GB-Ob MS. Tenbury 810

Bodleian Library, Oxford, England

partbook: c. 1610

Archive Bodleian Library, Oxford, England (GB-Ob)
Shelfmark MS. Tenbury 810
Image Availability DIAMM does not have images of this source.
Surface Paper
Numbering System Foliation
Format portrait
Measurements 288 x 204 mm
Other Identifiers
  • CCM: OxfBT 807-11
Relationships
External Links
Provenance
  • England
Contents 42 pieces from 18 composers
General Description

A Tenor partbook from a set originally of six volumes (5 of which survive). Copied by a single scribe. Copied in England. Later owned by Sir Frederick Ouseley (1825-89), founder of St. Michael's College (near Tenbury, Worcester). Bequeathed to St. Michael's College; deposited in Bodleian Library in 1979.

DIAMM, 2017
Binding

New covers of blue leather on cardboard; edges tooled in gold with ornamental motifs.

DIAMM, 2017
Watermark

No watermarks visible.

DIAMM, 2017
Notation

not indicated

DIAMM, 2017
Ruling

Staff height 15

DIAMM, 2017
Foliation

New pencil foliation in each book numbers all original folios. In this partbook, '21' and '23' applied to two consecutive folios

DIAMM, 2017
Decoration

No initials or decoration.

DIAMM, 2017
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

3 Magnificats, 17 motets, 9 anthems, 1 Italian secular piece = 30 + 1 duplicate = 31

Bull-1, Byrd-8, M. Jeffries-3, R. Johnson-1, Kirbye-1, Paradiso-1, R. Parsons-1, W. Parsons-1, Shepherd-1, Tallis-2, Taverner-1, Tye-1, Weelkes-4, R. White-1, R. White/(W. White)-1, anon-2

5 paper partbooks of an original 6 (Medius-ii + 30 + i folios, Contratenor I-ii + 31 + i, Contratenor Il-ii + 30 + i, T-ii + 30 + i, B-ii + 28 + i), 288 x 204. New pencil foliation in each book numbers all original folios (in T, "21" and "23" applied to two consecutive folios). New covers of blue leather on cardboard; edges tooled in gold with ornamental motifs. No index. Copied by a single scribe. Staff height 15. No initials or decoration. No watermarks visible.

