GB-Och Mus. 980 (Baldwin Partbooks)

Christ Church, Oxford, England

partbook: c. 1575-81

Archive	Christ Church, Oxford, England (GB-Och)
Shelfmark	Mus. 980 (Baldwin Partbooks)
Surface	Paper
Numbering System	Pagination
Format	landscape
Measurements	c. 205 x 150 mm
Other Identifiers	CCM: OxfC 979-83
Copyists	Baldwin, John (ca. 1560–1615) Music
Relationships	Aldrich, Henry (1647–1710) (owner)
External Links	Christ Church Library online catalogue entry
Provenance	Windsor, England
Contents	212 pieces from 24 composers

General Description

A Discantus partbook from a set originally of six volumes, each consisting of the print RISM 1575/3, with manuscript additions. Copied and formerly owned by John Baldwin, a singing-man at St George's Chapel, Windsor; English, c.1575-81, with later additions. Probably conceived from the start as a mixed volume of manuscript and printed music, since Baldwin avoided making manuscript copies of the pieces available in the printed section. Baldwin's form of representing a composer's name often varies from partbook to partbook; some ascriptions refer to composers' institutional affilitiations. Copied in Windsor. Later owned by Henry Aldrich (1647-1710), Dean of Christ Church, Oxford; bequeathed to Christ Church Library in 1710.

John Milsom, 2010

Binding

Original covers of brown leather on cardboard, with voice designations and initials 'I.B.' [= John Baldwin] stamped in gold. The partbook titles (also stamped on the upper covers) are as follows: Mus. 979: Superius; Mus. 980: Discantus; Mus. 981: Contratenor; Mus. 982: Sextapars; Mus. 983: Bassus.

John Milsom, 2010

Notation

not indicated

John Milsom, 2010

Ruling

Music has been copied on sheets previously printed with black staves, of a type issued by Tallis and Byrd under the conditions of their 1575 royal patent.

John Milsom, 2010

Foliation

No foliation. The volumes were paginated in 2014.

John Milsom, 2010

Foliation

Other numberings: Baldwin himself numbered the contents as '1-169'; the only inconsistencies occur in items 167-9, where different partbooks contain different pieces.

John Milsom, 2010

Decoration

Some pieces have initials; no other decoration.

John Milsom, 2010

Index

An index of contents was begun by Baldwin at the front of Mus. 983; it was subsequently completed by Havergal, and has since been annotated by other hands.

John Milsom, 2010

Surface

paper

John Milsom, 2010

DIAMM Note

For a general discussion of the history and codicological structure of the set, see the article by Roger Bray listed in the Bibliography below. For a discussion of the printed music paper on which Baldwin copied the music, see the article by Fenlon & Milsom. For further sample images of pages from the set, see Mateer, pp. 148 and 154.

Digitized with funding from the Arts and Humanities Research Council (UK) for the Tudor Partbooks project at the Universities of Oxford and Newcastle.

John Milsom, 2010

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

1 Mass, 1 Magnificat, 2 Te Deums, 1 canticle, 28 hymns, 7 Lamentations, 124 motets, 1 English secular piece, 1 canon, 6 instrumental pieces = 172 + 1 duplicate = 173

Aston-1, Baldwin-4, Bevin-1, Byrd-32, Daman-4, Douglas-1, Douglas/(Lassus)-1, Fayrfax-1, A. Ferrabosco 1-2, D. Gerarde-1, R. Johnson 1-2, Lassus [mr. orlandus]/(C. Hollander/S. Hollander)-1, J. Mundy-4, W. Mundy-15, R. Parsons I-8, Redford-1, Shepherd-38, Shepherd/(Tallis)-2, Strabridge-1, Tallis-16, Taverner-10, Taverner/Tye-1, Tye-4, R. White-16, Wilder [mr: philips: of: the privie: chamber:]-1, Wood-1, anon-3

5 partbooks, each consisting of the print RISM 1575/3, with manuscript additions (Superius-iii + 147 + i paper folios, D-iv + 150 + i paper, A-iii + 149 + ii paper, B-v + 136 + i paper. S-i parchment + ii paper + 65 paper + iii paper), 146 x 199. No foliation or pagination; original numbering of pieces, 1-168 (omits last piece and one piece after #89; "167" and "168" each applied to two different pieces). Original covers of brown leather on cardboard, with voice designations and initials "I.B." [= John Baldwin] stamped in gold. Incomplete original index at beginning of B book groups pieces by composer. Only pieces by Shepherd, Taverner, Byrd, R. Parsons I, and W. Mundy (in that order) are listed; five-voice works precede six-voice works.

Copied by John Baldwin (d. 1615), a singer and clerk at St. George's Chapel, Windsor, and gentleman of the Chapel Royal from 1594; Baldwin also copied LonBLM 24 d.2, parts of OxfBMS e.376-81 and OxfC 984-8, and "My Ladye Nevells Booke" (last-named manuscript not within scope of this catalogue). Some pieces have initials; no other decoration.

