GB-Ob MS. Tenbury 343

Bodleian Library, Oxford, England

partbook: Early 17th century

Archive	Bodleian Library, Oxford, England (GB-Ob)
Shelfmark	MS. Tenbury 343
Surface	Paper
Numbering System	Foliation
Format	portrait
Measurements	221 x 169 mm
Other Identifiers	CCM: OxfBT 341-4
Relationships	St Michael's College (owner) Ouseley, Sir Frederick Gore (1825–1889) (owner) Lygon, Frederick (1830–1891) (owner) Paston, Edward (1550–1630) (patron)
External Links	online catalogue entry
Provenance	Norfolk, England
Contents	114 pieces from 15 composers

General Description

A 'Contratenor' (Altus) partbook from a set of five(?) volumes. One main repertorial layer, with two additional layers: (1) three motets added at beginning of all books except Discantus; (2) 21 pieces for three and four voices added on new ff. 81 '104' of Quintus/Sextus book, copied in choirbook format (i.e., all voices present). Copied by a single scribe, employed by Edward Paston (1550-1630) of Norfolk, a country gentleman and collector of music. Later owned by Frederick Lygon, 6th Earl Beauchamp (1830-91) and by Sir Frederick Ouseley (1825-89), founder of St. Michael's College (near Tenbury, Worcester). Bequeathed to St. Michael's College by Ouseley; deposited in Bodleian Library in 1979.

DIAMM, 2017

Binding

Original covers of dark brown leather on cardboard, tooled in gold with ornamental designs, voice designations, and 'EDWARDUS PASTON.

DIAMM, 2017

Watermark

grape cluster (not in Briquet or Heawood)

DIAMM, 2017

Notation

not indicated

DIAMM, 2017

Ruling

Staff height 12.5

DIAMM, 2017

Foliation

Original ink foliation 1-64; modern pencil foliation 1-65 includes some folios not numbered by original foliation.

DIAMM, 2017

Decoration

A few inked calligraphic initials and plain inked initials; no other decoration

DIAMM, 2017

Index

Original indices on first original flyleaf at back of each book include all pieces in main layer, grouped by number of voices. Six- and 7-voice pieces listed in order of appearance; 5-voice pieces grouped alphabetically by first letter of text, with subgrouping under each letter by order of appearance.

DIAMM, 2017

Surface

paper

DIAMM, 2017

DIAMM Note

Digitized with funding from the Arts and Humanities Research Council (UK) for the Tudor Partbooks project at the Universities of Oxford and Newcastle.

DIAMM, 2023

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

10 Mass Ordinary sections, 1 Magnificat, 7 hymns, 5 Lamentations, 72 motets, 2 anthems, 2 Latin secular pieces, 1 Fantasia = 100 + 1 duplicate = 101

Byrd-27, Byrd/Taverner-1,* Clemens non Papa-2, Fayrfax-2, A. Ferrabosco I-21, R.Johnson I-2, Lassus-3, Meiland-1, Parsley-1, Roose-1, Shepherd-1, Tallis-19, Tallis/(Shepherd)-1, Taverner-11, (Tye)-1, Vaet-1, R. White-4, Wood-1

*Motet "Infelix ego" in all four partbooks, attributed to Byrd. Pars I copied again on new ff. 96'-97 of Q/S book, incorrectly attributed to Taverner.

4 paper partbooks of an original 5? (D-v + 62 + ii + i folios, A-ii + iii + 64 + ii + i, T-ii + iii + 65 + ii + i, Q/S-ii + ii + 104 + ii + i), 221 x 169. Original ink foliation (D: 1-62; A: 1-61; T: 1-64; Q/S: 1-77); modern pencil foliation in all books except D (A: 1-64; T: 1-65; Q/S: 1-104) includes some folios not numbered by original foliation. Original covers of dark brown leather on cardboard, tooled in gold with ornamental designs, voice designations, and "EDWARDUS PASTON." Original indices on first original flyleaf at back of each book include all pieces in main layer, grouped by number of voices. Six- and 7-voice pieces listed in order of appearance; 5-voice pieces grouped alphabetically by first letter of text, with subgrouping under each letter by order of appearance.

One main repertorial layer, with two additional layers: (1) three motets added at beginning of all books except D; (2) 21 pieces for three and four voices added on new ff. 81 '104' of Q/S book, copied in choirbook format (i.e., all voices present in Q/S book). Copied by a single scribe, employed by Edward Paston (see BrettEP for list of other books in the same hand and for discussion of related manuscripts from Paston's circle). Staff height 12.5. A few inked calligraphic initials and plain inked initials; no other decoration. Watermark: grape cluster (not in Briquet or Heawood).

Early 17th Century. Of English provenance; originated in the household of Edward Paston (1550-1630) of Norfolk, a country gentleman and collector of music. Later owned by Frederick Lygon, 6th Earl Beauchamp (1830-91) and by Sir Frederick Ouseley (1825-89), founder of St. Michael's College (near Tenbury, Worcester). Bequeathed to St. Michael's College by Ouseley; deposited in Bodleian Library in 1979.

Vol 4

Contents: Change "72 motets" to "73 motets"; change total number of pieces from "100 + 1 duplicate = 101" to "101 + 1 duplicate = 102."

Composers: Change "A. Ferrabosco I-21" to "A. Ferrabosco I-22."