Ca. 1610 (FelCT). Copied in England. Later owned by Sir Frederick Ouseley (1825-89), founder of St. Michael's College (near Tenbury, Worcester). Bequeathed to St. Michael's College; deposited in Bodleian Library in 1979.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1 Descendit de caelis - 1a pars (of 2): Descendit de caelis [Byrd]
Appears on: 1
Genres: Anthem
Source Attribution: [Byrd]
Voice: Tenor
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Descendit de coelis
1 Descendit de caelis - 2a pars (of 2): Et exivit [Byrd]
Appears on: 1
Genres: Anthem
Source Attribution: [Byrd]
Voice: Tenor
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Et exivit per auream portam
1–1v Domine non sum dignus [Byrd]
Appears on: 1–1v
Genres: Anthem
Source Attribution: [Byrd]
Voice: Tenor
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Domine non sum dignus
1v–2 Infelix ego omnium - 1a pars (of 3): Infelix ego omnium [Byrd]
Appears on: 1v–2
Genres: Motet
Source Attribution: [Byrd]
Voice: Tenor
Languages: Latin
Mensuration: cut-c
Clef: c5
Voice Text: [Infelix ego] Quo ibo ad quem confugiam
2–2v Infelix ego omnium - 2a pars (of 3): Quid igitur faciam [Byrd]
Appears on: 2–2v
Genres: Motet
Source Attribution: [Byrd]
Voice: Tenor
Languages: Latin
Mensuration: cut-c
Clef: c5
Voice Text: Quid igitur faciam
2v–3 Infelix ego omnium - 3a pars (of 3): Ad te igitur [Byrd]
Appears on: 2v–3
Genres: Motet
Source Attribution: [Byrd]
Voice: Tenor
Languages: Latin
Mensuration: cut-c
Clef: c5
Voice Text: [Ad te igitur] Quoniam tu solus
3–3v Afflicti pro peccatis - 1a pars (of 2): Afflicti pro peccatis [Byrd]
Appears on: 3–3v
Genres: Anthem
Source Attribution: [Byrd]
Voice: Tenor
Languages: Latin
Mensuration: cut-c
Clef: c5
Voice Text: Affliti [sic] pro peccatis
3v Afflicti pro peccatis - 2a pars (of 2): Ut eruas nos [Byrd]
Appears on: 3v
Genres: Anthem
Source Attribution: [Byrd]
Voice: Tenor
Languages: Latin
Mensuration: cut-c
Clef: c5
Voice Text: Ut eruas nos a malis
3v–4 Cantate Domino [Byrd]
Appears on: 3v–4
Genres: Anthem
Source Attribution: [Byrd]
Voice: Tenor
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: [Cantate] Canticum novum
4–4v Cunctis diebus quibus nunc milito [Byrd]
Appears on: 4–4v
Genres: Motet
Source Attribution: [Byrd]
Voice: Tenor
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Cunctis diebus quibus nunc milito
4v–5 Domine salva nos [Byrd]
Appears on: 4v–5
Genres: Anthem
Source Attribution: [Byrd]
Voice: Tenor
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Domine salva nos
5–5v Haec dies Mr Bird
Appears on: 5–5v
Genres: Anthem
Source Attribution: Mr Bird
Voice: Tenor
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Haec dies quam fecit dominus
5v Manus tuae fecerunt - 1a pars (of 2): Manus tuae fecerunt Mr White
Appears on: 5v
Genres: Anthem
Source Attribution: Mr White
Voice: Bassus
Languages: Latin
Mensuration: cut-c
Clef: f4
Voice Text: [...] Cognovi domine
5v–6 Manus tuae fecerunt - 2a pars (of 2): Veniant mihi Mr White
Appears on: 5v–6
Genres: Anthem
Source Attribution: Mr White
Voice: Bassus
Languages: Latin
Mensuration: cut-c
Clef: f4
Voice Text: [...] Et vivam quia lex tua
6–6v Gaude gloriosa - 1a pars (of 2): Gaude gloriosa [anon] Anonymous
Appears on: 6–6v
Genres: Anthem
Source Attribution: [anon]
Voice: Tenor
Languages: Latin
Mensuration: cut-o
Clef: c5
Voice Text: [Gaude gloriosa] Gaude virgo maria
6v Gaude gloriosa - 2a pars (of 2): Gaude concinis [anon] Anonymous
Appears on: 6v
Genres: Anthem
Source Attribution: [anon]
Voice: Tenor
Languages: Latin
Mensuration: cut-o
Clef: c5
Voice Text: Gaude concinis in celis sanctorum
7–7v Gaude gloriosa Dei mater (2nd half): Gaude virgo Maria quam dignam … Gaude Maria intercessorum adiutrix … Gaude virgo Maria Christi benedicta mater Mr Tallis
Appears on: 7–7v
Genres: Motet
Source Attribution: Mr Tallis
Voice: Tenor
Languages: Latin
Mensuration: cut-c
Clef: c5
Voice Text: Gaude virgo maria
8–9v Salve intemerata virgo Maria Mr Tallis
Appears on: 8–9v
Genres: Antiphon
Source Attribution: Mr Tallis
Voice: Tenor
Languages: Latin
Mensuration: cut-o
Clef: c5
Voice Text: [...] Anne mulieris sanctissime
9v–10v Magnificat a6 Mr Taverner
Appears on: 9v–10v
Genres: BVM, Canticle, Magnificat
Source Attribution: Mr Taverner
Voice: Tenor
Languages: Latin
Mensuration: cut-o
Clef: c5
Voice Text: Et exultavit spiritus meus
10v Ex mortuis - 1a pars (of 2): Ex mortuis iam non moritur Will: Parsons
Appears on: 10v
Genres: Motet
Source Attribution: Will: Parsons
Voice: Bassus
Languages: Latin
Mensuration: cut-c
Clef: f4
Voice Text: Ex mortuis jam non moritur
10v–11 Ex mortuis - 2a pars (of 2): Dicant nun Judaei Will: Parsons
Appears on: 10v–11
Genres: Motet
Source Attribution: Will: Parsons
Voice: Bassus
Languages: Latin
Mensuration: cut-c
Clef: f4
Voice Text: Dicant nunc Judei
11–11v Behold how good [anon] Anonymous