Ca. 1575-81, with additions ca. 1600-3 (BrayJB). Copied in Windsor. Later owned by Henry Aldrich (1647-1710), Dean of Christ Church, Oxford; bequeathed to Christ Church Library in 1710.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
1–3	Judica me, Deus	Judica me deus	Sheppard, John (ca. 1515–1558)
Judica me, Deus Sheppard, John (ca. 1515–1558) Appears on: 1–3 Genres: Motet Source Attribution: Judica me deus Voice: [no designation] Languages: Latin Clef: c5 Voice Text: Judica me, Deus
4–6	Beati omnes qui timent Dominum	mr john Shepperde	Sheppard, John (ca. 1515–1558)
Beati omnes qui timent Dominum Sheppard, John (ca. 1515–1558) Appears on: 4–6 Genres: Motet Source Attribution: mr john Shepperde Voice: [no designation] Languages: Latin Voice Text: Beati omnes qui timent Dominum
6–8	Deus misereator nostri [2p. Ut cognoscamus; 3p. Confiteantur; 4p. Letentur; 5p. Benedicat]	mr: Shepperde:.	Sheppard, John (ca. 1515–1558)
Deus misereator nostri [2p. Ut cognoscamus; 3p. Confiteantur; 4p. Letentur; 5p. Benedicat] Sheppard, John (ca. 1515–1558) Appears on: 6–8 Genres: Motet Source Attribution: mr: Shepperde:. Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Deus misereatur nostri
8–10	Confitebor tibi Domine	mr S	Sheppard, John (ca. 1515–1558)
Confitebor tibi Domine Sheppard, John (ca. 1515–1558) Appears on: 8–10 Genres: Motet Source Attribution: mr S Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Confitebor tibi domine General Note Annotations/Corrections: end of stave on p. 8 corr.; Notes: on p. 9 'Emanuell' written upside-down in bottom margin (under the text ' quia exaltatu[m] est nomen eius');
10–13	Domine in virtute tua (I) (2p: Magna gloria eius)	mr: Johnson: peticanon: of: windsore:.	Johnson (I), Robert (ca. 1500–ca. 1560)
Domine in virtute tua (I) (2p: Magna gloria eius) Johnson (I), Robert (ca. 1500–ca. 1560) Appears on: 10–13 Genres: Motet Source Attribution: mr: Johnson: peticanon: of: windsore:. Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Domine in virtute tua
14–15	Aspice Domine quia facta est [2p. Plorans ploravit in nocte]	mr: philips: of: the priuie: chamber:.	Van Wilder, Phillip
Aspice Domine quia facta est [2p. Plorans ploravit in nocte] Van Wilder, Phillip Appears on: 14–15 Genres: Motet Source Attribution: mr: philips: of: the priuie: chamber:. Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Aspice domine
15–16	Laudem dicite Deo nostro	S	Sheppard, John (ca. 1515–1558)
Laudem dicite Deo nostro Sheppard, John (ca. 1515–1558) Appears on: 15–16 Genres: Motet Source Attribution: S Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Deo nostro, omnes sancti eius General Note Annotations/Corrections: before first line: 'for men:'; text add. in third line of p. 16;
17–19	Domine Deus omnipotens	mr: w: birde:.	Byrd, William (ca. 1540–1623)
Domine Deus omnipotens Byrd, William (ca. 1540–1623) Appears on: 17–19 Genres: Motet Source Attribution: mr: w: birde:. Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Domine deus omnipotens
19–21	O quam gloriosum est regnum (2p. Benedictio et claritas)	mr: w: birde: of: the: queens: chappell:.	Byrd, William (ca. 1540–1623)
O quam gloriosum est regnum (2p. Benedictio et claritas) Byrd, William (ca. 1540–1623) Appears on: 19–21 Genres: Motet Source Attribution: mr: w: birde: of: the: queens: chappell:. Voice: [no designation] Languages: Latin Clef: g2 Voice Text: O qua[m] gloriosu[m] est regnu[m]
21–22	Apparebit in finem	mr: w: birde:.	Byrd, William (ca. 1540–1623)
Apparebit in finem Byrd, William (ca. 1540–1623) Appears on: 21–22 Genres: Motet Source Attribution: mr: w: birde:. Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Apparebit in finem
22–23	Dum transisset sabbatum	Strabridge:.	Strabridge, John
Dum transisset sabbatum Strabridge, John Appears on: 22–23 Genres: Motet Source Attribution: Strabridge:. Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Sabatu[m] maria magdalenae General Note Notes: in plainchant notation throughout;
23–24	Audivi vocem de caelo	mr: w: birde: organiste: of: the: queens: chappell:.	Byrd, William (ca. 1540–1623)
Audivi vocem de caelo Byrd, William (ca. 1540–1623) Appears on: 23–24 Genres: Motet Source Attribution: mr: w: birde: organiste: of: the: queens: chappell:. Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Audivi voce[m] [...] de celo
24–25	Levemus corda nostra	mr: w: birde:.	Byrd, William (ca. 1540–1623)
Levemus corda nostra Byrd, William (ca. 1540–1623) Appears on: 24–25 Genres: Motet Source Attribution: mr: w: birde:. Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Levem[us] corda, nostra
25–26	Peccavi super numerum	mr: w: birde:.	Byrd, William (ca. 1540–1623)
Peccavi super numerum Byrd, William (ca. 1540–1623) Appears on: 25–26 Genres: Motet Source Attribution: mr: w: birde:. Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Peccavi [...] super numeru[m]
27–28	Memento Domine	mr: w: birde:.	Byrd, William (ca. 1540–1623)
Memento Domine Byrd, William (ca. 1540–1623) Appears on: 27–28 Genres: Motet Source Attribution: mr: w: birde:. Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Memento domine
28–29	O Domine adjuva me	mr: w: birde:.	Byrd, William (ca. 1540–1623)
O Domine adjuva me Byrd, William (ca. 1540–1623) Appears on: 28–29 Genres: Motet Source Attribution: mr: w: birde:. Voice: [no designation] Languages: Latin Clef: c3 Voice Text: O domine o d[omi]ne adiuva me
29–31	Domine exaudi orationem meam (2p. Et non intres)	mr: w: birde:.	Byrd, William (ca. 1540–1623)
Domine exaudi orationem meam (2p. Et non intres) Byrd, William (ca. 1540–1623) Appears on: 29–31 Genres: Motet Source Attribution: mr: w: birde:. Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Domine exaudi oratione[m] mea[m]
31–32	Omni tempore benedic Deum [2p. Memor esto fili]	mr: w: birde:.	Byrd, William (ca. 1540–1623)
Omni tempore benedic Deum [2p. Memor esto fili] Byrd, William (ca. 1540–1623) Appears on: 31–32 Genres: Motet Source Attribution: mr: w: birde:. Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Omni tempore benedic deu[m] General Note Annotations/Corrections: signum congruentiae in penultimate line of p. 31 and at the end; Notes: The sharp is at the beginning of each line in the space of the B;
32–33	Ne perdas cum impiis	mr: w: birde: organiste: of: the: queens: chappell:.	Byrd, William (ca. 1540–1623)
Ne perdas cum impiis Byrd, William (ca. 1540–1623) Appears on: 32–33 Genres: Motet Source Attribution: mr: w: birde: organiste: of: the: queens: chappell:. Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Ne perdas, [...] cu[m] impijs General Note Annotations/Corrections: signum congruentiae in top line of p. 33 and at end;
34–36	Sacris solemniis juncta	mr: w: birde:.	Byrd, William (ca. 1540–1623)
Sacris solemniis juncta Byrd, William (ca. 1540–1623) Appears on: 34–36 Genres: Motet Source Attribution: mr: w: birde:. Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Noctis recolitur, cena novissima
36–37	Dum transisset sabbatum, Maria Magdalene / Aromata emerunt	mr: tho: tallis:.	Tallis, Thomas (ca. 1505–1585)
Dum transisset sabbatum, Maria Magdalene / Aromata emerunt Tallis, Thomas (ca. 1505–1585) Appears on: 36–37 Genres: Motet Source Attribution: mr: tho: tallis:. Voice: [no designation] Languages: Latin Clef: g2 Voice Text: Sabbatu[m] [...] du[m] transisset General Note Annotations/Corrections: signum congruentiae in bottom line of p. 36 and in top line of p. 37;
37–38	Dum transisset sabbatum [I - 5vv]	mr: io: tav[e]rnar:.	Taverner, John
Dum transisset sabbatum [I - 5vv] Taverner, John Appears on: 37–38 Genres: Motet Source Attribution: mr: io: tav[e]rnar:. Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Maria, magdalene General Note Annotations/Corrections: face drawn into initial 'D';
38	Dum transisset sabbatum [II - 4vv]	mr: io: tav[e]rnar:.	Taverner, John
Dum transisset sabbatum [II - 4vv] Taverner, John Appears on: 38 Genres: Motet Source Attribution: mr: io: tav[e]rnar:. Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Sabbatu[m], maria magdalene General Note Notes: final note split (E-A);
39–40	Spiritus sanctus procedens [II]	mr: io: Shepperde:.	Sheppard, John (ca. 1515–1558)
Spiritus sanctus procedens [II] Sheppard, John (ca. 1515–1558) Appears on: 39–40 Genres: Motet Source Attribution: mr: io: Shepperde:. Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Procedens athrono General Note Annotations/Corrections: face drawn into initial 'P'; signum congruentiae in bottom line of p. 39;
40–41	Laudem dicite Deo nostro	mr: iohn: Shepperde:.	Sheppard, John (ca. 1515–1558)
Laudem dicite Deo nostro Sheppard, John (ca. 1515–1558) Appears on: 40–41 Genres: Motet Source Attribution: mr: iohn: Shepperde:. Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Deo nostro, nostro, omnes sancti eius General Note Annotations/Corrections: signum congruentiae at beginning of penultimate line of p. 40;
41–43	Te Deum laudamus	mr: iohn: tav[er]nar:.	Taverner, John
Te Deum laudamus Taverner, John Appears on: 41–43 Genres: Liturgical work, Te Deum Source Attribution: mr: iohn: tav[er]nar:. Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Te eternu[m] patrem General Note Annotations/Corrections: face drawn into initial 'T';
44–46	Miserere mei Deus	doc[tor] tye:.	Tye, Christopher (ca. 1505–ca. 1573)
Miserere mei Deus Tye, Christopher (ca. 1505–ca. 1573) Appears on: 44–46 Genres: Miserere mei Deus, Motet Source Attribution: doc[tor] tye:. Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Miserere mei deus
46–48	Dum transisset sabbatum Maria Magdalena II: Et valde mane una sabbatorum veniunt	mr: orlandus:	Hollander, Sebastian (?) Hollander, Christian (?)
Dum transisset sabbatum Maria Magdalena II: Et valde mane una sabbatorum veniunt Hollander, Sebastian (?) Hollander, Christian (?) Appears on: 46–48 Genres: Motet Source Attribution: mr: orlandus: Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Du[m] transisset sabatu[m]s General Note Notes: for identification of Hollander see also Kerman, Masses and Motets of Byrd, 58;
49–51	O splendor gloriae	tav[er]nar et tye:.	Taverner, John
O splendor gloriae Taverner, John Appears on: 49–51 Genres: Motet Source Attribution: tav[er]nar et tye:. Voice: [no designation] Languages: Latin Clef: c1 Voice Text: O splendor glorie General Note Notes: Conflicting attribution: John Taverner and/or Christopher Tye (see Hugh Benham, John Taverner: His Life and Music (Aldershot: Ashgate, 2003), pp. 95-114); in top line of p. 50: one flat before three consecutive top Fs; Concordances Conflicting attribution: John Taverner and/or Christopher Tye (see Hugh Benham, John Taverner: His Life and Music (Aldershot: Ashgate, 2003), pp. 95-114)
52–56	Exsurge Domine	mr: iohn: woode: batcheler: of: musick:.	Wood, John
Exsurge Domine Wood, John Appears on: 52–56 Genres: Motet Source Attribution: mr: iohn: woode: batcheler: of: musick:. Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Exurge domine General Note Annotations/Corrections: text corr. in third line of p. 52;
56–58	Vide domine afflictionem nostram et in tempore (2p. Sed veni domine et noli tardare)	mr: w: birde: of: the: chappell:.	Byrd, William (ca. 1540–1623)
Vide domine afflictionem nostram et in tempore (2p. Sed veni domine et noli tardare) Byrd, William (ca. 1540–1623) Appears on: 56–58 Genres: Motet Source Attribution: mr: w: birde: of: the: chappell:. Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Vide domine [...] afflictione[m] nostra[m] General Note Annotations/Corrections: face drawn into initial 'V';
58–60	Aedes nostra sancta	mr: mundie:	Mundy, John (ca. 1555–1630)
Aedes nostra sancta Mundy, John (ca. 1555–1630) Appears on: 58–60 Genres: Motet Source Attribution: mr: mundie: Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Edes nostra sancta
60–64	Lamentations (I) a5	mr: whyte:	White, Robert (ca. 1538–1574)
Lamentations (I) a5 White, Robert (ca. 1538–1574) Appears on: 60–64 Genres: Lamentations, Motet Source Attribution: mr: whyte: Voice: [no designation] Languages: Latin, Hebrew Clef: c2 Voice Text: Heth / Peccatu[m] peccauit
64–67	Lamentations: De lamentatione Jeremiae	mr: w: birde: of: the: chappell:.	Byrd, William (ca. 1540–1623)
Lamentations: De lamentatione Jeremiae Byrd, William (ca. 1540–1623) Appears on: 64–67 Genres: Lamentations, Motet Source Attribution: mr: w: birde: of: the: chappell:. Voice: [no designation] Languages: Latin, Hebrew Clef: c4 Voice Text: De lamentatione Jeremie prophete General Note Annotations/Corrections: face drawn into initial 'D';
67–69	Exsurge Domine quare obdormis? (or, Exsurge quare obdormis Domine)	mr: w: birde:.	Byrd, William (ca. 1540–1623)
Exsurge Domine quare obdormis? (or, Exsurge quare obdormis Domine) Byrd, William (ca. 1540–1623) Appears on: 67–69 Genres: Motet Source Attribution: mr: w: birde:. Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Exurge, quare obdormis domine
69–70	Benigne fac, Domine	mr: w: birde:.	Byrd, William (ca. 1540–1623)
Benigne fac, Domine Byrd, William (ca. 1540–1623) Appears on: 69–70 Genres: Motet Source Attribution: mr: w: birde:. Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Benigne fac domine
70–71	Circumdederunt me dolores mortis	mr: w: birde: organiste: of: the: queenes: chappelle:.	Byrd, William (ca. 1540–1623)
Circumdederunt me dolores mortis Byrd, William (ca. 1540–1623) Appears on: 70–71 Genres: Motet Source Attribution: mr: w: birde: organiste: of: the: queenes: chappelle:. Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Circumdederunt me, [...] dolores mortis
72	Beatus et sanctus	mr: w: mundie: gentleman: of: the: chappelle:.	Mundy, William (ca. 1528–ca. 1591)
Beatus et sanctus Mundy, William (ca. 1528–ca. 1591) Appears on: 72 Genres: Motet Source Attribution: mr: w: mundie: gentleman: of: the: chappelle:. Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Beatus & sanctus
72–73	Confitebor tibi Domine	mr: damon: one: of: the: queenes: musicians:.	Daman, William
Confitebor tibi Domine Daman, William Appears on: 72–73 Genres: Motet Source Attribution: mr: damon: one: of: the: queenes: musicians:. Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Confitebor tibi [...] domine
73–75	Laudate Dominum omnes gentes, laudate eum	mr: tho: tallis:.	Tallis, Thomas (ca. 1505–1585)
Laudate Dominum omnes gentes, laudate eum Tallis, Thomas (ca. 1505–1585) Appears on: 73–75 Genres: Motet Source Attribution: mr: tho: tallis:. Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Laudate dominu[m] omnes gentes, laudate eum
75–78	Lamentations (II): De lamentatione Jeremiae - Gimel - Daleth - Heth - Convertere Jerusalem	mr: tho: tallis: organiste: of: the: queenes: chappelle:.	Tallis, Thomas (ca. 1505–1585)
Lamentations (II): De lamentatione Jeremiae - Gimel - Daleth - Heth - Convertere Jerusalem Tallis, Thomas (ca. 1505–1585) Appears on: 75–78 Genres: Lamentations, Motet Source Attribution: mr: tho: tallis: organiste: of: the: queenes: chappelle:. Voice: [no designation] Languages: Latin, Hebrew Clef: c4 Voice Text: De lamentacione Jeremie prophete
79–81	Lamentations (I) : Incipit lamentatio Jeremiae - Aleph - Beth - Convertere Jerusalem	mr: tallis:.	Tallis, Thomas (ca. 1505–1585)
Lamentations (I) : Incipit lamentatio Jeremiae - Aleph - Beth - Convertere Jerusalem Tallis, Thomas (ca. 1505–1585) Appears on: 79–81 Genres: Lamentations, Motet Source Attribution: mr: tallis:. Voice: [no designation] Languages: Latin, Hebrew Clef: c4 Voice Text: Incipit lamentacio hieremie prophete
81–83	De Lamentatione Jeremiae (C64)	mr: alfonso:.	Ferrabosco, Alfonso (the elder) (1543–1588)
De Lamentatione Jeremiae (C64) Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 81–83 Genres: Lamentations, Motet Source Attribution: mr: alfonso:. Voice: [no designation] Languages: Latin, Hebrew Clef: c3 Voice Text: De lamentacione Jeremie prophete Concordances Concordances: BL Egerton 3665; BL Mad Soc G. 44-47; US-NH Miscellaneous MS 170, Filmer 1/a-e; Ob Mus. Sch. C.45-50; Och 463-467; Peterhouse 485-91; NYPL Drexel 4302 (Tregian MS); BL 31417; RCM 2041; BL 30361-30366; BL 60577; Panmure 10.
83–84	Regina caeli laetare	mr: Ro: whytte:.	White, Robert (ca. 1538–1574)
Regina caeli laetare White, Robert (ca. 1538–1574) Appears on: 83–84 Genres: Motet, Regina caeli laetare Source Attribution: mr: Ro: whytte:. Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Regina celi [...] letare
85–87	In convertendo Dominus [2a pars: Convertere Domine]	mr: douglas: priste:.	Douglas, Patrick
In convertendo Dominus [2a pars: Convertere Domine] Douglas, Patrick Appears on: 85–87 Genres: Motet Source Attribution: mr: douglas: priste:. Voice: [no designation] Languages: Latin Clef: c3 Voice Text: In convertendo domin[us]
87–91	Salve intemerata virgo Maria	mr: Tho: Tallis: organiste: of: The: queenes: maiesties: chappelle:.	Tallis, Thomas (ca. 1505–1585)
Salve intemerata virgo Maria Tallis, Thomas (ca. 1505–1585) Appears on: 87–91 Genres: Antiphon Source Attribution: mr: Tho: Tallis: organiste: of: The: queenes: maiesties: chappelle:. Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Et du[m] eu[m] conciperes General Note Notes: Salve intemerata' at beginning under long rests;
91–94	Ave Dei patris filia	mr: docter: fayrfax: docter: of: musicke:.	Fayrfax, Robert (1464–1521)
Ave Dei patris filia Fayrfax, Robert (1464–1521) Appears on: 91–94 Genres: Motet Source Attribution: mr: docter: fayrfax: docter: of: musicke:. Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Ave, dei, patris filia
94–98	Gaude plurimum [2p. Gaude Maria, Jesu mater; 3p. Eundem igitur Jesum]	mr: iohn tavernar:.	Taverner, John
Gaude plurimum [2p. Gaude Maria, Jesu mater; 3p. Eundem igitur Jesum] Taverner, John Appears on: 94–98 Genres: Motet Source Attribution: mr: iohn tavernar:. Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Gaude plurimu[m] General Note Notes: big initial'G; for beginning of section 'Gaude maria Jesu mater' on p. 96;
98–101	Ave Dei patris filia	mr: iohn Tavernar:.	Taverner, John
Ave Dei patris filia Taverner, John Appears on: 98–101 Genres: Motet Source Attribution: mr: iohn Tavernar:. Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Ave dei patris filia General Note Notes: includes sections in plainchant and notation (and coloration);
101–103	Mater Christi sanctissima virgo [= O most holy and mighty Lord]	mr: iohn Tavernar:.	Taverner, John
Mater Christi sanctissima virgo [= O most holy and mighty Lord] Taverner, John Appears on: 101–103 Genres: Motet Source Attribution: mr: iohn Tavernar:. Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Mater xpi [= Christi] sanctissima General Note Annotations/Corrections: signum congruentiae in top line of p. 103;
103–104	Christe Jesu pastor bone	mr: tav[e]rnar	Taverner, John
Christe Jesu pastor bone Taverner, John Appears on: 103–104 Genres: Motet Source Attribution: mr: tav[e]rnar Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Christe Jesu pastor bone General Note Notes: cut semi-circle at beginning opening to the left;
