GB-Ob MS. Tenbury 344

Bodleian Library, Oxford, England

partbook: Early 17th century

Archive	Bodleian Library, Oxford, England (GB-Ob)
Shelfmark	MS. Tenbury 344
Surface	Paper
Numbering System	Foliation
Format	portrait
Measurements	221 x 169 mm
Other Identifiers	CCM: OxfBT 341-4
Relationships	St Michael's College (owner) Ouseley, Sir Frederick Gore (1825–1889) (owner) Lygon, Frederick (1830–1891) (owner) Paston, Edward (1550–1630) (patron)
External Links	online catalogue entry
Provenance	Norfolk, England
Contents	116 pieces from 15 composers

General Description

A Tenor partbook from a set of five(?) volumes. One main repertorial layer, with two additional layers: (1) three motets added at beginning of all books except Discantus; (2) 21 pieces for three and four voices added on new ff. 81 '104' of Quintus/Sextus book, copied in choirbook format (i.e., all voices present). Copied by a single scribe, employed by Edward Paston (1550-1630) of Norfolk, a country gentleman and collector of music. Later owned by Frederick Lygon, 6th Earl Beauchamp (1830-91) and by Sir Frederick Ouseley (1825-89), founder of St. Michael's College (near Tenbury, Worcester). Bequeathed to St. Michael's College by Ouseley; deposited in Bodleian Library in 1979.

DIAMM, 2017

Binding

Original covers of dark brown leather on cardboard, tooled in gold with ornamental designs, voice designations, and 'EDWARDUS PASTON.

DIAMM, 2017

Watermark

grape cluster (not in Briquet or Heawood)

DIAMM, 2017

Notation

not indicated

DIAMM, 2017

Ruling

Staff height 12.5

DIAMM, 2017

Foliation

Original ink foliation 1-77; modern pencil foliation 1-104 includes some folios not numbered by original foliation.

DIAMM, 2017

Decoration

A few inked calligraphic initials and plain inked initials; no other decoration

DIAMM, 2017

Index

Original indices on first original flyleaf at back of each book include all pieces in main layer, grouped by number of voices. Six- and 7-voice pieces listed in order of appearance; 5-voice pieces grouped alphabetically by first letter of text, with subgrouping under each letter by order of appearance.

DIAMM, 2017

Surface

paper

DIAMM, 2017

DIAMM Note

Digitized with funding from the Arts and Humanities Research Council (UK) for the Tudor Partbooks project at the Universities of Oxford and Newcastle.

DIAMM, 2023

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

10 Mass Ordinary sections, 1 Magnificat, 7 hymns, 5 Lamentations, 72 motets, 2 anthems, 2 Latin secular pieces, 1 Fantasia = 100 + 1 duplicate = 101

Byrd-27, Byrd/Taverner-1,* Clemens non Papa-2, Fayrfax-2, A. Ferrabosco I-21, R.Johnson I-2, Lassus-3, Meiland-1, Parsley-1, Roose-1, Shepherd-1, Tallis-19, Tallis/(Shepherd)-1, Taverner-11, (Tye)-1, Vaet-1, R. White-4, Wood-1

*Motet "Infelix ego" in all four partbooks, attributed to Byrd. Pars I copied again on new ff. 96'-97 of Q/S book, incorrectly attributed to Taverner.

4 paper partbooks of an original 5? (D-v + 62 + ii + i folios, A-ii + iii + 64 + ii + i, T-ii + iii + 65 + ii + i, Q/S-ii + ii + 104 + ii + i), 221 x 169. Original ink foliation (D: 1-62; A: 1-61; T: 1-64; Q/S: 1-77); modern pencil foliation in all books except D (A: 1-64; T: 1-65; Q/S: 1-104) includes some folios not numbered by original foliation. Original covers of dark brown leather on cardboard, tooled in gold with ornamental designs, voice designations, and "EDWARDUS PASTON." Original indices on first original flyleaf at back of each book include all pieces in main layer, grouped by number of voices. Six- and 7-voice pieces listed in order of appearance; 5-voice pieces grouped alphabetically by first letter of text, with subgrouping under each letter by order of appearance.

One main repertorial layer, with two additional layers: (1) three motets added at beginning of all books except D; (2) 21 pieces for three and four voices added on new ff. 81 '104' of Q/S book, copied in choirbook format (i.e., all voices present in Q/S book). Copied by a single scribe, employed by Edward Paston (see BrettEP for list of other books in the same hand and for discussion of related manuscripts from Paston's circle). Staff height 12.5. A few inked calligraphic initials and plain inked initials; no other decoration. Watermark: grape cluster (not in Briquet or Heawood).

Early 17th Century. Of English provenance; originated in the household of Edward Paston (1550-1630) of Norfolk, a country gentleman and collector of music. Later owned by Frederick Lygon, 6th Earl Beauchamp (1830-91) and by Sir Frederick Ouseley (1825-89), founder of St. Michael's College (near Tenbury, Worcester). Bequeathed to St. Michael's College by Ouseley; deposited in Bodleian Library in 1979.

Vol 4

Contents: Change "72 motets" to "73 motets"; change total number of pieces from "100 + 1 duplicate = 101" to "101 + 1 duplicate = 102."

Composers: Change "A. Ferrabosco I-21" to "A. Ferrabosco I-22."

