GB-Ob MS. Tenbury 342

Bodleian Library, Oxford, England

partbook: Early 17th century

Archive	Bodleian Library, Oxford, England (GB-Ob)
Shelfmark	MS. Tenbury 342
Surface	Paper
Numbering System	Foliation
Format	portrait
Measurements	221 x 169 mm
Other Identifiers	CCM: OxfBT 341-4
Relationships	St Michael's College (owner) Ouseley, Sir Frederick Gore (1825–1889) (owner) Lygon, Frederick (1830–1891) (owner) Paston, Edward (1550–1630) (patron)
External Links	online catalogue entry
Provenance	Norfolk, England
Contents	144 pieces from 17 composers

General Description

A partbook for Quinta & Sexta voces from a set of five(?) volumes. Quinta & Sexta on opposite pages in pieces (mostly in later part of the book) requiring the Sexta. One main repertorial layer, with two additional layers: (1) three motets added at beginning of all books except Discantus; (2) 21 pieces for four and (mostly) three voices added on new ff. 81'-104' of Quintus/Sextus book, copied in choirbook format (i.e., all voices present).

Copied by a single scribe, employed by Edward Paston (1550-1630) of Norfolk, a country gentleman and collector of music. Later owned by Frederick Lygon, 6th Earl Beauchamp (1830-91) and by Sir Frederick Ouseley (1825-89), founder of St. Michael's College (near Tenbury, Worcester). Bequeathed to St. Michael's College by Ouseley; deposited in Bodleian Library in 1979.

DIAMM, 2017

Binding

Original covers of dark brown leather on cardboard, tooled in gold with ornamental designs, voice designations, and 'EDWARDUS PASTON.

DIAMM, 2017

Watermark

grape cluster (not in Briquet or Heawood)

DIAMM, 2017

Notation

not indicated

DIAMM, 2017

Ruling

Staff height 12.5

DIAMM, 2017

Foliation

Original ink foliation 1-61; modern pencil foliation 1-64 includes some folios not numbered by original foliation.

DIAMM, 2017

Decoration

A few inked calligraphic initials and plain inked initials; no other decoration

DIAMM, 2017

Index

Original indices on first original flyleaf at back of each book include all pieces in main layer, grouped by number of voices. Six- and 7-voice pieces listed in order of appearance; 5-voice pieces grouped alphabetically by first letter of text, with subgrouping under each letter by order of appearance.

DIAMM, 2017

Surface

paper

DIAMM, 2017

DIAMM Note

Digitized with funding from the Arts and Humanities Research Council (UK) for the Tudor Partbooks project at the Universities of Oxford and Newcastle.

DIAMM, 2023

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

10 Mass Ordinary sections, 1 Magnificat, 7 hymns, 5 Lamentations, 72 motets, 2 anthems, 2 Latin secular pieces, 1 Fantasia = 100 + 1 duplicate = 101

Byrd-27, Byrd/Taverner-1,* Clemens non Papa-2, Fayrfax-2, A. Ferrabosco I-21, R.Johnson I-2, Lassus-3, Meiland-1, Parsley-1, Roose-1, Shepherd-1, Tallis-19, Tallis/(Shepherd)-1, Taverner-11, (Tye)-1, Vaet-1, R. White-4, Wood-1

*Motet "Infelix ego" in all four partbooks, attributed to Byrd. Pars I copied again on new ff. 96'-97 of Q/S book, incorrectly attributed to Taverner.

4 paper partbooks of an original 5? (D-v + 62 + ii + i folios, A-ii + iii + 64 + ii + i, T-ii + iii + 65 + ii + i, Q/S-ii + ii + 104 + ii + i), 221 x 169. Original ink foliation (D: 1-62; A: 1-61; T: 1-64; Q/S: 1-77); modern pencil foliation in all books except D (A: 1-64; T: 1-65; Q/S: 1-104) includes some folios not numbered by original foliation. Original covers of dark brown leather on cardboard, tooled in gold with ornamental designs, voice designations, and "EDWARDUS PASTON." Original indices on first original flyleaf at back of each book include all pieces in main layer, grouped by number of voices. Six- and 7-voice pieces listed in order of appearance; 5-voice pieces grouped alphabetically by first letter of text, with subgrouping under each letter by order of appearance.

One main repertorial layer, with two additional layers: (1) three motets added at beginning of all books except D; (2) 21 pieces for three and four voices added on new ff. 81 '104' of Q/S book, copied in choirbook format (i.e., all voices present in Q/S book). Copied by a single scribe, employed by Edward Paston (see BrettEP for list of other books in the same hand and for discussion of related manuscripts from Paston's circle). Staff height 12.5. A few inked calligraphic initials and plain inked initials; no other decoration. Watermark: grape cluster (not in Briquet or Heawood).

Early 17th Century. Of English provenance; originated in the household of Edward Paston (1550-1630) of Norfolk, a country gentleman and collector of music. Later owned by Frederick Lygon, 6th Earl Beauchamp (1830-91) and by Sir Frederick Ouseley (1825-89), founder of St. Michael's College (near Tenbury, Worcester). Bequeathed to St. Michael's College by Ouseley; deposited in Bodleian Library in 1979.

Vol 4

Contents: Change "72 motets" to "73 motets"; change total number of pieces from "100 + 1 duplicate = 101" to "101 + 1 duplicate = 102."

Composers: Change "A. Ferrabosco I-21" to "A. Ferrabosco I-22."

