GB-Och Mus. 979 (Baldwin Partbooks)

Christ Church, Oxford, England

partbook: c. 1575-81

Archive	Christ Church, Oxford, England (GB-Och)
Shelfmark	Mus. 979 (Baldwin Partbooks)
Surface	Paper
Numbering System	Pagination
Format	landscape
Measurements	c. 205 x 150 mm
Other Identifiers	CCM: OxfC 979-83
Copyists	Baldwin, John (ca. 1560–1615) Music
Relationships	Christ Church College (owner) Aldrich, Henry (1647–1710) (owner)
External Links	Christ Church Library online catalogue entry
Provenance	Windsor, England
Contents	214 pieces from 26 composers

General Description

A Superius partbook from a set originally of six volumes, each consisting of the print RISM 1575/3, with manuscript additions. Copied and formerly owned by John Baldwin, a singing-man at St George's Chapel, Windsor; English, c.1575-81, with later additions. Probably conceived from the start as a mixed volume of manuscript and printed music, since Baldwin avoided making manuscript copies of the pieces available in the printed section. Baldwin's form of representing a composer's name often varies from partbook to partbook; some ascriptions refer to composers' institutional affilitiations. Copied in Windsor. Later owned by Henry Aldrich (1647-1710), Dean of Christ Church, Oxford; bequeathed to Christ Church Library in 1710.

John Milsom, 2010

Binding

Original covers of brown leather on cardboard, with voice designations and initials 'I.B.' [= John Baldwin] stamped in gold. The partbook titles (also stamped on the upper covers) are as follows: Mus. 979: Superius; Mus. 980: Discantus; Mus. 981: Contratenor; Mus. 982: Sextapars; Mus. 983: Bassus.

John Milsom, 2010

Notation

not indicated

John Milsom, 2010

Ruling

Music has been copied on sheets previously printed with black staves, of a type issued by Tallis and Byrd under the conditions of their 1575 royal patent.

John Milsom, 2010

Foliation

Other numberings: Baldwin himself numbered the contents as '1-169'; the only inconsistencies occur in items 167-9, where different partbooks contain different pieces.

John Milsom, 2010

Foliation

No foliation. The volumes were paginated in 2014.

John Milsom, 2010

Decoration

Some pieces have initials; no other decoration.

John Milsom, 2010

Index

An index of contents was begun by Baldwin at the front of Mus. 983; it was subsequently completed by Havergal, and has since been annotated by other hands.

John Milsom, 2010

Surface

paper

John Milsom, 2010

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

1 Mass, 1 Magnificat, 2 Te Deums, 1 canticle, 28 hymns, 7 Lamentations, 124 motets, 1 English secular piece, 1 canon, 6 instrumental pieces = 172 + 1 duplicate = 173

Aston-1, Baldwin-4, Bevin-1, Byrd-32, Daman-4, Douglas-1, Douglas/(Lassus)-1, Fayrfax-1, A. Ferrabosco 1-2, D. Gerarde-1, R. Johnson 1-2, Lassus [mr. orlandus]/(C. Hollander/S. Hollander)-1, J. Mundy-4, W. Mundy-15, R. Parsons I-8, Redford-1, Shepherd-38, Shepherd/(Tallis)-2, Strabridge-1, Tallis-16, Taverner-10, Taverner/Tye-1, Tye-4, R. White-16, Wilder [mr: philips: of: the privie: chamber:]-1, Wood-1, anon-3

5 partbooks, each consisting of the print RISM 1575/3, with manuscript additions (Superius-iii + 147 + i paper folios, D-iv + 150 + i paper, A-iii + 149 + ii paper, B-v + 136 + i paper. S-i parchment + ii paper + 65 paper + iii paper), 146 x 199. No foliation or pagination; original numbering of pieces, 1-168 (omits last piece and one piece after #89; "167" and "168" each applied to two different pieces). Original covers of brown leather on cardboard, with voice designations and initials "I.B." [= John Baldwin] stamped in gold. Incomplete original index at beginning of B book groups pieces by composer. Only pieces by Shepherd, Taverner, Byrd, R. Parsons I, and W. Mundy (in that order) are listed; five-voice works precede six-voice works.

Copied by John Baldwin (d. 1615), a singer and clerk at St. George's Chapel, Windsor, and gentleman of the Chapel Royal from 1594; Baldwin also copied LonBLM 24 d.2, parts of OxfBMS e.376-81 and OxfC 984-8, and "My Ladye Nevells Booke" (last-named manuscript not within scope of this catalogue). Some pieces have initials; no other decoration.