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
1r	Tristis est anima mea usque ad mortem	Orlando	Lassus, Orlande de (ca. 1532–1594)
Tristis est anima mea usque ad mortem Lassus, Orlande de (ca. 1532–1594) Appears on: 1r Genres: Motet Source Attribution: Orlando Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Tristis est anima mea
1v	Benedixisti Domine - 1a pars (of 2): Benedixisti Domine terram tuam avertisti	Jacobus Meilandus	Meiland, Jacob (1542–1577)
Benedixisti Domine - 1a pars (of 2): Benedixisti Domine terram tuam avertisti Meiland, Jacob (1542–1577) Appears on: 1v Genres: Motet Source Attribution: Jacobus Meilandus Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Benedixisti Domine General Note Annotations/Corrections: Secunda / pars' on top of f. 2.;
2r	Benedixisti Domine - 2a pars (of 2): Converte nos Deus salutaris noster	-	Meiland, Jacob (1542–1577)
Benedixisti Domine - 2a pars (of 2): Converte nos Deus salutaris noster Meiland, Jacob (1542–1577) Appears on: 2r Genres: Motet
2v	Ave regina caelorum (II) (6vv)	Orlando	Lassus, Orlande de (ca. 1532–1594)
Ave regina caelorum (II) (6vv) Lassus, Orlande de (ca. 1532–1594) Appears on: 2v Genres: Ave regina caelorum, Motet Source Attribution: Orlando Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Ave Regina cæloru[m]
3r	[blank staves]	-	-
[blank staves] Appears on: 3r
3v–4r	[blank pages]	-	-
[blank pages] Appears on: 3v–4r
4v	Emendemus - 1a pars (of 2): Emendemus in melius	-	Byrd, William (ca. 1540–1623)
Emendemus - 1a pars (of 2): Emendemus in melius Byrd, William (ca. 1540–1623) Appears on: 4v Genres: Motet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Emendemus in melius
4v	Emendemus - 2a pars (of 2): Adiuva nos Deus	-	Byrd, William (ca. 1540–1623)
Emendemus - 2a pars (of 2): Adiuva nos Deus Byrd, William (ca. 1540–1623) Appears on: 4v Genres: Motet
5r	Deus venerunt gentes - 1a pars (of 4): Deus venerunt gentes	Mr Byrde	Byrd, William (ca. 1540–1623)
Deus venerunt gentes - 1a pars (of 4): Deus venerunt gentes Byrd, William (ca. 1540–1623) Appears on: 5r Genres: Motet Source Attribution: Mr Byrde Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Deus deus venerunt gentes General Note Annotations/Corrections: Secunda / pars' on f. 5, fourth line; 'Tertia pars' on f. 5v, fifth line; 'Quarta pars' f. 6, fifth line.;
5r–5v	Deus venerunt gentes - 2a pars (of 4): Posuerunt morticinia	-	Byrd, William (ca. 1540–1623)
Deus venerunt gentes - 2a pars (of 4): Posuerunt morticinia Byrd, William (ca. 1540–1623) Appears on: 5r–5v Genres: Motet
5v–6r	Deus venerunt gentes - 3a pars (of 4): Effuderunt sanguinem	-	Byrd, William (ca. 1540–1623)
Deus venerunt gentes - 3a pars (of 4): Effuderunt sanguinem Byrd, William (ca. 1540–1623) Appears on: 5v–6r Genres: Motet
6r–6v	Deus venerunt gentes - 4a pars (of 4): Opprobrium facti sumus	-	Byrd, William (ca. 1540–1623)
Deus venerunt gentes - 4a pars (of 4): Opprobrium facti sumus Byrd, William (ca. 1540–1623) Appears on: 6r–6v Genres: Motet
6v–7r	Miserere mei Deus	Mr Byrde	Byrd, William (ca. 1540–1623)
Miserere mei Deus Byrd, William (ca. 1540–1623) Appears on: 6v–7r Genres: Miserere mei Deus, Motet Source Attribution: Mr Byrde Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Miserere
7r–7v	Circumdederunt me dolores mortis	Mr Byrde	Byrd, William (ca. 1540–1623)
Circumdederunt me dolores mortis Byrd, William (ca. 1540–1623) Appears on: 7r–7v Genres: Motet Source Attribution: Mr Byrde Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Circundederunt me
8r	Memento Domine	-	Byrd, William (ca. 1540–1623)
Memento Domine Byrd, William (ca. 1540–1623) Appears on: 8r Genres: Motet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Memento domine
8v	Domine praestolamur - 1a pars (of 2): Domine praestolamur	Mr Byrde	Byrd, William (ca. 1540–1623)
Domine praestolamur - 1a pars (of 2): Domine praestolamur Byrd, William (ca. 1540–1623) Appears on: 8v Genres: Motet Source Attribution: Mr Byrde Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Domine prestolamur General Note Annotations/Corrections: Secunda / pars' on top of f. 9.;
9r	Domine praestolamur - 2a pars (of 2): Veni Domine	-	Byrd, William (ca. 1540–1623)
Domine praestolamur - 2a pars (of 2): Veni Domine Byrd, William (ca. 1540–1623) Appears on: 9r Genres: Motet
9v–10r	Tristitia et anxietas - 1a pars (of 2): Tristitia et anxietas, Domine tu jurasti	Mr Byrde	Byrd, William (ca. 1540–1623)
Tristitia et anxietas - 1a pars (of 2): Tristitia et anxietas, Domine tu jurasti Byrd, William (ca. 1540–1623) Appears on: 9v–10r Genres: Motet Source Attribution: Mr Byrde Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Tristitia tristitia et anxietas General Note Annotations/Corrections: Secunda / pars' on f. 10, beginning of second line.;
10r	Tristitia et anxietas - 2a pars (of 2): Sed tu domine	-	Byrd, William (ca. 1540–1623)
Tristitia et anxietas - 2a pars (of 2): Sed tu domine Byrd, William (ca. 1540–1623) Appears on: 10r Genres: Motet
10v–11r	Aspice Domine de sede (5vv) - 1a pars (of 2): Aspice Domine de sede sancta	Mr Byrde	Byrd, William (ca. 1540–1623)
Aspice Domine de sede (5vv) - 1a pars (of 2): Aspice Domine de sede sancta Byrd, William (ca. 1540–1623) Appears on: 10v–11r Genres: Motet Source Attribution: Mr Byrde Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Aspice domine General Note Annotations/Corrections: Rs (sign for Responsory) at the beginning; 'V[er]sus' on f. 11.;
11r	Aspice Domine de sede (5vv) - 2a pars (of 2): Respice domine	-	Byrd, William (ca. 1540–1623)
Aspice Domine de sede (5vv) - 2a pars (of 2): Respice domine Byrd, William (ca. 1540–1623) Appears on: 11r Genres: Motet
11v	Petrus beatus - 1a pars (of 3): Petrus beatus	Mr Byrde	Byrd, William (ca. 1540–1623)
Petrus beatus - 1a pars (of 3): Petrus beatus Byrd, William (ca. 1540–1623) Appears on: 11v Genres: Motet Source Attribution: Mr Byrde Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Petrus beatus General Note Annotations/Corrections: Secu[n]da pars' on f. 11v, fifth line; 'Tertia / pars' on f. 12 third line.;
11v–12r	Petrus beatus - 2a pars (of 3): Quodcumque vinclis	-	Byrd, William (ca. 1540–1623)
Petrus beatus - 2a pars (of 3): Quodcumque vinclis Byrd, William (ca. 1540–1623) Appears on: 11v–12r Genres: Motet
12r	Petrus beatus - 3a pars (of 3): Gloria Deo - Per immensa saecula	-	Byrd, William (ca. 1540–1623)
Petrus beatus - 3a pars (of 3): Gloria Deo - Per immensa saecula Byrd, William (ca. 1540–1623) Appears on: 12r Genres: Motet
12v	Apparebit in finem	Mr Byrde	Byrd, William (ca. 1540–1623)
Apparebit in finem Byrd, William (ca. 1540–1623) Appears on: 12v Genres: Motet Source Attribution: Mr Byrde Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Apparebit in finem
13r	Domine tu jurasti	Mr Byrde	Byrd, William (ca. 1540–1623)
Domine tu jurasti Byrd, William (ca. 1540–1623) Appears on: 13r Genres: Motet Source Attribution: Mr Byrde Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Domine tu iurasti
13v	In resurrectione tua	Mr Byrde	Byrd, William (ca. 1540–1623)
In resurrectione tua Byrd, William (ca. 1540–1623) Appears on: 13v Genres: Motet Source Attribution: Mr Byrde Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: In resurrexione tua
13v–14r	Vigilate nescitis enim	Mr Byrde	Byrd, William (ca. 1540–1623)
Vigilate nescitis enim Byrd, William (ca. 1540–1623) Appears on: 13v–14r Source Attribution: Mr Byrde Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c5 Voice Text: Vigilate vigilate nescites enim
14v	Audivi vocem de caelo	Mr Byrde	Byrd, William (ca. 1540–1623)
Audivi vocem de caelo Byrd, William (ca. 1540–1623) Appears on: 14v Genres: Motet Source Attribution: Mr Byrde Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Audiui vocem
15r	Vide domine afflictionem - 1a pars (of 2): Vide domine afflictionem nostram et in tempore	Mr Byrde	Byrd, William (ca. 1540–1623)
Vide domine afflictionem - 1a pars (of 2): Vide domine afflictionem nostram et in tempore Byrd, William (ca. 1540–1623) Appears on: 15r Genres: Motet Source Attribution: Mr Byrde Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c5 Voice Text: Vide domine General Note Annotations/Corrections: verte.' at bottom of f. 15; 'Secu[n]da / pars' on top of f. 15v.;
15v	Vide domine afflictionem - 2a pars (of 2): Sed veni domine et noli tardare	-	Byrd, William (ca. 1540–1623)
Vide domine afflictionem - 2a pars (of 2): Sed veni domine et noli tardare Byrd, William (ca. 1540–1623) Appears on: 15v Genres: Motet
16r	Haec dicit Dominus - 1a pars (of 2): Haec dicit Dominus vox in excelsis	Mr Byrde	Byrd, William (ca. 1540–1623)
Haec dicit Dominus - 1a pars (of 2): Haec dicit Dominus vox in excelsis Byrd, William (ca. 1540–1623) Appears on: 16r Genres: Motet Source Attribution: Mr Byrde Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c5 Voice Text: Hec dicit dominus General Note Annotations/Corrections: verte.' at bottom of f. 16; 'Secu[n]da / pars' on top of f. 16v.;
16v	Haec dicit Dominus - 2a pars (of 2): Haec dicit Dominus quiescat vox	-	Byrd, William (ca. 1540–1623)
Haec dicit Dominus - 2a pars (of 2): Haec dicit Dominus quiescat vox Byrd, William (ca. 1540–1623) Appears on: 16v Genres: Motet
17r	Domine secundum multitudinem dolorum meum	Mr Byrde	Byrd, William (ca. 1540–1623)
Domine secundum multitudinem dolorum meum Byrd, William (ca. 1540–1623) Appears on: 17r Genres: Motet Source Attribution: Mr Byrde Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Domine secundu[m] multitudine[m]
17v	Laudate Dominum omnes gentes, laudate eum	Mr Tallis	Tallis, Thomas (ca. 1505–1585)
Laudate Dominum omnes gentes, laudate eum Tallis, Thomas (ca. 1505–1585) Appears on: 17v Genres: Motet Source Attribution: Mr Tallis Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Laudate dominu[m]
18r	Fac cum servo tuo	-	Byrd, William (ca. 1540–1623)
Fac cum servo tuo Byrd, William (ca. 1540–1623) Appears on: 18r Genres: Motet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Fac cum servo tuo
18v	O quam gloriosum - 1a pars (of 2): O quam gloriosum est regnum	Mr Byrde	Byrd, William (ca. 1540–1623)
O quam gloriosum - 1a pars (of 2): O quam gloriosum est regnum Byrd, William (ca. 1540–1623) Appears on: 18v Genres: Motet Source Attribution: Mr Byrde Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: O quam gloriosu[m] General Note Annotations/Corrections: Secunda / pars' on top of f. 19.;
19r	O quam gloriosum - 2a pars (of 2): Benedictio et claritas	-	Byrd, William (ca. 1540–1623)
O quam gloriosum - 2a pars (of 2): Benedictio et claritas Byrd, William (ca. 1540–1623) Appears on: 19r Genres: Motet
19v	Tribulationes civitatum - 1a pars (of 3): Tribulationes civitatum	Mr Byrde	Byrd, William (ca. 1540–1623)
Tribulationes civitatum - 1a pars (of 3): Tribulationes civitatum Byrd, William (ca. 1540–1623) Appears on: 19v Genres: Motet Source Attribution: Mr Byrde Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c5 Voice Text: Tribulationes ciuitatu[m] General Note Annotations/Corrections: Secunda / pars' at beginning of penultimate line of f. 19v s; 'Tertia / pars' at beginning of penultimate line of f. 20;
19v–20r	Tribulationes civitatum - 2a pars (of 3): Timor et hebitudo	-	Byrd, William (ca. 1540–1623)
Tribulationes civitatum - 2a pars (of 3): Timor et hebitudo Byrd, William (ca. 1540–1623) Appears on: 19v–20r Genres: Motet
20r–20v	Tribulationes civitatum - 3a pars (of 3): Nos enim pro peccatis	-	Byrd, William (ca. 1540–1623)
Tribulationes civitatum - 3a pars (of 3): Nos enim pro peccatis Byrd, William (ca. 1540–1623) Appears on: 20r–20v Genres: Motet
20v–21r	Ne irascaris - 1a pars (of 2): Ne irascaris Domine	Mr Byrde	Byrd, William (ca. 1540–1623)
Ne irascaris - 1a pars (of 2): Ne irascaris Domine Byrd, William (ca. 1540–1623) Appears on: 20v–21r Genres: Motet Source Attribution: Mr Byrde Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c5 Voice Text: Ne Irascaris domine General Note Annotations/Corrections: Secunda / pars' on f. 21, fifth line.;
21r–21v	Ne irascaris - 2a pars (of 2): Civitatis sancti tui	-	Byrd, William (ca. 1540–1623)
Ne irascaris - 2a pars (of 2): Civitatis sancti tui Byrd, William (ca. 1540–1623) Appears on: 21r–21v Genres: Motet