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
1r	Tristis est anima mea usque ad mortem	Orlando	Lassus, Orlande de (ca. 1532–1594)
Tristis est anima mea usque ad mortem Lassus, Orlande de (ca. 1532–1594) Appears on: 1r Genres: Motet Source Attribution: Orlando Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Tristis est anima mea
1v–2r	Benedixisti Domine - 1a pars (of 2): Benedixisti Domine terram tuam avertisti	Jacobus Mielandus	Meiland, Jacob (1542–1577)
Benedixisti Domine - 1a pars (of 2): Benedixisti Domine terram tuam avertisti Meiland, Jacob (1542–1577) Appears on: 1v–2r Genres: Motet Source Attribution: Jacobus Mielandus Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: g2 Voice Text: Benedixisti Domine General Note Annotations/Corrections: Secunda pars' on f. 2v and 3 ; Notes: Two parts noted: one on the versos and the other one on the facing rectos;
2v–3r	Benedixisti Domine - 2a pars (of 2): Converte nos Deus salutaris noster	-	Meiland, Jacob (1542–1577)
Benedixisti Domine - 2a pars (of 2): Converte nos Deus salutaris noster Meiland, Jacob (1542–1577) Appears on: 2v–3r Genres: Motet General Note Two parts noted: one on the verso and the other one on the facing recto.
3v–4r	Ave regina caelorum (II) (6vv)	Orlando	Lassus, Orlande de (ca. 1532–1594)
Ave regina caelorum (II) (6vv) Lassus, Orlande de (ca. 1532–1594) Appears on: 3v–4r Genres: Ave regina caelorum, Motet Source Attribution: Orlando Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Ave Regina cælorum General Note Two parts copied: one on the verso and the other one on the facing recto.
4v–5r	[blank pages]	-	-
[blank pages] Appears on: 4v–5r General Note Annotations/Corrections: fol. 1.' on f. 5;
5v	Emendemus - 1a pars (of 2): Emendemus in melius	-	Byrd, William (ca. 1540–1623)
Emendemus - 1a pars (of 2): Emendemus in melius Byrd, William (ca. 1540–1623) Appears on: 5v Genres: Motet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Emendemus in melius
5v	Emendemus - 2a pars (of 2): Adiuva nos Deus	-	Byrd, William (ca. 1540–1623)
Emendemus - 2a pars (of 2): Adiuva nos Deus Byrd, William (ca. 1540–1623) Appears on: 5v Genres: Motet
6r	Deus venerunt gentes - 1a pars (of 4): Deus venerunt gentes	Mr Byrde	Byrd, William (ca. 1540–1623)
Deus venerunt gentes - 1a pars (of 4): Deus venerunt gentes Byrd, William (ca. 1540–1623) Appears on: 6r Genres: Motet Source Attribution: Mr Byrde Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Deus deus venerunt gentes General Note Annotations/Corrections: Secunda pars' on f. 6; 'Tertia pars' on f. 6v; 'Quarta pars on f. 7 ;
6r–6v	Deus venerunt gentes - 2a pars (of 4): Posuerunt morticinia	-	Byrd, William (ca. 1540–1623)
Deus venerunt gentes - 2a pars (of 4): Posuerunt morticinia Byrd, William (ca. 1540–1623) Appears on: 6r–6v Genres: Motet
6v–7r	Deus venerunt gentes - 3a pars (of 4): Effuderunt sanguinem	-	Byrd, William (ca. 1540–1623)
Deus venerunt gentes - 3a pars (of 4): Effuderunt sanguinem Byrd, William (ca. 1540–1623) Appears on: 6v–7r Genres: Motet
7r–7v	Deus venerunt gentes - 4a pars (of 4): Opprobrium facti sumus	-	Byrd, William (ca. 1540–1623)
Deus venerunt gentes - 4a pars (of 4): Opprobrium facti sumus Byrd, William (ca. 1540–1623) Appears on: 7r–7v Genres: Motet
7v–8r	Miserere mei Deus	Mr Byrde	Byrd, William (ca. 1540–1623)
Miserere mei Deus Byrd, William (ca. 1540–1623) Appears on: 7v–8r Genres: Miserere mei Deus, Motet Source Attribution: Mr Byrde Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Miserere mei deus
8r–8v	Circumdederunt me dolores mortis	Mr Byrde	Byrd, William (ca. 1540–1623)
Circumdederunt me dolores mortis Byrd, William (ca. 1540–1623) Appears on: 8r–8v Genres: Motet Source Attribution: Mr Byrde Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Circundederunt me dolores mortis
9r	Memento Domine	-	Byrd, William (ca. 1540–1623)
Memento Domine Byrd, William (ca. 1540–1623) Appears on: 9r Genres: Motet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Memento domine
9v	Domine praestolamur - 1a pars (of 2): Domine praestolamur	Mr Byrde	Byrd, William (ca. 1540–1623)
Domine praestolamur - 1a pars (of 2): Domine praestolamur Byrd, William (ca. 1540–1623) Appears on: 9v Genres: Motet Source Attribution: Mr Byrde Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Domine prestolamur General Note Annotations/Corrections: Secunda pars' on f. 10.;
10r	Domine praestolamur - 2a pars (of 2): Veni Domine	-	Byrd, William (ca. 1540–1623)
Domine praestolamur - 2a pars (of 2): Veni Domine Byrd, William (ca. 1540–1623) Appears on: 10r Genres: Motet
10v–11r	Tristitia et anxietas - 1a pars (of 2): Tristitia et anxietas, Domine tu jurasti	Mr Byrde	Byrd, William (ca. 1540–1623)
Tristitia et anxietas - 1a pars (of 2): Tristitia et anxietas, Domine tu jurasti Byrd, William (ca. 1540–1623) Appears on: 10v–11r Genres: Motet Source Attribution: Mr Byrde Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Tristitia et anxietas General Note Annotations/Corrections: Secunda pars' on f. 11.;
11r	Tristitia et anxietas - 2a pars (of 2): Sed tu domine	-	Byrd, William (ca. 1540–1623)
Tristitia et anxietas - 2a pars (of 2): Sed tu domine Byrd, William (ca. 1540–1623) Appears on: 11r Genres: Motet
11v–12r	Aspice Domine de sede (5vv) - 1a pars (of 2): Aspice Domine de sede sancta	Mr Byrde	Byrd, William (ca. 1540–1623)
Aspice Domine de sede (5vv) - 1a pars (of 2): Aspice Domine de sede sancta Byrd, William (ca. 1540–1623) Appears on: 11v–12r Genres: Motet Source Attribution: Mr Byrde Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: aspice domine General Note Annotations/Corrections: Rs (sign for Responsory) at the beginning; V[er]sus on f. 12 third line.;
12r	Aspice Domine de sede (5vv) - 2a pars (of 2): Respice domine	-	Byrd, William (ca. 1540–1623)
Aspice Domine de sede (5vv) - 2a pars (of 2): Respice domine Byrd, William (ca. 1540–1623) Appears on: 12r Genres: Motet
12v	Petrus beatus - 1a pars (of 3): Petrus beatus	Mr Byrde	Byrd, William (ca. 1540–1623)
Petrus beatus - 1a pars (of 3): Petrus beatus Byrd, William (ca. 1540–1623) Appears on: 12v Genres: Motet Source Attribution: Mr Byrde Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Petrus beatus General Note Annotations/Corrections: Secunda pasr' on f. 12v sixth line; 'Tertia pars' on f. 13.;
12v–13r	Petrus beatus - 2a pars (of 3): Quodcumque vinclis	-	Byrd, William (ca. 1540–1623)
Petrus beatus - 2a pars (of 3): Quodcumque vinclis Byrd, William (ca. 1540–1623) Appears on: 12v–13r Genres: Motet
13r	Petrus beatus - 3a pars (of 3): Gloria Deo - Per immensa saecula	-	Byrd, William (ca. 1540–1623)
Petrus beatus - 3a pars (of 3): Gloria Deo - Per immensa saecula Byrd, William (ca. 1540–1623) Appears on: 13r Genres: Motet
13v	Apparebit in finem	Mr Byrde	Byrd, William (ca. 1540–1623)
Apparebit in finem Byrd, William (ca. 1540–1623) Appears on: 13v Genres: Motet Source Attribution: Mr Byrde Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Apparebit in finem
14r	Domine tu jurasti	Mr Byrde	Byrd, William (ca. 1540–1623)
Domine tu jurasti Byrd, William (ca. 1540–1623) Appears on: 14r Genres: Motet Source Attribution: Mr Byrde Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Domine tu iurasti
14v	In resurrectione tua	Mr Byrde	Byrd, William (ca. 1540–1623)
In resurrectione tua Byrd, William (ca. 1540–1623) Appears on: 14v Genres: Motet Source Attribution: Mr Byrde Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: In resurrectione tua domine
14v–15r	Vigilate nescitis enim	Mr Byrde	Byrd, William (ca. 1540–1623)
Vigilate nescitis enim Byrd, William (ca. 1540–1623) Appears on: 14v–15r Source Attribution: Mr Byrde Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Vigilate vigilate vigilate nescitis enim
15v	Audivi vocem de caelo	Mr Byrde	Byrd, William (ca. 1540–1623)
Audivi vocem de caelo Byrd, William (ca. 1540–1623) Appears on: 15v Genres: Motet Source Attribution: Mr Byrde Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Audiui vocem
16r	Vide domine afflictionem - 1a pars (of 2): Vide domine afflictionem nostram et in tempore	Mr Byrde	Byrd, William (ca. 1540–1623)
Vide domine afflictionem - 1a pars (of 2): Vide domine afflictionem nostram et in tempore Byrd, William (ca. 1540–1623) Appears on: 16r Genres: Motet Source Attribution: Mr Byrde Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Vide domine General Note Annotations/Corrections: Secunda pars' on f. 16v.;
16v	Vide domine afflictionem - 2a pars (of 2): Sed veni domine et noli tardare	-	Byrd, William (ca. 1540–1623)
Vide domine afflictionem - 2a pars (of 2): Sed veni domine et noli tardare Byrd, William (ca. 1540–1623) Appears on: 16v Genres: Motet
17r	Haec dicit Dominus - 1a pars (of 2): Haec dicit Dominus vox in excelsis	Mr Byrde	Byrd, William (ca. 1540–1623)
Haec dicit Dominus - 1a pars (of 2): Haec dicit Dominus vox in excelsis Byrd, William (ca. 1540–1623) Appears on: 17r Genres: Motet Source Attribution: Mr Byrde Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Hæc dicit dominus General Note Annotations/Corrections: Secunda pars' on f. 17v.;
17v	Haec dicit Dominus - 2a pars (of 2): Haec dicit Dominus quiescat vox	-	Byrd, William (ca. 1540–1623)
Haec dicit Dominus - 2a pars (of 2): Haec dicit Dominus quiescat vox Byrd, William (ca. 1540–1623) Appears on: 17v Genres: Motet
18r	Domine secundum multitudinem dolorum meum	Mr Byrde	Byrd, William (ca. 1540–1623)
Domine secundum multitudinem dolorum meum Byrd, William (ca. 1540–1623) Appears on: 18r Genres: Motet Source Attribution: Mr Byrde Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Domine secundu[m] multitudinem
18v	Laudate Dominum omnes gentes, laudate eum	Mr Tallis	Tallis, Thomas (ca. 1505–1585)
Laudate Dominum omnes gentes, laudate eum Tallis, Thomas (ca. 1505–1585) Appears on: 18v Genres: Motet Source Attribution: Mr Tallis Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Laudate dominu[m]
19r	Fac cum servo tuo	-	Byrd, William (ca. 1540–1623)
Fac cum servo tuo Byrd, William (ca. 1540–1623) Appears on: 19r Genres: Motet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Fac cu[m] servo tuo
19v	O quam gloriosum - 1a pars (of 2): O quam gloriosum est regnum	Mr Byrde	Byrd, William (ca. 1540–1623)
O quam gloriosum - 1a pars (of 2): O quam gloriosum est regnum Byrd, William (ca. 1540–1623) Appears on: 19v Genres: Motet Source Attribution: Mr Byrde Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: g2 Voice Text: O qua[m] gloriosum General Note Annotations/Corrections: Secunda pars' on f. 20.;
20r	O quam gloriosum - 2a pars (of 2): Benedictio et claritas	-	Byrd, William (ca. 1540–1623)
O quam gloriosum - 2a pars (of 2): Benedictio et claritas Byrd, William (ca. 1540–1623) Appears on: 20r Genres: Motet
20v	Tribulationes civitatum - 1a pars (of 3): Tribulationes civitatum	Mr Byrde	Byrd, William (ca. 1540–1623)
Tribulationes civitatum - 1a pars (of 3): Tribulationes civitatum Byrd, William (ca. 1540–1623) Appears on: 20v Genres: Motet Source Attribution: Mr Byrde Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Tribulationes ciuitatu[m] General Note Annotations/Corrections: Secunda pars' on f. 20v sixth line; 'Tertia pars' on f. 21 sixth line.;
20v–21r	Tribulationes civitatum - 2a pars (of 3): Timor et hebitudo	-	Byrd, William (ca. 1540–1623)
Tribulationes civitatum - 2a pars (of 3): Timor et hebitudo Byrd, William (ca. 1540–1623) Appears on: 20v–21r Genres: Motet
21r–21v	Tribulationes civitatum - 3a pars (of 3): Nos enim pro peccatis	-	Byrd, William (ca. 1540–1623)
Tribulationes civitatum - 3a pars (of 3): Nos enim pro peccatis Byrd, William (ca. 1540–1623) Appears on: 21r–21v Genres: Motet
21v–22r	Ne irascaris - 1a pars (of 2): Ne irascaris Domine	Mr Byrde	Byrd, William (ca. 1540–1623)
Ne irascaris - 1a pars (of 2): Ne irascaris Domine Byrd, William (ca. 1540–1623) Appears on: 21v–22r Genres: Motet Source Attribution: Mr Byrde Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Ne Irascaris domine
22r–22v	Ne irascaris - 2a pars (of 2): Civitatis sancti tui	-	Byrd, William (ca. 1540–1623)
Ne irascaris - 2a pars (of 2): Civitatis sancti tui Byrd, William (ca. 1540–1623) Appears on: 22r–22v Genres: Motet
22v–23r	Domine quis habitabit - 1a pars (of 2): Domine quis habitabit	Mr Tallis	Tallis, Thomas (ca. 1505–1585)
Domine quis habitabit - 1a pars (of 2): Domine quis habitabit Tallis, Thomas (ca. 1505–1585) Appears on: 22v–23r Genres: Motet Source Attribution: Mr Tallis Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Domine quis habitabit General Note Annotations/Corrections: Secu[n]da pars' on f. 23v.;
23v–24r	Domine quis habitabit - 2a pars (of 2): Ad nihillum deductus	-	Tallis, Thomas (ca. 1505–1585)
Domine quis habitabit - 2a pars (of 2): Ad nihillum deductus Tallis, Thomas (ca. 1505–1585) Appears on: 23v–24r Genres: Motet
24r–24v	Derelinquit impius viam suam	Mr Tallis	Tallis, Thomas (ca. 1505–1585)
Derelinquit impius viam suam Tallis, Thomas (ca. 1505–1585) Appears on: 24r–24v Source Attribution: Mr Tallis Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Dereinquit inpius General Note Annotations/Corrections: Correction on f. 24 last line.;
24v–25r	Dum transisset sabbatum, Maria Magdalene / Aromata emerunt	-	Tallis, Thomas (ca. 1505–1585)
Dum transisset sabbatum, Maria Magdalene / Aromata emerunt Tallis, Thomas (ca. 1505–1585) Appears on: 24v–25r Genres: Motet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: g2 Voice Text: Sabbathu[m] du[m] transisset General Note Notes: Signum congruentiae on f. 25 first line.;
25r–25v	O salutaris hostia	Mr Tallis	Tallis, Thomas (ca. 1505–1585)
