GB-Ob MS. Tenbury 1018

Bodleian Library, Oxford, England

Manuscript of polyphony: Late 16th or early 17th century

Archive	Bodleian Library, Oxford, England (GB-Ob)
Shelfmark	MS. Tenbury 1018
Image Availability	DIAMM does not have images of this source.
Surface	Paper
Numbering System	Foliation
Measurements	279-92 x 370-6 mm
Other Identifiers	CCM: OxfBT 1018
Notations	black void mensural
Relationships	St Michael's College (owner) Ouseley, Sir Frederick Gore (1825–1889) (owner)
External Links	online catalogue entry
Provenance	England
Contents	86 pieces from 10 composers Contains 1 uninventoried works or miscellaneous sections.

General Description

Score format, with pre-drawn barlines. Copied by one main scribe and several additional scribes. Copied in England.

DIAMM, 2017

Binding

Folios now mounted on modern paper folios, 370 x 450mm. New covers of brown leather and green cloth over cardboard; spine tooled in gold with inscription: 'VOCAL MUSIC / 17 & 18 CENTURY / VOL. II.' (MS 1018 now bound with MSS Tenbury 1015, 1016, 1017, and 1019; only MS 1018 is within scope of this catalogue.)

DIAMM, 2017

Watermark

two pillars with grape cluster (not in Briquet or Heawood).

DIAMM, 2017

Notation

black void mensural; one piece partly in lute tablature

DIAMM, 2017

Ruling

Staff height 11

DIAMM, 2017

Foliation

New pencil foliation, 1-48

DIAMM, 2017

Decoration

No initials or decoration

DIAMM, 2017

Surface

paper

DIAMM, 2017

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

1 Lamentation, 9 motets, 2 anthems, 35 Italian secular pieces, 23 English secular pieces, 1 Latin secular piece, 10 textless pieces, 1 In nomine, 1 dance = 83

(Bennet)-1, Caccini [Giulio Romano]-15, (Dowland)-1, A. Ferrabosco I-23, (Gastoldi)-2, R. Johnson II-1, (Richafort/Verdelot)-1, anon-39

48 paper folios, 279-92 x 370-6, now mounted on modern paper folios, 370 x 450. New pencil foliation, 1-48. New covers of brown leather and green cloth over cardboard; spine tooled in gold with inscription: "VOCAL MUSIC / 17 & 18 CENTURY / VOL. II." (MS 1018 now bound with MSS Tenbury 1015, 1016, 1017, and 1019; only MS 1018 is within scope of this catalogue). No index. Score format, with pre-drawn barlines; one piece partly in lute tablature. Copied by one main scribe and several additional scribes. Staff height 11. No initials or decoration. Watermark: two pillars with grape cluster (not in Briquet or Heawood).

Late 16th or early 17th century. Copied in England. Later owned by Sir Frederick Ouseley (1825-89), founder of St. Michael's College (near Tenbury, Worcester). Bequeathed to St. Michael's College; deposited in Bodleian Library in 1979.

Vol 4

Contents: 1 Lamentation, 10 motets (1 without text), 2 anthems, 35 Italian secular pieces (1 without text), 24 English secular pieces, 1 Latin secular piece, 9 textless pieces (some fragmentary), 1 In nomine, 1 dance = 84+1 duplicate = 85

Composers: Change "A. Ferrabosco I-23" to "(A. Ferrabosco I)-15, A. Ferra-bosco II-14"; change "anon-39" to "anon-34."

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

This source has not been fully inventoried. If you would like to contribute an inventory please get in touch. E-mail diamm@music.ox.ac.uk.

