GB-Ob MS. Mus. e. 4 (Sadler Partbooks)

Bodleian Library, Oxford, England

partbook: c. 1580-85

Archive	Bodleian Library, Oxford, England (GB-Ob)
Shelfmark	MS. Mus. e. 4 (Sadler Partbooks)
Surface	Paper
Numbering System	Foliation
Format	landscape
Measurements	205 x 280 mm
Other Identifiers	CCM: OxfBM e.1-5
Notations	black void mensural coloration in black full
Copyists	? Sadler, John (1534–1592) Music
Relationships	Sadler, John (1534–1592) (owner) Cornish, J. E. (owner) Heber, Richard (1773–1833) (owner)
External Links	Catalogue Description Reconstructed images
Provenance	Norwich, England
Contents	40 pieces from 15 composers

General Description

A Tenor partbook from a set of 5 volumes owned by John Sadler, a Norwich Grocer, who also had a connection with GB-Ob MS. Tenbury 1486 (the Braikenridge Manuscript), and its partner volume GB-Ob MS. Mus. c. 784 (the Willmott Manuscript). Later owned by the collector Richard Heber (1773-1833); purchased by Bodleian Library from bookseller J. E. Cornish in 1885.

See also the digital reconstruction of this book.

DIAMM, 2022

Physical Description

All books in this set in highly fragile condition; folios damaged by ink corrosion, but most music still legible

DIAMM, 2017

Binding

Original limp vellum covers incorporated in 18th-century Russia leather bindings until 1918. Now bound separately as GB-Ob MS. Mus. e. 21.

DIAMM, 2017

Watermark

Heawood #2168

DIAMM, 2017

Notation

black void mensural notation with coloration in black full.

DIAMM, 2017

Ruling

usually five staves per page, some of which are skewed

DIAMM, 2017

Foliation

Other numberings: original ink numbering of pieces, i-xxxv, excludes several pieces at beginning and end of each book.

DIAMM, 2017

Foliation

New pencil foliation in each book; probably the work of two hands

DIAMM, 2017

Decoration

Initials and borders decorated with floral designs, animals, and grotesque heads, in red, blue, green, and gold; first and last folios in each book usually decorated with geometric patterns and Latin inscriptions.

DIAMM, 2017

Index

Modern index at beginning of first partbook

DIAMM, 2017

Surface

paper

DIAMM, 2017

DIAMM Note

Digitized with funding from the Arts and Humanities Research Council (UK) for the Tudor Partbooks project at the Universities of Oxford and Newcastle.

DIAMM, 2023

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

1 Mass, 1 Te Deum, 1 hymn, 3 Lamentations, 32 motets, 1 Latin secular piece, 2 English secular pieces, 1 In nomine = 42

Aston-1, Aston/(Ashwell)-1, Byrd-5, Crecquillon-1, Fayrfax-2, A. Ferrabosco I [Alfonso]-1, R. Johnson I-2, Merbecke-1, Morley-2, Parsley-2, W. Parsons-1, Sadler-1, Shepherd-1, Tallis-7, Taverner-4, Taverner/(Tye)-1, Tye-1, R. White-6, Wilder [Master phillups]-1, anon-1

5 paper partbooks (D-78 folios, A-78, Tl-78, T2-69 + i, B-72), 205 x 280. All books in highly fragile condition; some folios damaged by ink corrosion, but most music still legible. New pencil foliation in each book; original ink numbering of pieces, i-xxxv, excludes several pieces at beginning and end of each book. Original parchment covers now incorporated in 18th-century brown leather bindings. Modern index at beginning. Copied by John Sadler, who also wrote OxfBT 1486 and SpetchB s.s. (FelAP). Initials and borders decorated with floral designs, animals, and grotesque heads, in red, blue, green, and gold; first and last folios in each book usually decorated with geometric patterns and Latin inscriptions (possible symbolic significance of decoration discussed by MateerS). Watermark is Heawood #2168, also found in OxfBT 1486 and SpetchB s.s.