O salutaris hostia Tallis, Thomas (ca. 1505–1585) Appears on: 25r–25v Genres: Motet Source Attribution: Mr Tallis Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: O salutaris hostia General Note Annotations/Corrections: Correction on f. 25 fifth line.;
25v–26r	[Salvator mundi Domine] Adesto nunc propitius	Mr Tallis	Tallis, Thomas (ca. 1505–1585)
[Salvator mundi Domine] Adesto nunc propitius Tallis, Thomas (ca. 1505–1585) Appears on: 25v–26r Source Attribution: Mr Tallis Voice: [no designation] Languages: Latin Mensuration: c-dot Clef: c2 Voice Text: Adesto nunc propicius General Note Notes: Time signature is cut semi-circle on f. 25v last line; NG: 'Even-numbered verses only; c.f. chant; hymn for Compline, Vigil of Nativity and various other seasons';
26r–26v	Tu fabricator omnium [= Jesu Salvator saeculi, v. 2]	-	Tallis, Thomas (ca. 1505–1585)
Tu fabricator omnium [= Jesu Salvator saeculi, v. 2] Tallis, Thomas (ca. 1505–1585) Appears on: 26r–26v Genres: Contrafactum, Motet Voice: [no designation] Languages: Latin Clef: g2 Voice Text: Tu fabricator omniu[m]
26v–27r	Quod chorus vatum [= Haec Deum coeli ] (v. 4: Tu libens votis petimus)	Mr Tallis	Tallis, Thomas (ca. 1505–1585)
Quod chorus vatum [= Haec Deum coeli ] (v. 4: Tu libens votis petimus) Tallis, Thomas (ca. 1505–1585) Appears on: 26v–27r Genres: Anthem Source Attribution: Mr Tallis Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Tu libens votis petimus General Note Notes: Time signature is semi-circle with dot on f. 26v last line; Time signature is reversed cut semi-circle on f. 27 fourth line.;
27v	[Deus tuorum militum (II)] (v. 2) Hic nempe mundi	-	Sheppard, John (ca. 1515–1558)
[Deus tuorum militum (II)] (v. 2) Hic nempe mundi Sheppard, John (ca. 1515–1558) Appears on: 27v Genres: Hymn Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Hic nempe mu[n]di gaudia General Note Notes: Time signature is reversed cut semi-circle on f.27v third line; time signature is cut semi-circle on f. 27v fourth line.;
27v–28r	Aeterne rex altissime, v.2: Scandens tribunal dexterae patris	-	Sheppard, John (ca. 1515–1558) (?) Tallis, Thomas (ca. 1505–1585) (?)
Aeterne rex altissime, v.2: Scandens tribunal dexterae patris Sheppard, John (ca. 1515–1558) (?) Tallis, Thomas (ca. 1505–1585) (?) Appears on: 27v–28r Voice: [no designation] Languages: Latin Mensuration: rev-cut-c Clef: c2 Voice Text: Gloria tibi domine Layout the first polyphonic verse (i.e. second verse of hymn) at bottom of 27v, the other verse at bottom of 28r (with attribution to Tallis)
28r	Rex Christe clementissime (= last two verses of Sermone blando)	-	Tallis, Thomas (ca. 1505–1585)
Rex Christe clementissime (= last two verses of Sermone blando) Tallis, Thomas (ca. 1505–1585) Appears on: 28r Genres: Motet Voice: [no designation] Languages: Latin Mensuration: rev-cut-c Clef: c3 Voice Text: Rex Christe clementissime
28v	Amavit eum Dominus	-	Tye, Christopher (ca. 1505–ca. 1573) (?)
Amavit eum Dominus Tye, Christopher (ca. 1505–ca. 1573) (?) Appears on: 28v Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Amauit General Note Annotations/Corrections: before the first line of music, in outer margin an 'X'; Notes: only incipit of text;
29r–29v	Domine in virtute tua (II) - 1a pars (of 2): Domine in virtute tua	Mr Johnsson	Johnson (I), Robert (ca. 1500–ca. 1560)
Domine in virtute tua (II) - 1a pars (of 2): Domine in virtute tua Johnson (I), Robert (ca. 1500–ca. 1560) Appears on: 29r–29v Genres: Motet Source Attribution: Mr Johnsson Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Domine in virtute tua General Note Annotations/Corrections: S[ecun]da p[ar]s' on f. 29v fourth line. ;
29v–30r	Domine in virtute tua (II) - 2a pars (of 2): Magna gloria eius	-	Johnson (I), Robert (ca. 1500–ca. 1560)
Domine in virtute tua (II) - 2a pars (of 2): Magna gloria eius Johnson (I), Robert (ca. 1500–ca. 1560) Appears on: 29v–30r Genres: Motet
30v–31r	Lamentations (I) : Incipit lamentatio Jeremiae - Aleph - Beth - Convertere Jerusalem	Mr Tallis	Tallis, Thomas (ca. 1505–1585)
Lamentations (I) : Incipit lamentatio Jeremiae - Aleph - Beth - Convertere Jerusalem Tallis, Thomas (ca. 1505–1585) Appears on: 30v–31r Genres: Lamentations, Motet Source Attribution: Mr Tallis Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Incipit lamentatio Jeremie prophete General Note Canon/Gimels: Gimel on f. 31v third line.;
31v–32v	Lamentations (II): De lamentatione Jeremiae - Gimel - Daleth - Heth - Convertere Jerusalem	-	Tallis, Thomas (ca. 1505–1585)
Lamentations (II): De lamentatione Jeremiae - Gimel - Daleth - Heth - Convertere Jerusalem Tallis, Thomas (ca. 1505–1585) Appears on: 31v–32v Genres: Lamentations, Motet
33r–35r	Lamentations (I) a5	Mr whight	White, Robert (ca. 1538–1574)
Lamentations (I) a5 White, Robert (ca. 1538–1574) Appears on: 33r–35r Genres: Lamentations, Motet Source Attribution: Mr whight Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Heth Peccatu[m] peccavit
35v–36v	Miserere mei Deus - 1a pars (of 2): Miserere mei Deus	Mr Whighte	White, Robert (ca. 1538–1574)
Miserere mei Deus - 1a pars (of 2): Miserere mei Deus White, Robert (ca. 1538–1574) Appears on: 35v–36v Genres: Miserere mei Deus, Motet Source Attribution: Mr Whighte Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Miserere mei deus
36v–37v	Miserere mei Deus - 2a pars (of 2): Cor mundum crea	-	White, Robert (ca. 1538–1574)
Miserere mei Deus - 2a pars (of 2): Cor mundum crea White, Robert (ca. 1538–1574) Appears on: 36v–37v Genres: Miserere mei Deus, Motet
38r–38v	Mater Christi sanctissima virgo [= O most holy and mighty Lord]	Mr Jo. Tauerner	Taverner, John
Mater Christi sanctissima virgo [= O most holy and mighty Lord] Taverner, John Appears on: 38r–38v Genres: Motet Source Attribution: Mr Jo. Tauerner Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Mater christi sanctissima
38v–39r	Dum transisset sabbatum Maria Magdalena	Mr Roose	Roose
Dum transisset sabbatum Maria Magdalena Roose Appears on: 38v–39r Genres: Motet Source Attribution: Mr Roose Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Du[m] transisset sabathu[m]
39v–41r	Salve intemerata virgo Maria	Mr Tallis	Tallis, Thomas (ca. 1505–1585)
Salve intemerata virgo Maria Tallis, Thomas (ca. 1505–1585) Appears on: 39v–41r Genres: Antiphon Source Attribution: Mr Tallis Voice: [no designation] Languages: Latin Mensuration: cut-o Clef: c3 Voice Text: Salve Intemerata. tacet. Et Ave Mulieris. tacet / Et dum enim conciperes General Note Annotations/Corrections: Secu[n]du[m] humanitatem tacet.' on f. 41 third line.; Notes: Time signature is cut semi-circle on f. 40 first line;
41v–42r	Magnificat O bone Jesu	Mr Docter ffairfax	Fayrfax, Robert (1464–1521)
Magnificat O bone Jesu Fayrfax, Robert (1464–1521) Appears on: 41v–42r Genres: English Catholic service music, Magnificat Source Attribution: Mr Docter ffairfax Voice: [no designation] Languages: Latin Mensuration: cut-o Clef: c4 Voice Text: Et exultauit General Note Annotations/Corrections: Quia fecit tacet.' on f. 41v third line; 'Dispersit tacet' on f. 41v sixth line; 'Esurientes tacet.' on f. 42 first line; 'Sicut erat tacet' on f. 42 fourth line.; Notes: Time signature is cut semi-circle on f. 42 first line, then cut circle on third line.;
42v–43r	Sospitati dedit aegros (extract: Ergo laudes Nicholae concinat)	Mr Jo. Tauerner	Taverner, John
Sospitati dedit aegros (extract: Ergo laudes Nicholae concinat) Taverner, John Appears on: 42v–43r Genres: Motet Source Attribution: Mr Jo. Tauerner Voice: [no designation] Languages: Latin Mensuration: cut-o Clef: c2 Voice Text: Sospitati dedit egros General Note Annotations/Corrections: Releuauit. tacet.' on f. 42v third line; 'Ergo laudes tacet.' on f. 43 second line.; Notes: Time signature is cut semi-circle on f. 43 first line, then cut circle on fifth line.;
43v	Musica laeta suum gaudet (C79)	-	Ferrabosco, Alfonso (the elder) (1543–1588)
Musica laeta suum gaudet (C79) Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 43v Genres: Motet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Musica læta General Note Annotations/Corrections: +' in outer margin, before first line of music;
43v–44r	[blank pages]	-	-
[blank pages] Appears on: 43v–44r General Note Notes: blank staves, only text incipits
44v–45r	Ingemuit Susanna (C43)	Alphonso:	Ferrabosco, Alfonso (the elder) (1543–1588)
Ingemuit Susanna (C43) Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 44v–45r Source Attribution: Alphonso: Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Ingemuit Susanna
45v	[blank page]	-	-
[blank page] Appears on: 45v General Note Notes: blank staves, only text incipit;
45v–46r	Mirabile mysterium (C47)	Alfonson	Ferrabosco, Alfonso (the elder) (1543–1588)
Mirabile mysterium (C47) Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 45v–46r Genres: Motet Source Attribution: Alfonson Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Mirabile misterium General Note Annotations/Corrections: before first line of music, an 'x' in the outer margin;
47r	[blank page]	-	-
[blank page] Appears on: 47r General Note Annotations/Corrections: Secunda pars' on f. 47, first line.; Notes: blank staves, only text incipit;
47v	Conserva me Domine - 1a pars (of 2): Conserva me Domine (C25)	Alfonsus	Ferrabosco, Alfonso (the elder) (1543–1588)
Conserva me Domine - 1a pars (of 2): Conserva me Domine (C25) Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 47v Genres: Motet Source Attribution: Alfonsus Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Conserva me domine General Note Annotations/Corrections: Secunda pars' on f. 48, first line.;
48r	Conserva me Domine - 2a pars (of 2): Vias tuas Domine (C25)	-	Ferrabosco, Alfonso (the elder) (1543–1588)
Conserva me Domine - 2a pars (of 2): Vias tuas Domine (C25) Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 48r Genres: Motet
48v	Peccantem me quotidie	Alfonsus	Ferrabosco, Alfonso (the elder) (1543–1588)
Peccantem me quotidie Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 48v Source Attribution: Alfonsus Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Peccante[m] me quotidie General Note Annotations/Corrections: Correction on f. 48v second line.;
49r	[blank page]	-	-
[blank page] Appears on: 49r General Note Notes: blank staves, only text incipit;
49v	Heu mihi Domine (I) (C37)	Alfonsus	Ferrabosco, Alfonso (the elder) (1543–1588)
Heu mihi Domine (I) (C37) Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 49v Genres: Motet Source Attribution: Alfonsus Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Heu mihi domine
49v–50v	De Lamentatione Jeremiae (C64)	-	Ferrabosco, Alfonso (the elder) (1543–1588)
De Lamentatione Jeremiae (C64) Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 49v–50v Genres: Lamentations, Motet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: De lamentatione Hieremie Prophete
51r	[blank page]	-	-
[blank page] Appears on: 51r
51v	Ad Dominum cum tribularer (C1)	-	Ferrabosco, Alfonso (the elder) (1543–1588)
Ad Dominum cum tribularer (C1) Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 51v Genres: Motet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: g2 Voice Text: Ad dominu[m] cu[m] tribularer
52r	Surge propera - 1a pars (of 2): Surge propera amica mea columba mea (C57)	Alfonsus	Ferrabosco, Alfonso (the elder) (1543–1588)
Surge propera - 1a pars (of 2): Surge propera amica mea columba mea (C57) Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 52r Genres: Motet Source Attribution: Alfonsus Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Surge propera amica mea General Note Annotations/Corrections: Verte folliu[m] pro Sda partæ' on f.52 last line; '.2. pars.' on 52v first line.;
52v	Surge propera - 2a pars (of 2): Surge propera amica mea formosa mea (C58)	-	Ferrabosco, Alfonso (the elder) (1543–1588)
Surge propera - 2a pars (of 2): Surge propera amica mea formosa mea (C58) Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 52v Genres: Motet
53r	Inclina Domine - 4a pars (of 6): In die tribulationis	-	Ferrabosco, Alfonso (the elder) (1543–1588)
Inclina Domine - 4a pars (of 6): In die tribulationis Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 53r Genres: Motet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: In die tribulationis General Note Annotations/Corrections: Verte folliu[m]' on f. 53; '.2. ps.' on f. 53v; 'Sex vocum.' and 'Quinta pars.' on top f. 53v; 'Sex vocu[m]' and 'Sexyta pars.' on top f. 54.;
53v–54r	Inclina Domine - 5a pars (of 6): Quoniam magnus es	-	Ferrabosco, Alfonso (the elder) (1543–1588)
Inclina Domine - 5a pars (of 6): Quoniam magnus es Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 53v–54r Genres: Motet General Note Two parts copied: one on the verso and the other one on the facing recto.
54v–55r	Virgo per incertos casus (C80)	Alfonso	Ferrabosco, Alfonso (the elder) (1543–1588)
Virgo per incertos casus (C80) Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 54v–55r Genres: Motet Source Attribution: Alfonso Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Virgo per incertos casus General Note Annotations/Corrections: #' with dots in outer margin, before first line of music (in different, browner ink?) on f. 55;
55v–56r	Inclina Domine - 1a pars (of 6): Inclina Domine aurem (C41)	Alfonso / Alfonso feraboscho	Ferrabosco, Alfonso (the elder) (1543–1588)
Inclina Domine - 1a pars (of 6): Inclina Domine aurem (C41) Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 55v–56r Genres: Motet Source Attribution: Alfonso / Alfonso feraboscho Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Inclina domine
