Pietro Philippi
|
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8v–10 | Viae Sion lugent eo | Pietro Philippi | |
Appears on:
8v–10
Genres:
Motet
Source Attribution:
Pietro Philippi
|
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9v–10v | Surge Petre | Pietro Philippi | |
Appears on:
9v–10v
Genres:
Motet
Source Attribution:
Pietro Philippi
|
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10v–11 | Gaude Maria virgo | Pietro Philippi | |
Appears on:
10v–11
Genres:
Motet
Source Attribution:
Pietro Philippi
|
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10v–12 | Mulieres sedentes | Pietro Philippi | |
Appears on:
10v–12
Genres:
Motet
Source Attribution:
Pietro Philippi
|
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12–13 | Alma redemptoris mater | Pietro Philippi | |
Appears on:
12–13
Genres:
Alma redemptoris mater, Motet
Source Attribution:
Pietro Philippi
|
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12–13v | Beatus Laurentius | Pietro Philippi | |
Appears on:
12–13v
Genres:
Motet
Source Attribution:
Pietro Philippi
|
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12v–14 | Domine Deus meus in te speravi | Pietro Philippi | |
Appears on:
12v–14
Genres:
Motet
Source Attribution:
Pietro Philippi
|
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13v–14 | Lullaby - 1a pars (of 2): Lullaby, my sweet little baby | William Bird | |
Appears on:
13v–14
Genres:
Song
Source Attribution:
William Bird
|
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14v–15 | Lullaby - 2a pars (of 2): Be still, my blessed babe | - | |
Appears on:
14v–15
Genres:
Song
|
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14v–15 | Why do I use my paper, ink and pen? | William Bird | |
Appears on:
14v–15
Genres:
Song
Source Attribution:
William Bird
|
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14v–15 | Nil maius - 1a pars (of 2): Nil maius superi vident | Ex libris Henry 8 circa a[nno] 1520 | |
Appears on:
14v–15
Genres:
Motet
Source Attribution:
Ex libris Henry 8 circa a[nno] 1520
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15v–16 | Nil maius - 2a pars (of 2): Ille Musarum naufragos | - | |
Appears on:
15v–16
Genres:
Motet
|
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15v–16 | Ascendens Christus - 1a pars (of 2): Ascendens Christus in altum | Ludovicus a Victoria | |
Appears on:
15v–16
Genres:
Motet
Source Attribution:
Ludovicus a Victoria
|
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16v–17 | Ascendens Christus - 2a pars (of 2): Ascendit Deus in jubilatione | - | |
Appears on:
16v–17
Genres:
Motet
|
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17v–18 | Dum complerentur (5vv) - 1a pars (of 2): Dum complerentur | Ludovicus a Victoria | |
Appears on:
17v–18
Genres:
Motet
Source Attribution:
Ludovicus a Victoria
|
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18–19 | Gaude Maria virgo | Ludovicus a Victoria | |
Appears on:
18–19
Genres:
Motet
Source Attribution:
Ludovicus a Victoria
|
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18v–19v | Alma redemptoris (5vv) - 1a pars (of 2): Alma redemptoris mater | Ludovicus a Victoria | |
Appears on:
18v–19v
Genres:
Motet
Source Attribution:
Ludovicus a Victoria
|
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19v–20v | Cum beatus Ignatius - 1a pars (of 2): Cum beatus Ignatius | Ludovicus a Victoria | |
Appears on:
19v–20v
Genres:
Motet
Source Attribution:
Ludovicus a Victoria
|
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20v–22 | Cum beatus Ignatius - 2a pars (of 2): Ignis crux bestiae | - | |
Appears on:
20v–22
Genres:
Motet
|
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20v–21 | Out of the deep | Thomas Lupo | |
Appears on:
20v–21
Genres:
Anthem
Source Attribution:
Thomas Lupo
|
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20v–22 | Jerusalem plantabis vineam | Thomas Lupo | |
Appears on:
20v–22
Genres:
Motet
Source Attribution:
Thomas Lupo
|
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21v–22 | Salva nos Domine | Thomas Lupo | |
Appears on:
21v–22
Genres:
Motet
Source Attribution:
Thomas Lupo
|
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22–23 | O vos omnes | Thomas Lupo | |
Appears on:
22–23
Genres:
Motet
Source Attribution:
Thomas Lupo
|
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22v–23 | Miserere mei Domine (I) | Thomas Lupo | |
Appears on:
22v–23
Source Attribution:
Thomas Lupo
|
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22v–23v | Hear my prayer, O Lord | Thomas Lupo | |
Appears on:
22v–23v
Genres:
Anthem
Source Attribution:
Thomas Lupo
|
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23v–24 | Heu mihi Domine | Thomas Lupo | |
Appears on:
23v–24
Genres:
Motet
Source Attribution:
Thomas Lupo
|
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23v–25 | Miserere mei Domine (II) | Thomas Lupo | |
Appears on:
23v–25
Genres:
Motet
Source Attribution:
Thomas Lupo
|
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24v–25 | When David heard - 1a pars (of 2): When David heard that Absalom | Thomas Wilks | |
Appears on:
24v–25
Genres:
Anthem
Source Attribution:
Thomas Wilks
|
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25–25v | When David heard - 2a pars (of 2): O my son Absalom | - | |
Appears on:
25–25v
Genres:
Anthem
|
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25v | Miserere nostri Domine | William Daman | |
Appears on:
25v
Genres:
Motet
Source Attribution:
William Daman
|
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25v–26v | [Christe qui lux es (I)] Precamur sancte Domine | White | |
Appears on:
25v–26v
Genres:
Motet
Source Attribution:
White
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27–28 | Ego sum resurrectio | Alfonso Ferabosco Jun. | |
Appears on:
27–28
Genres:
Motet
Source Attribution:
Alfonso Ferabosco Jun.
|
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27v–28 | O nomen Jesu | Alf. Fer. Jun. | |
Appears on:
27v–28
Genres:
Motet
Source Attribution:
Alf. Fer. Jun.
|
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27v–28 | Ego dixi - 1a pars (of 2): Ego dixi Domine | Alf. Fer. Jun. | |
Appears on:
27v–28
Genres:
Motet
Source Attribution:
Alf. Fer. Jun.
|
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28v–29 | Ego dixi - 2a pars (of 2): Convertere Domine | - | |
Appears on:
28v–29
Genres:
Motet
|
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29–29v | Ubi duo - 1a pars (of 2): Ubi duo vel tres | Alf. Ferab. Jun. | |
Appears on:
29–29v
Genres:
Motet
Source Attribution:
Alf. Ferab. Jun.
|
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29v–30v | Ubi duo - 2a pars (of 2): Libera me Domine | - | |
Appears on:
29v–30v
Genres:
Motet
|
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30v | Domine Deus - 1a pars (of 2): Domine Deus meus in te speravi | Alf. Fer. Jun. | |
Appears on:
30v
Genres:
Motet
Source Attribution:
Alf. Fer. Jun.
|
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31 | Domine Deus - 2a par (of 2): Noli me precerem | - | |
Appears on:
31
Genres:
Motet
|
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31v–32 | Laboravi in gemitu meo | Alfonso Ferrabosco Jun. | |
Appears on:
31v–32
Genres:
Madrigal
Source Attribution:
Alfonso Ferrabosco Jun.
|
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32v–34 | Incipit lamentatio Jeremiae | Alfonso Ferrabosco Junior | |
Appears on:
32v–34
Genres:
Lamentations
Source Attribution:
Alfonso Ferrabosco Junior
|
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34–34v | Tribulationem - 1a pars (of 2): Tribulationem et dolorem inveni | Alfonso Ferabosco Jun. | |
Appears on:
34–34v
Genres:
Motet
Source Attribution:
Alfonso Ferabosco Jun.
|
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34v–35v | Tribulationem - 2a pars (of 2): O Domine | - | |
Appears on:
34v–35v
Genres:
Motet
|
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35v–36 | Fortitudo mea | Alfonso Ferrabosco Jun. | |
Appears on:
35v–36
Genres:
Motet
Source Attribution:
Alfonso Ferrabosco Jun.
|
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35v–37 | Sustinuit anima mea | Alfonso Ferrabosco Jun. | |
Appears on:
35v–37
Genres:
Motet
Source Attribution:
Alfonso Ferrabosco Jun.