Ca. 1565-85 (MateerS); dates from 1568 to 1585 in manuscript. Copied at Oundle and Sudborough, Northampton. The compiler, scribe, and original owner was John Sadler, a schoolmaster and Anglican priest. Later owned by the collector Richard Heber (1773-1833); purchased by Bodleian Library from bookseller J. E. Cornish in 1885.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
3r–3v	Aspice Domine de sede sancta (5vv) [2p. Respice Domine]	-	Byrd, William (ca. 1540–1623)
Aspice Domine de sede sancta (5vv) [2p. Respice Domine] Byrd, William (ca. 1540–1623) Appears on: 3r–3v Genres: Motet Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Aspice Domine Concordances Byrd, William, Liber primus sacrarum cantionum (London, 1589) BL Roy. Mus. Lib. MS 24.d.2 (score only, no words) Ob MS Mus. Sch. E.423 (contratenor only) Ob Tenbury MS 425-8 (Paston, c.1600, lacking bass) Ob Tenbury MS 434 (contratenor only) Chelm ERO MS D/DP.Z6/1 (bassus only) BL Add. MS 5058 (score only, part 2) BL Add. MS 14398 (scrore only) Och MS Mus. 882-7 (Baldwin partbooks, lacking tenor) Ob Tenbury MSS 905[4?]-8 (Paston) T341 T389/McGhie; BL5058 & 14398 (18C)
3v–5r	Domine praestolamur [2p. Veni domine]	Mr will[ia]m Byrde	Byrd, William (ca. 1540–1623)
Domine praestolamur [2p. Veni domine] Byrd, William (ca. 1540–1623) Appears on: 3v–5r Genres: Motet Source Attribution: Mr will[ia]m Byrde Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Domine prestolamur General Note on f. 3v, 'Prima pars': 'Domine prestolamur'; on f. 4 'Secunda pars:' 'Veni domine'; at end: 'Misericordias d[omi]ni Ineternu[m] cantabo S/ oli deo honor et Gloria' Concordances Byrd, William, Liber primus sacrarum cantionum (London, 1589) Ob MS Mus. Sch. E.423 (contratenor only) Och MSS Mus. 984-8 (Dow partbooks) Ob Tenbury MS 341-4 (Paston, lacking Bassus) Ob Tenbury MS 389 T341; RCM2089 T389/McGhie; BL5058 & 14398 (18C) - EECM 28, no. 2
5r	In Nomine	John Sadler	Sadler, John (1534–1592)
In Nomine Sadler, John (1534–1592) Appears on: 5r Source Attribution: John Sadler Voice: [no designation] Languages: Latin Clef: c4 Voice Text: In nomine domini General Note at end (around name), 'Pax d[omi]ni sit semper uobiscu[m]'
5v–7r	Miserere mei Deus	doctor Tye	Tye, Christopher (ca. 1505–ca. 1573)
Miserere mei Deus Tye, Christopher (ca. 1505–ca. 1573) Appears on: 5v–7r Genres: Miserere mei Deus, Motet Source Attribution: doctor Tye Voice: [no designation] Languages: Latin Clef: f5 Voice Text: Et in vmbra alarum tuarum Concordances BL5059 (18C)
7r–9r	O splendor gloriae	Mr John Tauerner	Taverner, John
O splendor gloriae Taverner, John Appears on: 7r–9r Genres: Motet Source Attribution: Mr John Tauerner Voice: [no designation] Languages: Latin Clef: c3 Voice Text: O SPLENDOR gloriae Concordances T342 Conflicting attribution: John Taverner and/or Christopher Tye (see Hugh Benham, John Taverner: His Life and Music (Aldershot: Ashgate, 2003), pp. 95-114)
9r–10r	Inclina Domine aurem tuam (I)	[not readable]	Sheppard, John (ca. 1515–1558)
Inclina Domine aurem tuam (I) Sheppard, John (ca. 1515–1558) Appears on: 9r–10r Source Attribution: [not readable] Voice: [no designation] Languages: Latin Clef: g2 Voice Text: Inclina Domine Concordances Rowe 316
10r–12r	Domine Jesu Christe	Mr Merbecke	Merbecke, John
Domine Jesu Christe Merbecke, John Appears on: 10r–12r Genres: Antiphon Source Attribution: Mr Merbecke Voice: [no designation] Languages: Latin Clef: c5 Voice Text: Domine Jhesu christe fons honoru[m]
12v–14r	Te matrem dei laudamus (=Te Deum [Sadler])	Mr Aston	Aston, Hugh (ca. 1485–1558) Aston, Hugh (ca. 1485–1558)
Te matrem dei laudamus (=Te Deum [Sadler]) Aston, Hugh (ca. 1485–1558) Aston, Hugh (ca. 1485–1558) Appears on: 12v–14r Genres: BVM, Contrafactum, Hymn, Te Deum Source Attribution: Mr Aston Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Tibi omnes potestates Concordances Rowe 316 (Engl.)
14v–16r	Ave Dei patris filia	doctor fayrfax	Fayrfax, Robert (1464–1521)
Ave Dei patris filia Fayrfax, Robert (1464–1521) Appears on: 14v–16r Genres: Motet Source Attribution: doctor fayrfax Voice: [no designation] Languages: Latin Clef: f4 Voice Text: Aue summe eternitatis General Note at end (after composer's name): '}Pax vobis' Concordances BL29246; BL34049; T354; T1469; RCM2035; Carver; BL24.h.11 (18C); BE 2, no. 12
16r–18r	Gaude plurimum [2p. Gaude Maria, Jesu mater; 3p. Eundem igitur Jesum]	master Tauerner	Taverner, John
Gaude plurimum [2p. Gaude Maria, Jesu mater; 3p. Eundem igitur Jesum] Taverner, John Appears on: 16r–18r Genres: Motet Source Attribution: master Tauerner Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Gaude maria virgo diuinitus Concordances BL29246; T342; T1469; BL34049; BL41156; BL18936; BL31390; BE 2, no. 3
18v–19v	Job tonso capite corruens in terram adoravit [2p. Dominus dedit Dominus abstulit sicut]	Master Thomas Criquillion	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Job tonso capite corruens in terram adoravit [2p. Dominus dedit Dominus abstulit sicut] Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 18v–19v Genres: Motet Source Attribution: Master Thomas Criquillion Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Iob tonso capite General Note at end: Salua Nos d[omi]ne vigila[n]tes custodi nos dormie[n]tes vt vigilemus in cristo et requiescamus i[n] pace' Concordances RISM 1554.6 (Antwerp, 1554); BE 2, no. 14
20r–21r	Ave Dei patris filia	mr John Tauerner	Taverner, John
Ave Dei patris filia Taverner, John Appears on: 20r–21r Genres: Motet Source Attribution: mr John Tauerner Voice: [no designation] Languages: Latin Clef: c5 Voice Text: Aue dei patris filia Concordances BL29246; RCM2035; BE 2, no. 6
21v–24r	Ave Dei patris filia	[not readable]	Johnson (I), Robert (ca. 1500–ca. 1560)
Ave Dei patris filia Johnson (I), Robert (ca. 1500–ca. 1560) Appears on: 21v–24r Genres: Motet Source Attribution: [not readable] Voice: [no designation] Languages: Latin Clef: f4 Voice Text: Aue summe eternitatis Concordances BL29246; T342; T354; T1469; BL34049; RCM2035; T807; BL5059 (18C); BE 2, no. 2
24r–26v	Salve intemerata dei mater	Thomas Tallis	Tallis, Thomas (ca. 1505–1585)
Salve intemerata dei mater Tallis, Thomas (ca. 1505–1585) Appears on: 24r–26v Genres: Motet Source Attribution: Thomas Tallis Voice: [no designation] Languages: Latin Clef: c5 Voice Text: Aue mulieris sanctissime General Note at end: floral ornamentsw and 'laus deo' Concordances BL4900; BL29246; T342; T354; T1469; BL34049; BL41156; RCM2035; BL18936; Mulliner; T807; BL24.h.11 (18C)
26v–28v	Gaude virgo mater Christi	[not readable]	Aston, Hugh (ca. 1485–1558)
Gaude virgo mater Christi Aston, Hugh (ca. 1485–1558) Appears on: 26v–28v Genres: Motet Source Attribution: [not readable] Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Gaude quia Co[n]cepisti Concordances BL34191
28v–29v	Aspice Domine quia facta est [2p. Plorans ploravit in nocte]	Master phillups	Van Wilder, Phillip
Aspice Domine quia facta est [2p. Plorans ploravit in nocte] Van Wilder, Phillip Appears on: 28v–29v Genres: Motet Source Attribution: Master phillups Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Aspice Domine General Note at beginning scroll 'Omnis homo mendar' Concordances Wode; BL22597; BL31390; T389/McGhie; BL5059 BUR vol. 1, p. 809
30r–31v	Conserva me Domine	-	Parsley [Percely], Osbert
Conserva me Domine Parsley [Percely], Osbert Appears on: 30r–31v Genres: Motet Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Multiplicate sunt Concordances BL29246; T342; RCM2035; BL34726 (18C); RRMR 133, no. 8
31v–33r	Domine quis habitabit [2p. Ad nihillum deductus]	Mr Tallys	Tallis, Thomas (ca. 1505–1585)
Domine quis habitabit [2p. Ad nihillum deductus] Tallis, Thomas (ca. 1505–1585) Appears on: 31v–33r Genres: Motet Source Attribution: Mr Tallys Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Domine quis habitabit General Note at beginning, drawing of owl and verses 'scitor su[m] ego incipia[m]' and 'Nos fratri sum ne me contemues' Concordances BL29247; T341; T[recte RCM?]2089; Rowe 316; RRMR 133, no. 7
33v–34v	Lamentations (I) : Incipit lamentatio Jeremiae - Aleph - Beth - Convertere Jerusalem	Mr Thomas Tallis	Tallis, Thomas (ca. 1505–1585)
Lamentations (I) : Incipit lamentatio Jeremiae - Aleph - Beth - Convertere Jerusalem Tallis, Thomas (ca. 1505–1585) Appears on: 33v–34v Genres: Lamentations, Motet Source Attribution: Mr Thomas Tallis Voice: [no designation] Languages: Latin, Hebrew Clef: f3 Voice Text: Incipit lamentacio hieremie Concordances RCM2035; T1469; T369; Merro; Drexel; BL5059; BL32377; BL34726