56v–57r	Benedicam Dominum - 1a pars (of 2): Benedicam Dominum in omni tempore	Alfonso	Ferrabosco, Alfonso (the elder) (1543–1588)
Benedicam Dominum - 1a pars (of 2): Benedicam Dominum in omni tempore Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 56v–57r Genres: Motet Source Attribution: Alfonso Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Benedicam dominu[m] General Note Annotations/Corrections: verte.' at bottom of f. 57r; '.2. ps.' on top f. 57v and 58; '#' with dots before first line of music on f. 57v (in different, browner ink?);
57v–58r	Benedicam Dominum - 2a pars (of 2): Gustate et videte	-	Ferrabosco, Alfonso (the elder) (1543–1588)
Benedicam Dominum - 2a pars (of 2): Gustate et videte Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 57v–58r Genres: Motet
58v–59r	Da pacem Domine (III) (C68)	Alphonso / Alphonsus	Ferrabosco, Alfonso (the elder) (1543–1588)
Da pacem Domine (III) (C68) Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 58v–59r Genres: Motet Source Attribution: Alphonso / Alphonsus Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Da pacem domine
59v–62r	Incipit lamentatio Jeremiae [III]: Lamed (6vv - C67)	Alfonsus	Ferrabosco, Alfonso (the elder) (1543–1588)
Incipit lamentatio Jeremiae [III]: Lamed (6vv - C67) Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 59v–62r Genres: Lamentations Source Attribution: Alfonsus Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Incipit lamentatio Ieremie prophete General Note Annotations/Corrections: #' with dots on top of f. 60r, before first line of music; 'verte' at bottom of f. 60r; '+' in outer margin before first staves on ff. 60v and 61r, and ff. 61v and 62r (later?), 'verte folliu[m]' at bottom of f. 60v and f. 61;
62v–63r	Salve regina (V) - 1a pars (of 4): Salve regina misericordiae	Jacobus Vaet	Vaet, Jacobus (ca. 1529–ca. 1567)
Salve regina (V) - 1a pars (of 4): Salve regina misericordiae Vaet, Jacobus (ca. 1529–ca. 1567) Appears on: 62v–63r Genres: BVM, Motet, Salve Regina Source Attribution: Jacobus Vaet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Salue. / Vita dulcedo General Note Annotations/Corrections: at beginning 'Salue.' under staves (before text); on top of f. 63r, over beginning of top stave '#' with dots; 'verte folliu[m]' at bottom of f. 62v and 63; '.4. voc:' on top f. 63v (C1, C4, C3, F4); 'verte folliu[m]' at the end of each of the four parts on ff. 63v and 64;; Notes: Two parts noted on folios 62v-63 and folios 64v-65: one on the versos and the other one on the facing rectos; on f. 63v and 64 four parts noted: two in the verso and the other two on the facing recto. ;
63v–64r	Salve regina (V) - 2a pars (of 4): Ad te suspiramus	-	Vaet, Jacobus (ca. 1529–ca. 1567)
Salve regina (V) - 2a pars (of 4): Ad te suspiramus Vaet, Jacobus (ca. 1529–ca. 1567) Appears on: 63v–64r Genres: BVM, Motet, Salve Regina General Note Four parts copied: two on the verso and the other two on the facing recto. (5a & 6a, 7a & 8a voces?)
64v–65r	Salve regina (V) - 3a pars (of 4): Et Jesum benedictum	-	Vaet, Jacobus (ca. 1529–ca. 1567)
Salve regina (V) - 3a pars (of 4): Et Jesum benedictum Vaet, Jacobus (ca. 1529–ca. 1567) Appears on: 64v–65r Genres: BVM, Motet, Salve Regina General Note Two parts copied: one on the verso and the other one on the facing recto.
64v–65r	Salve regina (V) - 4a pars (of 4): O pia	-	Vaet, Jacobus (ca. 1529–ca. 1567)
Salve regina (V) - 4a pars (of 4): O pia Vaet, Jacobus (ca. 1529–ca. 1567) Appears on: 64v–65r Genres: BVM, Motet, Salve Regina General Note Two parts copied: one on the verso and the other one on the facing recto.
65v–66r	Memento homo quod cinis es	Byrde. / Mr Byrde.	Byrd, William (ca. 1540–1623)
Memento homo quod cinis es Byrd, William (ca. 1540–1623) Appears on: 65v–66r Source Attribution: Byrde. / Mr Byrde. Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Memento homo General Note Annotations/Corrections: +' in outer margin before top line on f. 66r;
66v–67r	Attollite portas	Mr Byrde	Byrd, William (ca. 1540–1623)
Attollite portas Byrd, William (ca. 1540–1623) Appears on: 66v–67r Genres: Psalm Source Attribution: Mr Byrde Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Attollite portas General Note Annotations/Corrections: Signum congruentiae on penultimate and bottom lines of f. 66v, and on f. 67 lines six and eight (the second one each with beginning of repeat written out); note/stem corr. in bottom line of f. 66v; Notes: Two parts noted: one on the verso and the other one on the facing recto.;
67v–68r	Fantasia a6 (II) in g minor	Mr Byrde	Byrd, William (ca. 1540–1623)
Fantasia a6 (II) in g minor Byrd, William (ca. 1540–1623) Appears on: 67v–68r Genres: English Consort music, Fantasia Source Attribution: Mr Byrde Voice: [no designation] Languages: none Mensuration: cut-c Clef: c2 Voice Text: Fantasia General Note Annotations/Corrections: note/stem corr. in bottom line of f. 67v and in second line of f. 68r; Notes: Two parts noted: one on the verso and the other one on the facing recto.;
68v–69r	Infelix ego omnium - 1a pars (of 3): Infelix ego omnium	Mr Byrde / Mr W. Byrde	Byrd, William (ca. 1540–1623)
Infelix ego omnium - 1a pars (of 3): Infelix ego omnium Byrd, William (ca. 1540–1623) Appears on: 68v–69r Genres: Motet Source Attribution: Mr Byrde / Mr W. Byrde Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Infelix ego General Note Annotations/Corrections: #' with dots in outer margin, before first line of music of f. 69r (later?); 'Verte foliu[m] citu[m]' at bottom of f. 69; 'Secunda pars' on top of folios 69v and 70r (the latter with a later '+' before it); 'Verte folliu[m]' on f. 69v and 'Verte folliu[m] pro tertia partæ' on f. 70; 'Tertia pars' on folios 70v and 71 (the latter with a later '+' before it); throughout lines to clarify music-text relationships. General Note Two parts copied: one on the verso and the other one on the facing recto.
69v–70r	Infelix ego omnium - 2a pars (of 3): Quid igitur faciam	-	Byrd, William (ca. 1540–1623)
Infelix ego omnium - 2a pars (of 3): Quid igitur faciam Byrd, William (ca. 1540–1623) Appears on: 69v–70r Genres: Motet General Note Two parts copied: one on the verso and the other one on the facing recto.
70v–71r	Infelix ego omnium - 3a pars (of 3): Ad te igitur	-	Byrd, William (ca. 1540–1623)
Infelix ego omnium - 3a pars (of 3): Ad te igitur Byrd, William (ca. 1540–1623) Appears on: 70v–71r Genres: Motet General Note Two parts copied: one on the verso and the other one on the facing recto.
71v–72r	Christ rising again - 1a pars (of 2): Christ rising again	Mr Byrde	Byrd, William (ca. 1540–1623)
Christ rising again - 1a pars (of 2): Christ rising again Byrd, William (ca. 1540–1623) Appears on: 71v–72r Genres: Anthem Source Attribution: Mr Byrde Voice: [no designation] Languages: English Mensuration: cut-c Clef: c3 Voice Text: Christ risinge again General Note Annotations/Corrections: Verte foll[ium] pro: .2. partæ.' at bottom of f. 72; 'Secunda / pars' on top of folios 72v and 73. General Note Two parts copied: one on the verso and the other one on the facing recto.
72v–73r	Christ rising again - 2a pars (of 2): Christ is risen again	-	Byrd, William (ca. 1540–1623)
Christ rising again - 2a pars (of 2): Christ is risen again Byrd, William (ca. 1540–1623) Appears on: 72v–73r Genres: Anthem General Note Two parts copied: one on the verso and the other one on the facing recto.
73v–74r	Arise O Lord - 1a pars (of 2): Arise O Lord why sleepest thou	Mr Byrde / Mr will. Byrde	Byrd, William (ca. 1540–1623)
Arise O Lord - 1a pars (of 2): Arise O Lord why sleepest thou Byrd, William (ca. 1540–1623) Appears on: 73v–74r Genres: Anthem Source Attribution: Mr Byrde / Mr will. Byrde Voice: [no designation] Languages: English Mensuration: cut-c Clef: c3 Voice Text: Aryse o lord General Note Annotations/Corrections: Prima pars: / Arise o Lorde: tacet: / The sixte parte [crossed out: 'of'] for the second verse.' on top of. 74 (in free space over stave lines); 'Secunda pars' on f. 73v; 'Tenor Secu[n]dus' on f. 74r; Notes: Two parts noted: one on the verso and the other one on the facing recto.;
73v–74r	Arise O Lord - 2a pars (of 2): Help us, O God	-	Byrd, William (ca. 1540–1623)
Arise O Lord - 2a pars (of 2): Help us, O God Byrd, William (ca. 1540–1623) Appears on: 73v–74r Genres: Anthem General Note Two parts copied: one on the verso and the other one on the facing recto.
74v–75r	Ego flos campi et lilium convalium	Clemens non Papa	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Ego flos campi et lilium convalium Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 74v–75r Genres: Motet Source Attribution: Clemens non Papa Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Ego flos campi General Note Annotations/Corrections: .7. vocu[m]' at top of both ff. 74v and 75r; Notes: Two parts noted: one on the verso and the other one on the facing recto.;
75v–76r	Missa Puer natus est nobis: Gloria	-	Tallis, Thomas (ca. 1505–1585)
Missa Puer natus est nobis: Gloria Tallis, Thomas (ca. 1505–1585) Appears on: 75v–76r Genres: Gloria (et in terra pax), Mass Ordinary Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Qui tollis General Note Annotations/Corrections: .7. voc:' on f. 75v; 'verte' at bottom of f. 76r; Notes: Two parts noted: one on the verso and the other one on the facing recto.; General Note "Qui tollis" section only.
76v–77r	Missa Puer natus est nobis: Sanctus	Mr tallis.	Tallis, Thomas (ca. 1505–1585)
Missa Puer natus est nobis: Sanctus Tallis, Thomas (ca. 1505–1585) Appears on: 76v–77r Genres: Mass Ordinary, Sanctus [& Benedictus] Source Attribution: Mr tallis. Voice: [no designation] Languages: Latin Mensuration: cut-o Clef: c2 Voice Text: Benedictus qui venit General Note Notes: Two parts noted: one on the verso and the other one on the facing recto.; General Note Benendictus & Osanna only
77v–78r	Suscipe quaeso Domine - 1a pars (of 2): Suscipe quaeso Domine vocem confitentis	Mr Tallis	Tallis, Thomas (ca. 1505–1585)
Suscipe quaeso Domine - 1a pars (of 2): Suscipe quaeso Domine vocem confitentis Tallis, Thomas (ca. 1505–1585) Appears on: 77v–78r Genres: Motet Source Attribution: Mr Tallis Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Suscipe quæso Domine General Note Annotations/Corrections: +' before top line of music of f. 77v (later? in browner ink?); 'Verte foll[ium] pro: Secunda partæ' at bottom of f. 77v, 'verte pro Se[cun]da p.[ar]te' at bottom of f. 78; 'Secunda / pars' on top of folios 78v and 79 (the first with a later? 'X' before it - in different ink?).; Notes: Two parts noted: one on the versos and the other one on the facing rectos.;
78v–79r	Suscipe quaeso Domine - 2a pars (of 2): Si enim iniquitates recordaberis	-	Tallis, Thomas (ca. 1505–1585)
Suscipe quaeso Domine - 2a pars (of 2): Si enim iniquitates recordaberis Tallis, Thomas (ca. 1505–1585) Appears on: 78v–79r Genres: Motet General Note Two parts copied: one on the verso and the other one on the facing recto.
79v–80r	Missa Puer natus est nobis: Credo	Mr Tallis	Tallis, Thomas (ca. 1505–1585)
Missa Puer natus est nobis: Credo Tallis, Thomas (ca. 1505–1585) Appears on: 79v–80r Genres: Credo (patrem omnipotentem), Mass Ordinary Source Attribution: Mr Tallis Voice: [no designation] Languages: Latin Mensuration: cut-o Clef: c2 Voice Text: Et expecto resurrectio General Note Notes: Two parts noted: one on the verso and the other one on the facing recto. "Et expecto resurrectionem" section only.
80v–81r	Decantabat populus Israel alleluia (7vv)	Orlando	Lassus, Orlande de (ca. 1532–1594)
Decantabat populus Israel alleluia (7vv) Lassus, Orlande de (ca. 1532–1594) Appears on: 80v–81r Genres: Motet Source Attribution: Orlando Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: g2 Voice Text: Decantabat populus Israel General Note Annotations/Corrections: #' in outer margin at top of f. 80v (later?); '+' in outer margin before top line of f. 81r; Notes: Two parts noted: one on the verso and the other one on the facing recto.;
81v–82r	O lux beata trinitas - 1a pars (of 3): O lux beata trinitas et principalis	Mr Byrde / Byrde	Byrd, William (ca. 1540–1623)
O lux beata trinitas - 1a pars (of 3): O lux beata trinitas et principalis Byrd, William (ca. 1540–1623) Appears on: 81v–82r Genres: Motet Source Attribution: Mr Byrde / Byrde Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: O Lux beata General Note Annotations/Corrections: #' before first lines of first, third and fourth part. General Note Four parts notated in choirbook format (two on the verso and the other two on the facing recto).
82v–83r	Gaude plurimum - 1a pars (of 3): Gaude plurimum	Mr Jo: Tauerner	Taverner, John
Gaude plurimum - 1a pars (of 3): Gaude plurimum Taverner, John Appears on: 82v–83r Genres: Motet Source Attribution: Mr Jo: Tauerner Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Gaude plurimum saluatoris nostri General Note Annotations/Corrections: signum congruentiae at end of third line on f. 82v and in top line of f. 83r; Notes: Three parts noted in each opening: two on the versos, the residuum of the second and the third voice on the facing rectos. 2a pars and 3a pars not marked as such, but noted separately, again in three parts, on openings 83v-84 and 84v-85;
83v–84r	Gaude plurimum - 2a pars (of 3): Gaude Maria, Jesu mater	-	Taverner, John
Gaude plurimum - 2a pars (of 3): Gaude Maria, Jesu mater Taverner, John Appears on: 83v–84r Genres: Motet General Note THree parts notated in choirbook format (two on the verso and the other on the facing recto).