|
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37v–38 | Qui consolabatur me recessit a me | Clemens non Papa | |
Appears on:
37v–38
Genres:
Motet
Source Attribution:
Clemens non Papa
|
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39–40 | E so come in un | Marenzo | |
Appears on:
39–40
Genres:
Madrigal (Italian)
Source Attribution:
Marenzo
|
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40 | Chiaro segno Amor | - | |
Appears on:
40
Genres:
Madrigal (Italian)
General Noteincomplete - a fragment only |
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39v–40 | L'aura che 'l verde - 1a pars (of 2): L'aura che 'l verde lauro e l'aureo crine | Marenzo | |
Appears on:
39v–40
Genres:
Madrigal (Italian)
Source Attribution:
Marenzo
|
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40–40v | L'aura che 'l verde - 2a pars (of 2): Si ch' io no vegeia | - | |
Appears on:
40–40v
Genres:
Madrigal (Italian)
|
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40v–41 | Il vago e bello Armillo - 1a pars (of 2): Il vago e bello Armillo | Marenzo | |
Appears on:
40v–41
Genres:
Madrigal (Italian)
Source Attribution:
Marenzo
|
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41v–42 | Il vago e bello Armillo - 2a pars (of 2): E dicea | - | |
Appears on:
41v–42
Genres:
Madrigal (Italian)
|
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41v–42 | Solo e pensoso - 1a pars (of 2): Solo e pensoso i piu deserti campi | Marenzo | |
Appears on:
41v–42
Genres:
Madrigal (Italian)
Source Attribution:
Marenzo
|
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42v | Solo e pensoso - 2a pars (of 2): Si ch' io mi credo | - | |
Appears on:
42v
Genres:
Madrigal (Italian)
|
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42v | Vivo in guerra mendico e son dolente | Marenzo | |
Appears on:
42v
Genres:
Madrigal (Italian)
Source Attribution:
Marenzo
|
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43–43v | Exaudi Deus - 1a pars (of 2): Exaudi Deus orationem meam (C34) | Alfonso Ferabosco Sen. | |
Appears on:
43–43v
Genres:
Motet
Source Attribution:
Alfonso Ferabosco Sen.
|
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43v–45 | Exaudi Deus - 2a pars (of 2): Quoniam declinaverunt (C35) | - | |
Appears on:
43v–45
|
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44v–46 | In monte Oliveti (C39) | Alfonso Ferabosco Sen. | |
Appears on:
44v–46
Genres:
Motet
Source Attribution:
Alfonso Ferabosco Sen.
|
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45v–47 | Da pacem Domine (II) (C28) | Alfonso Ferabosco Sen. | |
Appears on:
45v–47
Source Attribution:
Alfonso Ferabosco Sen.
|
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46v–47 | Tibi soli peccavi - 1a pars (of 2): Tibi soli peccavi | Alfonso Ferabosco Sen. | |
Appears on:
46v–47
Genres:
Motet
Source Attribution:
Alfonso Ferabosco Sen.
|
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47–48 | Tibi soli peccavi - 2a pars (of 2): Ecce enim (C60) | Alfonso Ferabosco Sen. | |
Appears on:
47–48
Genres:
Motet
Source Attribution:
Alfonso Ferabosco Sen.
|
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47v–51 | Incipit lamentatio Jeremiae [III]: Lamed (6vv - C67) | Alfonso Ferabosco Sen. | |
Appears on:
47v–51
Genres:
Lamentations
Source Attribution:
Alfonso Ferabosco Sen.
|
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50v–51v | Inclina Domine - 1a pars (of 6): Inclina Domine aurem (C41) | Alfonso Ferabosco Sen. | |
Appears on:
50v–51v
Genres:
Motet
Source Attribution:
Alfonso Ferabosco Sen.
|
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51v–53 | Afflictus sum - 1a pars (of 2): Afflictus sum et humiliatus | Alfonso Ferabosco Sen. | |
Appears on:
51v–53
Genres:
Motet
Source Attribution:
Alfonso Ferabosco Sen.
|
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53–54 | Afflictus sum - 2a pars (of 2): Ne derelinquas me, Domine | - | |
Appears on:
53–54
Genres:
Motet
|
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53v–55 | Heu mihi Domine (II) (C38) | Alfonso Ferabosco Sen. | |
Appears on:
53v–55
Source Attribution:
Alfonso Ferabosco Sen.
|
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54v–56 | Salva nos Domine (C54) | Alfonso Ferabosco Sen. | |
Appears on:
54v–56
Source Attribution:
Alfonso Ferabosco Sen.
|
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55v–56 | Timor et tremor - 1a pars (of 2): Timor et tremor (C61) | Alfonso Ferabosco Sen. | |
Appears on:
55v–56
Genres:
Motet
Source Attribution:
Alfonso Ferabosco Sen.
|
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56v–57 | Timor et tremor - 2a pars (of 2): Exaudi Deus deprecationem meam (C62) | - | |
Appears on:
56v–57
Genres:
Motet
|
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57–58v | Domine non secundum peccata nostra (C32) | Alfonso Ferabosco Sen. | |
Appears on:
57–58v
Genres:
Motet
Source Attribution:
Alfonso Ferabosco Sen.
|
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59–60 | Decantabat populus Israel | Alfonso Ferabosco Sen. | |
Appears on:
59–60
Genres:
Motet
Source Attribution:
Alfonso Ferabosco Sen.
|
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59v–61 | Benedic anima mea - 11a pars (of 11): Cantabo Domino (C18) | Alfonso Feraboso [sic] Sen. | |
Appears on:
59v–61
Genres:
Psalm
Source Attribution:
Alfonso Feraboso [sic] Sen.
|
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60v–61 | Dolce guerriera mia - 1a pars (of 2): Dolce guerriera mia | Alfonso Ferabosco Sen. | |
Appears on:
60v–61
Genres:
Madrigal (Italian)
Source Attribution:
Alfonso Ferabosco Sen.
|
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61v–62 | Dolce guerriera mia - 2a pars (of 2): Ma se con l'apre | - | |
Appears on:
61v–62
Genres:
Madrigal (Italian)
|
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61v–63 | Grave pene in amor | Alfonso Ferabosco Sen. | |
Appears on:
61v–63
Genres:
Motet
Source Attribution:
Alfonso Ferabosco Sen.
|
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62v–64 | Cosi m' e l'aspettar | Alfonso Ferabosco Sen. | |
Appears on:
62v–64
Genres:
Madrigal (Italian)
Source Attribution:
Alfonso Ferabosco Sen.
|
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63v–65 | Interdette speranze e van desio | Alfonso Ferabosco Sen. | |
Appears on:
63v–65
Genres:
Madrigal (Italian)
Source Attribution:
Alfonso Ferabosco Sen.
|
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64v–66 | Se lungi dal mio sol | Alfonso Ferabosco Sen. | |
Appears on:
64v–66
Genres:
Madrigal (Italian)
Source Attribution:
Alfonso Ferabosco Sen.
|
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65v–66 | Ecco che un' altra volta - 1a pars (of 2): Ecco che un' altra volta | Alfonso Ferabosco Sen. | |
Appears on:
65v–66
Genres:
Madrigal (Italian)
Source Attribution:
Alfonso Ferabosco Sen.
|
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66v–67 | Ecco che un' altra volta - 2a pars (of 2): E se di vero | - | |
Appears on:
66v–67
Genres:
Madrigal (Italian)
|
|||
66v–68 | Vergine bella - 1a pars (of 11): Vergine bella che di sol vestita | Alfonso Ferabosco Sen. | |
Appears on:
66v–68
Genres:
Madrigal (Italian)
Source Attribution:
Alfonso Ferabosco Sen.
