GB-Och Mus. 45

Christ Church, Oxford, England

Tablebook; music on f. 36' and ff. 37'-40 in choirbook format: Late 16th century

Archive Christ Church, Oxford, England (GB-Och)
Shelfmark Mus. 45
Image Availability The images on this record are linked using IIIF.
Surface Paper
Numbering System Foliation
Format portrait
Measurements 283 x 215 mm
Other Identifiers
  • CCM: OxfC 45
Notations
  • black void mensural
External Links
Provenance
  • England
Contents 40 pieces from 10 composers
General Description

Contains sections of votive antiphons, Magnificats, and other Latin-texted works. Copyists unidentified. The principal copyist was responsible for all except items 1 and 37, which were added by two different hands. English, last quarter of 16th century. Collation unknown on account of the tightness of the binding.

Provenance unknown, but presumably from either the Aldrich or Goodson bequests. Not mentioned in any early catalogue before Malchair 1787, where it is listed (f. 3) as 'An Antient Italian M.S. requiring / more studdy to make out than can bee / aforded at Catalogue making time / Quarto Vol. vellum bound' (identified as 'Italian' perhaps because the contents are mostly Latin-texted extracts from pre-Reformation Magnificats and votive antiphons).

John Milsom, 2010
Binding

Late 18th-century binding of white parchment over boards, undecorated except for two parallel fillets at edges. Spine in contrasting brown leather; on spine, a red leather inset, tooled in gold: 'MUSICA / SACRA / M.S.'. Nothing remains of any earlier binding. The volume was bound at Christ Church in the late 18th century as part of an uncompleted binding project intended to protect previously unbound items from the Aldrich and Goodson bequests. (For a list of other volumes in related bindings, see the entry for Mus. 3.)

John Milsom, 2010
Notation

black void mensural

John Milsom, 2010
Foliation

foliated '2-40' by a sixteenth-century hand (partly trimmed and replaced in modern pencil); the original f.1 is missing.

John Milsom, 2010
Index

Modern index of pieces and composers

John Milsom, 2010
Surface

paper

John Milsom, 2010
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

1 Sanctus, 22 Magnificat sections, 2 Lamentations, 15 motets or motet sections = 40

Byrd-3, W. Mundy-3, R. Parsons I-4, Shepherds, Strogers-2, Tallis-1, Taverner-6, Tye-4, R. White-6, R. White/(W. White)-4, anon-3

i + 39 + i paper folios, 274 x 210. Original ink and new pencil foliation, 1-40, begins with modern flyleaf at beginning (original f. 1 missing; new pencil foliation replaces original folio numbers obliterated by trimming). New covers of white parchment on cardboard. Modern index of pieces and composers. Music on f. 36' and ff. 37'-40 in choirbook format; remaining contents copied to be readable by performers seated around a table. Copied by a single scribe, except for pieces on f. 2 and f. 36', each in a different hand. No initials or decoration. Repertory consists of two-, three-, and four-voice sections extracted from larger works.

Late 16th century (JosephT). Copied in England.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
2 Speciosa facta es Anonymous