Ca. 1575-81, with additions ca. 1600-3 (BrayJB). Copied in Windsor. Later owned by Henry Aldrich (1647-1710), Dean of Christ Church, Oxford; bequeathed to Christ Church Library in 1710.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
1–3	Judica me, Deus	Shepperd:	Sheppard, John (ca. 1515–1558)
Judica me, Deus Sheppard, John (ca. 1515–1558) Appears on: 1–3 Genres: Motet Source Attribution: Shepperd: Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Judica me deus
4–6	Beati omnes qui timent Dominum	mr: iohn: Shepperde:.	Sheppard, John (ca. 1515–1558)
Beati omnes qui timent Dominum Sheppard, John (ca. 1515–1558) Appears on: 4–6 Genres: Motet Source Attribution: mr: iohn: Shepperde:. Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Beati om[n]es qui timent d[omi]nom
6–8	Deus misereator nostri [2p. Ut cognoscamus; 3p. Confiteantur; 4p. Letentur; 5p. Benedicat]	mr: Shepperde:	Sheppard, John (ca. 1515–1558)
Deus misereator nostri [2p. Ut cognoscamus; 3p. Confiteantur; 4p. Letentur; 5p. Benedicat] Sheppard, John (ca. 1515–1558) Appears on: 6–8 Genres: Motet Source Attribution: mr: Shepperde: Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Deus misereatur nostri
8–10	Confitebor tibi Domine	mr Shepperde:	Sheppard, John (ca. 1515–1558)
Confitebor tibi Domine Sheppard, John (ca. 1515–1558) Appears on: 8–10 Genres: Motet Source Attribution: mr Shepperde: Voice: [no designation] Languages: Latin Clef: g2 Voice Text: Confitebor tibi d[omi]ne General Note Notes: one flat (wrongly) noted at very beginning (there is no B, however); not in other lines;
10–13	Domine in virtute tua (I) (2p: Magna gloria eius)	mr: : Johnson	Johnson (I), Robert (ca. 1500–ca. 1560)
Domine in virtute tua (I) (2p: Magna gloria eius) Johnson (I), Robert (ca. 1500–ca. 1560) Appears on: 10–13 Genres: Motet Source Attribution: mr: : Johnson Voice: [no designation] Languages: Latin Clef: g2 Voice Text: Domine in virtute tua General Note Annotations/Corrections: In composer ascription: name erased between 'mr:' and ':Johnson';
14–15	Aspice Domine quia facta est [2p. Plorans ploravit in nocte]	mr Philips: of: the: kings: priui: chamber:.	Van Wilder, Phillip
Aspice Domine quia facta est [2p. Plorans ploravit in nocte] Van Wilder, Phillip Appears on: 14–15 Genres: Motet Source Attribution: mr Philips: of: the: kings: priui: chamber:. Voice: [no designation] Languages: Latin Clef: g2 Voice Text: Aspice domine
15–16	Laudem dicite Deo nostro	mr io: Shepperde:.	Sheppard, John (ca. 1515–1558)
Laudem dicite Deo nostro Sheppard, John (ca. 1515–1558) Appears on: 15–16 Genres: Motet Source Attribution: mr io: Shepperde:. Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Deo nostro, nostro omnes sancti eius General Note Annotations/Corrections: for men:' (at beginning); signum congruentiae in top line and third line of p. 16;
17–19	Domine Deus omnipotens	mr: w: birde: of the queens: chappelle:.	Byrd, William (ca. 1540–1623)
Domine Deus omnipotens Byrd, William (ca. 1540–1623) Appears on: 17–19 Genres: Motet Source Attribution: mr: w: birde: of the queens: chappelle:. Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Domine deus omnipotens General Note Annotations/Corrections: slight text corr. just before the end;
19–21	O quam gloriosum est regnum (2p. Benedictio et claritas)	mr: w: birde: of the queenes: chappell:.	Byrd, William (ca. 1540–1623)
O quam gloriosum est regnum (2p. Benedictio et claritas) Byrd, William (ca. 1540–1623) Appears on: 19–21 Genres: Motet Source Attribution: mr: w: birde: of the queenes: chappell:. Voice: [no designation] Languages: Latin Clef: g2 Voice Text: O qua[m] gloriosu[m] est regnu[m]
21–22	Apparebit in finem	mr: w: birde: of: the: chappell:.	Byrd, William (ca. 1540–1623)
Apparebit in finem Byrd, William (ca. 1540–1623) Appears on: 21–22 Genres: Motet Source Attribution: mr: w: birde: of: the: chappell:. Voice: [no designation] Languages: Latin Clef: g2 Voice Text: Apparebit in finem
22–23	Dum transisset sabbatum	Jo: Strabridge:	Strabridge, John
Dum transisset sabbatum Strabridge, John Appears on: 22–23 Genres: Motet Source Attribution: Jo: Strabridge: Voice: [no designation] Languages: Latin Clef: g2 Voice Text: Sabatu[m] [...] maria magdalenae General Note Annotations/Corrections: composer originally 'mr: w: birde:', but crossed out;
23–24	Audivi vocem de caelo	mr: w: birde:.	Byrd, William (ca. 1540–1623)
Audivi vocem de caelo Byrd, William (ca. 1540–1623) Appears on: 23–24 Genres: Motet Source Attribution: mr: w: birde:. Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Audivi [...] voce[m] de celo
24–25	Levemus corda nostra	mr: w: birde:.	Byrd, William (ca. 1540–1623)
Levemus corda nostra Byrd, William (ca. 1540–1623) Appears on: 24–25 Genres: Motet Source Attribution: mr: w: birde:. Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Levemus corda nostra
25–26	Peccavi super numerum	mr: w: birde:.	Byrd, William (ca. 1540–1623)
Peccavi super numerum Byrd, William (ca. 1540–1623) Appears on: 25–26 Genres: Motet Source Attribution: mr: w: birde:. Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Peccavi [...] super numeru[m]
26–27	Memento Domine	mr: w: birde:.	Byrd, William (ca. 1540–1623)
Memento Domine Byrd, William (ca. 1540–1623) Appears on: 26–27 Genres: Motet Source Attribution: mr: w: birde:. Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Memento domine
27–28	O Domine adjuva me	mr: w: birde:.	Byrd, William (ca. 1540–1623)
O Domine adjuva me Byrd, William (ca. 1540–1623) Appears on: 27–28 Genres: Motet Source Attribution: mr: w: birde:. Voice: [no designation] Languages: Latin Clef: c1 Voice Text: O domine adiuva me
29–30	Domine exaudi orationem meam (2p. Et non intres)	mr: w: birde:.	Byrd, William (ca. 1540–1623)
Domine exaudi orationem meam (2p. Et non intres) Byrd, William (ca. 1540–1623) Appears on: 29–30 Genres: Motet Source Attribution: mr: w: birde:. Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Domine exaudi oratione[m] mea[m]
30–31	Omni tempore benedic Deum [2p. Memor esto fili]	mr: w: birde: of the queenes: chappelle:.	Byrd, William (ca. 1540–1623)
Omni tempore benedic Deum [2p. Memor esto fili] Byrd, William (ca. 1540–1623) Appears on: 30–31 Genres: Motet Source Attribution: mr: w: birde: of the queenes: chappelle:. Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Omni tempore benedic deu[m] General Note Annotations/Corrections: signum congruentiae twice in bottom line of p. 30; Notes: in plainchant notation throughout;
31–32	Ne perdas cum impiis	mr: w: birde: of the queenes: maiesties: chappelle:.	Byrd, William (ca. 1540–1623)
Ne perdas cum impiis Byrd, William (ca. 1540–1623) Appears on: 31–32 Genres: Motet Source Attribution: mr: w: birde: of the queenes: maiesties: chappelle:. Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Ne perdas, cu[m] impijs General Note Annotations/Corrections: signum congruentiae in bottom line of p. 31; Notes: last line in plainchant notation; the text for that begins with a new, bit inital (blank; i.e. not filled in);
32–33	Sacris solemniis juncta	mr: w: birde: of the queenes: maiesties: chappelle:.	Byrd, William (ca. 1540–1623)
Sacris solemniis juncta Byrd, William (ca. 1540–1623) Appears on: 32–33 Genres: Motet Source Attribution: mr: w: birde: of the queenes: maiesties: chappelle:. Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Noctis recolitur cena General Note Notes: in plainchant notation throughout;
33	Dum transisset sabbatum, Maria Magdalene / Aromata emerunt	mr: tho: tallis:.	Tallis, Thomas (ca. 1505–1585)
Dum transisset sabbatum, Maria Magdalene / Aromata emerunt Tallis, Thomas (ca. 1505–1585) Appears on: 33 Genres: Motet Source Attribution: mr: tho: tallis:. Voice: [no designation] Languages: Latin Clef: g1 Voice Text: Sabbatu[m] maria magdalene General Note Notes: in plainchant notation throughout;
34	Dum transisset sabbatum [I - 5vv]	mr: io: tav[e]rnar:.	Taverner, John
Dum transisset sabbatum [I - 5vv] Taverner, John Appears on: 34 Genres: Motet Source Attribution: mr: io: tav[e]rnar:. Voice: [no designation] Languages: Latin Clef: g2 Voice Text: Du[m] transisset sabbatu[m] General Note Annotations/Corrections: faces drawin in initial 'D';
34–35	Dum transisset sabbatum [II - 4vv]	mr: io: tav[e]rnar:.	Taverner, John
Dum transisset sabbatum [II - 4vv] Taverner, John Appears on: 34–35 Genres: Motet Source Attribution: mr: io: tav[e]rnar:. Voice: [no designation] Languages: Latin Clef: g2 Voice Text: Sabbatu[m] [...] maria magdalene
35–36	Spiritus sanctus procedens [II]	mr: Shepp[er]de:.	Sheppard, John (ca. 1515–1558)
Spiritus sanctus procedens [II] Sheppard, John (ca. 1515–1558) Appears on: 35–36 Genres: Motet Source Attribution: mr: Shepp[er]de:. Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Procedens a throno
36–37	Laudem dicite Deo nostro	mr: io: shepperde:.	Sheppard, John (ca. 1515–1558)
Laudem dicite Deo nostro Sheppard, John (ca. 1515–1558) Appears on: 36–37 Genres: Motet Source Attribution: mr: io: shepperde:. Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Deo nostro
38–40	Te Deum laudamus	mr: iohn: tav[e]rnar:.	Taverner, John
Te Deum laudamus Taverner, John Appears on: 38–40 Genres: Liturgical work, Te Deum Source Attribution: mr: iohn: tav[e]rnar:. Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Te eternu[m] patrem
40–43	Miserere mei Deus	mr: docter: tye:	Tye, Christopher (ca. 1505–ca. 1573)
Miserere mei Deus Tye, Christopher (ca. 1505–ca. 1573) Appears on: 40–43 Genres: Miserere mei Deus, Motet Source Attribution: mr: docter: tye: Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Et in vmbra alaru[m] tuaru[m] General Note Annotations/Corrections: for: mren:' (after composer's name - the 'r' is over the 'm', as in the abbreviation for mister); Notes: Miserere' at beginning under pauses;
43–45	Dum transisset sabbatum Maria Magdalena II: Et valde mane una sabbatorum veniunt	mr: orlandus:.	Hollander, Sebastian (?) Hollander, Christian (?)
Dum transisset sabbatum Maria Magdalena II: Et valde mane una sabbatorum veniunt Hollander, Sebastian (?) Hollander, Christian (?) Appears on: 43–45 Genres: Motet Source Attribution: mr: orlandus:. Voice: [no designation] Languages: Latin Clef: g2 Voice Text: Du[m] transisset sabatu[m] General Note Notes: face drawn into initial 'D'; for identification of Hollander see also Kerman, Masses and Motets of Byrd, 58;
45–49	O splendor gloriae	mr: iohn: tav[e]rnar: et: doc: tye:.	Taverner, John
O splendor gloriae Taverner, John Appears on: 45–49 Genres: Motet Source Attribution: mr: iohn: tav[e]rnar: et: doc: tye:. Voice: [no designation] Languages: Latin Clef: g1 Voice Text: Jesu xpe [= Christe] vnice eiusdem General Note Notes: Conflicting attribution: John Taverner and/or Christopher Tye (see Hugh Benham, John Taverner: His Life and Music (Aldershot: Ashgate, 2003), pp. 95-114);
49–54	Exsurge Domine	mr: iohn: woode: batcheler: of: musicke:	Wood, John
Exsurge Domine Wood, John Appears on: 49–54 Genres: Motet Source Attribution: mr: iohn: woode: batcheler: of: musicke: Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Exurge Domine General Note Canon/Gimels: gimell' at end of fourth line on p. 52, followed by 'Gimell: pr[i]mus:' and 'Gimell: Secundus:'; Annotations/Corrections: text corr. in second line of p. 50;
54–56	Vide domine afflictionem nostram et in tempore (2p. Sed veni domine et noli tardare)	mr: w: birde: of the queenes: chappelle:.	Byrd, William (ca. 1540–1623)
Vide domine afflictionem nostram et in tempore (2p. Sed veni domine et noli tardare) Byrd, William (ca. 1540–1623) Appears on: 54–56 Genres: Motet Source Attribution: mr: w: birde: of the queenes: chappelle:. Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Vide Domine [...] afflictione[m] nostra[m] General Note Annotations/Corrections: face drawin into initial 'V';
56–57	Aedes nostra sancta	mr: io: mundie:	Mundy, John (ca. 1555–1630)
Aedes nostra sancta Mundy, John (ca. 1555–1630) Appears on: 56–57 Genres: Motet Source Attribution: mr: io: mundie: Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Edes nostra sancta General Note Annotations/Corrections: face drawin into initial 'E';
58–62	Lamentations (I) a5	mr: Ro: whyte batcheler: of: munsicke:	White, Robert (ca. 1538–1574)
Lamentations (I) a5 White, Robert (ca. 1538–1574) Appears on: 58–62 Genres: Lamentations, Motet Source Attribution: mr: Ro: whyte batcheler: of: munsicke: Voice: [no designation] Languages: Latin, Hebrew Clef: c1 Voice Text: Heth. Peccatu[m] peccauit
62–65	Lamentations: De lamentatione Jeremiae	mr: w: birde:.	Byrd, William (ca. 1540–1623)
Lamentations: De lamentatione Jeremiae Byrd, William (ca. 1540–1623) Appears on: 62–65 Genres: Lamentations, Motet Source Attribution: mr: w: birde:. Voice: [no designation] Languages: Latin, Hebrew Clef: c2 Voice Text: De lamentacione, Jeremie prophete
65–67	Exsurge Domine quare obdormis? (or, Exsurge quare obdormis Domine)	mr: w: birde: organiste: of: the: queenes: chappelle:.	Byrd, William (ca. 1540–1623)
Exsurge Domine quare obdormis? (or, Exsurge quare obdormis Domine) Byrd, William (ca. 1540–1623) Appears on: 65–67 Genres: Motet Source Attribution: mr: w: birde: organiste: of: the: queenes: chappelle:. Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Exurge, exurge, quare obdormis domine
67	Benigne fac, Domine	mr: w: birde:.	Byrd, William (ca. 1540–1623)
Benigne fac, Domine Byrd, William (ca. 1540–1623) Appears on: 67 Genres: Motet Source Attribution: mr: w: birde:. Voice: [no designation] Languages: Latin Clef: g2 Voice Text: Benigne fac domine
68	Circumdederunt me dolores mortis	mr: w: birde:.	Byrd, William (ca. 1540–1623)
Circumdederunt me dolores mortis Byrd, William (ca. 1540–1623) Appears on: 68 Genres: Motet Source Attribution: mr: w: birde:. Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Circumdederu[n]t me, dolores mortis
69	Beatus et sanctus	mr: w: mundie: one: of: the: gentlemen: of: the: queenes: chappelle:.	Mundy, William (ca. 1528–ca. 1591)
Beatus et sanctus Mundy, William (ca. 1528–ca. 1591) Appears on: 69 Genres: Motet Source Attribution: mr: w: mundie: one: of: the: gentlemen: of: the: queenes: chappelle:. Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Beatus & sanctus
69–70	Confitebor tibi Domine	mr: damon:.	Daman, William
Confitebor tibi Domine Daman, William Appears on: 69–70 Genres: Motet Source Attribution: mr: damon:. Voice: [no designation] Languages: Latin Clef: g2 Voice Text: Confitebor tibi domine
70–71	Laudate Dominum omnes gentes, laudate eum	mr: tho: tallis: orgniste: of: the: queenes: maiesties: chappell:.	Tallis, Thomas (ca. 1505–1585)
Laudate Dominum omnes gentes, laudate eum Tallis, Thomas (ca. 1505–1585) Appears on: 70–71 Genres: Motet Source Attribution: mr: tho: tallis: orgniste: of: the: queenes: maiesties: chappell:. Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Laudate dominu[m] omnes gentes, laudate eu[m]
72–75	Lamentations (II): De lamentatione Jeremiae - Gimel - Daleth - Heth - Convertere Jerusalem	mr: tho: tallis: gentleman: of: the: queenes: maiestes: chappelle:.	Tallis, Thomas (ca. 1505–1585)
Lamentations (II): De lamentatione Jeremiae - Gimel - Daleth - Heth - Convertere Jerusalem Tallis, Thomas (ca. 1505–1585) Appears on: 72–75 Genres: Lamentations, Motet Source Attribution: mr: tho: tallis: gentleman: of: the: queenes: maiestes: chappelle:. Voice: [no designation] Languages: Latin, Hebrew Clef: c2 Voice Text: De lamentacione Jeremie prophete General Note Canon/Gimels: gimell' in second line of p. 72; Annotations/Corrections: in composer's name and title, second 'e' in 'queene' added slightly later;
75–77	Lamentations (I) : Incipit lamentatio Jeremiae - Aleph - Beth - Convertere Jerusalem	mr: tho: tallis: of: the: chappelle:.	Tallis, Thomas (ca. 1505–1585)
Lamentations (I) : Incipit lamentatio Jeremiae - Aleph - Beth - Convertere Jerusalem Tallis, Thomas (ca. 1505–1585) Appears on: 75–77 Genres: Lamentations, Motet Source Attribution: mr: tho: tallis: of: the: chappelle:. Voice: [no designation] Languages: Latin, Hebrew Clef: c2 Voice Text: Incipit lamentacio hieremie prophete General Note Notes: very long drawn note-head for beginning of 'Beth'-section on p. 76;
77–79	De Lamentatione Jeremiae (C64)	mr: alfonso:.	Ferrabosco, Alfonso (the elder) (1543–1588)
De Lamentatione Jeremiae (C64) Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 77–79 Genres: Lamentations, Motet Source Attribution: mr: alfonso:. Voice: [no designation] Languages: Latin, Hebrew Clef: c1 Voice Text: De lamentacione Jeremie prophete General Note Notes: Concordances: BL Egerton 3665; BL Mad Soc G. 44-47; US-NH Miscellaneous MS 170, Filmer 1/a-e; Ob Mus. Sch. C.45-50; Och 463-467; Peterhouse 485-91; NYPL Drexel 4302 (Tregian MS); BL 31417; RCM 2041; BL 30361-30366; BL 60577; Panmure 10.;
79–80	Regina caeli laetare	mr: Ro: whytte:	White, Robert (ca. 1538–1574)
Regina caeli laetare White, Robert (ca. 1538–1574) Appears on: 79–80 Genres: Motet, Regina caeli laetare Source Attribution: mr: Ro: whytte: Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Regina celi letare General Note Annotations/Corrections: for: men:' (after composer's name);
80–82	In convertendo Dominus [2a pars: Convertere Domine]	mr: douglas priste:.	Douglas, Patrick
In convertendo Dominus [2a pars: Convertere Domine] Douglas, Patrick Appears on: 80–82 Genres: Motet Source Attribution: mr: douglas priste:. Voice: [no designation] Languages: Latin Clef: c1 Voice Text: In convertendo domin[us] General Note Annotations/Corrections: v[ersum] foliu[m] ', written into end of bottom stave on p. 81;
83–87	Salve intemerata virgo Maria	mr: tho: tallis:	Tallis, Thomas (ca. 1505–1585)
Salve intemerata virgo Maria Tallis, Thomas (ca. 1505–1585) Appears on: 83–87 Genres: Antiphon Source Attribution: mr: tho: tallis: Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Ave mulieris sanctissime General Note Notes: Salve intemerata:' at beginning under pauses;
87–91	Ave Dei patris filia	mr: docter: fayrefax: docter: of: musick:.	Fayrfax, Robert (1464–1521)
Ave Dei patris filia Fayrfax, Robert (1464–1521) Appears on: 87–91 Genres: Motet Source Attribution: mr: docter: fayrefax: docter: of: musick:. Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Ave dei patris filia
92–95	Gaude plurimum [2p. Gaude Maria virgo, 3p. Gaude Maria, Jesu mater]	mr: iohn: tavernar:.	Taverner, John
Gaude plurimum [2p. Gaude Maria virgo, 3p. Gaude Maria, Jesu mater] Taverner, John Appears on: 92–95 Genres: Motet Source Attribution: mr: iohn: tavernar:. Voice: [no designation] Languages: Latin Clef: g1 Voice Text: Divinitus hanc tibi prestita[m] gracia[m] General Note Notes: Gaude plurimum:' at beginning under pauses;
96–99	Ave Dei patris filia	mr: finis: iohn: tavernar:	Taverner, John
Ave Dei patris filia Taverner, John Appears on: 96–99 Genres: Motet Source Attribution: mr: finis: iohn: tavernar: Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Ave Dei patris filia General Note Canon/Gimels: Gimell: Primus:' twice on p. 97; on p. 98 first two lines 'primus: Gimell:' then 'Secundus Gimell:.'; Annotations/Corrections: at end of first 'Gimell Primus:' on p. 97 'v[e]rte foliu[m]:.'; Notes: it seems that the first word to be sung is 'Dei' ('Ave' geing written before the music);
100–101	Mater Christi sanctissima virgo [= O most holy and mighty Lord]	mr: iohn: Tavernar:.	Taverner, John
Mater Christi sanctissima virgo [= O most holy and mighty Lord] Taverner, John Appears on: 100–101 Genres: Motet Source Attribution: mr: iohn: Tavernar:. Voice: [no designation] Languages: Latin Clef: g2 Voice Text: Mater christi sanctissima General Note Annotations/Corrections: on top of p. 101, item number corr. from '5i' to '50';