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
1r	Tristis est anima mea usque ad mortem	Orlando	Lassus, Orlande de (ca. 1532–1594)
Tristis est anima mea usque ad mortem Lassus, Orlande de (ca. 1532–1594) Appears on: 1r Genres: Motet Source Attribution: Orlando Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Tristis est anima mea General Note Annotations/Corrections: +' in margin before first line of music;
1v	Benedixisti Domine - 1a pars (of 2): Benedixisti Domine terram tuam avertisti	Jacobus Meilandus	Meiland, Jacob (1542–1577)
Benedixisti Domine - 1a pars (of 2): Benedixisti Domine terram tuam avertisti Meiland, Jacob (1542–1577) Appears on: 1v Genres: Motet Source Attribution: Jacobus Meilandus Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Benedixisti Domine General Note Annotations/Corrections: Secunda / pars' on top of f. 2.;
2r	Benedixisti Domine - 2a pars (of 2): Converte nos Deus salutaris noster	-	Meiland, Jacob (1542–1577)
Benedixisti Domine - 2a pars (of 2): Converte nos Deus salutaris noster Meiland, Jacob (1542–1577) Appears on: 2r Genres: Motet
2v	Ave regina caelorum (II) (6vv)	Orlando	Lassus, Orlande de (ca. 1532–1594)
Ave regina caelorum (II) (6vv) Lassus, Orlande de (ca. 1532–1594) Appears on: 2v Genres: Ave regina caelorum, Motet Source Attribution: Orlando Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Ave Regina cæloru[m]
3r	[blank page]	-	-
[blank page] Appears on: 3r General Note Annotations/Corrections: foll. 1' in top outer corner;
3v	Emendemus - 1a pars (of 2): Emendemus in melius	-	Byrd, William (ca. 1540–1623)
Emendemus - 1a pars (of 2): Emendemus in melius Byrd, William (ca. 1540–1623) Appears on: 3v Genres: Motet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Emendemus in melius
3v	Emendemus - 2a pars (of 2): Adiuva nos Deus	-	Byrd, William (ca. 1540–1623)
Emendemus - 2a pars (of 2): Adiuva nos Deus Byrd, William (ca. 1540–1623) Appears on: 3v Genres: Motet
4r	Deus venerunt gentes - 1a pars (of 4): Deus venerunt gentes	Mr Byrde	Byrd, William (ca. 1540–1623)
Deus venerunt gentes - 1a pars (of 4): Deus venerunt gentes Byrd, William (ca. 1540–1623) Appears on: 4r Genres: Motet Source Attribution: Mr Byrde Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Deus deus venerunt gentes General Note Annotations/Corrections: Secunda pars' at end of fourth line on f. 4; 'Tertia pars' at end of fifth line on f. 4v; 'Quarta pars' in fifth line on f. 5;
4r–4v	Deus venerunt gentes - 2a pars (of 4): Posuerunt morticinia	-	Byrd, William (ca. 1540–1623)
Deus venerunt gentes - 2a pars (of 4): Posuerunt morticinia Byrd, William (ca. 1540–1623) Appears on: 4r–4v Genres: Motet
4v–5r	Deus venerunt gentes - 3a pars (of 4): Effuderunt sanguinem	-	Byrd, William (ca. 1540–1623)
Deus venerunt gentes - 3a pars (of 4): Effuderunt sanguinem Byrd, William (ca. 1540–1623) Appears on: 4v–5r Genres: Motet
5r–5v	Deus venerunt gentes - 4a pars (of 4): Opprobrium facti sumus	-	Byrd, William (ca. 1540–1623)
Deus venerunt gentes - 4a pars (of 4): Opprobrium facti sumus Byrd, William (ca. 1540–1623) Appears on: 5r–5v Genres: Motet
5v–6r	Miserere mei Deus	Mr Byrde	Byrd, William (ca. 1540–1623)
Miserere mei Deus Byrd, William (ca. 1540–1623) Appears on: 5v–6r Genres: Miserere mei Deus, Motet Source Attribution: Mr Byrde Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Miserere
6r–6v	Circumdederunt me dolores mortis	Mr Byrde	Byrd, William (ca. 1540–1623)
Circumdederunt me dolores mortis Byrd, William (ca. 1540–1623) Appears on: 6r–6v Genres: Motet Source Attribution: Mr Byrde Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Circundederunt me
7r	Memento Domine	-	Byrd, William (ca. 1540–1623)
Memento Domine Byrd, William (ca. 1540–1623) Appears on: 7r Genres: Motet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Memento domine
7v	Domine praestolamur - 1a pars (of 2): Domine praestolamur	Mr Byrde	Byrd, William (ca. 1540–1623)
Domine praestolamur - 1a pars (of 2): Domine praestolamur Byrd, William (ca. 1540–1623) Appears on: 7v Genres: Motet Source Attribution: Mr Byrde Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Domine prestolamur General Note Annotations/Corrections: .2. ps.' on f. 8.;
8r	Domine praestolamur - 2a pars (of 2): Veni Domine	-	Byrd, William (ca. 1540–1623)
Domine praestolamur - 2a pars (of 2): Veni Domine Byrd, William (ca. 1540–1623) Appears on: 8r Genres: Motet
8v–9r	Tristitia et anxietas - 1a pars (of 2): Tristitia et anxietas, Domine tu jurasti	Mr Byrde	Byrd, William (ca. 1540–1623)
Tristitia et anxietas - 1a pars (of 2): Tristitia et anxietas, Domine tu jurasti Byrd, William (ca. 1540–1623) Appears on: 8v–9r Genres: Motet Source Attribution: Mr Byrde Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Tristitia tristitia et anxietas General Note Annotations/Corrections: Secunda pars' on f. 9 second line.;
9r	Tristitia et anxietas - 2a pars (of 2): Sed tu domine	-	Byrd, William (ca. 1540–1623)
Tristitia et anxietas - 2a pars (of 2): Sed tu domine Byrd, William (ca. 1540–1623) Appears on: 9r Genres: Motet
9v	Aspice Domine de sede (5vv) - 1a pars (of 2): Aspice Domine de sede sancta	Mr Byrde	Byrd, William (ca. 1540–1623)
Aspice Domine de sede (5vv) - 1a pars (of 2): Aspice Domine de sede sancta Byrd, William (ca. 1540–1623) Appears on: 9v Genres: Motet Source Attribution: Mr Byrde Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Aspice domine General Note Notes: Rs (sign for Responsory) at the beginning; 'V[er]sus' on f. 10.;
10r	Aspice Domine de sede (5vv) - 2a pars (of 2): Respice domine	-	Byrd, William (ca. 1540–1623)
Aspice Domine de sede (5vv) - 2a pars (of 2): Respice domine Byrd, William (ca. 1540–1623) Appears on: 10r Genres: Motet
10v	Petrus beatus - 1a pars (of 3): Petrus beatus	Mr Byrde	Byrd, William (ca. 1540–1623)
Petrus beatus - 1a pars (of 3): Petrus beatus Byrd, William (ca. 1540–1623) Appears on: 10v Genres: Motet Source Attribution: Mr Byrde Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Petrus beatus General Note Annotations/Corrections: .2. .ps. On f. 10v sixth line; 'Tertia pars' on f. 11 third line.;
10v–11r	Petrus beatus - 2a pars (of 3): Quodcumque vinclis	-	Byrd, William (ca. 1540–1623)
Petrus beatus - 2a pars (of 3): Quodcumque vinclis Byrd, William (ca. 1540–1623) Appears on: 10v–11r Genres: Motet
11r	Petrus beatus - 3a pars (of 3): Gloria Deo - Per immensa saecula	-	Byrd, William (ca. 1540–1623)
Petrus beatus - 3a pars (of 3): Gloria Deo - Per immensa saecula Byrd, William (ca. 1540–1623) Appears on: 11r Genres: Motet
11v	Apparebit in finem	Mr Byrde	Byrd, William (ca. 1540–1623)
Apparebit in finem Byrd, William (ca. 1540–1623) Appears on: 11v Genres: Motet Source Attribution: Mr Byrde Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Apparebit in finem
12r	Domine tu jurasti	Mr Byrde	Byrd, William (ca. 1540–1623)
Domine tu jurasti Byrd, William (ca. 1540–1623) Appears on: 12r Genres: Motet Source Attribution: Mr Byrde Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Domine tu iurasti
12v	In resurrectione tua	Mr Byrde	Byrd, William (ca. 1540–1623)
In resurrectione tua Byrd, William (ca. 1540–1623) Appears on: 12v Genres: Motet Source Attribution: Mr Byrde Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: In resurrexione tua General Note Annotations/Corrections: Correction of a ligature on f. 12v second line.;
12v–13r	Vigilate nescitis enim	Mr Byrde	Byrd, William (ca. 1540–1623)
Vigilate nescitis enim Byrd, William (ca. 1540–1623) Appears on: 12v–13r Source Attribution: Mr Byrde Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Vigilate vigilate nescites enim
13v	Audivi vocem de caelo	Mr Byrde	Byrd, William (ca. 1540–1623)
Audivi vocem de caelo Byrd, William (ca. 1540–1623) Appears on: 13v Genres: Motet Source Attribution: Mr Byrde Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Audiui vocem
14r	Vide domine afflictionem - 1a pars (of 2): Vide domine afflictionem nostram et in tempore	Mr Byrde	Byrd, William (ca. 1540–1623)
Vide domine afflictionem - 1a pars (of 2): Vide domine afflictionem nostram et in tempore Byrd, William (ca. 1540–1623) Appears on: 14r Genres: Motet Source Attribution: Mr Byrde Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Vide domine General Note Annotations/Corrections: Secunda pars' on f. 14v.;
14v	Vide domine afflictionem - 2a pars (of 2): Sed veni domine et noli tardare	-	Byrd, William (ca. 1540–1623)
Vide domine afflictionem - 2a pars (of 2): Sed veni domine et noli tardare Byrd, William (ca. 1540–1623) Appears on: 14v Genres: Motet
15r	Haec dicit Dominus - 1a pars (of 2): Haec dicit Dominus vox in excelsis	Mr Byrde	Byrd, William (ca. 1540–1623)
Haec dicit Dominus - 1a pars (of 2): Haec dicit Dominus vox in excelsis Byrd, William (ca. 1540–1623) Appears on: 15r Genres: Motet Source Attribution: Mr Byrde Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Hæc dicit dominus General Note Annotations/Corrections: Secunda pars' on f. 15v.;
15v	Haec dicit Dominus - 2a pars (of 2): Haec dicit Dominus quiescat vox	-	Byrd, William (ca. 1540–1623)
Haec dicit Dominus - 2a pars (of 2): Haec dicit Dominus quiescat vox Byrd, William (ca. 1540–1623) Appears on: 15v Genres: Motet
16r	Domine secundum multitudinem dolorum meum	Mr Byrde	Byrd, William (ca. 1540–1623)
Domine secundum multitudinem dolorum meum Byrd, William (ca. 1540–1623) Appears on: 16r Genres: Motet Source Attribution: Mr Byrde Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Domine secundu[m] multitudinem
16v	Laudate Dominum omnes gentes, laudate eum	Mr Tallis	Tallis, Thomas (ca. 1505–1585)
Laudate Dominum omnes gentes, laudate eum Tallis, Thomas (ca. 1505–1585) Appears on: 16v Genres: Motet Source Attribution: Mr Tallis Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Laudate dominu[m]
17r	Fac cum servo tuo	-	Byrd, William (ca. 1540–1623)
Fac cum servo tuo Byrd, William (ca. 1540–1623) Appears on: 17r Genres: Motet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Fac cum servo tuo
17v	O quam gloriosum - 1a pars (of 2): O quam gloriosum est regnum	Mr Byrde	Byrd, William (ca. 1540–1623)
O quam gloriosum - 1a pars (of 2): O quam gloriosum est regnum Byrd, William (ca. 1540–1623) Appears on: 17v Genres: Motet Source Attribution: Mr Byrde Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: O quam gloriosu[m] General Note Annotations/Corrections: Secunda pars' on f. 18.;
18r	O quam gloriosum - 2a pars (of 2): Benedictio et claritas	-	Byrd, William (ca. 1540–1623)
O quam gloriosum - 2a pars (of 2): Benedictio et claritas Byrd, William (ca. 1540–1623) Appears on: 18r Genres: Motet
18v	Tribulationes civitatum - 1a pars (of 3): Tribulationes civitatum	-	Byrd, William (ca. 1540–1623)
Tribulationes civitatum - 1a pars (of 3): Tribulationes civitatum Byrd, William (ca. 1540–1623) Appears on: 18v Genres: Motet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Tribulationes ciuitatu[m] General Note Annotations/Corrections: Secunda pars' on f. 18v sixth line; 'Tertia pars' on f. 19 sixth line.;
18v–19r	Tribulationes civitatum - 2a pars (of 3): Timor et hebitudo	-	Byrd, William (ca. 1540–1623)
Tribulationes civitatum - 2a pars (of 3): Timor et hebitudo Byrd, William (ca. 1540–1623) Appears on: 18v–19r Genres: Motet
19r–19v	Tribulationes civitatum - 3a pars (of 3): Nos enim pro peccatis	-	Byrd, William (ca. 1540–1623)
Tribulationes civitatum - 3a pars (of 3): Nos enim pro peccatis Byrd, William (ca. 1540–1623) Appears on: 19r–19v Genres: Motet
19v–20r	Ne irascaris - 1a pars (of 2): Ne irascaris Domine	Mr Byrde	Byrd, William (ca. 1540–1623)