Speciosa facta es

Anonymous
Appears on: 2
Genres: Motet
Source Attribution:
Voice: [no designation]
Languages: Latin
Voice Text: Speciosa facta es [Incomplete]
2v–3 Lamentations (I) a5 - (extract: O vos omnes (from 2a pars)) Mr Whyte
Appears on: 2v–3
Genres: Lamentations, Motet
Source Attribution: Mr Whyte
Voice: [no designation]
Languages: Latin, Hebrew
Voice Text: O vos omnes [From Lamentations a5]
3v–4 Manus tuae - 2a ars (of 2): Veniant mihi Mr Whyte
Appears on: 3v–4
Genres: Motet
Source Attribution: Mr Whyte
Voice: [no designation]
Languages: Latin
Voice Text: Veniant mihi [From 'Manus tuae fecerunt me']
4v–5 Sicut ablactatus From 'Domine non est exaltatum' Mr Whyte
Appears on: 4v–5
Genres: Motet
Source Attribution: Mr Whyte
Voice: [no designation]
Languages: Latin
Voice Text: Sicut ablactatus [From 'Domine non est exaltatum']
5v–6 Domine non est exaltatum Mr Whyte
Appears on: 5v–6
Genres: Motet
Source Attribution: Mr Whyte
Voice: [no designation]
Languages: Latin
Voice Text: Domine non est exaltatum
6v–7 Magnificat a6: (exc) Sicut locutus est Mr Whyte
Appears on: 6v–7
Genres: BVM, Canticle, Magnificat
Source Attribution: Mr Whyte
Voice: [no designation]
Languages: Latin
Voice Text: Sicut locutus est [From Magnificat a6]
7v–8 Sicut locutus est (from a Magnificat) Mr [William] Mundie
Appears on: 7v–8
Genres: BVM, Canticle, Magnificat
Source Attribution: Mr [William] Mundie
Voice: [no designation]
Languages: Latin
Voice Text: Sicut locutus est [From a Magnificat]
8v–9 Magnificat a6: (exc) Sicut locutus est Mr Shepperd
Appears on: 8v–9
Genres: BVM, Canticle, Magnificat
Source Attribution: Mr Shepperd
Voice: [no designation]
Languages: Latin
Voice Text: Sicut locutus est [From Magnificat a6]
9v–10 Magnificat a6: (6a pars) Sicut erat in principio Mr. R. Parsons
Appears on: 9v–10
Genres: BVM, Canticle, Magnificat
Source Attribution: Mr. R. Parsons
Voice: [no designation]
Languages: Latin
Voice Text: Sicut erat in principio [From Magnificat a6]
10v–11 Magnificat a6: (5a pars) Sicut locutus est Mr. Robarte Parsons
Appears on: 10v–11
Genres: BVM, Canticle, Magnificat
Source Attribution: Mr. Robarte Parsons
Voice: [no designation]
Languages: Latin
Voice Text: Sicut locutus est [From Magnificat a6]
11v–12 Magnificat a6: (exc) Sicut erat in principio Mr Whyte
Appears on: 11v–12
Genres: BVM, Canticle, Magnificat
Source Attribution: Mr Whyte
Voice: [no designation]
Languages: Latin
Voice Text: Sicut erat in principio [From Magnificat a6]
12v–13 Magnificat a6: (exc) Et semine eius Mr Tavernor
Appears on: 12v–13
Genres: BVM, Canticle, Magnificat
Source Attribution: Mr Tavernor
Voice: [no designation]
Languages: Latin
Voice Text: Et semine eius [From Magnificat a6]
13v–14 Magnificat a6: (exc) Esurientes Mr Jhon Tavernor
Appears on: 13v–14
Genres: BVM, Canticle, Magnificat
Source Attribution: Mr Jhon Tavernor
Voice: [no designation]
Languages: Latin
Voice Text: Esurientes [From Magnificat a6]
14v–15 Magnificat: (exc) Quia fecit mihi magna Mr Wm Mundye
Appears on: 14v–15
Genres: BVM, Canticle, Magnificat
Source Attribution: Mr Wm Mundye
Voice: [no designation]
Languages: Latin
Voice Text: Quia fecit mihi magna [From a Magnificat]
15v–16 Magnificat a6: (exc) Quia fecit mihi magna Mr Shepperde
Appears on: 15v–16
Genres: BVM, Canticle, Magnificat
Source Attribution: Mr Shepperde
Voice: [no designation]
Languages: Latin
Voice Text: Quia fecit mihi magna [From Magnificat a6]
16v–17 Magnificat a5: (exc) Quia fecit mihi magna Doctor Tye
Appears on: 16v–17
Genres: BVM, Canticle, Magnificat
Source Attribution: Doctor Tye
Voice: [no designation]
Languages: Latin
Voice Text: Quia fecit mihi magna [From Magnificat a5]
17v–18 Magnificat a6: (exc) Quia fecit mihi magna Mr Whyte