102	Christe Jesu pastor bone	mr: iohn: tavernar:.	Taverner, John
Christe Jesu pastor bone Taverner, John Appears on: 102 Genres: Motet Source Attribution: mr: iohn: tavernar:. Voice: [no designation] Languages: Latin Clef: g2 Voice Text: Christe Jesu pastor bone General Note Canon/Gimels: Gimell' twice on p. 103; Annotations/Corrections: face drawn into the initial 'C'; Notes: time-signature opens to the left (not right, as in other pieces;
103	Ubi est Abel frater tuus dixit Dominus	mr: dowglas:	Lassus, Orlande de (ca. 1532–1594)
Ubi est Abel frater tuus dixit Dominus Lassus, Orlande de (ca. 1532–1594) Appears on: 103 Genres: Motet Source Attribution: mr: dowglas: Voice: [no designation] Languages: Latin Clef: g2 Voice Text: Ubi est abell
104–108	In te Domine speravi	mr: iohn: mundie: organist: of: the kyngs: free: chappell: of: windsore:	Mundy, John (ca. 1555–1630)
In te Domine speravi Mundy, John (ca. 1555–1630) Appears on: 104–108 Genres: Motet, Te Deum Source Attribution: mr: iohn: mundie: organist: of: the kyngs: free: chappell: of: windsore: Voice: [no designation] Languages: Latin Clef: c1 Voice Text: In te domine speravi General Note Canon/Gimels: Gimell primis:' and 'Gimell Secund[us]' on p. 105; 'Gimell: Secundus:' also on p. 106;
108–111	O bone Jesu	mr: Robart: parsons	Parsons (I), Robert (ca. 1535–ca. 1572)
O bone Jesu Parsons (I), Robert (ca. 1535–ca. 1572) Appears on: 108–111 Genres: Motet Source Attribution: mr: Robart: parsons Voice: [no designation] Languages: Latin Clef: c2 Voice Text: O bone Jesu
111–113	Portio mea, Domine [2p. Media nocte]	mr: Robarte: whyte.	White, Robert (ca. 1538–1574)
Portio mea, Domine [2p. Media nocte] White, Robert (ca. 1538–1574) Appears on: 111–113 Genres: Motet Source Attribution: mr: Robarte: whyte. Voice: [no designation] Languages: Latin Clef: g2 Voice Text: Porcio mea domine
113–115	Retribue servo tuo	mr: R pars [cut off]	Parsons (I), Robert (ca. 1535–ca. 1572)
Retribue servo tuo Parsons (I), Robert (ca. 1535–ca. 1572) Appears on: 113–115 Genres: Motet Source Attribution: mr: R pars [cut off] Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Retribue servo tuo General Note Annotations/Corrections: cut semi-circle next to second line on p. 114; legato line in second line of p. 114; Notes: composer's name partly cut off;
115–117	Beati immaculati in via	mr: w: mundie.	Mundy, William (ca. 1528–ca. 1591)
Beati immaculati in via Mundy, William (ca. 1528–ca. 1591) Appears on: 115–117 Genres: Motet Source Attribution: mr: w: mundie. Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Beati immaculati in via
117–118	Domine praestolamur [2p. Veni domine]	mr: birde.	Byrd, William (ca. 1540–1623)
Domine praestolamur [2p. Veni domine] Byrd, William (ca. 1540–1623) Appears on: 117–118 Genres: Motet Source Attribution: mr: birde. Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Adventu[m] tuu[m] domine prestolamur
119–120	Ne irascaris Domine [2p. Civitas sancti tui]	mr: birde.	Byrd, William (ca. 1540–1623)
Ne irascaris Domine [2p. Civitas sancti tui] Byrd, William (ca. 1540–1623) Appears on: 119–120 Genres: Anthem Source Attribution: mr: birde. Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Ne irascaris domine
120–122	Tribulationes civitatum [2p. Timor et hebitudo, 3p. Nos enim pro peccatis]	mr: w: birde:	Byrd, William (ca. 1540–1623)
Tribulationes civitatum [2p. Timor et hebitudo, 3p. Nos enim pro peccatis] Byrd, William (ca. 1540–1623) Appears on: 120–122 Genres: Motet Source Attribution: mr: w: birde: Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Tribulationes civitatu[m]
122–123	Aspice Domine de sede sancta (5vv) [2p. Respice Domine]	mr: w: birde:	Byrd, William (ca. 1540–1623)
Aspice Domine de sede sancta (5vv) [2p. Respice Domine] Byrd, William (ca. 1540–1623) Appears on: 122–123 Genres: Motet Source Attribution: mr: w: birde: Voice: [no designation] Languages: Latin Clef: g2 Voice Text: Aspice domine de sede sancta tua
124–126	Evening service in Latin: Magnificat	-	Tallis, Thomas (ca. 1505–1585)
Evening service in Latin: Magnificat Tallis, Thomas (ca. 1505–1585) Appears on: 124–126 Genres: Anglican Service Music, Canticle, Magnificat, Nunc Dimittis Voice: [no designation] Languages: Latin Clef: g2 Voice Text: Et exultavuit spiritus meus General Note Annotations/Corrections: little text addition in fourth line of p. 125; Notes: composer name only at end of Nunc Dimittis;
126	Evening service in Latin: Nunc dimittis	mr: tallis.	Tallis, Thomas (ca. 1505–1585)
Evening service in Latin: Nunc dimittis Tallis, Thomas (ca. 1505–1585) Appears on: 126 Source Attribution: mr: tallis. Voice: [no designation] Languages: Latin Clef: g2 Voice Text: Quia videru[n]t oculi mei
126–129	Manus tuae fecerunt me [2p. Veniant mihi]	-	White, Robert (ca. 1538–1574)
Manus tuae fecerunt me [2p. Veniant mihi] White, Robert (ca. 1538–1574) Appears on: 126–129 Genres: Motet Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Manus tue feceru[n]t me General Note Canon/Gimels: Gimell' twice on p. 128; Annotations/Corrections: signum congruentiae in top line of p. 127;
129–130	Confitebor tibi Domine		Anonymous
Confitebor tibi Domine Anonymous Appears on: 129–130 Genres: Motet Source Attribution: Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Confitebor tibi d[omi]ne General Note Annotations/Corrections: finis qd' at end;
130–133	Adhesit pavimento	mr: w: mundie.	Mundy, William (ca. 1528–ca. 1591)
Adhesit pavimento Mundy, William (ca. 1528–ca. 1591) Appears on: 130–133 Genres: Motet Source Attribution: mr: w: mundie. Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Adhesit pavimento General Note Canon/Gimels: Gimell: p[ri]mus.' and 'Gimell: Secnudus.' on p. 132; Notes: something like 'fff' under the composer's name (which is written into the stave);
134–138	Noli aemulari in malignantibus	mr: w: mundie: of the queenes chappell.	Mundy, William (ca. 1528–ca. 1591)
Noli aemulari in malignantibus Mundy, William (ca. 1528–ca. 1591) Appears on: 134–138 Genres: Motet Source Attribution: mr: w: mundie: of the queenes chappell. Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Noli emulari in maligna[n]tibus
138–140	Domine quis habitabit [2p. Ad nihillum deductus]	mr: tallis.	Tallis, Thomas (ca. 1505–1585)
Domine quis habitabit [2p. Ad nihillum deductus] Tallis, Thomas (ca. 1505–1585) Appears on: 138–140 Genres: Motet Source Attribution: mr: tallis. Voice: [no designation] Languages: Latin Clef: g2 Voice Text: Domine quis habitabit
140–141	Cunctis diebus quibus nunc milito	mr: w: birde: gentleman: of: the: chappelle:.	Byrd, William (ca. 1540–1623)
Cunctis diebus quibus nunc milito Byrd, William (ca. 1540–1623) Appears on: 140–141 Genres: Motet Source Attribution: mr: w: birde: gentleman: of: the: chappelle:. Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Cunctis diebus General Note Annotations/Corrections: at the beginning (in margin) '6: voc:';
142–143	Tristitia et anxietas, Domine tu jurasti (2p. Sed tu domine)	mr: w: birde:.	Byrd, William (ca. 1540–1623)
Tristitia et anxietas, Domine tu jurasti (2p. Sed tu domine) Byrd, William (ca. 1540–1623) Appears on: 142–143 Genres: Motet Source Attribution: mr: w: birde:. Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Tristitia [...] & anxietas General Note Annotations/Corrections: at the beginning (in margin) '5: voc:';
144	Reges Tharsis et insulae	mr: w: birde:.	Byrd, William (ca. 1540–1623)
Reges Tharsis et insulae Byrd, William (ca. 1540–1623) Appears on: 144 Genres: Motet Source Attribution: mr: w: birde:. Voice: [no designation] Languages: Latin Clef: g2 Voice Text: Reges tharsis & insule
144–149	Miserere mei Deus [2p: Cor mundum crea]	mr whytte:	White, Robert (ca. 1538–1574)
Miserere mei Deus [2p: Cor mundum crea] White, Robert (ca. 1538–1574) Appears on: 144–149 Genres: Miserere mei Deus, Motet Source Attribution: mr whytte: Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Miserere mei deus
149–151	Memor esto verbi tui	mr: w: mundie:.	Mundy, William (ca. 1528–ca. 1591)
Memor esto verbi tui Mundy, William (ca. 1528–ca. 1591) Appears on: 149–151 Genres: Motet Source Attribution: mr: w: mundie:. Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Memor esto verbi tui General Note Canon/Gimels: Gimell: p[ri]mus:' and 'Gimell Secund[us]' on p. 150;
152	Sive vigilem	mr: w: m:	Mundy, William (ca. 1528–ca. 1591)
Sive vigilem Mundy, William (ca. 1528–ca. 1591) Appears on: 152 Genres: Motet Source Attribution: mr: w: m: Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Sive vigilem
153	Peccantem me quotidie	mr: R: parsons: one: of: the: queens: chappell:.	Parsons (I), Robert (ca. 1535–ca. 1572)
Peccantem me quotidie Parsons (I), Robert (ca. 1535–ca. 1572) Appears on: 153 Genres: Motet Source Attribution: mr: R: parsons: one: of: the: queens: chappell:. Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Peccantem me quotidie
154–155	Videte miraculum	mr: w: m:.	Mundy, William (ca. 1528–ca. 1591)
Videte miraculum Mundy, William (ca. 1528–ca. 1591) Appears on: 154–155 Genres: Motet Source Attribution: mr: w: m:. Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Videte miraculu[m]
155	[Christe qui lux es (III)] Precamur sancte Domine	mr: R: whytte: of: westminster:.	White, Robert (ca. 1538–1574)
[Christe qui lux es (III)] Precamur sancte Domine White, Robert (ca. 1538–1574) Appears on: 155 Genres: Motet Source Attribution: mr: R: whytte: of: westminster:. Voice: [no designation] Languages: Latin Clef: g2 Voice Text: Precamur sancte domine General Note Notes: in plainchant notation throughout;
156	Veni creator spiritus mentes tuorum	mr: w: m: of: the chappell:.	Mundy, William (ca. 1528–ca. 1591)
Veni creator spiritus mentes tuorum Mundy, William (ca. 1528–ca. 1591) Appears on: 156 Genres: Veni creator spiritus Source Attribution: mr: w: m: of: the chappell:. Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Veni creator spiritus
156–157	[Christe qui lux es (II)] Precamur sancte Domine	mr:. R: whytte:.	White, Robert (ca. 1538–1574)
[Christe qui lux es (II)] Precamur sancte Domine White, Robert (ca. 1538–1574) Appears on: 156–157 Genres: Motet Source Attribution: mr:. R: whytte:. Voice: [no designation] Languages: Latin Clef: g2 Voice Text: Precamur sancte domine General Note Notes: in plainchant notation throughout;
157–158	Aeternae rex altissimae	mr: Shepperd:.	Sheppard, John (ca. 1515–1558)
Aeternae rex altissimae Sheppard, John (ca. 1515–1558) Appears on: 157–158 Genres: Motet Source Attribution: mr: Shepperd:. Voice: [no designation] Languages: Latin Clef: g2 Voice Text: Scandens tribunall General Note Notes: in plainchant notation throughout;
158–159	Jesu salvator saeculi, Redemptis	mr: Shepperd:.	Sheppard, John (ca. 1515–1558)
Jesu salvator saeculi, Redemptis Sheppard, John (ca. 1515–1558) Appears on: 158–159 Genres: Motet Source Attribution: mr: Shepperd:. Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Cetus omnes angelici
159–160	Deus tuorum militum (I)	mr: S:.	Sheppard, John (ca. 1515–1558)
Deus tuorum militum (I) Sheppard, John (ca. 1515–1558) Appears on: 159–160 Genres: Motet Source Attribution: mr: S:. Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Hic nempe mu[n]di gaudia General Note Notes: at top of p. 160 (beginning of new section), cut semi-circle - but opening to the left: further down on the page there are two more which are opening to the right.;
160	Christe redemptor omnium	mr: S:.	Sheppard, John (ca. 1515–1558)
Christe redemptor omnium Sheppard, John (ca. 1515–1558) Appears on: 160 Genres: Motet Source Attribution: mr: S:. Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Beata quoq[ue] agmina General Note Notes: in plainchant notation throughout;
160–161	Deus tuorum militum (II)	mr: Shepperd:	Sheppard, John (ca. 1515–1558)
Deus tuorum militum (II) Sheppard, John (ca. 1515–1558) Appears on: 160–161 Genres: Motet Source Attribution: mr: Shepperd: Voice: [no designation] Languages: Latin Clef: g2 Voice Text: Hic nempe mu[n]di gaudia General Note Notes: in plainchant notation throughout;
161	Quod chorus vatum haec Deum	mr: tho: tallis: of: the: queens: maiesties: chappell:.	Tallis, Thomas (ca. 1505–1585)
Quod chorus vatum haec Deum Tallis, Thomas (ca. 1505–1585) Appears on: 161 Genres: Motet Source Attribution: mr: tho: tallis: of: the: queens: maiesties: chappell:. Voice: [no designation] Languages: Latin Clef: g2 Voice Text: Hec deu[m] celi dominu[m]q[ue] terre General Note Annotations/Corrections: many legato slurs in second line;
162	Iam Christus astra	mr: tallis:.	Tallis, Thomas (ca. 1505–1585)
Iam Christus astra Tallis, Thomas (ca. 1505–1585) Appears on: 162 Genres: Motet Source Attribution: mr: tallis:. Voice: [no designation] Languages: Latin Clef: g2 Voice Text: Solemnis vrgebat dies General Note Annotations/Corrections: several legato slurs; Notes: cut semi-circle opening to the left in third line;
162–163	Jesu salvator saeculi, Verbum	mr: tallis:.	Tallis, Thomas (ca. 1505–1585)
Jesu salvator saeculi, Verbum Tallis, Thomas (ca. 1505–1585) Appears on: 162–163 Genres: Motet Source Attribution: mr: tallis:. Voice: [no designation] Languages: Latin Clef: g2 Voice Text: Tu fabricator omniu[m]
163–164	Salvator mundi (I)	mr: tallis:	Tallis, Thomas (ca. 1505–1585)
Salvator mundi (I) Tallis, Thomas (ca. 1505–1585) Appears on: 163–164 Genres: Motet Source Attribution: mr: tallis: Voice: [no designation] Languages: Latin Clef: g2 Voice Text: Adesto nu[n]c propicius General Note Annotations/Corrections: many legato slurs in bottom line of p. 163;
164–167	A solis ortus cardine ad usque terrae	mr w: mundie gentleman: of: the: chappelle:	Mundy, William (ca. 1528–ca. 1591)
A solis ortus cardine ad usque terrae Mundy, William (ca. 1528–ca. 1591) Appears on: 164–167 Genres: Motet Source Attribution: mr w: mundie gentleman: of: the: chappelle: Voice: [no designation] Languages: Latin Clef: g2 Voice Text: Beatus auctor seculi General Note Notes: in third line of p. 166, cut semi-circle opening to the left;
167–168	Libera me Domine de morte aeterna	mr: Ro: parsons: gentleman: of: the: queens: chappell:	Parsons (I), Robert (ca. 1535–ca. 1572)
Libera me Domine de morte aeterna Parsons (I), Robert (ca. 1535–ca. 1572) Appears on: 167–168 Genres: Motet, Requiem Source Attribution: mr: Ro: parsons: gentleman: of: the: queens: chappell: Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Libera me domine General Note Annotations/Corrections: signum congruentiae in third line of piece and at the end, and the beginning of repeat written out;
171	Justi autem in perpetuum	mr shepperd.	Sheppard, John (ca. 1515–1558)
Justi autem in perpetuum Sheppard, John (ca. 1515–1558) Appears on: 171 Genres: Motet Source Attribution: mr shepperd. Voice: [no designation] Languages: Latin Clef: c2 Voice Text: In perpetuu[m] vivent General Note Annotations/Corrections: twice signum congruentiae in second line (in different writing); repeats also indicated at end; Notes: in plainchant notation throughout; composer's name at the end (as with other pieces) but also at the top; from here onwards, the writing (at least of the text) is different;
171–172	Impetum fecerunt unanimes	S	Sheppard, John (ca. 1515–1558)
Impetum fecerunt unanimes Sheppard, John (ca. 1515–1558) Appears on: 171–172 Genres: Motet Source Attribution: S Voice: [no designation] Languages: Latin Clef: c2 Voice Text: ffecerunt vnanimes General Note Annotations/Corrections: signum congruentiae in first and in second line of p. 172; at the end is just a curl - possibly an 'S';
172–173	Sancte Dei preciose	mr shepperd:	Sheppard, John (ca. 1515–1558)
Sancte Dei preciose Sheppard, John (ca. 1515–1558) Appears on: 172–173 Genres: Motet Source Attribution: mr shepperd: Voice: [no designation] Languages: Latin Clef: c2 Voice Text: ffunde preces pro devoto
173	Homo quidam fecit caenam magnam et misit	mr tallis	Tallis, Thomas (ca. 1505–1585)
Homo quidam fecit caenam magnam et misit Tallis, Thomas (ca. 1505–1585) Appears on: 173 Genres: Motet Source Attribution: mr tallis Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Quidam fecit cena[m] magna[m] General Note Annotations/Corrections: 6 p[ar]ts' at top of page;
174–175	Non conturbetur cor vestrum I	mr shepperde; 'mr shepp[er]de.' at end	Sheppard, John (ca. 1515–1558)
Non conturbetur cor vestrum I Sheppard, John (ca. 1515–1558) Appears on: 174–175 Genres: Motet Source Attribution: mr shepperde; 'mr shepp[er]de.' at end Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Cor vestru[m] ego vado General Note Annotations/Corrections: signum congruentiae in bottom line of p. 174;
175–176	Christi virgo dilectissima	mr shepperd.	Sheppard, John (ca. 1515–1558)
Christi virgo dilectissima Sheppard, John (ca. 1515–1558) Appears on: 175–176 Genres: Motet Source Attribution: mr shepperd. Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Dilectissima v[ir]tutu[m] operatrix
176–177	Non conturbetur cor vestrum II	mr shepperde.	Sheppard, John (ca. 1515–1558)
Non conturbetur cor vestrum II Sheppard, John (ca. 1515–1558) Appears on: 176–177 Genres: Motet Source Attribution: mr shepperde. Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Cor vestru[m] ego vado
177–178	Reges Tharsis et insulae	mr Shepperde.	Sheppard, John (ca. 1515–1558)
Reges Tharsis et insulae Sheppard, John (ca. 1515–1558) Appears on: 177–178 Genres: Motet Source Attribution: mr Shepperde. Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Et insule munera offerent General Note Annotations/Corrections: signum congruentiae in bottom line of p. 177 and top line of p. 178;
178–181	Gaude, gaude, gaude Maria, virgo cunctas	mr shepperde. (p. 180) / mr: S. (at end)	Sheppard, John (ca. 1515–1558)
Gaude, gaude, gaude Maria, virgo cunctas Sheppard, John (ca. 1515–1558) Appears on: 178–181 Genres: Motet Source Attribution: mr shepperde. (p. 180) / mr: S. (at end) Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Virgo cuntas hereses General Note Annotations/Corrections: signum congruentiae in bottom line of p. 178 and top line of p. 179; on p. 179 'v[er]te foliu[m]' written into bottom stave, at end: on top of p. 180 'p[ri]m[us] medius' next to three and a half lines of music, at end of these 'v[er]te foliu[m] mr shepperde.', then another line of music with '[Se]cund[us] medius.' written next to it - NB the outer margin has been trimmed, so that the beginnings of the ascriptions have been cut off; at end (on p. 181) 'finis mr: S.' ; at the end signum congruentiae and beginning of repeat written out;
182–183	Sint lumbi vesti praecincti	mr Redforde.	Redford, John (–1547)
Sint lumbi vesti praecincti Redford, John (–1547) Appears on: 182–183 Genres: Motet Source Attribution: mr Redforde. Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Vestri presincti et lucerne ardentes General Note Annotations/Corrections: signum congruentiae in second line of p. 182 and again at end, with beginning of repeat written out; some sort of abbreviation four times under notes in fourth line of p. 182;
183–184	Ad te levavi oculos meos qui habitas II: Adjutorium nostrum in nomine Domini	white	White, Robert (ca. 1538–1574)
Ad te levavi oculos meos qui habitas II: Adjutorium nostrum in nomine Domini White, Robert (ca. 1538–1574) Appears on: 183–184 Genres: Motet Source Attribution: white Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Ad te levaui oculos meos General Note Annotations/Corrections: note/stem corr. in top line of p. 184;