34v–37r	Lamentations (II): De lamentatione Jeremiae - Gimel - Daleth - Heth - Convertere Jerusalem	Master thomas tallys	Tallis, Thomas (ca. 1505–1585)
Lamentations (II): De lamentatione Jeremiae - Gimel - Daleth - Heth - Convertere Jerusalem Tallis, Thomas (ca. 1505–1585) Appears on: 34v–37r Genres: Lamentations, Motet Source Attribution: Master thomas tallys Voice: [no designation] Languages: Latin, Hebrew Clef: f3 Voice Text: De lamentacione hieremie Concordances RCM2035; T1469; T369; Merro; Drexel; BL5059; BL32377; BL34726
37r–40r	Lamentations (I) a5	Mr whighte	White, Robert (ca. 1538–1574)
Lamentations (I) a5 White, Robert (ca. 1538–1574) Appears on: 37r–40r Genres: Lamentations, Motet Source Attribution: Mr whighte Voice: [no designation] Languages: Latin, Hebrew Clef: c4 Voice Text: Heth. Peccatum peccavit General Note at end: 'laus sit superis', floral ornament with 'whighte' Concordances T341; T354; T369; Merro; BL18936; BL5058; O45
40v–41r	Dum transisset sabbatum, Maria Magdalene / Aromata emerunt	mr Thomas Tallys gentylman	Tallis, Thomas (ca. 1505–1585)
Dum transisset sabbatum, Maria Magdalene / Aromata emerunt Tallis, Thomas (ca. 1505–1585) Appears on: 40v–41r Genres: Motet Source Attribution: mr Thomas Tallys gentylman Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Sabatu[m] sabatu[m] sabatu[m] maria magdalene Concordances BL29247; T341; Rowe 316; BL31390; Ludlow; BL32377; BL5059; BL23624; also Cantiones Sacrae (1575)
41r–43r	Domine in virtute tua (II) [2a pars: Magna gloria eius]	Mr Robert Johnson	Johnson (I), Robert (ca. 1500–ca. 1560)
Domine in virtute tua (II) [2a pars: Magna gloria eius] Johnson (I), Robert (ca. 1500–ca. 1560) Appears on: 41r–43r Genres: Motet Source Attribution: Mr Robert Johnson Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Domine in virtute tua Concordances T341; Merro; Wode; BUR vol. 1, p. 814
43r–45r	Maria plena virtute	Doctor fayrfax	Fayrfax, Robert (1464–1521)
Maria plena virtute Fayrfax, Robert (1464–1521) Appears on: 43r–45r Genres: Motet Source Attribution: Doctor fayrfax Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Maria plena virtute
45r–46r	Mem: Cui comparabo [Lamentations]	Osbert percely	Parsley [Percely], Osbert
Mem: Cui comparabo [Lamentations] Parsley [Percely], Osbert Appears on: 45r–46r Source Attribution: Osbert percely Voice: [no designation] Languages: Latin, Hebrew Clef: c4 Voice Text: Men Cui co[m]parabo te
46v–49r	Miserere mei Deus [2p: Cor mundum crea]	Robert whighte	White, Robert (ca. 1538–1574)
Miserere mei Deus [2p: Cor mundum crea] White, Robert (ca. 1538–1574) Appears on: 46v–49r Genres: Miserere mei Deus, Motet Source Attribution: Robert whighte Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Miserere mei deus Concordances T341
49v–50v	Exaudiat te Dominus in die tribulationis	Mr Roberd whighte Bacheler of musicke	White, Robert (ca. 1538–1574)
Exaudiat te Dominus in die tribulationis White, Robert (ca. 1538–1574) Appears on: 49v–50v Genres: Motet Source Attribution: Mr Roberd whighte Bacheler of musicke Voice: [no designation] Languages: Latin Clef: f4 Voice Text: Letabimur in salutari tuo General Note at end, folral ornamentation with 'feare god / loue god / obey ye kynge' Concordances T354; RCM2035; BL18936
51r–53r	Domine non est exaltatum (2p. Sicut ablactatus)	-	White, Robert (ca. 1538–1574)
Domine non est exaltatum (2p. Sicut ablactatus) White, Robert (ca. 1538–1574) Appears on: 51r–53r Genres: Motet Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Neq[ue] elati sunt oculi mei General Note at end drawing of a (male) dog, with scroll: 'a hote weather for howndes to hu[n]te' Concordances T354; O45; BE 3, no. 5
53v–54v	Manus tuae fecerunt me [2p. Veniant mihi]	-	White, Robert (ca. 1538–1574)
Manus tuae fecerunt me [2p. Veniant mihi] White, Robert (ca. 1538–1574) Appears on: 53v–54v Genres: Motet Voice: [no designation] Languages: Latin Clef: f4 Voice Text: Et plasmaveru[n]t me General Note at beginning drawing of a pointing hand. Concordances BL29246; T354; RCM2035; BL18936; T807; O45
55r	Domine, Dominus noster	Thomas Morley i576	Morley, Thomas (ca. 1557–1602)
Domine, Dominus noster Morley, Thomas (ca. 1557–1602) Appears on: 55r Source Attribution: Thomas Morley i576 Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Domine Domin[us] noster
55v–56r	O sacrum convivium in quo Christus sumitur	Mr Thomas Tallis	Tallis, Thomas (ca. 1505–1585)
O sacrum convivium in quo Christus sumitur Tallis, Thomas (ca. 1505–1585) Appears on: 55v–56r Genres: Motet Source Attribution: Mr Thomas Tallis Voice: [no designation] Languages: Latin Clef: c4 Voice Text: O sacru[m] co[n]viviu[m] Concordances Rowe 316; BL30480; BL 31390; Ludlow; BE 2, no. 13; also Cantiones Sacrae (1575)
56r–56v	Salvator mundi (I)	-	Tallis, Thomas (ca. 1505–1585)
Salvator mundi (I) Tallis, Thomas (ca. 1505–1585) Appears on: 56r–56v Genres: Motet Voice: [no designation] Languages: Latin Clef: c4 Voice Text: alvator mu[n]di General Note initial 'S' missing; probably intended to be entered as a coloured initial, as the space for that is left open; at end 'Tibi soli peccaui et malu[m] coram te feci' Concordances BE 2, no. 4; also Cantiones Sacrae (1575)
56v–57v	Attollite portas	Mr wm Birde	Byrd, William (ca. 1540–1623)
Attollite portas Byrd, William (ca. 1540–1623) Appears on: 56v–57v Genres: Psalm Source Attribution: Mr wm Birde Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Attollite portas Concordances BE 3, no. 7; also Cantiones Sacrae (1575) General Note at end: 'Justoru[m] anime in manu dei sunt'
57v–59r	Domine non est exaltatum	Thomas Morley	Morley, Thomas (ca. 1557–1602)
Domine non est exaltatum Morley, Thomas (ca. 1557–1602) Appears on: 57v–59r Source Attribution: Thomas Morley Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Domine no[n] est exaltatu[m] General Note at beginning drawing of boar (sow) with 'Sus' written on it and three dots Concordances BE 9, no. 17
59v–60v	Absterge Domine	Mr thomas tallis gentylman	Tallis, Thomas (ca. 1505–1585)
Absterge Domine Tallis, Thomas (ca. 1505–1585) Appears on: 59v–60v Source Attribution: Mr thomas tallis gentylman Voice: [no designation] Languages: Latin Clef: c4 Voice Text: A ABSTERGE domine General Note at end: 'ffinis' Concordances BL31390; BE 2, no. 10; also Cantiones Sacrae (1575)
60v–62r	Ne irascaris Domine [2p. Civitas sancti tui]	Mr Byrde	Byrd, William (ca. 1540–1623)
Ne irascaris Domine [2p. Civitas sancti tui] Byrd, William (ca. 1540–1623) Appears on: 60v–62r Genres: Anthem Source Attribution: Mr Byrde Voice: [no designation] Languages: Latin Clef: c5 Voice Text: Ne irascaris domine General Note on f. 61 'Secunda pars': Civitas sancti tui'; at end 'Deus noster in celo' Concordances T341; CS1589; BL30480; T389/McGhie
62r–63r	Mater Christi sanctissima virgo [= O most holy and mighty Lord]	Jo[hn] Tav[er]ner	Taverner, John
Mater Christi sanctissima virgo [= O most holy and mighty Lord] Taverner, John Appears on: 62r–63r Genres: Motet Source Attribution: Jo[hn] Tav[er]ner Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Virgo sacrata maria General Note at beginning coloured drawing of a bell Concordances T341; T354; BL34049; Rowe 316; BE 3, no. 3; also Cantiones Sacrae (1575)
63r–64v	Tribulationes civitatum [2p. Timor et hebitudo, 3p. Nos enim pro peccatis]	-	Byrd, William (ca. 1540–1623)
Tribulationes civitatum [2p. Timor et hebitudo, 3p. Nos enim pro peccatis] Byrd, William (ca. 1540–1623) Appears on: 63r–64v Genres: Motet Voice: [no designation] Languages: Latin Clef: c5 Voice Text: Tribulacoues civitatu[m] General Note on f. 63v 'Secu[n]da pars': 'Timor et hebitudo [sic] montis'; on f. 64 'Tertia pars': Nos enim pro peccatis nostris' Concordances BL29247; T341; RCM2089; CS1589; T389/McGhie; MDD; also Cantiones Sacrae (1575)
64v–65r	Justus es, Domine	Mr Robert whight	White, Robert (ca. 1538–1574)
Justus es, Domine White, Robert (ca. 1538–1574) Appears on: 64v–65r Genres: Motet Source Attribution: Mr Robert whight Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Ignitu[m] eloquiu[m] tuu[m] veheme[n]ter General Note at end: ' Media nocte surgeba[m] ad confitendu[m] tibi'
65v–66r	Justus es, Domine	Mr Robert whight	White, Robert (ca. 1538–1574)
Justus es, Domine White, Robert (ca. 1538–1574) Appears on: 65v–66r Genres: Motet Source Attribution: Mr Robert whight Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Ignitu[m] eloquiu[m] tuu[m] veheme[n]ter General Note same as the previous item (identical music, noted slightly differently); at end: 'Here endeth the songes off fyue partes'