21v–22r	Domine quis habitabit - 1a pars (of 2): Domine quis habitabit	Mr Tallis	Tallis, Thomas (ca. 1505–1585)
Domine quis habitabit - 1a pars (of 2): Domine quis habitabit Tallis, Thomas (ca. 1505–1585) Appears on: 21v–22r Genres: Motet Source Attribution: Mr Tallis Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Domine quis habitabit General Note Annotations/Corrections: verte.' at bottom of f. 22, 'Secu[n]da pars' on top of f. 22v.;
22v–23r	Domine quis habitabit - 2a pars (of 2): Ad nihillum deductus	-	Tallis, Thomas (ca. 1505–1585)
Domine quis habitabit - 2a pars (of 2): Ad nihillum deductus Tallis, Thomas (ca. 1505–1585) Appears on: 22v–23r Genres: Motet
23r–23v	Derelinquit impius viam suam	Mr Tallis	Tallis, Thomas (ca. 1505–1585)
Derelinquit impius viam suam Tallis, Thomas (ca. 1505–1585) Appears on: 23r–23v Source Attribution: Mr Tallis Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c5 Voice Text: Derelinquit impius General Note Annotations/Corrections: one note corr. and one note/stem corrections on f. 23, first line of the piece.;
23v–24r	Dum transisset sabbatum, Maria Magdalene / Aromata emerunt	Mr Tallis	Tallis, Thomas (ca. 1505–1585)
Dum transisset sabbatum, Maria Magdalene / Aromata emerunt Tallis, Thomas (ca. 1505–1585) Appears on: 23v–24r Genres: Motet Source Attribution: Mr Tallis Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Sabathu[m] du[m] transisset
24r–24v	O salutaris hostia	Mr Tallis	Tallis, Thomas (ca. 1505–1585)
O salutaris hostia Tallis, Thomas (ca. 1505–1585) Appears on: 24r–24v Genres: Motet Source Attribution: Mr Tallis Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: O salutaris hostia
24v–25r	[Salvator mundi Domine] Adesto nunc propitius	Mr Tallis	Tallis, Thomas (ca. 1505–1585)
[Salvator mundi Domine] Adesto nunc propitius Tallis, Thomas (ca. 1505–1585) Appears on: 24v–25r Source Attribution: Mr Tallis Voice: [no designation] Languages: Latin Mensuration: c-dot Clef: c4 Voice Text: Adesto nunc propicius General Note Notes: NG: 'Even-numbered verses only; c.f. chant; hymn for Compline, Vigil of Nativity and various other seasons';
25r–25v	Tu fabricator omnium [= Jesu Salvator saeculi, v. 2]	Mr Tallis	Tallis, Thomas (ca. 1505–1585)
Tu fabricator omnium [= Jesu Salvator saeculi, v. 2] Tallis, Thomas (ca. 1505–1585) Appears on: 25r–25v Genres: Contrafactum, Motet Source Attribution: Mr Tallis Voice: [no designation] Languages: Latin Mensuration: c-dot Clef: c4 Voice Text: Tu fabricator omniu[m]
25v	Quod chorus vatum [= Haec Deum coeli ] (v. 4: Tu libens votis petimus)	-	Tallis, Thomas (ca. 1505–1585)
Quod chorus vatum [= Haec Deum coeli ] (v. 4: Tu libens votis petimus) Tallis, Thomas (ca. 1505–1585) Appears on: 25v Genres: Anthem Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Tu libens votis petimus
25v–26r	[Iam Christus astra] (v. 2) Solemnis urgebat dies	Mr Tallis	Tallis, Thomas (ca. 1505–1585)
[Iam Christus astra] (v. 2) Solemnis urgebat dies Tallis, Thomas (ca. 1505–1585) Appears on: 25v–26r Genres: Hymn Source Attribution: Mr Tallis Voice: [no designation] Languages: Latin Mensuration: c-dot Clef: c4 Voice Text: Solemnis urgebat dies General Note Annotations/Corrections: note/stem correction at beginning of second line on f. 26;
26v	[Deus tuorum militum (II)] (v. 2) Hic nempe mundi	-	Sheppard, John (ca. 1515–1558)
[Deus tuorum militum (II)] (v. 2) Hic nempe mundi Sheppard, John (ca. 1515–1558) Appears on: 26v Genres: Hymn Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Hic nempe mundi
27r	Rex Christe clementissime (= last two verses of Sermone blando)	-	Tallis, Thomas (ca. 1505–1585)
Rex Christe clementissime (= last two verses of Sermone blando) Tallis, Thomas (ca. 1505–1585) Appears on: 27r Genres: Motet Voice: [no designation] Languages: Latin Mensuration: rev-cut-c Clef: c4 Voice Text: Rex Christe cleme[n]tissime
26v–27r	Aeterne rex altissime, v.2: Scandens tribunal dexterae patris	Mr Tallis	Tallis, Thomas (ca. 1505–1585) (?) Sheppard, John (ca. 1515–1558) (?)
Aeterne rex altissime, v.2: Scandens tribunal dexterae patris Tallis, Thomas (ca. 1505–1585) (?) Sheppard, John (ca. 1515–1558) (?) Appears on: 26v–27r Source Attribution: Mr Tallis Voice: [no designation] Languages: Latin Mensuration: rev-cut-c Clef: c3 Voice Text: Gloria tibi domine Layout the first polyphonic verse (i.e. second verse of hymn) at bottom of 26v, the other verse at bottom of 27r (with attribution to Tallis)
27v	Amavit eum Dominus	-	Tye, Christopher (ca. 1505–ca. 1573) (?)
Amavit eum Dominus Tye, Christopher (ca. 1505–ca. 1573) (?) Appears on: 27v Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Amavit General Note Notes: only first word of text entered;
28r–28v	Domine in virtute tua (II) - 1a pars (of 2): Domine in virtute tua	Mr Johnson	Johnson (I), Robert (ca. 1500–ca. 1560)
Domine in virtute tua (II) - 1a pars (of 2): Domine in virtute tua Johnson (I), Robert (ca. 1500–ca. 1560) Appears on: 28r–28v Genres: Motet Source Attribution: Mr Johnson Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Domine in virtute tua General Note Annotations/Corrections: Secunda / pars' at beginning of third line on f. 28v;
28v–29r	Domine in virtute tua (II) - 2a pars (of 2): Magna gloria eius	-	Johnson (I), Robert (ca. 1500–ca. 1560)
Domine in virtute tua (II) - 2a pars (of 2): Magna gloria eius Johnson (I), Robert (ca. 1500–ca. 1560) Appears on: 28v–29r Genres: Motet
29v–30r	Lamentations (I) : Incipit lamentatio Jeremiae - Aleph - Beth - Convertere Jerusalem	Mr Tallis	Tallis, Thomas (ca. 1505–1585)
Lamentations (I) : Incipit lamentatio Jeremiae - Aleph - Beth - Convertere Jerusalem Tallis, Thomas (ca. 1505–1585) Appears on: 29v–30r Genres: Lamentations, Motet Source Attribution: Mr Tallis Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: f3 Voice Text: Incipit lamentatio Ieremie prophete General Note Canon/Gimels: Gimel' on f. 30v, third line.;
30v–31v	Lamentations (II): De lamentatione Jeremiae - Gimel - Daleth - Heth - Convertere Jerusalem	-	Tallis, Thomas (ca. 1505–1585)
Lamentations (II): De lamentatione Jeremiae - Gimel - Daleth - Heth - Convertere Jerusalem Tallis, Thomas (ca. 1505–1585) Appears on: 30v–31v Genres: Lamentations, Motet
32r–34r	Lamentations (I) a5	Mr Whighte	White, Robert (ca. 1538–1574)
Lamentations (I) a5 White, Robert (ca. 1538–1574) Appears on: 32r–34r Genres: Lamentations, Motet Source Attribution: Mr Whighte Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Heth Peccatu[m] peccavit
34v–35v	Miserere mei Deus - 1a pars (of 2): Miserere mei Deus	Mr Whighte	White, Robert (ca. 1538–1574)
Miserere mei Deus - 1a pars (of 2): Miserere mei Deus White, Robert (ca. 1538–1574) Appears on: 34v–35v Genres: Miserere mei Deus, Motet Source Attribution: Mr Whighte Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Miserere mei deus
35v–36v	Miserere mei Deus - 2a pars (of 2): Cor mundum crea	-	White, Robert (ca. 1538–1574)
Miserere mei Deus - 2a pars (of 2): Cor mundum crea White, Robert (ca. 1538–1574) Appears on: 35v–36v Genres: Miserere mei Deus, Motet
37r–37v	Mater Christi sanctissima virgo [= O most holy and mighty Lord]	Mr Jo Tauerner	Taverner, John
Mater Christi sanctissima virgo [= O most holy and mighty Lord] Taverner, John Appears on: 37r–37v Genres: Motet Source Attribution: Mr Jo Tauerner Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Virgo sacrata maria
37v–38r	Dum transisset sabbatum Maria Magdalena	-	Roose
Dum transisset sabbatum Maria Magdalena Roose Appears on: 37v–38r Genres: Motet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Dum transiscet sabathum
38v–40r	Salve intemerata virgo Maria	Mr Tallis	Tallis, Thomas (ca. 1505–1585)
Salve intemerata virgo Maria Tallis, Thomas (ca. 1505–1585) Appears on: 38v–40r Genres: Antiphon Source Attribution: Mr Tallis Voice: [no designation] Languages: Latin Mensuration: cut-o Clef: c5 Voice Text: Salve Intemerata / Ave mulieris General Note Annotations/Corrections: Salve Intemerata tacet' on f. 38v; 'Per hec nos .tacet.' on f. 39v; 'Secu[n]du[m] humanitate[m] tacet' on f. 40 second line.;
40v–41r	Magnificat O bone Jesu	Docter fairfax	Fayrfax, Robert (1464–1521)
Magnificat O bone Jesu Fayrfax, Robert (1464–1521) Appears on: 40v–41r Genres: English Catholic service music, Magnificat Source Attribution: Docter fairfax Voice: [no designation] Languages: Latin Mensuration: cut-o Clef: f4 Voice Text: Et exultauit General Note Annotations/Corrections: Indeo tacet' on f. 40v first line; 'Esurientes tacet' on f. 41 first line; 'et in secula tacet' on f. 41 sixth line.;
41v–42r	Sospitati dedit aegros (extract: Ergo laudes Nicholae concinat)	Mr Jo: Tauerner	Taverner, John
Sospitati dedit aegros (extract: Ergo laudes Nicholae concinat) Taverner, John Appears on: 41v–42r Genres: Motet Source Attribution: Mr Jo: Tauerner Voice: [no designation] Languages: Latin Mensuration: cut-o Clef: c4 Voice Text: Nicholaus naufragantum General Note Annotations/Corrections: O quam tacet' on f. 41v sixth line; 'Ergo Laudes tacet' on same folio, end of last line.;
42v	Musica laeta suum gaudet (C79)	-	Ferrabosco, Alfonso (the elder) (1543–1588)
Musica laeta suum gaudet (C79) Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 42v Genres: Motet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Musica leta
43r	[blank staves]	-	-
[blank staves] Appears on: 43r Voice: [no designation] Languages: Latin Voice Text: [blank staves - just text incipit 'Benedic'] General Note Notes: blank staves, only text incipit;
43v	Benedic anima mea - 4a pars (of 11): Qui emittis (C11)	-	Ferrabosco, Alfonso (the elder) (1543–1588)
Benedic anima mea - 4a pars (of 11): Qui emittis (C11) Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 43v Genres: Psalm Voice: [no designation] Languages: Latin Voice Text: [blank staves - just text incipit 'Qui emittis fontes'] General Note Notes: blank staves, only text incipit;
43v–44r	Ingemuit Susanna (C43)	Alphonsus	Ferrabosco, Alfonso (the elder) (1543–1588)
Ingemuit Susanna (C43) Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 43v–44r Source Attribution: Alphonsus Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Ingenuit Susanna General Note Annotations/Corrections: note/stem correction on f. 44, second line.;
44v	[blank staves]	-	-
[blank staves] Appears on: 44v Voice: [no designation] Languages: Latin Voice Text: [blank staves - just text incipit 'Qui fundasti terra[m]'] General Note Notes: blank staves, only text incipit;
44v–45r	Mirabile mysterium (C47)	-	Ferrabosco, Alfonso (the elder) (1543–1588)
Mirabile mysterium (C47) Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 44v–45r Genres: Motet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Mirabile misteriu[m]
45v–46r	[blank staves]	-	-
[blank staves] Appears on: 45v–46r Voice: [no designation] Languages: Latin Voice Text: [blank staves - just text incipit 'Cantate domino'] General Note Annotations/Corrections: Secunda / pars' at beginning of first line of f. 46r; Notes: blank staves, only text incipit;
46v	Conserva me Domine - 1a pars (of 2): Conserva me Domine (C25)	Alfonsus	Ferrabosco, Alfonso (the elder) (1543–1588)
Conserva me Domine - 1a pars (of 2): Conserva me Domine (C25) Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 46v Genres: Motet Source Attribution: Alfonsus Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: f3 Voice Text: Conserua me domine General Note Annotations/Corrections: Secunda / pars' on f. 46v last line;
46v–47r	Conserva me Domine - 2a pars (of 2): Vias tuas Domine (C25)	-	Ferrabosco, Alfonso (the elder) (1543–1588)
Conserva me Domine - 2a pars (of 2): Vias tuas Domine (C25) Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 46v–47r Genres: Motet
47v	Peccantem me quotidie	Alfonsus	Ferrabosco, Alfonso (the elder) (1543–1588)
Peccantem me quotidie Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 47v Source Attribution: Alfonsus Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Peccanti me quotidie General Note Annotations/Corrections: two note corrections on f. 47v, last line;
48r	[blank staves]	-	-
[blank staves] Appears on: 48r Voice: [no designation] Languages: Latin Voice Text: [blank staves - just text incipit 'Benedic anima mea'] General Note Notes: blank staves, only text incipit;