104–105	Ubi est Abel frater tuus dixit Dominus	-	Lassus, Orlande de (ca. 1532–1594)
Ubi est Abel frater tuus dixit Dominus Lassus, Orlande de (ca. 1532–1594) Appears on: 104–105 Genres: Motet Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Ubi est abell General Note Annotations/Corrections: face drawn into the initial 'U';
105–107	In te Domine speravi	mr: iohn: mundie: organiste: of: windsore:.	Mundy, John (ca. 1555–1630)
In te Domine speravi Mundy, John (ca. 1555–1630) Appears on: 105–107 Genres: Motet, Te Deum Source Attribution: mr: iohn: mundie: organiste: of: windsore:. Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Exaudi domine vece[m] mea[m]
108–112	O bone Jesu	mr: parsons	Parsons (I), Robert (ca. 1535–ca. 1572)
O bone Jesu Parsons (I), Robert (ca. 1535–ca. 1572) Appears on: 108–112 Genres: Motet Source Attribution: mr: parsons Voice: [no designation] Languages: Latin Clef: c2 Voice Text: O bone Jesu
113–114	Portio mea, Domine [2p. Media nocte]	mr: Robarte: whytte.	White, Robert (ca. 1538–1574)
Portio mea, Domine [2p. Media nocte] White, Robert (ca. 1538–1574) Appears on: 113–114 Genres: Motet Source Attribution: mr: Robarte: whytte. Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Porcio mea domine
114–116	Retribue servo tuo	mr: R: Par:	Parsons (I), Robert (ca. 1535–ca. 1572)
Retribue servo tuo Parsons (I), Robert (ca. 1535–ca. 1572) Appears on: 114–116 Genres: Motet Source Attribution: mr: R: Par: Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Concupiuit anima mea General Note Annotations/Corrections: Retribue.' at beginning written under long rests with 'rest' written at the end of them;
116–119	Beati immaculati in via	mr: w: mundie.	Mundy, William (ca. 1528–ca. 1591)
Beati immaculati in via Mundy, William (ca. 1528–ca. 1591) Appears on: 116–119 Genres: Motet Source Attribution: mr: w: mundie. Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Beati immaculati in via[m] General Note Annotations/Corrections: vacat:' in margin before beginning and also next to first line on p. 117;
119–120	Domine praestolamur [2p. Veni domine]	mr: w: birde:	Byrd, William (ca. 1540–1623)
Domine praestolamur [2p. Veni domine] Byrd, William (ca. 1540–1623) Appears on: 119–120 Genres: Motet Source Attribution: mr: w: birde: Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Domine prestolamur General Note Annotations/Corrections: final line on p. 120 extended into margin;
121–122	Ne irascaris Domine [2p. Civitas sancti tui]	mr: w: birde: gentleman: of the queenes: chappell.	Byrd, William (ca. 1540–1623)
Ne irascaris Domine [2p. Civitas sancti tui] Byrd, William (ca. 1540–1623) Appears on: 121–122 Genres: Anthem Source Attribution: mr: w: birde: gentleman: of the queenes: chappell. Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Ne irascaris domine General Note Notes: writing slightly different to the previous;
123–125	Tribulationes civitatum [2p. Timor et hebitudo, 3p. Nos enim pro peccatis]	mr: w: birde. laudes deo.	Byrd, William (ca. 1540–1623)
Tribulationes civitatum [2p. Timor et hebitudo, 3p. Nos enim pro peccatis] Byrd, William (ca. 1540–1623) Appears on: 123–125 Genres: Motet Source Attribution: mr: w: birde. laudes deo. Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Tribulationes civitatu[m]
125–126	Aspice Domine de sede sancta (5vv) [2p. Respice Domine]	mr: w: birde.	Byrd, William (ca. 1540–1623)
Aspice Domine de sede sancta (5vv) [2p. Respice Domine] Byrd, William (ca. 1540–1623) Appears on: 125–126 Genres: Motet Source Attribution: mr: w: birde. Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Aspice domine General Note Annotations/Corrections: Last verse in plainchant notation with 'wb' entered into the final notes;
126–129	Evening service in Latin: Magnificat	-	Tallis, Thomas (ca. 1505–1585)
Evening service in Latin: Magnificat Tallis, Thomas (ca. 1505–1585) Appears on: 126–129 Genres: Anglican Service Music, Canticle, Magnificat, Nunc Dimittis Voice: [no designation] Languages: English Clef: c2 Voice Text: Et exultavit spiritus meus General Note Annotations/Corrections: composer name only at end of Nunc Dimittis;
129	Evening service in Latin: Nunc dimittis	mr: tallis.	Tallis, Thomas (ca. 1505–1585)
Evening service in Latin: Nunc dimittis Tallis, Thomas (ca. 1505–1585) Appears on: 129 Source Attribution: mr: tallis. Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Quia videru[n]t oculi mei
129–132	Manus tuae fecerunt me [2p. Veniant mihi]	mr: whytt:	White, Robert (ca. 1538–1574)
Manus tuae fecerunt me [2p. Veniant mihi] White, Robert (ca. 1538–1574) Appears on: 129–132 Genres: Motet Source Attribution: mr: whytt: Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Manus tue fecerunt me General Note Canon/Gimels: Gimell' twice on p. 131;
132–133	Confitebor tibi Domine	finis mr'	Anonymous
Confitebor tibi Domine Anonymous Appears on: 132–133 Genres: Motet Source Attribution: finis mr' Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Confitebor tibi d[omi]ne
133–136	Adhesit pavimento	mr: w: mundie of the queenes chappel:.	Mundy, William (ca. 1528–ca. 1591)
Adhesit pavimento Mundy, William (ca. 1528–ca. 1591) Appears on: 133–136 Genres: Motet Source Attribution: mr: w: mundie of the queenes chappel:. Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Adhesit pavime[n]to General Note Annotations/Corrections: signum congruentiae in top line of p. 134;
136–140	Noli aemulari in malignantibus	mr: w: mundie: of the chappell:	Mundy, William (ca. 1528–ca. 1591)
Noli aemulari in malignantibus Mundy, William (ca. 1528–ca. 1591) Appears on: 136–140 Genres: Motet Source Attribution: mr: w: mundie: of the chappell: Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Noli emulari General Note Canon/Gimels: Gimell' at the end of p. 137; then 'Gimell: primus:' and 'Gimell: Secundus:' on p. 138;
140–142	Domine quis habitabit [2p. Ad nihillum deductus]	mr: tallis.	Tallis, Thomas (ca. 1505–1585)
Domine quis habitabit [2p. Ad nihillum deductus] Tallis, Thomas (ca. 1505–1585) Appears on: 140–142 Genres: Motet Source Attribution: mr: tallis. Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Domine quis habitabit
142–144	Cunctis diebus quibus nunc milito	mr: w: birde.	Byrd, William (ca. 1540–1623)
Cunctis diebus quibus nunc milito Byrd, William (ca. 1540–1623) Appears on: 142–144 Genres: Motet Source Attribution: mr: w: birde. Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Cunctis diebus General Note Annotations/Corrections: 6: voc:' before first line of music; in margin next to that, in later pencil: 'cf after 135';
144–146	Tristitia et anxietas, Domine tu jurasti (2p. Sed tu domine)	mr: w: birde:.	Byrd, William (ca. 1540–1623)
Tristitia et anxietas, Domine tu jurasti (2p. Sed tu domine) Byrd, William (ca. 1540–1623) Appears on: 144–146 Genres: Motet Source Attribution: mr: w: birde:. Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Tristitia [...] & anxietas General Note Annotations/Corrections: in penultimate line of p. 144, a line under a crotchet;
146–147	Reges Tharsis et insulae	mr: w: birde:.	Byrd, William (ca. 1540–1623)
Reges Tharsis et insulae Byrd, William (ca. 1540–1623) Appears on: 146–147 Genres: Motet Source Attribution: mr: w: birde:. Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Reges tharsis & insule General Note Annotations/Corrections: text added in bottom line of p. 146;
147–152	Miserere mei Deus [2p: Cor mundum crea]	mr whytte:.	White, Robert (ca. 1538–1574)
Miserere mei Deus [2p: Cor mundum crea] White, Robert (ca. 1538–1574) Appears on: 147–152 Genres: Miserere mei Deus, Motet Source Attribution: mr whytte:. Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Miserere mei deus
152–155	Memor esto verbi tui	mr w: mundie: one of the gentlemen: of the queenes maiesties chapelle:.	Mundy, William (ca. 1528–ca. 1591)
Memor esto verbi tui Mundy, William (ca. 1528–ca. 1591) Appears on: 152–155 Genres: Motet Source Attribution: mr w: mundie: one of the gentlemen: of the queenes maiesties chapelle:. Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Memor esto verbi tuj General Note Canon/Gimels: Gimell p[ri]mus' and 'Gimell Secu[n]dus' on p. 153 and p. 154 (with 'Gimell' on stave on p. 153 to indicate where); Annotations/Corrections: both bottom lines (the two Gimells) have 'v[er]te foliu[m]' at the end;
155–156	Sive vigilem	mr: w: mundie:.	Mundy, William (ca. 1528–ca. 1591)
Sive vigilem Mundy, William (ca. 1528–ca. 1591) Appears on: 155–156 Genres: Motet Source Attribution: mr: w: mundie:. Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Sive vigilem sive dormiam
156	Peccantem me quotidie	mr: R: parsons: of: the chappell:.	Parsons (I), Robert (ca. 1535–ca. 1572)
Peccantem me quotidie Parsons (I), Robert (ca. 1535–ca. 1572) Appears on: 156 Genres: Motet Source Attribution: mr: R: parsons: of: the chappell:. Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Peccantem me quotidie General Note Notes: in plainchant notation throughout;
157–158	Videte miraculum	mr: w: mundie:. of: the: chappell:.	Mundy, William (ca. 1528–ca. 1591)
Videte miraculum Mundy, William (ca. 1528–ca. 1591) Appears on: 157–158 Genres: Motet Source Attribution: mr: w: mundie:. of: the: chappell:. Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Videte miraculu[m]
158–159	[Christe qui lux es (III)] Precamur sancte Domine	mr: R: whytt: of: westminster:.	White, Robert (ca. 1538–1574)
[Christe qui lux es (III)] Precamur sancte Domine White, Robert (ca. 1538–1574) Appears on: 158–159 Genres: Motet Source Attribution: mr: R: whytt: of: westminster:. Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Precamur sancte domine
159	Veni creator spiritus mentes tuorum	w: mundie:.	Mundy, William (ca. 1528–ca. 1591)
Veni creator spiritus mentes tuorum Mundy, William (ca. 1528–ca. 1591) Appears on: 159 Genres: Veni creator spiritus Source Attribution: w: mundie:. Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Veni creator spiritus General Note Notes: in plainchant notation throughout; tightly written: beginning right after composer information in the top line - generally from here on more closely following;
159–160	[Christe qui lux es (II)] Precamur sancte Domine	mr: R: whytte:.	White, Robert (ca. 1538–1574)
[Christe qui lux es (II)] Precamur sancte Domine White, Robert (ca. 1538–1574) Appears on: 159–160 Genres: Motet Source Attribution: mr: R: whytte:. Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Precamur sancte domine General Note Notes: composer information squeezed between the end of this and the beginning of the next piece;
160–161	Aeternae rex altissimae	mr: Shepperd.	Sheppard, John (ca. 1515–1558)
Aeternae rex altissimae Sheppard, John (ca. 1515–1558) Appears on: 160–161 Genres: Motet Source Attribution: mr: Shepperd. Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Scandens tribunall General Note Notes: clef opening to the left in bottom line of p. 160: composer information squeezed between the end of this and the beginning of the next piece;
161–162	Jesu salvator saeculi, Redemptis	mr: S:.	Sheppard, John (ca. 1515–1558)
Jesu salvator saeculi, Redemptis Sheppard, John (ca. 1515–1558) Appears on: 161–162 Genres: Motet Source Attribution: mr: S:. Voice: [no designation] Languages: Latin Clef: c5 Voice Text: Cetus omnes angelici
163	Deus tuorum militum (I)	mr: Shepperd:.	Sheppard, John (ca. 1515–1558)
Deus tuorum militum (I) Sheppard, John (ca. 1515–1558) Appears on: 163 Genres: Motet Source Attribution: mr: Shepperd:. Voice: [no designation] Languages: Latin Clef: c5 Voice Text: Hic nempe mu[n]di gaudia General Note Notes: clef opening to the left in third line;
163–164	Christe redemptor omnium	mr: S:.	Sheppard, John (ca. 1515–1558)
Christe redemptor omnium Sheppard, John (ca. 1515–1558) Appears on: 163–164 Genres: Motet Source Attribution: mr: S:. Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Beata quoq[ue] agmina
164–165	Deus tuorum militum (II)	mr: Shepperd:.	Sheppard, John (ca. 1515–1558)
Deus tuorum militum (II) Sheppard, John (ca. 1515–1558) Appears on: 164–165 Genres: Motet Source Attribution: mr: Shepperd:. Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Hic nempe mu[n]di gaudia
165–166	Quod chorus vatum haec Deum	mr: tho: tallis:.	Tallis, Thomas (ca. 1505–1585)
Quod chorus vatum haec Deum Tallis, Thomas (ca. 1505–1585) Appears on: 165–166 Genres: Motet Source Attribution: mr: tho: tallis:. Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Hec deum celi, dominu[m]q[ue] terra
166–167	Iam Christus astra	mr: tallis:.	Tallis, Thomas (ca. 1505–1585)
Iam Christus astra Tallis, Thomas (ca. 1505–1585) Appears on: 166–167 Genres: Motet Source Attribution: mr: tallis:. Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Solemnis vrgebat dies
167–168	Jesu salvator saeculi, Verbum	mr: tallis:.	Tallis, Thomas (ca. 1505–1585)
Jesu salvator saeculi, Verbum Tallis, Thomas (ca. 1505–1585) Appears on: 167–168 Genres: Motet Source Attribution: mr: tallis:. Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Tu fabricator omniu[m]
168–170	Salvator mundi (I)	mr: tho: tallis: one: of: the: gentlemen: of: her: maiesties: chappell: and organist: of: that: place:	Tallis, Thomas (ca. 1505–1585)
Salvator mundi (I) Tallis, Thomas (ca. 1505–1585) Appears on: 168–170 Genres: Motet Source Attribution: mr: tho: tallis: one: of: the: gentlemen: of: her: maiesties: chappell: and organist: of: that: place: Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Adesto nu[n]c propicius
170–172	A solis ortus cardine ad usque terrae	mr: w: mundie: of: the: queens: chappell:.	Mundy, William (ca. 1528–ca. 1591)
A solis ortus cardine ad usque terrae Mundy, William (ca. 1528–ca. 1591) Appears on: 170–172 Genres: Motet Source Attribution: mr: w: mundie: of: the: queens: chappell:. Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Beatus auctor seculi General Note Notes: clef opening to left in bottom line p. 171;
172–174	Libera me Domine de morte aeterna	mr: Ro: parsons:.	Parsons (I), Robert (ca. 1535–ca. 1572)
Libera me Domine de morte aeterna Parsons (I), Robert (ca. 1535–ca. 1572) Appears on: 172–174 Genres: Motet, Requiem Source Attribution: mr: Ro: parsons:. Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Libera me d[omi]ne General Note Annotations/Corrections: signum congruentiae in top line of p. 173 adn at end, with beginning of repeat written out;
177	Justi autem in perpetuum	mr shepperde.	Sheppard, John (ca. 1515–1558)
Justi autem in perpetuum Sheppard, John (ca. 1515–1558) Appears on: 177 Genres: Motet Source Attribution: mr shepperde. Voice: [no designation] Languages: Latin Clef: c3 Voice Text: In perpetuu[m] u[m] vivent General Note Annotations/Corrections: signum congruentiae in penultimate line; Notes: writing different to that in previous pieces - most distinctly in the composer's bname;
178	Impetum fecerunt unanimes	mr shepperde.	Sheppard, John (ca. 1515–1558)
Impetum fecerunt unanimes Sheppard, John (ca. 1515–1558) Appears on: 178 Genres: Motet Source Attribution: mr shepperde. Voice: [no designation] Languages: Latin Clef: c4 Voice Text: feceru[n]t vnanimes General Note Annotations/Corrections: signum congruentiae in third and in fourth line;
179	Sancte Dei preciose	mr [John] shepperde	Sheppard, John (ca. 1515–1558)
Sancte Dei preciose Sheppard, John (ca. 1515–1558) Appears on: 179 Genres: Motet Source Attribution: mr [John] shepperde Voice: [no designation] Languages: Latin Clef: c2 Voice Text: ffunde preces prodevoto General Note Notes: final note split (D-G);
179–180	Homo quidam fecit caenam magnam et misit	mr tallis.	Tallis, Thomas (ca. 1505–1585)
Homo quidam fecit caenam magnam et misit Tallis, Thomas (ca. 1505–1585) Appears on: 179–180 Genres: Motet Source Attribution: mr tallis. Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Quidam fecit cena[m] magna[m] General Note Annotations/Corrections: signum congruentiae in top line of p. 180;
180–181	Non conturbetur cor vestrum I	mr shepperde.	Sheppard, John (ca. 1515–1558)
Non conturbetur cor vestrum I Sheppard, John (ca. 1515–1558) Appears on: 180–181 Genres: Motet Source Attribution: mr shepperde. Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Cor vestru[m] ego vado General Note Annotations/Corrections: time signature seems to have been added later: in paler ink; possibly erasure in thirc and bottom line of p. 181: signum congruentiae in penultimate lint of p. 181;
182–183	Christi virgo dilectissima	mr shepperde.	Sheppard, John (ca. 1515–1558)
Christi virgo dilectissima Sheppard, John (ca. 1515–1558) Appears on: 182–183 Genres: Motet Source Attribution: mr shepperde. Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Dilectissima virtutu[m] operatrix General Note Annotations/Corrections: signum congruentiae in third line of p. 182;
183–184	Non conturbetur cor vestrum II	mr S	Sheppard, John (ca. 1515–1558)
Non conturbetur cor vestrum II Sheppard, John (ca. 1515–1558) Appears on: 183–184 Genres: Motet Source Attribution: mr S Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Cor vestru[m] ego vado General Note Annotations/Corrections: signum congruentiae at the end of p. 183;
184	Reges Tharsis et insulae	mr S.	Sheppard, John (ca. 1515–1558)
Reges Tharsis et insulae Sheppard, John (ca. 1515–1558) Appears on: 184 Genres: Motet Source Attribution: mr S. Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Et insule munera offerent General Note Annotations/Corrections: signum congruentiae in second and third line of piece;
185–186	Gaude, gaude, gaude Maria, virgo cunctas	mr S	Sheppard, John (ca. 1515–1558)
Gaude, gaude, gaude Maria, virgo cunctas Sheppard, John (ca. 1515–1558) Appears on: 185–186 Genres: Motet Source Attribution: mr S Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Virgo cunctas hereses General Note Annotations/Corrections: signum congruentiae in third and fourth line of p. 185 and at end;
187–188	Sint lumbi vesti praecincti	mr Redford	Redford, John (–1547)
Sint lumbi vesti praecincti Redford, John (–1547) Appears on: 187–188 Genres: Motet Source Attribution: mr Redford Voice: [no designation] Languages: Latin Clef: c5 Voice Text: Vestri presincti General Note Annotations/Corrections: signum congruentiae in second line of p. 187; text corr. in third line of p. 187;
188–190	Ad te levavi oculos meos qui habitas II: Adjutorium nostrum in nomine Domini	mr [Robert] whyte	White, Robert (ca. 1538–1574)
Ad te levavi oculos meos qui habitas II: Adjutorium nostrum in nomine Domini White, Robert (ca. 1538–1574) Appears on: 188–190 Genres: Motet Source Attribution: mr [Robert] whyte Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Ad te levaui oculos meos General Note Annotations/Corrections: text insertion (of repeat) in penultimate line of p. 188 and in top line of p. 190;