185	Da pacem Domine (II) (C28)	-	Ferrabosco, Alfonso (the elder) (1543–1588)
Da pacem Domine (II) (C28) Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 185 Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Da pace[m] d[omi]ne Concordances Notes: Concordances: BL Egerton 3665; BL Mad Soc G. 44-47; US-NH Miscellaneous MS 170, Filmer 1/a-e; Ob Mus. Sch. C.45-50; Och 463-467; Peterhouse 485-91; NYPL Drexel 4302 (Tregian MS); BL 31417; RCM 2041; BL 30361-30366; BL 60577; Panmure 10 [However EECM has some of these as copies of C27, some of C28.]
185–186	Ecce nunc benedicite I		Anonymous
Ecce nunc benedicite I Anonymous Appears on: 185–186 Genres: Motet Source Attribution: Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Ecce nu[n]c benedicite
186–187	Ecce nunc benedicite II		Anonymous
Ecce nunc benedicite II Anonymous Appears on: 186–187 Genres: Motet Source Attribution: Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Ecce nu[n]c b[e]n[e]dicite
187–188	Praedicabo laudes tuae	-	Daman, William
Praedicabo laudes tuae Daman, William Appears on: 187–188 Genres: Motet Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Predicabo laudes [...] tuas
188–189	Omnis caro gramen sit	W: demaunde.	Daman, William
Omnis caro gramen sit Daman, William Appears on: 188–189 Genres: Motet Source Attribution: W: demaunde. Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Omnis caro gramen sit
189	Loquebantur variis linguis	mr: tallis.	Tallis, Thomas (ca. 1505–1585)
Loquebantur variis linguis Tallis, Thomas (ca. 1505–1585) Appears on: 189 Genres: Motet Source Attribution: mr: tallis. Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Varijs linguis apostoli General Note Annotations/Corrections: signum congruentiae in penultimate and bottom line of p. 189;
190	Beata nobis gaudia	mr shepperde.	Sheppard, John (ca. 1515–1558)
Beata nobis gaudia Sheppard, John (ca. 1515–1558) Appears on: 190 Genres: Motet Source Attribution: mr shepperde. Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Ignis vibra[n]te lumine General Note Notes: first half of the piece in plainchant notation; several legato slurs in the second half;
191–192	Sacris solemniis juncta	mr shepperde.	Sheppard, John (ca. 1515–1558)
Sacris solemniis juncta Sheppard, John (ca. 1515–1558) Appears on: 191–192 Genres: Motet Source Attribution: mr shepperde. Voice: [no designation] Languages: Latin Clef: g2 Voice Text: Noctis recolitur cena novissima General Note Annotations/Corrections: at the top '8: p[ar]ts.'; Notes: in third line of p. 191 (end of a section) note split (B-D) - the same in the top line of f. 192 and at the end;
192–194	A solis ortus cardine ad usque terrae	mr S	Sheppard, John (ca. 1515–1558)
A solis ortus cardine ad usque terrae Sheppard, John (ca. 1515–1558) Appears on: 192–194 Genres: Motet Source Attribution: mr S Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Beatus auctor seculi
195–197	Te Deum laudamus	mr: J: S:	Sheppard, John (ca. 1515–1558)
Te Deum laudamus Sheppard, John (ca. 1515–1558) Appears on: 195–197 Genres: Liturgical work, Te Deum Source Attribution: mr: J: S: Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Te eternum patrem General Note Notes: in top line and bottom line of p. 195 (at end of sections) note split (both times C-E); in bottom line of p. 195 clef opening to the left (same in fourth line of p. 196);
197–198	Dum transisset sabbatum [I]	S	Sheppard, John (ca. 1515–1558)
Dum transisset sabbatum [I] Sheppard, John (ca. 1515–1558) Appears on: 197–198 Genres: Motet Source Attribution: S Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Sabatu[m] [...] maria magdalene General Note Annotations/Corrections: signum congruentiae in top line of p. 198;
198–199	Jam Christus astra	mr: S.	Sheppard, John (ca. 1515–1558)
Jam Christus astra Sheppard, John (ca. 1515–1558) Appears on: 198–199 Genres: Motet Source Attribution: mr: S. Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Solemnis vrgebat dies General Note Notes: in penultimate line of p. 198, clef opening to the left;
199–200	Ave maris stella	mr shepperde.	Sheppard, John (ca. 1515–1558)
Ave maris stella Sheppard, John (ca. 1515–1558) Appears on: 199–200 Genres: Ave maris stella, Motet Source Attribution: mr shepperde. Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Sumens illud ave
200–201	Adesto sancta Trinitas I	mr: S.	Sheppard, John (ca. 1515–1558)
Adesto sancta Trinitas I Sheppard, John (ca. 1515–1558) Appears on: 200–201 Genres: Motet Source Attribution: mr: S. Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Te celorum milicia
201	Hostis Herodes impie	mr: S.	Sheppard, John (ca. 1515–1558)
Hostis Herodes impie Sheppard, John (ca. 1515–1558) Appears on: 201 Genres: Motet Source Attribution: mr: S. Voice: [no designation] Languages: Latin Clef: g2 Voice Text: Ibant magi qua[m] videra[n]t General Note Annotations/Corrections: annotation next to first line, disappearing in inner binding '[...]ole.'; Notes: initial clef in the inner pargin, before the line; in plainchant notation throughout (with clef changing direction half-way through);
201–202	Martyr Dei qui unicum	mr shepperde:	Sheppard, John (ca. 1515–1558)
Martyr Dei qui unicum Sheppard, John (ca. 1515–1558) Appears on: 201–202 Genres: Motet Source Attribution: mr shepperde: Voice: [no designation] Languages: Latin Clef: g2 Voice Text: Tui p[re]cat[us] munere General Note Annotations/Corrections: at end: 'the: ii7. is: after: i66: song: in: this: booke:.'; Notes: initial clef in the inner pargin, before the line; in plainchant notation throughout;
202–204	Media vita in morte sumus	mr: iohn: shepperde:.	Sheppard, John (ca. 1515–1558)
Media vita in morte sumus Sheppard, John (ca. 1515–1558) Appears on: 202–204 Genres: Motet Source Attribution: mr: iohn: shepperde:. Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Media vita, in morte sum[us] General Note Canon/Gimels: Gimell' twice on p. 204; Annotations/Corrections: signum congruentiae in second and third line of p. 203 and twice in top line of p. 204, then also at the end with beginning of repeat written out (which does not seem to match any of the former, however); Notes: in third line of p. 204 (end of a section) note split (E-B);
207–211	Gaude gloriosa Dei mater	mr tallis	Tallis, Thomas (ca. 1505–1585)
Gaude gloriosa Dei mater Tallis, Thomas (ca. 1505–1585) Appears on: 207–211 Genres: Motet Source Attribution: mr tallis Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Gaude gloriosa dei mater General Note Canon/Gimels: Gimell' in third line of p. 208 and in second line of p. 209;
211–213	Peccavimus cum patribus nostris	-	Tye, Christopher (ca. 1505–ca. 1573)
Peccavimus cum patribus nostris Tye, Christopher (ca. 1505–ca. 1573) Appears on: 211–213 Genres: Motet Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Tuae tame[n] cleme[n]tiae
214–215	Quaesumus omnipotens	docter: tye:	Tye, Christopher (ca. 1505–ca. 1573)
Quaesumus omnipotens Tye, Christopher (ca. 1505–ca. 1573) Appears on: 214–215 Genres: Motet Source Attribution: docter: tye: Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Quesumus om[n]ip[oten]s General Note Annotations/Corrections: small 'q[ue]' entered into initial 'Q';
216–218	Cantate Domino canticum novum cantate	doc: tye.	Tye, Christopher (ca. 1505–ca. 1573)
Cantate Domino canticum novum cantate Tye, Christopher (ca. 1505–ca. 1573) Appears on: 216–218 Genres: Motet Source Attribution: doc: tye. Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Cantate d[omi]no canticu[m] nouu[m] cantate General Note Annotations/Corrections: in middle of fourth line on p. 217: signum congruentiae written over a note and 'tenor' beneath it;
218–222	Deus misereatur nostri et benedicat nobis	mr: whyte: batcheler: of musicke.	White, Robert (ca. 1538–1574)
Deus misereatur nostri et benedicat nobis White, Robert (ca. 1538–1574) Appears on: 218–222 Genres: Anglican Service Music, Motet Source Attribution: mr: whyte: batcheler: of musicke. Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Deus misereatur nostri General Note Annotations/Corrections: major note corr. in first and fourth line of p. 222;
223–225	Domine quis habitabit (I)	mr: whyte.	White, Robert (ca. 1538–1574)
Domine quis habitabit (I) White, Robert (ca. 1538–1574) Appears on: 223–225 Genres: Motet Source Attribution: mr: whyte. Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Domine quis habitabit
225–226	Adolescentulus sum ego	mr: w: mundye.	Mundy, William (ca. 1528–ca. 1591)
Adolescentulus sum ego Mundy, William (ca. 1528–ca. 1591) Appears on: 225–226 Genres: Motet Source Attribution: mr: w: mundye. Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Adolosentulus su[m] ego
226–228	Tota pulchra es amica mea et macula	mr: Ro: whyte.	White, Robert (ca. 1538–1574)
Tota pulchra es amica mea et macula White, Robert (ca. 1538–1574) Appears on: 226–228 Genres: Motet Source Attribution: mr: Ro: whyte. Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Tota pulcra es
228–229	Domine quis habitabit	mr: parsons: of the chappell.	Parsons (I), Robert (ca. 1535–ca. 1572)
Domine quis habitabit Parsons (I), Robert (ca. 1535–ca. 1572) Appears on: 228–229 Genres: Motet Source Attribution: mr: parsons: of the chappell. Voice: [no designation] Languages: Latin Clef: g2 Voice Text: Domine quis habitabit
229–231	Domine quis habitabit	mr: w: mundie: of: the: chapelle:	Mundy, William (ca. 1528–ca. 1591)
Domine quis habitabit Mundy, William (ca. 1528–ca. 1591) Appears on: 229–231 Genres: Motet Source Attribution: mr: w: mundie: of: the: chapelle: Voice: [no designation] Languages: Latin Clef: g2 Voice Text: Domine quis habitabit General Note Annotations/Corrections: text corr. in third line of p. 230;
231–233	Domine non est exaltatum	mr: whytte:	White, Robert (ca. 1538–1574)
Domine non est exaltatum White, Robert (ca. 1538–1574) Appears on: 231–233 Genres: Motet Source Attribution: mr: whytte: Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Domine non est exaltatu[m]
234–235	Domine non est exaltatum	mr: w: mundie:	Mundy, William (ca. 1528–ca. 1591)
Domine non est exaltatum Mundy, William (ca. 1528–ca. 1591) Appears on: 234–235 Genres: Motet Source Attribution: mr: w: mundie: Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Domine non est exaltatu[m]
235–237	Domine quis habitabit (II) [2p. Ad nihillum deductus]	mr: whyte: batchelar: of musike.	White, Robert (ca. 1538–1574)
Domine quis habitabit (II) [2p. Ad nihillum deductus] White, Robert (ca. 1538–1574) Appears on: 235–237 Genres: Motet Source Attribution: mr: whyte: batchelar: of musike. Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Domine quis habitabit General Note Canon/Gimels: Gimell.' twice on p. 236;
237–238	Credo quod redemptor meus vivit	-	Parsons (I), Robert (ca. 1535–ca. 1572)
Credo quod redemptor meus vivit Parsons (I), Robert (ca. 1535–ca. 1572) Appears on: 237–238 Genres: Credo (patrem omnipotentem), Mass Ordinary Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Credo quod redemptor meus viuit
238–239	Missa Gloria tibi Trinitas: Gloria	-	Taverner, John
Missa Gloria tibi Trinitas: Gloria Taverner, John Appears on: 238–239 Genres: Anglican Service Music, Gloria (et in terra pax) Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Et in terra pax General Note Annotations/Corrections: rest' written under rests following the first phrase: in line two a signum congruentiae and '2' under a ligature (generally in first two lines several coloured notes and half-half ligatures);
239–240	Missa Gloria tibi Trinitas: Credo	-	Taverner, John
Missa Gloria tibi Trinitas: Credo Taverner, John Appears on: 239–240 Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Patre[m] o[m]nipotente[m] General Note Annotations/Corrections: several times figures under notes and ligatures (such as '2' and '4', but also '5' and '6' - on top of p. 240 '8' under a note and 'xx' under a ligature);
240–241	Missa Gloria tibi Trinitas: Sanctus	-	Taverner, John
Missa Gloria tibi Trinitas: Sanctus Taverner, John Appears on: 240–241 Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Sanctus. Sanctus, sanctus General Note Annotations/Corrections: several times numbers under notes and ligatures;
241	Missa Gloria tibi Trinitas: Benedictus	-	Taverner, John
Missa Gloria tibi Trinitas: Benedictus Taverner, John Appears on: 241 Voice: [no designation] Languages: Latin Clef: c1 Voice Text: In no[m]i[n]e domini General Note Notes: benedictus.' at beginning written under pauses;
241–242	Missa Gloria tibi Trinitas: Agnus dei	John: tavernar: } homo: memorabilis	Taverner, John
Missa Gloria tibi Trinitas: Agnus dei Taverner, John Appears on: 241–242 Source Attribution: John: tavernar: } homo: memorabilis Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Agnus dei. Qui tollis p[e]ccata mundi General Note Annotations/Corrections: at end: 'Gloria tribi trinitas: / q[uo]d John: tavernar: } homo: memorabilis'; Notes: text at end merely 'Do bis, pa cem' (with the second 'o' in the capital 'D');
242–244	Domine quis habitabit (III)	mr: whytte.	White, Robert (ca. 1538–1574)
Domine quis habitabit (III) White, Robert (ca. 1538–1574) Appears on: 242–244 Genres: Motet Source Attribution: mr: whytte. Voice: [no designation] Languages: Latin Clef: g2 Voice Text: D[omi]ne quis habitabit
244–248	Eructavit cor meum	mr: w: m:	Mundy, William (ca. 1528–ca. 1591)
Eructavit cor meum Mundy, William (ca. 1528–ca. 1591) Appears on: 244–248 Genres: Motet Source Attribution: mr: w: m: Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Eructauit cor meu[m]
248–254	Vox Patris caelestis	mr w: mundie: one of the gentlemen: of the queens: chapelle:.	Mundy, William (ca. 1528–ca. 1591)
Vox Patris caelestis Mundy, William (ca. 1528–ca. 1591) Appears on: 248–254 Genres: Motet Source Attribution: mr w: mundie: one of the gentlemen: of the queens: chapelle:. Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Vox patris celestis General Note Canon/Gimels: Gimell p[ri]mus' on p. 252; at end of p. 252 'v[er]te foliu[m]'; 'Gimell Secu[n]d[us] at top of p. 253; Annotations/Corrections: note corr. in second line of p. 253?; signum congruentiae in fourth line of p. 253;
254–259	Maria virgo sanctissima	mr w: Mundie:.	Mundy, William (ca. 1528–ca. 1591)
Maria virgo sanctissima Mundy, William (ca. 1528–ca. 1591) Appears on: 254–259 Genres: Motet Source Attribution: mr w: Mundie:. Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Te singulari gracia General Note Canon/Gimels: Gimell p[ri]mus' and 'Gimell Secu[n]dus' on p. 257 (with 'Gimell' also marked in first line of music): at the end of each 'Gimell': 'v[er]te foliu[m]'; then again 'Gimell: p[ri]mus:' before top line of p. 258, with 'v[er]te foliu[m]' at the end, and and 'Gimell: Secu[n]dus:' before the second line of p. 258; Annotations/Corrections: rest' written under long rests at beginning, an only under that word the title 'Maria v[ir]go:';
259–263	Infelix ego omnium (2p. Quid igitur faciam; 3p. Ad te igitur)	mr: w: birde:	Byrd, William (ca. 1540–1623)
Infelix ego omnium (2p. Quid igitur faciam; 3p. Ad te igitur) Byrd, William (ca. 1540–1623) Appears on: 259–263 Genres: Motet Source Attribution: mr: w: birde: Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Infelix ego General Note Notes: in fourth line of p. 262, several F-sharps close to each other, each with its own sharp;
263–265	Deus in adjutorium meum intende	mr: w: birde:	Byrd, William (ca. 1540–1623)
Deus in adjutorium meum intende Byrd, William (ca. 1540–1623) Appears on: 263–265 Genres: Motet Source Attribution: mr: w: birde: Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Deus in adiutoriu[m] General Note Annotations/Corrections: face drawn into initial 'D';
265–266	Domine ante te omne desiderium meum	mr: w: birde: of: the: chappell:.	Byrd, William (ca. 1540–1623)
Domine ante te omne desiderium meum Byrd, William (ca. 1540–1623) Appears on: 265–266 Genres: Motet Source Attribution: mr: w: birde: of: the: chappell:. Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Domine ante te General Note Annotations/Corrections: there is a comma or slash between the 'te' of 'ante' and the following 'te';
266–267	O salutaris hostia I	mr: w: birde:	Byrd, William (ca. 1540–1623)
O salutaris hostia I Byrd, William (ca. 1540–1623) Appears on: 266–267 Genres: Motet Source Attribution: mr: w: birde: Voice: [no designation] Languages: Latin Clef: c3 Voice Text: O salutaris hostia
267–268	Derelinquit impius viam suam	mr: w: birde: organiste: of: the: chappelle:.	Tallis, Thomas (ca. 1505–1585)
Derelinquit impius viam suam Tallis, Thomas (ca. 1505–1585) Appears on: 267–268 Source Attribution: mr: w: birde: organiste: of: the: chappelle:. Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Descendit de celis General Note Annotations/Corrections: signum congruentiae in second line of p. 268;
269–270	Afflicti pro peccatis	mr: w: birde: gentleman: of: the: chappelle:.	Byrd, William (ca. 1540–1623)
Afflicti pro peccatis Byrd, William (ca. 1540–1623) Appears on: 269–270 Genres: Anthem Source Attribution: mr: w: birde: gentleman: of: the: chappelle:. Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Afflicti: Pro p[e]ccatis nostris General Note Annotations/Corrections: signum congruentiae in bottom line of p. 269;
270–271	Verbum caro factum est de virgine Maria	mr: iohn: Shepperde:.	Sheppard, John (ca. 1515–1558)
Verbum caro factum est de virgine Maria Sheppard, John (ca. 1515–1558) Appears on: 270–271 Genres: Motet Source Attribution: mr: iohn: Shepperde:. Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Verbu[m] caro factu[m] est General Note Annotations/Corrections: signum congruentiae in penultimate line and in bottom line of p. 270;
271–272	Spiritus sanctus procedens I	mr: iohn: Shepperde:	Sheppard, John (ca. 1515–1558)
Spiritus sanctus procedens I Sheppard, John (ca. 1515–1558) Appears on: 271–272 Genres: Motet Source Attribution: mr: iohn: Shepperde: Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Procedens, athrono, apostoloru[m] General Note Annotations/Corrections: signum congruentiae in top and third line of p. 272; something erased between 'mr:' and 'iohn:' in composer's name at the end;
272–273	Haec dies	mr: S:.	Sheppard, John (ca. 1515–1558)
Haec dies Sheppard, John (ca. 1515–1558) Appears on: 272–273 Genres: Motet Source Attribution: mr: S:. Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Hec dies
273–274	Videte miraculum	mr: tho: tallis:	Tallis, Thomas (ca. 1505–1585)
Videte miraculum Tallis, Thomas (ca. 1505–1585) Appears on: 273–274 Genres: Motet Source Attribution: mr: tho: tallis: Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Miraculu[m] [...] videte miraulu[m]
274–275	Sive vigilem	gerarde:.	Gerarde, Derrick (fl. c1540–1580)
Sive vigilem Gerarde, Derrick (fl. c1540–1580) Appears on: 274–275 Genres: Motet Source Attribution: gerarde:. Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Sive vigilem
276–277	Filiae Jerusalem	mr: Shepperde:.	Sheppard, John (ca. 1515–1558)
Filiae Jerusalem Sheppard, John (ca. 1515–1558) Appears on: 276–277 Genres: Motet Source Attribution: mr: Shepperde:. Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Hierusale[m, [...] venite & videte martire[m] General Note Annotations/Corrections: signum congruentiae in two bottom lines of p. 276;
277	Dum transisset sabbatum [II]	mr: Shepperde:. gentleman: of: the: chappelle:.	Sheppard, John (ca. 1515–1558)
