GB-Och Mus. 981 (Baldwin Partbooks)

Christ Church, Oxford, England

partbook: c. 1575-81

Archive	Christ Church, Oxford, England (GB-Och)
Shelfmark	Mus. 981 (Baldwin Partbooks)
Surface	Paper
Numbering System	Pagination
Format	landscape
Measurements	c. 205 x 150 mm
Other Identifiers	CCM: OxfC 979-83
Copyists	Baldwin, John (ca. 1560–1615) Music
Relationships	Aldrich, Henry (1647–1710) (owner)
External Links	Christ Church Library online catalogue entry
Provenance	Windsor, England
Contents	215 pieces from 26 composers

General Description

An Altus partbook from a set originally of six volumes, each consisting of the print RISM 1575/3, with manuscript additions. Copied and formerly owned by John Baldwin, a singing-man at St George's Chapel, Windsor; English, c.1575-81, with later additions. Probably conceived from the start as a mixed volume of manuscript and printed music, since Baldwin avoided making manuscript copies of the pieces available in the printed section. Baldwin's form of representing a composer's name often varies from partbook to partbook; some ascriptions refer to composers' institutional affilitiations. Copied in Windsor. Later owned by Henry Aldrich (1647-1710), Dean of Christ Church, Oxford; bequeathed to Christ Church Library in 1710.

John Milsom, 2010

Binding

Original covers of brown leather on cardboard, with voice designations and initials 'I.B.' [= John Baldwin] stamped in gold. The partbook titles (also stamped on the upper covers) are as follows: Mus. 979: Superius; Mus. 980: Discantus; Mus. 981: Contratenor; Mus. 982: Sextapars; Mus. 983: Bassus.

John Milsom, 2010

Notation

not indicated

John Milsom, 2010

Ruling

Music has been copied on sheets previously printed with black staves, of a type issued by Tallis and Byrd under the conditions of their 1575 royal patent.

John Milsom, 2010

Foliation

Other numberings: Baldwin himself numbered the contents as '1-169'; the only inconsistencies occur in items 167-9, where different partbooks contain different pieces.

John Milsom, 2010

Foliation

No foliation. The volumes were paginated in 2014.

John Milsom, 2010

Decoration

Some pieces have initials; no other decoration.

John Milsom, 2010

Index

An index of contents was begun by Baldwin at the front of Mus. 983; it was subsequently completed by Havergal, and has since been annotated by other hands.

John Milsom, 2010

Surface

paper

John Milsom, 2010

DIAMM Note

For a general discussion of the history and codicological structure of the set, see the article by Roger Bray listed in the Bibliography below. For a discussion of the printed music paper on which Baldwin copied the music, see the article by Fenlon & Milsom. For further sample images of pages from the set, see Mateer, pp. 148 and 154.

Digitized with funding from the Arts and Humanities Research Council (UK) for the Tudor Partbooks project at the Universities of Oxford and Newcastle.

John Milsom, 2010

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

1 Mass, 1 Magnificat, 2 Te Deums, 1 canticle, 28 hymns, 7 Lamentations, 124 motets, 1 English secular piece, 1 canon, 6 instrumental pieces = 172 + 1 duplicate = 173

Aston-1, Baldwin-4, Bevin-1, Byrd-32, Daman-4, Douglas-1, Douglas/(Lassus)-1, Fayrfax-1, A. Ferrabosco 1-2, D. Gerarde-1, R. Johnson 1-2, Lassus [mr. orlandus]/(C. Hollander/S. Hollander)-1, J. Mundy-4, W. Mundy-15, R. Parsons I-8, Redford-1, Shepherd-38, Shepherd/(Tallis)-2, Strabridge-1, Tallis-16, Taverner-10, Taverner/Tye-1, Tye-4, R. White-16, Wilder [mr: philips: of: the privie: chamber:]-1, Wood-1, anon-3

5 partbooks, each consisting of the print RISM 1575/3, with manuscript additions (Superius-iii + 147 + i paper folios, D-iv + 150 + i paper, A-iii + 149 + ii paper, B-v + 136 + i paper. S-i parchment + ii paper + 65 paper + iii paper), 146 x 199. No foliation or pagination; original numbering of pieces, 1-168 (omits last piece and one piece after #89; "167" and "168" each applied to two different pieces). Original covers of brown leather on cardboard, with voice designations and initials "I.B." [= John Baldwin] stamped in gold. Incomplete original index at beginning of B book groups pieces by composer. Only pieces by Shepherd, Taverner, Byrd, R. Parsons I, and W. Mundy (in that order) are listed; five-voice works precede six-voice works.

