GB-Ob MS. Tenbury 389

Bodleian Library, Oxford, England

partbook: c. 1595-1613

Archive	Bodleian Library, Oxford, England (GB-Ob)
Shelfmark	MS. Tenbury 389
Surface	Paper
Numbering System	Pagination
Format	landscape
Measurements	140 x 194 mm
Other Identifiers	CCM: OxfBT 389
Notations	black void mensural
Relationships	? Este, Thomas (owner) St Michael's College (owner) Ouseley, Sir Frederick Gore (1825–1889) (owner)
External Links	online catalogue entry
Provenance	England
Contents	158 pieces from 35 composers

General Description

A single partbook from a set originally of six volumes, containing various voice parts (mostly Discantus and Altus). Another surviving volume of the set is the McGhie Manusript, WimbDM s.s. Copied by several scribes. Some pieces have text incipits or titles only. Copied in England. The original owner was apparently 'TE' (monogram on covers and p. 2); 'TE' probably not Thomas Este (KermanBM). Later acquired by Sir Frederick Ouseley (1825-89), founder of St. Michael's College (near Tenbury, Worcester). Bequeathed to St. Michael's College; deposited in Bodleian Library in 1979.

DIAMM, 2017

Binding

Original beige limp vellum covers stiffened with cardboard, inscribed with voice designation 'DISCANTVS' and monogram 'TE'; two string ties.

DIAMM, 2017

Notation

black void mensural

DIAMM, 2017

Date

C. 1595-1613 (BernsCE); 1580s/1590s (Edwards)

DIAMM, 2018

Ruling

Staff height 12-13

DIAMM, 2017

Foliation

Original ink pagination, 1-189; new pencil pagination, 190-221 (several pages lack numbers, but all included in enumeration except last page).

DIAMM, 2017

Decoration

No initials or decoration.

DIAMM, 2017

Index

Incomplete original index on second and third original flyleaves lists pieces in order of appearance.

DIAMM, 2017

Surface

paper

DIAMM, 2017

DIAMM Note

Digitized with funding from the Arts and Humanities Research Council (UK) for the Tudor Partbooks project at the Universities of Oxford and Newcastle.

DIAMM, 2023

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

1 Magnificat section, 1 hymn, 2 Lamentations, 61 motets, 11 anthems, 1 English sacred piece, 14 English secular pieces, 4 French secular pieces, 4 Italian secular pieces, 1 Latin secular piece, 1 textless piece, 22 instrumental pieces = 123

Blancks-4, Bruster-1, Byrd-36, (Byrd/Coste)-1, Byrd/(R. Farrant/ R. Parsons I)-1, (Byrd/R. Parsons I/Strogers/R. White)-1, (Clemens non Papa)-1, Douglas-1, A. Ferrabosco I-17, (N. Giles)-1, (Gombert/Wilder)-1, Hawkes-1, R. Johnson I-2, Lassus-1, Philippe de Monte-1, Morley-1, H. Mudd or T. Mudd I? [Mr. Mud]-1, R. Parsons I-8, Redford-2, (Rore)-1, Shepherd-3, Strogers-5, Tallis-4, Taverner-2, (Tye)-1, (Weelkes)-2, R. White-3, Wilder [Mr. Phillipps]-4, Wilder/(P. Philips)-1, Wilder/(Tye/Verdelot)-1, anon-14

1 paper partbook of an original 6 (Various parts, mostly D and A-i + v + 111 + i folios), 140 x 194. Original ink pagination, 1-189; new pencil pagination, 190-221 (several pages lack numbers, but all included in enumeration except last page). Blank staves only on pp. 32-45, 64-69, 213, 221. Original covers of beige parchment on cardboard, inscribed with voice designation "DISCANTVS" and monogram "TE"; two string ties. Incomplete original index on second and third original flyleaves lists pieces in order of appearance. Copied by several scribes. Staff height 12-13. No initials or decoration. Some pieces have text incipits or titles only.

Ca. 1595-1613 (BernsCE). Copied in England. The original owner was apparently "TE" (monogram on covers and p. 2); "TE" probably not Thomas Este (KermanBM). Later acquired by Sir Frederick Ouseley (1825-89), founder of St. Michael's College (near Tenbury, Worcester). Bequeathed to St. Michael's College; deposited in Bodleian Library in 1979.

Vol 4

Heading:

OXFORD. Bodleian Library. MS Tenbury 389 [see also WimbDM s.s.]

Contents: 1 Magnificat section, 2 Lamentations, 61 motets, 11 anthems, 1 English sacred piece, 13 English secular pieces, 4 French secular pieces, 4 Italian secular pieces, 1 Latin secular piece, 1 textless piece, 23 instrumental pieces (In nomines, fantasias, etc.) - 122

Composers: Blancks-4, Bruster-1, Byrd-35, (Byrd/Coste)-1, Byrd/(R. Farrant/ R. Parsons I)-1, (Byrd/R. Parsons I/Strogers/R. White)-1, Byrd/(Strogers)-1, (Clemens non Papa)-2, (Cobbold)-1, Douglas-1, A. Ferrabosco I-17, (N. Giles) -1, (Gombert/Wilder)-1, Hawkes-1, R. Johnson I-2, Lassus-2, Philippe de Monte-1, (More)-2, Morley-1, H. Mudd or T. Mudd I? [Mr. Mud]-1, R. Parsons I-8, Redford-2, (Rore)-1, Shepherd-3, Strogers-4, Strogers/(R. Parsons I) -1, Tallis-4, Taverner-1, (Taverner/Tye)-1, (Tye)-1, (Weelkes)-2, R. White-3, Wilder [Mr. Phillipes]-4, Wilder/(P. Philips)-1, Wilder/(Tye/Verdelot)-1, anon-8