Dum transisset sabbatum [II] Sheppard, John (ca. 1515–1558) Appears on: 277 Genres: Motet Source Attribution: mr: Shepperde:. gentleman: of: the: chappelle:. Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Sabbatu[m] maria magdalene General Note Notes: in plainchant notation throughout;
277–278	Salvator mundi Domine	mr: Shepperde:.	Sheppard, John (ca. 1515–1558)
Salvator mundi Domine Sheppard, John (ca. 1515–1558) Appears on: 277–278 Genres: Motet Source Attribution: mr: Shepperde:. Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Adesto nu[n]c propicius
278–279	Jesu salvator saeculi, Verbum	mr: Shepperde:.	Sheppard, John (ca. 1515–1558)
Jesu salvator saeculi, Verbum Sheppard, John (ca. 1515–1558) Appears on: 278–279 Genres: Motet Source Attribution: mr: Shepperde:. Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Tu fabricator omniu[m]
279–281	Jam Christus astra	mr: par:	Parsons (I), Robert (ca. 1535–ca. 1572)
Jam Christus astra Parsons (I), Robert (ca. 1535–ca. 1572) Appears on: 279–281 Genres: Motet Source Attribution: mr: par: Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Solemnis vrgebat dies General Note Notes: in penultimate line of p. 280, cut semi-circle opening to the left;
281	Libera nos, salva nos [I]	mr: Shepperde:.	Sheppard, John (ca. 1515–1558)
Libera nos, salva nos [I] Sheppard, John (ca. 1515–1558) Appears on: 281 Genres: Motet Source Attribution: mr: Shepperde:. Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Salva nos
281–282	Libera nos, salva nos [II]	mr: iohn: Shepperde:.	Sheppard, John (ca. 1515–1558)
Libera nos, salva nos [II] Sheppard, John (ca. 1515–1558) Appears on: 281–282 Genres: Motet Source Attribution: mr: iohn: Shepperde:. Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Salva nos
282	Dum transisset sabbatum	mr: iohn: mundie:	Mundy, John (ca. 1555–1630)
Dum transisset sabbatum Mundy, John (ca. 1555–1630) Appears on: 282 Genres: Motet Source Attribution: mr: iohn: mundie: Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Sabatu[m], maria magdalene General Note Notes: in plainchant notation throughout;
282–283	Fantasia a6 (I) in F	mr: w: birde:.	Byrd, William (ca. 1540–1623)
Fantasia a6 (I) in F Byrd, William (ca. 1540–1623) Appears on: 282–283 Genres: textless Source Attribution: mr: w: birde:. Voice: [no designation] Languages: none Clef: c3 General Note Annotations/Corrections: sharp added in second line of p. 283;
284	The song called trumpets = Lusty Gallant	mr: parsons:.	Parsons (I), Robert (ca. 1535–ca. 1572)
The song called trumpets = Lusty Gallant Parsons (I), Robert (ca. 1535–ca. 1572) Appears on: 284 Genres: Motet Source Attribution: mr: parsons:. Voice: [no designation] Languages: none Clef: c1 General Note Annotations/Corrections: in third line 'bis' and twice 'e': also '31' under semi-circle with dot;
285	Beati omnes	mr: w: daman:	Daman, William
Beati omnes Daman, William Appears on: 285 Genres: Motet Source Attribution: mr: w: daman: Voice: [no designation] Languages: none Clef: c1
285–286	Quemadmodum	mr: iohn: Tavarnar:	Taverner, John
Quemadmodum Taverner, John Appears on: 285–286 Genres: Motet Source Attribution: mr: iohn: Tavarnar: Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Que[m]admodu[m]
287	Redime me Domine	iohn: bawdwine:.	Baldwin, John (ca. 1560–1615)
Redime me Domine Baldwin, John (ca. 1560–1615) Appears on: 287 Genres: Motet Source Attribution: iohn: bawdwine:. Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Redime me, redime me domine
287–288	Pater noster	iohn: bawdwine:.	Baldwin, John (ca. 1560–1615)
Pater noster Baldwin, John (ca. 1560–1615) Appears on: 287–288 Genres: Motet Source Attribution: iohn: bawdwine:. Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Pater noster
289–291	Hugh Aston's Maske	mr: hugh: ashton:	Aston, Hugh (ca. 1485–1558)
Hugh Aston's Maske Aston, Hugh (ca. 1485–1558) Appears on: 289–291 Genres: Secular Source Attribution: mr: hugh: ashton: Voice: [no designation] Languages: none Clef: c2 General Note Annotations/Corrections: 4: p[ar]ts' under first line of music;
291–292	Fancy a3	iohn bawdwine:	Baldwin, John (ca. 1560–1615)
Fancy a3 Baldwin, John (ca. 1560–1615) Appears on: 291–292 Genres: textless Source Attribution: iohn bawdwine: Voice: [no designation] Languages: none Clef: c2
292–294	Browning a3	ellewaye: beven:	Bevin, Elway
Browning a3 Bevin, Elway Appears on: 292–294 Genres: Song Source Attribution: ellewaye: beven: Voice: [no designation] Languages: none Clef: c2
294–295	[Christe qui lux es (I)] Precamur sancte Domine	mr: Ro: whytt:.	White, Robert (ca. 1538–1574)
[Christe qui lux es (I)] Precamur sancte Domine White, Robert (ca. 1538–1574) Appears on: 294–295 Genres: Motet Source Attribution: mr: Ro: whytt:. Voice: [no designation] Languages: Latin Clef: g2 Voice Text: Precamur sancte domine General Note Annotations/Corrections: at end: 'This: songe: folowinge: is: the: 117. songe:.'; Notes: in plainchant notation throughout;
295	Adesto sancta Trinitas II	mr: S:.	Sheppard, John (ca. 1515–1558)
Adesto sancta Trinitas II Sheppard, John (ca. 1515–1558) Appears on: 295 Genres: Motet Source Attribution: mr: S:. Voice: [no designation] Languages: Latin Clef: g2 Voice Text: Te celoru[m] milicia General Note Annotations/Corrections: at end of previous piece: 'This: songe: folowinge: is: the: 117. songe:.'; Notes: in two last lines (at end of a section and of the whole piece) notes split (both times B-E);
296–299	De Lamentatione Jeremiae	mr: John: mundie: of: windsore:	Mundy, John (ca. 1555–1630)
De Lamentatione Jeremiae Mundy, John (ca. 1555–1630) Appears on: 296–299 Genres: Lamentations, Motet Source Attribution: mr: John: mundie: of: windsore: Voice: [no designation] Languages: Latin, Hebrew Clef: c1 Voice Text: De lamentacione [...] Jeremie prophete General Note Annotations/Corrections: at top: 'v: voc:'; Notes: several times a natural sign before a top F as a precautionary sign;
299–302	Lamentations (II) a6	mr: whytt: batchelar: of: musick:.	White, Robert (ca. 1538–1574)
Lamentations (II) a6 White, Robert (ca. 1538–1574) Appears on: 299–302 Genres: Lamentations, Motet Source Attribution: mr: whytt: batchelar: of: musick:. Voice: [no designation] Languages: Latin, Hebrew Clef: c2 Voice Text: Heth / Feth Sordes eius
303–308	Tallis and Byrd, 'Cantiones Sacrae' (1575), title page and prelims	-	-
Tallis and Byrd, 'Cantiones Sacrae' (1575), title page and prelims Appears on: 303–308
309	Salvator mundi (I)	T. Tallis	Tallis, Thomas (ca. 1505–1585)
Salvator mundi (I) Tallis, Thomas (ca. 1505–1585) Appears on: 309 Genres: Motet Source Attribution: T. Tallis Voice: [no designation] Languages: Latin Clef: c1 Voice Text: SAluator mu[n]di salua nos General Note Annotations/Corrections: at top: 'V. Voc.';
310–311	Absterge Domine	T. Tallis	Tallis, Thomas (ca. 1505–1585)
Absterge Domine Tallis, Thomas (ca. 1505–1585) Appears on: 310–311 Source Attribution: T. Tallis Voice: [no designation] Languages: Latin Clef: c2 Voice Text: ABsterge Domine General Note Annotations/Corrections: at top: 'V. Voc.';
312	In manus tuas Domine	T. Tallis	Tallis, Thomas (ca. 1505–1585)
In manus tuas Domine Tallis, Thomas (ca. 1505–1585) Appears on: 312 Genres: Motet Source Attribution: T. Tallis Voice: [no designation] Languages: Latin Clef: g2 Voice Text: In manus tuas Domine General Note Annotations/Corrections: at top: 'V. Voc.';
313	Emendemus - 1a pars (of 2): Emendemus in melius	W. Birdi.	Byrd, William (ca. 1540–1623)
Emendemus - 1a pars (of 2): Emendemus in melius Byrd, William (ca. 1540–1623) Appears on: 313 Genres: Motet Source Attribution: W. Birdi. Voice: [no designation] Languages: Latin Clef: g2 Voice Text: Emendemus in melius General Note Annotations/Corrections: at top: 'V. Voc.'; 'Secunda pars' in penultimate line;
313	Emendemus - 2a pars (of 2): Adiuva nos Deus	-	Byrd, William (ca. 1540–1623)
Emendemus - 2a pars (of 2): Adiuva nos Deus Byrd, William (ca. 1540–1623) Appears on: 313 Genres: Motet
314–315	Libera me domine et pone me (2p. Dies mei transierunt)	W. Birdi.	Byrd, William (ca. 1540–1623)
Libera me domine et pone me (2p. Dies mei transierunt) Byrd, William (ca. 1540–1623) Appears on: 314–315 Genres: Anthem Source Attribution: W. Birdi. Voice: [no designation] Languages: Latin Clef: c1 Voice Text: LIbera me Domine General Note Annotations/Corrections: at top: 'V. Voc.'; in penultimate line of p. 314: 'Secunda pars';
316–317	Peccantem me quotidie	W. Birdi.	Byrd, William (ca. 1540–1623)
Peccantem me quotidie Byrd, William (ca. 1540–1623) Appears on: 316–317 Source Attribution: W. Birdi. Voice: [no designation] Languages: Latin Clef: g2 Voice Text: Peccante[m] me quotidie General Note Annotations/Corrections: at top: 'V. Voc.';
318	Mihi autem nimis honorati sunt	T. Tallis	Tallis, Thomas (ca. 1505–1585)
Mihi autem nimis honorati sunt Tallis, Thomas (ca. 1505–1585) Appears on: 318 Genres: Motet Source Attribution: T. Tallis Voice: [no designation] Languages: Latin Clef: c1 Voice Text: MIhi aute[m] nimishonorati sunt General Note Annotations/Corrections: at top: 'V. Voc.';
319	O nata lux de lumine	T. Tallis	Tallis, Thomas (ca. 1505–1585)
O nata lux de lumine Tallis, Thomas (ca. 1505–1585) Appears on: 319 Source Attribution: T. Tallis Voice: [no designation] Languages: Latin Clef: g2 Voice Text: O nata lux de lumine General Note Annotations/Corrections: at top: 'V. Voc.';
320–321	O sacrum convivium in quo Christus sumitur	T. Tallis	Tallis, Thomas (ca. 1505–1585)
O sacrum convivium in quo Christus sumitur Tallis, Thomas (ca. 1505–1585) Appears on: 320–321 Genres: Motet Source Attribution: T. Tallis Voice: [no designation] Languages: Latin Clef: c1 Voice Text: O Sacru[m] co[n]uiuium General Note Annotations/Corrections: at top: 'V. Voc.';
322–323	Aspice Domine quia facta est (6vv)	W. Birdi.	Byrd, William (ca. 1540–1623)
Aspice Domine quia facta est (6vv) Byrd, William (ca. 1540–1623) Appears on: 322–323 Genres: Motet Source Attribution: W. Birdi. Voice: [no designation] Languages: Latin Clef: c1 Voice Text: ASpice Domine General Note Annotations/Corrections: at top: 'VI. Voc.';
324–325	Attollite portas	W. Birdi.	Byrd, William (ca. 1540–1623)
Attollite portas Byrd, William (ca. 1540–1623) Appears on: 324–325 Genres: Psalm Source Attribution: W. Birdi. Voice: [no designation] Languages: Latin Clef: c1 Voice Text: ATtolite portas General Note Annotations/Corrections: at top: 'VI. Voc.'; signum congruentiae in third line on p. 325 and at end, with beginning of repeat written out;
326	O lux beata trinitas et principalis (2p.Te mane laudum carmine te deprecamur; 3p. Deo patri sit gloria eiusque soli)	W. Birdi.	Byrd, William (ca. 1540–1623)
O lux beata trinitas et principalis (2p.Te mane laudum carmine te deprecamur; 3p. Deo patri sit gloria eiusque soli) Byrd, William (ca. 1540–1623) Appears on: 326 Genres: Motet Source Attribution: W. Birdi. Voice: [no designation] Languages: Latin Clef: c1 Voice Text: O Lux beata trinitas General Note Annotations/Corrections: at top: 'HYMNVS. VI. Voc.';
327	Deo Patri sit gloria	W. Birdi.	Byrd, William (ca. 1540–1623)
Deo Patri sit gloria Byrd, William (ca. 1540–1623) Appears on: 327 Source Attribution: W. Birdi. Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Deo Patri sit gloria General Note Annotations/Corrections: at top: 'CANON. VI. Voc.';
328–329	Derelinquit impius viam suam	T. Tallis	Tallis, Thomas (ca. 1505–1585)
Derelinquit impius viam suam Tallis, Thomas (ca. 1505–1585) Appears on: 328–329 Source Attribution: T. Tallis Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Dereli[n]quit impius viam suam General Note Annotations/Corrections: at top: 'V. Voc.';
330	Dum transisset sabbatum, Maria Magdalene / Aromata emerunt	T. Tallis	Tallis, Thomas (ca. 1505–1585)
Dum transisset sabbatum, Maria Magdalene / Aromata emerunt Tallis, Thomas (ca. 1505–1585) Appears on: 330 Genres: Motet Source Attribution: T. Tallis Voice: [no designation] Languages: Latin Clef: g1 Voice Text: Sabbathum Maria Magdalena General Note Annotations/Corrections: at top: 'V. Voc.'; signum congruentiae in third and fourth line;
331	Honor, virtus et potestas	T. Tallis	Tallis, Thomas (ca. 1505–1585)
Honor, virtus et potestas Tallis, Thomas (ca. 1505–1585) Appears on: 331 Source Attribution: T. Tallis Voice: [no designation] Languages: Latin Clef: g1 Voice Text: Virtus, Honor, virtus [...] & potestas General Note Annotations/Corrections: at top: 'V. Voc.'; signum congruentiae in fourth line;
332–333	Sermone blando Illae dum pergunt concitae Apostolis	T. Tallis	Tallis, Thomas (ca. 1505–1585)
Sermone blando Illae dum pergunt concitae Apostolis Tallis, Thomas (ca. 1505–1585) Appears on: 332–333 Genres: Motet Source Attribution: T. Tallis Voice: [no designation] Languages: Latin Clef: c1 Voice Text: ILlae du[m] pergu[n]t co[n]citae Apostolis General Note Annotations/Corrections: at top: 'HYMNVS. V. Voc.';
334–335	Laudate pueri Dominum	W. Birdi.	Byrd, William (ca. 1540–1623)
Laudate pueri Dominum Byrd, William (ca. 1540–1623) Appears on: 334–335 Source Attribution: W. Birdi. Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Laudate pueri Dominum General Note Annotations/Corrections: at top: 'VI. Voc.';
336	Memento homo quod cinis es	W. Birdi.	Byrd, William (ca. 1540–1623)
Memento homo quod cinis es Byrd, William (ca. 1540–1623) Appears on: 336 Source Attribution: W. Birdi. Voice: [no designation] Languages: Latin Clef: c1 Voice Text: MEmento homo quod cinis es General Note Annotations/Corrections: at top: 'VI. Voc.';
337	Siderum rector Deus alme	W. Birdi.	Byrd, William (ca. 1540–1623)
Siderum rector Deus alme Byrd, William (ca. 1540–1623) Appears on: 337 Source Attribution: W. Birdi. Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Siderum rector Deus alme General Note Annotations/Corrections: at top: 'HYMNVS. V. Voc.';
338	Procul recedant omnia	T. Tallis	Tallis, Thomas (ca. 1505–1585)
Procul recedant omnia Tallis, Thomas (ca. 1505–1585) Appears on: 338 Source Attribution: T. Tallis Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Procul recedant somnia General Note Annotations/Corrections: at top: 'HYMNVS. V. Voc.';
339	Salvator mundi (II)	T. Tallis	Tallis, Thomas (ca. 1505–1585)
Salvator mundi (II) Tallis, Thomas (ca. 1505–1585) Appears on: 339 Genres: Motet Source Attribution: T. Tallis Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Saluator mu[n]di salua nos General Note Annotations/Corrections: at top: 'V. Voc.';
340–341	Candidi Facti sunt = Facti sunt Nazarei eius candidi	T. Tallis	Tallis, Thomas (ca. 1505–1585)
Candidi Facti sunt = Facti sunt Nazarei eius candidi Tallis, Thomas (ca. 1505–1585) Appears on: 340–341 Genres: Motet Source Attribution: T. Tallis Voice: [no designation] Languages: Latin Clef: c2 Voice Text: FActi sunt nazarei eius candidi General Note Annotations/Corrections: at top: 'V. Voc.'; signum congruentiae in fourth line of p. 340 and at the end;
342–343	De Tribulatione	W. Birdi.	Byrd, William (ca. 1540–1623)
De Tribulatione Byrd, William (ca. 1540–1623) Appears on: 342–343 Source Attribution: W. Birdi. Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Da mihi auxilium General Note Annotations/Corrections: at top: 'VI. Voc.';
344–345	Domine secundum actum meum	W. Birdi.	Byrd, William (ca. 1540–1623)
Domine secundum actum meum Byrd, William (ca. 1540–1623) Appears on: 344–345 Source Attribution: W. Birdi. Voice: [no designation] Languages: Latin Clef: c1 Voice Text: DOmine, secundu[m] actum meum General Note Annotations/Corrections: at top: 'VI. Voc.'; on top of p. 345 'SECVNDA PARS' ('IDeo de precor); at bottom of p. 344, at end of last line, a flower - matching with the same flower at the beginning of the bottom line on the following page: the music continues over the page break;
346–347	Diliges Dominum Deum	W. Birdi.	Byrd, William (ca. 1540–1623)
Diliges Dominum Deum Byrd, William (ca. 1540–1623) Appears on: 346–347 Source Attribution: W. Birdi. Voice: [no designation] Languages: Latin Clef: c1 Voice Text: DIliges Dominu[m] Deum General Note Annotations/Corrections: at top: 'CANON. VIII. Voc.'; before first line of music: 'Duae partes in vna recte & retro.' - text is entered under the staves and (upside down) on top of the staves;
348–349	In ieiunio et fletu	T. Tallis	Tallis, Thomas (ca. 1505–1585)
In ieiunio et fletu Tallis, Thomas (ca. 1505–1585) Appears on: 348–349 Source Attribution: T. Tallis Voice: [no designation] Languages: Latin Clef: c3 Voice Text: In ieiunio & fletu General Note Annotations/Corrections: at top: 'V. Voc.';
350–352	Suscipe quaeso Domine II: Si enim iniquitates	T. Tallis	Tallis, Thomas (ca. 1505–1585)
Suscipe quaeso Domine II: Si enim iniquitates Tallis, Thomas (ca. 1505–1585) Appears on: 350–352 Genres: Motet Source Attribution: T. Tallis Voice: [no designation] Languages: Latin Clef: c1 Voice Text: S Suscipe quaeso Domine vocem confitentis General Note Annotations/Corrections: at top: 'VII. Voc.'; on top of p. 352, SECVNDA PARS' ('SI enim iniquitates'); Notes: SECVNDA PARS' ('SI enim iniquitates') on p. 352;
353	Miserere mihi Domine	W. Birdi.	Byrd, William (ca. 1540–1623)
Miserere mihi Domine Byrd, William (ca. 1540–1623) Appears on: 353 Source Attribution: W. Birdi. Voice: [no designation] Languages: Latin Clef: c1 Voice Text: MIserere mihi Domine General Note Annotations/Corrections: at top: 'VI. Voc.'; in middle of second line 'CANON.';
354	Tribue Domine	W. Birdi.	Byrd, William (ca. 1540–1623)
Tribue Domine Byrd, William (ca. 1540–1623) Appears on: 354 Genres: Motet Source Attribution: W. Birdi. Voice: [no designation] Languages: Latin Clef: c1 Voice Text: LAudet te cor meu[m] General Note Annotations/Corrections: at top: 'VI. Voc.';
355	Te Deprecor	W. Birdi.	Byrd, William (ca. 1540–1623)
Te Deprecor Byrd, William (ca. 1540–1623) Appears on: 355 Genres: Motet Source Attribution: W. Birdi. Voice: [no designation] Languages: Latin Clef: c1 Voice Text: FAc nos per ipsa[m] gratiam tuam General Note Annotations/Corrections: at top: 'VI. Voc.'; Notes: Secunda pars of 'Tribue, Domine';
356–357	Gloria Patri; Tertia pars of 'Tribue, Domine'	W. Birdi.	Byrd, William (ca. 1540–1623)
Gloria Patri; Tertia pars of 'Tribue, Domine' Byrd, William (ca. 1540–1623) Appears on: 356–357 Source Attribution: W. Birdi. Voice: [no designation] Languages: Latin Clef: c1 Voice Text: GLoria Spiritui sancto General Note Annotations/Corrections: at top: 'VI. Voc.'; Notes: Tertia pars of 'Tribue, Domine';
358	Libera me domine de morte aeterna	W. Birdi.	Byrd, William (ca. 1540–1623)
Libera me domine de morte aeterna Byrd, William (ca. 1540–1623) Appears on: 358 Source Attribution: W. Birdi. Voice: [no designation] Languages: Latin Clef: c1 Voice Text: LIbera me Domine General Note Annotations/Corrections: at top: 'V. Voc.';
359	Miserere nostri Domine	T. Tallis	Tallis, Thomas (ca. 1505–1585)
Miserere nostri Domine Tallis, Thomas (ca. 1505–1585) Appears on: 359 Source Attribution: T. Tallis Voice: [no designation] Languages: Latin Clef: c1 Voice Text: MIserere nostri Domine General Note Annotations/Corrections: at top: 'VII. Voc.'; at beginning (before first line): 'Due partes in vna, Canon in vnisonus.'; signum congruentiae in top and in bottom line;
360	[blank]	-	-
[blank] Appears on: 360
361–363	Tallis and Byrd, 'Cantiones Sacrae' (1575), title page and prelims	-	-
Tallis and Byrd, 'Cantiones Sacrae' (1575), title page and prelims Appears on: 361–363
364	-	-	Anonymous
[Unknown Title] Appears on: 364
365	Extract of letters patents to Tallis and Byrd	-	Anonymous
Extract of letters patents to Tallis and Byrd Anonymous Appears on: 365
366–368	-	-	Anonymous
[Unknown Title] Appears on: 366–368