Known compositions

Composition	Composers (? Uncertain)	Folios / Pages	Source Attribution
[instrumental fragment]	Anonymous	12v	-
[instrumental fragment]	Anonymous	46v	-
[instrumental fragment]	Anonymous	48v	-
[instrumental fragment]	Anonymous	48v	-
[instrumental piece]	Anonymous	29v	-
[instrumental piece]	Anonymous	30	-
[instrumental piece]	Anonymous	32v	-
Ad Dominum cum tribularer (C1)	Ferrabosco, Alfonso (the elder) (1543–1588)	21v–22v	-
Ahi dolente partita	Caccini, Giulio Romano (1551–1618)	40	Giulio Romano [Caccini]
Ahi dolente partita	Caccini, Giulio Romano (1551–1618)	41v	Giulio Romano [Caccini]
Amarilide mia diro mio suole	Anonymous	38v	-
Amarilli mia bella	Caccini, Giulio Romano (1551–1618)	39	-
Amor l'alli m'impenna	Caccini, Giulio Romano (1551–1618)	43	Giulio Romano [Caccini]
Benedic anima mea - 11a pars (of 11): Cantabo Domino (C18)	Ferrabosco, Alfonso (the elder) (1543–1588)	3–4	-
Benedic anima mea - 7a pars (of 11): Posuisti tenebras (C14)	Ferrabosco, Alfonso (the elder) (1543–1588)	24–25	-
Charon, O Charon come away	Johnson (II), Robert	7v–9	Johnson
Charon, oh Charon row thy boat	Anonymous	45v	-
Che servi	Anonymous	10	-
Come drink with me	Byrd, William (ca. 1540–1623)	44v–45	W Byrd
Come home my troubled thoughts	Ferrabosco, Alfonso (the younger) (ca. 1575–1628)	33	Ferrabosco
Con la sua man	Anonymous	43v	-
Conserva me Domine - 2a pars (of 2): Vias tuas Domine (C25)	Ferrabosco, Alfonso (the elder) (1543–1588)	19–19v	-
Cruda Amarille	Anonymous	33v–34	-
De la porte d'oriente	Caccini, Giulio Romano (1551–1618)	42	Giulio Romano [Caccini]
Dearest love I do not go	Anonymous	44v	-
Decantabat populus Israel	Ferrabosco, Alfonso (the elder) (1543–1588)	1–1v	-
Deh com' in van chiedete	Caccini, Giulio Romano (1551–1618)	42v	Giulio Romano [Caccini]
Dispiegate quanch' amate	Anonymous	42v	-
Dolce guerriera mia - 1a pars (of 2): Dolce guerriera mia	Ferrabosco, Alfonso (the elder) (1543–1588)	4v–5v	-
Dolce guerriera mia - 2a pars (of 2): Ma se con l'apre	Ferrabosco, Alfonso (the elder) (1543–1588)	4v–5v	-
Dolcissimo spiro	Caccini, Giulio Romano (1551–1618)	38	Giulio Romano [Caccini]
Donna leggiadre bella	Caccini, Giulio Romano (1551–1618)	42	Giulio Romano [Caccini]
Dovro dunque morire	Caccini, Giulio Romano (1551–1618)	39v	Giulio Romano [Caccini]
Eterni numi o come	Ferrabosco, Alfonso (the younger) (ca. 1575–1628)	35v	Ferrabosco
Eyes look off theirs	Anonymous	44v	-
Fain would I change my maiden life	Anonymous	46v	-
Filie mirand' il cielo	Anonymous	44	-
Flow my tears	Dowland, John (1563–1626)	30v	Dowland
From the temple to the board	Anonymous	12	-
Fuerunt mihi lachrimae (C36)	Ferrabosco, Alfonso (the elder) (1543–1588) (?) Ferrabosco, Alfonso (the younger) (ca. 1575–1628) (?)	32	-
Gentle knights, know some measure	Ferrabosco, Alfonso (the younger) (ca. 1575–1628)	37v	Ferrabosco