Physical: WimbDM s.s. is Dl book from same original set; other books apparently lost.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
iii–iv (v)	index	-	-
index Appears on: iii–iv (v)
v–vi (v)	blank ruled for index	-	-
blank ruled for index Appears on: v–vi (v)
1	Aspice Domine de sede (5vv) - 1a pars (of 2): Aspice Domine de sede sancta	Mr Bird	Byrd, William (ca. 1540–1623)
Aspice Domine de sede (5vv) - 1a pars (of 2): Aspice Domine de sede sancta Byrd, William (ca. 1540–1623) Appears on: 1 Genres: Motet Source Attribution: Mr Bird Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Aspice Domine: Mr. B. / Aspice Domine de sede sa[n]cta tua [2p. Respice domine]
2	Aspice Domine de sede (5vv) - 2a pars (of 2): Respice domine	-	Byrd, William (ca. 1540–1623)
Aspice Domine de sede (5vv) - 2a pars (of 2): Respice domine Byrd, William (ca. 1540–1623) Appears on: 2 Genres: Motet
2–3	Ne irascaris - 1a pars (of 2): Ne irascaris Domine	Mr Bird	Byrd, William (ca. 1540–1623)
Ne irascaris - 1a pars (of 2): Ne irascaris Domine Byrd, William (ca. 1540–1623) Appears on: 2–3 Genres: Motet Source Attribution: Mr Bird Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Ne iras caris domine: Mr. B. / Ne irascaris domine [2p. Ciuitas sancti tui]
3–4	Ne irascaris - 2a pars (of 2): Civitatis sancti tui	-	Byrd, William (ca. 1540–1623)
Ne irascaris - 2a pars (of 2): Civitatis sancti tui Byrd, William (ca. 1540–1623) Appears on: 3–4 Genres: Motet
4–5	Domine praestolamur - 1a pars (of 2): Domine praestolamur	Bird	Byrd, William (ca. 1540–1623)
Domine praestolamur - 1a pars (of 2): Domine praestolamur Byrd, William (ca. 1540–1623) Appears on: 4–5 Genres: Motet Source Attribution: Bird Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Domine prestolamor: Mr. B. / Domine prestolamur adventu[m] tuum [Veni d[omi]ne
5–6	Domine praestolamur - 2a pars (of 2): Veni Domine	-	Byrd, William (ca. 1540–1623)
Domine praestolamur - 2a pars (of 2): Veni Domine Byrd, William (ca. 1540–1623) Appears on: 5–6 Genres: Motet
6	A woeful heart	Robert psons/ R. persons	Verdelot, Philippe (ca. 1480–ca. 1532) (?) Fogliano, Giacomo (1468–1548) (?) Parsons (I), Robert (ca. 1535–ca. 1572) (?)
A woeful heart Verdelot, Philippe (ca. 1480–ca. 1532) (?) Fogliano, Giacomo (1468–1548) (?) Parsons (I), Robert (ca. 1535–ca. 1572) (?) Appears on: 6 Source Attribution: Robert psons/ R. persons Voice: [no designation] Languages: none Mensuration: cut-c Clef: c1 Voice Text: A wofull hart: R. P[ar]sons / A wofull heart
7	In nomine (III)	Ro. Persons	Parsons (I), Robert (ca. 1535–ca. 1572)
In nomine (III) Parsons (I), Robert (ca. 1535–ca. 1572) Appears on: 7 Genres: In nomine Source Attribution: Ro. Persons Voice: [no designation] Languages: none Mensuration: cut-c Clef: c1 Voice Text: In nomine: R. P[ar]sons / Innomine, of Robert psons General Note Notes: In nomine no. from Musica Britannica XLIV;
7–10	De la court - 1a pars	-	Parsons (I), Robert (ca. 1535–ca. 1572)
De la court - 1a pars Parsons (I), Robert (ca. 1535–ca. 1572) Appears on: 7–10 Genres: Chanson Voice: [no designation] Languages: none Clef: c1 Voice Text: De la court: R. P[ar]sons / De la courte General Note Annotations/Corrections: pasted on correction on p.9, neat crossing out p.10;
10–12	Hey down	-	Cobbold, William (ca. 1560–1639)
Hey down Cobbold, William (ca. 1560–1639) Appears on: 10–12 Voice: [no designation] Languages: none Clef: c2 Voice Text: Hey downe / Hey downe: General Note Annotations/Corrections: a few correctionsin black ink - e.g. an added quaver, flat, rests. At the end 'cor:';
13	In nomine (III)	Strogers	Strogers, Nicholas
In nomine (III) Strogers, Nicholas Appears on: 13 Genres: Motet Source Attribution: Strogers Voice: [no designation] Languages: none Mensuration: cut-c Clef: c1 Voice Text: In nomine: Strogers / Innomine of Strogers. General Note Notes: In nomine no. from Musica Britannica XLIV;
13–14	The song called trumpets = Lusty Gallant	Mr R.psons	Parsons (I), Robert (ca. 1535–ca. 1572)
The song called trumpets = Lusty Gallant Parsons (I), Robert (ca. 1535–ca. 1572) Appears on: 13–14 Genres: Motet Source Attribution: Mr R.psons Voice: [no designation] Languages: none Mensuration: cut-c Clef: c1 Voice Text: Lustie gallant: R. P[ar]sons / Lusti gallant
14–15	Mine heart	-	Anonymous
Mine heart Anonymous Appears on: 14–15 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c2 Voice Text: Myne heart kinaltite / Myne hart kinaltite
15	[Christe, qui lux es (IV)] - 1a pars (of 3): [Christe...] Precamur sancte Domine	-	White, Robert (ca. 1538–1574)
[Christe, qui lux es (IV)] - 1a pars (of 3): [Christe...] Precamur sancte Domine White, Robert (ca. 1538–1574) Appears on: 15 Genres: Motet Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Precamor sa[n]cte domine: R.White / Precamur sancta domine
15	[Christe, qui lux es (IV)] - 2a pars (of 3): Oculi somnum	-	White, Robert (ca. 1538–1574)
[Christe, qui lux es (IV)] - 2a pars (of 3): Oculi somnum White, Robert (ca. 1538–1574) Appears on: 15 Genres: Motet
16	[Christe, qui lux es (IV)] - 3a pars (of 3): Memento nostri Domine	-	White, Robert (ca. 1538–1574)
[Christe, qui lux es (IV)] - 3a pars (of 3): Memento nostri Domine White, Robert (ca. 1538–1574) Appears on: 16 Genres: Motet
17–18	Magnificat a6: (exc) Esurientes	Mr Shepeherd	Sheppard, John (ca. 1515–1558)
Magnificat a6: (exc) Esurientes Sheppard, John (ca. 1515–1558) Appears on: 17–18 Genres: BVM, Canticle, Magnificat Source Attribution: Mr Shepeherd Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Esurientes: Mr. Sheperd / Esurientes implevit bonis General Note Notes: Magnificat extract;
18	This world is a world	-	Strogers, Nicholas
This world is a world Strogers, Nicholas Appears on: 18 Voice: [no designation] Languages: none Clef: c2 Voice Text: The world is a world: Mr. Strogers / [None]
18	The God of Gods	-	Anonymous
The God of Gods Anonymous Appears on: 18 Voice: [no designation] Languages: none Clef: c2 Voice Text: The God of Gods [2 pars: Saue me O God] General Note Annotations/Corrections: Crossed out; Notes: Incomplete;
19–20	Quis te victorem dicat	-	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Quis te victorem dicat Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 19–20 Voice: [no designation] Languages: none Clef: c2 Voice Text: Quis te victore[m] dedit / Quis te victoreum dedit
20–21	Deliver me from mine enemies	-	Parsons (I), Robert (ca. 1535–ca. 1572) (?) Byrd, William (ca. 1540–1623) (?)
Deliver me from mine enemies Parsons (I), Robert (ca. 1535–ca. 1572) (?) Byrd, William (ca. 1540–1623) (?) Appears on: 20–21 Genres: Quodlibet Voice: [no designation] Languages: none Clef: c1 Voice Text: Deliuer me from myne enemies / Deliver me fro[m] my enimies
21–22	Blessed art thou that fearest God and walkest in his ways	-	Van Wilder, Phillip
Blessed art thou that fearest God and walkest in his ways Van Wilder, Phillip Appears on: 21–22 Genres: Motet Voice: [no designation] Languages: none Mensuration: cut-c Clef: c1 Voice Text: Blessed art thou: Mr Phillips / Blessed art thou [tha]t dearest God & walkest in his wayes
22–23	O Lord, that heaven doth possess	-	Anonymous
O Lord, that heaven doth possess Anonymous Appears on: 22–23 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice Text: O Lord that heauen doth possesse / O Lord [tha]t heau[n] doth possesse General Note Annotations/Corrections: correction of rest to semibreve in black ink;
23–25	Qui consolabatur me recessit a me	-	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Qui consolabatur me recessit a me Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 23–25 Genres: Motet Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice Text: Que consolabatur / Que consolobater
25–26	Non te hostis	-	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Non te hostis Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 25–26 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c2 Voice Text: Non te hostis / Non te hostis General Note Notes: 2nd part of Clemens non Papa's Quis te victorem (above);
27	Lombany [L'homme banni de sa plaisance?]	Mr Phillippes	Van Wilder, Phillip
Lombany [L'homme banni de sa plaisance?] Van Wilder, Phillip Appears on: 27 Source Attribution: Mr Phillippes Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice Text: Lome bani: Mr. Phillips / Lombany
28	Madonna somm' accorto ch' havete pur gran torto	Mr Phillippes	Van Wilder, Phillip (?)
Madonna somm' accorto ch' havete pur gran torto Van Wilder, Phillip (?) Appears on: 28 Genres: Madrigal (Italian) Source Attribution: Mr Phillippes Voice: [no designation] Languages: none Mensuration: cut-c Clef: c2 Voice Text: Madona: Mr. Phillips / Madona
29–31	Blessed are those that be undefiled (=Beati immaculati)	Mr Tallis	Tallis, Thomas (ca. 1505–1585)
Blessed are those that be undefiled (=Beati immaculati) Tallis, Thomas (ca. 1505–1585) Appears on: 29–31 Genres: Anthem, Contrafactum Source Attribution: Mr Tallis Voice: [no designation] Languages: English Mensuration: cut-c Clef: c2 Voice Text: Blessed are those: Mr Tallis / Blessed are thos that be vndefyled General Note Notes: adaptation of Beati immaculati;
32–45	[blank staves]	-	-
[blank staves] Appears on: 32–45
46–47	Salva nos Domine (C54)	Alfonsus Ferabosco	Ferrabosco, Alfonso (the elder) (1543–1588)
Salva nos Domine (C54) Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 46–47 Source Attribution: Alfonsus Ferabosco Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Salva nos domine: Alfonsus / Salua nos do[mi]ne vigilantes General Note Annotations/Corrections: pasted correction over whole of final line of p.46;
47–48	Da pacem Domine (II) (C28)	Alfonsus Ferabosco	Ferrabosco, Alfonso (the elder) (1543–1588)
Da pacem Domine (II) (C28) Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 47–48 Source Attribution: Alfonsus Ferabosco Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Da pacem domine: Alfonsus / Da pace[m] domine
48–49	Timor et tremor - 1a pars (of 2): Timor et tremor (C61)	-	Ferrabosco, Alfonso (the elder) (1543–1588)
Timor et tremor - 1a pars (of 2): Timor et tremor (C61) Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 48–49 Genres: Motet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Tymor et tremor: Alfonsus / Timor et tremor General Note Annotations/Corrections: cor' in margin after 'secunda pars' ;
49–50	Timor et tremor - 2a pars (of 2): Exaudi Deus deprecationem meam (C62)	Alfonsus Ferobosco	Ferrabosco, Alfonso (the elder) (1543–1588)
Timor et tremor - 2a pars (of 2): Exaudi Deus deprecationem meam (C62) Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 49–50 Genres: Motet Source Attribution: Alfonsus Ferobosco Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Ex audi deus: Alfonsus / Exaudi deus deprecationem meum General Note Annotations/Corrections: cor' in margin at end; Notes: second part of 'Timor et Tremor';
51–52	Heu mihi Domine (II) (C38)	Alfonsus Ferabosco	Ferrabosco, Alfonso (the elder) (1543–1588)
Heu mihi Domine (II) (C38) Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 51–52 Source Attribution: Alfonsus Ferabosco Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Heu mihi domine: Alfonsus / Heu mihi domine
52–53	Virgo per incertos casus (C80)	Alfonsus Ferabosco	Ferrabosco, Alfonso (the elder) (1543–1588)
Virgo per incertos casus (C80) Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 52–53 Genres: Motet Source Attribution: Alfonsus Ferabosco Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Virgo per in certos: Alfonsus / Virgo per incertos casus
53–55	Domine non secundum peccata nostra (C32)	-	Ferrabosco, Alfonso (the elder) (1543–1588)
Domine non secundum peccata nostra (C32) Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 53–55 Genres: Motet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Domine non secu[n]du[m]: Alfonsus / Domine non secu[n]dum General Note Annotations/Corrections: cor' in margin at end;
55–56	Afflictus sum - 1a pars (of 2): Afflictus sum et humiliatus	-	Ferrabosco, Alfonso (the elder) (1543–1588)
Afflictus sum - 1a pars (of 2): Afflictus sum et humiliatus Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 55–56 Genres: Motet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Afflictus sum: Alfonsus / Afflictus sum et humiliatus su[m] General Note Annotations/Corrections: cor' in margin at end;
57	Afflictus sum - 2a pars (of 2): Ne derelinquas me, Domine	-	Ferrabosco, Alfonso (the elder) (1543–1588)
Afflictus sum - 2a pars (of 2): Ne derelinquas me, Domine Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 57 Genres: Motet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Ne derelinquas me: Alfonsus / Ne derelinquas me domine General Note Annotations/Corrections: 'cor' in margin at end; Notes: second part of 'Afflictus sum et humiliatus';
58	Credo quod redemptor (C26)	Alfonsus	Ferrabosco, Alfonso (the elder) (1543–1588)
Credo quod redemptor (C26) Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 58 Source Attribution: Alfonsus Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Credo qd redemptor: Alfonsus / Credo quod redemptoris meus viuit General Note Annotations/Corrections: 'cor' in margin at end;
59–60	Domine in virtute tua (I) - 1a pars (of 2): Domine in virtute tua	Mr Johnson priest	Johnson (I), Robert (ca. 1500–ca. 1560)
Domine in virtute tua (I) - 1a pars (of 2): Domine in virtute tua Johnson (I), Robert (ca. 1500–ca. 1560) Appears on: 59–60 Genres: Motet Source Attribution: Mr Johnson priest Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Domine in virtuta tua: Johson / Domine in virtute tua [2p: Magna gloria] General Note Annotations/Corrections: correction top of p.62; 'cor' in margin at end; Notes: (version A);
60–63	Domine in virtute tua (I) - 2a pars (of 2): Magna gloria eius	-	Johnson (I), Robert (ca. 1500–ca. 1560)
Domine in virtute tua (I) - 2a pars (of 2): Magna gloria eius Johnson (I), Robert (ca. 1500–ca. 1560) Appears on: 60–63 Genres: Motet
64–69	[blank staves]	-	-
[blank staves] Appears on: 64–69
70	In nomine IX: 'Re la re'	-	Tye, Christopher (ca. 1505–ca. 1573)
In nomine IX: 'Re la re' Tye, Christopher (ca. 1505–ca. 1573) Appears on: 70 Voice: [no designation] Languages: none Mensuration: c-dot Clef: c4 Voice Text: In nomine / Innomine
71	In nomine (V) a5	Byrde	Byrd, William (ca. 1540–1623)
In nomine (V) a5 Byrd, William (ca. 1540–1623) Appears on: 71 Genres: In nomine, Viol piece Source Attribution: Byrde Voice: [no designation] Languages: none Clef: c3 Voice Text: In nomine: [flat]. Mr.B. / Byrde Innomine. V p[ar]te.[flat sign] General Note Annotations/Corrections: staves strethcedin margins at end of page; Notes: In nomine no. from Byrd Edition 17;
72	In nomine à5	Byrde	Byrd, William (ca. 1540–1623)
In nomine à5 Byrd, William (ca. 1540–1623) Appears on: 72 Source Attribution: Byrde Voice: [no designation] Languages: none Clef: c2 Voice Text: In nomine: [sharp]. Mr. B. / Byrde Innomine. V p[ar]rte. [sharp sign] General Note Annotations/Corrections: cor' in margin at end; Notes: In nomine no. from Byrd Edition 17;
73	In nomine	Mr Tauerner	Taverner, John
In nomine Taverner, John Appears on: 73 Source Attribution: Mr Tauerner Voice: [no designation] Languages: none Clef: c4 Voice Text: In nomine. Mr. Taverner / Tauerners Innomine: v p[ar]te
74	In nomine	Mr Johnson	Johnson (I), Robert (ca. 1500–ca. 1560)
In nomine Johnson (I), Robert (ca. 1500–ca. 1560) Appears on: 74 Source Attribution: Mr Johnson Voice: [no designation] Languages: none Clef: c3 Voice Text: In nomine. Mr. Johnson / Johnsons Innomine: v p[ar]te
75–76	In nomine (II)	Tallis	Tallis, Thomas (ca. 1505–1585)
In nomine (II) Tallis, Thomas (ca. 1505–1585) Appears on: 75–76 Source Attribution: Tallis Voice: [no designation] Languages: none Clef: c4 Voice Text: In nomine Mr. Tallis / Tallis: Innomine: v p[ar]te General Note Notes: In nomine no. from Musica Britannica XLIV;
76–77	In nomine	Mr Hawkes	Hake, John
In nomine Hake, John Appears on: 76–77 Source Attribution: Mr Hawkes Voice: [no designation] Languages: none Clef: c4 Voice Text: In nomine Mr. Hawkes / Hawkes Innomine: v p[ar]te