Copied by John Baldwin (d. 1615), a singer and clerk at St. George's Chapel, Windsor, and gentleman of the Chapel Royal from 1594; Baldwin also copied LonBLM 24 d.2, parts of OxfBMS e.376-81 and OxfC 984-8, and "My Ladye Nevells Booke" (last-named manuscript not within scope of this catalogue). Some pieces have initials; no other decoration.

Ca. 1575-81, with additions ca. 1600-3 (BrayJB). Copied in Windsor. Later owned by Henry Aldrich (1647-1710), Dean of Christ Church, Oxford; bequeathed to Christ Church Library in 1710.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
1–3	Judica me, Deus	mr: Jo: Shepperde:	Sheppard, John (ca. 1515–1558)
Judica me, Deus Sheppard, John (ca. 1515–1558) Appears on: 1–3 Genres: Motet Source Attribution: mr: Jo: Shepperde: Voice: [no designation] Languages: Latin Clef: c5 Voice Text: Judica me deus
4–6	Beati omnes qui timent Dominum	mr Sheppede:.	Sheppard, John (ca. 1515–1558)
Beati omnes qui timent Dominum Sheppard, John (ca. 1515–1558) Appears on: 4–6 Genres: Motet Source Attribution: mr Sheppede:. Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Beati o[m]nes qui timent D[omin]um
6–8	Deus misereator nostri [2p. Ut cognoscamus; 3p. Confiteantur; 4p. Letentur; 5p. Benedicat]	S.	Sheppard, John (ca. 1515–1558)
Deus misereator nostri [2p. Ut cognoscamus; 3p. Confiteantur; 4p. Letentur; 5p. Benedicat] Sheppard, John (ca. 1515–1558) Appears on: 6–8 Genres: Motet Source Attribution: S. Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Deus misereatur nostri
8–10	Confitebor tibi Domine	mr Shepperde:.	Sheppard, John (ca. 1515–1558)
Confitebor tibi Domine Sheppard, John (ca. 1515–1558) Appears on: 8–10 Genres: Motet Source Attribution: mr Shepperde:. Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Confitebor tibi domine
10–14	Domine in virtute tua (I) (2p: Magna gloria eius)	mr: Johnson: priste:	Johnson (I), Robert (ca. 1500–ca. 1560)
Domine in virtute tua (I) (2p: Magna gloria eius) Johnson (I), Robert (ca. 1500–ca. 1560) Appears on: 10–14 Genres: Motet Source Attribution: mr: Johnson: priste: Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Domine in virtute tua
14–16	Aspice Domine quia facta est [2p. Plorans ploravit in nocte]	philips:	Van Wilder, Phillip
Aspice Domine quia facta est [2p. Plorans ploravit in nocte] Van Wilder, Phillip Appears on: 14–16 Genres: Motet Source Attribution: philips: Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Aspice Domine General Note Annotations/Corrections: in third line of p. 15 (at end of a section), note split (D-F-sharp); text corr. in bottom line of p. 15;
16	Laudem dicite Deo nostro	mr: Shepperde	Sheppard, John (ca. 1515–1558)
Laudem dicite Deo nostro Sheppard, John (ca. 1515–1558) Appears on: 16 Genres: Motet Source Attribution: mr: Shepperde Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Deo nostro omnes sancti eius General Note Annotations/Corrections: for men:' before first line: signum congruentiae in third line of piece; Notes: in plainchant notation throughout;
17–19	Domine Deus omnipotens	mr: w: birde: of: the: chappell:	Byrd, William (ca. 1540–1623)
Domine Deus omnipotens Byrd, William (ca. 1540–1623) Appears on: 17–19 Genres: Motet Source Attribution: mr: w: birde: of: the: chappell: Voice: [no designation] Languages: Latin Clef: c4 Voice Text: D[omi]ne deus o[m]nipotens General Note Annotations/Corrections: frace drawn into the initial 'D';
19–21	O quam gloriosum est regnum (2p. Benedictio et claritas)	mr: w: birde:.	Byrd, William (ca. 1540–1623)