191	Da pacem Domine (II) (C28)	-	Ferrabosco, Alfonso (the elder) (1543–1588)
Da pacem Domine (II) (C28) Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 191 Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Da pace[m] d[omi]ne General Note Annotations/Corrections: some note corr. in middle of top line of p. 191?;
191	Ecce nunc benedicite I		Anonymous
Ecce nunc benedicite I Anonymous Appears on: 191 Genres: Motet Source Attribution: Voice: [no designation] Languages: Latin Voice Text: Ecce nunc benedicite [I]
191–192	Ecce nunc benedicite II		Anonymous
Ecce nunc benedicite II Anonymous Appears on: 191–192 Genres: Motet Source Attribution: Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Ecce nu[n]c b[e]n[e]dicite
193–194	Praedicabo laudes tuae	-	Daman, William
Praedicabo laudes tuae Daman, William Appears on: 193–194 Genres: Motet Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Predicabo laudes tuas
194–195	Omnis caro gramen sit	-	Daman, William
Omnis caro gramen sit Daman, William Appears on: 194–195 Genres: Motet Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Omnis caro grame[n] sit
195	Loquebantur variis linguis	mr tallis	Tallis, Thomas (ca. 1505–1585)
Loquebantur variis linguis Tallis, Thomas (ca. 1505–1585) Appears on: 195 Genres: Motet Source Attribution: mr tallis Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Varijs linguis guis apostoli General Note Annotations/Corrections: 7 p[ar]ts.' at top of page; signum congruentiae twice in penultimate line;
196–197	Beata nobis gaudia	mr: S.	Sheppard, John (ca. 1515–1558)
Beata nobis gaudia Sheppard, John (ca. 1515–1558) Appears on: 196–197 Genres: Motet Source Attribution: mr: S. Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Ignis vibrante lumine General Note Annotations/Corrections: 7 p[ar]ts.' at top of page;
197–199	Sacris solemniis juncta	mr shepperde.	Sheppard, John (ca. 1515–1558)
Sacris solemniis juncta Sheppard, John (ca. 1515–1558) Appears on: 197–199 Genres: Motet Source Attribution: mr shepperde. Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Noctis recolitur [...] cena novissima General Note Annotations/Corrections: 8 p[ar]ts.' at top of p. 197; 'medius' next to first line of piece on p. 197;
199–200	A solis ortus cardine ad usque terrae	-	Sheppard, John (ca. 1515–1558)
A solis ortus cardine ad usque terrae Sheppard, John (ca. 1515–1558) Appears on: 199–200 Genres: Motet Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Beatus auctor seculi General Note Annotations/Corrections: bottom line of p. 200 extended into inner margin; Notes: rathre tight writing, esp. on p. 200;
201–203	Te Deum laudamus	mr: S.	Sheppard, John (ca. 1515–1558)
Te Deum laudamus Sheppard, John (ca. 1515–1558) Appears on: 201–203 Genres: Liturgical work, Te Deum Source Attribution: mr: S. Voice: [no designation] Languages: Latin Clef: c5 Voice Text: Te eternu[m] patre[m]
203	Dum transisset sabbatum [I]	mr: S.	Sheppard, John (ca. 1515–1558)
Dum transisset sabbatum [I] Sheppard, John (ca. 1515–1558) Appears on: 203 Genres: Motet Source Attribution: mr: S. Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Sabatu[m] maria magdalene General Note Annotations/Corrections: signum congruentiae in penultimate and in bottom line of p. 203;
204	Jam Christus astra	mr [John] shepperde	Sheppard, John (ca. 1515–1558)
Jam Christus astra Sheppard, John (ca. 1515–1558) Appears on: 204 Genres: Motet Source Attribution: mr [John] shepperde Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Solemnis vrgebat dies General Note Notes: clef opening to left in second line;
240–205	Ave maris stella	mr: S.	Sheppard, John (ca. 1515–1558)
Ave maris stella Sheppard, John (ca. 1515–1558) Appears on: 240–205 Genres: Ave maris stella, Motet Source Attribution: mr: S. Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Sumens illud ave General Note Annotations/Corrections: bottom line of bottom stave on p. 204 corr.;
205–206	Adesto sancta Trinitas I	mr: S.	Sheppard, John (ca. 1515–1558)
Adesto sancta Trinitas I Sheppard, John (ca. 1515–1558) Appears on: 205–206 Genres: Motet Source Attribution: mr: S. Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Te celoru[m] milicia
206–207	Hostis Herodes impie	mr: S.	Sheppard, John (ca. 1515–1558)
Hostis Herodes impie Sheppard, John (ca. 1515–1558) Appears on: 206–207 Genres: Motet Source Attribution: mr: S. Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Ibant magi qua[m] viderant General Note Notes: clef opening to left in top line of p. 207;
207–208	Martyr Dei qui unicum	mr shepperde.	Sheppard, John (ca. 1515–1558)
Martyr Dei qui unicum Sheppard, John (ca. 1515–1558) Appears on: 207–208 Genres: Motet Source Attribution: mr shepperde. Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Tui p[re]cat[us] munere General Note Notes: clef opening to left in bottom line of p. 207;
208–209	Adesto sancta Trinitas II	mr: iohn: Shepperde:.	Sheppard, John (ca. 1515–1558)
Adesto sancta Trinitas II Sheppard, John (ca. 1515–1558) Appears on: 208–209 Genres: Motet Source Attribution: mr: iohn: Shepperde:. Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Te celoru[m] milicia
210–212	Media vita in morte sumus	mr: S:	Sheppard, John (ca. 1515–1558)
Media vita in morte sumus Sheppard, John (ca. 1515–1558) Appears on: 210–212 Genres: Motet Source Attribution: mr: S: Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Media vita, in morte sum[us] General Note Annotations/Corrections: signum congruentiae in second and in fourth lines of p. 211 and at end; Notes: bottom line of p. 212 written very tightly;
215–218	Gaude gloriosa Dei mater	mr: tallis.	Tallis, Thomas (ca. 1505–1585)
Gaude gloriosa Dei mater Tallis, Thomas (ca. 1505–1585) Appears on: 215–218 Genres: Motet Source Attribution: mr: tallis. Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Gaude gloriosa dei mater General Note Annotations/Corrections: in 'gloriosa' at beginning, second 'o' added later;
219–221	Peccavimus cum patribus nostris	doc: tye.	Tye, Christopher (ca. 1505–ca. 1573)
Peccavimus cum patribus nostris Tye, Christopher (ca. 1505–ca. 1573) Appears on: 219–221 Genres: Motet Source Attribution: doc: tye. Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Peccavim[us] cu[m] p[at]rib[us] nostris General Note Annotations/Corrections: top line of p. 221 extended into margin;
221–222	Quaesumus omnipotens	docter: tye.	Tye, Christopher (ca. 1505–ca. 1573)
Quaesumus omnipotens Tye, Christopher (ca. 1505–ca. 1573) Appears on: 221–222 Genres: Motet Source Attribution: docter: tye. Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Quesum[us] o[m]nip[oten]s
222–225	Cantate Domino canticum novum cantate	doc: tye.	Tye, Christopher (ca. 1505–ca. 1573)
Cantate Domino canticum novum cantate Tye, Christopher (ca. 1505–ca. 1573) Appears on: 222–225 Genres: Motet Source Attribution: doc: tye. Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Cantate d[omi]no canticu[m] novu[m] General Note Annotations/Corrections: rest' under a string of long rests in bottom line of p. 223; 'in second line of p. 224 signum congruentiae on top of note and 'tenor' written beneath it;
225–227	Deus misereatur nostri et benedicat nobis	mr whyte: batcheler: of musick.	White, Robert (ca. 1538–1574)
Deus misereatur nostri et benedicat nobis White, Robert (ca. 1538–1574) Appears on: 225–227 Genres: Anglican Service Music, Motet Source Attribution: mr whyte: batcheler: of musick. Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Deus misereatur nostri
228–230	Domine quis habitabit (I)	mr: whyte: batcheler: of musick.	White, Robert (ca. 1538–1574)
Domine quis habitabit (I) White, Robert (ca. 1538–1574) Appears on: 228–230 Genres: Motet Source Attribution: mr: whyte: batcheler: of musick. Voice: [no designation] Languages: Latin Clef: c5 Voice Text: Domine quis habitabit
230–231	Adolescentulus sum ego	mr: mundye.	Mundy, William (ca. 1528–ca. 1591)
Adolescentulus sum ego Mundy, William (ca. 1528–ca. 1591) Appears on: 230–231 Genres: Motet Source Attribution: mr: mundye. Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Adolescentulus [...] su[m] ego General Note Annotations/Corrections: note/stem corr. in bottom line of p. 230;
231–233	Tota pulchra es amica mea et macula	mr: whyte.	White, Robert (ca. 1538–1574)
Tota pulchra es amica mea et macula White, Robert (ca. 1538–1574) Appears on: 231–233 Genres: Motet Source Attribution: mr: whyte. Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Tota pulcra es
233–234	Domine quis habitabit	mr: parsons.	Parsons (I), Robert (ca. 1535–ca. 1572)
Domine quis habitabit Parsons (I), Robert (ca. 1535–ca. 1572) Appears on: 233–234 Genres: Motet Source Attribution: mr: parsons. Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Domine quis habitabit
234–236	Domine quis habitabit	mr: w: mundie: one: of: the: gentlemen: of: the: chapelle.	Mundy, William (ca. 1528–ca. 1591)
Domine quis habitabit Mundy, William (ca. 1528–ca. 1591) Appears on: 234–236 Genres: Motet Source Attribution: mr: w: mundie: one: of: the: gentlemen: of: the: chapelle. Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Domine quis habitabit General Note Annotations/Corrections: first and second line of piece extended into margins; a sharp in the composer's title at the end (over the word 'gentlemen') with no obvious relation to the music above;
237–238	Domine non est exaltatum (2p. Sicut ablactatus)	mr: Ro: whytte: batchelar: of: musicke: organist: of westminster:	White, Robert (ca. 1538–1574)
Domine non est exaltatum (2p. Sicut ablactatus) White, Robert (ca. 1538–1574) Appears on: 237–238 Genres: Motet Source Attribution: mr: Ro: whytte: batchelar: of: musicke: organist: of westminster: Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Neq[ue] elati su[n]t oculi mei
238–239	Domine non est exaltatum	w: mundie.	Mundy, William (ca. 1528–ca. 1591)
Domine non est exaltatum Mundy, William (ca. 1528–ca. 1591) Appears on: 238–239 Genres: Motet Source Attribution: w: mundie. Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Domine non est exaltatu[m] General Note Annotations/Corrections: two corr. in first line off text;
239–241	Domine quis habitabit (II) [2p. Ad nihillum deductus]	mr: whyte:	White, Robert (ca. 1538–1574)
Domine quis habitabit (II) [2p. Ad nihillum deductus] White, Robert (ca. 1538–1574) Appears on: 239–241 Genres: Motet Source Attribution: mr: whyte: Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Domine quis habitabit
241–242	Credo quod redemptor meus vivit	mr: parsons of the chappell: as some doe say:	Parsons (I), Robert (ca. 1535–ca. 1572)
Credo quod redemptor meus vivit Parsons (I), Robert (ca. 1535–ca. 1572) Appears on: 241–242 Genres: Credo (patrem omnipotentem), Mass Ordinary Source Attribution: mr: parsons of the chappell: as some doe say: Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Credo quod redemptor meus viuit
242–245	Missa Gloria tibi Trinitas: Gloria	-	Taverner, John
Missa Gloria tibi Trinitas: Gloria Taverner, John Appears on: 242–245 Genres: Anglican Service Music, Gloria (et in terra pax) Voice: [no designation] Languages: Latin, Greek Clef: c4 Voice Text: Hominibus bone volu[n]tatis. General Note Annotations/Corrections: signum congruentiae in secone line of p. 243;
245–247	Missa Gloria tibi Trinitas: Credo	-	Taverner, John
Missa Gloria tibi Trinitas: Credo Taverner, John Appears on: 245–247 Voice: [no designation] Languages: Latin Clef: c4 Voice Text: ffactore[m] celi & terre General Note Annotations/Corrections: 2' under note in third line of p. 245 and in third line of p. 247.;
247–248	Missa Gloria tibi Trinitas: Sanctus	-	Taverner, John
Missa Gloria tibi Trinitas: Sanctus Taverner, John Appears on: 247–248 Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Sanctus. / D[e]us deus sabaoth. General Note Annotations/Corrections: 2' under second note of ligature in top line of p. 248;
248–249	Missa Gloria tibi Trinitas: Benedictus	-	Taverner, John
Missa Gloria tibi Trinitas: Benedictus Taverner, John Appears on: 248–249 Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Benedictus, qui venit
249–251	Missa Gloria tibi Trinitas: Benedictus	John tavernar } homo: memorabilis	Taverner, John
Missa Gloria tibi Trinitas: Benedictus Taverner, John Appears on: 249–251 Source Attribution: John tavernar } homo: memorabilis Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Agnus dei. qui tollis p[e]ccata, mu[n]di General Note Annotations/Corrections: at end: 'Gloria tibi trinitas q[uo]d John tavernar } homo: memorabilis.';
251–252	Domine quis habitabit (III)	mr: whytte.	White, Robert (ca. 1538–1574)
Domine quis habitabit (III) White, Robert (ca. 1538–1574) Appears on: 251–252 Genres: Motet Source Attribution: mr: whytte. Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Domine quis habitabit
253–256	Eructavit cor meum	mr: w: mundie: of the: chappell.	Mundy, William (ca. 1528–ca. 1591)
Eructavit cor meum Mundy, William (ca. 1528–ca. 1591) Appears on: 253–256 Genres: Motet Source Attribution: mr: w: mundie: of the: chappell. Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Eructavit cor meum
256–257	Cunctis diebus quibus nunc milito	mr: w: birde.	Byrd, William (ca. 1540–1623)
Cunctis diebus quibus nunc milito Byrd, William (ca. 1540–1623) Appears on: 256–257 Genres: Motet Source Attribution: mr: w: birde. Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Cunctis diebus General Note Annotations/Corrections: p[ri]m[us] : tenor. vacat:' in outer margin at beginning: beneath that, in pencil: 'This also in SexTus Book'; Notes: Sexta pars of no. 68, in Mus. 980 only;
258–263	Vox Patris caelestis	mr: w: mundie: one of the gentlemen: of the queens maiesties: chapelle:. / laudes: deo:'	Mundy, William (ca. 1528–ca. 1591)
Vox Patris caelestis Mundy, William (ca. 1528–ca. 1591) Appears on: 258–263 Genres: Motet Source Attribution: mr: w: mundie: one of the gentlemen: of the queens maiesties: chapelle:. / laudes: deo:' Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Uox patris celestis General Note Annotations/Corrections: face drawn into initial 'U'; after bottom line of p. 259: 'v[er]te foliu[m]';
263–267	Maria virgo sanctissima	mr w: mundie: one: of: the: queens: maiesties: chappell:.	Mundy, William (ca. 1528–ca. 1591)
Maria virgo sanctissima Mundy, William (ca. 1528–ca. 1591) Appears on: 263–267 Genres: Motet Source Attribution: mr w: mundie: one: of: the: queens: maiesties: chappell:. Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Maria v[ir]go sanctissima
267–271	Infelix ego omnium (2p. Quid igitur faciam; 3p. Ad te igitur)	mr: w: birde:.	Byrd, William (ca. 1540–1623)
Infelix ego omnium (2p. Quid igitur faciam; 3p. Ad te igitur) Byrd, William (ca. 1540–1623) Appears on: 267–271 Genres: Motet Source Attribution: mr: w: birde:. Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Infelix ego
271–274	Deus in adjutorium meum intende	laudes: deo: mr: w: bird: organist: of: the: chappelle:.	Byrd, William (ca. 1540–1623)
Deus in adjutorium meum intende Byrd, William (ca. 1540–1623) Appears on: 271–274 Genres: Motet Source Attribution: laudes: deo: mr: w: bird: organist: of: the: chappelle:. Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Meu[m] intende General Note Annotations/Corrections: face drawn into 'D' of 'Deus' at beginning; Notes: Deus in adiutoriu[m]' at beginning under pauses; on p. 272 sharps repeated before consecutive notes;
274–275	Domine ante te omne desiderium meum	mr: w: birde: gentleman: of: the: chappelle:.	Byrd, William (ca. 1540–1623)
Domine ante te omne desiderium meum Byrd, William (ca. 1540–1623) Appears on: 274–275 Genres: Motet Source Attribution: mr: w: birde: gentleman: of: the: chappelle:. Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Domine ante te
275–276	O salutaris hostia I	mr:w: birde: organiste: of: the: quenes: maiesties: chappelle:.	Byrd, William (ca. 1540–1623)
O salutaris hostia I Byrd, William (ca. 1540–1623) Appears on: 275–276 Genres: Motet Source Attribution: mr:w: birde: organiste: of: the: quenes: maiesties: chappelle:. Voice: [no designation] Languages: Latin Clef: c3 Voice Text: O salutaris hostia
276–277	Descendit de caelis	mr: w: birde:	Byrd, William (ca. 1540–1623)
Descendit de caelis Byrd, William (ca. 1540–1623) Appears on: 276–277 Genres: Anthem Source Attribution: mr: w: birde: Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Descendit de celis General Note Annotations/Corrections: signum congruentiae at beginning of fourth line on p. 277;
278–279	Afflicti pro peccatis	mr: w: birde:	Byrd, William (ca. 1540–1623)
Afflicti pro peccatis Byrd, William (ca. 1540–1623) Appears on: 278–279 Genres: Anthem Source Attribution: mr: w: birde: Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Afflicti pro pe[e]ccatis nostris General Note Annotations/Corrections: signum congruentiae in top line of p. 279;
279–280	Verbum caro factum est de virgine Maria	mr: iohn: Shepperde:.	Sheppard, John (ca. 1515–1558)
Verbum caro factum est de virgine Maria Sheppard, John (ca. 1515–1558) Appears on: 279–280 Genres: Motet Source Attribution: mr: iohn: Shepperde:. Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Uerbu[m] caro factu[m] est General Note Annotations/Corrections: signum congruentiae in bottom line of p. 279; Notes: staves on p. 279 quite irregular (i.e. lines not parallel);
280–281	Spiritus sanctus procedens I	mr: Shepperde:.	Sheppard, John (ca. 1515–1558)
Spiritus sanctus procedens I Sheppard, John (ca. 1515–1558) Appears on: 280–281 Genres: Motet Source Attribution: mr: Shepperde:. Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Procedens athrono apostoloru[m] General Note Annotations/Corrections: signum congruentiae in second and fourth lines of p. 281;
281–282	Haec dies	mr: ihon: Shepperde:	Sheppard, John (ca. 1515–1558)
Haec dies Sheppard, John (ca. 1515–1558) Appears on: 281–282 Genres: Motet Source Attribution: mr: ihon: Shepperde: Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Hec dies
282–283	Videte miraculum	mr: tho: tallis: of: the: chappell:.	Tallis, Thomas (ca. 1505–1585)
Videte miraculum Tallis, Thomas (ca. 1505–1585) Appears on: 282–283 Genres: Motet Source Attribution: mr: tho: tallis: of: the: chappell:. Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Miraculu[m] [...] videte miraculu[m]
283–285	Sive vigilem	direck: gerarde:.	Gerarde, Derrick (fl. c1540–1580)
Sive vigilem Gerarde, Derrick (fl. c1540–1580) Appears on: 283–285 Genres: Motet Source Attribution: direck: gerarde:. Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Sive vigile[m]
285–286	Filiae Jerusalem	mr: She:.	Sheppard, John (ca. 1515–1558)
Filiae Jerusalem Sheppard, John (ca. 1515–1558) Appears on: 285–286 Genres: Motet Source Attribution: mr: She:. Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Hierusalem [...] venite & videte General Note Annotations/Corrections: signum congruentiae in penultimate line of p. 285;