Composer	Compositions
Aston, Hugh (ca. 1485–1558)	Gaude virgo mater Christi – 26v–28v Te matrem dei laudamus (=Te Deum [Sadler]) – 12v–14r Te matrem dei laudamus (=Te Deum [Sadler]) – 12v–14r
Byrd, William (ca. 1540–1623)	Aspice Domine de sede sancta (5vv) [2p. Respice Domine] – 3r–3v Attollite portas – 56v–57v Domine praestolamur [2p. Veni domine] – 3v–5r Ne irascaris Domine [2p. Civitas sancti tui] – 60v–62r Tribulationes civitatum [2p. Timor et hebitudo, 3p. Nos enim pro peccatis] – 63r–64v
Clemens non Papa, Jacob (ca. 1510–ca. 1556)	Job tonso capite corruens in terram adoravit [2p. Dominus dedit Dominus abstulit sicut] – 18v–19v
Fayrfax, Robert (1464–1521)	Ave Dei patris filia – 14v–16r Maria plena virtute – 43r–45r
Johnson (I), Robert (ca. 1500–ca. 1560)	Ave Dei patris filia – 21v–24r Domine in virtute tua (II) [2a pars: Magna gloria eius] – 41r–43r
Merbecke, John	Domine Jesu Christe – 10r–12r
Morley, Thomas (ca. 1557–1602)	Domine non est exaltatum – 57v–59r Domine, Dominus noster – 55r
Parsley [Percely], Osbert	Conserva me Domine – 30r–31v Mem: Cui comparabo [Lamentations] – 45r–46r
Sadler, John (1534–1592)	In Nomine – 5r
Sheppard, John (ca. 1515–1558)	Inclina Domine aurem tuam (I) – 9r–10r
Tallis, Thomas (ca. 1505–1585)	Absterge Domine – 59v–60v Domine quis habitabit [2p. Ad nihillum deductus] – 31v–33r Dum transisset sabbatum, Maria Magdalene / Aromata emerunt – 40v–41r Lamentations (I) : Incipit lamentatio Jeremiae - Aleph - Beth - Convertere Jerusalem – 33v–34v Lamentations (II): De lamentatione Jeremiae - Gimel - Daleth - Heth - Convertere Jerusalem – 34v–37r O sacrum convivium in quo Christus sumitur – 55v–56r Salvator mundi (I) – 56r–56v Salve intemerata dei mater – 24r–26v
Taverner, John	Ave Dei patris filia – 20r–21r Gaude plurimum [2p. Gaude Maria, Jesu mater; 3p. Eundem igitur Jesum] – 16r–18r Mater Christi sanctissima virgo [= O most holy and mighty Lord] – 62r–63r O splendor gloriae – 7r–9r
Tye, Christopher (ca. 1505–ca. 1573)	Miserere mei Deus – 5v–7r
Van Wilder, Phillip	Aspice Domine quia facta est [2p. Plorans ploravit in nocte] – 28v–29v
White, Robert (ca. 1538–1574)	Domine non est exaltatum (2p. Sicut ablactatus) – 51r–53r Exaudiat te Dominus in die tribulationis – 49v–50v Justus es, Domine – 64v–65r Justus es, Domine – 65v–66r Lamentations (I) a5 – 37r–40r Manus tuae fecerunt me [2p. Veniant mihi] – 53v–54v Miserere mei Deus [2p: Cor mundum crea] – 46v–49r