77–78	A solis ortus cardine	-	Parsons (I), Robert (ca. 1535–ca. 1572) Strogers, Nicholas Parsons (II) 'of Exeter', Robert (1596–1676)
A solis ortus cardine Parsons (I), Robert (ca. 1535–ca. 1572) Strogers, Nicholas Parsons (II) 'of Exeter', Robert (1596–1676) Appears on: 77–78 Voice: [no designation] Languages: none Clef: c2 Voice Text: A solis ortus: Strogers / A solis ortus General Note Annotations/Corrections: cor' in margin at end;
78	In nomine De Profundis	-	Mudde, Henry Mudd (I), Thomas (ca. 1550–ca. 1619) Mudd (II), Thomas (?)
In nomine De Profundis Mudde, Henry Mudd (I), Thomas (ca. 1550–ca. 1619) Mudd (II), Thomas (?) Appears on: 78 Voice: [no designation] Languages: none Clef: c1 Voice Text: In nomine: dep[ro]fundis: Mr. Mud / Innomine General Note Annotations/Corrections: cor' in margin at end;
79–80	O salutaris hostia	Mr Talis	Tallis, Thomas (ca. 1505–1585)
O salutaris hostia Tallis, Thomas (ca. 1505–1585) Appears on: 79–80 Genres: Motet Source Attribution: Mr Talis Voice: [no designation] Languages: Latin Clef: c3 Voice Text: O salutaris hostia: Mr. Tallis / O salutaris hostia
80–81	Dum transisset sabbatum, Maria Magdalene / Aromata emerunt	Mr Thomas Tallis	Tallis, Thomas (ca. 1505–1585)
Dum transisset sabbatum, Maria Magdalene / Aromata emerunt Tallis, Thomas (ca. 1505–1585) Appears on: 80–81 Genres: Motet Source Attribution: Mr Thomas Tallis Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Sabatum: Mr. Tallis / Sabatum maria magdalene
81–83	Tota pulchra es amica mea et macula	Mr White	White, Robert (ca. 1538–1574)
Tota pulchra es amica mea et macula White, Robert (ca. 1538–1574) Appears on: 81–83 Genres: Motet Source Attribution: Mr White Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Tota pulchra Mr. White / Tota pulcra es General Note Annotations/Corrections: Date '1573' at end;
84–85	Sint lumbi vesti praecincti	Mr Redford	Redford, John (–1547)
Sint lumbi vesti praecincti Redford, John (–1547) Appears on: 84–85 Genres: Motet Source Attribution: Mr Redford Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Vestra precincti. Mr Redford / Vestre presincti General Note Annotations/Corrections: correction on first line; 'cor' in margin at end;
86–88	Browning = The leaves be green	Mr Byrd	Byrd, William (ca. 1540–1623)
Browning = The leaves be green Byrd, William (ca. 1540–1623) Appears on: 86–88 Genres: Song Source Attribution: Mr Byrd Voice: [no designation] Languages: none Mensuration: c-dot Clef: c3 Voice Text: Browning: Mr.B / Mr Byrde General Note Annotations/Corrections: 'cor' in margin at end;
88–89	Peccantem me quotidie	Ro. Persons	Parsons (I), Robert (ca. 1535–ca. 1572)
Peccantem me quotidie Parsons (I), Robert (ca. 1535–ca. 1572) Appears on: 88–89 Genres: Motet Source Attribution: Ro. Persons Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Peccantem me: R. parso[n]s / Peccantem me quotidie General Note Annotations/Corrections: 'cor' in margin at end;
89–90	Veni sponsa Christi	-	Lassus, Orlande de (ca. 1532–1594)
Veni sponsa Christi Lassus, Orlande de (ca. 1532–1594) Appears on: 89–90 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Veni sponsa / Veni sponsa christi General Note Annotations/Corrections: cor' in margin at end;
90–91	Miserere	-	Douglas, Patrick
Miserere Douglas, Patrick Appears on: 90–91 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice Text: Miserere: Patricke Douglas / Miserer. 7. p[ar]te vpon .3. minu[m]s & a crochit; General Note Annotations/Corrections: 'cor' in margin at end;
91–92	Deus in adjutorium - 1a pars (of 5): Deus in adjutorium meum	-	Byrd, William (ca. 1540–1623)
Deus in adjutorium - 1a pars (of 5): Deus in adjutorium meum Byrd, William (ca. 1540–1623) Appears on: 91–92 Genres: Motet Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Deus in adiutoriu[m]: Mr/ B. / Deus in adiutoriu[m] [2p. Averta[n]tur retrorsu[m]; 3p. Exvltent et letentur; 4p. Et dica[n]t semp[er]; 5p. Adivtor meus] General Note Annotations/Corrections: 'cor' in margin at end;
92	Deus in adjutorium - 2a pars (of 5): Avertantur retrorsum	-	Byrd, William (ca. 1540–1623)
Deus in adjutorium - 2a pars (of 5): Avertantur retrorsum Byrd, William (ca. 1540–1623) Appears on: 92 Genres: Motet
93	Deus in adjutorium - 3a pars (of 5): Exsultent et laetentur	-	Byrd, William (ca. 1540–1623)
Deus in adjutorium - 3a pars (of 5): Exsultent et laetentur Byrd, William (ca. 1540–1623) Appears on: 93 Genres: Motet
93	Deus in adjutorium - 4a pars (of 5): Et dicunt semper	-	Byrd, William (ca. 1540–1623)
Deus in adjutorium - 4a pars (of 5): Et dicunt semper Byrd, William (ca. 1540–1623) Appears on: 93 Genres: Motet
93–94	Deus in adjutorium - 5a pars (of 5): Adjutor meus	-	Byrd, William (ca. 1540–1623)
Deus in adjutorium - 5a pars (of 5): Adjutor meus Byrd, William (ca. 1540–1623) Appears on: 93–94 Genres: Motet
94–95	When weary bones	Mr White	White, Robert (ca. 1538–1574)
When weary bones White, Robert (ca. 1538–1574) Appears on: 94–95 Source Attribution: Mr White Voice: [no designation] Languages: none Mensuration: cut-c Clef: c2 Voice Text: When weary bones: Mr. White / When wery bones
95–96	If trickling tears of mine	Mr Bird	Byrd, William (ca. 1540–1623)
If trickling tears of mine Byrd, William (ca. 1540–1623) Appears on: 95–96 Source Attribution: Mr Bird Voice: [no designation] Languages: English Mensuration: cut-c Clef: c2 Voice Text: If trickling teares: Mr. B. / If trickling teares of mine
96–97	Mistrust not truth	Strogers	Strogers, Nicholas (?)
Mistrust not truth Strogers, Nicholas (?) Appears on: 96–97 Genres: Song Source Attribution: Strogers Voice: [no designation] Languages: English Mensuration: cut-c Clef: c2 Voice Text: Mistrust not truth: Mr. Strog: / Mistrust not truth that truly means
97–98	What is the cause	-	Ferrabosco, Alfonso (the elder) (1543–1588)
What is the cause Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 97–98 Voice: [no designation] Languages: English Mensuration: cut-c Clef: c1 Voice Text: What is the cause: Alfonsus / What is [th]e cause
98–99	Come tread the paths	Mr Byrd	Byrd, William (ca. 1540–1623) (?)
Come tread the paths Byrd, William (ca. 1540–1623) (?) Appears on: 98–99 Source Attribution: Mr Byrd Voice: [no designation] Languages: English Mensuration: c-dot Clef: c2 Voice Text: Cum tread the path: Mr. B. / Come tread [th]e path of pensive pangs
99–100	O trifling toys	-	Byrd, William (ca. 1540–1623)
O trifling toys Byrd, William (ca. 1540–1623) Appears on: 99–100 Voice: [no designation] Languages: English Clef: c2 Voice Text: O tryfling toyes: Mr. B. / O tryflinge toyes [that] tosse [th]e brayne General Note Annotations/Corrections: minor text corrections;
101	Ah, alas, you salt sea gods	-	Farrant, Richard (ca. 1525–1580) (?) Byrd, William (ca. 1540–1623) (?)
Ah, alas, you salt sea gods Farrant, Richard (ca. 1525–1580) (?) Byrd, William (ca. 1540–1623) (?) Appears on: 101 Genres: Song Voice: [no designation] Languages: none Mensuration: c-dot Clef: c1 Voice Text: Abradate: Mr. B. / Abradate General Note Annotations/Corrections: staves extended into margins at end of both sections.;
101–103	Pour down thy powers divine	Nycholas Strogers	Strogers, Nicholas (?)
Pour down thy powers divine Strogers, Nicholas (?) Appears on: 101–103 Source Attribution: Nycholas Strogers Voice: [no designation] Languages: English Mensuration: c-dot Clef: c1 Voice Text: Poore downe: Strogers / Poore downe [th]e poweres dyvine
103	O heavenly God	-	Strogers, Nicholas
O heavenly God Strogers, Nicholas Appears on: 103 Genres: Anthem Voice: [no designation] Languages: none Clef: c2 Voice Text: O heauenly God: Mr. B. / O heauenly God & father deare
104–105	O quam gloriosum - 1a pars (of 2): O quam gloriosum est regnum	-	Byrd, William (ca. 1540–1623)
O quam gloriosum - 1a pars (of 2): O quam gloriosum est regnum Byrd, William (ca. 1540–1623) Appears on: 104–105 Genres: Motet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: g2 Voice Text: O qua[m] gloriosu[m]: Mr.B. / O qua[m] gloriosu[m] est regnum [2p: Benedictio et claritas]
105	O quam gloriosum - 2a pars (of 2): Benedictio et claritas	-	Byrd, William (ca. 1540–1623)
O quam gloriosum - 2a pars (of 2): Benedictio et claritas Byrd, William (ca. 1540–1623) Appears on: 105 Genres: Motet
106	O Lord, within thy tabernacle	-	Byrd, William (ca. 1540–1623)
O Lord, within thy tabernacle Byrd, William (ca. 1540–1623) Appears on: 106 Genres: Anthem Voice: [no designation] Languages: English Clef: c2 Voice Text: O Lord w[i]thin thy tabernakle. Mr B. / O Lord w[i]thin thy tabernackle General Note Annotations/Corrections: signs of minor erasure and correction;
107–108	Susanne un jour	-	Rore, Cipriano de (ca. 1515–1565)
Susanne un jour Rore, Cipriano de (ca. 1515–1565) Appears on: 107–108 Voice: [no designation] Languages: French Mensuration: cut-c Clef: c2 Voice Text: Susana vn iour / Susanne vng iour damour sollicitee
109	In resurrectione tua	William Bird	Byrd, William (ca. 1540–1623)
In resurrectione tua Byrd, William (ca. 1540–1623) Appears on: 109 Genres: Motet Source Attribution: William Bird Voice: [no designation] Languages: English Mensuration: cut-c Clef: c2 Voice Text: In resurrectione tuo do: M.r B. / In resurrexione tua d[om]i[n]e General Note Annotations/Corrections: crossing out of text at bottom of page;
110	Arise O Lord - 1a pars (of 2): Arise O Lord why sleepest thou	Mr Wm Bird	Byrd, William (ca. 1540–1623)
Arise O Lord - 1a pars (of 2): Arise O Lord why sleepest thou Byrd, William (ca. 1540–1623) Appears on: 110 Genres: Anthem Source Attribution: Mr Wm Bird Voice: [no designation] Languages: English Mensuration: cut-c Clef: c3 Voice Text: Aryse O Lord: Mr. B. / Aryse O Lord [2p. Help us O God] General Note Annotations/Corrections: top stave of f. 111, mended at end;
110–111	Arise O Lord - 2a pars (of 2): Help us, O God	-	Byrd, William (ca. 1540–1623)
Arise O Lord - 2a pars (of 2): Help us, O God Byrd, William (ca. 1540–1623) Appears on: 110–111 Genres: Anthem
111–113	Super flumina Babylonis	Mr Philiip de Monte	Monte, Philippe de
Super flumina Babylonis Monte, Philippe de Appears on: 111–113 Source Attribution: Mr Philiip de Monte Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Super flumina: Mr Phil: de mo[n]te: / Super flu: illic sedimus et fleuim[us] General Note Annotations/Corrections: part splits for final cadence (with composer name after both endings);
114–115	Quomodo cantabimus - 1a pars (of 2): Quomodo cantabimus	-	Byrd, William (ca. 1540–1623)
Quomodo cantabimus - 1a pars (of 2): Quomodo cantabimus Byrd, William (ca. 1540–1623) Appears on: 114–115 Genres: Motet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Comodo cantabimus: Mr. B / Quomodo cantabimus canticum domini [2p. Si non proposuero Hierusalem] General Note Annotations/Corrections: at top: '8 voc. Tenor primus.'; on f. 115, at end of penultimate line 'secu[n]da / pars.';
115–116	Quomodo cantabimus - 2a pars (of 2): Si non proposuero Jersualem	-	Byrd, William (ca. 1540–1623)
Quomodo cantabimus - 2a pars (of 2): Si non proposuero Jersualem Byrd, William (ca. 1540–1623) Appears on: 115–116 Genres: Motet
117	Sana me Domine - 1a pars (of 2): Sana me Domine (C55)	-	Ferrabosco, Alfonso (the elder) (1543–1588)
Sana me Domine - 1a pars (of 2): Sana me Domine (C55) Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 117 Genres: Motet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Sana me domine: Alfonsus / Sana me domine
118–119	Sana me Domine - 2a pars (of 2): Ne derelinquas me, Domine (C56)	Alfonsus	Ferrabosco, Alfonso (the elder) (1543–1588)
Sana me Domine - 2a pars (of 2): Ne derelinquas me, Domine (C56) Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 118–119 Genres: Motet Source Attribution: Alfonsus Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Ne derelinquas me: Alfonsus / Ne derelinquas me domine General Note Notes: secunda pars of the preceding 'Sana me domine';
119–120	Tribulationem et dolorem inveni (C63)	Alfonsus	Ferrabosco, Alfonso (the elder) (1543–1588)
Tribulationem et dolorem inveni (C63) Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 119–120 Genres: Motet Source Attribution: Alfonsus Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Tribulationem: Alfonsus / Tribulationem et dolorem
120–127	Lamentations [...] Aleph (5vv - C65)	-	Ferrabosco, Alfonso (the elder) (1543–1588)
Lamentations [...] Aleph (5vv - C65) Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 120–127 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Incipit lame[n]tatio: Alfonsus / Incipit lamentatio Hieremie prophete General Note Notes: Lamentations 1:1-3;
124–127	De Lamentatione Jeremiae (C64)	Alfonsus	Ferrabosco, Alfonso (the elder) (1543–1588)
De Lamentatione Jeremiae (C64) Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 124–127 Genres: Lamentations, Motet Source Attribution: Alfonsus Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: De lamentatione Hieremie profete General Note Notes: Lamentations 1:4, 12;
127–129	Mirabile mysterium (C47)	Alfonsus Ferobosco	Ferrabosco, Alfonso (the elder) (1543–1588)
Mirabile mysterium (C47) Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 127–129 Genres: Motet Source Attribution: Alfonsus Ferobosco Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Myrabilia misteriu[m]: Alfonsus / Mirabile misterium declaratur hodie
129–130	Ingemuit Susanna (C43)	Alfonso Ferobosco	Ferrabosco, Alfonso (the elder) (1543–1588)
Ingemuit Susanna (C43) Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 129–130 Source Attribution: Alfonso Ferobosco Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Ingenuit Susanna et ait
131	Sponsus amat sponsam	-	Byrd, William (ca. 1540–1623)
Sponsus amat sponsam Byrd, William (ca. 1540–1623) Appears on: 131 Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Sponsus amat sponsa[m]: Mr. B. / Sponsus Amat sponsum saluator visitat illam
132–133	Domine tu jurasti	Mr Byrde	Byrd, William (ca. 1540–1623)
Domine tu jurasti Byrd, William (ca. 1540–1623) Appears on: 132–133 Genres: Motet Source Attribution: Mr Byrde Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Domine tu iurasti: Mr. B. / Domine tu iurasti patribus nostris
134–135	Vide domine afflictionem - 1a pars (of 2): Vide domine afflictionem nostram et in tempore	Mr Byrde	Byrd, William (ca. 1540–1623)
Vide domine afflictionem - 1a pars (of 2): Vide domine afflictionem nostram et in tempore Byrd, William (ca. 1540–1623) Appears on: 134–135 Genres: Motet Source Attribution: Mr Byrde Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Vide domine afflictione[m]: Mr. B. / Vida Domine afflictionem nostra[m] [2p. Sed veni Domine et noli tardare]
135–136	Vide domine afflictionem - 2a pars (of 2): Sed veni domine et noli tardare	-	Byrd, William (ca. 1540–1623)
Vide domine afflictionem - 2a pars (of 2): Sed veni domine et noli tardare Byrd, William (ca. 1540–1623) Appears on: 135–136 Genres: Motet
136–138	Exsurge Domine quare obdormis? (or, Exsurge quare obdormis Domine)	Mr Byrde	Byrd, William (ca. 1540–1623)
Exsurge Domine quare obdormis? (or, Exsurge quare obdormis Domine) Byrd, William (ca. 1540–1623) Appears on: 136–138 Genres: Motet Source Attribution: Mr Byrde Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Ex vrge: quare: Mr.B. / Exvrge quare obdormis domine General Note Annotations/Corrections: at ditto marks, short text cues have been added;
139	Haec dicit Dominus - 1a pars (of 2): Haec dicit Dominus vox in excelsis	-	Byrd, William (ca. 1540–1623)
Haec dicit Dominus - 1a pars (of 2): Haec dicit Dominus vox in excelsis Byrd, William (ca. 1540–1623) Appears on: 139 Genres: Motet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Hec dicit dominus: Mr.B. / He dicet d[omi]n[u]s [2p. Hec dicit dominus do[mi]nus Quiescat]
140–141	Haec dicit Dominus - 2a pars (of 2): Haec dicit Dominus quiescat vox	-	Byrd, William (ca. 1540–1623)
Haec dicit Dominus - 2a pars (of 2): Haec dicit Dominus quiescat vox Byrd, William (ca. 1540–1623) Appears on: 140–141 Genres: Motet
141–142	Audivi vocem de caelo	Mr Byrd	Byrd, William (ca. 1540–1623)