Ne irascaris - 1a pars (of 2): Ne irascaris Domine Byrd, William (ca. 1540–1623) Appears on: 19v–20r Genres: Motet Source Attribution: Mr Byrde Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Ne Irascaris domine General Note Annotations/Corrections: Secunda pars' on f. 20 fifth line.;
20r–20v	Ne irascaris - 2a pars (of 2): Civitatis sancti tui	-	Byrd, William (ca. 1540–1623)
Ne irascaris - 2a pars (of 2): Civitatis sancti tui Byrd, William (ca. 1540–1623) Appears on: 20r–20v Genres: Motet
20v–21r	Domine quis habitabit - 1a pars (of 2): Domine quis habitabit	Mr Tallis	Tallis, Thomas (ca. 1505–1585)
Domine quis habitabit - 1a pars (of 2): Domine quis habitabit Tallis, Thomas (ca. 1505–1585) Appears on: 20v–21r Genres: Motet Source Attribution: Mr Tallis Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Domine quis habitabit General Note Annotations/Corrections: Secunda pars' on f. 21v.;
21v–22r	Domine quis habitabit - 2a pars (of 2): Ad nihillum deductus	-	Tallis, Thomas (ca. 1505–1585)
Domine quis habitabit - 2a pars (of 2): Ad nihillum deductus Tallis, Thomas (ca. 1505–1585) Appears on: 21v–22r Genres: Motet
22r–22v	Derelinquit impius viam suam	Mr Tallis	Tallis, Thomas (ca. 1505–1585)
Derelinquit impius viam suam Tallis, Thomas (ca. 1505–1585) Appears on: 22r–22v Source Attribution: Mr Tallis Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Derelinquit impius
22v–23r	Dum transisset sabbatum, Maria Magdalene / Aromata emerunt	Mr Tallis	Tallis, Thomas (ca. 1505–1585)
Dum transisset sabbatum, Maria Magdalene / Aromata emerunt Tallis, Thomas (ca. 1505–1585) Appears on: 22v–23r Genres: Motet Source Attribution: Mr Tallis Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Sabbathu[m] Maria General Note Notes: Signum congruentiae on f. 23 first and second line.;
23r–23v	O salutaris hostia	Mr Tallis	Tallis, Thomas (ca. 1505–1585)
O salutaris hostia Tallis, Thomas (ca. 1505–1585) Appears on: 23r–23v Genres: Motet Source Attribution: Mr Tallis Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: O salutaris hostia
23v–24r	[Salvator mundi Domine] Adesto nunc propitius	Mr Tallis	Tallis, Thomas (ca. 1505–1585)
[Salvator mundi Domine] Adesto nunc propitius Tallis, Thomas (ca. 1505–1585) Appears on: 23v–24r Source Attribution: Mr Tallis Voice: [no designation] Languages: Latin Mensuration: c-dot Clef: c3 Voice Text: Adesto nunc propicius General Note Notes: Time signature changes to C-cut on f. 23v last line; NG: 'Even-numbered verses only; c.f. chant; hymn for Compline, Vigil of Nativity and various other seasons';
24r–24v	Tu fabricator omnium [= Jesu Salvator saeculi, v. 2]	-	Tallis, Thomas (ca. 1505–1585)
Tu fabricator omnium [= Jesu Salvator saeculi, v. 2] Tallis, Thomas (ca. 1505–1585) Appears on: 24r–24v Genres: Contrafactum, Motet Voice: [no designation] Languages: Latin Mensuration: c-dot Clef: c3 Voice Text: Tu fabricator omniu[m]
24v	Quod chorus vatum [= Haec Deum coeli ] (v. 4: Tu libens votis petimus)	-	Tallis, Thomas (ca. 1505–1585)
Quod chorus vatum [= Haec Deum coeli ] (v. 4: Tu libens votis petimus) Tallis, Thomas (ca. 1505–1585) Appears on: 24v Genres: Anthem Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Tu libens votis petimus
24v–25r	[Iam Christus astra] (v. 2) Solemnis urgebat dies	Mr Tallis	Tallis, Thomas (ca. 1505–1585)
[Iam Christus astra] (v. 2) Solemnis urgebat dies Tallis, Thomas (ca. 1505–1585) Appears on: 24v–25r Genres: Hymn Source Attribution: Mr Tallis Voice: [no designation] Languages: Latin Mensuration: c-dot Clef: c3 Voice Text: Solemnis urgebat dies
25v	[Deus tuorum militum (II)] (v. 2) Hic nempe mundi	-	Sheppard, John (ca. 1515–1558)
[Deus tuorum militum (II)] (v. 2) Hic nempe mundi Sheppard, John (ca. 1515–1558) Appears on: 25v Genres: Hymn Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Hic nempe mu[n]di
25v–26r	Aeterne rex altissime, v.2: Scandens tribunal dexterae patris	-	Tallis, Thomas (ca. 1505–1585) (?) Sheppard, John (ca. 1515–1558) (?)
Aeterne rex altissime, v.2: Scandens tribunal dexterae patris Tallis, Thomas (ca. 1505–1585) (?) Sheppard, John (ca. 1515–1558) (?) Appears on: 25v–26r Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Gloria tibi Domine General Note Notes: no mensural sign at the beginning but cut-C for the 'Amen' section.; Layout the first polyphonic verse (i.e. second verse of hymn) at bottom of 25v, the other verse at bottom of 26r (with attribution to Tallis)
26r	Rex Christe clementissime (= last two verses of Sermone blando)	-	Tallis, Thomas (ca. 1505–1585)
Rex Christe clementissime (= last two verses of Sermone blando) Tallis, Thomas (ca. 1505–1585) Appears on: 26r Genres: Motet Voice: [no designation] Languages: Latin Mensuration: rev-cut-c Clef: c3 Voice Text: Rex Christe clementissime
26v	Amavit eum Dominus	-	Tye, Christopher (ca. 1505–ca. 1573) (?)
Amavit eum Dominus Tye, Christopher (ca. 1505–ca. 1573) (?) Appears on: 26v Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Amavit General Note Notes: Only incipit;
27r–27v	Domine in virtute tua (II) - 1a pars (of 2): Domine in virtute tua	Mr Johnson	Johnson (I), Robert (ca. 1500–ca. 1560)
Domine in virtute tua (II) - 1a pars (of 2): Domine in virtute tua Johnson (I), Robert (ca. 1500–ca. 1560) Appears on: 27r–27v Genres: Motet Source Attribution: Mr Johnson Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Domine in virtute tua General Note Annotations/Corrections: Secunda pars' on f. 27v fourth line.;
27v–28r	Domine in virtute tua (II) - 2a pars (of 2): Magna gloria eius	-	Johnson (I), Robert (ca. 1500–ca. 1560)
Domine in virtute tua (II) - 2a pars (of 2): Magna gloria eius Johnson (I), Robert (ca. 1500–ca. 1560) Appears on: 27v–28r Genres: Motet
28v–29r	Lamentations (I) : Incipit lamentatio Jeremiae - Aleph - Beth - Convertere Jerusalem	Mr Tallis	Tallis, Thomas (ca. 1505–1585)
Lamentations (I) : Incipit lamentatio Jeremiae - Aleph - Beth - Convertere Jerusalem Tallis, Thomas (ca. 1505–1585) Appears on: 28v–29r Genres: Lamentations, Motet Source Attribution: Mr Tallis Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Incipit lamentatio Ieremie prophete
29v–30v	Lamentations (II): De lamentatione Jeremiae - Gimel - Daleth - Heth - Convertere Jerusalem	-	Tallis, Thomas (ca. 1505–1585)
Lamentations (II): De lamentatione Jeremiae - Gimel - Daleth - Heth - Convertere Jerusalem Tallis, Thomas (ca. 1505–1585) Appears on: 29v–30v Genres: Lamentations, Motet
31r–33v	Lamentations (I) a5	Mr Whighte	White, Robert (ca. 1538–1574)
Lamentations (I) a5 White, Robert (ca. 1538–1574) Appears on: 31r–33v Genres: Lamentations, Motet Source Attribution: Mr Whighte Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Heth Peccatu[m] peccavit
33v–34v	Miserere mei Deus - 1a pars (of 2): Miserere mei Deus	Mr Whighte	White, Robert (ca. 1538–1574)
Miserere mei Deus - 1a pars (of 2): Miserere mei Deus White, Robert (ca. 1538–1574) Appears on: 33v–34v Genres: Miserere mei Deus, Motet Source Attribution: Mr Whighte Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Miserere mei deus
34v–35v	Miserere mei Deus - 2a pars (of 2): Cor mundum crea	-	White, Robert (ca. 1538–1574)
Miserere mei Deus - 2a pars (of 2): Cor mundum crea White, Robert (ca. 1538–1574) Appears on: 34v–35v Genres: Miserere mei Deus, Motet
36r–36v	Mater Christi sanctissima virgo [= O most holy and mighty Lord]	Mr Jo: Tauerner	Taverner, John
Mater Christi sanctissima virgo [= O most holy and mighty Lord] Taverner, John Appears on: 36r–36v Genres: Motet Source Attribution: Mr Jo: Tauerner Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Virgo sacrata maria
36v–37r	Dum transisset sabbatum Maria Magdalena	-	Roose
Dum transisset sabbatum Maria Magdalena Roose Appears on: 36v–37r Genres: Motet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Du[m] transiscet sabathu[m]
37v–39r	Salve intemerata virgo Maria	Mr Tallis	Tallis, Thomas (ca. 1505–1585)
Salve intemerata virgo Maria Tallis, Thomas (ca. 1505–1585) Appears on: 37v–39r Genres: Antiphon Source Attribution: Mr Tallis Voice: [no designation] Languages: Latin Mensuration: cut-o Clef: c4 Voice Text: Salve Intemerata virgo maria General Note Annotations/Corrections: Tu ne mirum tacet' on f. 38 fourth line; 'Secu[n]dum humanitate[m] tacet' on f. 39 second line.;
39v–40r	Magnificat O bone Jesu	Mr R. ffairfax	Fayrfax, Robert (1464–1521)
Magnificat O bone Jesu Fayrfax, Robert (1464–1521) Appears on: 39v–40r Genres: English Catholic service music, Magnificat Source Attribution: Mr R. ffairfax Voice: [no designation] Languages: Latin Mensuration: cut-o Clef: c5 Voice Text: Et exultauit General Note Annotations/Corrections: Et sanctu[m] tacet.' on f. 39v fourth line; 'Superbos tacet' on f. 39v sixth line.;
40v–41r	Sospitati dedit aegros (extract: Ergo laudes Nicholae concinat)	Mr Jo: Tauerner	Taverner, John
Sospitati dedit aegros (extract: Ergo laudes Nicholae concinat) Taverner, John Appears on: 40v–41r Genres: Motet Source Attribution: Mr Jo: Tauerner Voice: [no designation] Languages: Latin Mensuration: cut-o Clef: c4 Voice Text: Sospitati dedit egros
41v	Musica laeta suum gaudet (C79)	Alfonsus	Ferrabosco, Alfonso (the elder) (1543–1588)
Musica laeta suum gaudet (C79) Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 41v Genres: Motet Source Attribution: Alfonsus Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Musica leta
42r–42v	[blank staves]	-	-
[blank staves] Appears on: 42r–42v Voice: [no designation] Languages: Latin Voice Text: [blank staves - just text incipit 'Benedic'] General Note Notes: blank staves, only text incipit;
42v–43r	Ingemuit Susanna (C43)	Alphonsus	Ferrabosco, Alfonso (the elder) (1543–1588)
Ingemuit Susanna (C43) Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 42v–43r Source Attribution: Alphonsus Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Ingemuit susanna General Note Annotations/Corrections: +' in outer margin before first line of music (different ink);
43v	[blank staves]	-	-
[blank staves] Appears on: 43v Voice: [no designation] Languages: Latin Voice Text: [blank staves - just text incipit 'Qui fundasti terram'] General Note Notes: blank staves, only text incipit;
43v–44r	Mirabile mysterium (C47)	Alfonsus	Ferrabosco, Alfonso (the elder) (1543–1588)
Mirabile mysterium (C47) Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 43v–44r Genres: Motet Source Attribution: Alfonsus Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Mirabile misterium
44v–45r	[blank staves]	-	-
[blank staves] Appears on: 44v–45r Voice: [no designation] Languages: Latin Voice Text: [blank staves - just text incipit 'Cantate'] General Note Annotations/Corrections: Secunda pars' on f. 45r first line.; Notes: blank staves, only text incipit;
45v	Conserva me Domine - 1a pars (of 2): Conserva me Domine (C25)	Alfonsus	Ferrabosco, Alfonso (the elder) (1543–1588)
Conserva me Domine - 1a pars (of 2): Conserva me Domine (C25) Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 45v Genres: Motet Source Attribution: Alfonsus Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Conserva me domine General Note Annotations/Corrections: Secunda pars' on f. 46.;
46r	Conserva me Domine - 2a pars (of 2): Vias tuas Domine (C25)	-	Ferrabosco, Alfonso (the elder) (1543–1588)
Conserva me Domine - 2a pars (of 2): Vias tuas Domine (C25) Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 46r Genres: Motet
46v	Peccantem me quotidie	Alfonsus	Ferrabosco, Alfonso (the elder) (1543–1588)