Composition	Composers (? Uncertain)	Folios / Pages
Absterge Domine	Tallis, Thomas (ca. 1505–1585)	59v–60v
Aspice Domine de sede sancta (5vv) [2p. Respice Domine]	Byrd, William (ca. 1540–1623)	3r–3v
Aspice Domine quia facta est [2p. Plorans ploravit in nocte]	Van Wilder, Phillip	28v–29v
Attollite portas	Byrd, William (ca. 1540–1623)	56v–57v
Ave Dei patris filia	Fayrfax, Robert (1464–1521)	14v–16r
Ave Dei patris filia	Taverner, John	20r–21r
Ave Dei patris filia	Johnson (I), Robert (ca. 1500–ca. 1560)	21v–24r
Conserva me Domine	Parsley [Percely], Osbert	30r–31v
Domine in virtute tua (II) [2a pars: Magna gloria eius]	Johnson (I), Robert (ca. 1500–ca. 1560)	41r–43r
Domine Jesu Christe	Merbecke, John	10r–12r
Domine non est exaltatum	Morley, Thomas (ca. 1557–1602)	57v–59r
Domine non est exaltatum (2p. Sicut ablactatus)	White, Robert (ca. 1538–1574)	51r–53r
Domine praestolamur [2p. Veni domine]	Byrd, William (ca. 1540–1623)	3v–5r
Domine quis habitabit [2p. Ad nihillum deductus]	Tallis, Thomas (ca. 1505–1585)	31v–33r
Domine, Dominus noster	Morley, Thomas (ca. 1557–1602)	55r
Dum transisset sabbatum, Maria Magdalene / Aromata emerunt	Tallis, Thomas (ca. 1505–1585)	40v–41r
Exaudiat te Dominus in die tribulationis	White, Robert (ca. 1538–1574)	49v–50v
Gaude plurimum [2p. Gaude Maria, Jesu mater; 3p. Eundem igitur Jesum]	Taverner, John	16r–18r
Gaude virgo mater Christi	Aston, Hugh (ca. 1485–1558)	26v–28v
In Nomine	Sadler, John (1534–1592)	5r
Inclina Domine aurem tuam (I)	Sheppard, John (ca. 1515–1558)	9r–10r
Job tonso capite corruens in terram adoravit [2p. Dominus dedit Dominus abstulit sicut]	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	18v–19v
Justus es, Domine	White, Robert (ca. 1538–1574)	64v–65r
Justus es, Domine	White, Robert (ca. 1538–1574)	65v–66r
Lamentations (I) : Incipit lamentatio Jeremiae - Aleph - Beth - Convertere Jerusalem	Tallis, Thomas (ca. 1505–1585)	33v–34v
Lamentations (I) a5	White, Robert (ca. 1538–1574)	37r–40r
Lamentations (II): De lamentatione Jeremiae - Gimel - Daleth - Heth - Convertere Jerusalem	Tallis, Thomas (ca. 1505–1585)	34v–37r
Manus tuae fecerunt me [2p. Veniant mihi]	White, Robert (ca. 1538–1574)	53v–54v
Maria plena virtute	Fayrfax, Robert (1464–1521)	43r–45r
Mater Christi sanctissima virgo [= O most holy and mighty Lord]	Taverner, John	62r–63r
Mem: Cui comparabo [Lamentations]	Parsley [Percely], Osbert	45r–46r
Miserere mei Deus	Tye, Christopher (ca. 1505–ca. 1573)	5v–7r
Miserere mei Deus [2p: Cor mundum crea]	White, Robert (ca. 1538–1574)	46v–49r
Ne irascaris Domine [2p. Civitas sancti tui]	Byrd, William (ca. 1540–1623)	60v–62r
O sacrum convivium in quo Christus sumitur	Tallis, Thomas (ca. 1505–1585)	55v–56r
O splendor gloriae	Taverner, John	7r–9r
Salvator mundi (I)	Tallis, Thomas (ca. 1505–1585)	56r–56v
Salve intemerata dei mater	Tallis, Thomas (ca. 1505–1585)	24r–26v
Te matrem dei laudamus (=Te Deum [Sadler])	Aston, Hugh (ca. 1485–1558) Aston, Hugh (ca. 1485–1558)	12v–14r
Tribulationes civitatum [2p. Timor et hebitudo, 3p. Nos enim pro peccatis]	Byrd, William (ca. 1540–1623)	63r–64v