48v	Heu mihi Domine (I) (C37)	-	Ferrabosco, Alfonso (the elder) (1543–1588)
Heu mihi Domine (I) (C37) Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 48v Genres: Motet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Heu mihi domine
48v–49v	De Lamentatione Jeremiae (C64)	-	Ferrabosco, Alfonso (the elder) (1543–1588)
De Lamentatione Jeremiae (C64) Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 48v–49v Genres: Lamentations, Motet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: De lamentatione Hieremie Hieremie Prophete
49v–50r	[blank staves]	-	-
[blank staves] Appears on: 49v–50r Voice: [no designation] Languages: Latin Voice Text: [blank staves - just text incipit 'Ecce iam noctis'] General Note Notes: blank staves, only text incipit;
50v–51r	Ad Dominum cum tribularer (C1)	Alfonsus	Ferrabosco, Alfonso (the elder) (1543–1588)
Ad Dominum cum tribularer (C1) Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 50v–51r Genres: Motet Source Attribution: Alfonsus Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Ad dominu[m] eu[m] tribularer clamaui
51r	Surge propera - 1a pars (of 2): Surge propera amica mea columba mea (C57)	Alfonsus	Ferrabosco, Alfonso (the elder) (1543–1588)
Surge propera - 1a pars (of 2): Surge propera amica mea columba mea (C57) Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 51r Genres: Motet Source Attribution: Alfonsus Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Surge propera / Columba mea General Note Annotations/Corrections: verte' at bottom of f. 51; 'Secunda / pars' at top of f. 51v.;
51v	Surge propera - 2a pars (of 2): Surge propera amica mea formosa mea (C58)	-	Ferrabosco, Alfonso (the elder) (1543–1588)
Surge propera - 2a pars (of 2): Surge propera amica mea formosa mea (C58) Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 51v Genres: Motet
52r	Inclina Domine - 4a pars (of 6): In die tribulationis	Alfonso	Ferrabosco, Alfonso (the elder) (1543–1588)
Inclina Domine - 4a pars (of 6): In die tribulationis Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 52r Genres: Motet Source Attribution: Alfonso Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: In die tribulationis General Note Annotations/Corrections: verte folliu[m]' at bottom of f. 52; '.2. p[art]s.' , 'Sex vocu[m]' on f. 52v.;
52v	Inclina Domine - 5a pars (of 6): Quoniam magnus es	-	Ferrabosco, Alfonso (the elder) (1543–1588)
Inclina Domine - 5a pars (of 6): Quoniam magnus es Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 52v Genres: Motet
53r	Virgo per incertos casus (C80)	Alfonsus	Ferrabosco, Alfonso (the elder) (1543–1588)
Virgo per incertos casus (C80) Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 53r Genres: Motet Source Attribution: Alfonsus Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Virgo per incertos casus General Note Annotations/Corrections: Sex vocu[m]' on top of f. 53;
53v	Inclina Domine - 1a pars (of 6): Inclina Domine aurem (C41)	-	Ferrabosco, Alfonso (the elder) (1543–1588)
Inclina Domine - 1a pars (of 6): Inclina Domine aurem (C41) Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 53v Genres: Motet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Inclina domine
53v–54r	Benedicam Dominum - 1a pars (of 2): Benedicam Dominum in omni tempore	Alfonso feraboscho	Ferrabosco, Alfonso (the elder) (1543–1588)
Benedicam Dominum - 1a pars (of 2): Benedicam Dominum in omni tempore Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 53v–54r Genres: Motet Source Attribution: Alfonso feraboscho Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Benedica[m] dominu[m]
54r–54v	Benedicam Dominum - 2a pars (of 2): Gustate et videte	-	Ferrabosco, Alfonso (the elder) (1543–1588)
Benedicam Dominum - 2a pars (of 2): Gustate et videte Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 54r–54v Genres: Motet
54v	Da pacem Domine (III) (C68)	-	Ferrabosco, Alfonso (the elder) (1543–1588)
Da pacem Domine (III) (C68) Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 54v Genres: Motet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Da pacem domine
55r–56r	Incipit lamentatio Jeremiae [III]: Lamed (6vv - C67)	Alfonsus	Ferrabosco, Alfonso (the elder) (1543–1588)
Incipit lamentatio Jeremiae [III]: Lamed (6vv - C67) Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 55r–56r Genres: Lamentations Source Attribution: Alfonsus Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: f3 Voice Text: Incipit lamentatio Ieremiæ prophete General Note Annotations/Corrections: +' under first note of second line on f. 55 and at beginning of some new sections (bottom line of f. 55 and fifth line of f. 55v); Notes: only incipits of the different sections.;
56v	Salve regina (V) - 1a pars (of 4): Salve regina misericordiae	Jacobus Vaet	Vaet, Jacobus (ca. 1529–ca. 1567)
Salve regina (V) - 1a pars (of 4): Salve regina misericordiae Vaet, Jacobus (ca. 1529–ca. 1567) Appears on: 56v Genres: BVM, Motet, Salve Regina Source Attribution: Jacobus Vaet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Salue. / Vita dulcedo General Note Annotations/Corrections: Salue' at beginning under first line; 'Ad te suspiramus tacet' on f. 56v, fourth line.;
56v	Salve regina (V) - 2a pars (of 4): Ad te suspiramus	-	Vaet, Jacobus (ca. 1529–ca. 1567)
Salve regina (V) - 2a pars (of 4): Ad te suspiramus Vaet, Jacobus (ca. 1529–ca. 1567) Appears on: 56v Genres: BVM, Motet, Salve Regina
56v–57r	Salve regina (V) - 3a pars (of 4): Et Jesum benedictum	-	Vaet, Jacobus (ca. 1529–ca. 1567)
Salve regina (V) - 3a pars (of 4): Et Jesum benedictum Vaet, Jacobus (ca. 1529–ca. 1567) Appears on: 56v–57r Genres: BVM, Motet, Salve Regina
57r	Salve regina (V) - 4a pars (of 4): O pia	-	Vaet, Jacobus (ca. 1529–ca. 1567)
Salve regina (V) - 4a pars (of 4): O pia Vaet, Jacobus (ca. 1529–ca. 1567) Appears on: 57r Genres: BVM, Motet, Salve Regina
57r–57v	Memento homo quod cinis es	Byrde	Byrd, William (ca. 1540–1623)
Memento homo quod cinis es Byrd, William (ca. 1540–1623) Appears on: 57r–57v Source Attribution: Byrde Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Memento homo memento homo quod cinis es
57v–58r	Attollite portas	Mr Byrde	Byrd, William (ca. 1540–1623)
Attollite portas Byrd, William (ca. 1540–1623) Appears on: 57v–58r Genres: Psalm Source Attribution: Mr Byrde Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Attolite portas General Note Annotations/Corrections: Signum congruentiae in fourth line of f. 58 and at end, with beginning of repeat written out;
58v–59r	Fantasia a6 (II) in g minor	Mr Byrde	Byrd, William (ca. 1540–1623)
Fantasia a6 (II) in g minor Byrd, William (ca. 1540–1623) Appears on: 58v–59r Genres: English Consort music, Fantasia Source Attribution: Mr Byrde Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice Text: [no title] General Note Notes: No title or incipit. Instrumental piece.;
59v–60r	Infelix ego omnium - 1a pars (of 3): Infelix ego omnium	Mr W. Byrde.	Byrd, William (ca. 1540–1623)
Infelix ego omnium - 1a pars (of 3): Infelix ego omnium Byrd, William (ca. 1540–1623) Appears on: 59v–60r Genres: Motet Source Attribution: Mr W. Byrde. Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c5 Voice Text: Infelix ego: / Quo Ibo ad quem confugiam General Note Annotations/Corrections: Secunda / pars' in second line of f. 59, 'verte.' at end of page; 'Tertia pars' at beginning of f. 60v.;
60r	Infelix ego omnium - 2a pars (of 3): Quid igitur faciam	-	Byrd, William (ca. 1540–1623)
Infelix ego omnium - 2a pars (of 3): Quid igitur faciam Byrd, William (ca. 1540–1623) Appears on: 60r Genres: Motet
60v–61r	Infelix ego omnium - 3a pars (of 3): Ad te igitur	-	Byrd, William (ca. 1540–1623)
Infelix ego omnium - 3a pars (of 3): Ad te igitur Byrd, William (ca. 1540–1623) Appears on: 60v–61r Genres: Motet
61r–61v	Christ rising again - 1a pars (of 2): Christ rising again	Mr Byrde.	Byrd, William (ca. 1540–1623)
Christ rising again - 1a pars (of 2): Christ rising again Byrd, William (ca. 1540–1623) Appears on: 61r–61v Genres: Anthem Source Attribution: Mr Byrde. Voice: [no designation] Languages: English Mensuration: cut-c Clef: c4 Voice Text: Christ rysinge General Note Annotations/Corrections: Indications for 'Chorus' and 'Solus' parts in the first few lines of the motet; Notes: text not entered throughout;
61v–62r	Christ rising again - 2a pars (of 2): Christ is risen again	-	Byrd, William (ca. 1540–1623)
Christ rising again - 2a pars (of 2): Christ is risen again Byrd, William (ca. 1540–1623) Appears on: 61v–62r Genres: Anthem
62r	Arise O Lord - 1a pars (of 2): Arise O Lord why sleepest thou	Mr Will. Byrde	Byrd, William (ca. 1540–1623)
Arise O Lord - 1a pars (of 2): Arise O Lord why sleepest thou Byrd, William (ca. 1540–1623) Appears on: 62r Genres: Anthem Source Attribution: Mr Will. Byrde Voice: [no designation] Languages: English Mensuration: cut-c Clef: c4 Voice Text: Aryse o Lord General Note Annotations/Corrections: verte.' in bottom outer corner of f. 62 (2a pars is on f. 62v);
62v	Arise O Lord - 2a pars (of 2): Help us, O God	-	Byrd, William (ca. 1540–1623)
Arise O Lord - 2a pars (of 2): Help us, O God Byrd, William (ca. 1540–1623) Appears on: 62v Genres: Anthem
62v–63r	Ego flos campi et lilium convalium	Clemens non Papa	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Ego flos campi et lilium convalium Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 62v–63r Genres: Motet Source Attribution: Clemens non Papa Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Ego flos campi General Note Annotations/Corrections: headed 'Septem: voc:';
63v–64r	Missa Puer natus est nobis: Gloria	-	Tallis, Thomas (ca. 1505–1585)
Missa Puer natus est nobis: Gloria Tallis, Thomas (ca. 1505–1585) Appears on: 63v–64r Genres: Gloria (et in terra pax), Mass Ordinary Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Qui tollis General Note Qui tollis section only
64r	Missa Puer natus est nobis: Sanctus	Mr Tallis	Tallis, Thomas (ca. 1505–1585)
Missa Puer natus est nobis: Sanctus Tallis, Thomas (ca. 1505–1585) Appears on: 64r Genres: Mass Ordinary, Sanctus [& Benedictus] Source Attribution: Mr Tallis Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Benedictus General Note Benedictus & Osanna only
64v	Suscipe quaeso Domine - 1a pars (of 2): Suscipe quaeso Domine vocem confitentis	Mr Tallis	Tallis, Thomas (ca. 1505–1585)
Suscipe quaeso Domine - 1a pars (of 2): Suscipe quaeso Domine vocem confitentis Tallis, Thomas (ca. 1505–1585) Appears on: 64v Genres: Motet Source Attribution: Mr Tallis Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c5 Voice Text: Suscipe quæso Domine General Note Annotations/Corrections: Secunda / pars' on f. 64v, last line.;
64v–65r	Suscipe quaeso Domine - 2a pars (of 2): Si enim iniquitates recordaberis	-	Tallis, Thomas (ca. 1505–1585)
Suscipe quaeso Domine - 2a pars (of 2): Si enim iniquitates recordaberis Tallis, Thomas (ca. 1505–1585) Appears on: 64v–65r Genres: Motet
65r	Missa Puer natus est nobis: Credo	Mr Thomas Tallis	Tallis, Thomas (ca. 1505–1585)
Missa Puer natus est nobis: Credo Tallis, Thomas (ca. 1505–1585) Appears on: 65r Genres: Credo (patrem omnipotentem), Mass Ordinary Source Attribution: Mr Thomas Tallis Voice: [no designation] Languages: Latin Mensuration: cut-o Clef: f3 Voice Text: Et vitam venturi seculi General Note Notes: first time signature followed only by pauses (text begins at "et vitam venturi saeculi") , before beginning of actual music, change to C-dot-3; General Note Et exspecto resurrectionem section only
65v	Decantabat populus Israel alleluia (7vv)	Orlando	Lassus, Orlande de (ca. 1532–1594)
Decantabat populus Israel alleluia (7vv) Lassus, Orlande de (ca. 1532–1594) Appears on: 65v Genres: Motet Source Attribution: Orlando Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Decantabat populus. / Et uniuersa multitudo General Note Annotations/Corrections: X' in outer margin before first line of music; Notes: at beginning 'Decantabat populus.' under clef etc. and long pauses;
66r–66v	index	-	-
index Appears on: 66r–66v General Note Annotations/Corrections: several later annotations;
67r–67v	[blank pages]	-	-
[blank pages] Appears on: 67r–67v