|
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68v–69 | Vergine bella - 2a pars (of 11): Vergine saggia e del bel numer' una | - | |
Appears on:
68v–69
Genres:
Madrigal (Italian)
|
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69v–70v | Vergine bella - 3a pars (of 11): Vergine pura d'ogni parte intera | - | |
Appears on:
69v–70v
Genres:
Madrigal (Italian)
|
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71 | Vergine bella - 4a pars (of 11): Vergine santa d'ogni gratia piena | - | |
Appears on:
71
Genres:
Madrigal (Italian)
|
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71v | Vergine bella - 5a pars (of 11): Vergine sola al mondo senza esempio | - | |
Appears on:
71v
Genres:
Madrigal (Italian)
|
|||
71v–72 | Vergine bella - 6a pars (of 11): Vergine chiara e stabile in eterno | - | |
Appears on:
71v–72
Genres:
Madrigal (Italian)
|
|||
72v–73v | Vergine bella - 7a pars (of 11): Vergine quande lagrime ho gia sparte | - | |
Appears on:
72v–73v
Genres:
Madrigal (Italian)
|
|||
74–75 | Vergine bella - 8a pars (of 11): Vergine tal' e terra e post'ha | - | |
Appears on:
74–75
Genres:
Madrigal (Italian)
|
|||
75v–76 | Vergine bella - 9a pars (of 11): Vergine in cui ho tutta mia speranza | - | |
Appears on:
75v–76
Genres:
Madrigal (Italian)
|
|||
76v–77 | Vergine bella - 10a pars (of 11): Vergine humana e nemica d'orgogli | - | |
Appears on:
76v–77
Genres:
Madrigal (Italian)
|
|||
77v–78 | Vergine bella - 11a pars (of 11): Il di s'appressa et non puote esser | - | |
Appears on:
77v–78
Genres:
Madrigal (Italian)
|
|||
78–78v | Mentre che il cor - 1a pars (of 2): Mentre che il cor | Alfonso Ferabosco Sen. | |
Appears on:
78–78v
Genres:
Madrigal (Italian)
Source Attribution:
Alfonso Ferabosco Sen.
|
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79–80 | Mentre che il cor - 2a pars (of 2): Quel foco e morto | - | |
Appears on:
79–80
Genres:
Madrigal (Italian)
|
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80–81 | Se pur e ver che l'alma | Alfonso Ferabosco Sen. | |
Appears on:
80–81
Genres:
Madrigal (Italian)
Source Attribution:
Alfonso Ferabosco Sen.
|
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81–82 | Quel sempre acerbo et honorato giorno | Alfonso Ferabosco Sen. | |
Appears on:
81–82
Genres:
Madrigal (Italian)
Source Attribution:
Alfonso Ferabosco Sen.
|
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82v | Io vo piangendo - 1a pars (of 2): Io vo piangendo i miei passati tempi | Alfonso Ferabosco Sen. | |
Appears on:
82v
Genres:
Madrigal (Italian)
Source Attribution:
Alfonso Ferabosco Sen.
|
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82v–84 | Io vo piangendo - 2a pars (of 2): Si che s'io vissi | - | |
Appears on:
82v–84
Genres:
Madrigal (Italian)
|
|||
83v–84 | Valle che dei lamenti - 1a pars (of 2): Valle che dei lamenti | Alfonso Ferabosco Sen. | |
Appears on:
83v–84
Genres:
Madrigal (Italian)
Source Attribution:
Alfonso Ferabosco Sen.
|
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84v–85 | Valle che dei lamenti - 2a pars (of 2): Ben riconosco in lei | - | |
Appears on:
84v–85
Genres:
Madrigal (Italian)
|
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85v–86 | Lasso me - 1a pars (of 2): Lasso me ch' ad un tempo | Alfonso Ferabosco Sen. | |
Appears on:
85v–86
Genres:
Madrigal (Italian)
Source Attribution:
Alfonso Ferabosco Sen.
|
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86v–87 | Lasso me - 2a pars (of 2): Cerco fermar il sol ardo | - | |
Appears on:
86v–87
Genres:
Madrigal (Italian)
|
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86v–87 | Hor vedi Amor - 1a pars (of 2): Hor vedi Amor che giovinetta donna | Alfonso Ferabosco Sen. | |
Appears on:
86v–87
Genres:
Madrigal (Italian)
Source Attribution:
Alfonso Ferabosco Sen.
|
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87v–88 | Hor vedi Amor - 2a pars (of 2): Tu sei prigion ma se pieta | Alfonso Ferabosco Sen. | |
Appears on:
87v–88
Genres:
Madrigal (Italian)
Source Attribution:
Alfonso Ferabosco Sen.
|
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87v–89 | Non e lasso martire | Alfonso Ferabosco Sen. | |
Appears on:
87v–89
Genres:
Madrigal (Italian)
Source Attribution:
Alfonso Ferabosco Sen.
|
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88v–90 | Voi volete ch' io muoia | Alfonso Ferabosco Sen. | |
Appears on:
88v–90
Genres:
Madrigal (Italian)
Source Attribution:
Alfonso Ferabosco Sen.
|
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89–91 | Gia disfatt' ha le nevi intorno | Alfonso Ferrabosco Sen. | |
Appears on:
89–91
Genres:
Madrigal (Italian)
Source Attribution:
Alfonso Ferrabosco Sen.
|
|||
91 | Esser non puo ch' al suon | - | |
Appears on:
91
Genres:
Madrigal (Italian)
|
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91–92 | Benedetto di al giorno - 1a pars (of 2): Benedetto di al giorno | Alfonso Ferabosco Sen. | |
Appears on:
91–92
Genres:
Madrigal (Italian)
Source Attribution:
Alfonso Ferabosco Sen.
|
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92v–93 | Benedetto di al giorno - 2a pars (of 2): Benedette le voci | - | |
Appears on:
92v–93
Genres:
Madrigal (Italian)
|
|||
93v–94 | Ogni loco m' attrista | Alfonso Ferrabosco Sen. | |
Appears on:
93v–94
Genres:
Madrigal (Italian)
Source Attribution:
Alfonso Ferrabosco Sen.
|
|||
94–95 | O remember not our old sins | Alfonso Ferrabosco Sen. | |
Appears on:
94–95
Genres:
Anthem
Source Attribution:
Alfonso Ferrabosco Sen.
|
|||
94v–96 | Questi ch' inditio fan del mio tormento | Alfonso Ferrabosco Sen. | |
Appears on:
94v–96
Genres:
Madrigal (Italian)
Source Attribution:
Alfonso Ferrabosco Sen.
|
|||
95v–97 | Con lagrime ch' ogn' hor' da gli occhi | Alfonso Ferrabosco Sen. | |
Appears on:
95v–97
Genres:
Madrigal (Italian)
Source Attribution:
Alfonso Ferrabosco Sen.
|
|||
97v | Sola voi no 'l sentite | - | |
Appears on:
97v
Genres:
Madrigal (Italian)
|
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97v–99 | Fui vicino - 1a pars (of 2): Fui vicino a cader' | Alfonso Ferrabosco Sen. | |
Appears on:
97v–99
Genres:
Madrigal (Italian)
Source Attribution:
Alfonso Ferrabosco Sen.
|
|||
99v | Fui vicino - 2a pars (of 2): Hor com' augel | - | |
Appears on:
99v
Genres:
Madrigal (Italian)
|
|||
98v–100v | Fantasia a6 | Alfonso Ferrabosco Sen. | |
Appears on:
98v–100v
Genres:
Fantasia
Source Attribution:
Alfonso Ferrabosco Sen.