Audivi vocem de caelo Byrd, William (ca. 1540–1623) Appears on: 141–142 Genres: Motet Source Attribution: Mr Byrd Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Audiui vocem: Mr. B. / Audiui vocem
142–143	Apparebit in finem	Mr William Byrde	Byrd, William (ca. 1540–1623)
Apparebit in finem Byrd, William (ca. 1540–1623) Appears on: 142–143 Genres: Motet Source Attribution: Mr William Byrde Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Apparebit in fine
144–145	Fac cum servo tuo	Mr W. Byrde	Byrd, William (ca. 1540–1623)
Fac cum servo tuo Byrd, William (ca. 1540–1623) Appears on: 144–145 Genres: Motet Source Attribution: Mr W. Byrde Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Fac cu[m] seruo tuo: M. B. / Fac cum seruo tuo
146–147	Laetentur caeli - 1a pars (of 2): Laetentur caeli	M W Byrd	Byrd, William (ca. 1540–1623)
Laetentur caeli - 1a pars (of 2): Laetentur caeli Byrd, William (ca. 1540–1623) Appears on: 146–147 Genres: Motet Source Attribution: M W Byrd Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Letentur celi: Mr. B. / Laetentur caeli et exultet terra [2p. Orietur in diebus tuis]
147–148	Laetentur caeli - 2a pars (of 2): Orietur in diebus	-	Byrd, William (ca. 1540–1623)
Laetentur caeli - 2a pars (of 2): Orietur in diebus Byrd, William (ca. 1540–1623) Appears on: 147–148 Genres: Motet
148–149	Circumdederunt me dolores mortis	Mr William Byrd	Byrd, William (ca. 1540–1623)
Circumdederunt me dolores mortis Byrd, William (ca. 1540–1623) Appears on: 148–149 Genres: Motet Source Attribution: Mr William Byrd Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Circu[m]dederu[n]t me: Mr. B. / Circumdederunt me dolores mortis
150	Care for thy soule as thing of greatest price	-	Byrd, William (ca. 1540–1623)
Care for thy soule as thing of greatest price Byrd, William (ca. 1540–1623) Appears on: 150 Genres: Sacred Song Voice: [no designation] Languages: English Mensuration: cut-c Clef: c2 Voice Text: Care for thy Soule: Mr. B. / Care for thy Soule as thing of greatest price
150–151	Vide Domine quoniam - 1a pars (of 2): Vide Domine quoniam tribulor	Mr Byrd	Byrd, William (ca. 1540–1623)
Vide Domine quoniam - 1a pars (of 2): Vide Domine quoniam tribulor Byrd, William (ca. 1540–1623) Appears on: 150–151 Genres: Motet Source Attribution: Mr Byrd Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Vide domine quonia[m]: Mr B. / Vide domine quoniam tribuler [2p. Quoniam amaritudine plena sum]
151	Vide Domine quoniam - 2a pars (of 2): Quoniam amaritudine plena sum	-	Byrd, William (ca. 1540–1623)
Vide Domine quoniam - 2a pars (of 2): Quoniam amaritudine plena sum Byrd, William (ca. 1540–1623) Appears on: 151 Genres: Motet
152–153	Domine exaudi - 1a pars (of 2): Domine exaudi orationem meam	W.B.	Byrd, William (ca. 1540–1623)
Domine exaudi - 1a pars (of 2): Domine exaudi orationem meam Byrd, William (ca. 1540–1623) Appears on: 152–153 Genres: Motet Source Attribution: W.B. Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Domine exaudi: Mr. B / Domine exaudi exaudi exaudi orationem
153–154	Tribulationes civitatum - 1a pars (of 3): Tribulationes civitatum	William Byrd	Byrd, William (ca. 1540–1623)
Tribulationes civitatum - 1a pars (of 3): Tribulationes civitatum Byrd, William (ca. 1540–1623) Appears on: 153–154 Genres: Motet Source Attribution: William Byrd Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Tribulationes ciuitatu[m]: Mr. B / Tribulationes ciuitatu[m] [2p. Timor et hebitudo me[n]tis; 3p. Nos enim pro peccatis nostris]
154–155	Tribulationes civitatum - 2a pars (of 3): Timor et hebitudo	-	Byrd, William (ca. 1540–1623)
Tribulationes civitatum - 2a pars (of 3): Timor et hebitudo Byrd, William (ca. 1540–1623) Appears on: 154–155 Genres: Motet
156–157	Tribulationes civitatum - 3a pars (of 3): Nos enim pro peccatis	-	Byrd, William (ca. 1540–1623)
Tribulationes civitatum - 3a pars (of 3): Nos enim pro peccatis Byrd, William (ca. 1540–1623) Appears on: 156–157 Genres: Motet
157–159	Tristitia et anxietas - 1a pars (of 2): Tristitia et anxietas, Domine tu jurasti	Mr William Byrd	Byrd, William (ca. 1540–1623)
Tristitia et anxietas - 1a pars (of 2): Tristitia et anxietas, Domine tu jurasti Byrd, William (ca. 1540–1623) Appears on: 157–159 Genres: Motet Source Attribution: Mr William Byrd Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Tristicia: Mr. B. / Tristicia et anxietas [2p. Sed tu domine qui non derelinquis]
159–160	Tristitia et anxietas - 2a pars (of 2): Sed tu domine	-	Byrd, William (ca. 1540–1623)
Tristitia et anxietas - 2a pars (of 2): Sed tu domine Byrd, William (ca. 1540–1623) Appears on: 159–160 Genres: Motet
160–161	Deus venerunt gentes - 1a pars (of 4): Deus venerunt gentes	W.B.	Byrd, William (ca. 1540–1623)
Deus venerunt gentes - 1a pars (of 4): Deus venerunt gentes Byrd, William (ca. 1540–1623) Appears on: 160–161 Genres: Motet Source Attribution: W.B. Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Deus deus veneru[n]t ge[n]t: Mr. B. / Deus veneru[n]t gentes [2p. Posuerunt morticinia]
162–163	Deus venerunt gentes - 2a pars (of 4): Posuerunt morticinia	-	Byrd, William (ca. 1540–1623)
Deus venerunt gentes - 2a pars (of 4): Posuerunt morticinia Byrd, William (ca. 1540–1623) Appears on: 162–163 Genres: Motet
163–164	O salutaris hostia I	Mr byrde	Byrd, William (ca. 1540–1623)
O salutaris hostia I Byrd, William (ca. 1540–1623) Appears on: 163–164 Genres: Motet Source Attribution: Mr byrde Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: O salutaris hostia
164–165	Omni tempore - 1a pars (of 2): Omni tempore benedic Deum	Mr byrde	Byrd, William (ca. 1540–1623)
Omni tempore - 1a pars (of 2): Omni tempore benedic Deum Byrd, William (ca. 1540–1623) Appears on: 164–165 Genres: Motet Source Attribution: Mr byrde Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Omni tempore benedic deum [2p. Memor esto fili]
165–166	Omni tempore - 2a pars (of 2): Memor esto fili	-	Byrd, William (ca. 1540–1623)
Omni tempore - 2a pars (of 2): Memor esto fili Byrd, William (ca. 1540–1623) Appears on: 165–166 Genres: Motet
166–168	Domine quis habitabit	Mr p[ar]sons	Parsons (I), Robert (ca. 1535–ca. 1572)
Domine quis habitabit Parsons (I), Robert (ca. 1535–ca. 1572) Appears on: 166–168 Genres: Motet Source Attribution: Mr p[ar]sons Voice: [no designation] Languages: Latin Clef: g2 Voice Text: Domine quis habitabit
168–169	Credo quod redemptor meus vivit	Mr p[ar]sons	Parsons (I), Robert (ca. 1535–ca. 1572)
Credo quod redemptor meus vivit Parsons (I), Robert (ca. 1535–ca. 1572) Appears on: 168–169 Genres: Credo (patrem omnipotentem), Mass Ordinary Source Attribution: Mr p[ar]sons Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Credo quod redemptor meus vivit
169–170	Haec dies	Mr Shepparde	Sheppard, John (ca. 1515–1558)
Haec dies Sheppard, John (ca. 1515–1558) Appears on: 169–170 Genres: Motet Source Attribution: Mr Shepparde Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Hec dies est, qua[m] fecit dominus
170–172	Spem in alium	-	Anonymous
Spem in alium Anonymous Appears on: 170–172 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Spem in aliu[m] General Note Annotations/Corrections: cues added for ditto marks;
173–175	Vidi civitatem sanctam Jerusalem novam	-	Van Wilder, Phillip (?) Gombert, Nicolas (ca. 1495–ca. 1560) (?)
Vidi civitatem sanctam Jerusalem novam Van Wilder, Phillip (?) Gombert, Nicolas (ca. 1495–ca. 1560) (?) Appears on: 173–175 Genres: Motet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Vidi ciuitatem sanctam Ierusalem novam
175–176	Quemadmodum	-	Taverner, John
Quemadmodum Taverner, John Appears on: 175–176 Genres: Motet Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice Text: Quem ad modu[m] General Note Annotations/Corrections: secunda pars' marked;
176–177	Je dis adieu de tout plaisir	-	Anonymous
Je dis adieu de tout plaisir Anonymous Appears on: 176–177 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c2 General Note Annotations/Corrections: vij parts' in outer margin, before first line of music;
177–178	Aspice Domine - 1a pars (of 2): Aspice Domine quia facta est	Mr Phillips	Van Wilder, Phillip
Aspice Domine - 1a pars (of 2): Aspice Domine quia facta est Van Wilder, Phillip Appears on: 177–178 Genres: Motet Source Attribution: Mr Phillips Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Aspice domine domine domine quia facta est
178–180	Aspice Domine - 2a pars (of 2): Plorans ploravit in nocte	-	Van Wilder, Phillip
Aspice Domine - 2a pars (of 2): Plorans ploravit in nocte Van Wilder, Phillip Appears on: 178–180 Genres: Motet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Plorans ploravit in nocte General Note Notes: 2nd part of Aspice Domine;
180–181	Verbum caro factum est	Mr blankes	Blancks (Blankes), Edward
Verbum caro factum est Blancks (Blankes), Edward Appears on: 180–181 Source Attribution: Mr blankes Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Verbu[m] caro factu[m] est
181	Libera nos, salva nos [II]	Mr Shepparde	Sheppard, John (ca. 1515–1558)
Libera nos, salva nos [II] Sheppard, John (ca. 1515–1558) Appears on: 181 Genres: Motet Source Attribution: Mr Shepparde Voice: [no designation] Languages: none Mensuration: cut-c Clef: c2 Voice Text: Libera nos
182	In manus tuas Domine	Mr Morley	Morley, Thomas (ca. 1557–1602)
In manus tuas Domine Morley, Thomas (ca. 1557–1602) Appears on: 182 Source Attribution: Mr Morley Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: In manus tuas domine
183–185	Peccavi super numerum	Mr byrde	Byrd, William (ca. 1540–1623)
Peccavi super numerum Byrd, William (ca. 1540–1623) Appears on: 183–185 Genres: Motet Source Attribution: Mr byrde Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Peccavi, peccavi, sup[er] numeru[m] General Note Annotations/Corrections: at end 'Mr byrde. / v. pts';
185–187	Retribue servo tuo	-	Parsons (I), Robert (ca. 1535–ca. 1572)
Retribue servo tuo Parsons (I), Robert (ca. 1535–ca. 1572) Appears on: 185–187 Genres: Motet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Retribue. Concupiuit anima mea
188–189	Opprobrium facti sumus	Mr birde	Byrd, William (ca. 1540–1623)
Opprobrium facti sumus Byrd, William (ca. 1540–1623) Appears on: 188–189 Source Attribution: Mr birde Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Opprobrium facti sumus
189–190	Infelix ego omnium - 1a pars (of 3): Infelix ego omnium	Mr bird	Byrd, William (ca. 1540–1623)
Infelix ego omnium - 1a pars (of 3): Infelix ego omnium Byrd, William (ca. 1540–1623) Appears on: 189–190 Genres: Motet Source Attribution: Mr bird Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: In felix ego ominu[m] [2p. Quid igitur faciam; 3p. Quonia[m] tu solus ]
191–192	Infelix ego omnium - 2a pars (of 3): Quid igitur faciam	-	Byrd, William (ca. 1540–1623)
Infelix ego omnium - 2a pars (of 3): Quid igitur faciam Byrd, William (ca. 1540–1623) Appears on: 191–192 Genres: Motet
192–193	Infelix ego omnium - 3a pars (of 3): Ad te igitur	-	Byrd, William (ca. 1540–1623)
Infelix ego omnium - 3a pars (of 3): Ad te igitur Byrd, William (ca. 1540–1623) Appears on: 192–193 Genres: Motet
194	In nomine	-	Blancks (Blankes), Edward
In nomine Blancks (Blankes), Edward Appears on: 194 Genres: In nomine, Viol piece General Note Notes: No notation given. Just a note in the margin;
194–195	With wailing voice from out the depth of sin [De profundis]	E Blankes	Blancks (Blankes), Edward
With wailing voice from out the depth of sin [De profundis] Blancks (Blankes), Edward Appears on: 194–195 Source Attribution: E Blankes Voice: [no designation] Languages: English Clef: c1 Voice Text: With waylinge voice from out the depth of sinne
196	Mr Blancks His Farewell	-	Blancks (Blankes), Edward
Mr Blancks His Farewell Blancks (Blankes), Edward Appears on: 196 Voice: [no designation] Languages: none Clef: c1 Voice Text: Mr Blankes his ffarewell
197	Bella Signora	-	Anonymous
Bella Signora Anonymous Appears on: 197 Voice: [no designation] Languages: none Clef: c3 Voice Text: Bella Seigniora
198	Dulce Madonna	-	Anonymous
Dulce Madonna Anonymous Appears on: 198 Voice: [no designation] Languages: none Clef: c2 Voice Text: Dulce Madona
199	Phyllis hath stolen my heart away	-	Anonymous
Phyllis hath stolen my heart away Anonymous Appears on: 199 Voice: [no designation] Languages: English Clef: g3 Voice Text: Phillis hath stolne my harte awaye General Note Notes: All staves lines extended into margins of the page;
200	In nomine (F85)	-	Ferrabosco, Alfonso (the elder) (1543–1588)
In nomine (F85) Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 200 Genres: In nomine Voice: [no designation] Languages: none Clef: c1 Voice Text: Innomine Alfonsus v p[ar]tes
200–201	Mr Blanck's Fantasy	-	Blancks (Blankes), Edward
Mr Blanck's Fantasy Blancks (Blankes), Edward Appears on: 200–201 Voice: [no designation] Languages: none Clef: c2 Voice Text: Mr Blankes fantasy 5 p]ar]tes
202	Vita della mia vita	Orlando	Lassus, Orlande de (ca. 1532–1594) (?)
Vita della mia vita Lassus, Orlande de (ca. 1532–1594) (?) Appears on: 202 Source Attribution: Orlando Voice: [no designation] Languages: none Clef: c3 Voice Text: Vita della mea vita
203	Une nonnain refraite et en bon point	Mr Phillipes	Van Wilder, Phillip
Une nonnain refraite et en bon point Van Wilder, Phillip Appears on: 203 Source Attribution: Mr Phillipes Voice: [no designation] Languages: none Clef: c3 Voice Text: Vne Nonayne General Note Notes: Concordance in US-Ws:V.a.408;
204–205	Une jour un moine	Mr Phillipes	Van Wilder, Phillip
Une jour un moine Van Wilder, Phillip Appears on: 204–205 Source Attribution: Mr Phillipes Voice: [no designation] Languages: none Clef: c3 Voice Text: Une iour vne moine
205	In nomine a 5	-	Brewster
In nomine a 5 Brewster Appears on: 205 Genres: In nomine, Viol piece Voice: [no designation] Languages: none Clef: c1 Voice Text: Innomine Brewsters 5 p[ar]tes General Note Notes: Brewster' written above in pencil by later hand;
206–207	Fye then why sit we musing	-	Anonymous
Fye then why sit we musing Anonymous Appears on: 206–207 Voice: [no designation] Languages: English Clef: g2 Voice Text: Ffye then why syt wee musinge General Note Notes: In ater hand in pencil 'One of the verses in "No is the month of Maying" but not Morley's music;
208–209	Save me, O God, for thy name's sake	-	Coste, Richard Byrd, William (ca. 1540–1623) (?)
Save me, O God, for thy name's sake Coste, Richard Byrd, William (ca. 1540–1623) (?) Appears on: 208–209 Genres: Motet Voice: [no designation] Languages: English Clef: c1 Voice Text: Save mee O god for thy names sake
210–211	O give thanks unto the Lord	-	Giles, Nathaniel (ca. 1558–1634)
O give thanks unto the Lord Giles, Nathaniel (ca. 1558–1634) Appears on: 210–211 Genres: Anthem Voice: [no designation] Languages: English Clef: c3 Voice Text: O giue thankes vnto [th]e lord
212	When David heard - 2a pars (of 2): O my son Absalom	-	Weelkes, Thomas (ca. 1576–1623)
When David heard - 2a pars (of 2): O my son Absalom Weelkes, Thomas (ca. 1576–1623) Appears on: 212 Genres: Anthem Voice: [no designation] Languages: English Clef: g2 Voice Text: O, o my sonne Absolon General Note Notes: Later hand in pencil 'This is by Weelkes'; Second Part of 'When David heard';
214–215	Alleluia. I heard a voice	-	Weelkes, Thomas (ca. 1576–1623)
Alleluia. I heard a voice Weelkes, Thomas (ca. 1576–1623) Appears on: 214–215 Genres: Alleluia, Motet Voice: [no designation] Languages: English Clef: c3 Voice Text: Alleluya, alleluia…Salvation and Glory, and honor and powre
216–220	Christus resurgens	Mr Redford	Redford, John (–1547)
Christus resurgens Redford, John (–1547) Appears on: 216–220 Source Attribution: Mr Redford Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Christus resurgens [2p.Dicant me iude]
221	[blank staves]	-	-
[blank staves] Appears on: 221
222	Miserere I	-	More, William
Miserere I More, William Appears on: 222 Genres: Motet Voice: [no designation] Languages: none Mensuration: cut-c Clef: c2 Voice Text: Miserere
222	Miserere II	-	More, William
Miserere II More, William Appears on: 222 Genres: Motet Voice: [no designation] Languages: none Mensuration: cut-c Clef: c2 Voice Text: Miserere