Peccantem me quotidie Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 46v Source Attribution: Alfonsus Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Peccanti me quotidie
47r	[blank staves]	-	-
[blank staves] Appears on: 47r
47v	Heu mihi Domine (I) (C37)	Alfonsus	Ferrabosco, Alfonso (the elder) (1543–1588)
Heu mihi Domine (I) (C37) Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 47v Genres: Motet Source Attribution: Alfonsus Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Heu mihi domine
47v–48v	De Lamentatione Jeremiae (C64)	Alfonsus	Ferrabosco, Alfonso (the elder) (1543–1588)
De Lamentatione Jeremiae (C64) Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 47v–48v Genres: Lamentations, Motet Source Attribution: Alfonsus Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: De lamentatione Hieremie Prophete General Note Annotations/Corrections: 2' entered under note (in different ink) in penultimate line of f. f. 48; several notes crossed out (with different ink) in bottom line of f. 48;
49r	[blank staves]	-	-
[blank staves] Appears on: 49r
49v	Ad Dominum cum tribularer (C1)	-	Ferrabosco, Alfonso (the elder) (1543–1588)
Ad Dominum cum tribularer (C1) Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 49v Genres: Motet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Ad dominu[m] eu[m] tribularer clamaui
50r	Surge propera - 1a pars (of 2): Surge propera amica mea columba mea (C57)	Alfonsus	Ferrabosco, Alfonso (the elder) (1543–1588)
Surge propera - 1a pars (of 2): Surge propera amica mea columba mea (C57) Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 50r Genres: Motet Source Attribution: Alfonsus Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Surge propera amica mea General Note Annotations/Corrections: .2. pars.' on top of f. 50v.;
50v	Surge propera - 2a pars (of 2): Surge propera amica mea formosa mea (C58)	-	Ferrabosco, Alfonso (the elder) (1543–1588)
Surge propera - 2a pars (of 2): Surge propera amica mea formosa mea (C58) Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 50v Genres: Motet
51r	Inclina Domine - 4a pars (of 6): In die tribulationis	-	Ferrabosco, Alfonso (the elder) (1543–1588)
Inclina Domine - 4a pars (of 6): In die tribulationis Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 51r Genres: Motet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: In die tribulationis General Note Annotations/Corrections: Verte folliu[m]' at bottom of f. 51; '.2. p[art]s.'
51v	Inclina Domine - 5a pars (of 6): Quoniam magnus es	-	Ferrabosco, Alfonso (the elder) (1543–1588)
Inclina Domine - 5a pars (of 6): Quoniam magnus es Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 51v Genres: Motet General Note 'Sexta vox' and 'Sex vocu[um]' on top of f. 51v.;
52r	Virgo per incertos casus (C80)	Alfonso	Ferrabosco, Alfonso (the elder) (1543–1588)
Virgo per incertos casus (C80) Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 52r Genres: Motet Source Attribution: Alfonso Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Virgo per incertos casus
52v	Inclina Domine - 1a pars (of 6): Inclina Domine aurem (C41)	Alfonso	Ferrabosco, Alfonso (the elder) (1543–1588)
Inclina Domine - 1a pars (of 6): Inclina Domine aurem (C41) Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 52v Genres: Motet Source Attribution: Alfonso Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Inclina domine
52v–53r	Benedicam Dominum - 1a pars (of 2): Benedicam Dominum in omni tempore	-	Ferrabosco, Alfonso (the elder) (1543–1588)
Benedicam Dominum - 1a pars (of 2): Benedicam Dominum in omni tempore Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 52v–53r Genres: Motet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Benedica[m] dominu[m]
53r–53v	Benedicam Dominum - 2a pars (of 2): Gustate et videte	-	Ferrabosco, Alfonso (the elder) (1543–1588)
Benedicam Dominum - 2a pars (of 2): Gustate et videte Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 53r–53v Genres: Motet
53v	Da pacem Domine (III) (C68)	Alphonso	Ferrabosco, Alfonso (the elder) (1543–1588)
Da pacem Domine (III) (C68) Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 53v Genres: Motet Source Attribution: Alphonso Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Da pacem domine
54r–55r	Incipit lamentatio Jeremiae [III]: Lamed (6vv - C67)	Alfonso	Ferrabosco, Alfonso (the elder) (1543–1588)
Incipit lamentatio Jeremiae [III]: Lamed (6vv - C67) Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 54r–55r Genres: Lamentations Source Attribution: Alfonso Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Incipit lamentatio Ieremiæ prophete
55v	Salve regina (V) - 1a pars (of 4): Salve regina misericordiae	Jacobus Vaet	Vaet, Jacobus (ca. 1529–ca. 1567)
Salve regina (V) - 1a pars (of 4): Salve regina misericordiae Vaet, Jacobus (ca. 1529–ca. 1567) Appears on: 55v Genres: BVM, Motet, Salve Regina Source Attribution: Jacobus Vaet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Salve regina General Note Annotations/Corrections: Ad te suspiramus tacet' on f. 55v; correction on f. 56 first line.;
55v	Salve regina (V) - 2a pars (of 4): Ad te suspiramus	-	Vaet, Jacobus (ca. 1529–ca. 1567)
Salve regina (V) - 2a pars (of 4): Ad te suspiramus Vaet, Jacobus (ca. 1529–ca. 1567) Appears on: 55v Genres: BVM, Motet, Salve Regina
55v–56r	Salve regina (V) - 3a pars (of 4): Et Jesum benedictum	-	Vaet, Jacobus (ca. 1529–ca. 1567)
Salve regina (V) - 3a pars (of 4): Et Jesum benedictum Vaet, Jacobus (ca. 1529–ca. 1567) Appears on: 55v–56r Genres: BVM, Motet, Salve Regina
56r	Salve regina (V) - 4a pars (of 4): O pia	-	Vaet, Jacobus (ca. 1529–ca. 1567)
Salve regina (V) - 4a pars (of 4): O pia Vaet, Jacobus (ca. 1529–ca. 1567) Appears on: 56r Genres: BVM, Motet, Salve Regina
56r–56v	Memento homo quod cinis es	Mr Byrde	Byrd, William (ca. 1540–1623)
Memento homo quod cinis es Byrd, William (ca. 1540–1623) Appears on: 56r–56v Source Attribution: Mr Byrde Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Memento homo quod cinis es
56v–57r	Attollite portas	-	Byrd, William (ca. 1540–1623)
Attollite portas Byrd, William (ca. 1540–1623) Appears on: 56v–57r Genres: Psalm Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Attolite portas General Note Annotations/Corrections: Signum congruentiae on f. 57 third and last line.;
57v–58r	Fantasia a6 (II) in g minor	Mr Byrde	Byrd, William (ca. 1540–1623)
Fantasia a6 (II) in g minor Byrd, William (ca. 1540–1623) Appears on: 57v–58r Genres: English Consort music, Fantasia Source Attribution: Mr Byrde Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice Text: Fantasia General Note Notes: Instrumental piece..;
58v–59r	Infelix ego omnium - 1a pars (of 3): Infelix ego omnium	-	Byrd, William (ca. 1540–1623)
Infelix ego omnium - 1a pars (of 3): Infelix ego omnium Byrd, William (ca. 1540–1623) Appears on: 58v–59r Genres: Motet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Infelix ego General Note Annotations/Corrections: Secunda pars' on f. 59 second line: 'Tertia pars' on f. 59v.;
59r	Infelix ego omnium - 2a pars (of 3): Quid igitur faciam	-	Byrd, William (ca. 1540–1623)
Infelix ego omnium - 2a pars (of 3): Quid igitur faciam Byrd, William (ca. 1540–1623) Appears on: 59r Genres: Motet
59v–60r	Infelix ego omnium - 3a pars (of 3): Ad te igitur	-	Byrd, William (ca. 1540–1623)
Infelix ego omnium - 3a pars (of 3): Ad te igitur Byrd, William (ca. 1540–1623) Appears on: 59v–60r Genres: Motet
60r–60v	Christ rising again - 1a pars (of 2): Christ rising again	Mr Byrde	Byrd, William (ca. 1540–1623)
Christ rising again - 1a pars (of 2): Christ rising again Byrd, William (ca. 1540–1623) Appears on: 60r–60v Genres: Anthem Source Attribution: Mr Byrde Voice: [no designation] Languages: English Mensuration: cut-c Clef: c4 Voice Text: Christ rysinge General Note Annotations/Corrections: Indication for chorus and solus parts at the beginning of motet; Time signature changes to C-dot on f. 60v second line.;
60v–61r	Christ rising again - 2a pars (of 2): Christ is risen again	-	Byrd, William (ca. 1540–1623)
Christ rising again - 2a pars (of 2): Christ is risen again Byrd, William (ca. 1540–1623) Appears on: 60v–61r Genres: Anthem
61r	Arise O Lord - 1a pars (of 2): Arise O Lord why sleepest thou	Byrde	Byrd, William (ca. 1540–1623)
Arise O Lord - 1a pars (of 2): Arise O Lord why sleepest thou Byrd, William (ca. 1540–1623) Appears on: 61r Genres: Anthem Source Attribution: Byrde Voice: [no designation] Languages: English Mensuration: cut-c Clef: c3 Voice Text: Aryse o Lord General Note Annotations/Corrections: Correction on f. 61 last line.;
61v	Arise O Lord - 2a pars (of 2): Help us, O God	-	Byrd, William (ca. 1540–1623)
Arise O Lord - 2a pars (of 2): Help us, O God Byrd, William (ca. 1540–1623) Appears on: 61v Genres: Anthem
61v–62r	Ego flos campi et lilium convalium	Clemens non Papa	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Ego flos campi et lilium convalium Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 61v–62r Genres: Motet Source Attribution: Clemens non Papa Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Ego flos campi General Note Annotations/Corrections: Septem Vocum'; 'X' in outer margin before first line of music;
62v–63r	Missa Puer natus est nobis: Gloria	-	Tallis, Thomas (ca. 1505–1585)
Missa Puer natus est nobis: Gloria Tallis, Thomas (ca. 1505–1585) Appears on: 62v–63r Genres: Gloria (et in terra pax), Mass Ordinary Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Qui tollis General Note Qui tollis only
63r	Missa Puer natus est nobis: Sanctus	Mr Tallis	Tallis, Thomas (ca. 1505–1585)
Missa Puer natus est nobis: Sanctus Tallis, Thomas (ca. 1505–1585) Appears on: 63r Genres: Mass Ordinary, Sanctus [& Benedictus] Source Attribution: Mr Tallis Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Benedictus General Note Benedictus & Osanna only
63v	Suscipe quaeso Domine - 1a pars (of 2): Suscipe quaeso Domine vocem confitentis	-	Tallis, Thomas (ca. 1505–1585)
Suscipe quaeso Domine - 1a pars (of 2): Suscipe quaeso Domine vocem confitentis Tallis, Thomas (ca. 1505–1585) Appears on: 63v Genres: Motet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Suscipe quæso Domine General Note Annotations/Corrections: Secunda pars' on f. 63v, last line; in outer margin, before first line of music, a dotted 'X' in different ink (brown-ish), and beginning of 2a pars similarly a '+'; Notes: Time signature changes to cut circle on f. 64, sixth line.;
63v–64r	Suscipe quaeso Domine - 2a pars (of 2): Si enim iniquitates recordaberis	-	Tallis, Thomas (ca. 1505–1585)
Suscipe quaeso Domine - 2a pars (of 2): Si enim iniquitates recordaberis Tallis, Thomas (ca. 1505–1585) Appears on: 63v–64r Genres: Motet
64r	Missa Puer natus est nobis: Credo	-	Tallis, Thomas (ca. 1505–1585)
Missa Puer natus est nobis: Credo Tallis, Thomas (ca. 1505–1585) Appears on: 64r Genres: Credo (patrem omnipotentem), Mass Ordinary Voice: [no designation] Languages: Latin Mensuration: cut-o Clef: c3 Voice Text: Et expecto resurrectionem General Note Et exspecto resurrectionem section only
64v	Decantabat populus Israel alleluia (7vv)	Orlando	Lassus, Orlande de (ca. 1532–1594)
Decantabat populus Israel alleluia (7vv) Lassus, Orlande de (ca. 1532–1594) Appears on: 64v Genres: Motet Source Attribution: Orlando Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Decantabat populus Israel
65r–65v	index	-	-
index Appears on: 65r–65v General Note Annotations/Corrections: has some later annotations;
66r–66v	[blank pages]	-	-
[blank pages] Appears on: 66r–66v