Grave pene in amor	Ferrabosco, Alfonso (the elder) (1543–1588)	2–2v	-
Hear me, O God (Adaptation of Four-note Pavane)	Ferrabosco, Alfonso (the younger) (ca. 1575–1628)	31	Ferrabosco
Heu mihi Domine (I) (C37)	Ferrabosco, Alfonso (the elder) (1543–1588)	16–16v	-
Hor che lungi da voi	Caccini, Giulio Romano (1551–1618)	43	Giulio Romano [Caccini]
How near to good	Ferrabosco, Alfonso (the younger) (ca. 1575–1628)	37	Ferrabosco
If pleasures were not wasting	Anonymous	48	-
In an arbour of green May	Anonymous	47v	-
In nomine (F86, C222)	Ferrabosco, Alfonso (the elder) (1543–1588)	25v–27	-
Interdette speranze e van desio	Ferrabosco, Alfonso (the elder) (1543–1588)	6–7	-
Lacrimar sempre	Ferrabosco, Alfonso (the younger) (ca. 1575–1628)	36v	Ferrabosco
Lamentations [...] Aleph (5vv - C65)	Ferrabosco, Alfonso (the elder) (1543–1588)	13–15v	-
Leave into life the prison	Anonymous	10	-
Madre a l'amor	Anonymous	10v	-
Mirabile mysterium (C47)	Ferrabosco, Alfonso (the elder) (1543–1588)	17–18v	-
Morro mia vita	Caccini, Giulio Romano (1551–1618)	35	Giulio Romano [Caccini]
Musica laeta suum gaudet (C79)	Ferrabosco, Alfonso (the elder) (1543–1588)	23–23v	-
Nay nay you must not stay	Ferrabosco, Alfonso (the younger) (ca. 1575–1628)	36	Ferrabosco
Non nobis Domine	Anonymous	47v	-
O crudel Amarille	Ferrabosco, Alfonso (the younger) (ca. 1575–1628)	35v	Ferrabosco
O what a fault	Ferrabosco, Alfonso (the younger) (ca. 1575–1628)	36v	Ferrabosco
Parle ch'el mar	Caccini, Giulio Romano (1551–1618)	41	Giulio Romano [Caccini]
Parlo misero taccio	Caccini, Giulio Romano (1551–1618)	39v	Giulio Romano [Caccini]
Peccantem me quotidie (C52)	Ferrabosco, Alfonso (the elder) (1543–1588)	20–21	-
Se ben mir h[a]i bon tempo	Anonymous	11	-
Se ben vechio vita mia	Anonymous	11–11v	-
Se di far morire	Anonymous	45v	-
Se partendo da voi	Anonymous	33v	-
Senses by unjust force	Anonymous	37	-
Sfogava con le stelie	Caccini, Giulio Romano (1551–1618)	41v	Giulio Romano [Caccini]
Shall I wasting in despair	Anonymous	12–12v	-
Sharp Pavin (VdGS 3)	Ferrabosco, Alfonso (the younger) (ca. 1575–1628)	31v	Ferrabosco
Si bona suscepimus de manu Domini	Verdelot, Philippe (ca. 1480–ca. 1532) (?) Richafort, Jean (ca. 1480–ca. 1550) (?)	27v–29	-
T'amo mia vita	Caccini, Giulio Romano (1551–1618)	41	Giulio Romano [Caccini]
Tell me my dear	Anonymous	47v	-
This day our Saviour	Anonymous	9v	-
Time, cruel time	Anonymous	47	-
Udite lagrimosi spirti	Ferrabosco, Alfonso (the younger) (ca. 1575–1628)	35	Ferrabosco
Vedro il mio sol	Anonymous	38v	-
Venus' birds whose mournfull tunes	Anonymous	48	-
Vezzosette ninfe	Gastoldi, Giovanni Giacomo (ca. 1554–1609)	10v	-
Virgine bella	Anonymous	40v	-
Where wit is over-ruled	Anonymous	11v	-
With what new thoughts	Ferrabosco, Alfonso (the younger) (ca. 1575–1628)	34v	Ferrabosco
Woo her and win her	Anonymous	46	-
Zefiro spira	Anonymous	11	-