Composer	Compositions
Anonymous	Bella Signora – 197 Dulce Madonna – 198 Fye then why sit we musing – 206–207 Je dis adieu de tout plaisir – 176–177 Mine heart – 14–15 O Lord, that heaven doth possess – 22–23 Phyllis hath stolen my heart away – 199 Spem in alium – 170–172 The God of Gods – 18 [No description] – 32–45 [No description] – v–vi (v) [No description] – 221 [No description] – iii–iv (v) [No description] – 64–69
Blancks (Blankes), Edward	In nomine – 194 Mr Blanck's Fantasy – 200–201 Mr Blancks His Farewell – 196 Verbum caro factum est – 180–181 With wailing voice from out the depth of sin [De profundis] – 194–195
Brewster	In nomine a 5 – 205
Byrd, William (ca. 1540–1623)	(?) Ah, alas, you salt sea gods – 101 Apparebit in finem – 142–143 Arise O Lord - 1a pars (of 2): Arise O Lord why sleepest thou – 110 Arise O Lord - 2a pars (of 2): Help us, O God – 110–111 Aspice Domine de sede (5vv) - 1a pars (of 2): Aspice Domine de sede sancta – 1 Aspice Domine de sede (5vv) - 2a pars (of 2): Respice domine – 2 Audivi vocem de caelo – 141–142 Browning = The leaves be green – 86–88 Care for thy soule as thing of greatest price – 150 Circumdederunt me dolores mortis – 148–149 (?) Come tread the paths – 98–99 (?) Deliver me from mine enemies – 20–21 Deus in adjutorium - 1a pars (of 5): Deus in adjutorium meum – 91–92 Deus in adjutorium - 2a pars (of 5): Avertantur retrorsum – 92 Deus in adjutorium - 3a pars (of 5): Exsultent et laetentur – 93 Deus in adjutorium - 4a pars (of 5): Et dicunt semper – 93 Deus in adjutorium - 5a pars (of 5): Adjutor meus – 93–94 Deus venerunt gentes - 1a pars (of 4): Deus venerunt gentes – 160–161 Deus venerunt gentes - 2a pars (of 4): Posuerunt morticinia – 162–163 Domine exaudi - 1a pars (of 2): Domine exaudi orationem meam – 152–153 Domine praestolamur - 1a pars (of 2): Domine praestolamur – 4–5 Domine praestolamur - 2a pars (of 2): Veni Domine – 5–6 Domine tu jurasti – 132–133 Exsurge Domine quare obdormis? (or, Exsurge quare obdormis Domine) – 136–138 Fac cum servo tuo – 144–145 Haec dicit Dominus - 1a pars (of 2): Haec dicit Dominus vox in excelsis – 139 Haec dicit Dominus - 2a pars (of 2): Haec dicit Dominus quiescat vox – 140–141 If trickling tears of mine – 95–96 In nomine à5 – 72 In nomine (V) a5 – 71 In resurrectione tua – 109 Infelix ego omnium - 1a pars (of 3): Infelix ego omnium – 189–190 Infelix ego omnium - 2a pars (of 3): Quid igitur faciam – 191–192 Infelix ego omnium - 3a pars (of 3): Ad te igitur – 192–193 Laetentur caeli - 1a pars (of 2): Laetentur caeli – 146–147 Laetentur caeli - 2a pars (of 2): Orietur in diebus – 147–148 Ne irascaris - 1a pars (of 2): Ne irascaris Domine – 2–3 Ne irascaris - 2a pars (of 2): Civitatis sancti tui – 3–4 O Lord, within thy tabernacle – 106 O quam gloriosum - 1a pars (of 2): O quam gloriosum est regnum – 104–105 O quam gloriosum - 2a pars (of 2): Benedictio et claritas – 105 O salutaris hostia I – 163–164 O trifling toys – 99–100 Omni tempore - 1a pars (of 2): Omni tempore benedic Deum – 164–165 Omni tempore - 2a pars (of 2): Memor esto fili – 165–166 Opprobrium facti sumus – 188–189 Peccavi super numerum – 183–185 Quomodo cantabimus - 1a pars (of 2): Quomodo cantabimus – 114–115 Quomodo cantabimus - 2a pars (of 2): Si non proposuero Jersualem – 115–116 (?) Save me, O God, for thy name's sake – 208–209 Sponsus amat sponsam – 131 Tribulationes civitatum - 1a pars (of 3): Tribulationes civitatum – 153–154 Tribulationes civitatum - 2a pars (of 3): Timor et hebitudo – 154–155 Tribulationes civitatum - 3a pars (of 3): Nos enim pro peccatis – 156–157 Tristitia et anxietas - 1a pars (of 2): Tristitia et anxietas, Domine tu jurasti – 157–159 Tristitia et anxietas - 2a pars (of 2): Sed tu domine – 159–160 Vide Domine quoniam - 1a pars (of 2): Vide Domine quoniam tribulor – 150–151 Vide Domine quoniam - 2a pars (of 2): Quoniam amaritudine plena sum – 151 Vide domine afflictionem - 1a pars (of 2): Vide domine afflictionem nostram et in tempore – 134–135 Vide domine afflictionem - 2a pars (of 2): Sed veni domine et noli tardare – 135–136
Clemens non Papa, Jacob (ca. 1510–ca. 1556)	Non te hostis – 25–26 Qui consolabatur me recessit a me – 23–25 Quis te victorem dicat – 19–20
Cobbold, William (ca. 1560–1639)	Hey down – 10–12
Coste, Richard	Save me, O God, for thy name's sake – 208–209
Douglas, Patrick	Miserere – 90–91
Farrant, Richard (ca. 1525–1580)	(?) Ah, alas, you salt sea gods – 101
Ferrabosco, Alfonso (the elder) (1543–1588)	Afflictus sum - 1a pars (of 2): Afflictus sum et humiliatus – 55–56 Afflictus sum - 2a pars (of 2): Ne derelinquas me, Domine – 57 Credo quod redemptor (C26) – 58 Da pacem Domine (II) (C28) – 47–48 De Lamentatione Jeremiae (C64) – 124–127 Domine non secundum peccata nostra (C32) – 53–55 Heu mihi Domine (II) (C38) – 51–52 In nomine (F85) – 200 Ingemuit Susanna (C43) – 129–130 Lamentations [...] Aleph (5vv - C65) – 120–127 Mirabile mysterium (C47) – 127–129 Salva nos Domine (C54) – 46–47 Sana me Domine - 1a pars (of 2): Sana me Domine (C55) – 117 Sana me Domine - 2a pars (of 2): Ne derelinquas me, Domine (C56) – 118–119 Timor et tremor - 1a pars (of 2): Timor et tremor (C61) – 48–49 Timor et tremor - 2a pars (of 2): Exaudi Deus deprecationem meam (C62) – 49–50 Tribulationem et dolorem inveni (C63) – 119–120 Virgo per incertos casus (C80) – 52–53 What is the cause – 97–98
Fogliano, Giacomo (1468–1548)	(?) A woeful heart – 6
Giles, Nathaniel (ca. 1558–1634)	O give thanks unto the Lord – 210–211
Gombert, Nicolas (ca. 1495–ca. 1560)	(?) Vidi civitatem sanctam Jerusalem novam – 173–175
Hake, John	In nomine – 76–77
Johnson (I), Robert (ca. 1500–ca. 1560)	Domine in virtute tua (I) - 1a pars (of 2): Domine in virtute tua – 59–60 Domine in virtute tua (I) - 2a pars (of 2): Magna gloria eius – 60–63 In nomine – 74
Lassus, Orlande de (ca. 1532–1594)	Veni sponsa Christi – 89–90 (?) Vita della mia vita – 202
Monte, Philippe de	Super flumina Babylonis – 111–113
More, William	Miserere I – 222 Miserere II – 222
Morley, Thomas (ca. 1557–1602)	In manus tuas Domine – 182
Mudd (I), Thomas (ca. 1550–ca. 1619)	In nomine De Profundis – 78
Mudd (II), Thomas	(?) In nomine De Profundis – 78
Mudde, Henry	In nomine De Profundis – 78
Parsons (I), Robert (ca. 1535–ca. 1572)	A solis ortus cardine – 77–78 (?) A woeful heart – 6 Credo quod redemptor meus vivit – 168–169 De la court - 1a pars – 7–10 (?) Deliver me from mine enemies – 20–21 Domine quis habitabit – 166–168 In nomine (III) – 7 Peccantem me quotidie – 88–89 Retribue servo tuo – 185–187 The song called trumpets = Lusty Gallant – 13–14
Parsons (II) 'of Exeter', Robert (1596–1676)	A solis ortus cardine – 77–78
Redford, John (–1547)	Christus resurgens – 216–220 Sint lumbi vesti praecincti – 84–85
Rore, Cipriano de (ca. 1515–1565)	Susanne un jour – 107–108
Sheppard, John (ca. 1515–1558)	Haec dies – 169–170 Libera nos, salva nos [II] – 181 Magnificat a6: (exc) Esurientes – 17–18
Strogers, Nicholas	A solis ortus cardine – 77–78 In nomine (III) – 13 (?) Mistrust not truth – 96–97 O heavenly God – 103 (?) Pour down thy powers divine – 101–103 This world is a world – 18
Tallis, Thomas (ca. 1505–1585)	Blessed are those that be undefiled (=Beati immaculati) – 29–31 Dum transisset sabbatum, Maria Magdalene / Aromata emerunt – 80–81 In nomine (II) – 75–76 O salutaris hostia – 79–80
Taverner, John	In nomine – 73 Quemadmodum – 175–176
Tye, Christopher (ca. 1505–ca. 1573)	In nomine IX: 'Re la re' – 70
Van Wilder, Phillip	Aspice Domine - 1a pars (of 2): Aspice Domine quia facta est – 177–178 Aspice Domine - 2a pars (of 2): Plorans ploravit in nocte – 178–180 Blessed art thou that fearest God and walkest in his ways – 21–22 Lombany [L'homme banni de sa plaisance?] – 27 (?) Madonna somm' accorto ch' havete pur gran torto – 28 Une jour un moine – 204–205 Une nonnain refraite et en bon point – 203 (?) Vidi civitatem sanctam Jerusalem novam – 173–175
Verdelot, Philippe (ca. 1480–ca. 1532)	(?) A woeful heart – 6
Weelkes, Thomas (ca. 1576–1623)	Alleluia. I heard a voice – 214–215 When David heard - 2a pars (of 2): O my son Absalom – 212
White, Robert (ca. 1538–1574)	Tota pulchra es amica mea et macula – 81–83 When weary bones – 94–95 [Christe, qui lux es (IV)] - 1a pars (of 3): [Christe...] Precamur sancte Domine – 15 [Christe, qui lux es (IV)] - 2a pars (of 3): Oculi somnum – 15 [Christe, qui lux es (IV)] - 3a pars (of 3): Memento nostri Domine – 16