Composer	Compositions
Anonymous	[No description] – 49r [No description] – 66r–66v [No description] – 3r [No description] – 65r–65v [No description] – 43v [No description] – 42r–42v [No description] – 44v–45r [No description] – 47r
Byrd, William (ca. 1540–1623)	Apparebit in finem – 11v Arise O Lord - 1a pars (of 2): Arise O Lord why sleepest thou – 61r Arise O Lord - 2a pars (of 2): Help us, O God – 61v Aspice Domine de sede (5vv) - 1a pars (of 2): Aspice Domine de sede sancta – 9v Aspice Domine de sede (5vv) - 2a pars (of 2): Respice domine – 10r Attollite portas – 56v–57r Audivi vocem de caelo – 13v Christ rising again - 1a pars (of 2): Christ rising again – 60r–60v Christ rising again - 2a pars (of 2): Christ is risen again – 60v–61r Circumdederunt me dolores mortis – 6r–6v Deus venerunt gentes - 1a pars (of 4): Deus venerunt gentes – 4r Deus venerunt gentes - 2a pars (of 4): Posuerunt morticinia – 4r–4v Deus venerunt gentes - 3a pars (of 4): Effuderunt sanguinem – 4v–5r Deus venerunt gentes - 4a pars (of 4): Opprobrium facti sumus – 5r–5v Domine praestolamur - 1a pars (of 2): Domine praestolamur – 7v Domine praestolamur - 2a pars (of 2): Veni Domine – 8r Domine secundum multitudinem dolorum meum – 16r Domine tu jurasti – 12r Emendemus - 1a pars (of 2): Emendemus in melius – 3v Emendemus - 2a pars (of 2): Adiuva nos Deus – 3v Fac cum servo tuo – 17r Fantasia a6 (II) in g minor – 57v–58r Haec dicit Dominus - 1a pars (of 2): Haec dicit Dominus vox in excelsis – 15r Haec dicit Dominus - 2a pars (of 2): Haec dicit Dominus quiescat vox – 15v In resurrectione tua – 12v Infelix ego omnium - 1a pars (of 3): Infelix ego omnium – 58v–59r Infelix ego omnium - 2a pars (of 3): Quid igitur faciam – 59r Infelix ego omnium - 3a pars (of 3): Ad te igitur – 59v–60r Memento Domine – 7r Memento homo quod cinis es – 56r–56v Miserere mei Deus – 5v–6r Ne irascaris - 1a pars (of 2): Ne irascaris Domine – 19v–20r Ne irascaris - 2a pars (of 2): Civitatis sancti tui – 20r–20v O quam gloriosum - 1a pars (of 2): O quam gloriosum est regnum – 17v O quam gloriosum - 2a pars (of 2): Benedictio et claritas – 18r Petrus beatus - 1a pars (of 3): Petrus beatus – 10v Petrus beatus - 2a pars (of 3): Quodcumque vinclis – 10v–11r Petrus beatus - 3a pars (of 3): Gloria Deo - Per immensa saecula – 11r Tribulationes civitatum - 1a pars (of 3): Tribulationes civitatum – 18v Tribulationes civitatum - 2a pars (of 3): Timor et hebitudo – 18v–19r Tribulationes civitatum - 3a pars (of 3): Nos enim pro peccatis – 19r–19v Tristitia et anxietas - 1a pars (of 2): Tristitia et anxietas, Domine tu jurasti – 8v–9r Tristitia et anxietas - 2a pars (of 2): Sed tu domine – 9r Vide domine afflictionem - 1a pars (of 2): Vide domine afflictionem nostram et in tempore – 14r Vide domine afflictionem - 2a pars (of 2): Sed veni domine et noli tardare – 14v Vigilate nescitis enim – 12v–13r
Clemens non Papa, Jacob (ca. 1510–ca. 1556)	Ego flos campi et lilium convalium – 61v–62r
Fayrfax, Robert (1464–1521)	Magnificat O bone Jesu – 39v–40r
Ferrabosco, Alfonso (the elder) (1543–1588)	Ad Dominum cum tribularer (C1) – 49v Benedicam Dominum - 1a pars (of 2): Benedicam Dominum in omni tempore – 52v–53r Benedicam Dominum - 2a pars (of 2): Gustate et videte – 53r–53v Conserva me Domine - 1a pars (of 2): Conserva me Domine (C25) – 45v Conserva me Domine - 2a pars (of 2): Vias tuas Domine (C25) – 46r Da pacem Domine (III) (C68) – 53v De Lamentatione Jeremiae (C64) – 47v–48v Heu mihi Domine (I) (C37) – 47v Incipit lamentatio Jeremiae [III]: Lamed (6vv - C67) – 54r–55r Inclina Domine - 1a pars (of 6): Inclina Domine aurem (C41) – 52v Inclina Domine - 4a pars (of 6): In die tribulationis – 51r Inclina Domine - 5a pars (of 6): Quoniam magnus es – 51v Ingemuit Susanna (C43) – 42v–43r Mirabile mysterium (C47) – 43v–44r Musica laeta suum gaudet (C79) – 41v Peccantem me quotidie – 46v Surge propera - 1a pars (of 2): Surge propera amica mea columba mea (C57) – 50r Surge propera - 2a pars (of 2): Surge propera amica mea formosa mea (C58) – 50v Virgo per incertos casus (C80) – 52r
Johnson (I), Robert (ca. 1500–ca. 1560)	Domine in virtute tua (II) - 1a pars (of 2): Domine in virtute tua – 27r–27v Domine in virtute tua (II) - 2a pars (of 2): Magna gloria eius – 27v–28r
Lassus, Orlande de (ca. 1532–1594)	Ave regina caelorum (II) (6vv) – 2v Decantabat populus Israel alleluia (7vv) – 64v Tristis est anima mea usque ad mortem – 1r
Meiland, Jacob (1542–1577)	Benedixisti Domine - 1a pars (of 2): Benedixisti Domine terram tuam avertisti – 1v Benedixisti Domine - 2a pars (of 2): Converte nos Deus salutaris noster – 2r
Roose	Dum transisset sabbatum Maria Magdalena – 36v–37r
Sheppard, John (ca. 1515–1558)	(?) Aeterne rex altissime, v.2: Scandens tribunal dexterae patris – 25v–26r [Deus tuorum militum (II)] (v. 2) Hic nempe mundi – 25v
Tallis, Thomas (ca. 1505–1585)	(?) Aeterne rex altissime, v.2: Scandens tribunal dexterae patris – 25v–26r Derelinquit impius viam suam – 22r–22v Domine quis habitabit - 1a pars (of 2): Domine quis habitabit – 20v–21r Domine quis habitabit - 2a pars (of 2): Ad nihillum deductus – 21v–22r Dum transisset sabbatum, Maria Magdalene / Aromata emerunt – 22v–23r Lamentations (I) : Incipit lamentatio Jeremiae - Aleph - Beth - Convertere Jerusalem – 28v–29r Lamentations (II): De lamentatione Jeremiae - Gimel - Daleth - Heth - Convertere Jerusalem – 29v–30v Laudate Dominum omnes gentes, laudate eum – 16v Missa Puer natus est nobis: Credo – 64r Missa Puer natus est nobis: Gloria – 62v–63r Missa Puer natus est nobis: Sanctus – 63r O salutaris hostia – 23r–23v Quod chorus vatum [= Haec Deum coeli ] (v. 4: Tu libens votis petimus) – 24v Rex Christe clementissime (= last two verses of Sermone blando) – 26r Salve intemerata virgo Maria – 37v–39r Suscipe quaeso Domine - 1a pars (of 2): Suscipe quaeso Domine vocem confitentis – 63v Suscipe quaeso Domine - 2a pars (of 2): Si enim iniquitates recordaberis – 63v–64r Tu fabricator omnium [= Jesu Salvator saeculi, v. 2] – 24r–24v [Iam Christus astra] (v. 2) Solemnis urgebat dies – 24v–25r [Salvator mundi Domine] Adesto nunc propitius – 23v–24r
Taverner, John	Mater Christi sanctissima virgo [= O most holy and mighty Lord] – 36r–36v Sospitati dedit aegros (extract: Ergo laudes Nicholae concinat) – 40v–41r
Tye, Christopher (ca. 1505–ca. 1573)	(?) Amavit eum Dominus – 26v
Vaet, Jacobus (ca. 1529–ca. 1567)	Salve regina (V) - 1a pars (of 4): Salve regina misericordiae – 55v Salve regina (V) - 2a pars (of 4): Ad te suspiramus – 55v Salve regina (V) - 3a pars (of 4): Et Jesum benedictum – 55v–56r Salve regina (V) - 4a pars (of 4): O pia – 56r
White, Robert (ca. 1538–1574)	Lamentations (I) a5 – 31r–33v Miserere mei Deus - 1a pars (of 2): Miserere mei Deus – 33v–34v Miserere mei Deus - 2a pars (of 2): Cor mundum crea – 34v–35v