Composer	Compositions
Anonymous	[No description] – 45v–46r [No description] – 48r [No description] – 67r–67v [No description] – 43r [No description] – 3r [No description] – 66r–66v [No description] – 3v–4r [No description] – 44v [No description] – 49v–50r
Byrd, William (ca. 1540–1623)	Apparebit in finem – 12v Arise O Lord - 1a pars (of 2): Arise O Lord why sleepest thou – 62r Arise O Lord - 2a pars (of 2): Help us, O God – 62v Aspice Domine de sede (5vv) - 1a pars (of 2): Aspice Domine de sede sancta – 10v–11r Aspice Domine de sede (5vv) - 2a pars (of 2): Respice domine – 11r Attollite portas – 57v–58r Audivi vocem de caelo – 14v Christ rising again - 1a pars (of 2): Christ rising again – 61r–61v Christ rising again - 2a pars (of 2): Christ is risen again – 61v–62r Circumdederunt me dolores mortis – 7r–7v Deus venerunt gentes - 1a pars (of 4): Deus venerunt gentes – 5r Deus venerunt gentes - 2a pars (of 4): Posuerunt morticinia – 5r–5v Deus venerunt gentes - 3a pars (of 4): Effuderunt sanguinem – 5v–6r Deus venerunt gentes - 4a pars (of 4): Opprobrium facti sumus – 6r–6v Domine praestolamur - 1a pars (of 2): Domine praestolamur – 8v Domine praestolamur - 2a pars (of 2): Veni Domine – 9r Domine secundum multitudinem dolorum meum – 17r Domine tu jurasti – 13r Emendemus - 1a pars (of 2): Emendemus in melius – 4v Emendemus - 2a pars (of 2): Adiuva nos Deus – 4v Fac cum servo tuo – 18r Fantasia a6 (II) in g minor – 58v–59r Haec dicit Dominus - 1a pars (of 2): Haec dicit Dominus vox in excelsis – 16r Haec dicit Dominus - 2a pars (of 2): Haec dicit Dominus quiescat vox – 16v In resurrectione tua – 13v Infelix ego omnium - 1a pars (of 3): Infelix ego omnium – 59v–60r Infelix ego omnium - 2a pars (of 3): Quid igitur faciam – 60r Infelix ego omnium - 3a pars (of 3): Ad te igitur – 60v–61r Memento Domine – 8r Memento homo quod cinis es – 57r–57v Miserere mei Deus – 6v–7r Ne irascaris - 1a pars (of 2): Ne irascaris Domine – 20v–21r Ne irascaris - 2a pars (of 2): Civitatis sancti tui – 21r–21v O quam gloriosum - 1a pars (of 2): O quam gloriosum est regnum – 18v O quam gloriosum - 2a pars (of 2): Benedictio et claritas – 19r Petrus beatus - 1a pars (of 3): Petrus beatus – 11v Petrus beatus - 2a pars (of 3): Quodcumque vinclis – 11v–12r Petrus beatus - 3a pars (of 3): Gloria Deo - Per immensa saecula – 12r Tribulationes civitatum - 1a pars (of 3): Tribulationes civitatum – 19v Tribulationes civitatum - 2a pars (of 3): Timor et hebitudo – 19v–20r Tribulationes civitatum - 3a pars (of 3): Nos enim pro peccatis – 20r–20v Tristitia et anxietas - 1a pars (of 2): Tristitia et anxietas, Domine tu jurasti – 9v–10r Tristitia et anxietas - 2a pars (of 2): Sed tu domine – 10r Vide domine afflictionem - 1a pars (of 2): Vide domine afflictionem nostram et in tempore – 15r Vide domine afflictionem - 2a pars (of 2): Sed veni domine et noli tardare – 15v Vigilate nescitis enim – 13v–14r
Clemens non Papa, Jacob (ca. 1510–ca. 1556)	Ego flos campi et lilium convalium – 62v–63r
Fayrfax, Robert (1464–1521)	Magnificat O bone Jesu – 40v–41r
Ferrabosco, Alfonso (the elder) (1543–1588)	Ad Dominum cum tribularer (C1) – 50v–51r Benedic anima mea - 4a pars (of 11): Qui emittis (C11) – 43v Benedicam Dominum - 1a pars (of 2): Benedicam Dominum in omni tempore – 53v–54r Benedicam Dominum - 2a pars (of 2): Gustate et videte – 54r–54v Conserva me Domine - 1a pars (of 2): Conserva me Domine (C25) – 46v Conserva me Domine - 2a pars (of 2): Vias tuas Domine (C25) – 46v–47r Da pacem Domine (III) (C68) – 54v De Lamentatione Jeremiae (C64) – 48v–49v Heu mihi Domine (I) (C37) – 48v Incipit lamentatio Jeremiae [III]: Lamed (6vv - C67) – 55r–56r Inclina Domine - 1a pars (of 6): Inclina Domine aurem (C41) – 53v Inclina Domine - 4a pars (of 6): In die tribulationis – 52r Inclina Domine - 5a pars (of 6): Quoniam magnus es – 52v Ingemuit Susanna (C43) – 43v–44r Mirabile mysterium (C47) – 44v–45r Musica laeta suum gaudet (C79) – 42v Peccantem me quotidie – 47v Surge propera - 1a pars (of 2): Surge propera amica mea columba mea (C57) – 51r Surge propera - 2a pars (of 2): Surge propera amica mea formosa mea (C58) – 51v Virgo per incertos casus (C80) – 53r
Johnson (I), Robert (ca. 1500–ca. 1560)	Domine in virtute tua (II) - 1a pars (of 2): Domine in virtute tua – 28r–28v Domine in virtute tua (II) - 2a pars (of 2): Magna gloria eius – 28v–29r
Lassus, Orlande de (ca. 1532–1594)	Ave regina caelorum (II) (6vv) – 2v Decantabat populus Israel alleluia (7vv) – 65v Tristis est anima mea usque ad mortem – 1r
Meiland, Jacob (1542–1577)	Benedixisti Domine - 1a pars (of 2): Benedixisti Domine terram tuam avertisti – 1v Benedixisti Domine - 2a pars (of 2): Converte nos Deus salutaris noster – 2r
Roose	Dum transisset sabbatum Maria Magdalena – 37v–38r
Sheppard, John (ca. 1515–1558)	(?) Aeterne rex altissime, v.2: Scandens tribunal dexterae patris – 26v–27r [Deus tuorum militum (II)] (v. 2) Hic nempe mundi – 26v
Tallis, Thomas (ca. 1505–1585)	(?) Aeterne rex altissime, v.2: Scandens tribunal dexterae patris – 26v–27r Derelinquit impius viam suam – 23r–23v Domine quis habitabit - 1a pars (of 2): Domine quis habitabit – 21v–22r Domine quis habitabit - 2a pars (of 2): Ad nihillum deductus – 22v–23r Dum transisset sabbatum, Maria Magdalene / Aromata emerunt – 23v–24r Lamentations (I) : Incipit lamentatio Jeremiae - Aleph - Beth - Convertere Jerusalem – 29v–30r Lamentations (II): De lamentatione Jeremiae - Gimel - Daleth - Heth - Convertere Jerusalem – 30v–31v Laudate Dominum omnes gentes, laudate eum – 17v Missa Puer natus est nobis: Credo – 65r Missa Puer natus est nobis: Gloria – 63v–64r Missa Puer natus est nobis: Sanctus – 64r O salutaris hostia – 24r–24v Quod chorus vatum [= Haec Deum coeli ] (v. 4: Tu libens votis petimus) – 25v Rex Christe clementissime (= last two verses of Sermone blando) – 27r Salve intemerata virgo Maria – 38v–40r Suscipe quaeso Domine - 1a pars (of 2): Suscipe quaeso Domine vocem confitentis – 64v Suscipe quaeso Domine - 2a pars (of 2): Si enim iniquitates recordaberis – 64v–65r Tu fabricator omnium [= Jesu Salvator saeculi, v. 2] – 25r–25v [Iam Christus astra] (v. 2) Solemnis urgebat dies – 25v–26r [Salvator mundi Domine] Adesto nunc propitius – 24v–25r
Taverner, John	Mater Christi sanctissima virgo [= O most holy and mighty Lord] – 37r–37v Sospitati dedit aegros (extract: Ergo laudes Nicholae concinat) – 41v–42r
Tye, Christopher (ca. 1505–ca. 1573)	(?) Amavit eum Dominus – 27v
Vaet, Jacobus (ca. 1529–ca. 1567)	Salve regina (V) - 1a pars (of 4): Salve regina misericordiae – 56v Salve regina (V) - 2a pars (of 4): Ad te suspiramus – 56v Salve regina (V) - 3a pars (of 4): Et Jesum benedictum – 56v–57r Salve regina (V) - 4a pars (of 4): O pia – 57r
White, Robert (ca. 1538–1574)	Lamentations (I) a5 – 32r–34r Miserere mei Deus - 1a pars (of 2): Miserere mei Deus – 34v–35v Miserere mei Deus - 2a pars (of 2): Cor mundum crea – 35v–36v