Behold how good

Anonymous
Appears on: 11–11v
Genres: Anthem
Source Attribution: [anon]
Voice: Tenor
Languages: English
Mensuration: cut-c
Clef: c4
Voice Text: Behold how good ...
11v–12v Let God arise [anon] Anonymous

Let God arise

Anonymous
Appears on: 11v–12v
Genres: Anthem
Source Attribution: [anon]
Voice: Tenor
Languages: English
Mensuration: cut-c
Clef: c4
Voice Text: Let god arise and let his enemies be scattered
12v–13 If the Lord himself had not been on our side [Jeffreys/Smith]
Appears on: 12v–13
Genres: Anthem
Source Attribution: [Jeffreys/Smith]
Voice: Tenor
Languages: English
Mensuration: cut-c
Clef: c4
Voice Text: If the lord...
13–13v Sing we merrily unto God our strength [Jeffreys]
Appears on: 13–13v
Genres: Anthem
Source Attribution: [Jeffreys]
Voice: Tenor
Languages: English
Mensuration: cut-c
Clef: c4
Voice Text: Sing we merrilye
14–14v Out of the deep [Jeffreys]
Appears on: 14–14v
Genres: Anthem
Source Attribution: [Jeffreys]
Voice: Tenor
Languages: English
Mensuration: cut-c
Clef: c4
Voice Text: Out of the deepe
14v–15 Gloria in excelsis Deo. Sing my soul Mr Thomas Weelks
Appears on: 14v–15
Genres: Motet
Source Attribution: Mr Thomas Weelks
Voice: Tenor
Languages: Latin, English
Mensuration: cut-c
Clef: c4
Voice Text: Gloria in excelsis deo: Sing my soule to god the lord
15–15v Hosanna to the Son of David Mr Tho: Weelks
Appears on: 15–15v
Genres: Anthem
Source Attribution: Mr Tho: Weelks
Voice: Bassus
Languages: English
Mensuration: cut-c
Clef: f4
Voice Text: Hosanna to the sonne of David
General Note

bassus

15v–16 When David heard - 1a pars (of 2): When David heard that Absalom Mr Tho: Weelks
Appears on: 15v–16
Genres: Anthem
Source Attribution: Mr Tho: Weelks
Voice: Tenor
Languages: English
Mensuration: cut-c
Clef: c3
Voice Text: When David heard that Absolon
16 When David heard - 2a pars (of 2): O my son Absalom Mr Tho: Weelks
Appears on: 16
Genres: Anthem
Source Attribution: Mr Tho: Weelks
Voice: Tenor
Languages: English
Mensuration: cut-c
Clef: c3
Voice Text: O my sonne Absolon
16–17 In Thee O Lord I put my trust Doctor Bull
Appears on: 16–17
Genres: Anthem
Source Attribution: Doctor Bull
Voice: Tenor
Languages: English
Mensuration: cut-c
Clef: c4
Voice Text: In thee O lord...
17v–18v Gaude virgo Christiphera Mr Shepherd
Appears on: 17v–18v
Source Attribution: Mr Shepherd
Voice: Tenor
Languages: Latin
Mensuration: o
Clef: f4
Voice Text: […] Sola ut esset singulari
18v–20v Peccavimus cum patribus nostris Doctor Tye
Appears on: 18v–20v
Genres: Motet
Source Attribution: Doctor Tye
Voice: Tenor
Languages: Latin
Mensuration: o
Clef: c5
Voice Text: Peccavimus cum patribus nostris

Voice: Bassus
Languages: Latin
Mensuration: o
Clef: f4
Voice Text: Peccavimus cum patribus nostris
General Note