Composition	Composers (? Uncertain)	Folios / Pages
[Deus tuorum militum (II)] (v. 2) Hic nempe mundi	Sheppard, John (ca. 1515–1558)	25v
[Iam Christus astra] (v. 2) Solemnis urgebat dies	Tallis, Thomas (ca. 1505–1585)	24v–25r
[Salvator mundi Domine] Adesto nunc propitius	Tallis, Thomas (ca. 1505–1585)	23v–24r
Ad Dominum cum tribularer (C1)	Ferrabosco, Alfonso (the elder) (1543–1588)	49v
Aeterne rex altissime, v.2: Scandens tribunal dexterae patris	Tallis, Thomas (ca. 1505–1585) (?) Sheppard, John (ca. 1515–1558) (?)	25v–26r
Amavit eum Dominus	Tye, Christopher (ca. 1505–ca. 1573) (?)	26v
Apparebit in finem	Byrd, William (ca. 1540–1623)	11v
Arise O Lord - 1a pars (of 2): Arise O Lord why sleepest thou	Byrd, William (ca. 1540–1623)	61r
Arise O Lord - 2a pars (of 2): Help us, O God	Byrd, William (ca. 1540–1623)	61v
Aspice Domine de sede (5vv) - 1a pars (of 2): Aspice Domine de sede sancta	Byrd, William (ca. 1540–1623)	9v
Aspice Domine de sede (5vv) - 2a pars (of 2): Respice domine	Byrd, William (ca. 1540–1623)	10r
Attollite portas	Byrd, William (ca. 1540–1623)	56v–57r
Audivi vocem de caelo	Byrd, William (ca. 1540–1623)	13v
Ave regina caelorum (II) (6vv)	Lassus, Orlande de (ca. 1532–1594)	2v
Benedicam Dominum - 1a pars (of 2): Benedicam Dominum in omni tempore	Ferrabosco, Alfonso (the elder) (1543–1588)	52v–53r
Benedicam Dominum - 2a pars (of 2): Gustate et videte	Ferrabosco, Alfonso (the elder) (1543–1588)	53r–53v
Benedixisti Domine - 1a pars (of 2): Benedixisti Domine terram tuam avertisti	Meiland, Jacob (1542–1577)	1v
Benedixisti Domine - 2a pars (of 2): Converte nos Deus salutaris noster	Meiland, Jacob (1542–1577)	2r
Christ rising again - 1a pars (of 2): Christ rising again	Byrd, William (ca. 1540–1623)	60r–60v
Christ rising again - 2a pars (of 2): Christ is risen again	Byrd, William (ca. 1540–1623)	60v–61r
Circumdederunt me dolores mortis	Byrd, William (ca. 1540–1623)	6r–6v
Conserva me Domine - 1a pars (of 2): Conserva me Domine (C25)	Ferrabosco, Alfonso (the elder) (1543–1588)	45v
Conserva me Domine - 2a pars (of 2): Vias tuas Domine (C25)	Ferrabosco, Alfonso (the elder) (1543–1588)	46r
Da pacem Domine (III) (C68)	Ferrabosco, Alfonso (the elder) (1543–1588)	53v
De Lamentatione Jeremiae (C64)	Ferrabosco, Alfonso (the elder) (1543–1588)	47v–48v
Decantabat populus Israel alleluia (7vv)	Lassus, Orlande de (ca. 1532–1594)	64v
Derelinquit impius viam suam	Tallis, Thomas (ca. 1505–1585)	22r–22v
Deus venerunt gentes - 1a pars (of 4): Deus venerunt gentes	Byrd, William (ca. 1540–1623)	4r
Deus venerunt gentes - 2a pars (of 4): Posuerunt morticinia	Byrd, William (ca. 1540–1623)	4r–4v
Deus venerunt gentes - 3a pars (of 4): Effuderunt sanguinem	Byrd, William (ca. 1540–1623)	4v–5r
Deus venerunt gentes - 4a pars (of 4): Opprobrium facti sumus	Byrd, William (ca. 1540–1623)	5r–5v
Domine in virtute tua (II) - 1a pars (of 2): Domine in virtute tua	Johnson (I), Robert (ca. 1500–ca. 1560)	27r–27v
Domine in virtute tua (II) - 2a pars (of 2): Magna gloria eius	Johnson (I), Robert (ca. 1500–ca. 1560)	27v–28r
Domine praestolamur - 1a pars (of 2): Domine praestolamur	Byrd, William (ca. 1540–1623)	7v
Domine praestolamur - 2a pars (of 2): Veni Domine	Byrd, William (ca. 1540–1623)	8r
Domine quis habitabit - 1a pars (of 2): Domine quis habitabit	Tallis, Thomas (ca. 1505–1585)	20v–21r
Domine quis habitabit - 2a pars (of 2): Ad nihillum deductus	Tallis, Thomas (ca. 1505–1585)	21v–22r
Domine secundum multitudinem dolorum meum	Byrd, William (ca. 1540–1623)	16r
Domine tu jurasti	Byrd, William (ca. 1540–1623)	12r
Dum transisset sabbatum Maria Magdalena	Roose	36v–37r
Dum transisset sabbatum, Maria Magdalene / Aromata emerunt	Tallis, Thomas (ca. 1505–1585)	22v–23r
Ego flos campi et lilium convalium	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	61v–62r
Emendemus - 1a pars (of 2): Emendemus in melius	Byrd, William (ca. 1540–1623)	3v
Emendemus - 2a pars (of 2): Adiuva nos Deus	Byrd, William (ca. 1540–1623)	3v
Fac cum servo tuo	Byrd, William (ca. 1540–1623)	17r
Fantasia a6 (II) in g minor	Byrd, William (ca. 1540–1623)	57v–58r
Haec dicit Dominus - 1a pars (of 2): Haec dicit Dominus vox in excelsis	Byrd, William (ca. 1540–1623)	15r
Haec dicit Dominus - 2a pars (of 2): Haec dicit Dominus quiescat vox	Byrd, William (ca. 1540–1623)	15v
Heu mihi Domine (I) (C37)	Ferrabosco, Alfonso (the elder) (1543–1588)	47v
In resurrectione tua	Byrd, William (ca. 1540–1623)	12v
Incipit lamentatio Jeremiae [III]: Lamed (6vv - C67)	Ferrabosco, Alfonso (the elder) (1543–1588)	54r–55r
Inclina Domine - 1a pars (of 6): Inclina Domine aurem (C41)	Ferrabosco, Alfonso (the elder) (1543–1588)	52v
Inclina Domine - 4a pars (of 6): In die tribulationis	Ferrabosco, Alfonso (the elder) (1543–1588)	51r
Inclina Domine - 5a pars (of 6): Quoniam magnus es	Ferrabosco, Alfonso (the elder) (1543–1588)	51v
Infelix ego omnium - 1a pars (of 3): Infelix ego omnium	Byrd, William (ca. 1540–1623)	58v–59r
Infelix ego omnium - 2a pars (of 3): Quid igitur faciam	Byrd, William (ca. 1540–1623)	59r
Infelix ego omnium - 3a pars (of 3): Ad te igitur	Byrd, William (ca. 1540–1623)	59v–60r
Ingemuit Susanna (C43)	Ferrabosco, Alfonso (the elder) (1543–1588)	42v–43r
Lamentations (I) : Incipit lamentatio Jeremiae - Aleph - Beth - Convertere Jerusalem	Tallis, Thomas (ca. 1505–1585)	28v–29r
Lamentations (I) a5	White, Robert (ca. 1538–1574)	31r–33v
Lamentations (II): De lamentatione Jeremiae - Gimel - Daleth - Heth - Convertere Jerusalem	Tallis, Thomas (ca. 1505–1585)	29v–30v
Laudate Dominum omnes gentes, laudate eum	Tallis, Thomas (ca. 1505–1585)	16v
Magnificat O bone Jesu	Fayrfax, Robert (1464–1521)	39v–40r
Mater Christi sanctissima virgo [= O most holy and mighty Lord]	Taverner, John	36r–36v
Memento Domine	Byrd, William (ca. 1540–1623)	7r
Memento homo quod cinis es	Byrd, William (ca. 1540–1623)	56r–56v
Mirabile mysterium (C47)	Ferrabosco, Alfonso (the elder) (1543–1588)	43v–44r
Miserere mei Deus	Byrd, William (ca. 1540–1623)	5v–6r
Miserere mei Deus - 1a pars (of 2): Miserere mei Deus	White, Robert (ca. 1538–1574)	33v–34v
Miserere mei Deus - 2a pars (of 2): Cor mundum crea	White, Robert (ca. 1538–1574)	34v–35v
Missa Puer natus est nobis: Credo	Tallis, Thomas (ca. 1505–1585)	64r
Missa Puer natus est nobis: Gloria	Tallis, Thomas (ca. 1505–1585)	62v–63r
Missa Puer natus est nobis: Sanctus	Tallis, Thomas (ca. 1505–1585)	63r
Musica laeta suum gaudet (C79)	Ferrabosco, Alfonso (the elder) (1543–1588)	41v
Ne irascaris - 1a pars (of 2): Ne irascaris Domine	Byrd, William (ca. 1540–1623)	19v–20r
Ne irascaris - 2a pars (of 2): Civitatis sancti tui	Byrd, William (ca. 1540–1623)	20r–20v
O quam gloriosum - 1a pars (of 2): O quam gloriosum est regnum	Byrd, William (ca. 1540–1623)	17v
O quam gloriosum - 2a pars (of 2): Benedictio et claritas	Byrd, William (ca. 1540–1623)	18r
O salutaris hostia	Tallis, Thomas (ca. 1505–1585)	23r–23v
Peccantem me quotidie	Ferrabosco, Alfonso (the elder) (1543–1588)	46v
Petrus beatus - 1a pars (of 3): Petrus beatus	Byrd, William (ca. 1540–1623)	10v
Petrus beatus - 2a pars (of 3): Quodcumque vinclis	Byrd, William (ca. 1540–1623)	10v–11r
Petrus beatus - 3a pars (of 3): Gloria Deo - Per immensa saecula	Byrd, William (ca. 1540–1623)	11r
Quod chorus vatum [= Haec Deum coeli ] (v. 4: Tu libens votis petimus)	Tallis, Thomas (ca. 1505–1585)	24v
Rex Christe clementissime (= last two verses of Sermone blando)	Tallis, Thomas (ca. 1505–1585)	26r
Salve intemerata virgo Maria	Tallis, Thomas (ca. 1505–1585)	37v–39r
Salve regina (V) - 1a pars (of 4): Salve regina misericordiae	Vaet, Jacobus (ca. 1529–ca. 1567)	55v
Salve regina (V) - 2a pars (of 4): Ad te suspiramus	Vaet, Jacobus (ca. 1529–ca. 1567)	55v
Salve regina (V) - 3a pars (of 4): Et Jesum benedictum	Vaet, Jacobus (ca. 1529–ca. 1567)	55v–56r
Salve regina (V) - 4a pars (of 4): O pia	Vaet, Jacobus (ca. 1529–ca. 1567)	56r
Sospitati dedit aegros (extract: Ergo laudes Nicholae concinat)	Taverner, John	40v–41r
Surge propera - 1a pars (of 2): Surge propera amica mea columba mea (C57)	Ferrabosco, Alfonso (the elder) (1543–1588)	50r
Surge propera - 2a pars (of 2): Surge propera amica mea formosa mea (C58)	Ferrabosco, Alfonso (the elder) (1543–1588)	50v
Suscipe quaeso Domine - 1a pars (of 2): Suscipe quaeso Domine vocem confitentis	Tallis, Thomas (ca. 1505–1585)	63v
Suscipe quaeso Domine - 2a pars (of 2): Si enim iniquitates recordaberis	Tallis, Thomas (ca. 1505–1585)	63v–64r
Tribulationes civitatum - 1a pars (of 3): Tribulationes civitatum	Byrd, William (ca. 1540–1623)	18v
Tribulationes civitatum - 2a pars (of 3): Timor et hebitudo	Byrd, William (ca. 1540–1623)	18v–19r
Tribulationes civitatum - 3a pars (of 3): Nos enim pro peccatis	Byrd, William (ca. 1540–1623)	19r–19v
Tristis est anima mea usque ad mortem	Lassus, Orlande de (ca. 1532–1594)	1r
Tristitia et anxietas - 1a pars (of 2): Tristitia et anxietas, Domine tu jurasti	Byrd, William (ca. 1540–1623)	8v–9r
Tristitia et anxietas - 2a pars (of 2): Sed tu domine	Byrd, William (ca. 1540–1623)	9r
Tu fabricator omnium [= Jesu Salvator saeculi, v. 2]	Tallis, Thomas (ca. 1505–1585)	24r–24v
Vide domine afflictionem - 1a pars (of 2): Vide domine afflictionem nostram et in tempore	Byrd, William (ca. 1540–1623)	14r
Vide domine afflictionem - 2a pars (of 2): Sed veni domine et noli tardare	Byrd, William (ca. 1540–1623)	14v
Vigilate nescitis enim	Byrd, William (ca. 1540–1623)	12v–13r
Virgo per incertos casus (C80)	Ferrabosco, Alfonso (the elder) (1543–1588)	52r