|
|||
100v–102 | Fantasia a6 | Guillermo Daman | |
Appears on:
100v–102
Genres:
Fantasia
Source Attribution:
Guillermo Daman
|
|||
103–104 | L'aura serena - 1a pars (of 2): L'aura serena che fra verdi fronde | Marenzo | |
Appears on:
103–104
Genres:
Madrigal (Italian)
Source Attribution:
Marenzo
|
|||
104v | L'aura serena - 2a pars (of 2): Le quali ella spargea | - | |
Appears on:
104v
Genres:
Madrigal (Italian)
|
|||
104–105 | Cantai gia lieto - 1a pars (of 2): Cantai gia lieto il mio libero stato | Marenzo | |
Appears on:
104–105
Genres:
Madrigal (Italian)
Source Attribution:
Marenzo
|
|||
105v | Cantai gia lieto - 2a pars (of 2): Che la mia donna altiera | - | |
Appears on:
105v
Genres:
Madrigal (Italian)
|
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105–106 | Baci soavi - 1a pars (pf 5): Baci soavi e cari | Marenzo | |
Appears on:
105–106
Genres:
Madrigal (Italian)
Source Attribution:
Marenzo
|
|||
106v–107 | Baci soavi - 2a pars (pf 5): Baci amorosi e belli | - | |
Appears on:
106v–107
Genres:
Madrigal (Italian)
|
|||
107v–108 | Baci soavi - 3a pars (pf 5): Baci affamati e regardi | - | |
Appears on:
107v–108
Genres:
Madrigal (Italian)
|
|||
107v–108v | Baci soavi - 4a pars (pf 5): Baci cortesi e grave | - | |
Appears on:
107v–108v
Genres:
Madrigal (Italian)
|
|||
109 | Baci soavi - 5a pars (pf 5): Baci, ohime no mirate | - | |
Appears on:
109
Genres:
Madrigal (Italian)
|
|||
108–109 | Vivro dunque lontano | Marenzo | |
Appears on:
108–109
Genres:
Madrigal (Italian)
Source Attribution:
Marenzo
|
|||
108v–109v | Danzava con maniere - 1a pars (of 2): Danzava con maniere | Marenzo | |
Appears on:
108v–109v
Genres:
Madrigal (Italian)
Source Attribution:
Marenzo
|
|||
109v–110 | Per due coralli ardenti | - | |
Appears on:
109v–110
Genres:
Madrigal (Italian)
|
|||
109v–111 | Arsi gran tempo - 1a pars (of 2): Arsi gran tempo e del mio foco indegno | - | |
Appears on:
109v–111
Genres:
Madrigal (Italian)
|
|||
112 | Arsi gran tempo - 2a pars (of 2): Lasso e concosco hor ben | - | |
Appears on:
112
Genres:
Madrigal (Italian)
|
|||
110v–112 | O dolorosa sorte | Marenzo | |
Appears on:
110v–112
Genres:
Madrigal (Italian)
Source Attribution:
Marenzo
|
|||
111v–113 | Tutte sue squadre di miserie e stenti | Marenzo | |
Appears on:
111v–113
Genres:
Madrigal (Italian)
Source Attribution:
Marenzo
|
|||
112v–113v | Ahime tal fu d'Amore | Marenzo | |
Appears on:
112v–113v
Genres:
Madrigal (Italian)
Source Attribution:
Marenzo
|
|||
113v–114 | Dice la mia bellissima Licori | Marenzo | |
Appears on:
113v–114
Genres:
Madrigal (Italian)
Source Attribution:
Marenzo
|
|||
113v–115 | Occhi sereni e chiari | Marenzo | |
Appears on:
113v–115
Genres:
Madrigal (Italian)
Source Attribution:
Marenzo
|
|||
114–116 | Ne fero sdegno mai donna mi mosse | Marenzo | |
Appears on:
114–116
Genres:
Madrigal (Italian)
Source Attribution:
Marenzo
|
|||
114v–116 | Tal che dovunque vo tutte repente | Marenzo | |
Appears on:
114v–116
Genres:
Madrigal (Italian)
Source Attribution:
Marenzo
|
|||
115v–117 | Del Cibo onde - 1a pars (of 2): Del Cibo onde il signor mio sempr' abonda | Marenzo | |
Appears on:
115v–117
Genres:
Madrigal (Italian)
Source Attribution:
Marenzo
|
|||
117v | Del Cibo onde - 2a pars (of 2): Con quella man che tanto | - | |
Appears on:
117v
Genres:
Madrigal (Italian)
|
|||
118 | Con dolci sguardi - 2a pars (of 2): Di lagrime indi sparge | - | |
Appears on:
118
Genres:
Madrigal (Italian)
|
|||
117v–118 | Vattene anima mia | Marenzo | |
Appears on:
117v–118
Genres:
Madrigal (Italian)
Source Attribution:
Marenzo
|
|||
118v–119 | Nel piu fiorito Aprile | Marenzo | |
Appears on:
118v–119
Genres:
Madrigal (Italian)
Source Attribution:
Marenzo
|
|||
118v–119v | La dipartita e amara | Marenzo | |
Appears on:
118v–119v
Genres:
Madrigal (Italian)
Source Attribution:
Marenzo
|
|||
119–120 | Crudel perche mi fuggi | Marenzo | |
Appears on:
119–120
Genres:
Madrigal (Italian)
Source Attribution:
Marenzo
|
|||
119v–120 | Deh rinforzate il vostri largo pianto | Marenzo | |
Appears on:
119v–120
Genres:
Madrigal (Italian)
Source Attribution:
Marenzo
|
|||
120–121 | Parto da voi mio sole | Marenzo | |
Appears on:
120–121
Genres:
Madrigal (Italian)
Source Attribution:
Marenzo
|
|||
120v–122 | Non e questa la mano | Marenzo | |
Appears on:
120v–122
Genres:
Madrigal (Italian)
Source Attribution:
Marenzo
|
|||
121v–122 | Come fuggir per selv' ombrosa e folta | Marenzo | |
Appears on:
121v–122
Genres:
Madrigal (Italian)
Source Attribution:
Marenzo
|
|||
122–123 | Ecco che 'l ciel a noi chiar' e sereno | Marenzo | |
Appears on:
122–123
Genres:
Madrigal (Italian)
Source Attribution:
Marenzo
|
|||
122v–123v | Ben mi credeti gia d'esser felice | Marenzo | |
Appears on:
122v–123v
Genres:
Madrigal (Italian)
Source Attribution:
Marenzo
|
|||
123v–124 | Vaneggio od' e pur vero | Marenzo | |
Appears on:
123v–124
Genres:
Madrigal (Italian)
Source Attribution:
Marenzo
|
|||
123v–125 | Mentre fia caldo il sol fredda la neve | Marenzo | |
Appears on:
123v–125
Genres:
Madrigal (Italian)
Source Attribution:
Marenzo
|
|||
125v–127 | Laboravi in gemitu meo | T. M. incerto (=Morley) | |
Appears on:
125v–127
Genres:
Motet
Source Attribution:
T. M. incerto (=Morley)
|
|||
127v | Pavana a6 | Jacomo Aquilino Dano | |
Appears on:
127v
Genres:
Pavan
Source Attribution:
Jacomo Aquilino Dano
|
|||
128–129 | Lascian le fresche linfe | Pietro Philippi | |
Appears on:
128–129
Genres:
Madrigal (Italian)
Source Attribution:
Pietro Philippi
|
|||
128v–129 | Si me dicesti | Pietro Philippi | |
Appears on:
128v–129
Genres:
Madrigal (Italian)
Source Attribution:
Pietro Philippi
|
|||
128–130 | ll dolce mormorio | Pietro Philippi | |
Appears on:
128–130
Genres:
Madrigal (Italian)
Source Attribution:
Pietro Philippi
|
|||
129v–132 | Amor di propria man - 1a pars (of 3): Amor di propria man | Philippi | |
Appears on:
129v–132
Genres:
Madrigal (Italian)
Source Attribution:
Philippi
|
|||
133v | Amor di propria man - 2a pars (of 3): La Ninfa albor con voce | - | |
Appears on:
133v
Genres:
Madrigal (Italian)
|
|||
133v | Amor di propria man - 3a pars (of 3): Cosi con lieto gioco | - | |
Appears on:
133v
Genres:
Madrigal (Italian)
|
|||
131v–132 | Baciai per haver vita | Philippi | |
Appears on:
131v–132
Genres:
Madrigal (Italian)
Source Attribution:
Philippi
|
|||
131v–133 | Baciai ma che mi valse | Philippi | |
Appears on:
131v–133
Genres:
Madrigal (Italian)
Source Attribution:
Philippi
|
|||
132v–134 | Apra la porta - 1a pars (of 2): Apra la prta d'oro | Philippi | |