Composition	Composers (? Uncertain)	Folios / Pages
[Deus tuorum militum (II)] (v. 2) Hic nempe mundi	Sheppard, John (ca. 1515–1558)	26v
[Iam Christus astra] (v. 2) Solemnis urgebat dies	Tallis, Thomas (ca. 1505–1585)	25v–26r
[Salvator mundi Domine] Adesto nunc propitius	Tallis, Thomas (ca. 1505–1585)	24v–25r
Ad Dominum cum tribularer (C1)	Ferrabosco, Alfonso (the elder) (1543–1588)	50v–51r
Aeterne rex altissime, v.2: Scandens tribunal dexterae patris	Tallis, Thomas (ca. 1505–1585) (?) Sheppard, John (ca. 1515–1558) (?)	26v–27r
Amavit eum Dominus	Tye, Christopher (ca. 1505–ca. 1573) (?)	27v
Apparebit in finem	Byrd, William (ca. 1540–1623)	12v
Arise O Lord - 1a pars (of 2): Arise O Lord why sleepest thou	Byrd, William (ca. 1540–1623)	62r
Arise O Lord - 2a pars (of 2): Help us, O God	Byrd, William (ca. 1540–1623)	62v
Aspice Domine de sede (5vv) - 1a pars (of 2): Aspice Domine de sede sancta	Byrd, William (ca. 1540–1623)	10v–11r
Aspice Domine de sede (5vv) - 2a pars (of 2): Respice domine	Byrd, William (ca. 1540–1623)	11r
Attollite portas	Byrd, William (ca. 1540–1623)	57v–58r
Audivi vocem de caelo	Byrd, William (ca. 1540–1623)	14v
Ave regina caelorum (II) (6vv)	Lassus, Orlande de (ca. 1532–1594)	2v
Benedic anima mea - 4a pars (of 11): Qui emittis (C11)	Ferrabosco, Alfonso (the elder) (1543–1588)	43v
Benedicam Dominum - 1a pars (of 2): Benedicam Dominum in omni tempore	Ferrabosco, Alfonso (the elder) (1543–1588)	53v–54r
Benedicam Dominum - 2a pars (of 2): Gustate et videte	Ferrabosco, Alfonso (the elder) (1543–1588)	54r–54v
Benedixisti Domine - 1a pars (of 2): Benedixisti Domine terram tuam avertisti	Meiland, Jacob (1542–1577)	1v
Benedixisti Domine - 2a pars (of 2): Converte nos Deus salutaris noster	Meiland, Jacob (1542–1577)	2r
Christ rising again - 1a pars (of 2): Christ rising again	Byrd, William (ca. 1540–1623)	61r–61v
Christ rising again - 2a pars (of 2): Christ is risen again	Byrd, William (ca. 1540–1623)	61v–62r
Circumdederunt me dolores mortis	Byrd, William (ca. 1540–1623)	7r–7v
Conserva me Domine - 1a pars (of 2): Conserva me Domine (C25)	Ferrabosco, Alfonso (the elder) (1543–1588)	46v
Conserva me Domine - 2a pars (of 2): Vias tuas Domine (C25)	Ferrabosco, Alfonso (the elder) (1543–1588)	46v–47r
Da pacem Domine (III) (C68)	Ferrabosco, Alfonso (the elder) (1543–1588)	54v
De Lamentatione Jeremiae (C64)	Ferrabosco, Alfonso (the elder) (1543–1588)	48v–49v
Decantabat populus Israel alleluia (7vv)	Lassus, Orlande de (ca. 1532–1594)	65v
Derelinquit impius viam suam	Tallis, Thomas (ca. 1505–1585)	23r–23v
Deus venerunt gentes - 1a pars (of 4): Deus venerunt gentes	Byrd, William (ca. 1540–1623)	5r
Deus venerunt gentes - 2a pars (of 4): Posuerunt morticinia	Byrd, William (ca. 1540–1623)	5r–5v
Deus venerunt gentes - 3a pars (of 4): Effuderunt sanguinem	Byrd, William (ca. 1540–1623)	5v–6r
Deus venerunt gentes - 4a pars (of 4): Opprobrium facti sumus	Byrd, William (ca. 1540–1623)	6r–6v
Domine in virtute tua (II) - 1a pars (of 2): Domine in virtute tua	Johnson (I), Robert (ca. 1500–ca. 1560)	28r–28v
Domine in virtute tua (II) - 2a pars (of 2): Magna gloria eius	Johnson (I), Robert (ca. 1500–ca. 1560)	28v–29r
Domine praestolamur - 1a pars (of 2): Domine praestolamur	Byrd, William (ca. 1540–1623)	8v
Domine praestolamur - 2a pars (of 2): Veni Domine	Byrd, William (ca. 1540–1623)	9r
Domine quis habitabit - 1a pars (of 2): Domine quis habitabit	Tallis, Thomas (ca. 1505–1585)	21v–22r
Domine quis habitabit - 2a pars (of 2): Ad nihillum deductus	Tallis, Thomas (ca. 1505–1585)	22v–23r
Domine secundum multitudinem dolorum meum	Byrd, William (ca. 1540–1623)	17r
Domine tu jurasti	Byrd, William (ca. 1540–1623)	13r
Dum transisset sabbatum Maria Magdalena	Roose	37v–38r
Dum transisset sabbatum, Maria Magdalene / Aromata emerunt	Tallis, Thomas (ca. 1505–1585)	23v–24r
Ego flos campi et lilium convalium	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	62v–63r
Emendemus - 1a pars (of 2): Emendemus in melius	Byrd, William (ca. 1540–1623)	4v
Emendemus - 2a pars (of 2): Adiuva nos Deus	Byrd, William (ca. 1540–1623)	4v
Fac cum servo tuo	Byrd, William (ca. 1540–1623)	18r
Fantasia a6 (II) in g minor	Byrd, William (ca. 1540–1623)	58v–59r
Haec dicit Dominus - 1a pars (of 2): Haec dicit Dominus vox in excelsis	Byrd, William (ca. 1540–1623)	16r
Haec dicit Dominus - 2a pars (of 2): Haec dicit Dominus quiescat vox	Byrd, William (ca. 1540–1623)	16v
Heu mihi Domine (I) (C37)	Ferrabosco, Alfonso (the elder) (1543–1588)	48v
In resurrectione tua	Byrd, William (ca. 1540–1623)	13v
Incipit lamentatio Jeremiae [III]: Lamed (6vv - C67)	Ferrabosco, Alfonso (the elder) (1543–1588)	55r–56r
Inclina Domine - 1a pars (of 6): Inclina Domine aurem (C41)	Ferrabosco, Alfonso (the elder) (1543–1588)	53v
Inclina Domine - 4a pars (of 6): In die tribulationis	Ferrabosco, Alfonso (the elder) (1543–1588)	52r
Inclina Domine - 5a pars (of 6): Quoniam magnus es	Ferrabosco, Alfonso (the elder) (1543–1588)	52v
Infelix ego omnium - 1a pars (of 3): Infelix ego omnium	Byrd, William (ca. 1540–1623)	59v–60r
Infelix ego omnium - 2a pars (of 3): Quid igitur faciam	Byrd, William (ca. 1540–1623)	60r
Infelix ego omnium - 3a pars (of 3): Ad te igitur	Byrd, William (ca. 1540–1623)	60v–61r
Ingemuit Susanna (C43)	Ferrabosco, Alfonso (the elder) (1543–1588)	43v–44r
Lamentations (I) : Incipit lamentatio Jeremiae - Aleph - Beth - Convertere Jerusalem	Tallis, Thomas (ca. 1505–1585)	29v–30r
Lamentations (I) a5	White, Robert (ca. 1538–1574)	32r–34r
Lamentations (II): De lamentatione Jeremiae - Gimel - Daleth - Heth - Convertere Jerusalem	Tallis, Thomas (ca. 1505–1585)	30v–31v
Laudate Dominum omnes gentes, laudate eum	Tallis, Thomas (ca. 1505–1585)	17v
Magnificat O bone Jesu	Fayrfax, Robert (1464–1521)	40v–41r
Mater Christi sanctissima virgo [= O most holy and mighty Lord]	Taverner, John	37r–37v
Memento Domine	Byrd, William (ca. 1540–1623)	8r
Memento homo quod cinis es	Byrd, William (ca. 1540–1623)	57r–57v
Mirabile mysterium (C47)	Ferrabosco, Alfonso (the elder) (1543–1588)	44v–45r
Miserere mei Deus	Byrd, William (ca. 1540–1623)	6v–7r
Miserere mei Deus - 1a pars (of 2): Miserere mei Deus	White, Robert (ca. 1538–1574)	34v–35v
Miserere mei Deus - 2a pars (of 2): Cor mundum crea	White, Robert (ca. 1538–1574)	35v–36v
Missa Puer natus est nobis: Credo	Tallis, Thomas (ca. 1505–1585)	65r
Missa Puer natus est nobis: Gloria	Tallis, Thomas (ca. 1505–1585)	63v–64r
Missa Puer natus est nobis: Sanctus	Tallis, Thomas (ca. 1505–1585)	64r
Musica laeta suum gaudet (C79)	Ferrabosco, Alfonso (the elder) (1543–1588)	42v
Ne irascaris - 1a pars (of 2): Ne irascaris Domine	Byrd, William (ca. 1540–1623)	20v–21r
Ne irascaris - 2a pars (of 2): Civitatis sancti tui	Byrd, William (ca. 1540–1623)	21r–21v
O quam gloriosum - 1a pars (of 2): O quam gloriosum est regnum	Byrd, William (ca. 1540–1623)	18v
O quam gloriosum - 2a pars (of 2): Benedictio et claritas	Byrd, William (ca. 1540–1623)	19r
O salutaris hostia	Tallis, Thomas (ca. 1505–1585)	24r–24v
Peccantem me quotidie	Ferrabosco, Alfonso (the elder) (1543–1588)	47v
Petrus beatus - 1a pars (of 3): Petrus beatus	Byrd, William (ca. 1540–1623)	11v
Petrus beatus - 2a pars (of 3): Quodcumque vinclis	Byrd, William (ca. 1540–1623)	11v–12r
Petrus beatus - 3a pars (of 3): Gloria Deo - Per immensa saecula	Byrd, William (ca. 1540–1623)	12r
Quod chorus vatum [= Haec Deum coeli ] (v. 4: Tu libens votis petimus)	Tallis, Thomas (ca. 1505–1585)	25v
Rex Christe clementissime (= last two verses of Sermone blando)	Tallis, Thomas (ca. 1505–1585)	27r
Salve intemerata virgo Maria	Tallis, Thomas (ca. 1505–1585)	38v–40r
Salve regina (V) - 1a pars (of 4): Salve regina misericordiae	Vaet, Jacobus (ca. 1529–ca. 1567)	56v
Salve regina (V) - 2a pars (of 4): Ad te suspiramus	Vaet, Jacobus (ca. 1529–ca. 1567)	56v
Salve regina (V) - 3a pars (of 4): Et Jesum benedictum	Vaet, Jacobus (ca. 1529–ca. 1567)	56v–57r
Salve regina (V) - 4a pars (of 4): O pia	Vaet, Jacobus (ca. 1529–ca. 1567)	57r
Sospitati dedit aegros (extract: Ergo laudes Nicholae concinat)	Taverner, John	41v–42r
Surge propera - 1a pars (of 2): Surge propera amica mea columba mea (C57)	Ferrabosco, Alfonso (the elder) (1543–1588)	51r
Surge propera - 2a pars (of 2): Surge propera amica mea formosa mea (C58)	Ferrabosco, Alfonso (the elder) (1543–1588)	51v
Suscipe quaeso Domine - 1a pars (of 2): Suscipe quaeso Domine vocem confitentis	Tallis, Thomas (ca. 1505–1585)	64v
Suscipe quaeso Domine - 2a pars (of 2): Si enim iniquitates recordaberis	Tallis, Thomas (ca. 1505–1585)	64v–65r
Tribulationes civitatum - 1a pars (of 3): Tribulationes civitatum	Byrd, William (ca. 1540–1623)	19v
Tribulationes civitatum - 2a pars (of 3): Timor et hebitudo	Byrd, William (ca. 1540–1623)	19v–20r
Tribulationes civitatum - 3a pars (of 3): Nos enim pro peccatis	Byrd, William (ca. 1540–1623)	20r–20v
Tristis est anima mea usque ad mortem	Lassus, Orlande de (ca. 1532–1594)	1r
Tristitia et anxietas - 1a pars (of 2): Tristitia et anxietas, Domine tu jurasti	Byrd, William (ca. 1540–1623)	9v–10r
Tristitia et anxietas - 2a pars (of 2): Sed tu domine	Byrd, William (ca. 1540–1623)	10r
Tu fabricator omnium [= Jesu Salvator saeculi, v. 2]	Tallis, Thomas (ca. 1505–1585)	25r–25v
Vide domine afflictionem - 1a pars (of 2): Vide domine afflictionem nostram et in tempore	Byrd, William (ca. 1540–1623)	15r
Vide domine afflictionem - 2a pars (of 2): Sed veni domine et noli tardare	Byrd, William (ca. 1540–1623)	15v
Vigilate nescitis enim	Byrd, William (ca. 1540–1623)	13v–14r
Virgo per incertos casus (C80)	Ferrabosco, Alfonso (the elder) (1543–1588)	53r