Composer	Compositions
Anonymous	Confitebor tibi Domine – 129–130 Ecce nunc benedicite I – 185–186 Ecce nunc benedicite II – 186–187 Extract of letters patents to Tallis and Byrd – 365 [No description] – 366–368 [No description] – 303–308 [No description] – 364 [No description] – 360 [No description] – 361–363
Aston, Hugh (ca. 1485–1558)	Hugh Aston's Maske – 289–291
Baldwin, John (ca. 1560–1615)	Fancy a3 – 291–292 Pater noster – 287–288 Redime me Domine – 287
Bevin, Elway	Browning a3 – 292–294
Byrd, William (ca. 1540–1623)	Afflicti pro peccatis – 269–270 Apparebit in finem – 21–22 Aspice Domine de sede sancta (5vv) [2p. Respice Domine] – 122–123 Aspice Domine quia facta est (6vv) – 322–323 Attollite portas – 324–325 Audivi vocem de caelo – 23–24 Benigne fac, Domine – 67 Circumdederunt me dolores mortis – 68 Cunctis diebus quibus nunc milito – 140–141 De Tribulatione – 342–343 Deo Patri sit gloria – 327 Deus in adjutorium meum intende – 263–265 Diliges Dominum Deum – 346–347 Domine Deus omnipotens – 17–19 Domine ante te omne desiderium meum – 265–266 Domine exaudi orationem meam (2p. Et non intres) – 29–30 Domine praestolamur [2p. Veni domine] – 117–118 Domine secundum actum meum – 344–345 Emendemus - 1a pars (of 2): Emendemus in melius – 313 Emendemus - 2a pars (of 2): Adiuva nos Deus – 313 Exsurge Domine quare obdormis? (or, Exsurge quare obdormis Domine) – 65–67 Fantasia a6 (I) in F – 282–283 Gloria Patri; Tertia pars of 'Tribue, Domine' – 356–357 Infelix ego omnium (2p. Quid igitur faciam; 3p. Ad te igitur) – 259–263 Lamentations: De lamentatione Jeremiae – 62–65 Laudate pueri Dominum – 334–335 Levemus corda nostra – 24–25 Libera me domine de morte aeterna – 358 Libera me domine et pone me (2p. Dies mei transierunt) – 314–315 Memento Domine – 26–27 Memento homo quod cinis es – 336 Miserere mihi Domine – 353 Ne irascaris Domine [2p. Civitas sancti tui] – 119–120 Ne perdas cum impiis – 31–32 O Domine adjuva me – 27–28 O lux beata trinitas et principalis (2p.Te mane laudum carmine te deprecamur; 3p. Deo patri sit gloria eiusque soli) – 326 O quam gloriosum est regnum (2p. Benedictio et claritas) – 19–21 O salutaris hostia I – 266–267 Omni tempore benedic Deum [2p. Memor esto fili] – 30–31 Peccantem me quotidie – 316–317 Peccavi super numerum – 25–26 Reges Tharsis et insulae – 144 Sacris solemniis juncta – 32–33 Siderum rector Deus alme – 337 Te Deprecor – 355 Tribue Domine – 354 Tribulationes civitatum [2p. Timor et hebitudo, 3p. Nos enim pro peccatis] – 120–122 Tristitia et anxietas, Domine tu jurasti (2p. Sed tu domine) – 142–143 Vide domine afflictionem nostram et in tempore (2p. Sed veni domine et noli tardare) – 54–56
Daman, William	Beati omnes – 285 Confitebor tibi Domine – 69–70 Omnis caro gramen sit – 188–189 Praedicabo laudes tuae – 187–188
Douglas, Patrick	In convertendo Dominus [2a pars: Convertere Domine] – 80–82
Fayrfax, Robert (1464–1521)	Ave Dei patris filia – 87–91
Ferrabosco, Alfonso (the elder) (1543–1588)	Da pacem Domine (II) (C28) – 185 De Lamentatione Jeremiae (C64) – 77–79
Gerarde, Derrick (fl. c1540–1580)	Sive vigilem – 274–275
Hollander, Christian	(?) Dum transisset sabbatum Maria Magdalena II: Et valde mane una sabbatorum veniunt – 43–45
Hollander, Sebastian	(?) Dum transisset sabbatum Maria Magdalena II: Et valde mane una sabbatorum veniunt – 43–45
Johnson (I), Robert (ca. 1500–ca. 1560)	Domine in virtute tua (I) (2p: Magna gloria eius) – 10–13
Lassus, Orlande de (ca. 1532–1594)	Ubi est Abel frater tuus dixit Dominus – 103
Mundy, John (ca. 1555–1630)	Aedes nostra sancta – 56–57 De Lamentatione Jeremiae – 296–299 Dum transisset sabbatum – 282 In te Domine speravi – 104–108
Mundy, William (ca. 1528–ca. 1591)	A solis ortus cardine ad usque terrae – 164–167 Adhesit pavimento – 130–133 Adolescentulus sum ego – 225–226 Beati immaculati in via – 115–117 Beatus et sanctus – 69 Domine non est exaltatum – 234–235 Domine quis habitabit – 229–231 Eructavit cor meum – 244–248 Maria virgo sanctissima – 254–259 Memor esto verbi tui – 149–151 Noli aemulari in malignantibus – 134–138 Sive vigilem – 152 Veni creator spiritus mentes tuorum – 156 Videte miraculum – 154–155 Vox Patris caelestis – 248–254
Parsons (I), Robert (ca. 1535–ca. 1572)	Credo quod redemptor meus vivit – 237–238 Domine quis habitabit – 228–229 Jam Christus astra – 279–281 Libera me Domine de morte aeterna – 167–168 O bone Jesu – 108–111 Peccantem me quotidie – 153 Retribue servo tuo – 113–115 The song called trumpets = Lusty Gallant – 284
Redford, John (–1547)	Sint lumbi vesti praecincti – 182–183
Sheppard, John (ca. 1515–1558)	A solis ortus cardine ad usque terrae – 192–194 Adesto sancta Trinitas I – 200–201 Adesto sancta Trinitas II – 295 Aeternae rex altissimae – 157–158 Ave maris stella – 199–200 Beata nobis gaudia – 190 Beati omnes qui timent Dominum – 4–6 Christe redemptor omnium – 160 Christi virgo dilectissima – 175–176 Confitebor tibi Domine – 8–10 Deus misereator nostri [2p. Ut cognoscamus; 3p. Confiteantur; 4p. Letentur; 5p. Benedicat] – 6–8 Deus tuorum militum (I) – 159–160 Deus tuorum militum (II) – 160–161 Dum transisset sabbatum [II] – 277 Dum transisset sabbatum [I] – 197–198 Filiae Jerusalem – 276–277 Gaude, gaude, gaude Maria, virgo cunctas – 178–181 Haec dies – 272–273 Hostis Herodes impie – 201 Impetum fecerunt unanimes – 171–172 Jam Christus astra – 198–199 Jesu salvator saeculi, Redemptis – 158–159 Jesu salvator saeculi, Verbum – 278–279 Judica me, Deus – 1–3 Justi autem in perpetuum – 171 Laudem dicite Deo nostro – 36–37 Laudem dicite Deo nostro – 15–16 Libera nos, salva nos [II] – 281–282 Libera nos, salva nos [I] – 281 Martyr Dei qui unicum – 201–202 Media vita in morte sumus – 202–204 Non conturbetur cor vestrum I – 174–175 Non conturbetur cor vestrum II – 176–177 Reges Tharsis et insulae – 177–178 Sacris solemniis juncta – 191–192 Salvator mundi Domine – 277–278 Sancte Dei preciose – 172–173 Spiritus sanctus procedens I – 271–272 Spiritus sanctus procedens [II] – 35–36 Te Deum laudamus – 195–197 Verbum caro factum est de virgine Maria – 270–271
Strabridge, John	Dum transisset sabbatum – 22–23
Tallis, Thomas (ca. 1505–1585)	Absterge Domine – 310–311 Candidi Facti sunt = Facti sunt Nazarei eius candidi – 340–341 Derelinquit impius viam suam – 328–329 Derelinquit impius viam suam – 267–268 Domine quis habitabit [2p. Ad nihillum deductus] – 138–140 Dum transisset sabbatum, Maria Magdalene / Aromata emerunt – 33 Dum transisset sabbatum, Maria Magdalene / Aromata emerunt – 330 Evening service in Latin: Magnificat – 124–126 Evening service in Latin: Nunc dimittis – 126 Gaude gloriosa Dei mater – 207–211 Homo quidam fecit caenam magnam et misit – 173 Honor, virtus et potestas – 331 Iam Christus astra – 162 In ieiunio et fletu – 348–349 In manus tuas Domine – 312 Jesu salvator saeculi, Verbum – 162–163 Lamentations (I) : Incipit lamentatio Jeremiae - Aleph - Beth - Convertere Jerusalem – 75–77 Lamentations (II): De lamentatione Jeremiae - Gimel - Daleth - Heth - Convertere Jerusalem – 72–75 Laudate Dominum omnes gentes, laudate eum – 70–71 Loquebantur variis linguis – 189 Mihi autem nimis honorati sunt – 318 Miserere nostri Domine – 359 O nata lux de lumine – 319 O sacrum convivium in quo Christus sumitur – 320–321 Procul recedant omnia – 338 Quod chorus vatum haec Deum – 161 Salvator mundi (I) – 309 Salvator mundi (I) – 163–164 Salvator mundi (II) – 339 Salve intemerata virgo Maria – 83–87 Sermone blando Illae dum pergunt concitae Apostolis – 332–333 Suscipe quaeso Domine II: Si enim iniquitates – 350–352 Videte miraculum – 273–274
Taverner, John	Ave Dei patris filia – 96–99 Christe Jesu pastor bone – 102 Dum transisset sabbatum [I - 5vv] – 34 Dum transisset sabbatum [II - 4vv] – 34–35 Gaude plurimum [2p. Gaude Maria virgo, 3p. Gaude Maria, Jesu mater] – 92–95 Mater Christi sanctissima virgo [= O most holy and mighty Lord] – 100–101 Missa Gloria tibi Trinitas: Agnus dei – 241–242 Missa Gloria tibi Trinitas: Benedictus – 241 Missa Gloria tibi Trinitas: Credo – 239–240 Missa Gloria tibi Trinitas: Gloria – 238–239 Missa Gloria tibi Trinitas: Sanctus – 240–241 O splendor gloriae – 45–49 Quemadmodum – 285–286 Te Deum laudamus – 38–40
Tye, Christopher (ca. 1505–ca. 1573)	Cantate Domino canticum novum cantate – 216–218 Miserere mei Deus – 40–43 Peccavimus cum patribus nostris – 211–213 Quaesumus omnipotens – 214–215
Van Wilder, Phillip	Aspice Domine quia facta est [2p. Plorans ploravit in nocte] – 14–15
White, Robert (ca. 1538–1574)	Ad te levavi oculos meos qui habitas II: Adjutorium nostrum in nomine Domini – 183–184 Deus misereatur nostri et benedicat nobis – 218–222 Domine non est exaltatum – 231–233 Domine quis habitabit (I) – 223–225 Domine quis habitabit (II) [2p. Ad nihillum deductus] – 235–237 Domine quis habitabit (III) – 242–244 Lamentations (I) a5 – 58–62 Lamentations (II) a6 – 299–302 Manus tuae fecerunt me [2p. Veniant mihi] – 126–129 Miserere mei Deus [2p: Cor mundum crea] – 144–149 Portio mea, Domine [2p. Media nocte] – 111–113 Regina caeli laetare – 79–80 Tota pulchra es amica mea et macula – 226–228 [Christe qui lux es (I)] Precamur sancte Domine – 294–295 [Christe qui lux es (II)] Precamur sancte Domine – 156–157 [Christe qui lux es (III)] Precamur sancte Domine – 155
Wood, John	Exsurge Domine – 49–54