Appears on:
132v–134
Genres:
Madrigal (Italian)
Source Attribution:
Philippi
|
|||
133v | Apra la porta - 2a pars (of 2): Quel mentre gir in torno | - | |
Appears on:
133v
Genres:
Madrigal (Italian)
|
|||
133v–134v | Poi che voi non volete | Philippi | |
Appears on:
133v–134v
Genres:
Madrigal (Italian)
Source Attribution:
Philippi
|
|||
135v–136 | Io son ferito - 1a pars (of 2): Io son ferito | Philippi | |
Appears on:
135v–136
Genres:
Madrigal (Italian)
Source Attribution:
Philippi
General Note2a pars is copied at f. 153v |
|||
136v | Ut re mi fa sol la | Philippi | |
Appears on:
136v
Genres:
Madrigal (Italian)
Source Attribution:
Philippi
|
|||
136v–137 | Qui sott' ombrosi mirti | Philippi | |
Appears on:
136v–137
Genres:
Madrigal (Italian)
Source Attribution:
Philippi
|
|||
136v–137v | Scherza madonna e dice | Philippi | |
Appears on:
136v–137v
Genres:
Madrigal (Italian)
Source Attribution:
Philippi
|
|||
137v–139 | Era in acquario il sole | Philippi | |
Appears on:
137v–139
Genres:
Madrigal (Italian)
Source Attribution:
Philippi
|
|||
138v–139 | Lasso non e morir | Philippi | |
Appears on:
138v–139
Genres:
Madrigal (Italian)
Source Attribution:
Philippi
|
|||
139–140 | Nero manto vi cinge | Philippi | |
Appears on:
139–140
Genres:
Madrigal (Italian)
Source Attribution:
Philippi
|
|||
149v–141 | Questa vita mortale | Philippi | |
Appears on:
149v–141
Genres:
Madrigal (Italian)
Source Attribution:
Philippi
|
|||
140v–141 | Porta nel viso - 1a pars (of 3): Porta nel viso Aprile | Philippi | |
Appears on:
140v–141
Genres:
Madrigal (Italian)
Source Attribution:
Philippi
|
|||
141v–142 | Porta nel viso - 2a pars (of 3): Quando Uranio | - | |
Appears on:
141v–142
Genres:
Madrigal (Italian)
|
|||
141v–142 | Porta nel viso - 3a pars (of 3): E quando fra | - | |
Appears on:
141v–142
Genres:
Madrigal (Italian)
|
|||
142v–143v | Correa vezzosamente | Philippi | |
Appears on:
142v–143v
Genres:
Madrigal (Italian)
Source Attribution:
Philippi
|
|||
143v–144 | Deh ferma, ferm' il tuo rubello | Pietro Philippi | |
Appears on:
143v–144
Genres:
Madrigal (Italian)
Source Attribution:
Pietro Philippi
|
|||
144–145 | Non e piu cor | Philippi | |
Appears on:
144–145
Genres:
Madrigal (Italian)
Source Attribution:
Philippi
|
|||
145–146 | Non e ferro che punga | Philippi | |
Appears on:
145–146
Genres:
Madrigal (Italian)
Source Attribution:
Philippi
|
|||
145v–146 | Chi vuol veder - 1a pars (of 4): Chi vuol vedere un bosco | Philippi | |
Appears on:
145v–146
Genres:
Madrigal (Italian)
Source Attribution:
Philippi
|
|||
146v–147 | Chi vuol veder - 2a pars (of 4): Chi vuol vedere un mare | - | |
Appears on:
146v–147
Genres:
Madrigal (Italian)
|
|||
147v–148 | Chi vuol veder - 3a pars (of 4): Chi vuol veder l'inferno | - | |
Appears on:
147v–148
Genres:
Madrigal (Italian)
|
|||
147v–149 | Chi vuol veder - 4a pars (of 4): E chi saper desia | - | |
Appears on:
147v–149
Genres:
Madrigal (Italian)
|
|||
148v–149 | Fece da voi partita | Philippi | |
Appears on:
148v–149
Genres:
Madrigal (Italian)
Source Attribution:
Philippi
|
|||
149–150 | Di perle lagrimose sparse | Philippi | |
Appears on:
149–150
Genres:
Madrigal (Italian)
Source Attribution:
Philippi
|
|||
150–150v | Chi vi mira e non sospira | Philippi | |
Appears on:
150–150v
Genres:
Madrigal (Italian)
Source Attribution:
Philippi
|
|||
150v–151v | Mentre hor - 1a pars (of 2): Mentre hor humile | Philippi | |
Appears on:
150v–151v
Genres:
Madrigal (Italian)
Source Attribution:
Philippi
|
|||
150v–151v | Mentre hor - 2a pars (of 2): Mentre di doglia | - | |
Appears on:
150v–151v
Genres:
Madrigal (Italian)
|
|||
151v–152 | Cantai mentre - 1a pars (of 2): Cantai mentre dispiacqu' al mio bel sole | Philippi | |
Appears on:
151v–152
Genres:
Madrigal (Italian)
Source Attribution:
Philippi
|
|||
152v–153 | Cantai mentre - 2a pars (of 2): Resto qual uom | - | |
Appears on:
152v–153
Genres:
Madrigal (Italian)
|
|||
153v–154 | Io son ferito - 2a pars (of 2): S'io t' ho ferito | - | |
Appears on:
153v–154
Genres:
Madrigal (Italian)
General Note1a pars is copied at f. 135v |
|||
154v–155v | Pavan passamezzo | Philippi | |
Appears on:
154v–155v
Genres:
Pavan
Source Attribution:
Philippi
ConcordancesConcordances in GB-Ob Ms. Mus. Sch. E.437-42, and GB-Och MS 423-8 |
|||
156–157 | Nasce la pena mia non potendo mirar | Alessandro Strigio | |
Appears on:
156–157
Genres:
Italian secular
Source Attribution:
Alessandro Strigio
|
|||
156v–157 | Questi ch' indicio fan | Alessandro Strigio | |
Appears on:
156v–157
Genres:
Madrigal (Italian)
Source Attribution:
Alessandro Strigio
|
|||
157–158 | Partiro dunque e perche mi s'asconde | Alessandro Striggio | |
Appears on:
157–158
Genres:
Madrigal (Italian)
Source Attribution:
Alessandro Striggio
|
|||
157v–159 | Dolce mio ben amor mio caro | Alessandro Striggio | |
Appears on:
157v–159
Genres:
Madrigal (Italian)
Source Attribution:
Alessandro Striggio
|
|||
158v–160 | Alma che da celeste | Alessandro Striggio | |
Appears on:
158v–160
Genres:
Madrigal (Italian)
Source Attribution:
Alessandro Striggio
|
|||
159v–160 | Amor m' impenna l'ale | Alessandro Striggio | |
Appears on:
159v–160
Genres:
Madrigal (Italian)
Source Attribution:
Alessandro Striggio
|
|||
160v–161 | All' acqua sacra del novello fonte | Alessandro Striggio | |
Appears on:
160v–161
Genres:
Madrigal (Italian)
Source Attribution:
Alessandro Striggio
|
|||
160v–161 | Hor se mi mostra - 1a pars (of 2): Hor se mi mostra | Alessandro Striggio | |
Appears on:
160v–161
Genres:
Madrigal (Italian)
Source Attribution:
Alessandro Striggio
|
|||
161v–162 | Hor se mi mostra - 2a pars (of 2): Sento venir | - | |
Appears on:
161v–162
Genres:
Madrigal (Italian)
|
|||
161v–163 | Ecco che pur vi lascio | Joseppo Biffi | |
Appears on:
161v–163
Genres:
Madrigal (Italian)
Source Attribution:
Joseppo Biffi
|
|||
162v–163 | Liete le muse a l'ombra | Francesco Rivigo | |
Appears on:
162v–163
Genres:
Madrigal (Italian)
Source Attribution:
Francesco Rivigo
|
|||
163–164 | Hor che l'aura tranquilla | Felice Anerio | |
Appears on:
163–164
Genres:
Madrigal (Italian)
Source Attribution:
Felice Anerio
|
|||
163v–164 | L'aura che noi circonda | Felice Anerio | |
Appears on:
163v–164
Genres:
Madrigal (Italian)
Source Attribution:
Felice Anerio
|
|||
164v–165 | Dolcissimo riposo | Felice Anerio | |
Appears on:
164v–165
Genres:
Madrigal (Italian)
Source Attribution:
Felice Anerio
|
|||
164v–165v | Questa che'l cor m'ancide | Felice Anerio | |
Appears on:
164v–165v
Genres:
Madrigal (Italian)
Source Attribution:
Felice Anerio
|
|||
165v–166 | Riser le piagge - 1a pars (of 2): Riser le piagge | Felice Anerio | |
Appears on:
165v–166
Genres:
Madrigal (Italian)
Source Attribution:
Felice Anerio
|
|||
166v–167 | Riser le piagge - 2a pars (of 2): Non posso piu negar | - | |
Appears on:
166v–167
Genres:
Madrigal (Italian)
|
|||
166v–167v | Non potean vinti dal soverchio lume | Felice Anerio | |
Appears on:
166v–167v
Genres:
Madrigal (Italian)
Source Attribution:
Felice Anerio
|
|||
167v–168 | Come potro giammai finir | Felice Anerio | |
Appears on:
167v–168
Genres:
Madrigal (Italian)
Source Attribution:
Felice Anerio
|
|||
167v–169 | Pensai lasso ma invano | Felice Anerio | |
Appears on:
167v–169
Genres:
Madrigal (Italian)
Source Attribution:
Felice Anerio
|
|||
168v–169v | Come ne caldi estivi | Felice Anerio | |
Appears on:
168v–169v
Genres:
Madrigal (Italian)
Source Attribution:
Felice Anerio
|
|||
169v–170 | Gia disfatto ha - 1a pars (of 7): Gia disfatto ha le nevi intorno | Felice Anerio | |
Appears on:
169v–170
Genres:
Madrigal (Italian)
Source Attribution:
Felice Anerio
|
|||
170v–171 | Gia disfatto ha - 2a pars (of 7): Esser non puo | - | |
Appears on:
170v–171
Genres:
Madrigal (Italian)
|
|||
170v–171v | Gia disfatto ha - 3a pars (of 7): I' non hebbe giammai | - | |
Appears on:
170v–171v
Genres:
Madrigal (Italian)
|
|||
171v–172 | Gia disfatto ha - 4a pars (of 7): O belta senza esempio | - | |
Appears on:
171v–172
Genres:
Madrigal (Italian)
|
|||
171v–172v | Gia disfatto ha - 5a pars (of 7): Corran da gl' occhi miei | - | |
Appears on:
171v–172v
Genres:
Madrigal (Italian)
|
|||
172v–173 | Gia disfatto ha - 6a pars (of 7): Ma di stara vedra | - | |
Appears on:
172v–173
Genres:
Madrigal (Italian)
|
|||
172v–173 | Gia disfatto ha - 7a pars (of 7): Io mi distruggo | - | |
Appears on:
172v–173
Genres:
Madrigal (Italian)
|
|||
173–175 | S'io esca vivo | Orlando di Lassus | |
Appears on:
173–175
Genres:
Madrigal (Italian)
Source Attribution:
Orlando di Lassus
|
|||
174v–175 | Io no piangendo i miei passati tempi | Andrea Gabrieli | |
Appears on:
174v–175
Genres:
Canzon
Source Attribution:
Andrea Gabrieli
|
|||
175–176 | Tirsi morir volea - 1a pars (of 3): Tirsi morir volea | Benedetto Pallavicino | |
Appears on:
175–176
Genres:
Madrigal (Italian)
Source Attribution:
Benedetto Pallavicino
|
|||
175v–176v | Tirsi morir volea - 2a pars (of 3): Freno Tirsi | - | |
Appears on:
175v–176v
Genres:
Madrigal (Italian)
|
|||
176v–177 | Tirsi morir volea - 3a pars (of 3): Cosi moriro | - | |
Appears on:
176v–177
Genres:
Madrigal (Italian)
|
|||
176v–177v | In dir che sete - 1a pars (of 2): In dir che sete bella scemo le vostre lode | Benedetto Pallavicino | |
Appears on:
176v–177v
Genres:
Madrigal (Italian)
Source Attribution:
Benedetto Pallavicino
|
|||
177v–178v | In dir che sete - 2a pars (of 2): I capei de l'Aurora | - | |
Appears on:
177v–178v
Genres:
Madrigal (Italian)
|
|||
177v–178 | Occhi leggiadri e belli | Benedetto Pallavicino | |
Appears on:
177v–178
Genres:
Madrigal (Italian)
Source Attribution:
Benedetto Pallavicino
|
|||
178–179 | Chi vi bascia e vi morde | Benedetto Pallavicino | |
Appears on:
178–179
Genres:
Madrigal (Italian)
Source Attribution:
Benedetto Pallavicino
|
|||
178v–179v | Donna gentile e bella | Benedetto Pallavicino | |
Appears on:
178v–179v
Genres:
Madrigal (Italian)
Source Attribution:
Benedetto Pallavicino
|
|||
179v–180 | Avventurose spoglie | Benedetto Pallavicino | |
Appears on:
179v–180
Genres:
Madrigal (Italian)
Source Attribution:
Benedetto Pallavicino
|
|||
179v–180v | Deh scema il foco Amore | Benedetto Pallavicino | |
Appears on:
179v–180v
Genres:
Madrigal (Italian)
Source Attribution:
Benedetto Pallavicino
|
|||
180v–181 | Crudel perche mi fuggi | Benedetto Pallavicino | |
Appears on:
180v–181
Genres:
Madrigal (Italian)
Source Attribution:
Benedetto Pallavicino
|
|||
180v–182 | Parte la vita mia | Benedetto Pallavicino | |
Appears on:
180v–182
Genres:
Madrigal (Italian)
Source Attribution:
Benedetto Pallavicino
|
|||
181v–182v | I lieti amanti | Benedetto Pallavicino | |
Appears on:
181v–182v
Genres:
Madrigal (Italian)
Source Attribution:
Benedetto Pallavicino
|
|||
182v–183 | In boschi Ninfa | Benedetto Pallavicino | |
Appears on:
182v–183
Genres:
Madrigal (Italian)
Source Attribution:
Benedetto Pallavicino
|
|||
182v–184 | Vaga scopre Diana | Benedetto Pallavicino | |
Appears on:
182v–184
Genres:
Madrigal (Italian)
Source Attribution:
Benedetto Pallavicino
|
|||
183v | Cosi fors' o mia Dea | - | |
Appears on:
183v
Genres:
Madrigal (Italian)
|
|||
184–185 | Partomi donna | Benedetto Pallavicino | |
Appears on:
184–185
Genres:
Madrigal (Italian)
Source Attribution:
Benedetto Pallavicino
|
|||
184v–185v | Gentil pastor che miei | Benedetto Pallavicino | |
Appears on:
184v–185v
Genres:
Madrigal (Italian)
Source Attribution:
Benedetto Pallavicino
|
|||
185v–196 | Ohime e come puoi tu senza me morire | Benedetto Pallavicino | |
Appears on:
185v–196
Genres:
Madrigal (Italian)
Source Attribution:
Benedetto Pallavicino
|
|||
185v–186v | Rose gittomi al viso | Benedetto Pallavicino | |
Appears on:
185v–186v
Genres:
Madrigal (Italian)
Source Attribution:
Benedetto Pallavicino
|
|||
186v–187 | Vorrei mostrar madonna | Benedetto Pallavicino | |
Appears on:
186v–187
Genres:
Madrigal (Italian)
Source Attribution:
Benedetto Pallavicino
|
|||
187v–188 | Bene mio tu m' hai lasciato | Benedetto Pallavicino | |
Appears on:
187v–188
Genres:
Madrigal (Italian)
Source Attribution:
Benedetto Pallavicino
|
|||
187v–189 | Deh perche lagrimar | Benedetto Pallavicino | |
Appears on:
187v–189
Genres:
Madrigal (Italian)
Source Attribution:
Benedetto Pallavicino
|
|||
188v–189 | Nel dolce seno - 1a pars (of 3): Nel dolce seno | Benedetto Pallavicino | |
Appears on:
188v–189
Genres:
Madrigal (Italian)
Source Attribution:
Benedetto Pallavicino
|
|||
189–190 | Nel dolce seno - 2a pars (of 3): Quand' ella ahime | - | |
Appears on:
189–190
Genres:
Madrigal (Italian)
|
|||
189v–190v | Nel dolce seno - 3a pars (of 3): O fortunati | - | |
Appears on:
189v–190v
Genres:
Madrigal (Italian)
|
|||
190v–191 | Sedea fra gigli e rose | Benedetto Pallavicino | |
Appears on:
190v–191
Genres:
Madrigal (Italian)
Source Attribution:
Benedetto Pallavicino
|
|||
190v–191 | La bella chioma - 1a pars (of 2): La bella chioma d'or puro | Rinaldo del Mel | |
Appears on:
190v–191
Genres:
Madrigal (Italian)
Source Attribution:
Rinaldo del Mel
|
|||