Images © Bodleian Library, Oxford

Set: MS Mus. e. 1-5 Sadler partbooks

Type: Partbooks

GB-Ob MS. Mus. e. 1 (Sadler Partbooks)

GB-Ob MS. Mus. e. 2 (Sadler Partbooks)

GB-Ob MS. Mus. e. 3 (Sadler Partbooks)

GB-Ob MS. Mus. e. 4 (Sadler Partbooks)

GB-Ob MS. Mus. e. 5 (Sadler Partbooks)

GB-Ob MS. Mus. e. 21

Set: John Sadler collection

Type: Linked by Origin or Contents

GB-Ob MS. Mus. c. 784 (Willmott Manuscript)

GB-Ob MS. Mus. e. 1 (Sadler Partbooks)

GB-Ob MS. Mus. e. 2 (Sadler Partbooks)

GB-Ob MS. Mus. e. 3 (Sadler Partbooks)

GB-Ob MS. Mus. e. 4 (Sadler Partbooks)

GB-Ob MS. Mus. e. 5 (Sadler Partbooks)

GB-Ob MS. Tenbury 1486 (Braikenridge Manuscript)

GB-Odiamm Digital Reconstruction of Bodleian Library MS. Mus. e. 1 (Sadler Partbooks)

GB-Odiamm Digital Reconstruction of Bodleian Library MS. Mus. e. 2 (Sadler Partbooks)

GB-Odiamm Digital Reconstruction of Bodleian Library MS. Mus. e. 3 (Sadler Partbooks)

GB-Odiamm Digital Reconstruction of Bodleian Library MS. Mus. e. 4 (Sadler Partbooks)

GB-Odiamm Digital Reconstruction of Bodleian Library MS. Mus. e. 5 (Sadler Partbooks)

Set: TUDOR PARTBOOKS

Type: Project Collection

GB-CF MS D/DP Z6/1

GB-CF MS D/DP Z6/2

GB-Cfm MU MS 1005 (Fayrfax fragments)

GB-Cgc MS 667/760 (Caius Choirbook)

GB-Cjc MS 234 (K.31)

GB-Ckc Rowe 316

GB-Cp MS 31 [Contratenor] (Peterhouse Partbooks: Henrician Set)

GB-Cp MS 32 [Bassus] (Peterhouse Partbooks: Henrician Set)

GB-Cp MS 40 [Triplex] (Peterhouse Partbooks: Henrician Set)

GB-Cp MS 41 [Medius] (Peterhouse Partbooks: Henrician Set)

GB-Cqcl Old Library G.4.17

GB-Cu Dd.13.27

GB-DORmcghie McGhie manuscript

GB-Lbl [pr. bk.] C. 52. b. 21

No images available

GB-Lbl [pr. bk.] Music Library K. 2. f. 1 [Altus]

No images available

GB-Lbl [pr. bk.] Music Library K. 2. f. 1 [Discantus]

No images available

GB-Lbl [pr. bk.] Music Library K. 2. f. 1 [Medius]

No images available

GB-Lbl [pr. bk.] Music Library K. 2. f. 1 [Tenor]

No images available

GB-Lbl [pr. bk.] Music Library K. 2. f. 13

No images available

GB-Lbl [pr. bk.] Music Library K. 3. f. 9 [Altus]

No images available

GB-Lbl [pr. bk.] Music Library K. 3. f. 9 [Bassus]

No images available

GB-Lbl [pr. bk.] Music Library K. 3. f. 9 [Discantus]

No images available

GB-Lbl [pr. bk.] Music Library K. 3. f. 9 [Tenor]

GB-Lbl Add. MS 4900

GB-Lbl Add. MS 15166

GB-Lbl Add. MS 17802 (Gyffard Partbooks)