Composition	Composers (? Uncertain)	Folios / Pages
[Christe qui lux es (I)] Precamur sancte Domine	White, Robert (ca. 1538–1574)	294–295
[Christe qui lux es (II)] Precamur sancte Domine	White, Robert (ca. 1538–1574)	156–157
[Christe qui lux es (III)] Precamur sancte Domine	White, Robert (ca. 1538–1574)	155
A solis ortus cardine ad usque terrae	Mundy, William (ca. 1528–ca. 1591)	164–167
A solis ortus cardine ad usque terrae	Sheppard, John (ca. 1515–1558)	192–194
Absterge Domine	Tallis, Thomas (ca. 1505–1585)	310–311
Ad te levavi oculos meos qui habitas II: Adjutorium nostrum in nomine Domini	White, Robert (ca. 1538–1574)	183–184
Adesto sancta Trinitas I	Sheppard, John (ca. 1515–1558)	200–201
Adesto sancta Trinitas II	Sheppard, John (ca. 1515–1558)	295
Adhesit pavimento	Mundy, William (ca. 1528–ca. 1591)	130–133
Adolescentulus sum ego	Mundy, William (ca. 1528–ca. 1591)	225–226
Aedes nostra sancta	Mundy, John (ca. 1555–1630)	56–57
Aeternae rex altissimae	Sheppard, John (ca. 1515–1558)	157–158
Afflicti pro peccatis	Byrd, William (ca. 1540–1623)	269–270
Apparebit in finem	Byrd, William (ca. 1540–1623)	21–22
Aspice Domine de sede sancta (5vv) [2p. Respice Domine]	Byrd, William (ca. 1540–1623)	122–123
Aspice Domine quia facta est (6vv)	Byrd, William (ca. 1540–1623)	322–323
Aspice Domine quia facta est [2p. Plorans ploravit in nocte]	Van Wilder, Phillip	14–15
Attollite portas	Byrd, William (ca. 1540–1623)	324–325
Audivi vocem de caelo	Byrd, William (ca. 1540–1623)	23–24
Ave Dei patris filia	Fayrfax, Robert (1464–1521)	87–91
Ave Dei patris filia	Taverner, John	96–99
Ave maris stella	Sheppard, John (ca. 1515–1558)	199–200
Beata nobis gaudia	Sheppard, John (ca. 1515–1558)	190
Beati immaculati in via	Mundy, William (ca. 1528–ca. 1591)	115–117
Beati omnes	Daman, William	285
Beati omnes qui timent Dominum	Sheppard, John (ca. 1515–1558)	4–6
Beatus et sanctus	Mundy, William (ca. 1528–ca. 1591)	69
Benigne fac, Domine	Byrd, William (ca. 1540–1623)	67
Browning a3	Bevin, Elway	292–294
Candidi Facti sunt = Facti sunt Nazarei eius candidi	Tallis, Thomas (ca. 1505–1585)	340–341
Cantate Domino canticum novum cantate	Tye, Christopher (ca. 1505–ca. 1573)	216–218
Christe Jesu pastor bone	Taverner, John	102
Christe redemptor omnium	Sheppard, John (ca. 1515–1558)	160
Christi virgo dilectissima	Sheppard, John (ca. 1515–1558)	175–176
Circumdederunt me dolores mortis	Byrd, William (ca. 1540–1623)	68
Confitebor tibi Domine	Sheppard, John (ca. 1515–1558)	8–10
Confitebor tibi Domine	Daman, William	69–70
Confitebor tibi Domine	Anonymous	129–130
Credo quod redemptor meus vivit	Parsons (I), Robert (ca. 1535–ca. 1572)	237–238
Cunctis diebus quibus nunc milito	Byrd, William (ca. 1540–1623)	140–141
Da pacem Domine (II) (C28)	Ferrabosco, Alfonso (the elder) (1543–1588)	185
De Lamentatione Jeremiae	Mundy, John (ca. 1555–1630)	296–299
De Lamentatione Jeremiae (C64)	Ferrabosco, Alfonso (the elder) (1543–1588)	77–79
De Tribulatione	Byrd, William (ca. 1540–1623)	342–343
Deo Patri sit gloria	Byrd, William (ca. 1540–1623)	327
Derelinquit impius viam suam	Tallis, Thomas (ca. 1505–1585)	267–268
Derelinquit impius viam suam	Tallis, Thomas (ca. 1505–1585)	328–329
Deus in adjutorium meum intende	Byrd, William (ca. 1540–1623)	263–265
Deus misereator nostri [2p. Ut cognoscamus; 3p. Confiteantur; 4p. Letentur; 5p. Benedicat]	Sheppard, John (ca. 1515–1558)	6–8
Deus misereatur nostri et benedicat nobis	White, Robert (ca. 1538–1574)	218–222
Deus tuorum militum (I)	Sheppard, John (ca. 1515–1558)	159–160
Deus tuorum militum (II)	Sheppard, John (ca. 1515–1558)	160–161
Diliges Dominum Deum	Byrd, William (ca. 1540–1623)	346–347
Domine ante te omne desiderium meum	Byrd, William (ca. 1540–1623)	265–266
Domine Deus omnipotens	Byrd, William (ca. 1540–1623)	17–19
Domine exaudi orationem meam (2p. Et non intres)	Byrd, William (ca. 1540–1623)	29–30
Domine in virtute tua (I) (2p: Magna gloria eius)	Johnson (I), Robert (ca. 1500–ca. 1560)	10–13
Domine non est exaltatum	White, Robert (ca. 1538–1574)	231–233
Domine non est exaltatum	Mundy, William (ca. 1528–ca. 1591)	234–235
Domine praestolamur [2p. Veni domine]	Byrd, William (ca. 1540–1623)	117–118
Domine quis habitabit	Parsons (I), Robert (ca. 1535–ca. 1572)	228–229
Domine quis habitabit	Mundy, William (ca. 1528–ca. 1591)	229–231
Domine quis habitabit (I)	White, Robert (ca. 1538–1574)	223–225
Domine quis habitabit (II) [2p. Ad nihillum deductus]	White, Robert (ca. 1538–1574)	235–237
Domine quis habitabit (III)	White, Robert (ca. 1538–1574)	242–244
Domine quis habitabit [2p. Ad nihillum deductus]	Tallis, Thomas (ca. 1505–1585)	138–140
Domine secundum actum meum	Byrd, William (ca. 1540–1623)	344–345
Dum transisset sabbatum	Strabridge, John	22–23
Dum transisset sabbatum	Mundy, John (ca. 1555–1630)	282
Dum transisset sabbatum [I - 5vv]	Taverner, John	34
Dum transisset sabbatum [I]	Sheppard, John (ca. 1515–1558)	197–198
Dum transisset sabbatum [II - 4vv]	Taverner, John	34–35
Dum transisset sabbatum [II]	Sheppard, John (ca. 1515–1558)	277
Dum transisset sabbatum Maria Magdalena II: Et valde mane una sabbatorum veniunt	Hollander, Sebastian (?) Hollander, Christian (?)	43–45
Dum transisset sabbatum, Maria Magdalene / Aromata emerunt	Tallis, Thomas (ca. 1505–1585)	33
Dum transisset sabbatum, Maria Magdalene / Aromata emerunt	Tallis, Thomas (ca. 1505–1585)	330
Ecce nunc benedicite I	Anonymous	185–186
Ecce nunc benedicite II	Anonymous	186–187
Emendemus - 1a pars (of 2): Emendemus in melius	Byrd, William (ca. 1540–1623)	313
Emendemus - 2a pars (of 2): Adiuva nos Deus	Byrd, William (ca. 1540–1623)	313
Eructavit cor meum	Mundy, William (ca. 1528–ca. 1591)	244–248
Evening service in Latin: Magnificat	Tallis, Thomas (ca. 1505–1585)	124–126
Evening service in Latin: Nunc dimittis	Tallis, Thomas (ca. 1505–1585)	126
Exsurge Domine	Wood, John	49–54
Exsurge Domine quare obdormis? (or, Exsurge quare obdormis Domine)	Byrd, William (ca. 1540–1623)	65–67
Extract of letters patents to Tallis and Byrd	Anonymous	365
Fancy a3	Baldwin, John (ca. 1560–1615)	291–292
Fantasia a6 (I) in F	Byrd, William (ca. 1540–1623)	282–283
Filiae Jerusalem	Sheppard, John (ca. 1515–1558)	276–277
Gaude gloriosa Dei mater	Tallis, Thomas (ca. 1505–1585)	207–211
Gaude plurimum [2p. Gaude Maria virgo, 3p. Gaude Maria, Jesu mater]	Taverner, John	92–95
Gaude, gaude, gaude Maria, virgo cunctas	Sheppard, John (ca. 1515–1558)	178–181
Gloria Patri; Tertia pars of 'Tribue, Domine'	Byrd, William (ca. 1540–1623)	356–357
Haec dies	Sheppard, John (ca. 1515–1558)	272–273
Homo quidam fecit caenam magnam et misit	Tallis, Thomas (ca. 1505–1585)	173
Honor, virtus et potestas	Tallis, Thomas (ca. 1505–1585)	331
Hostis Herodes impie	Sheppard, John (ca. 1515–1558)	201
Hugh Aston's Maske	Aston, Hugh (ca. 1485–1558)	289–291
Iam Christus astra	Tallis, Thomas (ca. 1505–1585)	162
Impetum fecerunt unanimes	Sheppard, John (ca. 1515–1558)	171–172
In convertendo Dominus [2a pars: Convertere Domine]	Douglas, Patrick	80–82
In ieiunio et fletu	Tallis, Thomas (ca. 1505–1585)	348–349
In manus tuas Domine	Tallis, Thomas (ca. 1505–1585)	312
In te Domine speravi	Mundy, John (ca. 1555–1630)	104–108
Infelix ego omnium (2p. Quid igitur faciam; 3p. Ad te igitur)	Byrd, William (ca. 1540–1623)	259–263
Jam Christus astra	Sheppard, John (ca. 1515–1558)	198–199
Jam Christus astra	Parsons (I), Robert (ca. 1535–ca. 1572)	279–281
Jesu salvator saeculi, Redemptis	Sheppard, John (ca. 1515–1558)	158–159
Jesu salvator saeculi, Verbum	Tallis, Thomas (ca. 1505–1585)	162–163
Jesu salvator saeculi, Verbum	Sheppard, John (ca. 1515–1558)	278–279
Judica me, Deus	Sheppard, John (ca. 1515–1558)	1–3
Justi autem in perpetuum	Sheppard, John (ca. 1515–1558)	171
Lamentations (I) : Incipit lamentatio Jeremiae - Aleph - Beth - Convertere Jerusalem	Tallis, Thomas (ca. 1505–1585)	75–77
Lamentations (I) a5	White, Robert (ca. 1538–1574)	58–62
Lamentations (II) a6	White, Robert (ca. 1538–1574)	299–302
Lamentations (II): De lamentatione Jeremiae - Gimel - Daleth - Heth - Convertere Jerusalem	Tallis, Thomas (ca. 1505–1585)	72–75
Lamentations: De lamentatione Jeremiae	Byrd, William (ca. 1540–1623)	62–65
Laudate Dominum omnes gentes, laudate eum	Tallis, Thomas (ca. 1505–1585)	70–71
Laudate pueri Dominum	Byrd, William (ca. 1540–1623)	334–335
Laudem dicite Deo nostro	Sheppard, John (ca. 1515–1558)	15–16
Laudem dicite Deo nostro	Sheppard, John (ca. 1515–1558)	36–37
Levemus corda nostra	Byrd, William (ca. 1540–1623)	24–25
Libera me Domine de morte aeterna	Parsons (I), Robert (ca. 1535–ca. 1572)	167–168
Libera me domine de morte aeterna	Byrd, William (ca. 1540–1623)	358
Libera me domine et pone me (2p. Dies mei transierunt)	Byrd, William (ca. 1540–1623)	314–315
Libera nos, salva nos [I]	Sheppard, John (ca. 1515–1558)	281
Libera nos, salva nos [II]	Sheppard, John (ca. 1515–1558)	281–282
Loquebantur variis linguis	Tallis, Thomas (ca. 1505–1585)	189
Manus tuae fecerunt me [2p. Veniant mihi]	White, Robert (ca. 1538–1574)	126–129
Maria virgo sanctissima	Mundy, William (ca. 1528–ca. 1591)	254–259
Martyr Dei qui unicum	Sheppard, John (ca. 1515–1558)	201–202
Mater Christi sanctissima virgo [= O most holy and mighty Lord]	Taverner, John	100–101
Media vita in morte sumus	Sheppard, John (ca. 1515–1558)	202–204
Memento Domine	Byrd, William (ca. 1540–1623)	26–27
Memento homo quod cinis es	Byrd, William (ca. 1540–1623)	336
Memor esto verbi tui	Mundy, William (ca. 1528–ca. 1591)	149–151
Mihi autem nimis honorati sunt	Tallis, Thomas (ca. 1505–1585)	318
Miserere mei Deus	Tye, Christopher (ca. 1505–ca. 1573)	40–43
Miserere mei Deus [2p: Cor mundum crea]	White, Robert (ca. 1538–1574)	144–149
Miserere mihi Domine	Byrd, William (ca. 1540–1623)	353
Miserere nostri Domine	Tallis, Thomas (ca. 1505–1585)	359
Missa Gloria tibi Trinitas: Agnus dei	Taverner, John	241–242
Missa Gloria tibi Trinitas: Benedictus	Taverner, John	241
Missa Gloria tibi Trinitas: Credo	Taverner, John	239–240
Missa Gloria tibi Trinitas: Gloria	Taverner, John	238–239
Missa Gloria tibi Trinitas: Sanctus	Taverner, John	240–241
Ne irascaris Domine [2p. Civitas sancti tui]	Byrd, William (ca. 1540–1623)	119–120
Ne perdas cum impiis	Byrd, William (ca. 1540–1623)	31–32
Noli aemulari in malignantibus	Mundy, William (ca. 1528–ca. 1591)	134–138
Non conturbetur cor vestrum I	Sheppard, John (ca. 1515–1558)	174–175
Non conturbetur cor vestrum II	Sheppard, John (ca. 1515–1558)	176–177
O bone Jesu	Parsons (I), Robert (ca. 1535–ca. 1572)	108–111
O Domine adjuva me	Byrd, William (ca. 1540–1623)	27–28
O lux beata trinitas et principalis (2p.Te mane laudum carmine te deprecamur; 3p. Deo patri sit gloria eiusque soli)	Byrd, William (ca. 1540–1623)	326
O nata lux de lumine	Tallis, Thomas (ca. 1505–1585)	319
O quam gloriosum est regnum (2p. Benedictio et claritas)	Byrd, William (ca. 1540–1623)	19–21
O sacrum convivium in quo Christus sumitur	Tallis, Thomas (ca. 1505–1585)	320–321
O salutaris hostia I	Byrd, William (ca. 1540–1623)	266–267
O splendor gloriae	Taverner, John	45–49
Omni tempore benedic Deum [2p. Memor esto fili]	Byrd, William (ca. 1540–1623)	30–31
Omnis caro gramen sit	Daman, William	188–189
Pater noster	Baldwin, John (ca. 1560–1615)	287–288
Peccantem me quotidie	Parsons (I), Robert (ca. 1535–ca. 1572)	153
Peccantem me quotidie	Byrd, William (ca. 1540–1623)	316–317
Peccavi super numerum	Byrd, William (ca. 1540–1623)	25–26
Peccavimus cum patribus nostris	Tye, Christopher (ca. 1505–ca. 1573)	211–213
Portio mea, Domine [2p. Media nocte]	White, Robert (ca. 1538–1574)	111–113
Praedicabo laudes tuae	Daman, William	187–188
Procul recedant omnia	Tallis, Thomas (ca. 1505–1585)	338
Quaesumus omnipotens	Tye, Christopher (ca. 1505–ca. 1573)	214–215
Quemadmodum	Taverner, John	285–286
Quod chorus vatum haec Deum	Tallis, Thomas (ca. 1505–1585)	161
Redime me Domine	Baldwin, John (ca. 1560–1615)	287
Reges Tharsis et insulae	Byrd, William (ca. 1540–1623)	144
Reges Tharsis et insulae	Sheppard, John (ca. 1515–1558)	177–178
Regina caeli laetare	White, Robert (ca. 1538–1574)	79–80
Retribue servo tuo	Parsons (I), Robert (ca. 1535–ca. 1572)	113–115
Sacris solemniis juncta	Byrd, William (ca. 1540–1623)	32–33
Sacris solemniis juncta	Sheppard, John (ca. 1515–1558)	191–192
Salvator mundi (I)	Tallis, Thomas (ca. 1505–1585)	163–164
Salvator mundi (I)	Tallis, Thomas (ca. 1505–1585)	309
Salvator mundi (II)	Tallis, Thomas (ca. 1505–1585)	339
Salvator mundi Domine	Sheppard, John (ca. 1515–1558)	277–278
Salve intemerata virgo Maria	Tallis, Thomas (ca. 1505–1585)	83–87
Sancte Dei preciose	Sheppard, John (ca. 1515–1558)	172–173
Sermone blando Illae dum pergunt concitae Apostolis	Tallis, Thomas (ca. 1505–1585)	332–333
Siderum rector Deus alme	Byrd, William (ca. 1540–1623)	337
Sint lumbi vesti praecincti	Redford, John (–1547)	182–183
Sive vigilem	Mundy, William (ca. 1528–ca. 1591)	152
Sive vigilem	Gerarde, Derrick (fl. c1540–1580)	274–275
Spiritus sanctus procedens [II]	Sheppard, John (ca. 1515–1558)	35–36
Spiritus sanctus procedens I	Sheppard, John (ca. 1515–1558)	271–272
Suscipe quaeso Domine II: Si enim iniquitates	Tallis, Thomas (ca. 1505–1585)	350–352
Te Deprecor	Byrd, William (ca. 1540–1623)	355
Te Deum laudamus	Taverner, John	38–40
Te Deum laudamus	Sheppard, John (ca. 1515–1558)	195–197
The song called trumpets = Lusty Gallant	Parsons (I), Robert (ca. 1535–ca. 1572)	284
Tota pulchra es amica mea et macula	White, Robert (ca. 1538–1574)	226–228
Tribue Domine	Byrd, William (ca. 1540–1623)	354
Tribulationes civitatum [2p. Timor et hebitudo, 3p. Nos enim pro peccatis]	Byrd, William (ca. 1540–1623)	120–122
Tristitia et anxietas, Domine tu jurasti (2p. Sed tu domine)	Byrd, William (ca. 1540–1623)	142–143
Ubi est Abel frater tuus dixit Dominus	Lassus, Orlande de (ca. 1532–1594)	103
Veni creator spiritus mentes tuorum	Mundy, William (ca. 1528–ca. 1591)	156
Verbum caro factum est de virgine Maria	Sheppard, John (ca. 1515–1558)	270–271
Vide domine afflictionem nostram et in tempore (2p. Sed veni domine et noli tardare)	Byrd, William (ca. 1540–1623)	54–56
Videte miraculum	Mundy, William (ca. 1528–ca. 1591)	154–155
Videte miraculum	Tallis, Thomas (ca. 1505–1585)	273–274
Vox Patris caelestis	Mundy, William (ca. 1528–ca. 1591)	248–254