84v–85r	Gaude plurimum - 3a pars (of 3): Eundem igitur Jesum	-	Taverner, John
Gaude plurimum - 3a pars (of 3): Eundem igitur Jesum Taverner, John Appears on: 84v–85r General Note Three parts notated in choirbook format (two on the verso and the other on the facing recto).
85v–86r	Salve intemerata virgo - 1a pars (of 5): Salve intemerata virgo Maria	Mr Tallis / Tallis	Tallis, Thomas (ca. 1505–1585)
Salve intemerata virgo - 1a pars (of 5): Salve intemerata virgo Maria Tallis, Thomas (ca. 1505–1585) Appears on: 85v–86r Genres: Motet Source Attribution: Mr Tallis / Tallis Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Ave mulieris sanctissima [incipit of first voice part] General Note Annotations/Corrections: note/stem correction in bottom line of f. 85v.; Notes: Three parts noted: two on the verso, the residuum of the second and the third voice on the facing recto; time signature in the first two voices only; Excerpt from 1a pars "Annae mulieris sanctissimae ..." with "Annae" re-texted as "Ave" to achieve a stand-alone text.
86v–87r	Salve intemerata virgo - 4a pars (of 5): Per haec nos	Mr Tallis	Tallis, Thomas (ca. 1505–1585)
Salve intemerata virgo - 4a pars (of 5): Per haec nos Tallis, Thomas (ca. 1505–1585) Appears on: 86v–87r Genres: Motet Source Attribution: Mr Tallis Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: PEr hec nos General Note Notes: Three parts noted: two on the versos, the residuum of the second and the third voice on the facing rectos.;
87v–88r	Conserva me Domine	Parslye	Parsley [Percely], Osbert
Conserva me Domine Parsley [Percely], Osbert Appears on: 87v–88r Genres: Motet Source Attribution: Parslye Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: COnserva me Domine General Note Annotations/Corrections: Signum congruentiae on f. 87v first voice second line.; Notes: Three parts noted: two on the versos, the residuum of the second and the third voice on the facing rectos.;
88v–89r	Magnificat O bone Jesu	Fairfax / Mr Doct. Fairfax	Fayrfax, Robert (1464–1521)
Magnificat O bone Jesu Fayrfax, Robert (1464–1521) Appears on: 88v–89r Genres: English Catholic service music, Magnificat Source Attribution: Fairfax / Mr Doct. Fairfax Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: In deo General Note Extract: "in Deo superbos" (3vv) only. Three parts noted: two on the versos, the residuum of the second and the third voice on the facing rectos; time signature in first and third voice only;
89v–90r	Lamentations (III) a6: Peccatum peccavit	Mr whighte	White, Robert (ca. 1538–1574)
Lamentations (III) a6: Peccatum peccavit White, Robert (ca. 1538–1574) Appears on: 89v–90r Genres: Lamentations, Motet Source Attribution: Mr whighte Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: PEccatu[m] peccauit General Note Notes: Three parts noted: two on the versos, the residuum of the second and the third voice on the facing rectos.;
90v–91r	Singularis privilegii	Mr Sheparde / Mr Jo. Sheparde	Sheppard, John (ca. 1515–1558)
Singularis privilegii Sheppard, John (ca. 1515–1558) Appears on: 90v–91r Genres: Antiphon Source Attribution: Mr Sheparde / Mr Jo. Sheparde Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Singularis preuilegii / Locu pletata / Singularis priuiligii General Note Notes: Three parts noted: two on the versos, the residuum of the second and the third voice on the facing rectos; votive antiphon;
91v–92r	Exsurge Domine (extract: v4, Verbi tui fulminibus)	Mr Wodde	Wood, John
Exsurge Domine (extract: v4, Verbi tui fulminibus) Wood, John Appears on: 91v–92r Genres: Motet Source Attribution: Mr Wodde Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: VErbi tui fulminibus General Note Notes: Three parts noted: two on the versos, the residuum of the second and the third voice on the facing rectos.;
92v–93r	Salve intemerata virgo - 3a pars (of 5): Tu nimirum	Tallis	Tallis, Thomas (ca. 1505–1585)
Salve intemerata virgo - 3a pars (of 5): Tu nimirum Tallis, Thomas (ca. 1505–1585) Appears on: 92v–93r Genres: Motet Source Attribution: Tallis Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: TV nimiru[m] General Note Notes: Three parts noted: two on the versos, the residuum of the second and the third voice on the facing rectos.;
93v–94r	Ave dei patris filia - 5a pars (of 7): Ave Domini filia	Johnson prist / Mr Johnson	Johnson (I), Robert (ca. 1500–ca. 1560)
Ave dei patris filia - 5a pars (of 7): Ave Domini filia Johnson (I), Robert (ca. 1500–ca. 1560) Appears on: 93v–94r Genres: Motet Source Attribution: Johnson prist / Mr Johnson Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Ave domini filia General Note Notes: Three parts noted: two on the versos, the residuum of the second and the third voice on the facing rectos; time signature in first and third voice only;
94v–95r	Ave Dei patris filia: (opening trio)	Mr Tallis	Tallis, Thomas (ca. 1505–1585)
Ave Dei patris filia: (opening trio) Tallis, Thomas (ca. 1505–1585) Appears on: 94v–95r Genres: Motet Source Attribution: Mr Tallis Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Ave dei patris General Note Opening trio: Three parts noted: two on the versos, the residuum of the second and the third voice on the facing rectos.;
95v–96r	Ave Dei patris filia: (trio, Ave Domini filia)	Mr Tho: Tallis	Tallis, Thomas (ca. 1505–1585)
Ave Dei patris filia: (trio, Ave Domini filia) Tallis, Thomas (ca. 1505–1585) Appears on: 95v–96r Genres: Motet Source Attribution: Mr Tho: Tallis Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: AVe domini filia General Note Annotations/Corrections: note/stem correction in fifth line of f. 95v and in top line of f. 96; Notes: Three parts noted: two on the versos, the residuum of the second and the third voice on the facing rectos.;
96v–97r	Infelix ego omnium - 1a pars (of 3): Infelix ego omnium	-	Byrd, William (ca. 1540–1623)
Infelix ego omnium - 1a pars (of 3): Infelix ego omnium Byrd, William (ca. 1540–1623) Appears on: 96v–97r Genres: Motet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: INfelix ego General Note Opening trio only. Three parts noted: two on the versos, the third voice on the facing recto; 1a pars of the motet above, entered again on these folios;
96v–97r	O splendor gloriae: (trio: Quae sapientissimae)	Tauerner - Mr Tauerner	Tye, Christopher (ca. 1505–ca. 1573) (?) Taverner, John (?)
O splendor gloriae: (trio: Quae sapientissimae) Tye, Christopher (ca. 1505–ca. 1573) (?) Taverner, John (?) Appears on: 96v–97r Genres: Motet Source Attribution: Tauerner - Mr Tauerner Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: g1 Voice Text: Que sapientissime General Note Notes: Three parts noted: two on the versos, the residuum of the second and the third voice on the facing rectos; this piece follows on straight from the preceeding piece;
97v–98r	Missa Gloria tibi Trinitas: Gloria (extract: Qui tollis peccata I)	Tauerner	Taverner, John
Missa Gloria tibi Trinitas: Gloria (extract: Qui tollis peccata I) Taverner, John Appears on: 97v–98r Genres: Gloria (et in terra pax), Mass Ordinary Source Attribution: Tauerner Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: QVi tollis General Note Notes: Three parts noted: two on the versos, the third voice on the facing recto.;
97v–98r	Missa Corona spinea: Gloria (extract: Quoniam tu solus sanctus)	Tau[e]ner	Taverner, John
Missa Corona spinea: Gloria (extract: Quoniam tu solus sanctus) Taverner, John Appears on: 97v–98r Genres: Gloria (et in terra pax), Mass Ordinary Source Attribution: Tau[e]ner Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Quoniam General Note Notes: Three parts noted: two on the versos, the third voice on the facing recto.;
98v–99r	Missa Gloria tibi Trinitas: Gloria (extract: Qui tollis peccata I)	-	Taverner, John
Missa Gloria tibi Trinitas: Gloria (extract: Qui tollis peccata I) Taverner, John Appears on: 98v–99r Genres: Gloria (et in terra pax), Mass Ordinary Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: g2 Voice Text: QVi tollis General Note Annotations/Corrections: four note/stem corr. in bottom line of 98v; Notes: Three parts noted: two on the versos, the third voice on the facing recto.;
98v–99r	Missa Gloria tibi Trinitas: Sanctus (extract: Gloria tua)	Mr Tauerner / Mr John Tauerner	Taverner, John
Missa Gloria tibi Trinitas: Sanctus (extract: Gloria tua) Taverner, John Appears on: 98v–99r Genres: Mass Ordinary, Sanctus [& Benedictus] Source Attribution: Mr Tauerner / Mr John Tauerner Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: g2 Voice Text: Gloria tu(tu)a General Note Notes: Three parts noted: one on the verso, two on the facing recto.;
99v–100r	Ave rosa sine spinis: (extract: Maria stella)	Tallis	Tallis, Thomas (ca. 1505–1585)
Ave rosa sine spinis: (extract: Maria stella) Tallis, Thomas (ca. 1505–1585) Appears on: 99v–100r Genres: Motet Source Attribution: Tallis Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: g2 Voice Text: MAria stella dicta maris [incipit of second voice part] General Note Annotations/Corrections: correction of the attribution in the in bottom line of f. 99v: 'Tallis' instead of 'Tauerner' (both in different ink?); Notes: Three parts noted: two on the verso, the third voice on the facing rectos;
99v–100r	Domine quis habitabit (II) - 2a pars (of 2): Ad nihilum deductus (extract: Qui jurat)	Whighte	White, Robert (ca. 1538–1574)
Domine quis habitabit (II) - 2a pars (of 2): Ad nihilum deductus (extract: Qui jurat) White, Robert (ca. 1538–1574) Appears on: 99v–100r Genres: Motet Source Attribution: Whighte Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: g2 Voice Text: Qui iurat General Note Three parts noted: one on the verso, two on the recto; time signature only in third voice;
100v–101r	Missa Corona spinea: Gloria (extract: Qui tollis I)	Tauerner	Taverner, John
Missa Corona spinea: Gloria (extract: Qui tollis I) Taverner, John Appears on: 100v–101r Genres: Gloria (et in terra pax), Mass Ordinary Source Attribution: Tauerner Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: g2 Voice Text: QVi tollis General Note Notes: Three parts noted: two on the versos, the residuum of the second and the third voice on the facing rectos.;
100v–101r	Missa Small devotion: Credo (extract: Crucifixus etiam pro nobis)	-	Taverner, John
Missa Small devotion: Credo (extract: Crucifixus etiam pro nobis) Taverner, John Appears on: 100v–101r Genres: Credo (patrem omnipotentem), Mass Ordinary Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: g2 Voice Text: Crucifixus General Note Notes: Three parts noted: one on the verso, two on the recto;
101v–102r	Ave Dei patris filia: (trio: Esto nobis)	Tallis / Mr Tallis	Tallis, Thomas (ca. 1505–1585)
Ave Dei patris filia: (trio: Esto nobis) Tallis, Thomas (ca. 1505–1585) Appears on: 101v–102r Genres: Motet Source Attribution: Tallis / Mr Tallis Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: g2 Voice Text: ESto nobis General Note Notes: Three parts noted: two on the verso, the third voice on the facing recto; time signature in first two voices only;
101v–102r	Sospitati dedit aegros (extract: Ergo laudes Nicholae concinat)	Tauerner / Mr John Taurner	Taverner, John
Sospitati dedit aegros (extract: Ergo laudes Nicholae concinat) Taverner, John Appears on: 101v–102r Genres: Motet Source Attribution: Tauerner / Mr John Taurner Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: g2 Voice Text: Ergo laudes Nicholao General Note Notes: Three parts noted: two on the versos, the residuum of the second and the third voice on the facing rectos.;
102v–103r	Missa Corona spinea: Gloria (extract: Domine Deus agnus Dei)	Mr Jo. Tauerner / Mr John Tauerner	Taverner, John
Missa Corona spinea: Gloria (extract: Domine Deus agnus Dei) Taverner, John Appears on: 102v–103r Genres: Gloria (et in terra pax), Mass Ordinary Source Attribution: Mr Jo. Tauerner / Mr John Tauerner Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: g2 Voice Text: DOmine deus / Gloria tua General Note Notes: Three parts noted: two on the versos, the residuum of the second and the third voice on the facing rectos.;
102v–103r	Missa Corona spinea: Sanctus (extract: Gloria tua)	Mr John Taverner	Taverner, John
Missa Corona spinea: Sanctus (extract: Gloria tua) Taverner, John Appears on: 102v–103r Genres: Mass Ordinary, Sanctus [& Benedictus] Source Attribution: Mr John Taverner General Note Notes: Three parts noted: two on the versos, the residuum of the second and the third voice on the facing rectos.;
103v–104r	Missa Gloria tibi Trinitas: Credo (extract: Crucifixus)	Mr Tauerner / Tauerner	Taverner, John
Missa Gloria tibi Trinitas: Credo (extract: Crucifixus) Taverner, John Appears on: 103v–104r Genres: Credo (patrem omnipotentem), Mass Ordinary Source Attribution: Mr Tauerner / Tauerner Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: g2 Voice Text: CRucifixus etiam General Note Annotations/Corrections: signum congruentiae in second line of f. 103v; Notes: Three parts noted: two on the versos, the residuum of the second and the third voice on the facing rectos; time signature in first two voices only;
104v	Laus Deo pax vivis	Clemens non papa	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Laus Deo pax vivis Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 104v Genres: Chanson Source Attribution: Clemens non papa Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Laus deo Pax viuis General Note Notes: Four parts noted on the same folio.;
105r–105v	index	-	-
index Appears on: 105r–105v General Note Notes: Index;
106r–107r	[blank pages]	-	-
[blank pages] Appears on: 106r–107r