2 voice parts - bass on v, tenor on r, end of both on 20v

21–21av Ave Dei patris filia Mr Johnson
Appears on: 21–21av
Genres: Motet
Source Attribution: Mr Johnson
Voice: Bassus
Languages: Latin
Mensuration: o
Clef: f4
Voice Text: [...] Que summe eternitatis filia
21av–22 Laboravi in gemitu meo Mr Thomas Weelks
Appears on: 21av–22
Genres: Anthem
Source Attribution: Mr Thomas Weelks
Voice: Tenor
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Laboravi in gemitu meo
22–22v Vox in Rama Mr Georg Kirbye [sic]
Appears on: 22–22v
Genres: Anthem
Source Attribution: Mr Georg Kirbye [sic]
Voice: Tenor
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Vox in Rama audita est
22v–23a Magnificat a6 Mr Robert Parsons
Appears on: 22v–23a
Genres: BVM, Canticle, Magnificat
Source Attribution: Mr Robert Parsons
Voice: Tenor
Languages: Latin
Mensuration: cut-o
Clef: c5
Voice Text: Et exultavit spiritus meus
General Note

6 pts. Note at beginning of 'Et sanctum nomen': "Canon inter Tenorem et mediorum in nono"

23a–24 Magnificat a6 Mr White
Appears on: 23a–24
Source Attribution: Mr White
Voice: Bassus
Languages: Latin
Mensuration: cut-c
Clef: f3
Voice Text: Et exultavit spiritus meus
24v–25 [blank staves] - -

[blank staves]

Appears on: 24v–25
25v Laura gentil R. Paradiso
Appears on: 25v
Genres: Madrigal (Italian)
Source Attribution: R. Paradiso
Voice: Tenor
Languages: Italian
Mensuration: cut-c
Clef: c4
Voice Text: Laura gentil
General Note

text incipit only

26–28 Magnificat a6 [Parsons]
Appears on: 26–28
Genres: BVM, Canticle, Magnificat
Source Attribution: [Parsons]
Voice: Tenor
Languages: Latin
Mensuration: cut-o
Clef: c5
Voice Text: Et exultavit spiritus meus
General Note

another copy, on smaller sheets of paper, of the Magnificat from f. 22v

28v [blank staves] - -

[blank staves]

Appears on: 28v
Composer Compositions
Anonymous
Bull, John (ca. 1562–1628)
Byrd, William (ca. 1540–1623)
Jeffries (Jeffreys), Matthew
Johnson (I), Robert (ca. 1500–ca. 1560)
Kirbye, George
Paradiso, R
Parsons 'of Wells', William
Parsons (I), Robert (ca. 1535–ca. 1572)
Sheppard, John (ca. 1515–1558)
Smith (I), William (1603–1645)
Smith, Edward (1587–1612)
Tallis, Thomas (ca. 1505–1585)
Taverner, John
Tye, Christopher (ca. 1505–ca. 1573)
Weelkes, Thomas (ca. 1576–1623)
White, Robert (ca. 1538–1574)
White, William
Composition Composers (? Uncertain) Folios / Pages
Afflicti pro peccatis - 1a pars (of 2): Afflicti pro peccatis 3–3v
Afflicti pro peccatis - 2a pars (of 2): Ut eruas nos 3v
Ave Dei patris filia 21–21av
Behold how good Anonymous 11–11v
Cantate Domino 3v–4
Cunctis diebus quibus nunc milito 4–4v
Descendit de caelis - 1a pars (of 2): Descendit de caelis 1
Descendit de caelis - 2a pars (of 2): Et exivit 1
Domine non sum dignus 1–1v
Domine salva nos 4v–5
Ex mortuis - 1a pars (of 2): Ex mortuis iam non moritur 10v
Ex mortuis - 2a pars (of 2): Dicant nun Judaei 10v–11
Gaude gloriosa - 1a pars (of 2): Gaude gloriosa Anonymous 6–6v
Gaude gloriosa - 2a pars (of 2): Gaude concinis Anonymous 6v
Gaude gloriosa Dei mater (2nd half): Gaude virgo Maria quam dignam … Gaude Maria intercessorum adiutrix … Gaude virgo Maria Christi benedicta mater 7–7v
Gaude virgo Christiphera 17v–18v
Gloria in excelsis Deo. Sing my soul 14v–15
Haec dies 5–5v
Hosanna to the Son of David 15–15v
If the Lord himself had not been on our side 12v–13
In Thee O Lord I put my trust 16–17
Infelix ego omnium - 1a pars (of 3): Infelix ego omnium 1v–2
Infelix ego omnium - 2a pars (of 3): Quid igitur faciam 2–2v
Infelix ego omnium - 3a pars (of 3): Ad te igitur 2v–3
Laboravi in gemitu meo 21av–22
Laura gentil 25v
Let God arise Anonymous 11v–12v
Magnificat a6 9v–10v
Magnificat a6 22v–23a
Magnificat a6 23a–24
Magnificat a6 26–28
Manus tuae fecerunt - 1a pars (of 2): Manus tuae fecerunt 5v
Manus tuae fecerunt - 2a pars (of 2): Veniant mihi 5v–6
Out of the deep 14–14v
Peccavimus cum patribus nostris 18v–20v
Salve intemerata virgo Maria 8–9v
Sing we merrily unto God our strength 13–13v
Vox in Rama 22–22v
When David heard - 1a pars (of 2): When David heard that Absalom 15v–16
When David heard - 2a pars (of 2): O my son Absalom 16