O quam gloriosum est regnum (2p. Benedictio et claritas) Byrd, William (ca. 1540–1623) Appears on: 19–21 Genres: Motet Source Attribution: mr: w: birde:. Voice: [no designation] Languages: Latin Clef: c2 Voice Text: O qua[m] gloriosu[m] est regnu[m]
21–22	Apparebit in finem	mr: w: birde:.	Byrd, William (ca. 1540–1623)
Apparebit in finem Byrd, William (ca. 1540–1623) Appears on: 21–22 Genres: Motet Source Attribution: mr: w: birde:. Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Apparebit infine[m]
22–23	Dum transisset sabbatum	crossed out: m w: birde:	Strabridge, John
Dum transisset sabbatum Strabridge, John Appears on: 22–23 Genres: Motet Source Attribution: crossed out: m w: birde: Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Sabatu[m] [...] maria magdalenae General Note Annotations/Corrections: at end composer name ('m w: birde:') crossed out;
23–24	Audivi vocem de caelo	mr: w: birde:.	Byrd, William (ca. 1540–1623)
Audivi vocem de caelo Byrd, William (ca. 1540–1623) Appears on: 23–24 Genres: Motet Source Attribution: mr: w: birde:. Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Audvi vocem
24–26	Levemus corda nostra	mr: w: birde:.	Byrd, William (ca. 1540–1623)
Levemus corda nostra Byrd, William (ca. 1540–1623) Appears on: 24–26 Genres: Motet Source Attribution: mr: w: birde:. Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Levemus corda nostra
26–27	Peccavi super numerum	mr: w: birde:.	Byrd, William (ca. 1540–1623)
Peccavi super numerum Byrd, William (ca. 1540–1623) Appears on: 26–27 Genres: Motet Source Attribution: mr: w: birde:. Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Peccavi, peccavi, super numeru[m] General Note Annotations/Corrections: Tenor: primis:' before first line of music;
28–29	Memento Domine	mr: w: birde:.	Byrd, William (ca. 1540–1623)
Memento Domine Byrd, William (ca. 1540–1623) Appears on: 28–29 Genres: Motet Source Attribution: mr: w: birde:. Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Memento Domine congretationes
29–30	O Domine adjuva me	mr: w: birde:.	Byrd, William (ca. 1540–1623)
O Domine adjuva me Byrd, William (ca. 1540–1623) Appears on: 29–30 Genres: Motet Source Attribution: mr: w: birde:. Voice: [no designation] Languages: Latin Clef: c3 Voice Text: O domine adiuva me
30–32	Domine exaudi orationem meam (2p. Et non intres)	mr: w: birde:	Byrd, William (ca. 1540–1623)
Domine exaudi orationem meam (2p. Et non intres) Byrd, William (ca. 1540–1623) Appears on: 30–32 Genres: Motet Source Attribution: mr: w: birde: Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Domine exaudi oratione[m] mea[m]
32–33	Omni tempore benedic Deum [2p. Memor esto fili]	mr: w: birde:	Byrd, William (ca. 1540–1623)
Omni tempore benedic Deum [2p. Memor esto fili] Byrd, William (ca. 1540–1623) Appears on: 32–33 Genres: Motet Source Attribution: mr: w: birde: Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Onmi tempore benedic Deu[m] General Note Annotations/Corrections: signum congruentiae in bottom line of p. 32 and at end, with beginning of repeat written out;
34–35	Ne perdas cum impiis	mr: w: birde:	Byrd, William (ca. 1540–1623)
Ne perdas cum impiis Byrd, William (ca. 1540–1623) Appears on: 34–35 Genres: Motet Source Attribution: mr: w: birde: Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Ne perdas ne perdas, cu[m] impijs General Note Annotations/Corrections: signum congrueniae in third line of p. 34 and at end, with beginning of repeat written out;