Composition	Composers (? Uncertain)	Folios / Pages
[Christe, qui lux es (IV)] - 1a pars (of 3): [Christe...] Precamur sancte Domine	White, Robert (ca. 1538–1574)	15
[Christe, qui lux es (IV)] - 2a pars (of 3): Oculi somnum	White, Robert (ca. 1538–1574)	15
[Christe, qui lux es (IV)] - 3a pars (of 3): Memento nostri Domine	White, Robert (ca. 1538–1574)	16
A solis ortus cardine	Parsons (I), Robert (ca. 1535–ca. 1572) Strogers, Nicholas Parsons (II) 'of Exeter', Robert (1596–1676)	77–78
A woeful heart	Verdelot, Philippe (ca. 1480–ca. 1532) (?) Fogliano, Giacomo (1468–1548) (?) Parsons (I), Robert (ca. 1535–ca. 1572) (?)	6
Afflictus sum - 1a pars (of 2): Afflictus sum et humiliatus	Ferrabosco, Alfonso (the elder) (1543–1588)	55–56
Afflictus sum - 2a pars (of 2): Ne derelinquas me, Domine	Ferrabosco, Alfonso (the elder) (1543–1588)	57
Ah, alas, you salt sea gods	Farrant, Richard (ca. 1525–1580) (?) Byrd, William (ca. 1540–1623) (?)	101
Alleluia. I heard a voice	Weelkes, Thomas (ca. 1576–1623)	214–215
Apparebit in finem	Byrd, William (ca. 1540–1623)	142–143
Arise O Lord - 1a pars (of 2): Arise O Lord why sleepest thou	Byrd, William (ca. 1540–1623)	110
Arise O Lord - 2a pars (of 2): Help us, O God	Byrd, William (ca. 1540–1623)	110–111
Aspice Domine - 1a pars (of 2): Aspice Domine quia facta est	Van Wilder, Phillip	177–178
Aspice Domine - 2a pars (of 2): Plorans ploravit in nocte	Van Wilder, Phillip	178–180
Aspice Domine de sede (5vv) - 1a pars (of 2): Aspice Domine de sede sancta	Byrd, William (ca. 1540–1623)	1
Aspice Domine de sede (5vv) - 2a pars (of 2): Respice domine	Byrd, William (ca. 1540–1623)	2
Audivi vocem de caelo	Byrd, William (ca. 1540–1623)	141–142
Bella Signora	Anonymous	197
Blessed are those that be undefiled (=Beati immaculati)	Tallis, Thomas (ca. 1505–1585)	29–31
Blessed art thou that fearest God and walkest in his ways	Van Wilder, Phillip	21–22
Browning = The leaves be green	Byrd, William (ca. 1540–1623)	86–88
Care for thy soule as thing of greatest price	Byrd, William (ca. 1540–1623)	150
Christus resurgens	Redford, John (–1547)	216–220
Circumdederunt me dolores mortis	Byrd, William (ca. 1540–1623)	148–149
Come tread the paths	Byrd, William (ca. 1540–1623) (?)	98–99
Credo quod redemptor (C26)	Ferrabosco, Alfonso (the elder) (1543–1588)	58
Credo quod redemptor meus vivit	Parsons (I), Robert (ca. 1535–ca. 1572)	168–169
Da pacem Domine (II) (C28)	Ferrabosco, Alfonso (the elder) (1543–1588)	47–48
De la court - 1a pars	Parsons (I), Robert (ca. 1535–ca. 1572)	7–10
De Lamentatione Jeremiae (C64)	Ferrabosco, Alfonso (the elder) (1543–1588)	124–127
Deliver me from mine enemies	Parsons (I), Robert (ca. 1535–ca. 1572) (?) Byrd, William (ca. 1540–1623) (?)	20–21
Deus in adjutorium - 1a pars (of 5): Deus in adjutorium meum	Byrd, William (ca. 1540–1623)	91–92
Deus in adjutorium - 2a pars (of 5): Avertantur retrorsum	Byrd, William (ca. 1540–1623)	92
Deus in adjutorium - 3a pars (of 5): Exsultent et laetentur	Byrd, William (ca. 1540–1623)	93
Deus in adjutorium - 4a pars (of 5): Et dicunt semper	Byrd, William (ca. 1540–1623)	93
Deus in adjutorium - 5a pars (of 5): Adjutor meus	Byrd, William (ca. 1540–1623)	93–94
Deus venerunt gentes - 1a pars (of 4): Deus venerunt gentes	Byrd, William (ca. 1540–1623)	160–161
Deus venerunt gentes - 2a pars (of 4): Posuerunt morticinia	Byrd, William (ca. 1540–1623)	162–163
Domine exaudi - 1a pars (of 2): Domine exaudi orationem meam	Byrd, William (ca. 1540–1623)	152–153
Domine in virtute tua (I) - 1a pars (of 2): Domine in virtute tua	Johnson (I), Robert (ca. 1500–ca. 1560)	59–60
Domine in virtute tua (I) - 2a pars (of 2): Magna gloria eius	Johnson (I), Robert (ca. 1500–ca. 1560)	60–63
Domine non secundum peccata nostra (C32)	Ferrabosco, Alfonso (the elder) (1543–1588)	53–55
Domine praestolamur - 1a pars (of 2): Domine praestolamur	Byrd, William (ca. 1540–1623)	4–5
Domine praestolamur - 2a pars (of 2): Veni Domine	Byrd, William (ca. 1540–1623)	5–6
Domine quis habitabit	Parsons (I), Robert (ca. 1535–ca. 1572)	166–168
Domine tu jurasti	Byrd, William (ca. 1540–1623)	132–133
Dulce Madonna	Anonymous	198
Dum transisset sabbatum, Maria Magdalene / Aromata emerunt	Tallis, Thomas (ca. 1505–1585)	80–81
Exsurge Domine quare obdormis? (or, Exsurge quare obdormis Domine)	Byrd, William (ca. 1540–1623)	136–138
Fac cum servo tuo	Byrd, William (ca. 1540–1623)	144–145
Fye then why sit we musing	Anonymous	206–207
Haec dicit Dominus - 1a pars (of 2): Haec dicit Dominus vox in excelsis	Byrd, William (ca. 1540–1623)	139
Haec dicit Dominus - 2a pars (of 2): Haec dicit Dominus quiescat vox	Byrd, William (ca. 1540–1623)	140–141
Haec dies	Sheppard, John (ca. 1515–1558)	169–170
Heu mihi Domine (II) (C38)	Ferrabosco, Alfonso (the elder) (1543–1588)	51–52
Hey down	Cobbold, William (ca. 1560–1639)	10–12
If trickling tears of mine	Byrd, William (ca. 1540–1623)	95–96
In manus tuas Domine	Morley, Thomas (ca. 1557–1602)	182
In nomine	Taverner, John	73
In nomine	Johnson (I), Robert (ca. 1500–ca. 1560)	74
In nomine	Hake, John	76–77
In nomine	Blancks (Blankes), Edward	194
In nomine à5	Byrd, William (ca. 1540–1623)	72
In nomine (F85)	Ferrabosco, Alfonso (the elder) (1543–1588)	200
In nomine (II)	Tallis, Thomas (ca. 1505–1585)	75–76
In nomine (III)	Parsons (I), Robert (ca. 1535–ca. 1572)	7
In nomine (III)	Strogers, Nicholas	13
In nomine (V) a5	Byrd, William (ca. 1540–1623)	71
In nomine a 5	Brewster	205
In nomine De Profundis	Mudde, Henry Mudd (I), Thomas (ca. 1550–ca. 1619) Mudd (II), Thomas (?)	78
In nomine IX: 'Re la re'	Tye, Christopher (ca. 1505–ca. 1573)	70
In resurrectione tua	Byrd, William (ca. 1540–1623)	109
Infelix ego omnium - 1a pars (of 3): Infelix ego omnium	Byrd, William (ca. 1540–1623)	189–190
Infelix ego omnium - 2a pars (of 3): Quid igitur faciam	Byrd, William (ca. 1540–1623)	191–192
Infelix ego omnium - 3a pars (of 3): Ad te igitur	Byrd, William (ca. 1540–1623)	192–193
Ingemuit Susanna (C43)	Ferrabosco, Alfonso (the elder) (1543–1588)	129–130
Je dis adieu de tout plaisir	Anonymous	176–177
Laetentur caeli - 1a pars (of 2): Laetentur caeli	Byrd, William (ca. 1540–1623)	146–147
Laetentur caeli - 2a pars (of 2): Orietur in diebus	Byrd, William (ca. 1540–1623)	147–148
Lamentations [...] Aleph (5vv - C65)	Ferrabosco, Alfonso (the elder) (1543–1588)	120–127
Libera nos, salva nos [II]	Sheppard, John (ca. 1515–1558)	181
Lombany [L'homme banni de sa plaisance?]	Van Wilder, Phillip	27
Madonna somm' accorto ch' havete pur gran torto	Van Wilder, Phillip (?)	28
Magnificat a6: (exc) Esurientes	Sheppard, John (ca. 1515–1558)	17–18
Mine heart	Anonymous	14–15
Mirabile mysterium (C47)	Ferrabosco, Alfonso (the elder) (1543–1588)	127–129
Miserere	Douglas, Patrick	90–91
Miserere I	More, William	222
Miserere II	More, William	222
Mistrust not truth	Strogers, Nicholas (?)	96–97
Mr Blanck's Fantasy	Blancks (Blankes), Edward	200–201
Mr Blancks His Farewell	Blancks (Blankes), Edward	196
Ne irascaris - 1a pars (of 2): Ne irascaris Domine	Byrd, William (ca. 1540–1623)	2–3
Ne irascaris - 2a pars (of 2): Civitatis sancti tui	Byrd, William (ca. 1540–1623)	3–4
Non te hostis	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	25–26
O give thanks unto the Lord	Giles, Nathaniel (ca. 1558–1634)	210–211
O heavenly God	Strogers, Nicholas	103
O Lord, that heaven doth possess	Anonymous	22–23
O Lord, within thy tabernacle	Byrd, William (ca. 1540–1623)	106
O quam gloriosum - 1a pars (of 2): O quam gloriosum est regnum	Byrd, William (ca. 1540–1623)	104–105
O quam gloriosum - 2a pars (of 2): Benedictio et claritas	Byrd, William (ca. 1540–1623)	105
O salutaris hostia	Tallis, Thomas (ca. 1505–1585)	79–80
O salutaris hostia I	Byrd, William (ca. 1540–1623)	163–164
O trifling toys	Byrd, William (ca. 1540–1623)	99–100
Omni tempore - 1a pars (of 2): Omni tempore benedic Deum	Byrd, William (ca. 1540–1623)	164–165
Omni tempore - 2a pars (of 2): Memor esto fili	Byrd, William (ca. 1540–1623)	165–166
Opprobrium facti sumus	Byrd, William (ca. 1540–1623)	188–189
Peccantem me quotidie	Parsons (I), Robert (ca. 1535–ca. 1572)	88–89
Peccavi super numerum	Byrd, William (ca. 1540–1623)	183–185
Phyllis hath stolen my heart away	Anonymous	199
Pour down thy powers divine	Strogers, Nicholas (?)	101–103
Quemadmodum	Taverner, John	175–176
Qui consolabatur me recessit a me	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	23–25
Quis te victorem dicat	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	19–20
Quomodo cantabimus - 1a pars (of 2): Quomodo cantabimus	Byrd, William (ca. 1540–1623)	114–115
Quomodo cantabimus - 2a pars (of 2): Si non proposuero Jersualem	Byrd, William (ca. 1540–1623)	115–116
Retribue servo tuo	Parsons (I), Robert (ca. 1535–ca. 1572)	185–187
Salva nos Domine (C54)	Ferrabosco, Alfonso (the elder) (1543–1588)	46–47
Sana me Domine - 1a pars (of 2): Sana me Domine (C55)	Ferrabosco, Alfonso (the elder) (1543–1588)	117
Sana me Domine - 2a pars (of 2): Ne derelinquas me, Domine (C56)	Ferrabosco, Alfonso (the elder) (1543–1588)	118–119
Save me, O God, for thy name's sake	Coste, Richard Byrd, William (ca. 1540–1623) (?)	208–209
Sint lumbi vesti praecincti	Redford, John (–1547)	84–85
Spem in alium	Anonymous	170–172
Sponsus amat sponsam	Byrd, William (ca. 1540–1623)	131
Super flumina Babylonis	Monte, Philippe de	111–113
Susanne un jour	Rore, Cipriano de (ca. 1515–1565)	107–108
The God of Gods	Anonymous	18
The song called trumpets = Lusty Gallant	Parsons (I), Robert (ca. 1535–ca. 1572)	13–14
This world is a world	Strogers, Nicholas	18
Timor et tremor - 1a pars (of 2): Timor et tremor (C61)	Ferrabosco, Alfonso (the elder) (1543–1588)	48–49
Timor et tremor - 2a pars (of 2): Exaudi Deus deprecationem meam (C62)	Ferrabosco, Alfonso (the elder) (1543–1588)	49–50
Tota pulchra es amica mea et macula	White, Robert (ca. 1538–1574)	81–83
Tribulationem et dolorem inveni (C63)	Ferrabosco, Alfonso (the elder) (1543–1588)	119–120
Tribulationes civitatum - 1a pars (of 3): Tribulationes civitatum	Byrd, William (ca. 1540–1623)	153–154
Tribulationes civitatum - 2a pars (of 3): Timor et hebitudo	Byrd, William (ca. 1540–1623)	154–155
Tribulationes civitatum - 3a pars (of 3): Nos enim pro peccatis	Byrd, William (ca. 1540–1623)	156–157
Tristitia et anxietas - 1a pars (of 2): Tristitia et anxietas, Domine tu jurasti	Byrd, William (ca. 1540–1623)	157–159
Tristitia et anxietas - 2a pars (of 2): Sed tu domine	Byrd, William (ca. 1540–1623)	159–160
Une jour un moine	Van Wilder, Phillip	204–205
Une nonnain refraite et en bon point	Van Wilder, Phillip	203
Veni sponsa Christi	Lassus, Orlande de (ca. 1532–1594)	89–90
Verbum caro factum est	Blancks (Blankes), Edward	180–181
Vide domine afflictionem - 1a pars (of 2): Vide domine afflictionem nostram et in tempore	Byrd, William (ca. 1540–1623)	134–135
Vide domine afflictionem - 2a pars (of 2): Sed veni domine et noli tardare	Byrd, William (ca. 1540–1623)	135–136
Vide Domine quoniam - 1a pars (of 2): Vide Domine quoniam tribulor	Byrd, William (ca. 1540–1623)	150–151
Vide Domine quoniam - 2a pars (of 2): Quoniam amaritudine plena sum	Byrd, William (ca. 1540–1623)	151
Vidi civitatem sanctam Jerusalem novam	Van Wilder, Phillip (?) Gombert, Nicolas (ca. 1495–ca. 1560) (?)	173–175
Virgo per incertos casus (C80)	Ferrabosco, Alfonso (the elder) (1543–1588)	52–53
Vita della mia vita	Lassus, Orlande de (ca. 1532–1594) (?)	202
What is the cause	Ferrabosco, Alfonso (the elder) (1543–1588)	97–98
When David heard - 2a pars (of 2): O my son Absalom	Weelkes, Thomas (ca. 1576–1623)	212
When weary bones	White, Robert (ca. 1538–1574)	94–95
With wailing voice from out the depth of sin [De profundis]	Blancks (Blankes), Edward	194–195