Images © The Governing Body of Christ Church, Oxford

Set: Baldwin partbooks (Christ Church Mus. 979-983)

Type: Partbooks

GB-Och Mus. 979 (Baldwin Partbooks)

GB-Och Mus. 980 (Baldwin Partbooks)

GB-Och Mus. 981 (Baldwin Partbooks)

GB-Och Mus. 982 (Baldwin Partbooks)

GB-Och Mus. 983 (Baldwin Partbooks)

Set: TUDOR PARTBOOKS

Type: Project Collection

GB-CF MS D/DP Z6/1

GB-CF MS D/DP Z6/2

GB-Cfm MU MS 1005 (Fayrfax fragments)

GB-Cgc MS 667/760 (Caius Choirbook)

GB-Cjc MS 234 (K.31)

GB-Ckc Rowe 316

GB-Cp MS 31 [Contratenor] (Peterhouse Partbooks: Henrician Set)

GB-Cp MS 32 [Bassus] (Peterhouse Partbooks: Henrician Set)

GB-Cp MS 40 [Triplex] (Peterhouse Partbooks: Henrician Set)

GB-Cp MS 41 [Medius] (Peterhouse Partbooks: Henrician Set)

GB-Cqcl Old Library G.4.17

GB-Cu Dd.13.27

GB-DORmcghie McGhie manuscript

GB-Lbl [pr. bk.] C. 52. b. 21

No images available

GB-Lbl [pr. bk.] Music Library K. 2. f. 1 [Altus]

No images available

GB-Lbl [pr. bk.] Music Library K. 2. f. 1 [Discantus]

No images available

GB-Lbl [pr. bk.] Music Library K. 2. f. 1 [Medius]

No images available

GB-Lbl [pr. bk.] Music Library K. 2. f. 1 [Tenor]

No images available

GB-Lbl [pr. bk.] Music Library K. 2. f. 13

No images available

GB-Lbl [pr. bk.] Music Library K. 3. f. 9 [Altus]

No images available

GB-Lbl [pr. bk.] Music Library K. 3. f. 9 [Bassus]

No images available

GB-Lbl [pr. bk.] Music Library K. 3. f. 9 [Discantus]

No images available

GB-Lbl [pr. bk.] Music Library K. 3. f. 9 [Tenor]

GB-Lbl Add. MS 4900

GB-Lbl Add. MS 15166

GB-Lbl Add. MS 17802 (Gyffard Partbooks)

GB-Lbl Add. MS 17803 (Gyffard Partbooks)

GB-Lbl Add. MS 17804 (Gyffard Partbooks)

GB-Lbl Add. MS 17805 (Gyffard Partbooks)

GB-Lbl Add. MS 22597

GB-Lbl Add. MS 29996

GB-Lbl Add. MS 30480 (Hamond Partbooks)

GB-Lbl Add. MS 30481 (Hamond Partbooks)

GB-Lbl Add. MS 30482 (Hamond Partbooks)

GB-Lbl Add. MS 30483 (Hamond Partbooks)

GB-Lbl Add. MS 30484 (Hamond Partbooks)

GB-Lbl R.M.24.d.2 (Baldwin Commonplace Book)

GB-Lbl Royal Appendix 12

GB-Lbl Royal Appendix 13

GB-Lbl Royal Appendix 14

GB-Lbl Royal Appendix 15

GB-Lbl Royal Appendix 16

GB-Lbl Royal Appendix 17

GB-Lbl Royal Appendix 18

GB-Lbl Royal Appendix 19

GB-Lbl Royal Appendix 20

GB-Lbl Royal Appendix 21

GB-Lbl Royal Appendix 22

GB-Lbl Royal Appendix 23

GB-Lbl Royal Appendix 24

GB-Lbl Royal Appendix 25

GB-Lbl Royal Appendix 26

GB-Lbl Royal Appendix 27

GB-Lbl Royal Appendix 28

GB-Lbl Royal Appendix 29

GB-Lbl Royal Appendix 30

GB-Lbl Royal Appendix 31

GB-Lbl Royal Appendix 32

GB-Lbl Royal Appendix 33

GB-Lbl Royal Appendix 34

GB-Lbl Royal Appendix 35

No images available

GB-Lbl Royal Appendix 41

No images available

GB-Lbl Royal Appendix 42

No images available

GB-Lbl Royal Appendix 43

No images available

GB-Lbl Royal Appendix 44

GB-Lbl Royal Appendix 45 (Ludford)

GB-Lbl Royal Appendix 46 (Ludford)

GB-Lbl Royal Appendix 47 (Ludford)

GB-Lbl Royal Appendix 48 (Ludford)

GB-Lbl Royal Appendix 49

GB-Lbl Royal Appendix 50

GB-Lbl Royal Appendix 51

GB-Lbl Royal Appendix 52

GB-Lbl Royal Appendix 53

GB-Lbl Royal Appendix 54

GB-Lbl Royal Appendix 56

No images available

GB-Lbl Royal Appendix 57

GB-Lbl Royal Appendix 58

No images available

GB-Lbl Royal Appendix 59

No images available

GB-Lbl Royal Appendix 60

No images available

GB-Lbl Royal Appendix 61

No images available

GB-Lbl Royal Appendix 62

GB-Lbl Royal Appendix 74 (Lumley)

GB-Lbl Royal Appendix 75 (Lumley)

GB-Lbl Royal Appendix 76 (Lumley)

No images available

GB-Lcm [pr. bk.] B187

No images available

GB-Lcm [pr. bk.] B190 [Altus]

No images available

GB-Lcm [pr. bk.] B190 [Bassus]

No images available

GB-Lcm [pr. bk.] B190 [Discantus]

No images available

GB-Lcm [pr. bk.] B190 [Tenor]

GB-Llp MS 1 (Lambeth Choirbook; Arundel Choirbook)

GB-Lna SP I/246

GB-Ob MS. Mus. c. 784 (Willmott Manuscript)

GB-Ob MS. Mus. d. 103

GB-Ob MS. Mus. e. 1 (Sadler Partbooks)

GB-Ob MS. Mus. e. 2 (Sadler Partbooks)

GB-Ob MS. Mus. e. 3 (Sadler Partbooks)

GB-Ob MS. Mus. e. 4 (Sadler Partbooks)

GB-Ob MS. Mus. e. 5 (Sadler Partbooks)

GB-Ob MS. Mus. e. 21

GB-Ob MS. Mus. Sch. e. 376 (Forrest-Heather Partbooks)

GB-Ob MS. Mus. Sch. e. 377 (Forrest-Heather Partbooks)

GB-Ob MS. Mus. Sch. e. 378 (Forrest-Heather Partbooks)

GB-Ob MS. Mus. Sch. e. 379 (Forrest-Heather Partbooks)

GB-Ob MS. Mus. Sch. e. 380 (Forrest-Heather Partbooks)

GB-Ob MS. Mus. Sch. e. 381 (Forrest-Heather Partbooks)

GB-Ob MS. Mus. Sch. e. 420 (Wanley Partbooks)

GB-Ob MS. Mus. Sch. e. 421 (Wanley Partbooks)

GB-Ob MS. Mus. Sch. e. 422 (Wanley Partbooks)

GB-Ob MS. Mus. Sch. e. 423

GB-Ob MS. Tenbury 341

GB-Ob MS. Tenbury 342

GB-Ob MS. Tenbury 343

GB-Ob MS. Tenbury 344

GB-Ob MS. Tenbury 389

No images available

GB-Ob MS. Tenbury 807

No images available

GB-Ob MS. Tenbury 808

No images available

GB-Ob MS. Tenbury 809

No images available

GB-Ob MS. Tenbury 810

No images available

GB-Ob MS. Tenbury 811

No images available

GB-Ob MS. Tenbury 1382 (Southwell Tenor Book)

GB-Ob MS. Tenbury 1464

GB-Ob MS. Tenbury 1486 (Braikenridge Manuscript)

No images available

GB-Och Mus. 45

GB-Och Mus. 979 (Baldwin Partbooks)

GB-Och Mus. 980 (Baldwin Partbooks)

GB-Och Mus. 981 (Baldwin Partbooks)

GB-Och Mus. 982 (Baldwin Partbooks)

GB-Och Mus. 983 (Baldwin Partbooks)

GB-Och Mus. 984 (Dow Partbooks)

GB-Och Mus. 985 (Dow Partbooks)

GB-Och Mus. 986 (Dow Partbooks)

GB-Och Mus. 987 (Dow Partbooks)

GB-Och Mus. 988 (Dow Partbooks)

GB-Odiamm Contratenor partbook in private ownership (contact DIAMM)

GB-W X4/34/3 (Fayrfax fragments)

GB-WCc MS 153 Bassus (Winchester Partbooks)

GB-WCc MS 153 Contra Altus (Winchester Partbooks)

GB-WCc MS 153 Discantus (Winchester Partbooks)

GB-WCc MS 153 Tenor (Winchester Partbooks)

GB-WRec MS 178 (Eton Choirbook)

No images available

IRL-Dm [pr. bk.] Z4. 3. 1-5

No images available

IRL-Dtc [pr. bk.] OLS. 192. n. 40 [Altus]

No images available

IRL-Dtc [pr. bk.] OLS. 192. n. 40 [Bassus]

No images available

IRL-Dtc [pr. bk.] OLS. 192. n. 40 [Discantus]

No images available

IRL-Dtc [pr. bk.] OLS. 192. n. 40 [Superius (Quintus)]

No images available

IRL-Dtc [pr. bk.] OLS. 192. n. 40 [Tenor]

No images available

US-NYp Mus. Res. *MNZ (Chirk) [1] (Chirk Castle Partbooks)

No images available

US-NYp Mus. Res. *MNZ (Chirk) [2] (Chirk Castle Partbooks)

No images available

US-NYp Mus. Res. *MNZ (Chirk) [3] (Chirk Castle Partbooks)

No images available

US-NYp Mus. Res. *MNZ (Chirk) [4] (Chirk Castle Partbooks)

US-NYp Mus. Res. Drexel 4180

US-NYp Mus. Res. Drexel 4181

No images available

US-NYp Mus. Res. Drexel 4182

US-NYp Mus. Res. Drexel 4183

US-NYp Mus. Res. Drexel 4184

US-NYp Mus. Res. Drexel 4185

US-Ws V.a. 408

‡ denotes primary source study

Boydell, Barra. 1999. Music at Christ Church before 1800: documents and selected anthems. Four Courts Press.

Mateer, David G. 1995. John Baldwin and Changing Concepts of Text Underlay. English Choral Practice, 1400-1650, edited by David G Mateer, Cambridge. Pages: 143-60.

Fenlon, Iain, and John Milsom. 1984. 'Ruled Paper Imprinted': Music Paper and Patents in Sixteenth-Century England. Journal of the American Musicological Society, 139-63. Pages: 139-63.

Trowell, Brian. 1980. Faburden-New Sources, New Evidence: A Preliminary Survey. Modern Musical Scholarship, 28-78. Stocksfield, Boston, Henley, and London. Pages: 70, 75, 77. Notes: mention of MS; contents list (partial); concordances (partial).

Caldwell, John. 1978. The 'Te Deum' in Late Medieval England. Early Music, 188-94. Pages: 189. Notes: physical description; mention of MS; discussion.

Benham, Hugh Raymond. 1977. Latin Church Music in England c. 1460-1575. London. Pages: 24, 26, 148, 153, 163, 169, 211, Plate 7. Notes: physical description (partial); contents list (partial); concordances (partial); facsimile (partial); mention of MS; discussion.

Bray, Roger W. 1975. John Baldwin. Music and Letters, 55-9. Notes: physical description; mention of MS; discussion.

Bray, Roger W. 1971. The Part-Books Oxford, Christ Church, MSS 979-983: An Index and Commentary. Musica Disciplina, 179-97. Notes: physical description (partial); contents list; concordances; mention of MS; discussion.

Bray, Roger W. 1970-71. The Interpretation of Musica Ficta in English Music C.1490-C.1580. Proceedings of the Royal Musical Association, 29-45. Pages: 36-7. Notes: transcription (partial); mention of MS; discussion.

Benham, Hugh Raymond. 1969. The Music of John Taverner - A Study and Assessment. University of Southampton, Unpublished Ph.D. dissertation. Pages: 41. Notes: physical description (partial).

Bray, Roger W. 1969. The Interpretation of Musica Ficta in English Music, C. 1490-C. 1580 [dissertation]. Oxford University, Unpublished Ph.D. dissertation. Pages: I, 141-55, 169-84, 214-33, passim; II, 75-88. Notes: physical description (partial); contents list; concordances; transcription (partial); mention of MS; discussion.

Warren, Edwin B. 1969. Life and Works of Robert Fayrfax. Musicological Studies and Documents. American Institute of Musicology. Pages: 53, 60. Notes: physical description (partial); contents list (partial); concordances (partial).

Harrison, Frank Llewellyn (editor). 1963-. Early English Church Music. London: Stainer & Bell. Pages: II, passim; XVII, 16-27, 39-125, 129-51, 156-60; XX, 249ff; XXIV, xiv; XXV,168ff; XXVIII, 124,130, 133-4; XXIX,128,132-4,138,140; XXX, passim. Notes: physical description (partial); contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Lamont, Herbert Harry. 1963. John Shepherd: His Life and Music. University of Southern California, Unpublished Ph.D. dissertation. Pages: I, 82-3, 111-4, 183ff, passim; II, 83-95, 104-6, 115-20, 123-36. Notes: physical description (partial); contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Kerman, Joseph. 1961. Byrd's Motets: Chronology and Canon. Journal of the American Musicological Society, 359-82. Pages: 361, 364, 366-7, 374, 376. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Fellowes, Edmund H. 1948. William Byrd. London, New York, and Toronto. Pages: 99, 109, 112-3, 180-2, 188, 192. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Fellowes, Edmund H (editor). 1937-50, 1962. The Collected Works of William Byrd. Pages: VIII, vi; XVII, 48-52, 150, 157. Notes: mention of MS; contents list (partial); concordances (partial); transcriptions (partial).

Blume, Friedrich (editor). 1929-. Das Chorwerk. Berlin/Wolfenbüttel. Pages: LXXXIV, v, 11-21. Notes: contents list (partial); transcriptions (partial); mention of MS; discussion.

Fellowes, Edmund H (editor). 1923-48. Tudor Church Music. London, Oxford et al. Pages: I, xxx, lix, lxii; III, xv-xix, passim; V, xx-xxiv, passim; VI, xxvi-xxvii, xxxi-xxxii, passim; IX, xii-xiv, passim. Notes: physical description (partial); contents list (partial); concordances (partial); transcriptions (partial).

Davey, Henry. 1921. History of English Music. London. Pages: 123-4, passim [confuses OxfC 979-83 and OxfC 984-8]. Notes: physical description (partial); contents list (partial).

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description