Images © Bodleian Library, Oxford

Set: Paston Manuscripts

Type: Linked by Origin or Contents

GB-CF MS D/DP Z6/1

GB-CF MS D/DP Z6/2

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GB-Lbl [pr. bk.] Music Library K. 2. f. 1 [Altus]

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GB-Lbl [pr. bk.] Music Library K. 2. f. 1 [Discantus]

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GB-Lbl [pr. bk.] Music Library K. 2. f. 1 [Medius]

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GB-Lbl [pr. bk.] Music Library K. 2. f. 1 [Tenor]

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GB-Lbl Add. MS 29246 (Paston MS)

GB-Lbl Add. MS 29247 (Paston MS)

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GB-Lbl Madrigal Society G. 9

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GB-Lbl Madrigal Society G. 10

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GB-Lbl Madrigal Society G. 11

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GB-Lbl Madrigal Society G. 12

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GB-Lbl Madrigal Society G. 13

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GB-Lbl Madrigal Society G. 14

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GB-Lbl Madrigal Society G. 15

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GB-Lbl Madrigal Society G. 16

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GB-Lbl Madrigal Society G. 17

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GB-Lbl Madrigal Society G. 18

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GB-Lbl Madrigal Society G. 19

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GB-Lbl Madrigal Society G. 20

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GB-Lbl Madrigal Society G. 21

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GB-Lbl Madrigal Society G. 22

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GB-Lbl Madrigal Society G. 23

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GB-Lbl Madrigal Society G. 24

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GB-Lbl Madrigal Society G. 25

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GB-Lbl Madrigal Society G. 26

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GB-Lbl Madrigal Society G. 27

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GB-Lcm MS 2035 [Altus]

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GB-Lcm MS 2035 [Bassus]

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GB-Lcm MS 2035 [Discantus]

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GB-Lcm MS 2036 [Altus]

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GB-Lcm MS 2036 [Bassus]

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GB-Lcm MS 2036 [Discantus]

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GB-Lcm MS 2041

GB-Ob MS. Tenbury 341

GB-Ob MS. Tenbury 342

GB-Ob MS. Tenbury 343

GB-Ob MS. Tenbury 344

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GB-Ob MS. Tenbury 349

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GB-Ob MS. Tenbury 350

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GB-Ob MS. Tenbury 351

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GB-Ob MS. Tenbury 352

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GB-Ob MS. Tenbury 353

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GB-Ob MS. Tenbury 354

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GB-Ob MS. Tenbury 355

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GB-Ob MS. Tenbury 356

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GB-Ob MS. Tenbury 357

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GB-Ob MS. Tenbury 358

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GB-Ob MS. Tenbury 359

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GB-Ob MS. Tenbury 360

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GB-Ob MS. Tenbury 361

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GB-Ob MS. Tenbury 362

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GB-Ob MS. Tenbury 363

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GB-Ob MS. Tenbury 369

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GB-Ob MS. Tenbury 370

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GB-Ob MS. Tenbury 371

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GB-Ob MS. Tenbury 372

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GB-Ob MS. Tenbury 373

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GB-Ob MS. Tenbury 374

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GB-Ob MS. Tenbury 375

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GB-Ob MS. Tenbury 376

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GB-Ob MS. Tenbury 377

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GB-Ob MS. Tenbury 378

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GB-Ob MS. Tenbury 1469 (Harmsworth Manuscript)

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GB-Ob MS. Tenbury 1470 (Harmsworth Manuscript)

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GB-Ob MS. Tenbury 1471 (Harmsworth Manuscript)

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US-Ws V.a. 405

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US-Ws V.a. 406

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US-Ws V.a. 407

Set: TUDOR PARTBOOKS

Type: Project Collection

GB-CF MS D/DP Z6/1

GB-CF MS D/DP Z6/2

GB-Cfm MU MS 1005 (Fayrfax fragments)

GB-Cgc MS 667/760 (Caius Choirbook)

GB-Cjc MS 234 (K.31)

GB-Ckc Rowe 316

GB-Cp MS 31 [Contratenor] (Peterhouse Partbooks: Henrician Set)

GB-Cp MS 32 [Bassus] (Peterhouse Partbooks: Henrician Set)

GB-Cp MS 40 [Triplex] (Peterhouse Partbooks: Henrician Set)

GB-Cp MS 41 [Medius] (Peterhouse Partbooks: Henrician Set)

GB-Cqcl Old Library G.4.17

GB-Cu Dd.13.27

GB-DORmcghie McGhie manuscript

GB-Lbl [pr. bk.] C. 52. b. 21

No images available

GB-Lbl [pr. bk.] Music Library K. 2. f. 1 [Altus]

No images available

GB-Lbl [pr. bk.] Music Library K. 2. f. 1 [Discantus]

No images available

GB-Lbl [pr. bk.] Music Library K. 2. f. 1 [Medius]

No images available

GB-Lbl [pr. bk.] Music Library K. 2. f. 1 [Tenor]

No images available

GB-Lbl [pr. bk.] Music Library K. 2. f. 13

No images available

GB-Lbl [pr. bk.] Music Library K. 3. f. 9 [Altus]

No images available

GB-Lbl [pr. bk.] Music Library K. 3. f. 9 [Bassus]

No images available

GB-Lbl [pr. bk.] Music Library K. 3. f. 9 [Discantus]

No images available

GB-Lbl [pr. bk.] Music Library K. 3. f. 9 [Tenor]

GB-Lbl Add. MS 4900

GB-Lbl Add. MS 15166

GB-Lbl Add. MS 17802 (Gyffard Partbooks)

GB-Lbl Add. MS 17803 (Gyffard Partbooks)

GB-Lbl Add. MS 17804 (Gyffard Partbooks)

GB-Lbl Add. MS 17805 (Gyffard Partbooks)

GB-Lbl Add. MS 22597

GB-Lbl Add. MS 29996

GB-Lbl Add. MS 30480 (Hamond Partbooks)

GB-Lbl Add. MS 30481 (Hamond Partbooks)

GB-Lbl Add. MS 30482 (Hamond Partbooks)

GB-Lbl Add. MS 30483 (Hamond Partbooks)

GB-Lbl Add. MS 30484 (Hamond Partbooks)

GB-Lbl R.M.24.d.2 (Baldwin Commonplace Book)

