GB-Ob MS. Tenbury 356

Bodleian Library, Oxford, England

partbook: Early 17th century

Archive Bodleian Library, Oxford, England (GB-Ob)
Shelfmark MS. Tenbury 356
Image Availability DIAMM does not have images of this source.
Surface Paper
Numbering System Foliation
Measurements 130 x 209 mm
Other Identifiers
  • CCM: OxfBT 354-8
Relationships
External Links
Provenance
  • Norfolk, England
Contents Contains 14 uninventoried works or miscellaneous sections.
General Description

A Tenor partbook from a set of five volumess, containing motets, and mass and motet extracts. Settings for 4 voices (ff. 1-24v) and 5 voices (ff. 25-47).

Copied by a single scribe, employed by Edward Paston (1550-1630) of Norfolk, a country gentleman and collector of music. Later owned by Sir Frederick Ouseley (1825-89), founder of St. Michael's College (near Tenbury, Worcester). Bequeathed to St. Michael's College; deposited in Bodleian Library in 1979.

DIAMM, 2017
Binding

Rebound in original covers of dark brown leather on cardboard, tooled in gold with acorn and oak-leaf designs; modern spines

DIAMM, 2017
Watermark

crown (not in Briquet or Heawood), also found in OxfBT 359-63

DIAMM, 2017
Notation

not indicated

DIAMM, 2017
Foliation

Original ink foliation in each book numbers all original folios except flyleaves

DIAMM, 2017
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

10 Mass Ordinary sections, 5 Magnificats or Magnificat sections, 2 Lamentations, 20 motets or motet sections, 1 anthem, 21 instrumental pieces = 59

Bull-1, Byrd-11, Byrd/(R. Parsons I)-1, Fayrfax-6, R. Johnson I [Mr. Johnson]-3, R. Parsons I [Mr. Parsons]-2, R. Parsons I/ (Byrd)-1, Shepherd-1, Tallis-8, Taverner-12, R. White [Mr. White]-9, R. White/(Thorne)-1, R. White/(W. White)-12, Wood-1

5 paper partbooks (DT-i + ii + 49 + i + i folios each, AB-i + ii + 48 + i + i folios each, Q-i + ii + 25 + ii + i), 130 x 209. Original ink foliation in each book numbers all original folios except flyleaves (in Q book, "27" applied to two consecutive folios; "48" omitted). Rebound in original covers of dark brown leather on cardboard, tooled in gold with acorn and oak-leaf designs; modern spines. Original index on second original flyleaf at beginning of B book; pieces grouped alphabetically by first letter of text, with subgrouping under each letter by order of appearance. Copied by a single scribe, employed by Edward Paston (see BrettEP for list of other books in the same hand and for discussion of related manuscripts from Paston's circle). No initials or decoration. Watermark: crown (not in Briquet or Heawood), also found in OxfBT 359-63. Some Q parts in A and B books; Q book contains some A and B parts.

Early 17th century. Of English provenance; originated in the household of Edward Paston (1550-1630) of Norfolk, a country gentleman and collector of music. Later owned by Sir Frederick Ouseley (1825-89), founder of St. Michael's College (near Tenbury, Worcester). Bequeathed to St. Michael's College; deposited in Bodleian Library in 1979.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

This source has not been fully inventoried. If you would like to contribute an inventory please get in touch. E-mail diamm@music.ox.ac.uk.

Known composers

Composers (? Uncertain) Folios / Pages Item title Attribution in Source
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Set: Paston Manuscripts

Type: Linked by Origin or Contents

No images available

GB-Lbl Add. MS 18936

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GB-Lbl Add. MS 18937

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GB-Lbl Add. MS 18938

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GB-Lbl Add. MS 18939

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GB-Lbl Add. MS 29388

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GB-Lbl Add. MS 29389

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GB-Lbl Add. MS 29390

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GB-Lbl Add. MS 29391

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GB-Lbl Add. MS 29392

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GB-Lbl Add. MS 29401

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GB-Lbl Add. MS 29402

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GB-Lbl Add. MS 29403

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GB-Lbl Add. MS 29404

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GB-Lbl Add. MS 29405

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GB-Lbl Add. MS 30823

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GB-Lbl Add. MS 30824

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GB-Lbl Add. MS 30825

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GB-Lbl Add. MS 34000

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GB-Lbl Add. MS 34001

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GB-Lbl Add. MS 34002

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GB-Lbl Add. MS 34049

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GB-Lbl Add. MS 41156

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GB-Lbl Add. MS 41157

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GB-Lbl Add. MS 41158

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GB-Lbl Egerton 2009

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GB-Lbl Egerton 2010

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GB-Lbl Egerton 2011

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GB-Lbl Egerton 2012

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GB-Lbl Madrigal Society G. 9

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GB-Lbl Madrigal Society G. 10

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GB-Lbl Madrigal Society G. 11

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GB-Lbl Madrigal Society G. 12

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GB-Lbl Madrigal Society G. 13

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GB-Lbl Madrigal Society G. 14

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GB-Lbl Madrigal Society G. 15

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GB-Lbl Madrigal Society G. 16

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GB-Lbl Madrigal Society G. 17

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GB-Lbl Madrigal Society G. 18

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GB-Lbl Madrigal Society G. 19

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GB-Lbl Madrigal Society G. 20

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GB-Lbl Madrigal Society G. 21

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GB-Lbl Madrigal Society G. 22

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GB-Lbl Madrigal Society G. 23

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GB-Lbl Madrigal Society G. 24

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GB-Lbl Madrigal Society G. 25

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GB-Lbl Madrigal Society G. 26

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GB-Lbl Madrigal Society G. 27