Images © Bodleian Library, Oxford

Set: Tenbury389-McGhie set

Type: Partbooks

GB-DORmcghie McGhie manuscript

GB-Ob MS. Tenbury 389

Set: TUDOR PARTBOOKS

Type: Project Collection

GB-CF MS D/DP Z6/1

GB-CF MS D/DP Z6/2

GB-Cfm MU MS 1005 (Fayrfax fragments)

GB-Cgc MS 667/760 (Caius Choirbook)

GB-Cjc MS 234 (K.31)

GB-Ckc Rowe 316

GB-Cp MS 31 [Contratenor] (Peterhouse Partbooks: Henrician Set)

GB-Cp MS 32 [Bassus] (Peterhouse Partbooks: Henrician Set)

GB-Cp MS 40 [Triplex] (Peterhouse Partbooks: Henrician Set)

GB-Cp MS 41 [Medius] (Peterhouse Partbooks: Henrician Set)

GB-Cqcl Old Library G.4.17

GB-Cu Dd.13.27

GB-DORmcghie McGhie manuscript

GB-Lbl [pr. bk.] C. 52. b. 21

No images available

GB-Lbl [pr. bk.] Music Library K. 2. f. 1 [Altus]

No images available

GB-Lbl [pr. bk.] Music Library K. 2. f. 1 [Discantus]

No images available

GB-Lbl [pr. bk.] Music Library K. 2. f. 1 [Medius]

No images available

GB-Lbl [pr. bk.] Music Library K. 2. f. 1 [Tenor]

No images available

GB-Lbl [pr. bk.] Music Library K. 2. f. 13

No images available

GB-Lbl [pr. bk.] Music Library K. 3. f. 9 [Altus]

No images available

GB-Lbl [pr. bk.] Music Library K. 3. f. 9 [Bassus]

No images available

GB-Lbl [pr. bk.] Music Library K. 3. f. 9 [Discantus]

No images available

GB-Lbl [pr. bk.] Music Library K. 3. f. 9 [Tenor]