Composer	Compositions
Anonymous	[No description] – 4v–5r [No description] – 51r [No description] – 106r–107r [No description] – 49r [No description] – 45v [No description] – 47r [No description] – 43v–44r [No description] – 105r–105v
Byrd, William (ca. 1540–1623)	Apparebit in finem – 13v Arise O Lord - 1a pars (of 2): Arise O Lord why sleepest thou – 73v–74r Arise O Lord - 2a pars (of 2): Help us, O God – 73v–74r Aspice Domine de sede (5vv) - 1a pars (of 2): Aspice Domine de sede sancta – 11v–12r Aspice Domine de sede (5vv) - 2a pars (of 2): Respice domine – 12r Attollite portas – 66v–67r Audivi vocem de caelo – 15v Christ rising again - 1a pars (of 2): Christ rising again – 71v–72r Christ rising again - 2a pars (of 2): Christ is risen again – 72v–73r Circumdederunt me dolores mortis – 8r–8v Deus venerunt gentes - 1a pars (of 4): Deus venerunt gentes – 6r Deus venerunt gentes - 2a pars (of 4): Posuerunt morticinia – 6r–6v Deus venerunt gentes - 3a pars (of 4): Effuderunt sanguinem – 6v–7r Deus venerunt gentes - 4a pars (of 4): Opprobrium facti sumus – 7r–7v Domine praestolamur - 1a pars (of 2): Domine praestolamur – 9v Domine praestolamur - 2a pars (of 2): Veni Domine – 10r Domine secundum multitudinem dolorum meum – 18r Domine tu jurasti – 14r Emendemus - 1a pars (of 2): Emendemus in melius – 5v Emendemus - 2a pars (of 2): Adiuva nos Deus – 5v Fac cum servo tuo – 19r Fantasia a6 (II) in g minor – 67v–68r Haec dicit Dominus - 1a pars (of 2): Haec dicit Dominus vox in excelsis – 17r Haec dicit Dominus - 2a pars (of 2): Haec dicit Dominus quiescat vox – 17v In resurrectione tua – 14v Infelix ego omnium - 1a pars (of 3): Infelix ego omnium – 96v–97r Infelix ego omnium - 1a pars (of 3): Infelix ego omnium – 68v–69r Infelix ego omnium - 2a pars (of 3): Quid igitur faciam – 69v–70r Infelix ego omnium - 3a pars (of 3): Ad te igitur – 70v–71r Memento Domine – 9r Memento homo quod cinis es – 65v–66r Miserere mei Deus – 7v–8r Ne irascaris - 1a pars (of 2): Ne irascaris Domine – 21v–22r Ne irascaris - 2a pars (of 2): Civitatis sancti tui – 22r–22v O lux beata trinitas - 1a pars (of 3): O lux beata trinitas et principalis – 81v–82r O quam gloriosum - 1a pars (of 2): O quam gloriosum est regnum – 19v O quam gloriosum - 2a pars (of 2): Benedictio et claritas – 20r Petrus beatus - 1a pars (of 3): Petrus beatus – 12v Petrus beatus - 2a pars (of 3): Quodcumque vinclis – 12v–13r Petrus beatus - 3a pars (of 3): Gloria Deo - Per immensa saecula – 13r Tribulationes civitatum - 1a pars (of 3): Tribulationes civitatum – 20v Tribulationes civitatum - 2a pars (of 3): Timor et hebitudo – 20v–21r Tribulationes civitatum - 3a pars (of 3): Nos enim pro peccatis – 21r–21v Tristitia et anxietas - 1a pars (of 2): Tristitia et anxietas, Domine tu jurasti – 10v–11r Tristitia et anxietas - 2a pars (of 2): Sed tu domine – 11r Vide domine afflictionem - 1a pars (of 2): Vide domine afflictionem nostram et in tempore – 16r Vide domine afflictionem - 2a pars (of 2): Sed veni domine et noli tardare – 16v Vigilate nescitis enim – 14v–15r
Clemens non Papa, Jacob (ca. 1510–ca. 1556)	Ego flos campi et lilium convalium – 74v–75r Laus Deo pax vivis – 104v
Fayrfax, Robert (1464–1521)	Magnificat O bone Jesu – 88v–89r Magnificat O bone Jesu – 41v–42r
Ferrabosco, Alfonso (the elder) (1543–1588)	Ad Dominum cum tribularer (C1) – 51v Benedicam Dominum - 1a pars (of 2): Benedicam Dominum in omni tempore – 56v–57r Benedicam Dominum - 2a pars (of 2): Gustate et videte – 57v–58r Conserva me Domine - 1a pars (of 2): Conserva me Domine (C25) – 47v Conserva me Domine - 2a pars (of 2): Vias tuas Domine (C25) – 48r Da pacem Domine (III) (C68) – 58v–59r De Lamentatione Jeremiae (C64) – 49v–50v Heu mihi Domine (I) (C37) – 49v Incipit lamentatio Jeremiae [III]: Lamed (6vv - C67) – 59v–62r Inclina Domine - 1a pars (of 6): Inclina Domine aurem (C41) – 55v–56r Inclina Domine - 4a pars (of 6): In die tribulationis – 53r Inclina Domine - 5a pars (of 6): Quoniam magnus es – 53v–54r Ingemuit Susanna (C43) – 44v–45r Mirabile mysterium (C47) – 45v–46r Musica laeta suum gaudet (C79) – 43v Peccantem me quotidie – 48v Surge propera - 1a pars (of 2): Surge propera amica mea columba mea (C57) – 52r Surge propera - 2a pars (of 2): Surge propera amica mea formosa mea (C58) – 52v Virgo per incertos casus (C80) – 54v–55r
Johnson (I), Robert (ca. 1500–ca. 1560)	Ave dei patris filia - 5a pars (of 7): Ave Domini filia – 93v–94r Domine in virtute tua (II) - 1a pars (of 2): Domine in virtute tua – 29r–29v Domine in virtute tua (II) - 2a pars (of 2): Magna gloria eius – 29v–30r
Lassus, Orlande de (ca. 1532–1594)	Ave regina caelorum (II) (6vv) – 3v–4r Decantabat populus Israel alleluia (7vv) – 80v–81r Tristis est anima mea usque ad mortem – 1r
Meiland, Jacob (1542–1577)	Benedixisti Domine - 1a pars (of 2): Benedixisti Domine terram tuam avertisti – 1v–2r Benedixisti Domine - 2a pars (of 2): Converte nos Deus salutaris noster – 2v–3r
Parsley [Percely], Osbert	Conserva me Domine – 87v–88r
Roose	Dum transisset sabbatum Maria Magdalena – 38v–39r
Sheppard, John (ca. 1515–1558)	(?) Aeterne rex altissime, v.2: Scandens tribunal dexterae patris – 27v–28r Singularis privilegii – 90v–91r [Deus tuorum militum (II)] (v. 2) Hic nempe mundi – 27v
Tallis, Thomas (ca. 1505–1585)	(?) Aeterne rex altissime, v.2: Scandens tribunal dexterae patris – 27v–28r Ave Dei patris filia: (opening trio) – 94v–95r Ave Dei patris filia: (trio, Ave Domini filia) – 95v–96r Ave Dei patris filia: (trio: Esto nobis) – 101v–102r Ave rosa sine spinis: (extract: Maria stella) – 99v–100r Derelinquit impius viam suam – 24r–24v Domine quis habitabit - 1a pars (of 2): Domine quis habitabit – 22v–23r Domine quis habitabit - 2a pars (of 2): Ad nihillum deductus – 23v–24r Dum transisset sabbatum, Maria Magdalene / Aromata emerunt – 24v–25r Lamentations (I) : Incipit lamentatio Jeremiae - Aleph - Beth - Convertere Jerusalem – 30v–31r Lamentations (II): De lamentatione Jeremiae - Gimel - Daleth - Heth - Convertere Jerusalem – 31v–32v Laudate Dominum omnes gentes, laudate eum – 18v Missa Puer natus est nobis: Credo – 79v–80r Missa Puer natus est nobis: Gloria – 75v–76r Missa Puer natus est nobis: Sanctus – 76v–77r O salutaris hostia – 25r–25v Quod chorus vatum [= Haec Deum coeli ] (v. 4: Tu libens votis petimus) – 26v–27r Rex Christe clementissime (= last two verses of Sermone blando) – 28r Salve intemerata virgo - 1a pars (of 5): Salve intemerata virgo Maria – 85v–86r Salve intemerata virgo - 3a pars (of 5): Tu nimirum – 92v–93r Salve intemerata virgo - 4a pars (of 5): Per haec nos – 86v–87r Salve intemerata virgo Maria – 39v–41r Suscipe quaeso Domine - 1a pars (of 2): Suscipe quaeso Domine vocem confitentis – 77v–78r Suscipe quaeso Domine - 2a pars (of 2): Si enim iniquitates recordaberis – 78v–79r Tu fabricator omnium [= Jesu Salvator saeculi, v. 2] – 26r–26v [Salvator mundi Domine] Adesto nunc propitius – 25v–26r
Taverner, John	Gaude plurimum - 1a pars (of 3): Gaude plurimum – 82v–83r Gaude plurimum - 2a pars (of 3): Gaude Maria, Jesu mater – 83v–84r Gaude plurimum - 3a pars (of 3): Eundem igitur Jesum – 84v–85r Mater Christi sanctissima virgo [= O most holy and mighty Lord] – 38r–38v Missa Corona spinea: Gloria (extract: Domine Deus agnus Dei) – 102v–103r Missa Corona spinea: Gloria (extract: Qui tollis I) – 100v–101r Missa Corona spinea: Gloria (extract: Quoniam tu solus sanctus) – 97v–98r Missa Corona spinea: Sanctus (extract: Gloria tua) – 102v–103r Missa Gloria tibi Trinitas: Credo (extract: Crucifixus) – 103v–104r Missa Gloria tibi Trinitas: Gloria (extract: Qui tollis peccata I) – 97v–98r Missa Gloria tibi Trinitas: Gloria (extract: Qui tollis peccata I) – 98v–99r Missa Gloria tibi Trinitas: Sanctus (extract: Gloria tua) – 98v–99r Missa Small devotion: Credo (extract: Crucifixus etiam pro nobis) – 100v–101r (?) O splendor gloriae: (trio: Quae sapientissimae) – 96v–97r Sospitati dedit aegros (extract: Ergo laudes Nicholae concinat) – 101v–102r Sospitati dedit aegros (extract: Ergo laudes Nicholae concinat) – 42v–43r
Tye, Christopher (ca. 1505–ca. 1573)	(?) Amavit eum Dominus – 28v (?) O splendor gloriae: (trio: Quae sapientissimae) – 96v–97r
Vaet, Jacobus (ca. 1529–ca. 1567)	Salve regina (V) - 1a pars (of 4): Salve regina misericordiae – 62v–63r Salve regina (V) - 2a pars (of 4): Ad te suspiramus – 63v–64r Salve regina (V) - 3a pars (of 4): Et Jesum benedictum – 64v–65r Salve regina (V) - 4a pars (of 4): O pia – 64v–65r
White, Robert (ca. 1538–1574)	Domine quis habitabit (II) - 2a pars (of 2): Ad nihilum deductus (extract: Qui jurat) – 99v–100r Lamentations (I) a5 – 33r–35r Lamentations (III) a6: Peccatum peccavit – 89v–90r Miserere mei Deus - 1a pars (of 2): Miserere mei Deus – 35v–36v Miserere mei Deus - 2a pars (of 2): Cor mundum crea – 36v–37v
Wood, John	Exsurge Domine (extract: v4, Verbi tui fulminibus) – 91v–92r