Known composers

Composers (? Uncertain)	Folios / Pages	Item title	Attribution in Source
Works by Bennett, John (fl. 1599-1614)	[-]	-	-

Composer	Compositions
Anonymous	Amarilide mia diro mio suole – 38v Charon, oh Charon row thy boat – 45v Che servi – 10 Con la sua man – 43v Cruda Amarille – 33v–34 Dearest love I do not go – 44v Dispiegate quanch' amate – 42v Eyes look off theirs – 44v Fain would I change my maiden life – 46v Filie mirand' il cielo – 44 From the temple to the board – 12 If pleasures were not wasting – 48 In an arbour of green May – 47v Leave into life the prison – 10 Madre a l'amor – 10v Non nobis Domine – 47v Se ben mir h[a]i bon tempo – 11 Se ben vechio vita mia – 11–11v Se di far morire – 45v Se partendo da voi – 33v Senses by unjust force – 37 Shall I wasting in despair – 12–12v Tell me my dear – 47v This day our Saviour – 9v Time, cruel time – 47 Vedro il mio sol – 38v Venus' birds whose mournfull tunes – 48 Virgine bella – 40v Where wit is over-ruled – 11v Woo her and win her – 46 Zefiro spira – 11 [instrumental fragment] – 48v [instrumental fragment] – 46v [instrumental fragment] – 12v [instrumental fragment] – 48v [instrumental piece] – 30 [instrumental piece] – 29v [instrumental piece] – 32v
Byrd, William (ca. 1540–1623)	Come drink with me – 44v–45
Caccini, Giulio Romano (1551–1618)	Ahi dolente partita – 41v Ahi dolente partita – 40 Amarilli mia bella – 39 Amor l'alli m'impenna – 43 De la porte d'oriente – 42 Deh com' in van chiedete – 42v Dolcissimo spiro – 38 Donna leggiadre bella – 42 Dovro dunque morire – 39v Hor che lungi da voi – 43 Morro mia vita – 35 Parle ch'el mar – 41 Parlo misero taccio – 39v Sfogava con le stelie – 41v T'amo mia vita – 41
Dowland, John (1563–1626)	Flow my tears – 30v
Ferrabosco, Alfonso (the elder) (1543–1588)	Ad Dominum cum tribularer (C1) – 21v–22v Benedic anima mea - 11a pars (of 11): Cantabo Domino (C18) – 3–4 Benedic anima mea - 7a pars (of 11): Posuisti tenebras (C14) – 24–25 Conserva me Domine - 2a pars (of 2): Vias tuas Domine (C25) – 19–19v Decantabat populus Israel – 1–1v Dolce guerriera mia - 1a pars (of 2): Dolce guerriera mia – 4v–5v Dolce guerriera mia - 2a pars (of 2): Ma se con l'apre – 4v–5v (?) Fuerunt mihi lachrimae (C36) – 32 Grave pene in amor – 2–2v Heu mihi Domine (I) (C37) – 16–16v In nomine (F86, C222) – 25v–27 Interdette speranze e van desio – 6–7 Lamentations [...] Aleph (5vv - C65) – 13–15v Mirabile mysterium (C47) – 17–18v Musica laeta suum gaudet (C79) – 23–23v Peccantem me quotidie (C52) – 20–21
Ferrabosco, Alfonso (the younger) (ca. 1575–1628)	Come home my troubled thoughts – 33 Eterni numi o come – 35v (?) Fuerunt mihi lachrimae (C36) – 32 Gentle knights, know some measure – 37v Hear me, O God (Adaptation of Four-note Pavane) – 31 How near to good – 37 Lacrimar sempre – 36v Nay nay you must not stay – 36 O crudel Amarille – 35v O what a fault – 36v Sharp Pavin (VdGS 3) – 31v Udite lagrimosi spirti – 35 With what new thoughts – 34v
Gastoldi, Giovanni Giacomo (ca. 1554–1609)	Vezzosette ninfe – 10v
Johnson (II), Robert	Charon, O Charon come away – 7v–9
Richafort, Jean (ca. 1480–ca. 1550)	(?) Si bona suscepimus de manu Domini – 27v–29
Verdelot, Philippe (ca. 1480–ca. 1532)	(?) Si bona suscepimus de manu Domini – 27v–29