GB-Lbl Add. MS 4900

GB-Lbl Add. MS 15166

GB-Lbl Add. MS 17802 (Gyffard Partbooks)

GB-Lbl Add. MS 17803 (Gyffard Partbooks)

GB-Lbl Add. MS 17804 (Gyffard Partbooks)

GB-Lbl Add. MS 17805 (Gyffard Partbooks)

GB-Lbl Add. MS 22597

GB-Lbl Add. MS 29996

GB-Lbl Add. MS 30480 (Hamond Partbooks)

GB-Lbl Add. MS 30481 (Hamond Partbooks)

GB-Lbl Add. MS 30482 (Hamond Partbooks)

GB-Lbl Add. MS 30483 (Hamond Partbooks)

GB-Lbl Add. MS 30484 (Hamond Partbooks)

GB-Lbl R.M.24.d.2 (Baldwin Commonplace Book)

GB-Lbl Royal Appendix 12

GB-Lbl Royal Appendix 13

GB-Lbl Royal Appendix 14

GB-Lbl Royal Appendix 15

GB-Lbl Royal Appendix 16

GB-Lbl Royal Appendix 17

GB-Lbl Royal Appendix 18

GB-Lbl Royal Appendix 19

GB-Lbl Royal Appendix 20

GB-Lbl Royal Appendix 21

GB-Lbl Royal Appendix 22

GB-Lbl Royal Appendix 23

GB-Lbl Royal Appendix 24

GB-Lbl Royal Appendix 25

GB-Lbl Royal Appendix 26

GB-Lbl Royal Appendix 27

GB-Lbl Royal Appendix 28

GB-Lbl Royal Appendix 29

GB-Lbl Royal Appendix 30

GB-Lbl Royal Appendix 31

GB-Lbl Royal Appendix 32

GB-Lbl Royal Appendix 33

GB-Lbl Royal Appendix 34

GB-Lbl Royal Appendix 35

No images available

GB-Lbl Royal Appendix 41

No images available

GB-Lbl Royal Appendix 42

No images available

GB-Lbl Royal Appendix 43

No images available

GB-Lbl Royal Appendix 44

GB-Lbl Royal Appendix 45 (Ludford)

GB-Lbl Royal Appendix 46 (Ludford)

GB-Lbl Royal Appendix 47 (Ludford)

GB-Lbl Royal Appendix 48 (Ludford)

GB-Lbl Royal Appendix 49

GB-Lbl Royal Appendix 50

GB-Lbl Royal Appendix 51

GB-Lbl Royal Appendix 52

GB-Lbl Royal Appendix 53

GB-Lbl Royal Appendix 54

GB-Lbl Royal Appendix 56

No images available

GB-Lbl Royal Appendix 57

GB-Lbl Royal Appendix 58

No images available

GB-Lbl Royal Appendix 59

No images available

GB-Lbl Royal Appendix 60

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GB-Lbl Royal Appendix 61

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GB-Lbl Royal Appendix 62

GB-Lbl Royal Appendix 74 (Lumley)

GB-Lbl Royal Appendix 75 (Lumley)

GB-Lbl Royal Appendix 76 (Lumley)

No images available

GB-Lcm [pr. bk.] B187

No images available

GB-Lcm [pr. bk.] B190 [Altus]

No images available

GB-Lcm [pr. bk.] B190 [Bassus]

No images available

GB-Lcm [pr. bk.] B190 [Discantus]

No images available

GB-Lcm [pr. bk.] B190 [Tenor]

GB-Llp MS 1 (Lambeth Choirbook; Arundel Choirbook)

GB-Lna SP I/246

GB-Ob MS. Mus. c. 784 (Willmott Manuscript)

GB-Ob MS. Mus. d. 103

GB-Ob MS. Mus. e. 1 (Sadler Partbooks)

GB-Ob MS. Mus. e. 2 (Sadler Partbooks)

GB-Ob MS. Mus. e. 3 (Sadler Partbooks)

GB-Ob MS. Mus. e. 4 (Sadler Partbooks)

GB-Ob MS. Mus. e. 5 (Sadler Partbooks)

GB-Ob MS. Mus. e. 21

GB-Ob MS. Mus. Sch. e. 376 (Forrest-Heather Partbooks)

GB-Ob MS. Mus. Sch. e. 377 (Forrest-Heather Partbooks)

GB-Ob MS. Mus. Sch. e. 378 (Forrest-Heather Partbooks)

GB-Ob MS. Mus. Sch. e. 379 (Forrest-Heather Partbooks)

GB-Ob MS. Mus. Sch. e. 380 (Forrest-Heather Partbooks)

GB-Ob MS. Mus. Sch. e. 381 (Forrest-Heather Partbooks)

GB-Ob MS. Mus. Sch. e. 420 (Wanley Partbooks)

GB-Ob MS. Mus. Sch. e. 421 (Wanley Partbooks)

GB-Ob MS. Mus. Sch. e. 422 (Wanley Partbooks)

GB-Ob MS. Mus. Sch. e. 423

GB-Ob MS. Tenbury 341

GB-Ob MS. Tenbury 342

GB-Ob MS. Tenbury 343

GB-Ob MS. Tenbury 344

GB-Ob MS. Tenbury 389

No images available

GB-Ob MS. Tenbury 807

No images available

GB-Ob MS. Tenbury 808

No images available

GB-Ob MS. Tenbury 809

No images available

GB-Ob MS. Tenbury 810

No images available

GB-Ob MS. Tenbury 811

No images available

GB-Ob MS. Tenbury 1382 (Southwell Tenor Book)

GB-Ob MS. Tenbury 1464

GB-Ob MS. Tenbury 1486 (Braikenridge Manuscript)

No images available

GB-Och Mus. 45

GB-Och Mus. 979 (Baldwin Partbooks)

GB-Och Mus. 980 (Baldwin Partbooks)

GB-Och Mus. 981 (Baldwin Partbooks)

GB-Och Mus. 982 (Baldwin Partbooks)

GB-Och Mus. 983 (Baldwin Partbooks)

GB-Och Mus. 984 (Dow Partbooks)

GB-Och Mus. 985 (Dow Partbooks)

GB-Och Mus. 986 (Dow Partbooks)

GB-Och Mus. 987 (Dow Partbooks)

GB-Och Mus. 988 (Dow Partbooks)

GB-Odiamm Contratenor partbook in private ownership (contact DIAMM)

GB-W X4/34/3 (Fayrfax fragments)

GB-WCc MS 153 Bassus (Winchester Partbooks)

GB-WCc MS 153 Contra Altus (Winchester Partbooks)

GB-WCc MS 153 Discantus (Winchester Partbooks)

GB-WCc MS 153 Tenor (Winchester Partbooks)

GB-WRec MS 178 (Eton Choirbook)

No images available

IRL-Dm [pr. bk.] Z4. 3. 1-5

No images available

IRL-Dtc [pr. bk.] OLS. 192. n. 40 [Altus]

No images available

IRL-Dtc [pr. bk.] OLS. 192. n. 40 [Bassus]

No images available

IRL-Dtc [pr. bk.] OLS. 192. n. 40 [Discantus]

No images available

IRL-Dtc [pr. bk.] OLS. 192. n. 40 [Superius (Quintus)]

No images available

IRL-Dtc [pr. bk.] OLS. 192. n. 40 [Tenor]

No images available

US-NYp Mus. Res. *MNZ (Chirk) [1] (Chirk Castle Partbooks)

No images available

US-NYp Mus. Res. *MNZ (Chirk) [2] (Chirk Castle Partbooks)

No images available

US-NYp Mus. Res. *MNZ (Chirk) [3] (Chirk Castle Partbooks)

No images available

US-NYp Mus. Res. *MNZ (Chirk) [4] (Chirk Castle Partbooks)

US-NYp Mus. Res. Drexel 4180

US-NYp Mus. Res. Drexel 4181

No images available

US-NYp Mus. Res. Drexel 4182

US-NYp Mus. Res. Drexel 4183

US-NYp Mus. Res. Drexel 4184

US-NYp Mus. Res. Drexel 4185

US-Ws V.a. 408

‡ denotes primary source study

Charteris, Richard. 1984. Alfonso Ferrabosco the Elder (1543-1588): A Thematic Catalogue of his Music with a Biographical Calendar. New York. Pages: 58. 193. Notes: contents list (partial); concordances (partial).

Charteris, Richard (editor). 1984. Alfonso Ferrabosco the Elder (1543-1588): Opera Omnia. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: I, xv-xviii; II,xii-xiii; III,xv,47. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Fenlon, Iain, and John Milsom. 1984. 'Ruled Paper Imprinted': Music Paper and Patents in Sixteenth-Century England. Journal of the American Musicological Society, 139-63. Pages: 149,163. Notes: physical description (partial).

Charteris, Richard. 1983. The English Songs of Alfonso Ferrabosco the Elder. Studies in Music [Nedlands, Australia], 79-86. Pages: 79-80. Notes: contents list (partial); concordances (partial); transcriptions (partial); texts (partial); mention of MS; discussion.

Godt, Irving. 1981. Prince Henry as Absalom in David's Lamentations. Music and Letters, 318-30. Pages: 328-9. Notes: mention of MS; contents list (partial); concordances (partial).

Trowell, Brian. 1980. Faburden-New Sources, New Evidence: A Preliminary Survey. Modern Musical Scholarship, 28-78. Stocksfield, Boston, Henley, and London. Pages: 70, 75, 77. Notes: mention of MS; contents list (partial); concordances (partial).

Bernstein, Jane Agar. 1979. Philip van Wilder and the Netherlandish Chanson in England. Musica Disciplina, 55-75. Pages: 71, 73-5. Notes: contents list (partial); concordances (partial).

Bernstein, Jane Agar. 1974. The Chanson in England 1530-1640: A Study of Sources and Styles. University of California at Berkeley, Unpublished Ph.D. dissertation. Pages: 298-303. Notes: physical description (partial); contents list (partial); concordances (partial).

Bray, Roger W. 1969. The Interpretation of Musica Ficta in English Music, C. 1490-C. 1580 [dissertation]. Oxford University, Unpublished Ph.D. dissertation. Pages: I, 40, 56, 169ff; II, 75-85, 91. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Brett, Philip. 1965. The Songs of William Byrd. Cambridge University, Unpublished Ph.D. dissertation. Pages: 32-3, 110-6, 276-7. Notes: physical description (partial); contents list (partial); concordances (partial); mention of MS; discussion.

Lamont, Herbert Harry. 1963. John Shepherd: His Life and Music. University of Southern California, Unpublished Ph.D. dissertation. Pages: 1, 118, 223-5. Notes: physical description (partial); contents list (partial); concordances (partial).

Kerman, Joseph. 1961. Byrd's Motets: Chronology and Canon. Journal of the American Musicological Society, 359-82. Pages: 361, 367-9, 376. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Fellowes, Edmund H. 1948. Tudor Church Music: Appendix with Supplementary Notes. London. Pages: 50-l, 54. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Fellowes, Edmund H. 1948. William Byrd. London, New York, and Toronto. Pages: 99-100, 109, 112-3, 143, 169-71, 192-3. Notes: physical description (partial); contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Fellowes, Edmund H (editor). 1937-50, 1962. The Collected Works of William Byrd. Pages: IX, vi, 99-129; XV, ix, 167-8; XVII, 151, 155, 161-2. Notes: mention of MS; contents list (partial); concordances (partial); transcriptions (partial).

Geering, Arnold (editor). 1935. Das Erbe Deutscher Musik. Leipzig, Kassel, Wolfenbüttel, and Wiesbaden. Pages: XXIX,129,140. Notes: physical description (partial); contents list (partial); concordances (partial).

Fellowes, Edmund H. 1934. The Catalogue of Manuscripts in the Library of St. Michael's College Tenbury. Paris. Pages: 68-70. Notes: physical description (partial); contents list.

Fellowes, Edmund H (editor). 1923-48. Tudor Church Music. London, Oxford et al. Pages: II, xxv, xxxiv; V, xxiv; Vl, xxxi-xxxii; IX, xii-xiv. Notes: physical description (partial); contents list (partial); concordances (partial).

Public Comments

This form is used to make comments on a source. If you wish to notify us of a correction to the record, you should use the "Contribute a change" form instead.

Jason Smart

Sunday, 28 May, 2017

J. Bunker Clark, in EECM 23 pp.147-8, identifies O give thanks unto the Lord on pp.210-211 as the alternative version of the setting by Nathaniel Giles.

Contributions to this record are recorded here. If you wish to contribute information or a correction to this record, use the "Contribute a Change" link. This will then be reviewed by DIAMM staff and, if accepted, your contribution will be acknowledged here.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description