Appears on: 17v–18
Genres: BVM, Canticle, Magnificat
Source Attribution: Mr Whyte
Voice: [no designation]
Languages: Latin
Voice Text: Quia fecit mihi magna [From Magnificat a6]
18v–19 Magnificat a6: (exc) Quia fecit mihi magna Mr Tavernor
Appears on: 18v–19
Genres: BVM, Canticle, Magnificat
Source Attribution: Mr Tavernor
Voice: [no designation]
Languages: Latin
Voice Text: Quia fecit mihi magna [From Magnificat a6]
19v–20 Unde nostris From a lost 'Post partum virgo' D[octor] Tye
Appears on: 19v–20
Genres: Motet
Source Attribution: D[octor] Tye
Voice: [no designation]
Languages: Latin
Voice Text: Unde nostris [From a lost 'Post partum virgo']
21 O quam glorifica Mr. Robarte Parsons
Appears on: 21
Genres: Motet
Source Attribution: Mr. Robarte Parsons
Voice: [no designation]
Languages: Latin
Voice Text: O quam glorifica
21v–22 Alleluia. Confitemini Domino quoniam bonus Mr Wm Birde
Appears on: 21v–22
Genres: Alleluia, Motet
Source Attribution: Mr Wm Birde
Voice: [no designation]
Languages: Latin
Voice Text: Alleluia. Confitemini
22v–23 Traditur militibus (from lost sequence Caenam cum discipulus) Mr Taverner
Appears on: 22v–23
Genres: Motet
Source Attribution: Mr Taverner
Voice: [no designation]
Languages: Latin
Voice Text: Traditur militibus [From lost sequence]
23v–24 Manus tuae fecerunt me [2p. Veniant mihi] Mr. R. Whyte
Appears on: 23v–24
Genres: Motet
Source Attribution: Mr. R. Whyte
Voice: [no designation]
Languages: Latin
Voice Text: Manus tuae fecerunt me [Opening only]
24v–25 Lamentations (III) a6: Peccatum peccavit Mr. Whyte
Appears on: 24v–25
Genres: Lamentations, Motet
Source Attribution: Mr. Whyte
Voice: [no designation]
Languages: Latin, Hebrew
Voice Text: Peccatum peccavit [From Lamentations a6]
25v–26 Ave caput Christi Doctor Tye
Appears on: 25v–26
Genres: Motet
Source Attribution: Doctor Tye
Voice: [no designation]
Languages: Latin
Voice Text: Ave caput Christi [Opening only]
26v–27 Gaude gloriosa Dei mater Mr Tallis
Appears on: 26v–27
Genres: Motet
Source Attribution: Mr Tallis
Voice: [no designation]
Languages: Latin
Voice Text: Gaude gloriosa [Opening only]
27v–28 Tellus flumina From a lost sequence Doctor Tye
Appears on: 27v–28
Genres: Motet
Source Attribution: Doctor Tye
Voice: [no designation]
Languages: Latin
Voice Text: Tellus flumina [From a lost sequence]
27v–28 Sanctus Mr William Birde
Appears on: 27v–28
Genres: Mass Ordinary, Sanctus [& Benedictus]
Source Attribution: Mr William Birde
Voice: [no designation]
Languages: Latin
Voice Text: Sanctus
28v–29 Magnificat a6: (exc) Sicut locutus est Mr Tavernor
Appears on: 28v–29
Genres: BVM, Canticle, Magnificat
Source Attribution: Mr Tavernor
Voice: [no designation]
Languages: Latin
Voice Text: Sicut locutus est [From Magnificat a6]
29v–30 Magnificat a6: (extract) Sicut erat in principio Mr Tavernor
Appears on: 29v–30
Genres: BVM, Canticle, Magnificat
Source Attribution: Mr Tavernor
Voice: [no designation]
Languages: Latin
Voice Text: Sicut erat in principio [From Magnificat a6]
30v–31 Magnificat a6: (2a pars) Quia fecit mihi magna Mr Robarte Parsons
Appears on: 30v–31
Genres: BVM, Canticle, Magnificat
Source Attribution: Mr Robarte Parsons
Voice: [no designation]
Languages: Latin
Voice Text: Quia fecit mihi magna [From Magnificat a6]
31v–32 Et sanctum nomen eius, from a Magnificat Mr Wm Mundie
Appears on: 31v–32
Genres: BVM, Canticle, Magnificat
Source Attribution: Mr Wm Mundie
Voice: [no designation]
Languages: Latin
Voice Text: Et sanctum nomen eius [From a Magnificat]
32v–33 Magnificat: (exc) Esurientes Nicholas Strogers
Appears on: 32v–33
Genres: BVM, Canticle, Magnificat
Source Attribution: Nicholas Strogers
Voice: [no designation]
Languages: Latin