35–37	Sacris solemniis juncta	mr: w: birde: of: the: chappelle:	Byrd, William (ca. 1540–1623)
Sacris solemniis juncta Byrd, William (ca. 1540–1623) Appears on: 35–37 Genres: Motet Source Attribution: mr: w: birde: of: the: chappelle: Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Noctis recolitur , recolitur, cena novissima
37–38	Dum transisset sabbatum, Maria Magdalene / Aromata emerunt	mr: tho: tallis	Tallis, Thomas (ca. 1505–1585)
Dum transisset sabbatum, Maria Magdalene / Aromata emerunt Tallis, Thomas (ca. 1505–1585) Appears on: 37–38 Genres: Motet Source Attribution: mr: tho: tallis Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Sabatu[m] [...] maria magdalene General Note Annotations/Corrections: signum congruentiae in second and third line of p. 38;
38–39	Dum transisset sabbatum [I - 5vv]	mr: io: tav[er]nar:.	Taverner, John
Dum transisset sabbatum [I - 5vv] Taverner, John Appears on: 38–39 Genres: Motet Source Attribution: mr: io: tav[er]nar:. Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Du[m] transisset sabatu[m] General Note Annotations/Corrections: two faces drawn into initial 'D';
39–40	Dum transisset sabbatum [II - 4vv]	mr: io: tav[er]nar:	Taverner, John
Dum transisset sabbatum [II - 4vv] Taverner, John Appears on: 39–40 Genres: Motet Source Attribution: mr: io: tav[er]nar: Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Sabbatu[m], sabbatu[m], maria magdalene
40–41	Spiritus sanctus procedens [II]	mr: io: Shepperde:.	Sheppard, John (ca. 1515–1558)
Spiritus sanctus procedens [II] Sheppard, John (ca. 1515–1558) Appears on: 40–41 Genres: Motet Source Attribution: mr: io: Shepperde:. Voice: [no designation] Languages: Latin Clef: c5 Voice Text: Procedens athrono, apostoloru[m] General Note Annotations/Corrections: face (distinctly angry) drawn into initial 'P'; signum congruentiae in bottom line of p. 40 and in second line of p. 41;
41–42	Laudem dicite Deo nostro	mr: ioh: Shepperde:.	Sheppard, John (ca. 1515–1558)
Laudem dicite Deo nostro Sheppard, John (ca. 1515–1558) Appears on: 41–42 Genres: Motet Source Attribution: mr: ioh: Shepperde:. Voice: [no designation] Languages: Latin Clef: c5 Voice Text: Deo nostro, omnes sancti eius General Note Annotations/Corrections: signum congruentiae in top line and third line of p. 42: possibly some corr. in top line of p. 42;
43–45	Te Deum laudamus	mr: iohn: tav[er]nar: homo: memorabilis:	Taverner, John
Te Deum laudamus Taverner, John Appears on: 43–45 Genres: Liturgical work, Te Deum Source Attribution: mr: iohn: tav[er]nar: homo: memorabilis: Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Te eternu[m] patrem General Note Annotations/Corrections: corr. at end of second line on p. 43;
45–47	Miserere mei Deus	mr: docter: tye: for: men:.	Tye, Christopher (ca. 1505–ca. 1573)
Miserere mei Deus Tye, Christopher (ca. 1505–ca. 1573) Appears on: 45–47 Genres: Miserere mei Deus, Motet Source Attribution: mr: docter: tye: for: men:. Voice: [no designation] Languages: Latin Clef: f5 Voice Text: Et in vmbra, alaru[m] tuaru[m]
48–49	Dum transisset sabbatum Maria Magdalena II: Et valde mane una sabbatorum veniunt	orlandns:	Hollander, Sebastian (?) Hollander, Christian (?)
Dum transisset sabbatum Maria Magdalena II: Et valde mane una sabbatorum veniunt Hollander, Sebastian (?) Hollander, Christian (?) Appears on: 48–49 Genres: Motet Source Attribution: orlandns: Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Du[m] transisset sabbatu[m] General Note Notes: for identification of Hollander see also Kerman, Masses and Motets of Byrd, 58;