Set: MSS Tenbury 807-811

Type: Partbooks

No images available

GB-Ob MS. Tenbury 807

No images available

GB-Ob MS. Tenbury 808

No images available

GB-Ob MS. Tenbury 809

No images available

GB-Ob MS. Tenbury 810

No images available

GB-Ob MS. Tenbury 811

Set: TUDOR PARTBOOKS

Type: Project Collection

No images available

GB-Lbl Royal Appendix 41

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GB-Lbl Royal Appendix 42

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GB-Lbl Royal Appendix 43

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GB-Lbl Royal Appendix 44

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GB-Lbl Royal Appendix 57

No images available

GB-Lbl Royal Appendix 59

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GB-Lbl Royal Appendix 60

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GB-Lbl Royal Appendix 61

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GB-Lbl Royal Appendix 62

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GB-Lcm [pr. bk.] B187

No images available

GB-Lcm [pr. bk.] B190 [Altus]

No images available

GB-Lcm [pr. bk.] B190 [Bassus]

No images available

GB-Lcm [pr. bk.] B190 [Discantus]

No images available

GB-Lcm [pr. bk.] B190 [Tenor]

No images available

GB-Ob MS. Tenbury 807

No images available

GB-Ob MS. Tenbury 808

No images available

GB-Ob MS. Tenbury 809

No images available

GB-Ob MS. Tenbury 810

No images available

GB-Ob MS. Tenbury 811

No images available

GB-Och Mus. 45

No images available

IRL-Dm [pr. bk.] Z4. 3. 1-5

No images available

US-NYp Mus. Res. Drexel 4182

denotes primary source study

Morris, Christopher (compiler). 1978. The Oxford Book of Tudor Anthems.  London. Pages: 72-83, 121, 351. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Daniel, Ralph T, and Peter Le Huray. 1972. The Sources of English Church Music 1549-1660. Early English Church Music.  London. Notes: contents list (partial); concordances (partial).

Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts.  Tutzing. Pages: 166 [does not list all Magnificats in this source]. Notes: contents list (partial); concordances (partial); incipits (partial).

Harrison, Frank Llewellyn (editor). 1963-. Early English Church Music.  London: Stainer & Bell. Pages: XXVIII, 125,133-4; XXX, 1-21,177,182. Notes: physical description (partial); contents list (partial); concordances (partial); transcriptions (partial).

Lamont, Herbert Harry. 1963. John Shepherd: His Life and Music. University of Southern California, Unpublished Ph.D. dissertation. Pages: I, 119-20, 224. Notes: physical description (partial); contents list (partial); concordances (partial).

Fellowes, Edmund H. 1934. The Catalogue of Manuscripts in the Library of St. Michael's College Tenbury.  Paris. Pages: 168-9. Notes: physical description (partial); contents list.

Fellowes, Edmund H (editor). 1923-48. Tudor Church Music.  London, Oxford et al. Pages: I, lx; III, xv; V, xx, xxiii; VI, xxvii-xxviii. Notes: physical description (partial); contents list (partial); concordances (partial).

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Watermark Note; Notation Note; Ruling Note; Foliation Note; Decoration Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description