191v–192 | La bella chioma - 2a pars (of 2): Le belle mani | - | |
Appears on:
191v–192
Genres:
Madrigal (Italian)
|
|||
191v–192v | Sovra le verdi - 1a pars (of 2): Sovra le verdi chiome | Rinaldo del Mel | |
Appears on:
191v–192v
Genres:
Madrigal (Italian)
Source Attribution:
Rinaldo del Mel
|
|||
192v–193v | Sovra le verdi - 2a pars (of 2): E l' altri vezzosetti | - | |
Appears on:
192v–193v
Genres:
Madrigal (Italian)
|
|||
192v–193v | Poi che del mio gran stratio | Rinaldo del Mel | |
Appears on:
192v–193v
Genres:
Madrigal (Italian)
Source Attribution:
Rinaldo del Mel
|
|||
193v–194v | Stando in un giorno - 1a pars (of 7): Stando in un giorno solo a la fenestra | Rinaldo del Mel | |
Appears on:
193v–194v
Genres:
Madrigal (Italian)
Source Attribution:
Rinaldo del Mel
|
|||
194–194v | Stando in un giorno - 2a pars (of 7): In di per altro mar | - | |
Appears on:
194–194v
Genres:
Madrigal (Italian)
|
|||
194v–195 | Stando in un giorno - 3a pars (of 7): In un boschett' | - | |
Appears on:
194v–195
Genres:
Madrigal (Italian)
|
|||
195v–196 | Stando in un giorno - 4a pars (of 7): Chiara fontan' | - | |
Appears on:
195v–196
Genres:
Madrigal (Italian)
|
|||
196–196v | Stando in un giorno - 5a pars (of 7): Una strania Fenice | - | |
Appears on:
196–196v
Genres:
Madrigal (Italian)
|
|||
196v–197 | Stando in un giorno - 6a pars (of 7): Al fin vid' io | - | |
Appears on:
196v–197
Genres:
Madrigal (Italian)
|
|||
197v–198v | Stando in un giorno - 7a pars (of 7): Canzon tu puoi | - | |
Appears on:
197v–198v
Genres:
Madrigal (Italian)
|
|||
197v–198 | Infelice mio core - 1a pars (of 2): Infelice mio core | Rinaldo del Mel | |
Appears on:
197v–198
Genres:
Madrigal (Italian)
Source Attribution:
Rinaldo del Mel
|
|||
198v–199 | Infelice mio core - 2a pars (of 2): Ahi fiera e triste | - | |
Appears on:
198v–199
Genres:
Madrigal (Italian)
|
|||
198v–200 | Assiso sovra un sasso giovenetto | Rinaldo del Mel | |
Appears on:
198v–200
Genres:
Madrigal (Italian)
Source Attribution:
Rinaldo del Mel
|
|||
199v–200 | Arsi del vostr' amor si dolcemente | Giulio Heremita | |
Appears on:
199v–200
Genres:
Madrigal (Italian)
Source Attribution:
Giulio Heremita
|
|||
200v–201 | I vaghi fiori e l' herbe | Giulio Heremita | |
Appears on:
200v–201
Genres:
Madrigal (Italian)
Source Attribution:
Giulio Heremita
|
|||
200v–202 | Donna felice e bella | Giulio Heremita | |
Appears on:
200v–202
Genres:
Madrigal (Italian)
Source Attribution:
Giulio Heremita
|
|||
201v–202v | Poi che 'l mio largo pianto | Giulio Heremita | |
Appears on:
201v–202v
Genres:
Madrigal (Italian)
Source Attribution:
Giulio Heremita
|
|||
201v–202v | Amor se de begl' occhi | Giulio Heremita | |
Appears on:
201v–202v
Genres:
Madrigal (Italian)
Source Attribution:
Giulio Heremita
|
|||
202v–203v | La mia stellina - 1a pars (of 2): La mia stellina d'oro | Agostino Agazzari | |
Appears on:
202v–203v
Genres:
Madrigal (Italian)
Source Attribution:
Agostino Agazzari
|
|||
203–203v | La mia stellina - 2a pars (of 2): E mentre per uscir | - | |
Appears on:
203–203v
Genres:
Madrigal (Italian)
|
|||
203v–204 | Care lagrime mie | Agostino Agazzari | |
Appears on:
203v–204
Genres:
Madrigal (Italian)
Source Attribution:
Agostino Agazzari
|
|||
204–204v | Parto da voi mio ardore | Agostino Agazzari | |
Appears on:
204–204v
Genres:
Madrigal (Italian)
Source Attribution:
Agostino Agazzari
|
|||
204v–205v | D'amoroso gioir avidi i petti | Agostino Agazzari | |
Appears on:
204v–205v
Genres:
Madrigal (Italian)
Source Attribution:
Agostino Agazzari
|
|||
205v–206 | Hor benevenuto e maggio | Agostino Agazzari | |
Appears on:
205v–206
Genres:
Madrigal (Italian)
Source Attribution:
Agostino Agazzari
|
|||
205v–206v | Mentre dai vaghi fiori | Gio. Francesco Anerio | |
Appears on:
205v–206v
Genres:
Madrigal (Italian)
Source Attribution:
Gio. Francesco Anerio
|
|||
206v–207 | Calda pioggia - 1a pars (of 2): Calda pioggia di perle lagrimose | Thomaso Giglio | |
Appears on:
206v–207
Genres:
Madrigal (Italian)
Source Attribution:
Thomaso Giglio
|
|||
207v–208 | Calda pioggia - 2a pars (of 2): Va in pace anima | - | |
Appears on:
207v–208
Genres:
Madrigal (Italian)
|
|||
207v–209 | Quando fra belle ninfe | Scipione Spavento | |
Appears on:
207v–209
Genres:
Madrigal (Italian)
Source Attribution:
Scipione Spavento
|
|||
208v–209 | Deh se mostrar tue | Antonio il Verso | |
Appears on:
208v–209
Genres:
Madrigal (Italian)
Source Attribution:
Antonio il Verso
|
|||
208v–209v | Se qual dolor che va inanzi al morire | Antonio il Verso | |
Appears on:
208v–209v
Genres:
Madrigal (Italian)
Source Attribution:
Antonio il Verso
|
|||
209v–210 | Ahi chi me porge | Vincenzo Passerini | |
Appears on:
209v–210
Genres:
Madrigal (Italian)
Source Attribution:
Vincenzo Passerini
|
|||
209v–210v | Che soave concento fa 'l mormorar de l' onde | Tomaso Giglio | |
Appears on:
209v–210v
Genres:
Madrigal (Italian)
Source Attribution:
Tomaso Giglio
|
|||
210v–211v | Gia primavera di vari colori | Gio. Battista Lucatello | |
Appears on:
210v–211v
Genres:
Madrigal (Italian)
Source Attribution:
Gio. Battista Lucatello
|
|||
211v–212 | Io vidi amor | Giovanni di Marque | |
Appears on:
211v–212
Genres:
Madrigal (Italian)
Source Attribution:
Giovanni di Marque
|
|||
211v–213 | La giovinetta scorza | Lelio Bertani | |
Appears on:
211v–213
Genres:
Madrigal (Italian)
Source Attribution:
Lelio Bertani
|
|||
212v–214 | Chi vuol vedere | Antonio Orlandini | |
Appears on:
212v–214
Genres:
Madrigal (Italian)
Source Attribution:
Antonio Orlandini
|
|||
213v–214 | Ninfe leggiadr' e voi almi pastori | Giaches de Wert | |
Appears on:
213v–214
Genres:
Madrigal (Italian)
Source Attribution:
Giaches de Wert
General NoteNot clear whether this is Wert's setting (as attributed in the ms) or Pallavicino's |
|||
214–215 | Verde lauro gentil | Annibal Stabile | |
Appears on:
214–215
Genres:
Madrigal (Italian)
Source Attribution:
Annibal Stabile
General NoteNot clear whether this is Wert's setting (as attributed in the ms) or Pallavicino's |
|||
214–216 | Cresci bel verde | Leonardo Meldert | |
Appears on:
214–216
Genres:
Madrigal (Italian)
Source Attribution:
Leonardo Meldert
|
|||
215v–216 | Mentre io fuggia schernito | Alessandro Milleville | |
Appears on:
215v–216
Genres:
Madrigal (Italian)
Source Attribution:
Alessandro Milleville
|
|||
216–217 | Del secco incolto lauro fuggite | Gio. Battista Moscaglia | |
Appears on:
216–217
Genres:
Madrigal (Italian)
Source Attribution:
Gio. Battista Moscaglia
|
|||
216–217 | Amor che vude | Paolo Bellasio | |