GB-Lbl Royal Appendix 12

GB-Lbl Royal Appendix 13

GB-Lbl Royal Appendix 14

GB-Lbl Royal Appendix 15

GB-Lbl Royal Appendix 16

GB-Lbl Royal Appendix 17

GB-Lbl Royal Appendix 18

GB-Lbl Royal Appendix 19

GB-Lbl Royal Appendix 20

GB-Lbl Royal Appendix 21

GB-Lbl Royal Appendix 22

GB-Lbl Royal Appendix 23

GB-Lbl Royal Appendix 24

GB-Lbl Royal Appendix 25

GB-Lbl Royal Appendix 26

GB-Lbl Royal Appendix 27

GB-Lbl Royal Appendix 28

GB-Lbl Royal Appendix 29

GB-Lbl Royal Appendix 30

GB-Lbl Royal Appendix 31

GB-Lbl Royal Appendix 32

GB-Lbl Royal Appendix 33

GB-Lbl Royal Appendix 34

GB-Lbl Royal Appendix 35

No images available

GB-Lbl Royal Appendix 41

No images available

GB-Lbl Royal Appendix 42

No images available

GB-Lbl Royal Appendix 43

No images available

GB-Lbl Royal Appendix 44

GB-Lbl Royal Appendix 45 (Ludford)

GB-Lbl Royal Appendix 46 (Ludford)

GB-Lbl Royal Appendix 47 (Ludford)

GB-Lbl Royal Appendix 48 (Ludford)

GB-Lbl Royal Appendix 49

GB-Lbl Royal Appendix 50

GB-Lbl Royal Appendix 51

GB-Lbl Royal Appendix 52

GB-Lbl Royal Appendix 53

GB-Lbl Royal Appendix 54

GB-Lbl Royal Appendix 56

No images available

GB-Lbl Royal Appendix 57

GB-Lbl Royal Appendix 58

No images available

GB-Lbl Royal Appendix 59

No images available

GB-Lbl Royal Appendix 60

No images available

GB-Lbl Royal Appendix 61

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GB-Lbl Royal Appendix 62

GB-Lbl Royal Appendix 74 (Lumley)

GB-Lbl Royal Appendix 75 (Lumley)

GB-Lbl Royal Appendix 76 (Lumley)

No images available

GB-Lcm [pr. bk.] B187

No images available

GB-Lcm [pr. bk.] B190 [Altus]

No images available

GB-Lcm [pr. bk.] B190 [Bassus]

No images available

GB-Lcm [pr. bk.] B190 [Discantus]

No images available

GB-Lcm [pr. bk.] B190 [Tenor]

GB-Llp MS 1 (Lambeth Choirbook; Arundel Choirbook)

GB-Lna SP I/246

GB-Ob MS. Mus. c. 784 (Willmott Manuscript)

GB-Ob MS. Mus. d. 103

GB-Ob MS. Mus. e. 1 (Sadler Partbooks)

GB-Ob MS. Mus. e. 2 (Sadler Partbooks)

GB-Ob MS. Mus. e. 3 (Sadler Partbooks)

GB-Ob MS. Mus. e. 4 (Sadler Partbooks)

GB-Ob MS. Mus. e. 5 (Sadler Partbooks)

GB-Ob MS. Mus. e. 21

GB-Ob MS. Mus. Sch. e. 376 (Forrest-Heather Partbooks)

GB-Ob MS. Mus. Sch. e. 377 (Forrest-Heather Partbooks)

GB-Ob MS. Mus. Sch. e. 378 (Forrest-Heather Partbooks)

GB-Ob MS. Mus. Sch. e. 379 (Forrest-Heather Partbooks)

GB-Ob MS. Mus. Sch. e. 380 (Forrest-Heather Partbooks)

GB-Ob MS. Mus. Sch. e. 381 (Forrest-Heather Partbooks)

GB-Ob MS. Mus. Sch. e. 420 (Wanley Partbooks)

GB-Ob MS. Mus. Sch. e. 421 (Wanley Partbooks)

GB-Ob MS. Mus. Sch. e. 422 (Wanley Partbooks)

GB-Ob MS. Mus. Sch. e. 423

GB-Ob MS. Tenbury 341

GB-Ob MS. Tenbury 342

GB-Ob MS. Tenbury 343

GB-Ob MS. Tenbury 344

GB-Ob MS. Tenbury 389

No images available

GB-Ob MS. Tenbury 807

No images available

GB-Ob MS. Tenbury 808

No images available

GB-Ob MS. Tenbury 809

No images available

GB-Ob MS. Tenbury 810

No images available

GB-Ob MS. Tenbury 811

No images available

GB-Ob MS. Tenbury 1382 (Southwell Tenor Book)

GB-Ob MS. Tenbury 1464

GB-Ob MS. Tenbury 1486 (Braikenridge Manuscript)

No images available

GB-Och Mus. 45

GB-Och Mus. 979 (Baldwin Partbooks)

GB-Och Mus. 980 (Baldwin Partbooks)

GB-Och Mus. 981 (Baldwin Partbooks)

GB-Och Mus. 982 (Baldwin Partbooks)

GB-Och Mus. 983 (Baldwin Partbooks)

GB-Och Mus. 984 (Dow Partbooks)

GB-Och Mus. 985 (Dow Partbooks)

GB-Och Mus. 986 (Dow Partbooks)

GB-Och Mus. 987 (Dow Partbooks)

GB-Och Mus. 988 (Dow Partbooks)

GB-Odiamm Contratenor partbook in private ownership (contact DIAMM)

GB-W X4/34/3 (Fayrfax fragments)

GB-WCc MS 153 Bassus (Winchester Partbooks)

GB-WCc MS 153 Contra Altus (Winchester Partbooks)

GB-WCc MS 153 Discantus (Winchester Partbooks)

GB-WCc MS 153 Tenor (Winchester Partbooks)

GB-WRec MS 178 (Eton Choirbook)

No images available

IRL-Dm [pr. bk.] Z4. 3. 1-5

No images available

IRL-Dtc [pr. bk.] OLS. 192. n. 40 [Altus]

No images available

IRL-Dtc [pr. bk.] OLS. 192. n. 40 [Bassus]

No images available

IRL-Dtc [pr. bk.] OLS. 192. n. 40 [Discantus]

No images available

IRL-Dtc [pr. bk.] OLS. 192. n. 40 [Superius (Quintus)]

No images available

IRL-Dtc [pr. bk.] OLS. 192. n. 40 [Tenor]

No images available

US-NYp Mus. Res. *MNZ (Chirk) [1] (Chirk Castle Partbooks)

No images available

US-NYp Mus. Res. *MNZ (Chirk) [2] (Chirk Castle Partbooks)

No images available

US-NYp Mus. Res. *MNZ (Chirk) [3] (Chirk Castle Partbooks)

No images available

US-NYp Mus. Res. *MNZ (Chirk) [4] (Chirk Castle Partbooks)

US-NYp Mus. Res. Drexel 4180

US-NYp Mus. Res. Drexel 4181

No images available

US-NYp Mus. Res. Drexel 4182

US-NYp Mus. Res. Drexel 4183

US-NYp Mus. Res. Drexel 4184

US-NYp Mus. Res. Drexel 4185

US-Ws V.a. 408

Set: MSS Tenbury 341-344

Type: Partbooks

GB-Ob MS. Tenbury 341

GB-Ob MS. Tenbury 342

GB-Ob MS. Tenbury 343

GB-Ob MS. Tenbury 344

‡ denotes primary source study

Charteris, Richard (editor). 1984. Alfonso Ferrabosco the Elder (1543-1588): Opera Omnia. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: I,xv-xviii; II,xii-xiv, 16-9,179-80,186-90,197-201; III.xv. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Charteris, Richard. 1984. Alfonso Ferrabosco the Elder (1543-1588): A Thematic Catalogue of his Music with a Biographical Calendar. New York. Pages: 57ff,193. Notes: contents list (partial); concordances (partial).

Daniel, Ralph T, and Peter Le Huray. 1972. The Sources of English Church Music 1549-1660. Early English Church Music. London. Notes: contents list (partial); concordances (partial).

Bray, Roger W. 1970-71. The Interpretation of Musica Ficta in English Music C.1490-C.1580. Proceedings of the Royal Musical Association, 29-45. Pages: 41-4. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Bray, Roger W. 1969. The Interpretation of Musica Ficta in English Music, C. 1490-C. 1580 [dissertation]. Oxford University, Unpublished Ph.D. dissertation. Pages: I, 141-55, 169-84; II, 60-8, 76-85. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Brett, Philip. 1965. The Songs of William Byrd. Cambridge University, Unpublished Ph.D. dissertation. Pages: 200, 272. Notes: physical description (partial); contents list (partial); concordances (partial).

Brett, Philip. 1964-68. Edward Paston (1550-1630): A Norfolk Gentleman and His Musical Collection. Transactions of the Cambridge Bibliographical Society, 51-69. Pages: 57-61, 69, plate VIIIb. Notes: physical description (partial); contents list (partial); concordances (partial); facsimile (partial); mention of MS; discussion.

Harrison, Frank Llewellyn (editor). 1963-. Early English Church Music. London: Stainer & Bell. Pages: XXVIII.125, 130; XXIX,129,132-3; XXX,75-90,177,186. Notes: physical description (partial); contents list (partial); concordances (partial); transcriptions (partial).

Lamont, Herbert Harry. 1963. John Shepherd: His Life and Music. University of Southern California, Unpublished Ph.D. dissertation. Pages: I, 117, 222, 226. Notes: physical description (partial); contents list (partial); concordances (partial).

Kerman, Joseph. 1961. Byrd's Motets: Chronology and Canon. Journal of the American Musicological Society, 359-82. Pages: 369-70. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Fellowes, Edmund H. 1948. William Byrd. London, New York, and Toronto. Pages: 99, 112-3, opp. 142, 143, 192. Notes: mention of MS; contents list (partial); concordances (partial); facsimile (partial).

Fellowes, Edmund H (editor). 1937-50, 1962. The Collected Works of William Byrd. Pages: XVII, 53-62, 151, 157. Notes: mention of MS; contents list (partial); concordances (partial); transcriptions (partial).

Fellowes, Edmund H. 1934. The Catalogue of Manuscripts in the Library of St. Michael's College Tenbury. Paris. Pages: 56-9. Notes: physical description (partial); contents list.

Fellowes, Edmund H (editor). 1923-48. Tudor Church Music. London, Oxford et al. Pages: I, xxx, lx-lxiii; II, xxv, xxxiv; III, xviii-xix; V, xx, xxiii; VI, xxv-xxxii, passim; IX, xii, xiv; X, 235. Notes: physical description (partial); contents list (partial); concordances (partial); transcriptions (partial).

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Watermark Note; Notation Note; Ruling Note; Foliation Note; Decoration Note; Contents Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description