Images © Bodleian Library, Oxford

Set: TUDOR PARTBOOKS

Type: Project Collection

GB-CF MS D/DP Z6/1

GB-CF MS D/DP Z6/2

GB-Cfm MU MS 1005 (Fayrfax fragments)

GB-Cgc MS 667/760 (Caius Choirbook)

GB-Cjc MS 234 (K.31)

GB-Ckc Rowe 316

GB-Cp MS 31 [Contratenor] (Peterhouse Partbooks: Henrician Set)

GB-Cp MS 32 [Bassus] (Peterhouse Partbooks: Henrician Set)

GB-Cp MS 40 [Triplex] (Peterhouse Partbooks: Henrician Set)

GB-Cp MS 41 [Medius] (Peterhouse Partbooks: Henrician Set)

GB-Cqcl Old Library G.4.17

GB-Cu Dd.13.27

GB-DORmcghie McGhie manuscript

GB-Lbl [pr. bk.] C. 52. b. 21

No images available

GB-Lbl [pr. bk.] Music Library K. 2. f. 1 [Altus]

No images available

GB-Lbl [pr. bk.] Music Library K. 2. f. 1 [Discantus]

No images available

GB-Lbl [pr. bk.] Music Library K. 2. f. 1 [Medius]

No images available

GB-Lbl [pr. bk.] Music Library K. 2. f. 1 [Tenor]

No images available

GB-Lbl [pr. bk.] Music Library K. 2. f. 13

No images available

GB-Lbl [pr. bk.] Music Library K. 3. f. 9 [Altus]

No images available

GB-Lbl [pr. bk.] Music Library K. 3. f. 9 [Bassus]

No images available

GB-Lbl [pr. bk.] Music Library K. 3. f. 9 [Discantus]

No images available

GB-Lbl [pr. bk.] Music Library K. 3. f. 9 [Tenor]

GB-Lbl Add. MS 4900

GB-Lbl Add. MS 15166

GB-Lbl Add. MS 17802 (Gyffard Partbooks)

GB-Lbl Add. MS 17803 (Gyffard Partbooks)

GB-Lbl Add. MS 17804 (Gyffard Partbooks)

GB-Lbl Add. MS 17805 (Gyffard Partbooks)

GB-Lbl Add. MS 22597

GB-Lbl Add. MS 29996

GB-Lbl Add. MS 30480 (Hamond Partbooks)

GB-Lbl Add. MS 30481 (Hamond Partbooks)

GB-Lbl Add. MS 30482 (Hamond Partbooks)

GB-Lbl Add. MS 30483 (Hamond Partbooks)

GB-Lbl Add. MS 30484 (Hamond Partbooks)

GB-Lbl R.M.24.d.2 (Baldwin Commonplace Book)

GB-Lbl Royal Appendix 12

GB-Lbl Royal Appendix 13

GB-Lbl Royal Appendix 14

GB-Lbl Royal Appendix 15

GB-Lbl Royal Appendix 16

GB-Lbl Royal Appendix 17

GB-Lbl Royal Appendix 18

GB-Lbl Royal Appendix 19

GB-Lbl Royal Appendix 20

GB-Lbl Royal Appendix 21

GB-Lbl Royal Appendix 22

GB-Lbl Royal Appendix 23

GB-Lbl Royal Appendix 24

GB-Lbl Royal Appendix 25

GB-Lbl Royal Appendix 26

GB-Lbl Royal Appendix 27

GB-Lbl Royal Appendix 28

GB-Lbl Royal Appendix 29

GB-Lbl Royal Appendix 30

GB-Lbl Royal Appendix 31

GB-Lbl Royal Appendix 32

GB-Lbl Royal Appendix 33

GB-Lbl Royal Appendix 34

GB-Lbl Royal Appendix 35

No images available

GB-Lbl Royal Appendix 41

No images available

GB-Lbl Royal Appendix 42

No images available

GB-Lbl Royal Appendix 43

No images available

GB-Lbl Royal Appendix 44

GB-Lbl Royal Appendix 45 (Ludford)

GB-Lbl Royal Appendix 46 (Ludford)

GB-Lbl Royal Appendix 47 (Ludford)

GB-Lbl Royal Appendix 48 (Ludford)

GB-Lbl Royal Appendix 49

GB-Lbl Royal Appendix 50

GB-Lbl Royal Appendix 51

GB-Lbl Royal Appendix 52

GB-Lbl Royal Appendix 53

GB-Lbl Royal Appendix 54

GB-Lbl Royal Appendix 56

No images available

GB-Lbl Royal Appendix 57

GB-Lbl Royal Appendix 58

No images available

GB-Lbl Royal Appendix 59

No images available

GB-Lbl Royal Appendix 60

No images available

GB-Lbl Royal Appendix 61

No images available

GB-Lbl Royal Appendix 62

GB-Lbl Royal Appendix 74 (Lumley)

GB-Lbl Royal Appendix 75 (Lumley)

GB-Lbl Royal Appendix 76 (Lumley)

No images available

GB-Lcm [pr. bk.] B187

No images available

GB-Lcm [pr. bk.] B190 [Altus]

No images available

GB-Lcm [pr. bk.] B190 [Bassus]

No images available

GB-Lcm [pr. bk.] B190 [Discantus]

No images available

GB-Lcm [pr. bk.] B190 [Tenor]

GB-Llp MS 1 (Lambeth Choirbook; Arundel Choirbook)

GB-Lna SP I/246

GB-Ob MS. Mus. c. 784 (Willmott Manuscript)

GB-Ob MS. Mus. d. 103

GB-Ob MS. Mus. e. 1 (Sadler Partbooks)

GB-Ob MS. Mus. e. 2 (Sadler Partbooks)

GB-Ob MS. Mus. e. 3 (Sadler Partbooks)

GB-Ob MS. Mus. e. 4 (Sadler Partbooks)

GB-Ob MS. Mus. e. 5 (Sadler Partbooks)

GB-Ob MS. Mus. e. 21

GB-Ob MS. Mus. Sch. e. 376 (Forrest-Heather Partbooks)

GB-Ob MS. Mus. Sch. e. 377 (Forrest-Heather Partbooks)

GB-Ob MS. Mus. Sch. e. 378 (Forrest-Heather Partbooks)

GB-Ob MS. Mus. Sch. e. 379 (Forrest-Heather Partbooks)

GB-Ob MS. Mus. Sch. e. 380 (Forrest-Heather Partbooks)

GB-Ob MS. Mus. Sch. e. 381 (Forrest-Heather Partbooks)

GB-Ob MS. Mus. Sch. e. 420 (Wanley Partbooks)

GB-Ob MS. Mus. Sch. e. 421 (Wanley Partbooks)

GB-Ob MS. Mus. Sch. e. 422 (Wanley Partbooks)

GB-Ob MS. Mus. Sch. e. 423

GB-Ob MS. Tenbury 341

GB-Ob MS. Tenbury 342

GB-Ob MS. Tenbury 343

GB-Ob MS. Tenbury 344

GB-Ob MS. Tenbury 389

No images available

GB-Ob MS. Tenbury 807

No images available

GB-Ob MS. Tenbury 808

No images available

GB-Ob MS. Tenbury 809

No images available

GB-Ob MS. Tenbury 810

No images available

GB-Ob MS. Tenbury 811

No images available

GB-Ob MS. Tenbury 1382 (Southwell Tenor Book)