GB-Lbl Add. MS 17803 (Gyffard Partbooks)

GB-Lbl Add. MS 17804 (Gyffard Partbooks)

GB-Lbl Add. MS 17805 (Gyffard Partbooks)

GB-Lbl Add. MS 22597

GB-Lbl Add. MS 29996

GB-Lbl Add. MS 30480 (Hamond Partbooks)

GB-Lbl Add. MS 30481 (Hamond Partbooks)

GB-Lbl Add. MS 30482 (Hamond Partbooks)

GB-Lbl Add. MS 30483 (Hamond Partbooks)

GB-Lbl Add. MS 30484 (Hamond Partbooks)

GB-Lbl R.M.24.d.2 (Baldwin Commonplace Book)

GB-Lbl Royal Appendix 12

GB-Lbl Royal Appendix 13

GB-Lbl Royal Appendix 14

GB-Lbl Royal Appendix 15

GB-Lbl Royal Appendix 16

GB-Lbl Royal Appendix 17

GB-Lbl Royal Appendix 18

GB-Lbl Royal Appendix 19

GB-Lbl Royal Appendix 20

GB-Lbl Royal Appendix 21

GB-Lbl Royal Appendix 22

GB-Lbl Royal Appendix 23

GB-Lbl Royal Appendix 24

GB-Lbl Royal Appendix 25

GB-Lbl Royal Appendix 26

GB-Lbl Royal Appendix 27

GB-Lbl Royal Appendix 28

GB-Lbl Royal Appendix 29

GB-Lbl Royal Appendix 30

GB-Lbl Royal Appendix 31

GB-Lbl Royal Appendix 32

GB-Lbl Royal Appendix 33

GB-Lbl Royal Appendix 34

GB-Lbl Royal Appendix 35

No images available

GB-Lbl Royal Appendix 41

No images available

GB-Lbl Royal Appendix 42

No images available

GB-Lbl Royal Appendix 43

No images available

GB-Lbl Royal Appendix 44

GB-Lbl Royal Appendix 45 (Ludford)

GB-Lbl Royal Appendix 46 (Ludford)

GB-Lbl Royal Appendix 47 (Ludford)

GB-Lbl Royal Appendix 48 (Ludford)

GB-Lbl Royal Appendix 49

GB-Lbl Royal Appendix 50

GB-Lbl Royal Appendix 51

GB-Lbl Royal Appendix 52

GB-Lbl Royal Appendix 53

GB-Lbl Royal Appendix 54

GB-Lbl Royal Appendix 56

No images available

GB-Lbl Royal Appendix 57

GB-Lbl Royal Appendix 58

No images available

GB-Lbl Royal Appendix 59

No images available

GB-Lbl Royal Appendix 60

No images available

GB-Lbl Royal Appendix 61

No images available

GB-Lbl Royal Appendix 62

GB-Lbl Royal Appendix 74 (Lumley)

GB-Lbl Royal Appendix 75 (Lumley)

GB-Lbl Royal Appendix 76 (Lumley)

No images available

GB-Lcm [pr. bk.] B187

No images available

GB-Lcm [pr. bk.] B190 [Altus]

No images available

GB-Lcm [pr. bk.] B190 [Bassus]

No images available

GB-Lcm [pr. bk.] B190 [Discantus]

No images available

GB-Lcm [pr. bk.] B190 [Tenor]

GB-Llp MS 1 (Lambeth Choirbook; Arundel Choirbook)

GB-Lna SP I/246

GB-Ob MS. Mus. c. 784 (Willmott Manuscript)

GB-Ob MS. Mus. d. 103

GB-Ob MS. Mus. e. 1 (Sadler Partbooks)

GB-Ob MS. Mus. e. 2 (Sadler Partbooks)

GB-Ob MS. Mus. e. 3 (Sadler Partbooks)

GB-Ob MS. Mus. e. 4 (Sadler Partbooks)

GB-Ob MS. Mus. e. 5 (Sadler Partbooks)

GB-Ob MS. Mus. e. 21

GB-Ob MS. Mus. Sch. e. 376 (Forrest-Heather Partbooks)

GB-Ob MS. Mus. Sch. e. 377 (Forrest-Heather Partbooks)

GB-Ob MS. Mus. Sch. e. 378 (Forrest-Heather Partbooks)

GB-Ob MS. Mus. Sch. e. 379 (Forrest-Heather Partbooks)

GB-Ob MS. Mus. Sch. e. 380 (Forrest-Heather Partbooks)

GB-Ob MS. Mus. Sch. e. 381 (Forrest-Heather Partbooks)

GB-Ob MS. Mus. Sch. e. 420 (Wanley Partbooks)

GB-Ob MS. Mus. Sch. e. 421 (Wanley Partbooks)

GB-Ob MS. Mus. Sch. e. 422 (Wanley Partbooks)

GB-Ob MS. Mus. Sch. e. 423

GB-Ob MS. Tenbury 341

GB-Ob MS. Tenbury 342

GB-Ob MS. Tenbury 343

GB-Ob MS. Tenbury 344

GB-Ob MS. Tenbury 389

No images available

GB-Ob MS. Tenbury 807

No images available

GB-Ob MS. Tenbury 808

No images available

GB-Ob MS. Tenbury 809

No images available

GB-Ob MS. Tenbury 810

No images available

GB-Ob MS. Tenbury 811

No images available

GB-Ob MS. Tenbury 1382 (Southwell Tenor Book)

GB-Ob MS. Tenbury 1464

GB-Ob MS. Tenbury 1486 (Braikenridge Manuscript)

No images available

GB-Och Mus. 45

GB-Och Mus. 979 (Baldwin Partbooks)

GB-Och Mus. 980 (Baldwin Partbooks)

GB-Och Mus. 981 (Baldwin Partbooks)

GB-Och Mus. 982 (Baldwin Partbooks)

GB-Och Mus. 983 (Baldwin Partbooks)

GB-Och Mus. 984 (Dow Partbooks)