Composition	Composers (? Uncertain)	Folios / Pages
[instrumental fragment]	Anonymous	12v
[instrumental fragment]	Anonymous	46v
[instrumental fragment]	Anonymous	48v
[instrumental fragment]	Anonymous	48v
[instrumental piece]	Anonymous	29v
[instrumental piece]	Anonymous	30
[instrumental piece]	Anonymous	32v
Ad Dominum cum tribularer (C1)	Ferrabosco, Alfonso (the elder) (1543–1588)	21v–22v
Ahi dolente partita	Caccini, Giulio Romano (1551–1618)	40
Ahi dolente partita	Caccini, Giulio Romano (1551–1618)	41v
Amarilide mia diro mio suole	Anonymous	38v
Amarilli mia bella	Caccini, Giulio Romano (1551–1618)	39
Amor l'alli m'impenna	Caccini, Giulio Romano (1551–1618)	43
Benedic anima mea - 11a pars (of 11): Cantabo Domino (C18)	Ferrabosco, Alfonso (the elder) (1543–1588)	3–4
Benedic anima mea - 7a pars (of 11): Posuisti tenebras (C14)	Ferrabosco, Alfonso (the elder) (1543–1588)	24–25
Charon, O Charon come away	Johnson (II), Robert	7v–9
Charon, oh Charon row thy boat	Anonymous	45v
Che servi	Anonymous	10
Come drink with me	Byrd, William (ca. 1540–1623)	44v–45
Come home my troubled thoughts	Ferrabosco, Alfonso (the younger) (ca. 1575–1628)	33
Con la sua man	Anonymous	43v
Conserva me Domine - 2a pars (of 2): Vias tuas Domine (C25)	Ferrabosco, Alfonso (the elder) (1543–1588)	19–19v
Cruda Amarille	Anonymous	33v–34
De la porte d'oriente	Caccini, Giulio Romano (1551–1618)	42
Dearest love I do not go	Anonymous	44v
Decantabat populus Israel	Ferrabosco, Alfonso (the elder) (1543–1588)	1–1v
Deh com' in van chiedete	Caccini, Giulio Romano (1551–1618)	42v
Dispiegate quanch' amate	Anonymous	42v
Dolce guerriera mia - 1a pars (of 2): Dolce guerriera mia	Ferrabosco, Alfonso (the elder) (1543–1588)	4v–5v
Dolce guerriera mia - 2a pars (of 2): Ma se con l'apre	Ferrabosco, Alfonso (the elder) (1543–1588)	4v–5v
Dolcissimo spiro	Caccini, Giulio Romano (1551–1618)	38
Donna leggiadre bella	Caccini, Giulio Romano (1551–1618)	42
Dovro dunque morire	Caccini, Giulio Romano (1551–1618)	39v
Eterni numi o come	Ferrabosco, Alfonso (the younger) (ca. 1575–1628)	35v
Eyes look off theirs	Anonymous	44v
Fain would I change my maiden life	Anonymous	46v
Filie mirand' il cielo	Anonymous	44
Flow my tears	Dowland, John (1563–1626)	30v
From the temple to the board	Anonymous	12
Fuerunt mihi lachrimae (C36)	Ferrabosco, Alfonso (the elder) (1543–1588) (?) Ferrabosco, Alfonso (the younger) (ca. 1575–1628) (?)	32
Gentle knights, know some measure	Ferrabosco, Alfonso (the younger) (ca. 1575–1628)	37v
Grave pene in amor	Ferrabosco, Alfonso (the elder) (1543–1588)	2–2v
Hear me, O God (Adaptation of Four-note Pavane)	Ferrabosco, Alfonso (the younger) (ca. 1575–1628)	31
Heu mihi Domine (I) (C37)	Ferrabosco, Alfonso (the elder) (1543–1588)	16–16v
Hor che lungi da voi	Caccini, Giulio Romano (1551–1618)	43
How near to good	Ferrabosco, Alfonso (the younger) (ca. 1575–1628)	37
If pleasures were not wasting	Anonymous	48
In an arbour of green May	Anonymous	47v
In nomine (F86, C222)	Ferrabosco, Alfonso (the elder) (1543–1588)	25v–27
Interdette speranze e van desio	Ferrabosco, Alfonso (the elder) (1543–1588)	6–7
Lacrimar sempre	Ferrabosco, Alfonso (the younger) (ca. 1575–1628)	36v
Lamentations [...] Aleph (5vv - C65)	Ferrabosco, Alfonso (the elder) (1543–1588)	13–15v
Leave into life the prison	Anonymous	10
Madre a l'amor	Anonymous	10v
Mirabile mysterium (C47)	Ferrabosco, Alfonso (the elder) (1543–1588)	17–18v
Morro mia vita	Caccini, Giulio Romano (1551–1618)	35
Musica laeta suum gaudet (C79)	Ferrabosco, Alfonso (the elder) (1543–1588)	23–23v
Nay nay you must not stay	Ferrabosco, Alfonso (the younger) (ca. 1575–1628)	36
Non nobis Domine	Anonymous	47v
O crudel Amarille	Ferrabosco, Alfonso (the younger) (ca. 1575–1628)	35v
O what a fault	Ferrabosco, Alfonso (the younger) (ca. 1575–1628)	36v
Parle ch'el mar	Caccini, Giulio Romano (1551–1618)	41
Parlo misero taccio	Caccini, Giulio Romano (1551–1618)	39v
Peccantem me quotidie (C52)	Ferrabosco, Alfonso (the elder) (1543–1588)	20–21
Se ben mir h[a]i bon tempo	Anonymous	11
Se ben vechio vita mia	Anonymous	11–11v
Se di far morire	Anonymous	45v
Se partendo da voi	Anonymous	33v
Senses by unjust force	Anonymous	37
Sfogava con le stelie	Caccini, Giulio Romano (1551–1618)	41v
Shall I wasting in despair	Anonymous	12–12v
Sharp Pavin (VdGS 3)	Ferrabosco, Alfonso (the younger) (ca. 1575–1628)	31v
Si bona suscepimus de manu Domini	Verdelot, Philippe (ca. 1480–ca. 1532) (?) Richafort, Jean (ca. 1480–ca. 1550) (?)	27v–29
T'amo mia vita	Caccini, Giulio Romano (1551–1618)	41
Tell me my dear	Anonymous	47v
This day our Saviour	Anonymous	9v
Time, cruel time	Anonymous	47
Udite lagrimosi spirti	Ferrabosco, Alfonso (the younger) (ca. 1575–1628)	35
Vedro il mio sol	Anonymous	38v
Venus' birds whose mournfull tunes	Anonymous	48
Vezzosette ninfe	Gastoldi, Giovanni Giacomo (ca. 1554–1609)	10v
Virgine bella	Anonymous	40v
Where wit is over-ruled	Anonymous	11v
With what new thoughts	Ferrabosco, Alfonso (the younger) (ca. 1575–1628)	34v
Woo her and win her	Anonymous	46
Zefiro spira	Anonymous	11