Voice Text: Esurientes [From a Magnificat]
33v–34 Magnificat a6: (extract) Sicut erat in principio Mr Shepperd
Appears on: 33v–34
Genres: BVM, Canticle, Magnificat
Source Attribution: Mr Shepperd
Voice: [no designation]
Languages: Latin
Voice Text: Sicut erat in principio [From Magnificat a6]
34v–35 Magnificat a6: (exc) Et sanctum nomen eius Mr Whyte
Appears on: 34v–35
Genres: BVM, Canticle, Magnificat
Source Attribution: Mr Whyte
Voice: [no designation]
Languages: Latin
Voice Text: Et sanctum nomen eius [From Magnificat a6]
35v–36 Et sanctum nomen eius, from a Magnificat Anonymous
Appears on: 35v–36
Genres: BVM, Canticle, Magnificat
Source Attribution:
Voice: [no designation]
Languages: Latin
Voice Text: Et sanctum nomen eius [From a Magnificat]
36v Infelix ego omnium (2p. Quid igitur faciam; 3p. Ad te igitur) [Byrd, William]
Appears on: 36v
Genres: Motet
Source Attribution: [Byrd, William]
Voice: [no designation]
Languages: Latin
Voice Text: Infelix ego [Opening only]
37v–39 Laudes Deo Mr Shepperde
Appears on: 37v–39
Genres: Motet
Source Attribution: Mr Shepperde
Voice: [no designation]
Languages: Latin
Voice Text: Laudes Deo
39v–40 Sicut locutus est Nicholas Strogers
Appears on: 39v–40
Genres: Motet
Source Attribution: Nicholas Strogers
Voice: [no designation]
Languages: Latin
Voice Text: Sicut locutus est
39v–40 Ego sum vestra redemptio Anonymous
Appears on: 39v–40
Genres: Motet
Source Attribution:
Voice: [no designation]
Languages: Latin
Voice Text: Ego sum vestra redemptio
Composer Compositions
Anonymous
Byrd, William (ca. 1540–1623)
Mundy, William (ca. 1528–ca. 1591)
Parsons (I), Robert (ca. 1535–ca. 1572)
Sheppard, John (ca. 1515–1558)
Strogers, Nicholas
Tallis, Thomas (ca. 1505–1585)
Taverner, John
Tye, Christopher (ca. 1505–ca. 1573)
White, Robert (ca. 1538–1574)
Composition Composers (? Uncertain) Folios / Pages
Alleluia. Confitemini Domino quoniam bonus 21v–22
Ave caput Christi 25v–26
Domine non est exaltatum 5v–6
Ego sum vestra redemptio Anonymous 39v–40
Et sanctum nomen eius, from a Magnificat 31v–32
Et sanctum nomen eius, from a Magnificat Anonymous 35v–36
Gaude gloriosa Dei mater 26v–27
Infelix ego omnium (2p. Quid igitur faciam; 3p. Ad te igitur) 36v
Lamentations (I) a5 - (extract: O vos omnes (from 2a pars)) 2v–3
Lamentations (III) a6: Peccatum peccavit 24v–25
Laudes Deo 37v–39
Magnificat a5: (exc) Quia fecit mihi magna 16v–17
Magnificat a6: (exc) Et sanctum nomen eius 34v–35
Magnificat a6: (exc) Quia fecit mihi magna 17v–18
Magnificat a6: (2a pars) Quia fecit mihi magna 30v–31
Magnificat a6: (5a pars) Sicut locutus est 10v–11
Magnificat a6: (6a pars) Sicut erat in principio 9v–10
Magnificat a6: (exc) Esurientes 13v–14
Magnificat a6: (exc) Et semine eius 12v–13
Magnificat a6: (exc) Quia fecit mihi magna 15v–16
Magnificat a6: (exc) Quia fecit mihi magna 18v–19
Magnificat a6: (exc) Sicut erat in principio 11v–12
Magnificat a6: (exc) Sicut locutus est 6v–7
Magnificat a6: (exc) Sicut locutus est 8v–9
Magnificat a6: (exc) Sicut locutus est 28v–29
Magnificat a6: (extract) Sicut erat in principio 29v–30
Magnificat a6: (extract) Sicut erat in principio 33v–34
Magnificat: (exc) Esurientes 32v–33
Magnificat: (exc) Quia fecit mihi magna 14v–15
Manus tuae - 2a ars (of 2): Veniant mihi 3v–4
Manus tuae fecerunt me [2p. Veniant mihi] 23v–24
O quam glorifica 21
Sanctus 27v–28
Sicut ablactatus From 'Domine non est exaltatum' 4v–5
Sicut locutus est 39v–40
Sicut locutus est (from a Magnificat) 7v–8
Speciosa facta es Anonymous 2
Tellus flumina From a lost sequence 27v–28
Traditur militibus (from lost sequence Caenam cum discipulus) 22v–23
Unde nostris From a lost 'Post partum virgo' 19v–20
These images are from an external IIIF service and are not hosted by DIAMM.