286–287	Dum transisset sabbatum [II]	mr: Shepperde:.	Sheppard, John (ca. 1515–1558)
Dum transisset sabbatum [II] Sheppard, John (ca. 1515–1558) Appears on: 286–287 Genres: Motet Source Attribution: mr: Shepperde:. Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Sabbatu[m], maria magdalene General Note Annotations/Corrections: signum congruentiae in penultimate line of p. 286;
287	Salvator mundi Domine	mr: Shepperde:.	Sheppard, John (ca. 1515–1558)
Salvator mundi Domine Sheppard, John (ca. 1515–1558) Appears on: 287 Genres: Motet Source Attribution: mr: Shepperde:. Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Adesto nu[n]c propicius
288	Jesu salvator saeculi, Verbum	mr: S:	Sheppard, John (ca. 1515–1558)
Jesu salvator saeculi, Verbum Sheppard, John (ca. 1515–1558) Appears on: 288 Genres: Motet Source Attribution: mr: S: Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Tu fabricator omniu[m] General Note Annotations/Corrections: cross (with a plinth) drawn into initial 'T';
289–290	Jam Christus astra	mr: Ro: parsons: gentleman: of: the: chappelle:.	Parsons (I), Robert (ca. 1535–ca. 1572)
Jam Christus astra Parsons (I), Robert (ca. 1535–ca. 1572) Appears on: 289–290 Genres: Motet Source Attribution: mr: Ro: parsons: gentleman: of: the: chappelle:. Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Solemnis vrgebat dies General Note Notes: in bottom line of p. 289, clef opening to left;
290–291	Libera nos, salva nos [I]	mr: iohn: Shepperde:.	Sheppard, John (ca. 1515–1558)
Libera nos, salva nos [I] Sheppard, John (ca. 1515–1558) Appears on: 290–291 Genres: Motet Source Attribution: mr: iohn: Shepperde:. Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Salva nos
291	Libera nos, salva nos [II]	mr: Shepperde:.	Sheppard, John (ca. 1515–1558)
Libera nos, salva nos [II] Sheppard, John (ca. 1515–1558) Appears on: 291 Genres: Motet Source Attribution: mr: Shepperde:. Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Salva nos
291–292	Dum transisset sabbatum	mr: iohn: mundie:.	Mundy, John (ca. 1555–1630)
Dum transisset sabbatum Mundy, John (ca. 1555–1630) Appears on: 291–292 Genres: Motet Source Attribution: mr: iohn: mundie:. Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Sabatu[m] [...] maria magdalene
295–296	Fantasia a6 (I) in F	mr: w: birde:.	Byrd, William (ca. 1540–1623)
Fantasia a6 (I) in F Byrd, William (ca. 1540–1623) Appears on: 295–296 Genres: textless Source Attribution: mr: w: birde:. Voice: [no designation] Languages: none Clef: c3 General Note Notes: composer name at the end in the same ink as the following title of the next piece (lighter than the music);
296–297	The song called trumpets = Lusty Gallant	mr: parsons:.	Parsons (I), Robert (ca. 1535–ca. 1572)
The song called trumpets = Lusty Gallant Parsons (I), Robert (ca. 1535–ca. 1572) Appears on: 296–297 Genres: Motet Source Attribution: mr: parsons:. Voice: [no designation] Languages: none Clef: c4 General Note Annotations/Corrections: 31' under semi-circle with dot in penultimate line of p. 296 (and from there on in black notation); Notes: title in the same ink as the composer name at the end of the previous next piece (lighter than the music);
297–298	Beati omnes	mr: da:	Daman, William
Beati omnes Daman, William Appears on: 297–298 Genres: Motet Source Attribution: mr: da: Voice: [no designation] Languages: none Clef: c4
298–299	Quemadmodum	mr: iohn: tavernar:.	Taverner, John
Quemadmodum Taverner, John Appears on: 298–299 Genres: Motet Source Attribution: mr: iohn: tavernar:. Voice: [no designation] Languages: Latin Clef: c4
299	Redime me Domine	iohn: bawdwine	Baldwin, John (ca. 1560–1615)
Redime me Domine Baldwin, John (ca. 1560–1615) Appears on: 299 Genres: Motet Source Attribution: iohn: bawdwine Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Redime me domine General Note Notes: in plainchant notation throughout;
299–300	Pater noster	iohn: bawdwine	Baldwin, John (ca. 1560–1615)
Pater noster Baldwin, John (ca. 1560–1615) Appears on: 299–300 Genres: Motet Source Attribution: iohn: bawdwine Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Pater noster General Note Notes: in plainchant notation throughout;
301	[Christe qui lux es (I)] Precamur sancte Domine	mr: Ro: whytt: of: westeminster:.	White, Robert (ca. 1538–1574)
[Christe qui lux es (I)] Precamur sancte Domine White, Robert (ca. 1538–1574) Appears on: 301 Genres: Motet Source Attribution: mr: Ro: whytt: of: westeminster:. Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Precamur sancte domine General Note Notes: in plainchant notation throughout, strutured by barlines;
302–305	De Lamentatione Jeremiae	mr: iohn: mundie: of: windsore:.	Mundy, John (ca. 1555–1630)
De Lamentatione Jeremiae Mundy, John (ca. 1555–1630) Appears on: 302–305 Genres: Lamentations, Motet Source Attribution: mr: iohn: mundie: of: windsore:. Voice: [no designation] Languages: Latin, Hebrew Clef: c3 Voice Text: De lamentacione [...] Jeremie prophete General Note Annotations/Corrections: v: voc:' at top;
305–307	Lamentations (II) a6	mr: Ro: whytte:.	White, Robert (ca. 1538–1574)
Lamentations (II) a6 White, Robert (ca. 1538–1574) Appears on: 305–307 Genres: Lamentations, Motet Source Attribution: mr: Ro: whytte:. Voice: [no designation] Languages: Latin, Hebrew Clef: c3 Voice Text: Heth / p[e]ccatu[m] p[e]ccavit General Note Annotations/Corrections: text corr. in third line of p. 306;
308	Cuckoo as I me walked	Jo: bawdwine:-.	Baldwin, John (ca. 1560–1615)
Cuckoo as I me walked Baldwin, John (ca. 1560–1615) Appears on: 308 Genres: Song Source Attribution: Jo: bawdwine:-. Voice: [no designation] Languages: English Clef: c2 General Note Annotations/Corrections: iij: voc:-.' at top; '31' under note in second, third nd fourth lines; Notes: in Mus 980 and Mus 981 only;
309–314	Tallis and Byrd, 'Cantiones Sacrae' (1575), title page and prelims	-	-
Tallis and Byrd, 'Cantiones Sacrae' (1575), title page and prelims Appears on: 309–314
315	Salvator mundi (I)	T. Tallis	Tallis, Thomas (ca. 1505–1585)
Salvator mundi (I) Tallis, Thomas (ca. 1505–1585) Appears on: 315 Genres: Motet Source Attribution: T. Tallis Voice: [no designation] Languages: Latin Clef: c3 Voice Text: SAluator mu[n]di salua nos General Note Annotations/Corrections: at top: 'V. Voc.';
316–317	Absterge Domine	T. Tallis	Tallis, Thomas (ca. 1505–1585)
Absterge Domine Tallis, Thomas (ca. 1505–1585) Appears on: 316–317 Source Attribution: T. Tallis Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Absterge Domine General Note Annotations/Corrections: at top: 'V. Voc.';
318	In manus tuas Domine	T. Tallis	Tallis, Thomas (ca. 1505–1585)
In manus tuas Domine Tallis, Thomas (ca. 1505–1585) Appears on: 318 Genres: Motet Source Attribution: T. Tallis Voice: [no designation] Languages: Latin Clef: c2 Voice Text: IN manus tuas Domine General Note Annotations/Corrections: at top: 'V. Voc.';
319	Emendemus - 1a pars (of 2): Emendemus in melius	W. Birdi.	Byrd, William (ca. 1540–1623)
Emendemus - 1a pars (of 2): Emendemus in melius Byrd, William (ca. 1540–1623) Appears on: 319 Genres: Motet Source Attribution: W. Birdi. Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Emendemus in melius General Note Annotations/Corrections: at top: 'V. Voc.'; 'Secunda pars' in penultimate line;
319	Emendemus - 2a pars (of 2): Adiuva nos Deus	-	Byrd, William (ca. 1540–1623)
Emendemus - 2a pars (of 2): Adiuva nos Deus Byrd, William (ca. 1540–1623) Appears on: 319 Genres: Motet
320–322	Libera me domine et pone me (2p. Dies mei transierunt)	W. Birdi.	Byrd, William (ca. 1540–1623)
Libera me domine et pone me (2p. Dies mei transierunt) Byrd, William (ca. 1540–1623) Appears on: 320–322 Genres: Anthem Source Attribution: W. Birdi. Voice: [no designation] Languages: Latin Clef: c3 Voice Text: LIbera me Domine General Note Annotations/Corrections: at top: 'V. Voc.'; in penultimate line of p. 320: 'Secunda pars.';
322–323	Peccantem me quotidie	W. Birdi.	Byrd, William (ca. 1540–1623)
Peccantem me quotidie Byrd, William (ca. 1540–1623) Appears on: 322–323 Source Attribution: W. Birdi. Voice: [no designation] Languages: Latin Clef: c2 Voice Text: PEcca[n]tem me quotidie General Note Annotations/Corrections: at top: 'V. Voc.';
324	Mihi autem nimis honorati sunt	T. Tallis	Tallis, Thomas (ca. 1505–1585)
Mihi autem nimis honorati sunt Tallis, Thomas (ca. 1505–1585) Appears on: 324 Genres: Motet Source Attribution: T. Tallis Voice: [no designation] Languages: Latin Clef: c3 Voice Text: MIhi aute[m] nimishonorati su[n]t General Note Annotations/Corrections: at top: 'V. Voc.';
325	O nata lux de lumine	T. Tallis	Tallis, Thomas (ca. 1505–1585)
O nata lux de lumine Tallis, Thomas (ca. 1505–1585) Appears on: 325 Source Attribution: T. Tallis Voice: [no designation] Languages: Latin Clef: c2 Voice Text: O nata lux de lumine General Note Annotations/Corrections: at top: 'HYMNVS V. Voc.';
326–327	O sacrum convivium in quo Christus sumitur	T. Tallis	Tallis, Thomas (ca. 1505–1585)
O sacrum convivium in quo Christus sumitur Tallis, Thomas (ca. 1505–1585) Appears on: 326–327 Genres: Motet Source Attribution: T. Tallis Voice: [no designation] Languages: Latin Clef: c3 Voice Text: O sacru[m] co[n]uiuium General Note Annotations/Corrections: at top: 'V. Voc.';
328–329	Aspice Domine quia facta est (6vv)	W. Birdi.	Byrd, William (ca. 1540–1623)
Aspice Domine quia facta est (6vv) Byrd, William (ca. 1540–1623) Appears on: 328–329 Genres: Motet Source Attribution: W. Birdi. Voice: [no designation] Languages: Latin Clef: c3 Voice Text: ASpice Domine General Note Annotations/Corrections: at top: 'VI. Voc.'; Notes: at beginning a sharp sign for the B;
330–331	Attollite portas	W. Birdi.	Byrd, William (ca. 1540–1623)
Attollite portas Byrd, William (ca. 1540–1623) Appears on: 330–331 Genres: Psalm Source Attribution: W. Birdi. Voice: [no designation] Languages: Latin Clef: c3 Voice Text: ATtolite portas General Note Annotations/Corrections: at top: 'VI. Voc.'; signum congruentiae in third line of p. 331 and at end, with beginning of repeat written out;
332	O lux beata trinitas et principalis (2p.Te mane laudum carmine te deprecamur; 3p. Deo patri sit gloria eiusque soli)	W. Birdi.	Byrd, William (ca. 1540–1623)
O lux beata trinitas et principalis (2p.Te mane laudum carmine te deprecamur; 3p. Deo patri sit gloria eiusque soli) Byrd, William (ca. 1540–1623) Appears on: 332 Genres: Motet Source Attribution: W. Birdi. Voice: [no designation] Languages: Latin Clef: c3 Voice Text: O Lux beata trinitas General Note Annotations/Corrections: at top: 'HYMNVS. VI. Voc.';
333	Deo Patri sit gloria	W. Birdi.	Byrd, William (ca. 1540–1623)
Deo Patri sit gloria Byrd, William (ca. 1540–1623) Appears on: 333 Source Attribution: W. Birdi. Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Deo Patri sit gloria General Note Annotations/Corrections: at top: 'CANON. VI. Voc.';
334–335	Derelinquit impius viam suam	T. Tallis	Tallis, Thomas (ca. 1505–1585)
Derelinquit impius viam suam Tallis, Thomas (ca. 1505–1585) Appears on: 334–335 Source Attribution: T. Tallis Voice: [no designation] Languages: Latin Clef: c3 Voice Text: DErelinquit impius viam suam General Note Annotations/Corrections: at top: 'V. Voc.';
336–337	Dum transisset sabbatum, Maria Magdalene / Aromata emerunt	T. Tallis	Tallis, Thomas (ca. 1505–1585)
Dum transisset sabbatum, Maria Magdalene / Aromata emerunt Tallis, Thomas (ca. 1505–1585) Appears on: 336–337 Genres: Motet Source Attribution: T. Tallis Voice: [no designation] Languages: Latin Clef: g2 Voice Text: SAbathu[m] [...] du[m] transisset General Note Annotations/Corrections: at top: 'V. Voc.'; signum congruentiae in fourth and fifth lines of p. 336; at bottom of p. 336 at end of last line, a flower - matching with the same flower at the beginning of the bottom line on the following page: the music continues over the page break;
337	Honor, virtus et potestas	T. Tallis	Tallis, Thomas (ca. 1505–1585)
Honor, virtus et potestas Tallis, Thomas (ca. 1505–1585) Appears on: 337 Source Attribution: T. Tallis Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Virtus honor virtus [...] & potestas General Note Annotations/Corrections: at top: 'V. Voc.'; signum congruentiae in fourth line;
338–339	Sermone blando Illae dum pergunt concitae Apostolis	T. Tallis	Tallis, Thomas (ca. 1505–1585)
Sermone blando Illae dum pergunt concitae Apostolis Tallis, Thomas (ca. 1505–1585) Appears on: 338–339 Genres: Motet Source Attribution: T. Tallis Voice: [no designation] Languages: Latin Clef: c3 Voice Text: ILlae du[m] pergu[n]t co[n]citae [...] apostolis General Note Annotations/Corrections: at top: 'HYMNVS. V. Voc.';
340–341	Laudate pueri Dominum	W. Birdi.	Byrd, William (ca. 1540–1623)
Laudate pueri Dominum Byrd, William (ca. 1540–1623) Appears on: 340–341 Source Attribution: W. Birdi. Voice: [no designation] Languages: Latin Clef: c3 Voice Text: LAudate pueri Dominum General Note Annotations/Corrections: at top: 'VI. Voc.';
342	Memento homo quod cinis es	W. Birdi.	Byrd, William (ca. 1540–1623)
Memento homo quod cinis es Byrd, William (ca. 1540–1623) Appears on: 342 Source Attribution: W. Birdi. Voice: [no designation] Languages: Latin Clef: c3 Voice Text: MEmento homo quod cinis es General Note Annotations/Corrections: at top: 'VI. Voc.';
343	Siderum rector Deus alme	W. Birdi.	Byrd, William (ca. 1540–1623)
Siderum rector Deus alme Byrd, William (ca. 1540–1623) Appears on: 343 Source Attribution: W. Birdi. Voice: [no designation] Languages: Latin Clef: c2 Voice Text: SIderu[m] rector Deus alme General Note Annotations/Corrections: at top: 'HYMNVS. V. Voc.';
344	Procul recedant omnia	T. Tallis	Tallis, Thomas (ca. 1505–1585)
Procul recedant omnia Tallis, Thomas (ca. 1505–1585) Appears on: 344 Source Attribution: T. Tallis Voice: [no designation] Languages: Latin Clef: c3 Voice Text: PRocul receda[n]t somnia General Note Annotations/Corrections: at top: 'HYMNVS. V. Voc.';
345	Salvator mundi (II)	T. Tallis	Tallis, Thomas (ca. 1505–1585)
Salvator mundi (II) Tallis, Thomas (ca. 1505–1585) Appears on: 345 Genres: Motet Source Attribution: T. Tallis Voice: [no designation] Languages: Latin Clef: c3 Voice Text: SAluator mu[n]di salua nos General Note Annotations/Corrections: at top: 'V. Voc.';
346	Candidi Facti sunt = Facti sunt Nazarei eius candidi	T. Tallis	Tallis, Thomas (ca. 1505–1585)
Candidi Facti sunt = Facti sunt Nazarei eius candidi Tallis, Thomas (ca. 1505–1585) Appears on: 346 Genres: Motet Source Attribution: T. Tallis Voice: [no designation] Languages: Latin Clef: c4 Voice Text: FActi sunt nazarei eius candidi General Note Annotations/Corrections: at top: 'V. Voc.'; signum congruentiae in fourth line;
347	[blank staves]	-	-
[blank staves] Appears on: 347
348–349	De Tribulatione	W. Birdi.	Byrd, William (ca. 1540–1623)
De Tribulatione Byrd, William (ca. 1540–1623) Appears on: 348–349 Source Attribution: W. Birdi. Voice: [no designation] Languages: Latin Clef: c3 Voice Text: DE tribulatione General Note Annotations/Corrections: at top: 'VI. Voc.';
350–351	Domine secundum actum meum	W. Birdi.	Byrd, William (ca. 1540–1623)
Domine secundum actum meum Byrd, William (ca. 1540–1623) Appears on: 350–351 Source Attribution: W. Birdi. Voice: [no designation] Languages: Latin Clef: c3 Voice Text: DOmine, secundu[m] actu[m] meum General Note Annotations/Corrections: at top: 'VI. Voc.'; on top of p. 351 'SECVNDA PARS' ('IDeo de precorde'); at bottom of p. 350 at end of last line, a flower - matching with the same flower at the beginning of the bottom line on the following page: the music continues over the page break;
352–353	In ieiunio et fletu	T. Tallis	Tallis, Thomas (ca. 1505–1585)
In ieiunio et fletu Tallis, Thomas (ca. 1505–1585) Appears on: 352–353 Source Attribution: T. Tallis Voice: [no designation] Languages: Latin Clef: c5 Voice Text: IN ieiunio & fletu General Note Annotations/Corrections: at top: 'V. Voc.';
354–357	Suscipe quaeso Domine II: Si enim iniquitates	T. Tallis	Tallis, Thomas (ca. 1505–1585)
Suscipe quaeso Domine II: Si enim iniquitates Tallis, Thomas (ca. 1505–1585) Appears on: 354–357 Genres: Motet Source Attribution: T. Tallis Voice: [no designation] Languages: Latin Clef: c4 Voice Text: SVscipe quaeso Domine, vocem confitentis General Note Annotations/Corrections: at top: 'VII. Voc.'; on top of p. 356 'SECVNDA PARS' ('SI enim iniquitates');
358	Miserere mihi Domine	W. Birdi.	Byrd, William (ca. 1540–1623)
Miserere mihi Domine Byrd, William (ca. 1540–1623) Appears on: 358 Source Attribution: W. Birdi. Voice: [no designation] Languages: Latin Clef: c3 Voice Text: MIserere mihi Domine General Note Annotations/Corrections: at top: 'VI. Voc.': in middle third line: 'CANON Duae partes in vna in diatesteron.'; signum congruentiae in third and fourth lines;
359	[blank staves]	-	-
[blank staves] Appears on: 359
360–361	Tribue Domine	W. Birdi.	Byrd, William (ca. 1540–1623)
Tribue Domine Byrd, William (ca. 1540–1623) Appears on: 360–361 Genres: Motet Source Attribution: W. Birdi. Voice: [no designation] Languages: Latin Clef: c2 Voice Text: TRibue Domine General Note Annotations/Corrections: at top: 'VI.';
362–363	Te Deprecor	W. Birdi.	Byrd, William (ca. 1540–1623)
Te Deprecor Byrd, William (ca. 1540–1623) Appears on: 362–363 Genres: Motet Source Attribution: W. Birdi. Voice: [no designation] Languages: Latin Clef: c2 Voice Text: TE deprecor supplico General Note Annotations/Corrections: at top: 'VI. Voc.'; Notes: Secunda pars of 'Tribue, Domine';
364–365	Gloria Patri qui creavit nos	W. Birdi.	Byrd, William (ca. 1540–1623)
Gloria Patri qui creavit nos Byrd, William (ca. 1540–1623) Appears on: 364–365 Source Attribution: W. Birdi. Voice: [no designation] Languages: Latin Clef: c2 Voice Text: GLoria Patri qui creauit nos General Note Annotations/Corrections: at top: 'VI. Voc.'; Notes: Tertia pars of 'Tribue, Domine';
366–367	Libera me domine de morte aeterna	W. Birdi.	Byrd, William (ca. 1540–1623)
Libera me domine de morte aeterna Byrd, William (ca. 1540–1623) Appears on: 366–367 Source Attribution: W. Birdi. Voice: [no designation] Languages: Latin Clef: c3 Voice Text: LIbera me Domine General Note Annotations/Corrections: at top: 'V. Voc.';
368	Miserere nostri Domine	T. Tallis	Tallis, Thomas (ca. 1505–1585)
Miserere nostri Domine Tallis, Thomas (ca. 1505–1585) Appears on: 368 Source Attribution: T. Tallis Voice: [no designation] Languages: Latin Clef: c4 Voice Text: MIserere nostri Domine General Note Annotations/Corrections: at top: 'VII. Voc.'; at beginning (before first line): Quatuor partes in vna, Canon in vni sonus, Crescit in duplo, Arsim & thesim.'; signum congruentiae in first three lines;
369–371	titles/indexes	-	-
titles/indexes Appears on: 369–371
372	Extract of letters patents to Tallis and Byrd	-	Anonymous
Extract of letters patents to Tallis and Byrd Anonymous Appears on: 372
373–374	-		Anonymous
[Unknown Title] Appears on: 373–374 Source Attribution:

Composer	Compositions
Anonymous	Confitebor tibi Domine – 132–133 Ecce nunc benedicite I – 191 Ecce nunc benedicite II – 191–192 Extract of letters patents to Tallis and Byrd – 372 [No description] – 369–371 [No description] – 373–374 [No description] – 359 [No description] – 347 [No description] – 309–314
Baldwin, John (ca. 1560–1615)	Cuckoo as I me walked – 308 Pater noster – 299–300 Redime me Domine – 299
Byrd, William (ca. 1540–1623)	Afflicti pro peccatis – 278–279 Apparebit in finem – 21–22 Aspice Domine de sede sancta (5vv) [2p. Respice Domine] – 125–126 Aspice Domine quia facta est (6vv) – 328–329 Attollite portas – 330–331 Audivi vocem de caelo – 23–24 Benigne fac, Domine – 69–70 Circumdederunt me dolores mortis – 70–71 Cunctis diebus quibus nunc milito – 142–144 Cunctis diebus quibus nunc milito – 256–257 De Tribulatione – 348–349 Deo Patri sit gloria – 333 Descendit de caelis – 276–277 Deus in adjutorium meum intende – 271–274 Domine Deus omnipotens – 17–19 Domine ante te omne desiderium meum – 274–275 Domine exaudi orationem meam (2p. Et non intres) – 29–31 Domine praestolamur [2p. Veni domine] – 119–120 Domine secundum actum meum – 350–351 Emendemus - 1a pars (of 2): Emendemus in melius – 319 Emendemus - 2a pars (of 2): Adiuva nos Deus – 319 Exsurge Domine quare obdormis? (or, Exsurge quare obdormis Domine) – 67–69 Fantasia a6 (I) in F – 295–296 Gloria Patri qui creavit nos – 364–365 Infelix ego omnium (2p. Quid igitur faciam; 3p. Ad te igitur) – 267–271 Lamentations: De lamentatione Jeremiae – 64–67 Laudate pueri Dominum – 340–341 Levemus corda nostra – 24–25 Libera me domine de morte aeterna – 366–367 Libera me domine et pone me (2p. Dies mei transierunt) – 320–322 Memento Domine – 27–28 Memento homo quod cinis es – 342 Miserere mihi Domine – 358 Ne irascaris Domine [2p. Civitas sancti tui] – 121–122 Ne perdas cum impiis – 32–33 O Domine adjuva me – 28–29 O lux beata trinitas et principalis (2p.Te mane laudum carmine te deprecamur; 3p. Deo patri sit gloria eiusque soli) – 332 O quam gloriosum est regnum (2p. Benedictio et claritas) – 19–21 O salutaris hostia I – 275–276 Omni tempore benedic Deum [2p. Memor esto fili] – 31–32 Peccantem me quotidie – 322–323 Peccavi super numerum – 25–26 Reges Tharsis et insulae – 146–147 Sacris solemniis juncta – 34–36 Siderum rector Deus alme – 343 Te Deprecor – 362–363 Tribue Domine – 360–361 Tribulationes civitatum [2p. Timor et hebitudo, 3p. Nos enim pro peccatis] – 123–125 Tristitia et anxietas, Domine tu jurasti (2p. Sed tu domine) – 144–146 Vide domine afflictionem nostram et in tempore (2p. Sed veni domine et noli tardare) – 56–58
Daman, William	Beati omnes – 297–298 Confitebor tibi Domine – 72–73 Omnis caro gramen sit – 194–195 Praedicabo laudes tuae – 193–194
Douglas, Patrick	In convertendo Dominus [2a pars: Convertere Domine] – 85–87
Fayrfax, Robert (1464–1521)	Ave Dei patris filia – 91–94
Ferrabosco, Alfonso (the elder) (1543–1588)	Da pacem Domine (II) (C28) – 191 De Lamentatione Jeremiae (C64) – 81–83
Gerarde, Derrick (fl. c1540–1580)	Sive vigilem – 283–285
Hollander, Christian	(?) Dum transisset sabbatum Maria Magdalena II: Et valde mane una sabbatorum veniunt – 46–48
Hollander, Sebastian	(?) Dum transisset sabbatum Maria Magdalena II: Et valde mane una sabbatorum veniunt – 46–48
Johnson (I), Robert (ca. 1500–ca. 1560)	Domine in virtute tua (I) (2p: Magna gloria eius) – 10–13
Lassus, Orlande de (ca. 1532–1594)	Ubi est Abel frater tuus dixit Dominus – 104–105
Mundy, John (ca. 1555–1630)	Aedes nostra sancta – 58–60 De Lamentatione Jeremiae – 302–305 Dum transisset sabbatum – 291–292 In te Domine speravi – 105–107
Mundy, William (ca. 1528–ca. 1591)	A solis ortus cardine ad usque terrae – 170–172 Adhesit pavimento – 133–136 Adolescentulus sum ego – 230–231 Beati immaculati in via – 116–119 Beatus et sanctus – 72 Domine non est exaltatum – 238–239 Domine quis habitabit – 234–236 Eructavit cor meum – 253–256 Maria virgo sanctissima – 263–267 Memor esto verbi tui – 152–155 Noli aemulari in malignantibus – 136–140 Sive vigilem – 155–156 Veni creator spiritus mentes tuorum – 159 Videte miraculum – 157–158 Vox Patris caelestis – 258–263
Parsons (I), Robert (ca. 1535–ca. 1572)	Credo quod redemptor meus vivit – 241–242 Domine quis habitabit – 233–234 Jam Christus astra – 289–290 Libera me Domine de morte aeterna – 172–174 O bone Jesu – 108–112 Peccantem me quotidie – 156 Retribue servo tuo – 114–116 The song called trumpets = Lusty Gallant – 296–297
Redford, John (–1547)	Sint lumbi vesti praecincti – 187–188
Sheppard, John (ca. 1515–1558)	A solis ortus cardine ad usque terrae – 199–200 Adesto sancta Trinitas I – 205–206 Adesto sancta Trinitas II – 208–209 Aeternae rex altissimae – 160–161 Ave maris stella – 240–205 Beata nobis gaudia – 196–197 Beati omnes qui timent Dominum – 4–6 Christe redemptor omnium – 163–164 Christi virgo dilectissima – 182–183 Confitebor tibi Domine – 8–10 Deus misereator nostri [2p. Ut cognoscamus; 3p. Confiteantur; 4p. Letentur; 5p. Benedicat] – 6–8 Deus tuorum militum (I) – 163 Deus tuorum militum (II) – 164–165 Dum transisset sabbatum [II] – 286–287 Dum transisset sabbatum [I] – 203 Filiae Jerusalem – 285–286 Gaude, gaude, gaude Maria, virgo cunctas – 185–186 Haec dies – 281–282 Hostis Herodes impie – 206–207 Impetum fecerunt unanimes – 178 Jam Christus astra – 204 Jesu salvator saeculi, Redemptis – 161–162 Jesu salvator saeculi, Verbum – 288 Judica me, Deus – 1–3 Justi autem in perpetuum – 177 Laudem dicite Deo nostro – 15–16 Laudem dicite Deo nostro – 40–41 Libera nos, salva nos [II] – 291 Libera nos, salva nos [I] – 290–291 Martyr Dei qui unicum – 207–208 Media vita in morte sumus – 210–212 Non conturbetur cor vestrum I – 180–181 Non conturbetur cor vestrum II – 183–184 Reges Tharsis et insulae – 184 Sacris solemniis juncta – 197–199 Salvator mundi Domine – 287 Sancte Dei preciose – 179 Spiritus sanctus procedens I – 280–281 Spiritus sanctus procedens [II] – 39–40 Te Deum laudamus – 201–203 Verbum caro factum est de virgine Maria – 279–280
Strabridge, John	Dum transisset sabbatum – 22–23
Tallis, Thomas (ca. 1505–1585)	Absterge Domine – 316–317 Candidi Facti sunt = Facti sunt Nazarei eius candidi – 346 Derelinquit impius viam suam – 334–335 Domine quis habitabit [2p. Ad nihillum deductus] – 140–142 Dum transisset sabbatum, Maria Magdalene / Aromata emerunt – 36–37 Dum transisset sabbatum, Maria Magdalene / Aromata emerunt – 336–337 Evening service in Latin: Magnificat – 126–129 Evening service in Latin: Nunc dimittis – 129 Gaude gloriosa Dei mater – 215–218 Homo quidam fecit caenam magnam et misit – 179–180 Honor, virtus et potestas – 337 Iam Christus astra – 166–167 In ieiunio et fletu – 352–353 In manus tuas Domine – 318 Jesu salvator saeculi, Verbum – 167–168 Lamentations (I) : Incipit lamentatio Jeremiae - Aleph - Beth - Convertere Jerusalem – 79–81 Lamentations (II): De lamentatione Jeremiae - Gimel - Daleth - Heth - Convertere Jerusalem – 75–78 Laudate Dominum omnes gentes, laudate eum – 73–75 Loquebantur variis linguis – 195 Mihi autem nimis honorati sunt – 324 Miserere nostri Domine – 368 O nata lux de lumine – 325 O sacrum convivium in quo Christus sumitur – 326–327 Procul recedant omnia – 344 Quod chorus vatum haec Deum – 165–166 Salvator mundi (I) – 315 Salvator mundi (I) – 168–170 Salvator mundi (II) – 345 Salve intemerata virgo Maria – 87–91 Sermone blando Illae dum pergunt concitae Apostolis – 338–339 Suscipe quaeso Domine II: Si enim iniquitates – 354–357 Videte miraculum – 282–283
Taverner, John	Ave Dei patris filia – 98–101 Christe Jesu pastor bone – 103–104 Dum transisset sabbatum [I - 5vv] – 37–38 Dum transisset sabbatum [II - 4vv] – 38 Gaude plurimum [2p. Gaude Maria, Jesu mater; 3p. Eundem igitur Jesum] – 94–98 Mater Christi sanctissima virgo [= O most holy and mighty Lord] – 101–103 Missa Gloria tibi Trinitas: Benedictus – 249–251 Missa Gloria tibi Trinitas: Benedictus – 248–249 Missa Gloria tibi Trinitas: Credo – 245–247 Missa Gloria tibi Trinitas: Gloria – 242–245 Missa Gloria tibi Trinitas: Sanctus – 247–248 O splendor gloriae – 49–51 Quemadmodum – 298–299 Te Deum laudamus – 41–43
Tye, Christopher (ca. 1505–ca. 1573)	Cantate Domino canticum novum cantate – 222–225 Miserere mei Deus – 44–46 Peccavimus cum patribus nostris – 219–221 Quaesumus omnipotens – 221–222
Van Wilder, Phillip	Aspice Domine quia facta est [2p. Plorans ploravit in nocte] – 14–15
White, Robert (ca. 1538–1574)	Ad te levavi oculos meos qui habitas II: Adjutorium nostrum in nomine Domini – 188–190 Deus misereatur nostri et benedicat nobis – 225–227 Domine non est exaltatum (2p. Sicut ablactatus) – 237–238 Domine quis habitabit (I) – 228–230 Domine quis habitabit (II) [2p. Ad nihillum deductus] – 239–241 Domine quis habitabit (III) – 251–252 Lamentations (I) a5 – 60–64 Lamentations (II) a6 – 305–307 Manus tuae fecerunt me [2p. Veniant mihi] – 129–132 Miserere mei Deus [2p: Cor mundum crea] – 147–152 Portio mea, Domine [2p. Media nocte] – 113–114 Regina caeli laetare – 83–84 Tota pulchra es amica mea et macula – 231–233 [Christe qui lux es (I)] Precamur sancte Domine – 301 [Christe qui lux es (II)] Precamur sancte Domine – 159–160 [Christe qui lux es (III)] Precamur sancte Domine – 158–159
Wood, John	Exsurge Domine – 52–56