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GB-Lcm MS 2035 [Altus]

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GB-Lcm MS 2035 [Bassus]

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GB-Lcm MS 2035 [Discantus]

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GB-Lcm MS 2036 [Altus]

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GB-Lcm MS 2036 [Bassus]

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GB-Lcm MS 2036 [Discantus]

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GB-Lcm MS 2041

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GB-Ob MS. Tenbury 349

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GB-Ob MS. Tenbury 350

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GB-Ob MS. Tenbury 351

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GB-Ob MS. Tenbury 352

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GB-Ob MS. Tenbury 353

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GB-Ob MS. Tenbury 354

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GB-Ob MS. Tenbury 355

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GB-Ob MS. Tenbury 356

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GB-Ob MS. Tenbury 357

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GB-Ob MS. Tenbury 358

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GB-Ob MS. Tenbury 359

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GB-Ob MS. Tenbury 360

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GB-Ob MS. Tenbury 361

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GB-Ob MS. Tenbury 362

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GB-Ob MS. Tenbury 363

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GB-Ob MS. Tenbury 369

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GB-Ob MS. Tenbury 370

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GB-Ob MS. Tenbury 371

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GB-Ob MS. Tenbury 372

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GB-Ob MS. Tenbury 373

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GB-Ob MS. Tenbury 374

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GB-Ob MS. Tenbury 375

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GB-Ob MS. Tenbury 376

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GB-Ob MS. Tenbury 377

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GB-Ob MS. Tenbury 378

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US-Ws V.a. 405

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US-Ws V.a. 406

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US-Ws V.a. 407

Set: MSS Tenbury 354-358

Type: Partbooks

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GB-Ob MS. Tenbury 354

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GB-Ob MS. Tenbury 355

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GB-Ob MS. Tenbury 356

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GB-Ob MS. Tenbury 357

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GB-Ob MS. Tenbury 358

denotes primary source study

Neighbour, Oliver. 1978. The Consort and Keyboard Music of William Byrd.  Berkeley and Los Angeles. Pages: 34, 51, 55. Notes: contents list (partial); concordances (partial).

Daniel, Ralph T, and Peter Le Huray. 1972. The Sources of English Church Music 1549-1660. Early English Church Music.  London. Notes: contents list (partial); concordances (partial).

Josephson, David Sholom. 1972. John Taverner: A Documentary Study of His Life and Musik. Columbia University, Unpublished Ph.D. dissertation. Pages: 258, 265. Notes: physical description (partial); contents list (partial).

Bray, Roger W. 1970-71. The Interpretation of Musica Ficta in English Music C.1490-C.1580. Proceedings of the Royal Musical Association, 29-45. Pages: 41-4. Notes: physical description; mention of MS; discussion.

Bray, Roger W. 1969. The Interpretation of Musica Ficta in English Music, C. 1490-C. 1580 [dissertation]. Oxford University, Unpublished Ph.D. dissertation. Pages: I, 141-55, 169-84; II, 60-8. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts.  Tutzing. Pages: 166. Notes: contents list (partial); concordances (partial); incipits (partial).

Brett, Philip. 1964-68. Edward Paston (1550-1630): A Norfolk Gentleman and His Musical Collection. Transactions of the Cambridge Bibliographical Society, 51-69. Pages: 60, 69. Notes: mention of MS.

Harrison, Frank Llewellyn (editor). 1963-. Early English Church Music.  London: Stainer & Bell. Pages: IV, 131; XII, 115; XX, 249-50, 260; XXIV,x; XXV,171,178; XXVIII,125,128,133-4; XXIX, 129,132-3,138; XXX, 177,182,186. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Lamont, Herbert Harry. 1963. John Shepherd: His Life and Music. University of Southern California, Unpublished Ph.D. dissertation. Pages: I, 118, 223. Notes: physical description (partial); contents list (partial).

Kerman, Joseph. 1961. Byrd's Motets: Chronology and Canon. Journal of the American Musicological Society, 359-82. Pages: 373. Notes: contents list (partial); mention of MS; discussion.

Brett, Philip, and Thurston Dart. 1960. Songs by William Byrd in Manuscripts at Harvard. Harvard Library Bulletin, 343-65. Pages: 349, 365. Notes: physical description; mention of MS; discussion.

Warrem, Edwin B (editor). 1959-66. Robert Fayrfax (ca. 1464-1521): Collected Works. Corpus mensurabilis musicae.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: Critical Notes to Vol. I, i [incorrectly referred to as MSS 345-8] 11, 82, 90-2, 95-6, 103. Notes: mention of MS; contents list (partial); concordances (partial); transcriptions (partial).

Lewis, Anthony (editor). 1951-. Musica Britannica: A National Collection of Music.  London. Pages: XLIV,47-8,184-6,191,193. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Fellowes, Edmund H (editor). 1937-50, 1962. The Collected Works of William Byrd. Pages: VIII, vi; XVII, 110-21, 131-3, 151, 160-5. Notes: mention of MS; contents list (partial); concordances (partial); transcriptions (partial).

Fellowes, Edmund H. 1934. The Catalogue of Manuscripts in the Library of St. Michael's College Tenbury.  Paris. Pages: 61-2. Notes: physical description (partial); contents list.

Fellowes, Edmund H (editor). 1923-48. Tudor Church Music.  London, Oxford et al. Pages: I, lx-lxi; III, xv, xviii-xix; V, xx-xxiii; VI, xxvii-xxix; IX, xiii-xv, 301-3, 305-11. Notes: physical description (partial); contents list (partial); concordances (partial); transcriptions (partial).

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Watermark Note; Notation Note; Foliation Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description