Composition	Composers (? Uncertain)	Folios / Pages
[Deus tuorum militum (II)] (v. 2) Hic nempe mundi	Sheppard, John (ca. 1515–1558)	27v
[Salvator mundi Domine] Adesto nunc propitius	Tallis, Thomas (ca. 1505–1585)	25v–26r
Ad Dominum cum tribularer (C1)	Ferrabosco, Alfonso (the elder) (1543–1588)	51v
Aeterne rex altissime, v.2: Scandens tribunal dexterae patris	Sheppard, John (ca. 1515–1558) (?) Tallis, Thomas (ca. 1505–1585) (?)	27v–28r
Amavit eum Dominus	Tye, Christopher (ca. 1505–ca. 1573) (?)	28v
Apparebit in finem	Byrd, William (ca. 1540–1623)	13v
Arise O Lord - 1a pars (of 2): Arise O Lord why sleepest thou	Byrd, William (ca. 1540–1623)	73v–74r
Arise O Lord - 2a pars (of 2): Help us, O God	Byrd, William (ca. 1540–1623)	73v–74r
Aspice Domine de sede (5vv) - 1a pars (of 2): Aspice Domine de sede sancta	Byrd, William (ca. 1540–1623)	11v–12r
Aspice Domine de sede (5vv) - 2a pars (of 2): Respice domine	Byrd, William (ca. 1540–1623)	12r
Attollite portas	Byrd, William (ca. 1540–1623)	66v–67r
Audivi vocem de caelo	Byrd, William (ca. 1540–1623)	15v
Ave dei patris filia - 5a pars (of 7): Ave Domini filia	Johnson (I), Robert (ca. 1500–ca. 1560)	93v–94r
Ave Dei patris filia: (opening trio)	Tallis, Thomas (ca. 1505–1585)	94v–95r
Ave Dei patris filia: (trio, Ave Domini filia)	Tallis, Thomas (ca. 1505–1585)	95v–96r
Ave Dei patris filia: (trio: Esto nobis)	Tallis, Thomas (ca. 1505–1585)	101v–102r
Ave regina caelorum (II) (6vv)	Lassus, Orlande de (ca. 1532–1594)	3v–4r
Ave rosa sine spinis: (extract: Maria stella)	Tallis, Thomas (ca. 1505–1585)	99v–100r
Benedicam Dominum - 1a pars (of 2): Benedicam Dominum in omni tempore	Ferrabosco, Alfonso (the elder) (1543–1588)	56v–57r
Benedicam Dominum - 2a pars (of 2): Gustate et videte	Ferrabosco, Alfonso (the elder) (1543–1588)	57v–58r
Benedixisti Domine - 1a pars (of 2): Benedixisti Domine terram tuam avertisti	Meiland, Jacob (1542–1577)	1v–2r
Benedixisti Domine - 2a pars (of 2): Converte nos Deus salutaris noster	Meiland, Jacob (1542–1577)	2v–3r
Christ rising again - 1a pars (of 2): Christ rising again	Byrd, William (ca. 1540–1623)	71v–72r
Christ rising again - 2a pars (of 2): Christ is risen again	Byrd, William (ca. 1540–1623)	72v–73r
Circumdederunt me dolores mortis	Byrd, William (ca. 1540–1623)	8r–8v
Conserva me Domine	Parsley [Percely], Osbert	87v–88r
Conserva me Domine - 1a pars (of 2): Conserva me Domine (C25)	Ferrabosco, Alfonso (the elder) (1543–1588)	47v
Conserva me Domine - 2a pars (of 2): Vias tuas Domine (C25)	Ferrabosco, Alfonso (the elder) (1543–1588)	48r
Da pacem Domine (III) (C68)	Ferrabosco, Alfonso (the elder) (1543–1588)	58v–59r
De Lamentatione Jeremiae (C64)	Ferrabosco, Alfonso (the elder) (1543–1588)	49v–50v
Decantabat populus Israel alleluia (7vv)	Lassus, Orlande de (ca. 1532–1594)	80v–81r
Derelinquit impius viam suam	Tallis, Thomas (ca. 1505–1585)	24r–24v
Deus venerunt gentes - 1a pars (of 4): Deus venerunt gentes	Byrd, William (ca. 1540–1623)	6r
Deus venerunt gentes - 2a pars (of 4): Posuerunt morticinia	Byrd, William (ca. 1540–1623)	6r–6v
Deus venerunt gentes - 3a pars (of 4): Effuderunt sanguinem	Byrd, William (ca. 1540–1623)	6v–7r
Deus venerunt gentes - 4a pars (of 4): Opprobrium facti sumus	Byrd, William (ca. 1540–1623)	7r–7v
Domine in virtute tua (II) - 1a pars (of 2): Domine in virtute tua	Johnson (I), Robert (ca. 1500–ca. 1560)	29r–29v
Domine in virtute tua (II) - 2a pars (of 2): Magna gloria eius	Johnson (I), Robert (ca. 1500–ca. 1560)	29v–30r
Domine praestolamur - 1a pars (of 2): Domine praestolamur	Byrd, William (ca. 1540–1623)	9v
Domine praestolamur - 2a pars (of 2): Veni Domine	Byrd, William (ca. 1540–1623)	10r
Domine quis habitabit (II) - 2a pars (of 2): Ad nihilum deductus (extract: Qui jurat)	White, Robert (ca. 1538–1574)	99v–100r
Domine quis habitabit - 1a pars (of 2): Domine quis habitabit	Tallis, Thomas (ca. 1505–1585)	22v–23r
Domine quis habitabit - 2a pars (of 2): Ad nihillum deductus	Tallis, Thomas (ca. 1505–1585)	23v–24r
Domine secundum multitudinem dolorum meum	Byrd, William (ca. 1540–1623)	18r
Domine tu jurasti	Byrd, William (ca. 1540–1623)	14r
Dum transisset sabbatum Maria Magdalena	Roose	38v–39r
Dum transisset sabbatum, Maria Magdalene / Aromata emerunt	Tallis, Thomas (ca. 1505–1585)	24v–25r
Ego flos campi et lilium convalium	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	74v–75r
Emendemus - 1a pars (of 2): Emendemus in melius	Byrd, William (ca. 1540–1623)	5v
Emendemus - 2a pars (of 2): Adiuva nos Deus	Byrd, William (ca. 1540–1623)	5v
Exsurge Domine (extract: v4, Verbi tui fulminibus)	Wood, John	91v–92r
Fac cum servo tuo	Byrd, William (ca. 1540–1623)	19r
Fantasia a6 (II) in g minor	Byrd, William (ca. 1540–1623)	67v–68r
Gaude plurimum - 1a pars (of 3): Gaude plurimum	Taverner, John	82v–83r
Gaude plurimum - 2a pars (of 3): Gaude Maria, Jesu mater	Taverner, John	83v–84r
Gaude plurimum - 3a pars (of 3): Eundem igitur Jesum	Taverner, John	84v–85r
Haec dicit Dominus - 1a pars (of 2): Haec dicit Dominus vox in excelsis	Byrd, William (ca. 1540–1623)	17r
Haec dicit Dominus - 2a pars (of 2): Haec dicit Dominus quiescat vox	Byrd, William (ca. 1540–1623)	17v
Heu mihi Domine (I) (C37)	Ferrabosco, Alfonso (the elder) (1543–1588)	49v
In resurrectione tua	Byrd, William (ca. 1540–1623)	14v
Incipit lamentatio Jeremiae [III]: Lamed (6vv - C67)	Ferrabosco, Alfonso (the elder) (1543–1588)	59v–62r
Inclina Domine - 1a pars (of 6): Inclina Domine aurem (C41)	Ferrabosco, Alfonso (the elder) (1543–1588)	55v–56r
Inclina Domine - 4a pars (of 6): In die tribulationis	Ferrabosco, Alfonso (the elder) (1543–1588)	53r
Inclina Domine - 5a pars (of 6): Quoniam magnus es	Ferrabosco, Alfonso (the elder) (1543–1588)	53v–54r
Infelix ego omnium - 1a pars (of 3): Infelix ego omnium	Byrd, William (ca. 1540–1623)	68v–69r
Infelix ego omnium - 1a pars (of 3): Infelix ego omnium	Byrd, William (ca. 1540–1623)	96v–97r
Infelix ego omnium - 2a pars (of 3): Quid igitur faciam	Byrd, William (ca. 1540–1623)	69v–70r
Infelix ego omnium - 3a pars (of 3): Ad te igitur	Byrd, William (ca. 1540–1623)	70v–71r
Ingemuit Susanna (C43)	Ferrabosco, Alfonso (the elder) (1543–1588)	44v–45r
Lamentations (I) : Incipit lamentatio Jeremiae - Aleph - Beth - Convertere Jerusalem	Tallis, Thomas (ca. 1505–1585)	30v–31r
Lamentations (I) a5	White, Robert (ca. 1538–1574)	33r–35r
Lamentations (II): De lamentatione Jeremiae - Gimel - Daleth - Heth - Convertere Jerusalem	Tallis, Thomas (ca. 1505–1585)	31v–32v
Lamentations (III) a6: Peccatum peccavit	White, Robert (ca. 1538–1574)	89v–90r
Laudate Dominum omnes gentes, laudate eum	Tallis, Thomas (ca. 1505–1585)	18v
Laus Deo pax vivis	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	104v
Magnificat O bone Jesu	Fayrfax, Robert (1464–1521)	41v–42r
Magnificat O bone Jesu	Fayrfax, Robert (1464–1521)	88v–89r
Mater Christi sanctissima virgo [= O most holy and mighty Lord]	Taverner, John	38r–38v
Memento Domine	Byrd, William (ca. 1540–1623)	9r
Memento homo quod cinis es	Byrd, William (ca. 1540–1623)	65v–66r
Mirabile mysterium (C47)	Ferrabosco, Alfonso (the elder) (1543–1588)	45v–46r
Miserere mei Deus	Byrd, William (ca. 1540–1623)	7v–8r
Miserere mei Deus - 1a pars (of 2): Miserere mei Deus	White, Robert (ca. 1538–1574)	35v–36v
Miserere mei Deus - 2a pars (of 2): Cor mundum crea	White, Robert (ca. 1538–1574)	36v–37v
Missa Corona spinea: Gloria (extract: Domine Deus agnus Dei)	Taverner, John	102v–103r
Missa Corona spinea: Gloria (extract: Qui tollis I)	Taverner, John	100v–101r
Missa Corona spinea: Gloria (extract: Quoniam tu solus sanctus)	Taverner, John	97v–98r
Missa Corona spinea: Sanctus (extract: Gloria tua)	Taverner, John	102v–103r
Missa Gloria tibi Trinitas: Credo (extract: Crucifixus)	Taverner, John	103v–104r
Missa Gloria tibi Trinitas: Gloria (extract: Qui tollis peccata I)	Taverner, John	97v–98r
Missa Gloria tibi Trinitas: Gloria (extract: Qui tollis peccata I)	Taverner, John	98v–99r
Missa Gloria tibi Trinitas: Sanctus (extract: Gloria tua)	Taverner, John	98v–99r
Missa Puer natus est nobis: Credo	Tallis, Thomas (ca. 1505–1585)	79v–80r
Missa Puer natus est nobis: Gloria	Tallis, Thomas (ca. 1505–1585)	75v–76r
Missa Puer natus est nobis: Sanctus	Tallis, Thomas (ca. 1505–1585)	76v–77r
Missa Small devotion: Credo (extract: Crucifixus etiam pro nobis)	Taverner, John	100v–101r
Musica laeta suum gaudet (C79)	Ferrabosco, Alfonso (the elder) (1543–1588)	43v
Ne irascaris - 1a pars (of 2): Ne irascaris Domine	Byrd, William (ca. 1540–1623)	21v–22r
Ne irascaris - 2a pars (of 2): Civitatis sancti tui	Byrd, William (ca. 1540–1623)	22r–22v
O lux beata trinitas - 1a pars (of 3): O lux beata trinitas et principalis	Byrd, William (ca. 1540–1623)	81v–82r
O quam gloriosum - 1a pars (of 2): O quam gloriosum est regnum	Byrd, William (ca. 1540–1623)	19v
O quam gloriosum - 2a pars (of 2): Benedictio et claritas	Byrd, William (ca. 1540–1623)	20r
O salutaris hostia	Tallis, Thomas (ca. 1505–1585)	25r–25v
O splendor gloriae: (trio: Quae sapientissimae)	Tye, Christopher (ca. 1505–ca. 1573) (?) Taverner, John (?)	96v–97r
Peccantem me quotidie	Ferrabosco, Alfonso (the elder) (1543–1588)	48v
Petrus beatus - 1a pars (of 3): Petrus beatus	Byrd, William (ca. 1540–1623)	12v
Petrus beatus - 2a pars (of 3): Quodcumque vinclis	Byrd, William (ca. 1540–1623)	12v–13r
Petrus beatus - 3a pars (of 3): Gloria Deo - Per immensa saecula	Byrd, William (ca. 1540–1623)	13r
Quod chorus vatum [= Haec Deum coeli ] (v. 4: Tu libens votis petimus)	Tallis, Thomas (ca. 1505–1585)	26v–27r
Rex Christe clementissime (= last two verses of Sermone blando)	Tallis, Thomas (ca. 1505–1585)	28r
Salve intemerata virgo - 1a pars (of 5): Salve intemerata virgo Maria	Tallis, Thomas (ca. 1505–1585)	85v–86r
Salve intemerata virgo - 3a pars (of 5): Tu nimirum	Tallis, Thomas (ca. 1505–1585)	92v–93r
Salve intemerata virgo - 4a pars (of 5): Per haec nos	Tallis, Thomas (ca. 1505–1585)	86v–87r
Salve intemerata virgo Maria	Tallis, Thomas (ca. 1505–1585)	39v–41r
Salve regina (V) - 1a pars (of 4): Salve regina misericordiae	Vaet, Jacobus (ca. 1529–ca. 1567)	62v–63r
Salve regina (V) - 2a pars (of 4): Ad te suspiramus	Vaet, Jacobus (ca. 1529–ca. 1567)	63v–64r
Salve regina (V) - 3a pars (of 4): Et Jesum benedictum	Vaet, Jacobus (ca. 1529–ca. 1567)	64v–65r
Salve regina (V) - 4a pars (of 4): O pia	Vaet, Jacobus (ca. 1529–ca. 1567)	64v–65r
Singularis privilegii	Sheppard, John (ca. 1515–1558)	90v–91r
Sospitati dedit aegros (extract: Ergo laudes Nicholae concinat)	Taverner, John	42v–43r
Sospitati dedit aegros (extract: Ergo laudes Nicholae concinat)	Taverner, John	101v–102r
Surge propera - 1a pars (of 2): Surge propera amica mea columba mea (C57)	Ferrabosco, Alfonso (the elder) (1543–1588)	52r
Surge propera - 2a pars (of 2): Surge propera amica mea formosa mea (C58)	Ferrabosco, Alfonso (the elder) (1543–1588)	52v
Suscipe quaeso Domine - 1a pars (of 2): Suscipe quaeso Domine vocem confitentis	Tallis, Thomas (ca. 1505–1585)	77v–78r
Suscipe quaeso Domine - 2a pars (of 2): Si enim iniquitates recordaberis	Tallis, Thomas (ca. 1505–1585)	78v–79r
Tribulationes civitatum - 1a pars (of 3): Tribulationes civitatum	Byrd, William (ca. 1540–1623)	20v
Tribulationes civitatum - 2a pars (of 3): Timor et hebitudo	Byrd, William (ca. 1540–1623)	20v–21r
Tribulationes civitatum - 3a pars (of 3): Nos enim pro peccatis	Byrd, William (ca. 1540–1623)	21r–21v
Tristis est anima mea usque ad mortem	Lassus, Orlande de (ca. 1532–1594)	1r
Tristitia et anxietas - 1a pars (of 2): Tristitia et anxietas, Domine tu jurasti	Byrd, William (ca. 1540–1623)	10v–11r
Tristitia et anxietas - 2a pars (of 2): Sed tu domine	Byrd, William (ca. 1540–1623)	11r
Tu fabricator omnium [= Jesu Salvator saeculi, v. 2]	Tallis, Thomas (ca. 1505–1585)	26r–26v
Vide domine afflictionem - 1a pars (of 2): Vide domine afflictionem nostram et in tempore	Byrd, William (ca. 1540–1623)	16r
Vide domine afflictionem - 2a pars (of 2): Sed veni domine et noli tardare	Byrd, William (ca. 1540–1623)	16v
Vigilate nescitis enim	Byrd, William (ca. 1540–1623)	14v–15r
Virgo per incertos casus (C80)	Ferrabosco, Alfonso (the elder) (1543–1588)	54v–55r