Composition	Composers (? Uncertain)	Folios / Pages
[Christe qui lux es (I)] Precamur sancte Domine	White, Robert (ca. 1538–1574)	301
[Christe qui lux es (II)] Precamur sancte Domine	White, Robert (ca. 1538–1574)	159–160
[Christe qui lux es (III)] Precamur sancte Domine	White, Robert (ca. 1538–1574)	158–159
A solis ortus cardine ad usque terrae	Mundy, William (ca. 1528–ca. 1591)	170–172
A solis ortus cardine ad usque terrae	Sheppard, John (ca. 1515–1558)	199–200
Absterge Domine	Tallis, Thomas (ca. 1505–1585)	316–317
Ad te levavi oculos meos qui habitas II: Adjutorium nostrum in nomine Domini	White, Robert (ca. 1538–1574)	188–190
Adesto sancta Trinitas I	Sheppard, John (ca. 1515–1558)	205–206
Adesto sancta Trinitas II	Sheppard, John (ca. 1515–1558)	208–209
Adhesit pavimento	Mundy, William (ca. 1528–ca. 1591)	133–136
Adolescentulus sum ego	Mundy, William (ca. 1528–ca. 1591)	230–231
Aedes nostra sancta	Mundy, John (ca. 1555–1630)	58–60
Aeternae rex altissimae	Sheppard, John (ca. 1515–1558)	160–161
Afflicti pro peccatis	Byrd, William (ca. 1540–1623)	278–279
Apparebit in finem	Byrd, William (ca. 1540–1623)	21–22
Aspice Domine de sede sancta (5vv) [2p. Respice Domine]	Byrd, William (ca. 1540–1623)	125–126
Aspice Domine quia facta est (6vv)	Byrd, William (ca. 1540–1623)	328–329
Aspice Domine quia facta est [2p. Plorans ploravit in nocte]	Van Wilder, Phillip	14–15
Attollite portas	Byrd, William (ca. 1540–1623)	330–331
Audivi vocem de caelo	Byrd, William (ca. 1540–1623)	23–24
Ave Dei patris filia	Fayrfax, Robert (1464–1521)	91–94
Ave Dei patris filia	Taverner, John	98–101
Ave maris stella	Sheppard, John (ca. 1515–1558)	240–205
Beata nobis gaudia	Sheppard, John (ca. 1515–1558)	196–197
Beati immaculati in via	Mundy, William (ca. 1528–ca. 1591)	116–119
Beati omnes	Daman, William	297–298
Beati omnes qui timent Dominum	Sheppard, John (ca. 1515–1558)	4–6
Beatus et sanctus	Mundy, William (ca. 1528–ca. 1591)	72
Benigne fac, Domine	Byrd, William (ca. 1540–1623)	69–70
Candidi Facti sunt = Facti sunt Nazarei eius candidi	Tallis, Thomas (ca. 1505–1585)	346
Cantate Domino canticum novum cantate	Tye, Christopher (ca. 1505–ca. 1573)	222–225
Christe Jesu pastor bone	Taverner, John	103–104
Christe redemptor omnium	Sheppard, John (ca. 1515–1558)	163–164
Christi virgo dilectissima	Sheppard, John (ca. 1515–1558)	182–183
Circumdederunt me dolores mortis	Byrd, William (ca. 1540–1623)	70–71
Confitebor tibi Domine	Sheppard, John (ca. 1515–1558)	8–10
Confitebor tibi Domine	Daman, William	72–73
Confitebor tibi Domine	Anonymous	132–133
Credo quod redemptor meus vivit	Parsons (I), Robert (ca. 1535–ca. 1572)	241–242
Cuckoo as I me walked	Baldwin, John (ca. 1560–1615)	308
Cunctis diebus quibus nunc milito	Byrd, William (ca. 1540–1623)	142–144
Cunctis diebus quibus nunc milito	Byrd, William (ca. 1540–1623)	256–257
Da pacem Domine (II) (C28)	Ferrabosco, Alfonso (the elder) (1543–1588)	191
De Lamentatione Jeremiae	Mundy, John (ca. 1555–1630)	302–305
De Lamentatione Jeremiae (C64)	Ferrabosco, Alfonso (the elder) (1543–1588)	81–83
De Tribulatione	Byrd, William (ca. 1540–1623)	348–349
Deo Patri sit gloria	Byrd, William (ca. 1540–1623)	333
Derelinquit impius viam suam	Tallis, Thomas (ca. 1505–1585)	334–335
Descendit de caelis	Byrd, William (ca. 1540–1623)	276–277
Deus in adjutorium meum intende	Byrd, William (ca. 1540–1623)	271–274
Deus misereator nostri [2p. Ut cognoscamus; 3p. Confiteantur; 4p. Letentur; 5p. Benedicat]	Sheppard, John (ca. 1515–1558)	6–8
Deus misereatur nostri et benedicat nobis	White, Robert (ca. 1538–1574)	225–227
Deus tuorum militum (I)	Sheppard, John (ca. 1515–1558)	163
Deus tuorum militum (II)	Sheppard, John (ca. 1515–1558)	164–165
Domine ante te omne desiderium meum	Byrd, William (ca. 1540–1623)	274–275
Domine Deus omnipotens	Byrd, William (ca. 1540–1623)	17–19
Domine exaudi orationem meam (2p. Et non intres)	Byrd, William (ca. 1540–1623)	29–31
Domine in virtute tua (I) (2p: Magna gloria eius)	Johnson (I), Robert (ca. 1500–ca. 1560)	10–13
Domine non est exaltatum	Mundy, William (ca. 1528–ca. 1591)	238–239
Domine non est exaltatum (2p. Sicut ablactatus)	White, Robert (ca. 1538–1574)	237–238
Domine praestolamur [2p. Veni domine]	Byrd, William (ca. 1540–1623)	119–120
Domine quis habitabit	Parsons (I), Robert (ca. 1535–ca. 1572)	233–234
Domine quis habitabit	Mundy, William (ca. 1528–ca. 1591)	234–236
Domine quis habitabit (I)	White, Robert (ca. 1538–1574)	228–230
Domine quis habitabit (II) [2p. Ad nihillum deductus]	White, Robert (ca. 1538–1574)	239–241
Domine quis habitabit (III)	White, Robert (ca. 1538–1574)	251–252
Domine quis habitabit [2p. Ad nihillum deductus]	Tallis, Thomas (ca. 1505–1585)	140–142
Domine secundum actum meum	Byrd, William (ca. 1540–1623)	350–351
Dum transisset sabbatum	Strabridge, John	22–23
Dum transisset sabbatum	Mundy, John (ca. 1555–1630)	291–292
Dum transisset sabbatum [I - 5vv]	Taverner, John	37–38
Dum transisset sabbatum [I]	Sheppard, John (ca. 1515–1558)	203
Dum transisset sabbatum [II - 4vv]	Taverner, John	38
Dum transisset sabbatum [II]	Sheppard, John (ca. 1515–1558)	286–287
Dum transisset sabbatum Maria Magdalena II: Et valde mane una sabbatorum veniunt	Hollander, Sebastian (?) Hollander, Christian (?)	46–48
Dum transisset sabbatum, Maria Magdalene / Aromata emerunt	Tallis, Thomas (ca. 1505–1585)	36–37
Dum transisset sabbatum, Maria Magdalene / Aromata emerunt	Tallis, Thomas (ca. 1505–1585)	336–337
Ecce nunc benedicite I	Anonymous	191
Ecce nunc benedicite II	Anonymous	191–192
Emendemus - 1a pars (of 2): Emendemus in melius	Byrd, William (ca. 1540–1623)	319
Emendemus - 2a pars (of 2): Adiuva nos Deus	Byrd, William (ca. 1540–1623)	319
Eructavit cor meum	Mundy, William (ca. 1528–ca. 1591)	253–256
Evening service in Latin: Magnificat	Tallis, Thomas (ca. 1505–1585)	126–129
Evening service in Latin: Nunc dimittis	Tallis, Thomas (ca. 1505–1585)	129
Exsurge Domine	Wood, John	52–56
Exsurge Domine quare obdormis? (or, Exsurge quare obdormis Domine)	Byrd, William (ca. 1540–1623)	67–69
Extract of letters patents to Tallis and Byrd	Anonymous	372
Fantasia a6 (I) in F	Byrd, William (ca. 1540–1623)	295–296
Filiae Jerusalem	Sheppard, John (ca. 1515–1558)	285–286
Gaude gloriosa Dei mater	Tallis, Thomas (ca. 1505–1585)	215–218
Gaude plurimum [2p. Gaude Maria, Jesu mater; 3p. Eundem igitur Jesum]	Taverner, John	94–98
Gaude, gaude, gaude Maria, virgo cunctas	Sheppard, John (ca. 1515–1558)	185–186
Gloria Patri qui creavit nos	Byrd, William (ca. 1540–1623)	364–365
Haec dies	Sheppard, John (ca. 1515–1558)	281–282
Homo quidam fecit caenam magnam et misit	Tallis, Thomas (ca. 1505–1585)	179–180
Honor, virtus et potestas	Tallis, Thomas (ca. 1505–1585)	337
Hostis Herodes impie	Sheppard, John (ca. 1515–1558)	206–207
Iam Christus astra	Tallis, Thomas (ca. 1505–1585)	166–167
Impetum fecerunt unanimes	Sheppard, John (ca. 1515–1558)	178
In convertendo Dominus [2a pars: Convertere Domine]	Douglas, Patrick	85–87
In ieiunio et fletu	Tallis, Thomas (ca. 1505–1585)	352–353
In manus tuas Domine	Tallis, Thomas (ca. 1505–1585)	318
In te Domine speravi	Mundy, John (ca. 1555–1630)	105–107
Infelix ego omnium (2p. Quid igitur faciam; 3p. Ad te igitur)	Byrd, William (ca. 1540–1623)	267–271
Jam Christus astra	Sheppard, John (ca. 1515–1558)	204
Jam Christus astra	Parsons (I), Robert (ca. 1535–ca. 1572)	289–290
Jesu salvator saeculi, Redemptis	Sheppard, John (ca. 1515–1558)	161–162
Jesu salvator saeculi, Verbum	Tallis, Thomas (ca. 1505–1585)	167–168
Jesu salvator saeculi, Verbum	Sheppard, John (ca. 1515–1558)	288
Judica me, Deus	Sheppard, John (ca. 1515–1558)	1–3
Justi autem in perpetuum	Sheppard, John (ca. 1515–1558)	177
Lamentations (I) : Incipit lamentatio Jeremiae - Aleph - Beth - Convertere Jerusalem	Tallis, Thomas (ca. 1505–1585)	79–81
Lamentations (I) a5	White, Robert (ca. 1538–1574)	60–64
Lamentations (II) a6	White, Robert (ca. 1538–1574)	305–307
Lamentations (II): De lamentatione Jeremiae - Gimel - Daleth - Heth - Convertere Jerusalem	Tallis, Thomas (ca. 1505–1585)	75–78
Lamentations: De lamentatione Jeremiae	Byrd, William (ca. 1540–1623)	64–67
Laudate Dominum omnes gentes, laudate eum	Tallis, Thomas (ca. 1505–1585)	73–75
Laudate pueri Dominum	Byrd, William (ca. 1540–1623)	340–341
Laudem dicite Deo nostro	Sheppard, John (ca. 1515–1558)	15–16
Laudem dicite Deo nostro	Sheppard, John (ca. 1515–1558)	40–41
Levemus corda nostra	Byrd, William (ca. 1540–1623)	24–25
Libera me Domine de morte aeterna	Parsons (I), Robert (ca. 1535–ca. 1572)	172–174
Libera me domine de morte aeterna	Byrd, William (ca. 1540–1623)	366–367
Libera me domine et pone me (2p. Dies mei transierunt)	Byrd, William (ca. 1540–1623)	320–322
Libera nos, salva nos [I]	Sheppard, John (ca. 1515–1558)	290–291
Libera nos, salva nos [II]	Sheppard, John (ca. 1515–1558)	291
Loquebantur variis linguis	Tallis, Thomas (ca. 1505–1585)	195
Manus tuae fecerunt me [2p. Veniant mihi]	White, Robert (ca. 1538–1574)	129–132
Maria virgo sanctissima	Mundy, William (ca. 1528–ca. 1591)	263–267
Martyr Dei qui unicum	Sheppard, John (ca. 1515–1558)	207–208
Mater Christi sanctissima virgo [= O most holy and mighty Lord]	Taverner, John	101–103
Media vita in morte sumus	Sheppard, John (ca. 1515–1558)	210–212
Memento Domine	Byrd, William (ca. 1540–1623)	27–28
Memento homo quod cinis es	Byrd, William (ca. 1540–1623)	342
Memor esto verbi tui	Mundy, William (ca. 1528–ca. 1591)	152–155
Mihi autem nimis honorati sunt	Tallis, Thomas (ca. 1505–1585)	324
Miserere mei Deus	Tye, Christopher (ca. 1505–ca. 1573)	44–46
Miserere mei Deus [2p: Cor mundum crea]	White, Robert (ca. 1538–1574)	147–152
Miserere mihi Domine	Byrd, William (ca. 1540–1623)	358
Miserere nostri Domine	Tallis, Thomas (ca. 1505–1585)	368
Missa Gloria tibi Trinitas: Benedictus	Taverner, John	248–249
Missa Gloria tibi Trinitas: Benedictus	Taverner, John	249–251
Missa Gloria tibi Trinitas: Credo	Taverner, John	245–247
Missa Gloria tibi Trinitas: Gloria	Taverner, John	242–245
Missa Gloria tibi Trinitas: Sanctus	Taverner, John	247–248
Ne irascaris Domine [2p. Civitas sancti tui]	Byrd, William (ca. 1540–1623)	121–122
Ne perdas cum impiis	Byrd, William (ca. 1540–1623)	32–33
Noli aemulari in malignantibus	Mundy, William (ca. 1528–ca. 1591)	136–140
Non conturbetur cor vestrum I	Sheppard, John (ca. 1515–1558)	180–181
Non conturbetur cor vestrum II	Sheppard, John (ca. 1515–1558)	183–184
O bone Jesu	Parsons (I), Robert (ca. 1535–ca. 1572)	108–112
O Domine adjuva me	Byrd, William (ca. 1540–1623)	28–29
O lux beata trinitas et principalis (2p.Te mane laudum carmine te deprecamur; 3p. Deo patri sit gloria eiusque soli)	Byrd, William (ca. 1540–1623)	332
O nata lux de lumine	Tallis, Thomas (ca. 1505–1585)	325
O quam gloriosum est regnum (2p. Benedictio et claritas)	Byrd, William (ca. 1540–1623)	19–21
O sacrum convivium in quo Christus sumitur	Tallis, Thomas (ca. 1505–1585)	326–327
O salutaris hostia I	Byrd, William (ca. 1540–1623)	275–276
O splendor gloriae	Taverner, John	49–51
Omni tempore benedic Deum [2p. Memor esto fili]	Byrd, William (ca. 1540–1623)	31–32
Omnis caro gramen sit	Daman, William	194–195
Pater noster	Baldwin, John (ca. 1560–1615)	299–300
Peccantem me quotidie	Parsons (I), Robert (ca. 1535–ca. 1572)	156
Peccantem me quotidie	Byrd, William (ca. 1540–1623)	322–323
Peccavi super numerum	Byrd, William (ca. 1540–1623)	25–26
Peccavimus cum patribus nostris	Tye, Christopher (ca. 1505–ca. 1573)	219–221
Portio mea, Domine [2p. Media nocte]	White, Robert (ca. 1538–1574)	113–114
Praedicabo laudes tuae	Daman, William	193–194
Procul recedant omnia	Tallis, Thomas (ca. 1505–1585)	344
Quaesumus omnipotens	Tye, Christopher (ca. 1505–ca. 1573)	221–222
Quemadmodum	Taverner, John	298–299
Quod chorus vatum haec Deum	Tallis, Thomas (ca. 1505–1585)	165–166
Redime me Domine	Baldwin, John (ca. 1560–1615)	299
Reges Tharsis et insulae	Byrd, William (ca. 1540–1623)	146–147
Reges Tharsis et insulae	Sheppard, John (ca. 1515–1558)	184
Regina caeli laetare	White, Robert (ca. 1538–1574)	83–84
Retribue servo tuo	Parsons (I), Robert (ca. 1535–ca. 1572)	114–116
Sacris solemniis juncta	Byrd, William (ca. 1540–1623)	34–36
Sacris solemniis juncta	Sheppard, John (ca. 1515–1558)	197–199
Salvator mundi (I)	Tallis, Thomas (ca. 1505–1585)	168–170
Salvator mundi (I)	Tallis, Thomas (ca. 1505–1585)	315
Salvator mundi (II)	Tallis, Thomas (ca. 1505–1585)	345
Salvator mundi Domine	Sheppard, John (ca. 1515–1558)	287
Salve intemerata virgo Maria	Tallis, Thomas (ca. 1505–1585)	87–91
Sancte Dei preciose	Sheppard, John (ca. 1515–1558)	179
Sermone blando Illae dum pergunt concitae Apostolis	Tallis, Thomas (ca. 1505–1585)	338–339
Siderum rector Deus alme	Byrd, William (ca. 1540–1623)	343
Sint lumbi vesti praecincti	Redford, John (–1547)	187–188
Sive vigilem	Mundy, William (ca. 1528–ca. 1591)	155–156
Sive vigilem	Gerarde, Derrick (fl. c1540–1580)	283–285
Spiritus sanctus procedens [II]	Sheppard, John (ca. 1515–1558)	39–40
Spiritus sanctus procedens I	Sheppard, John (ca. 1515–1558)	280–281
Suscipe quaeso Domine II: Si enim iniquitates	Tallis, Thomas (ca. 1505–1585)	354–357
Te Deprecor	Byrd, William (ca. 1540–1623)	362–363
Te Deum laudamus	Taverner, John	41–43
Te Deum laudamus	Sheppard, John (ca. 1515–1558)	201–203
The song called trumpets = Lusty Gallant	Parsons (I), Robert (ca. 1535–ca. 1572)	296–297
Tota pulchra es amica mea et macula	White, Robert (ca. 1538–1574)	231–233
Tribue Domine	Byrd, William (ca. 1540–1623)	360–361
Tribulationes civitatum [2p. Timor et hebitudo, 3p. Nos enim pro peccatis]	Byrd, William (ca. 1540–1623)	123–125
Tristitia et anxietas, Domine tu jurasti (2p. Sed tu domine)	Byrd, William (ca. 1540–1623)	144–146
Ubi est Abel frater tuus dixit Dominus	Lassus, Orlande de (ca. 1532–1594)	104–105
Veni creator spiritus mentes tuorum	Mundy, William (ca. 1528–ca. 1591)	159
Verbum caro factum est de virgine Maria	Sheppard, John (ca. 1515–1558)	279–280
Vide domine afflictionem nostram et in tempore (2p. Sed veni domine et noli tardare)	Byrd, William (ca. 1540–1623)	56–58
Videte miraculum	Mundy, William (ca. 1528–ca. 1591)	157–158
Videte miraculum	Tallis, Thomas (ca. 1505–1585)	282–283
Vox Patris caelestis	Mundy, William (ca. 1528–ca. 1591)	258–263