‡ denotes primary source study

Charteris, Richard (editor). 1984. Alfonso Ferrabosco the Elder (1543-1588): Opera Omnia. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: I,xv-xviii; II,xii-xiii; III.xv. Notes: contents list (partial); concordances (partial).

Charteris, Richard. 1984. Alfonso Ferrabosco the Elder (1543-1588): A Thematic Catalogue of his Music with a Biographical Calendar. New York. Pages: 57,63ff,193. Notes: contents list (partial); concordances (partial).

Duffy, John. 1980. The Songs and Motets of Alfonso Ferrabosco, the Younger (1575-1628). Ann Arbor. Pages: 55,161ff,179ff,294-7,302. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Lewis, Mary Stuart. 1979. Antonio Gardane and His Publications of Sacred Music, 1538-55. Brandeis University, Unpublished Ph.D. dissertation. Pages: 350-l, 810. Notes: contents list (partial); concordances (partial).

Silbiger, Alexander. 1977. An Unknown Partbook of Early Sixteenth Century Polyphony. Studi Musicali, 43-67. Pages: 58. Notes: contents list (partial); concordances (partial).

Slim, H Colin. 1972. A Gift of Madrigals and Motets. Chicago and London. Pages: I, 221. Notes: contents list (partial); concordances (partial).

Persons, Jerry C. 1969. The Sambrooke Book: Drexel 4302. Unpublished Master's thesis, Wichita State University. Pages: 121-3. Notes: contents list (partial); concordances (partial); incipits (partial).

Böker-Heil, Norbert. 1967. Die Motetten von Philippe Verdelot. Frankfurt am Main. Pages: 312-6. Notes: contents list (partial); concordances (partial); incipits (partial).

Maze, Nancy Coe. 1956. The Printed and Manuscript Sources of the Solo Songs of Giulio Caccini. University of Illinois, Unpublished master's thesis. Pages: 33-61. Notes: contents list; concordances (partial); mention of MS; discussion.

Lewis, Anthony (editor). 1951-. Musica Britannica: A National Collection of Music. London. Pages: 174, 182; XLIV, 190. Notes: contents list (partial); concordances (partial).

Fellowes, Edmund H. 1934. The Catalogue of Manuscripts in the Library of St. Michael's College Tenbury. Paris. Pages: 213-4. Notes: physical description (partial); contents list.

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Monday, 23 January, 2017

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description