‡ denotes primary source study
Daniel, Ralph T, and Peter Le Huray. 1972. The Sources of English Church Music 1549-1660. Early English Church Music. London.
Notes: contents list (partial); concordances (partial).
Bray, Roger W. 1970-71. The Interpretation of Musica Ficta in English Music C.1490-C.1580. Proceedings of the Royal Musical Association, 29-45.
Pages: 41-4.
Notes: contents list (partial); concordances (partial); mention of MS; discussion.
Bray, Roger W. 1969. The Interpretation of Musica Ficta in English Music, C. 1490-C. 1580 [dissertation]. Oxford University, Unpublished Ph.D. dissertation.
Pages: I, 142-55, 169; II, 63ff.
Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.
Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts. Tutzing.
Pages: 167.
Notes: contents list (partial); concordances (partial); incipits (partial).
Brett, Philip. 1965. The Songs of William Byrd. Cambridge University, Unpublished Ph.D. dissertation.
Pages: 31-2, 272-3.
Notes: physical description (partial); contents list (partial); mention of MS; discussion.
Harrison, Frank Llewellyn (editor). 1963-. Early English Church Music. London: Stainer & Bell.
Pages: IV, 131; XX, 249-50, 259; XXV, 171; XXX,178,186.
Notes: physical description (partial); contents list (partial); concordances (partial).
Brett, Philip, and Thurston Dart. 1960. Songs by William Byrd in Manuscripts at Harvard. Harvard Library Bulletin, 343-65.
Pages: 360-5.
Notes: physical description (partial); contents list (partial); concordances (partial).
Fellowes, Edmund H. 1948. Tudor Church Music: Appendix with Supplementary Notes. London.
Pages: 8-9, 34, 46.
Notes: physical description (partial); contents list; transcription (partial).