50–53	O splendor gloriae	finis: vniverse: carnis: mors: est: iohn: tavanar: et: doc: tye:.	Taverner, John
O splendor gloriae Taverner, John Appears on: 50–53 Genres: Motet Source Attribution: finis: vniverse: carnis: mors: est: iohn: tavanar: et: doc: tye:. Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Salve, gloriosa domine tua est General Note Notes: Conflicting attribution: John Taverner and/or Christopher Tye (see Hugh Benham, John Taverner: His Life and Music (Aldershot: Ashgate, 2003), pp. 95-114); 'O splendor:' at beginning under long pauses;
53–57	Exsurge Domine	mr: iohn: woode: batchelar: of: musicke:.	Wood, John
Exsurge Domine Wood, John Appears on: 53–57 Genres: Motet Source Attribution: mr: iohn: woode: batchelar: of: musicke:. Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Cantent tibi laudes & canitiones suaves General Note Notes: Exurge' at beginning under long pauses;
57–59	Vide domine afflictionem nostram et in tempore (2p. Sed veni domine et noli tardare)	mr: birde: organist: of: the: queenes: maiesties: chappelle:.	Byrd, William (ca. 1540–1623)
Vide domine afflictionem nostram et in tempore (2p. Sed veni domine et noli tardare) Byrd, William (ca. 1540–1623) Appears on: 57–59 Genres: Motet Source Attribution: mr: birde: organist: of: the: queenes: maiesties: chappelle:. Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Vide domine [...] affliciotne[m] nostra[m] General Note Annotations/Corrections: face drawn into initial 'V';
59–60	Aedes nostra sancta	mr: io: mundie:	Mundy, John (ca. 1555–1630)
Aedes nostra sancta Mundy, John (ca. 1555–1630) Appears on: 59–60 Genres: Motet Source Attribution: mr: io: mundie: Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Edes nostra sancta General Note Annotations/Corrections: face drawn into initial 'E' (behind the middle bar of the 'E');
61–65	Lamentations (I) a5	mr: whyt	White, Robert (ca. 1538–1574)
Lamentations (I) a5 White, Robert (ca. 1538–1574) Appears on: 61–65 Genres: Lamentations, Motet Source Attribution: mr: whyt Voice: [no designation] Languages: Latin, Hebrew Clef: c3 Voice Text: Heth / Peccatu[m] peccauit
65–68	Lamentations: De lamentatione Jeremiae	mr: w: birde: organiste: of: the queenes: chappelle:.	Byrd, William (ca. 1540–1623)
Lamentations: De lamentatione Jeremiae Byrd, William (ca. 1540–1623) Appears on: 65–68 Genres: Lamentations, Motet Source Attribution: mr: w: birde: organiste: of: the queenes: chappelle:. Voice: [no designation] Languages: Latin, Hebrew Clef: c4 Voice Text: De lamentatione Jeremie prophete General Note Annotations/Corrections: face drawn into initial 'D';
68–70	Exsurge Domine quare obdormis? (or, Exsurge quare obdormis Domine)	mr: w: birde: of: the: chappell:	Byrd, William (ca. 1540–1623)
Exsurge Domine quare obdormis? (or, Exsurge quare obdormis Domine) Byrd, William (ca. 1540–1623) Appears on: 68–70 Genres: Motet Source Attribution: mr: w: birde: of: the: chappell: Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Exurge, exurge domine
70–71	Benigne fac, Domine	mr: w: birde:.	Byrd, William (ca. 1540–1623)
Benigne fac, Domine Byrd, William (ca. 1540–1623) Appears on: 70–71 Genres: Motet Source Attribution: mr: w: birde:. Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Benigne fac domine