GB-Och Mus. 985 (Dow Partbooks)

GB-Och Mus. 986 (Dow Partbooks)

GB-Och Mus. 987 (Dow Partbooks)

GB-Och Mus. 988 (Dow Partbooks)

GB-Odiamm Contratenor partbook in private ownership (contact DIAMM)

GB-W X4/34/3 (Fayrfax fragments)

GB-WCc MS 153 Bassus (Winchester Partbooks)

GB-WCc MS 153 Contra Altus (Winchester Partbooks)

GB-WCc MS 153 Discantus (Winchester Partbooks)

GB-WCc MS 153 Tenor (Winchester Partbooks)

GB-WRec MS 178 (Eton Choirbook)

No images available

IRL-Dm [pr. bk.] Z4. 3. 1-5

No images available

IRL-Dtc [pr. bk.] OLS. 192. n. 40 [Altus]

No images available

IRL-Dtc [pr. bk.] OLS. 192. n. 40 [Bassus]

No images available

IRL-Dtc [pr. bk.] OLS. 192. n. 40 [Discantus]

No images available

IRL-Dtc [pr. bk.] OLS. 192. n. 40 [Superius (Quintus)]

No images available

IRL-Dtc [pr. bk.] OLS. 192. n. 40 [Tenor]

No images available

US-NYp Mus. Res. *MNZ (Chirk) [1] (Chirk Castle Partbooks)

No images available

US-NYp Mus. Res. *MNZ (Chirk) [2] (Chirk Castle Partbooks)

No images available

US-NYp Mus. Res. *MNZ (Chirk) [3] (Chirk Castle Partbooks)

No images available

US-NYp Mus. Res. *MNZ (Chirk) [4] (Chirk Castle Partbooks)

US-NYp Mus. Res. Drexel 4180

US-NYp Mus. Res. Drexel 4181

No images available

US-NYp Mus. Res. Drexel 4182

US-NYp Mus. Res. Drexel 4183

US-NYp Mus. Res. Drexel 4184

US-NYp Mus. Res. Drexel 4185

US-Ws V.a. 408

‡ denotes primary source study

Range, Matthias, and Julia Craig-McFeely. 2020. Forty Years in the Wilderness: John Sadler of the Sadler Partbooks. Music and Letters, (online advance publication at https://doi.org/10.1093/ml/gcaa016). https://doi.org/10.1093/ml/gcaa016.

Burke, James. 2017. John Sadler & The Sadler Partbooks (Oxford, Bodleian Library MSS Mus. e. 1–5). DPhil dissertation, University of Oxford.

Gaskin, Hilary Lorna. 1985. Music copyists in late sixteenth-century England, with particular reference to the manuscripts of John Baldwin. University of Cambridge Faculty of Music, PhD.

Mateer, David G. 1979. John Sadler and Oxford, Bodleian MSS Mus. e. 1-5. Music and Letters, 281-95. Notes: physical description (partial); contents list; concordances (partial); mention of MS; discussion; identity of John Sadler erroneous.

Hofman, May. 1977. The Survival of Latin Sacred Music by English Composers 1485–1610. University of Oxford Faculty of Music, DPhil.

Bray, Roger W. 1970-71. The Interpretation of Musica Ficta in English Music C.1490-C.1580. Proceedings of the Royal Musical Association, 29-45. Pages: 41-2. Notes: transcription (partial); mention of MS; discussion.

Benham, Hugh Raymond. 1969. The Music of John Taverner - A Study and Assessment. University of Southampton, Unpublished Ph.D. dissertation. Pages: 41. Notes: physical description (partial).

Bray, Roger W. 1969. The Interpretation of Musica Ficta in English Music, C. 1490-C. 1580 [dissertation]. Oxford University, Unpublished Ph.D. dissertation. Pages: I, 141-55, 169-84, passim; II, 24-7, 60-8, 79-81, 85. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts. Tutzing. Pages: 153. Notes: contents list (partial); concordances (partial); incipits (partial).

Harrison, Frank Llewellyn (editor). 1963-. Early English Church Music. London: Stainer & Bell. Pages: XXV, 1-91, 168ff; XXVIII, 124,128,130, 133-4,137; XXIX,128,138. Notes: physical description (partial); contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Lamont, Herbert Harry. 1963. John Shepherd: His Life and Music. University of Southern California, Unpublished Ph.D. dissertation. Pages: I, 107-8, 224. Notes: physical description (partial); contents list (partial); concordances (partial).

Warrem, Edwin B (editor). 1959-66. Robert Fayrfax (ca. 1464-1521): Collected Works. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: II, 59-71, 95-6, 102. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Fellowes, Edmund H. 1948. William Byrd. London, New York, and Toronto.

Fellowes, Edmund H. 1948. Tudor Church Music: Appendix with Supplementary Notes. London. Pages: 5. Notes: mention of MS.

Meyer, Ernst Hermann. 1934. Die mehrstimmige Spielmusik des 17. Jahrhunderts in Nord-und Mitteleuropa. Kassel.

Flood, William H Grattan. 1925. Early Tudor Composers. London.

Fellowes, Edmund H (editor). 1923-48. Tudor Church Music. London, Oxford et al. Pages: I, xxx, lix, lxi; III, xviii-xix; V, xx-xxiii; VI, xxvii, xxix-xxxi; X, xviii, 162, 200-12, 235, 247-55. Notes: physical description (partial); contents list (partial); concordances (partial); transcriptions (partial).

Davey, Henry. 1921. History of English Music. London. Pages: 91, 97, 100, 124, 137. Notes: physical description (partial); contents list (partial).

Arkwright, G E P. 1898. [Untitled]. Old English Edition.

Madan, Falconer (editor). 1895-1953. A Summary Catalogue of Western Manuscripts in the Bodleian Library at Oxford. Oxford. Pages: V, 649-50; cat reference 29585. Notes: physical description.

Arkwright, G E P. 1893. [untitled]. Old English Edition.

[No Author] 1887-1890. Proceedings of the Musical Association.

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Monday, 23 January, 2017

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description