Images © Bodleian Library, Oxford

Set: TUDOR PARTBOOKS

Type: Project Collection

GB-CF MS D/DP Z6/1

GB-CF MS D/DP Z6/2

GB-Cfm MU MS 1005 (Fayrfax fragments)

GB-Cgc MS 667/760 (Caius Choirbook)

GB-Cjc MS 234 (K.31)

GB-Ckc Rowe 316

GB-Cp MS 31 [Contratenor] (Peterhouse Partbooks: Henrician Set)

GB-Cp MS 32 [Bassus] (Peterhouse Partbooks: Henrician Set)

GB-Cp MS 40 [Triplex] (Peterhouse Partbooks: Henrician Set)

GB-Cp MS 41 [Medius] (Peterhouse Partbooks: Henrician Set)

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GB-Cu Dd.13.27

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GB-Lbl [pr. bk.] Music Library K. 2. f. 1 [Altus]

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GB-Lbl Add. MS 22597

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GB-Lbl Add. MS 30482 (Hamond Partbooks)

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GB-Lbl Add. MS 30484 (Hamond Partbooks)

GB-Lbl R.M.24.d.2 (Baldwin Commonplace Book)

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GB-Lcm [pr. bk.] B187

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GB-Lcm [pr. bk.] B190 [Altus]

No images available

GB-Lcm [pr. bk.] B190 [Bassus]

No images available

GB-Lcm [pr. bk.] B190 [Discantus]

No images available

GB-Lcm [pr. bk.] B190 [Tenor]

GB-Llp MS 1 (Lambeth Choirbook; Arundel Choirbook)

GB-Lna SP I/246

GB-Ob MS. Mus. c. 784 (Willmott Manuscript)

GB-Ob MS. Mus. d. 103

GB-Ob MS. Mus. e. 1 (Sadler Partbooks)

GB-Ob MS. Mus. e. 2 (Sadler Partbooks)

GB-Ob MS. Mus. e. 3 (Sadler Partbooks)

GB-Ob MS. Mus. e. 4 (Sadler Partbooks)

GB-Ob MS. Mus. e. 5 (Sadler Partbooks)

GB-Ob MS. Mus. e. 21

GB-Ob MS. Mus. Sch. e. 376 (Forrest-Heather Partbooks)

GB-Ob MS. Mus. Sch. e. 377 (Forrest-Heather Partbooks)

GB-Ob MS. Mus. Sch. e. 378 (Forrest-Heather Partbooks)

GB-Ob MS. Mus. Sch. e. 379 (Forrest-Heather Partbooks)

GB-Ob MS. Mus. Sch. e. 380 (Forrest-Heather Partbooks)

GB-Ob MS. Mus. Sch. e. 381 (Forrest-Heather Partbooks)

GB-Ob MS. Mus. Sch. e. 420 (Wanley Partbooks)

GB-Ob MS. Mus. Sch. e. 421 (Wanley Partbooks)

GB-Ob MS. Mus. Sch. e. 422 (Wanley Partbooks)

GB-Ob MS. Mus. Sch. e. 423

GB-Ob MS. Tenbury 341

GB-Ob MS. Tenbury 342

GB-Ob MS. Tenbury 343

GB-Ob MS. Tenbury 344

GB-Ob MS. Tenbury 389

No images available

GB-Ob MS. Tenbury 807

No images available

GB-Ob MS. Tenbury 808

No images available

GB-Ob MS. Tenbury 809

No images available

GB-Ob MS. Tenbury 810

No images available

GB-Ob MS. Tenbury 811

No images available

GB-Ob MS. Tenbury 1382 (Southwell Tenor Book)

GB-Ob MS. Tenbury 1464

GB-Ob MS. Tenbury 1486 (Braikenridge Manuscript)

No images available

GB-Och Mus. 45

GB-Och Mus. 979 (Baldwin Partbooks)

GB-Och Mus. 980 (Baldwin Partbooks)

GB-Och Mus. 981 (Baldwin Partbooks)

GB-Och Mus. 982 (Baldwin Partbooks)

GB-Och Mus. 983 (Baldwin Partbooks)

GB-Och Mus. 984 (Dow Partbooks)

GB-Och Mus. 985 (Dow Partbooks)

GB-Och Mus. 986 (Dow Partbooks)

GB-Och Mus. 987 (Dow Partbooks)

GB-Och Mus. 988 (Dow Partbooks)

GB-Odiamm Contratenor partbook in private ownership (contact DIAMM)

GB-W X4/34/3 (Fayrfax fragments)

GB-WCc MS 153 Bassus (Winchester Partbooks)

GB-WCc MS 153 Contra Altus (Winchester Partbooks)

GB-WCc MS 153 Discantus (Winchester Partbooks)

GB-WCc MS 153 Tenor (Winchester Partbooks)

GB-WRec MS 178 (Eton Choirbook)

No images available

IRL-Dm [pr. bk.] Z4. 3. 1-5

No images available

IRL-Dtc [pr. bk.] OLS. 192. n. 40 [Altus]

No images available

IRL-Dtc [pr. bk.] OLS. 192. n. 40 [Bassus]

No images available

IRL-Dtc [pr. bk.] OLS. 192. n. 40 [Discantus]

No images available

IRL-Dtc [pr. bk.] OLS. 192. n. 40 [Superius (Quintus)]

No images available

IRL-Dtc [pr. bk.] OLS. 192. n. 40 [Tenor]

No images available

US-NYp Mus. Res. *MNZ (Chirk) [1] (Chirk Castle Partbooks)

No images available

US-NYp Mus. Res. *MNZ (Chirk) [2] (Chirk Castle Partbooks)

No images available

US-NYp Mus. Res. *MNZ (Chirk) [3] (Chirk Castle Partbooks)

No images available

US-NYp Mus. Res. *MNZ (Chirk) [4] (Chirk Castle Partbooks)

US-NYp Mus. Res. Drexel 4180

US-NYp Mus. Res. Drexel 4181

No images available

US-NYp Mus. Res. Drexel 4182

US-NYp Mus. Res. Drexel 4183

US-NYp Mus. Res. Drexel 4184

US-NYp Mus. Res. Drexel 4185

US-Ws V.a. 408

Set: Paston Manuscripts

Type: Linked by Origin or Contents

GB-CF MS D/DP Z6/1

GB-CF MS D/DP Z6/2

No images available

GB-Lbl [pr. bk.] Music Library K. 2. f. 1 [Altus]

No images available

GB-Lbl [pr. bk.] Music Library K. 2. f. 1 [Discantus]

No images available

GB-Lbl [pr. bk.] Music Library K. 2. f. 1 [Medius]

No images available

GB-Lbl [pr. bk.] Music Library K. 2. f. 1 [Tenor]

No images available

No images available

No images available

No images available

GB-Lbl Add. MS 29246 (Paston MS)

GB-Lbl Add. MS 29247 (Paston MS)

No images available

No images available

No images available

No images available

No images available

No images available

No images available

No images available

No images available

No images available

No images available

No images available

No images available

No images available

No images available

No images available

No images available

No images available

No images available

No images available

No images available

No images available

No images available

No images available

No images available

GB-Lbl Madrigal Society G. 9

No images available

GB-Lbl Madrigal Society G. 10

No images available

GB-Lbl Madrigal Society G. 11

No images available

GB-Lbl Madrigal Society G. 12

No images available

GB-Lbl Madrigal Society G. 13

No images available

GB-Lbl Madrigal Society G. 14

No images available

GB-Lbl Madrigal Society G. 15

No images available

GB-Lbl Madrigal Society G. 16

No images available

GB-Lbl Madrigal Society G. 17

No images available

GB-Lbl Madrigal Society G. 18

No images available

GB-Lbl Madrigal Society G. 19

No images available

GB-Lbl Madrigal Society G. 20

No images available

GB-Lbl Madrigal Society G. 21

No images available

GB-Lbl Madrigal Society G. 22

No images available

GB-Lbl Madrigal Society G. 23

No images available

GB-Lbl Madrigal Society G. 24

No images available

GB-Lbl Madrigal Society G. 25

No images available

GB-Lbl Madrigal Society G. 26

No images available

GB-Lbl Madrigal Society G. 27

No images available

GB-Lcm MS 2035 [Altus]

No images available

GB-Lcm MS 2035 [Bassus]

No images available

GB-Lcm MS 2035 [Discantus]

No images available

GB-Lcm MS 2036 [Altus]

No images available

GB-Lcm MS 2036 [Bassus]

No images available

GB-Lcm MS 2036 [Discantus]

No images available

GB-Lcm MS 2041

GB-Ob MS. Tenbury 341

GB-Ob MS. Tenbury 342

GB-Ob MS. Tenbury 343

GB-Ob MS. Tenbury 344

No images available

GB-Ob MS. Tenbury 349

No images available

GB-Ob MS. Tenbury 350

No images available

GB-Ob MS. Tenbury 351

No images available

GB-Ob MS. Tenbury 352

No images available

GB-Ob MS. Tenbury 353

No images available

GB-Ob MS. Tenbury 354

No images available

GB-Ob MS. Tenbury 355

No images available

GB-Ob MS. Tenbury 356

No images available

GB-Ob MS. Tenbury 357

No images available

GB-Ob MS. Tenbury 358

No images available

GB-Ob MS. Tenbury 359

No images available

GB-Ob MS. Tenbury 360

No images available

GB-Ob MS. Tenbury 361

No images available

GB-Ob MS. Tenbury 362

No images available

GB-Ob MS. Tenbury 363

No images available

GB-Ob MS. Tenbury 369

No images available

GB-Ob MS. Tenbury 370

No images available

GB-Ob MS. Tenbury 371

No images available

GB-Ob MS. Tenbury 372

No images available

GB-Ob MS. Tenbury 373

No images available

GB-Ob MS. Tenbury 374

No images available

GB-Ob MS. Tenbury 375

No images available

GB-Ob MS. Tenbury 376

No images available

GB-Ob MS. Tenbury 377

No images available

GB-Ob MS. Tenbury 378

No images available

GB-Ob MS. Tenbury 1469 (Harmsworth Manuscript)

No images available

GB-Ob MS. Tenbury 1470 (Harmsworth Manuscript)

No images available

GB-Ob MS. Tenbury 1471 (Harmsworth Manuscript)

No images available

US-Ws V.a. 405

No images available

US-Ws V.a. 406

No images available

US-Ws V.a. 407

Set: MSS Tenbury 341-344

Type: Partbooks

GB-Ob MS. Tenbury 341

GB-Ob MS. Tenbury 342

GB-Ob MS. Tenbury 343

GB-Ob MS. Tenbury 344

‡ denotes primary source study

Charteris, Richard (editor). 1984. Alfonso Ferrabosco the Elder (1543-1588): Opera Omnia. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: I,xv-xviii; II,xii-xiv, 16-9,179-80,186-90,197-201; III.xv. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Charteris, Richard. 1984. Alfonso Ferrabosco the Elder (1543-1588): A Thematic Catalogue of his Music with a Biographical Calendar. New York. Pages: 57ff,193. Notes: contents list (partial); concordances (partial).

Daniel, Ralph T, and Peter Le Huray. 1972. The Sources of English Church Music 1549-1660. Early English Church Music. London. Notes: contents list (partial); concordances (partial).

Bray, Roger W. 1970-71. The Interpretation of Musica Ficta in English Music C.1490-C.1580. Proceedings of the Royal Musical Association, 29-45. Pages: 41-4. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Bray, Roger W. 1969. The Interpretation of Musica Ficta in English Music, C. 1490-C. 1580 [dissertation]. Oxford University, Unpublished Ph.D. dissertation. Pages: I, 141-55, 169-84; II, 60-8, 76-85. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Brett, Philip. 1965. The Songs of William Byrd. Cambridge University, Unpublished Ph.D. dissertation. Pages: 200, 272. Notes: physical description (partial); contents list (partial); concordances (partial).

Brett, Philip. 1964-68. Edward Paston (1550-1630): A Norfolk Gentleman and His Musical Collection. Transactions of the Cambridge Bibliographical Society, 51-69. Pages: 57-61, 69, plate VIIIb. Notes: physical description (partial); contents list (partial); concordances (partial); facsimile (partial); mention of MS; discussion.

Harrison, Frank Llewellyn (editor). 1963-. Early English Church Music. London: Stainer & Bell. Pages: XXVIII.125,130; XXIX,129,132-3; XXX,75-90,177,186. Notes: physical description (partial); contents list (partial); concordances (partial); transcriptions (partial).

Lamont, Herbert Harry. 1963. John Shepherd: His Life and Music. University of Southern California, Unpublished Ph.D. dissertation. Pages: I, 117, 222, 226. Notes: physical description (partial); contents list (partial); concordances (partial).

Kerman, Joseph. 1961. Byrd's Motets: Chronology and Canon. Journal of the American Musicological Society, 359-82. Pages: 369-70. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Fellowes, Edmund H. 1948. William Byrd. London, New York, and Toronto. Pages: 99, 112-3, opp. 142, 143, 192. Notes: mention of MS; contents list (partial); concordances (partial); facsimile (partial).

Fellowes, Edmund H (editor). 1937-50, 1962. The Collected Works of William Byrd. Pages: XVII, 53-62, 151, 157. Notes: mention of MS; contents list (partial); concordances (partial); transcriptions (partial).

Fellowes, Edmund H. 1934. The Catalogue of Manuscripts in the Library of St. Michael's College Tenbury. Paris. Pages: 56-9. Notes: physical description (partial); contents list.

Fellowes, Edmund H (editor). 1923-48. Tudor Church Music. London, Oxford et al. Pages: I, xxx, lx-lxiii; II, xxv, xxxiv; III, xviii-xix; V, xx, xxiii; VI, xxv-xxxii, passim; IX, xii, xiv; X, 235. Notes: physical description (partial); contents list (partial); concordances (partial); transcriptions (partial).

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Edward Tambling

Wednesday, 10 February, 2021

Identification of the 2 verses of Sheppard's 'Aeternae Rex altissime' at foot of facing folios, her identified (at end of Gloria Patri) as by Tallis

Edward Tambling

Friday, 5 February, 2021

Notified of identification of 'Rex Christe clementissime' on f. 28r as last two verses of Tallis's 'Sermone blando'.

Edward Tambling

Thursday, 2 July, 2020

Extract at f. 100v-101 'Missa Corona spinea, extract c: Qui tollis' confirmed as from the Gloria (not Agnus Dei)

DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Watermark Note; Notation Note; Ruling Note; Foliation Note; Decoration Note; Contents Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description