Appears on:
216–217
Genres:
Madrigal (Italian)
Source Attribution:
Paolo Bellasio
|
|||
217v–218 | Fuggendo i rai colenti | Hippolito Baccusio | |
Appears on:
217v–218
Genres:
Madrigal (Italian)
Source Attribution:
Hippolito Baccusio
|
|||
217v–219 | Siede negl' occhi amore d'Uranio et arde ad Amaranta il cor | Lelio Bertani | |
Appears on:
217v–219
Genres:
Madrigal (Italian)
Source Attribution:
Lelio Bertani
|
|||
218v–219 | La vaga pastorella | Marc'Antonio Ingengeri | |
Appears on:
218v–219
Genres:
Madrigal (Italian)
Source Attribution:
Marc'Antonio Ingengeri
|
|||
219–219v | Laura con armonia | Cornelio Verdoncg | |
Appears on:
219–219v
Genres:
Madrigal (Italian)
Source Attribution:
Cornelio Verdoncg
|
|||
219v–221 | Chi crederia ch' al varco | Giovanni Croce | |
Appears on:
219v–221
Genres:
Madrigal (Italian)
Source Attribution:
Giovanni Croce
|
|||
220v–221v | Son questi ohime dal core | Gio. Giacomo Gastoldi | |
Appears on:
220v–221v
Genres:
Madrigal (Italian)
Source Attribution:
Gio. Giacomo Gastoldi
|
|||
221v–222 | Sorgea l'aurora - 1a pars (of 2): Sorgea l'aurora e l'herbe | Rinaldo del Mel | |
Appears on:
221v–222
Genres:
Madrigal (Italian)
Source Attribution:
Rinaldo del Mel
|
|||
222–223 | Sorgea l'aurora - 2a pars (of 2): Fillida mea | - | |
Appears on:
222–223
Genres:
Madrigal (Italian)
|
|||
222v–223v | Solo e pensoso - 1a pars (of 2): Solo e pensoso i piu deserti campi | Hippolito Baccusi | |
Appears on:
222v–223v
Genres:
Madrigal (Italian)
Source Attribution:
Hippolito Baccusi
|
|||
223–224 | Solo e pensoso - 2a pars (of 2): Si ch' io mi credo | - | |
Appears on:
223–224
Genres:
Madrigal (Italian)
|
|||
223v–225 | Gia fu mia dolce speme | Lelio Bertani | |
Appears on:
223v–225
Genres:
Madrigal (Italian)
Source Attribution:
Lelio Bertani
|
|||
224v–225 | Occhi miei - 1a pars (of 2): Occhi miei che vedesti | Hippolito Baccusi | |
Appears on:
224v–225
Genres:
Madrigal (Italian)
Source Attribution:
Hippolito Baccusi
|
|||
225v–226 | Occhi miei - 2a pars (of 2): Care lagrime mie | - | |
Appears on:
225v–226
Genres:
Madrigal (Italian)
|
|||
225v–227 | Ahi crud' amor se 'l pianto | Hippolito Sabino | |
Appears on:
225v–227
Genres:
Madrigal (Italian)
Source Attribution:
Hippolito Sabino
|
|||
226v–227v | Deh non piu stral' amor | Giovanni di Macque | |
Appears on:
226v–227v
Genres:
Madrigal (Italian)
Source Attribution:
Giovanni di Macque
|
|||
226v–227v | Amor io sent' un respirar si dolce | Giovanni di Macque | |
Appears on:
226v–227v
Genres:
Madrigal (Italian)
Source Attribution:
Giovanni di Macque
|
|||
227v–228 | Un giorno a pale sacro | Hippolito Baccusi | |
Appears on:
227v–228
Genres:
Madrigal (Italian)
Source Attribution:
Hippolito Baccusi
|
|||
227v–228v | Hor ch' ogni vento tace | Horatio Vecchi | |
Appears on:
227v–228v
Genres:
Madrigal (Italian)
Source Attribution:
Horatio Vecchi
|
|||
228v–229 | Su le fiorite sponde | Tiburtio Massaino | |
Appears on:
228v–229
Genres:
Madrigal (Italian)
Source Attribution:
Tiburtio Massaino
|
|||
228v–230 | Se cantano gl' augelli | Gio. Gabrieli | |
Appears on:
228v–230
Genres:
Madrigal (Italian)
Source Attribution:
Gio. Gabrieli
|
|||
229v–230v | Smerald' eran le rive | Giulio Eremita | |
Appears on:
229v–230v
Genres:
Madrigal (Italian)
Source Attribution:
Giulio Eremita
|
|||
230v–231 | Ove tra l'herbe e i fiori | Giovanni Croce | |
Appears on:
230v–231
Genres:
Madrigal (Italian)
Source Attribution:
Giovanni Croce
|
|||
230v–232 | Di pastorali accenti | Leon Leoni | |
Appears on:
230v–232
Genres:
Madrigal (Italian)
Source Attribution:
Leon Leoni
|
|||
231v–232 | Da lo spuntar de matutini albori | Costanzo Porta | |
Appears on:
231v–232
Genres:
Madrigal (Italian)
Source Attribution:
Costanzo Porta
|
|||
232–233 | Giunta qui Dori e pastorelli | Giovanni Cavaccio | |
Appears on:
232–233
Genres:
Madrigal (Italian)
Source Attribution:
Giovanni Cavaccio
|
|||
232v–233v | Al folgorante sguardo | Giovanni Coprario | |
Appears on:
232v–233v
Genres:
Madrigal (Italian)
Source Attribution:
Giovanni Coprario
|
|||
233v–234v | Ah quella labbra | Giovanni Coprario | |
Appears on:
233v–234v
Genres:
Madrigal (Italian)
Source Attribution:
Giovanni Coprario
|
|||
234–235 | Christ rising again - 1a pars (of 2): Christ rising again | William Byrd | |
Appears on:
234–235
Genres:
Anthem
Source Attribution:
William Byrd
|
|||
234v–236 | Christ rising again - 2a pars (of 2): Christ is risen again | William Byrd | |
Appears on:
234v–236
Genres:
Anthem
Source Attribution:
William Byrd
|
|||
237–238 | Questa che co' begl' occhi | P. Philippi | |
Appears on:
237–238
Genres:
Madrigal (Italian)
Source Attribution:
P. Philippi
|
|||
237v–239v | Come potro giammai | P. Philippi | |
Appears on:
237v–239v
Genres:
Madrigal (Italian)
Source Attribution:
P. Philippi
|
|||
239v–240v | Hor che dal sonno vinta | P. Philippi | |
Appears on:
239v–240v
Genres:
Madrigal (Italian)
Source Attribution:
P. Philippi
|
|||
240v–242v | Donna mi fugg' ogn' hora | P. Philippi | |
Appears on:
240v–242v
Genres:
Madrigal (Italian)
Source Attribution:
P. Philippi
|
|||
242v–244 | Se per gridar ohime | P. Philippi | |
Appears on:
242v–244
Genres:
Madrigal (Italian)
Source Attribution:
P. Philippi
|
|||
243v–244v | Filli leggiadra - 1a pars (of 8): Filli leggiadra e bella | P. Philippi | |
Appears on:
243v–244v
Genres:
Madrigal (Italian)
Source Attribution:
P. Philippi
|
|||
244v–245v | Filli leggiadra - 2a pars (of 8): Mesta qui l'aria appare senza et Filli | - | |
Appears on:
244v–245v
Genres:
Madrigal (Italian)
|
|||
246–247 | Filli leggiadra - 3a pars (of 8): Deh torna Filli, torna | - | |
Appears on:
246–247
Genres:
Madrigal (Italian)
|
|||
247v–248v | Filli leggiadra - 5a pars (of 8): Ben restaro le piante | - | |
Appears on:
247v–248v
Genres:
Madrigal (Italian)
|
|||
249 | Passando con pensier | P. Philippi | |
Appears on:
249
Genres:
Madrigal (Italian)
Source Attribution:
P. Philippi
General Noteincomplete: 1 line of top 4 parts only (& untexted) |
|||
249v–251 | Basti fin qui le pen' e i duri affanni (10vv) | - | |
Appears on:
249v–251
Genres:
Madrigal (Italian)
General Noteincomplete - ff. 249-251 damaged |
|||
251v | Laus honor | - | Anonymous |
Laus honorAnonymous
Appears on:
251v
Genres:
Motet
General Noteon a piece of paper pasted, upside down, on rear cover |
|||
251–259v | Amarilli mia bella | - | |
Appears on:
251–259v
Genres:
Canzona
General Notea 3vv version of Caccini's 6vv canzone, made from the 'canto', 'sesto' & 'basso' parts (see also 'Tregian ms 3665' |