GB-Ob MS. Tenbury 1464

GB-Ob MS. Tenbury 1486 (Braikenridge Manuscript)

No images available

GB-Och Mus. 45

GB-Och Mus. 979 (Baldwin Partbooks)

GB-Och Mus. 980 (Baldwin Partbooks)

GB-Och Mus. 981 (Baldwin Partbooks)

GB-Och Mus. 982 (Baldwin Partbooks)

GB-Och Mus. 983 (Baldwin Partbooks)

GB-Och Mus. 984 (Dow Partbooks)

GB-Och Mus. 985 (Dow Partbooks)

GB-Och Mus. 986 (Dow Partbooks)

GB-Och Mus. 987 (Dow Partbooks)

GB-Och Mus. 988 (Dow Partbooks)

GB-Odiamm Contratenor partbook in private ownership (contact DIAMM)

GB-W X4/34/3 (Fayrfax fragments)

GB-WCc MS 153 Bassus (Winchester Partbooks)

GB-WCc MS 153 Contra Altus (Winchester Partbooks)

GB-WCc MS 153 Discantus (Winchester Partbooks)

GB-WCc MS 153 Tenor (Winchester Partbooks)

GB-WRec MS 178 (Eton Choirbook)

No images available

IRL-Dm [pr. bk.] Z4. 3. 1-5

No images available

IRL-Dtc [pr. bk.] OLS. 192. n. 40 [Altus]

No images available

IRL-Dtc [pr. bk.] OLS. 192. n. 40 [Bassus]

No images available

IRL-Dtc [pr. bk.] OLS. 192. n. 40 [Discantus]

No images available

IRL-Dtc [pr. bk.] OLS. 192. n. 40 [Superius (Quintus)]

No images available

IRL-Dtc [pr. bk.] OLS. 192. n. 40 [Tenor]

No images available

US-NYp Mus. Res. *MNZ (Chirk) [1] (Chirk Castle Partbooks)

No images available

US-NYp Mus. Res. *MNZ (Chirk) [2] (Chirk Castle Partbooks)

No images available

US-NYp Mus. Res. *MNZ (Chirk) [3] (Chirk Castle Partbooks)

No images available

US-NYp Mus. Res. *MNZ (Chirk) [4] (Chirk Castle Partbooks)

US-NYp Mus. Res. Drexel 4180

US-NYp Mus. Res. Drexel 4181

No images available

US-NYp Mus. Res. Drexel 4182

US-NYp Mus. Res. Drexel 4183

US-NYp Mus. Res. Drexel 4184

US-NYp Mus. Res. Drexel 4185

US-Ws V.a. 408

Set: Paston Manuscripts

Type: Linked by Origin or Contents

GB-CF MS D/DP Z6/1

GB-CF MS D/DP Z6/2

No images available

GB-Lbl [pr. bk.] Music Library K. 2. f. 1 [Altus]

No images available

GB-Lbl [pr. bk.] Music Library K. 2. f. 1 [Discantus]

No images available

GB-Lbl [pr. bk.] Music Library K. 2. f. 1 [Medius]

No images available

GB-Lbl [pr. bk.] Music Library K. 2. f. 1 [Tenor]

No images available

No images available

No images available

No images available

GB-Lbl Add. MS 29246 (Paston MS)

GB-Lbl Add. MS 29247 (Paston MS)

No images available

No images available

No images available

No images available

No images available

No images available

No images available

No images available

No images available

No images available

No images available

No images available

No images available

No images available

No images available

No images available

No images available

No images available

No images available

No images available

No images available

No images available

No images available

No images available

No images available

GB-Lbl Madrigal Society G. 9

No images available

GB-Lbl Madrigal Society G. 10

No images available

GB-Lbl Madrigal Society G. 11

No images available

GB-Lbl Madrigal Society G. 12

No images available

GB-Lbl Madrigal Society G. 13

No images available

GB-Lbl Madrigal Society G. 14

No images available

GB-Lbl Madrigal Society G. 15

No images available

GB-Lbl Madrigal Society G. 16

No images available

GB-Lbl Madrigal Society G. 17

No images available

GB-Lbl Madrigal Society G. 18

No images available

GB-Lbl Madrigal Society G. 19

No images available

GB-Lbl Madrigal Society G. 20

No images available

GB-Lbl Madrigal Society G. 21

No images available

GB-Lbl Madrigal Society G. 22

No images available

GB-Lbl Madrigal Society G. 23

No images available

GB-Lbl Madrigal Society G. 24

No images available

GB-Lbl Madrigal Society G. 25

No images available

GB-Lbl Madrigal Society G. 26

No images available

GB-Lbl Madrigal Society G. 27

No images available

GB-Lcm MS 2035 [Altus]

No images available

GB-Lcm MS 2035 [Bassus]

No images available

GB-Lcm MS 2035 [Discantus]

No images available

GB-Lcm MS 2036 [Altus]

No images available

GB-Lcm MS 2036 [Bassus]

No images available

GB-Lcm MS 2036 [Discantus]

No images available

GB-Lcm MS 2041

GB-Ob MS. Tenbury 341

GB-Ob MS. Tenbury 342

GB-Ob MS. Tenbury 343

GB-Ob MS. Tenbury 344

No images available

GB-Ob MS. Tenbury 349

No images available

GB-Ob MS. Tenbury 350

No images available

GB-Ob MS. Tenbury 351

No images available

GB-Ob MS. Tenbury 352

No images available

GB-Ob MS. Tenbury 353

No images available

GB-Ob MS. Tenbury 354

No images available

GB-Ob MS. Tenbury 355

No images available

GB-Ob MS. Tenbury 356

No images available

GB-Ob MS. Tenbury 357

No images available

GB-Ob MS. Tenbury 358

No images available

GB-Ob MS. Tenbury 359

No images available

GB-Ob MS. Tenbury 360

No images available

GB-Ob MS. Tenbury 361

No images available

GB-Ob MS. Tenbury 362

No images available

GB-Ob MS. Tenbury 363

No images available

GB-Ob MS. Tenbury 369

No images available

GB-Ob MS. Tenbury 370

No images available

GB-Ob MS. Tenbury 371

No images available

GB-Ob MS. Tenbury 372

No images available

GB-Ob MS. Tenbury 373

No images available

GB-Ob MS. Tenbury 374

No images available

GB-Ob MS. Tenbury 375

No images available

GB-Ob MS. Tenbury 376

No images available

GB-Ob MS. Tenbury 377

No images available

GB-Ob MS. Tenbury 378

No images available

GB-Ob MS. Tenbury 1469 (Harmsworth Manuscript)

No images available

GB-Ob MS. Tenbury 1470 (Harmsworth Manuscript)

No images available

GB-Ob MS. Tenbury 1471 (Harmsworth Manuscript)

No images available

US-Ws V.a. 405

No images available

US-Ws V.a. 406

No images available

US-Ws V.a. 407

Set: MSS Tenbury 341-344

Type: Partbooks

GB-Ob MS. Tenbury 341

GB-Ob MS. Tenbury 342

GB-Ob MS. Tenbury 343

GB-Ob MS. Tenbury 344

‡ denotes primary source study

Charteris, Richard (editor). 1984. Alfonso Ferrabosco the Elder (1543-1588): Opera Omnia. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: I,xv-xviii; II,xii-xiv, 16-9,179-80,186-90,197-201; III.xv. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Charteris, Richard. 1984. Alfonso Ferrabosco the Elder (1543-1588): A Thematic Catalogue of his Music with a Biographical Calendar. New York. Pages: 57ff,193. Notes: contents list (partial); concordances (partial).

Daniel, Ralph T, and Peter Le Huray. 1972. The Sources of English Church Music 1549-1660. Early English Church Music. London. Notes: contents list (partial); concordances (partial).

Bray, Roger W. 1970-71. The Interpretation of Musica Ficta in English Music C.1490-C.1580. Proceedings of the Royal Musical Association, 29-45. Pages: 41-4. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Bray, Roger W. 1969. The Interpretation of Musica Ficta in English Music, C. 1490-C. 1580 [dissertation]. Oxford University, Unpublished Ph.D. dissertation. Pages: I, 141-55, 169-84; II, 60-8, 76-85. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Brett, Philip. 1965. The Songs of William Byrd. Cambridge University, Unpublished Ph.D. dissertation. Pages: 200, 272. Notes: physical description (partial); contents list (partial); concordances (partial).

Brett, Philip. 1964-68. Edward Paston (1550-1630): A Norfolk Gentleman and His Musical Collection. Transactions of the Cambridge Bibliographical Society, 51-69. Pages: 57-61, 69, plate VIIIb. Notes: physical description (partial); contents list (partial); concordances (partial); facsimile (partial); mention of MS; discussion.

Harrison, Frank Llewellyn (editor). 1963-. Early English Church Music. London: Stainer & Bell. Pages: XXVIII.125, 130; XXIX,129,132-3; XXX,75-90,177,186. Notes: physical description (partial); contents list (partial); concordances (partial); transcriptions (partial).

Lamont, Herbert Harry. 1963. John Shepherd: His Life and Music. University of Southern California, Unpublished Ph.D. dissertation. Pages: I, 117, 222, 226. Notes: physical description (partial); contents list (partial); concordances (partial).

Kerman, Joseph. 1961. Byrd's Motets: Chronology and Canon. Journal of the American Musicological Society, 359-82. Pages: 369-70. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Fellowes, Edmund H. 1948. William Byrd. London, New York, and Toronto. Pages: 99, 112-3, opp. 142, 143, 192. Notes: mention of MS; contents list (partial); concordances (partial); facsimile (partial).

Fellowes, Edmund H (editor). 1937-50, 1962. The Collected Works of William Byrd. Pages: XVII, 53-62, 151, 157. Notes: mention of MS; contents list (partial); concordances (partial); transcriptions (partial).

Fellowes, Edmund H. 1934. The Catalogue of Manuscripts in the Library of St. Michael's College Tenbury. Paris. Pages: 56-9. Notes: physical description (partial); contents list.

Fellowes, Edmund H (editor). 1923-48. Tudor Church Music. London, Oxford et al. Pages: I, xxx, lx-lxiii; II, xxv, xxxiv; III, xviii-xix; V, xx, xxiii; VI, xxv-xxxii, passim; IX, xii, xiv; X, 235. Notes: physical description (partial); contents list (partial); concordances (partial); transcriptions (partial).

This form is used to make comments on a source. If you wish to notify us of a correction to the record, you should use the "Contribute a change" form instead.

No comments have been made.

Contributions to this record are recorded here. If you wish to contribute information or a correction to this record, use the "Contribute a Change" link. This will then be reviewed by DIAMM staff and, if accepted, your contribution will be acknowledged here.

DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Watermark Note; Notation Note; Ruling Note; Foliation Note; Decoration Note; Contents Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description