Images © The Governing Body of Christ Church, Oxford

Set: TUDOR PARTBOOKS

Type: Project Collection

GB-CF MS D/DP Z6/1

GB-CF MS D/DP Z6/2

GB-Cfm MU MS 1005 (Fayrfax fragments)

GB-Cgc MS 667/760 (Caius Choirbook)

GB-Cjc MS 234 (K.31)

GB-Ckc Rowe 316

GB-Cp MS 31 [Contratenor] (Peterhouse Partbooks: Henrician Set)

GB-Cp MS 32 [Bassus] (Peterhouse Partbooks: Henrician Set)

GB-Cp MS 40 [Triplex] (Peterhouse Partbooks: Henrician Set)

GB-Cp MS 41 [Medius] (Peterhouse Partbooks: Henrician Set)

GB-Cqcl Old Library G.4.17

GB-Cu Dd.13.27

GB-DORmcghie McGhie manuscript

GB-Lbl [pr. bk.] C. 52. b. 21

No images available

GB-Lbl [pr. bk.] Music Library K. 2. f. 1 [Altus]

No images available

GB-Lbl [pr. bk.] Music Library K. 2. f. 1 [Discantus]

No images available

GB-Lbl [pr. bk.] Music Library K. 2. f. 1 [Medius]

No images available

GB-Lbl [pr. bk.] Music Library K. 2. f. 1 [Tenor]

No images available

GB-Lbl [pr. bk.] Music Library K. 2. f. 13

No images available

GB-Lbl [pr. bk.] Music Library K. 3. f. 9 [Altus]

No images available

GB-Lbl [pr. bk.] Music Library K. 3. f. 9 [Bassus]

No images available

GB-Lbl [pr. bk.] Music Library K. 3. f. 9 [Discantus]

No images available

GB-Lbl [pr. bk.] Music Library K. 3. f. 9 [Tenor]

GB-Lbl Add. MS 4900

GB-Lbl Add. MS 15166

GB-Lbl Add. MS 17802 (Gyffard Partbooks)

GB-Lbl Add. MS 17803 (Gyffard Partbooks)

GB-Lbl Add. MS 17804 (Gyffard Partbooks)

GB-Lbl Add. MS 17805 (Gyffard Partbooks)

GB-Lbl Add. MS 22597

GB-Lbl Add. MS 29996

GB-Lbl Add. MS 30480 (Hamond Partbooks)

GB-Lbl Add. MS 30481 (Hamond Partbooks)

GB-Lbl Add. MS 30482 (Hamond Partbooks)

GB-Lbl Add. MS 30483 (Hamond Partbooks)

GB-Lbl Add. MS 30484 (Hamond Partbooks)

GB-Lbl R.M.24.d.2 (Baldwin Commonplace Book)

GB-Lbl Royal Appendix 12

GB-Lbl Royal Appendix 13

GB-Lbl Royal Appendix 14

GB-Lbl Royal Appendix 15

GB-Lbl Royal Appendix 16

GB-Lbl Royal Appendix 17

GB-Lbl Royal Appendix 18

GB-Lbl Royal Appendix 19

GB-Lbl Royal Appendix 20

GB-Lbl Royal Appendix 21

GB-Lbl Royal Appendix 22

GB-Lbl Royal Appendix 23

GB-Lbl Royal Appendix 24

GB-Lbl Royal Appendix 25

GB-Lbl Royal Appendix 26

GB-Lbl Royal Appendix 27

GB-Lbl Royal Appendix 28

GB-Lbl Royal Appendix 29

GB-Lbl Royal Appendix 30

GB-Lbl Royal Appendix 31

GB-Lbl Royal Appendix 32

GB-Lbl Royal Appendix 33

GB-Lbl Royal Appendix 34

GB-Lbl Royal Appendix 35

No images available

GB-Lbl Royal Appendix 41

No images available

GB-Lbl Royal Appendix 42

No images available

GB-Lbl Royal Appendix 43

No images available

GB-Lbl Royal Appendix 44

GB-Lbl Royal Appendix 45 (Ludford)

GB-Lbl Royal Appendix 46 (Ludford)

GB-Lbl Royal Appendix 47 (Ludford)

GB-Lbl Royal Appendix 48 (Ludford)

GB-Lbl Royal Appendix 49

GB-Lbl Royal Appendix 50

GB-Lbl Royal Appendix 51

GB-Lbl Royal Appendix 52

GB-Lbl Royal Appendix 53

GB-Lbl Royal Appendix 54

GB-Lbl Royal Appendix 56

No images available

GB-Lbl Royal Appendix 57

GB-Lbl Royal Appendix 58

No images available

GB-Lbl Royal Appendix 59

No images available

GB-Lbl Royal Appendix 60

No images available

GB-Lbl Royal Appendix 61

No images available

GB-Lbl Royal Appendix 62

GB-Lbl Royal Appendix 74 (Lumley)

GB-Lbl Royal Appendix 75 (Lumley)

GB-Lbl Royal Appendix 76 (Lumley)

No images available

GB-Lcm [pr. bk.] B187

No images available

GB-Lcm [pr. bk.] B190 [Altus]

No images available

GB-Lcm [pr. bk.] B190 [Bassus]

No images available

GB-Lcm [pr. bk.] B190 [Discantus]

No images available

GB-Lcm [pr. bk.] B190 [Tenor]

GB-Llp MS 1 (Lambeth Choirbook; Arundel Choirbook)

GB-Lna SP I/246

GB-Ob MS. Mus. c. 784 (Willmott Manuscript)

GB-Ob MS. Mus. d. 103

GB-Ob MS. Mus. e. 1 (Sadler Partbooks)

GB-Ob MS. Mus. e. 2 (Sadler Partbooks)

GB-Ob MS. Mus. e. 3 (Sadler Partbooks)

GB-Ob MS. Mus. e. 4 (Sadler Partbooks)

GB-Ob MS. Mus. e. 5 (Sadler Partbooks)

GB-Ob MS. Mus. e. 21

GB-Ob MS. Mus. Sch. e. 376 (Forrest-Heather Partbooks)

GB-Ob MS. Mus. Sch. e. 377 (Forrest-Heather Partbooks)

GB-Ob MS. Mus. Sch. e. 378 (Forrest-Heather Partbooks)

GB-Ob MS. Mus. Sch. e. 379 (Forrest-Heather Partbooks)

GB-Ob MS. Mus. Sch. e. 380 (Forrest-Heather Partbooks)

GB-Ob MS. Mus. Sch. e. 381 (Forrest-Heather Partbooks)

GB-Ob MS. Mus. Sch. e. 420 (Wanley Partbooks)

GB-Ob MS. Mus. Sch. e. 421 (Wanley Partbooks)

GB-Ob MS. Mus. Sch. e. 422 (Wanley Partbooks)

GB-Ob MS. Mus. Sch. e. 423

GB-Ob MS. Tenbury 341

GB-Ob MS. Tenbury 342

GB-Ob MS. Tenbury 343

GB-Ob MS. Tenbury 344

GB-Ob MS. Tenbury 389

No images available

GB-Ob MS. Tenbury 807

No images available

GB-Ob MS. Tenbury 808

No images available

GB-Ob MS. Tenbury 809

No images available

GB-Ob MS. Tenbury 810

No images available

GB-Ob MS. Tenbury 811

No images available

GB-Ob MS. Tenbury 1382 (Southwell Tenor Book)

GB-Ob MS. Tenbury 1464

GB-Ob MS. Tenbury 1486 (Braikenridge Manuscript)

No images available

GB-Och Mus. 45

GB-Och Mus. 979 (Baldwin Partbooks)

GB-Och Mus. 980 (Baldwin Partbooks)

GB-Och Mus. 981 (Baldwin Partbooks)

GB-Och Mus. 982 (Baldwin Partbooks)

GB-Och Mus. 983 (Baldwin Partbooks)

GB-Och Mus. 984 (Dow Partbooks)

GB-Och Mus. 985 (Dow Partbooks)

GB-Och Mus. 986 (Dow Partbooks)

GB-Och Mus. 987 (Dow Partbooks)

GB-Och Mus. 988 (Dow Partbooks)

GB-Odiamm Contratenor partbook in private ownership (contact DIAMM)

GB-W X4/34/3 (Fayrfax fragments)

GB-WCc MS 153 Bassus (Winchester Partbooks)

GB-WCc MS 153 Contra Altus (Winchester Partbooks)

GB-WCc MS 153 Discantus (Winchester Partbooks)

GB-WCc MS 153 Tenor (Winchester Partbooks)

GB-WRec MS 178 (Eton Choirbook)

No images available

IRL-Dm [pr. bk.] Z4. 3. 1-5

No images available

IRL-Dtc [pr. bk.] OLS. 192. n. 40 [Altus]

No images available

IRL-Dtc [pr. bk.] OLS. 192. n. 40 [Bassus]

No images available

IRL-Dtc [pr. bk.] OLS. 192. n. 40 [Discantus]

No images available

IRL-Dtc [pr. bk.] OLS. 192. n. 40 [Superius (Quintus)]

No images available

IRL-Dtc [pr. bk.] OLS. 192. n. 40 [Tenor]

No images available

US-NYp Mus. Res. *MNZ (Chirk) [1] (Chirk Castle Partbooks)

No images available

US-NYp Mus. Res. *MNZ (Chirk) [2] (Chirk Castle Partbooks)

No images available

US-NYp Mus. Res. *MNZ (Chirk) [3] (Chirk Castle Partbooks)

No images available

US-NYp Mus. Res. *MNZ (Chirk) [4] (Chirk Castle Partbooks)

US-NYp Mus. Res. Drexel 4180

US-NYp Mus. Res. Drexel 4181

No images available

US-NYp Mus. Res. Drexel 4182

US-NYp Mus. Res. Drexel 4183

US-NYp Mus. Res. Drexel 4184

US-NYp Mus. Res. Drexel 4185

US-Ws V.a. 408

Set: Baldwin partbooks (Christ Church Mus. 979-983)

Type: Partbooks

GB-Och Mus. 979 (Baldwin Partbooks)

GB-Och Mus. 980 (Baldwin Partbooks)

GB-Och Mus. 981 (Baldwin Partbooks)

GB-Och Mus. 982 (Baldwin Partbooks)

GB-Och Mus. 983 (Baldwin Partbooks)

‡ denotes primary source study

Boydell, Barra. 1999. Music at Christ Church before 1800: documents and selected anthems. Four Courts Press.

Mateer, David G. 1995. John Baldwin and Changing Concepts of Text Underlay. English Choral Practice, 1400-1650, edited by David G Mateer, Cambridge. Pages: 143-60.

Fenlon, Iain, and John Milsom. 1984. 'Ruled Paper Imprinted': Music Paper and Patents in Sixteenth-Century England. Journal of the American Musicological Society, 139-63. Pages: 139-63.

Trowell, Brian. 1980. Faburden-New Sources, New Evidence: A Preliminary Survey. Modern Musical Scholarship, 28-78. Stocksfield, Boston, Henley, and London. Pages: 70, 75, 77. Notes: mention of MS; contents list (partial); concordances (partial).

Caldwell, John. 1978. The 'Te Deum' in Late Medieval England. Early Music, 188-94. Pages: 189. Notes: physical description; mention of MS; discussion.

Benham, Hugh Raymond. 1977. Latin Church Music in England c. 1460-1575. London. Pages: 24, 26, 148, 153, 163, 169, 211, Plate 7. Notes: physical description (partial); contents list (partial); concordances (partial); facsimile (partial); mention of MS; discussion.

Bray, Roger W. 1975. John Baldwin. Music and Letters, 55-9. Notes: physical description; mention of MS; discussion.

Bray, Roger W. 1971. The Part-Books Oxford, Christ Church, MSS 979-983: An Index and Commentary. Musica Disciplina, 179-97. Notes: physical description (partial); contents list; concordances; mention of MS; discussion.

Bray, Roger W. 1970-71. The Interpretation of Musica Ficta in English Music C.1490-C.1580. Proceedings of the Royal Musical Association, 29-45. Pages: 36-7. Notes: transcription (partial); mention of MS; discussion.

Benham, Hugh Raymond. 1969. The Music of John Taverner - A Study and Assessment. University of Southampton, Unpublished Ph.D. dissertation. Pages: 41. Notes: physical description (partial).

Bray, Roger W. 1969. The Interpretation of Musica Ficta in English Music, C. 1490-C. 1580 [dissertation]. Oxford University, Unpublished Ph.D. dissertation. Pages: I, 141-55, 169-84, 214-33, passim; II, 75-88. Notes: physical description (partial); contents list; concordances; transcription (partial); mention of MS; discussion.

Warren, Edwin B. 1969. Life and Works of Robert Fayrfax. Musicological Studies and Documents. American Institute of Musicology. Pages: 53, 60. Notes: physical description (partial); contents list (partial); concordances (partial).

Harrison, Frank Llewellyn (editor). 1963-. Early English Church Music. London: Stainer & Bell. Pages: II, passim; XVII, 16-27, 39-125, 129-51, 156-60; XX, 249ff; XXIV, xiv; XXV,168ff; XXVIII, 124,130, 133-4; XXIX,128,132-4,138,140; XXX,passim. Notes: physical description (partial); contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Lamont, Herbert Harry. 1963. John Shepherd: His Life and Music. University of Southern California, Unpublished Ph.D. dissertation. Pages: I, 82-3, 111-4, 183ff, passim; II, 83-95, 104-6, 115-20, 123-36. Notes: physical description (partial); contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Kerman, Joseph. 1961. Byrd's Motets: Chronology and Canon. Journal of the American Musicological Society, 359-82. Pages: 361, 364, 366-7, 374, 376. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Fellowes, Edmund H. 1948. William Byrd. London, New York, and Toronto. Pages: 99, 109, 112-3, 180-2, 188, 192. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Fellowes, Edmund H (editor). 1937-50, 1962. The Collected Works of William Byrd. Pages: VIII, vi; XVII, 48-52, 150, 157. Notes: mention of MS; contents list (partial); concordances (partial); transcriptions (partial).

Blume, Friedrich (editor). 1929-. Das Chorwerk. Berlin/Wolfenbüttel. Pages: LXXXIV, v, 11-21. Notes: contents list (partial); transcriptions (partial); mention of MS; discussion.

Fellowes, Edmund H (editor). 1923-48. Tudor Church Music. London, Oxford et al. Pages: I, xxx, lix, lxii; III, xv-xix, passim; V, xx-xxiv, passim; VI, xxvi-xxvii, xxxi-xxxii, passim; IX, xii-xiv, passim. Notes: physical description (partial); contents list (partial); concordances (partial); transcriptions (partial).

Davey, Henry. 1921. History of English Music. London. Pages: 123-4, passim [confuses OxfC 979-83 and OxfC 984-8]. Notes: physical description (partial); contents list (partial).

This form is used to make comments on a source. If you wish to notify us of a correction to the record, you should use the "Contribute a change" form instead.

No comments have been made.

Contributions to this record are recorded here. If you wish to contribute information or a correction to this record, use the "Contribute a Change" link. This will then be reviewed by DIAMM staff and, if accepted, your contribution will be acknowledged here.

Carlos Rodríguez Otero

Saturday, 8 January, 2022

Inventory of this book corrected to show both Taverner's 'Dum transisset' settings

Edward Tambling

Friday, 1 September, 2017

composition links corrected

Edward Tambling

Friday, 1 September, 2017

Quite a lot of references to Sabatum changed in the composition table

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description