Images © The Governing Body of Christ Church, Oxford

Set: TUDOR PARTBOOKS

Type: Project Collection

No images available

GB-Lbl Royal Appendix 41

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GB-Lbl Royal Appendix 42

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GB-Lbl Royal Appendix 43

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GB-Lbl Royal Appendix 44

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GB-Lbl Royal Appendix 57

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GB-Lbl Royal Appendix 59

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GB-Lbl Royal Appendix 60

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GB-Lbl Royal Appendix 61

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GB-Lbl Royal Appendix 62

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GB-Lcm [pr. bk.] B187

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GB-Lcm [pr. bk.] B190 [Altus]

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GB-Lcm [pr. bk.] B190 [Bassus]

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GB-Lcm [pr. bk.] B190 [Discantus]

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GB-Lcm [pr. bk.] B190 [Tenor]

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GB-Ob MS. Tenbury 807

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GB-Ob MS. Tenbury 808

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GB-Ob MS. Tenbury 809

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GB-Ob MS. Tenbury 810

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GB-Ob MS. Tenbury 811

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GB-Och Mus. 45

No images available

IRL-Dm [pr. bk.] Z4. 3. 1-5

No images available

US-NYp Mus. Res. Drexel 4182

denotes primary source study

Boydell, Barra. 1999. Music at Christ Church before 1800: documents and selected anthems.  Four Courts Press.

Josephson, David Sholom. 1972. John Taverner: A Documentary Study of His Life and Musik. Columbia University, Unpublished Ph.D. dissertation. Pages: 257. Notes: contents list (partial).

Bray, Roger W. 1971. The Part-Books Oxford, Christ Church, MSS 979-983: An Index and Commentary. Musica Disciplina, 179-97. Pages: 184-9. Notes: contents list (partial); concordances (partial).

Benham, Hugh Raymond. 1969. The Music of John Taverner - A Study and Assessment. University of Southampton, Unpublished Ph.D. dissertation. Pages: 47. Notes: mention of MS.

Satterfield, John. 1969. A Catalogue of Tye's Latin Music,. Studies in Musicology: Essays in the History, Style, and Bibliography of Music in Memory of Glen Haydon, 51-9. Chapel Hill, N.C. Pages: 53, 56-9. Notes: mention of MS; contents list (partial).

Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts.  Tutzing. Pages: 154. Notes: contents list (partial); concordances (partial); incipits (partial).

Harrison, Frank Llewellyn (editor). 1963-. Early English Church Music.  London: Stainer & Bell. Pages: XXVIII, 124,133-4; XXIX,128,138; XXX, 154-5,177,196-7. Notes: physical description (partial); contents list (partial); concordances (partial); transcriptions (partial).

Lamont, Herbert Harry. 1963. John Shepherd: His Life and Music. University of Southern California, Unpublished Ph.D. dissertation. Pages: 1, 83, 111, 174, 225-6. Notes: physical description (partial); contents list (partial).

Kerman, Joseph. 1961. Byrd's Motets: Chronology and Canon. Journal of the American Musicological Society, 359-82. Pages: 373-6, 381. Notes: contents list (partial); mention of MS; discussion.

Harrison, Frank Llewellyn. 1958, second ed. 1963. Music in Medieval Britain.  London: Routledge. Pages: 392, 401. Notes: mention of MS.

Noble, Jeremy. 1955. La Répertoire Instrumental Anglais: 1550-1585. La Musique Instrumentale de la Renaissance, 91-114. Paris. Pages: 101. Notes: contents list (partial); concordances (partial).

Fellowes, Edmund H. 1948. William Byrd.  London, New York, and Toronto. Pages: 100. Notes: mention of MS.

Fellowes, Edmund H (editor). 1923-48. Tudor Church Music.  London, Oxford et al. Pages: I, lix; III, xv, xx; V, xx-xxiii; VI, xxvii; IX, xii. Notes: physical description (partial); contents list (partial); concordances (partial).

Arkwright, G E P. 1915-23. Catalogue of Music in the Library of Christ Church Oxford.  Oxford University Press. Pages: I, passim; II, xvii-xviii, 20. Notes: contents list; concordances; incipits (partial).

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John Milsom, 2010

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Notation Note; Foliation Note; Contents Note; Surface Note; DIAMM Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description