71–72	Circumdederunt me dolores mortis	mr: w: birde: organiste: of: the chappelle:.	Byrd, William (ca. 1540–1623)
Circumdederunt me dolores mortis Byrd, William (ca. 1540–1623) Appears on: 71–72 Genres: Motet Source Attribution: mr: w: birde: organiste: of: the chappelle:. Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Circumdederu[n]t me [...] dolores mortis
73	Beatus et sanctus	mr: w: mundie: gentleman: of: the: queenes: maiestes: chappelle:.	Mundy, William (ca. 1528–ca. 1591)
Beatus et sanctus Mundy, William (ca. 1528–ca. 1591) Appears on: 73 Genres: Motet Source Attribution: mr: w: mundie: gentleman: of: the: queenes: maiestes: chappelle:. Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Beauts & sanctus
73–74	Confitebor tibi Domine	mr: damon:.	Daman, William
Confitebor tibi Domine Daman, William Appears on: 73–74 Genres: Motet Source Attribution: mr: damon:. Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Confitebor tibi domine
74–76	Laudate Dominum omnes gentes, laudate eum	mr: tho: tallis:	Tallis, Thomas (ca. 1505–1585)
Laudate Dominum omnes gentes, laudate eum Tallis, Thomas (ca. 1505–1585) Appears on: 74–76 Genres: Motet Source Attribution: mr: tho: tallis: Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Laudate dominu[m] omnes gentes General Note Annotations/Corrections: text corr. in second line of p. 75;
76–80	Lamentations (II): De lamentatione Jeremiae - Gimel - Daleth - Heth - Convertere Jerusalem	mr: tho: tallis: of: the: queens: chappelle:.	Tallis, Thomas (ca. 1505–1585)
Lamentations (II): De lamentatione Jeremiae - Gimel - Daleth - Heth - Convertere Jerusalem Tallis, Thomas (ca. 1505–1585) Appears on: 76–80 Genres: Lamentations, Motet Source Attribution: mr: tho: tallis: of: the: queens: chappelle:. Voice: [no designation] Languages: Latin, Hebrew Clef: c4 Voice Text: De lamentacione Jeremie prophete General Note Notes: time signature almost completely covered by initial 'D';
80–82	Lamentations (I) : Incipit lamentatio Jeremiae - Aleph - Beth - Convertere Jerusalem	mr: tallis:	Tallis, Thomas (ca. 1505–1585)
Lamentations (I) : Incipit lamentatio Jeremiae - Aleph - Beth - Convertere Jerusalem Tallis, Thomas (ca. 1505–1585) Appears on: 80–82 Genres: Lamentations, Motet Source Attribution: mr: tallis: Voice: [no designation] Languages: Latin, Hebrew Clef: c4 Voice Text: Incipit lamentacio hieremie prophete
82–84	De Lamentatione Jeremiae (C64)	mr: Alfonso:.	Ferrabosco, Alfonso (the elder) (1543–1588)
De Lamentatione Jeremiae (C64) Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 82–84 Genres: Lamentations, Motet Source Attribution: mr: Alfonso:. Voice: [no designation] Languages: Latin, Hebrew Clef: c4 Voice Text: De lamentacione Jeremie, Jeremie prophete General Note Notes: time signature almost completely covered by initial 'D';
85–86	Regina caeli laetare	mr: whytte:.	White, Robert (ca. 1538–1574)
Regina caeli laetare White, Robert (ca. 1538–1574) Appears on: 85–86 Genres: Motet, Regina caeli laetare Source Attribution: mr: whytte:. Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Regina celi letare
86–88	In convertendo Dominus [2a pars: Convertere Domine]	mr: douglas: priste: scott: borne:.	Douglas, Patrick
In convertendo Dominus [2a pars: Convertere Domine] Douglas, Patrick Appears on: 86–88 Genres: Motet Source Attribution: mr: douglas: priste: scott: borne:. Voice: [no designation] Languages: Latin Clef: c3 Voice Text: In co[n]vertendo domin[us]
88–92	Salve intemerata virgo Maria	mr: tho: tallis:	Tallis, Thomas (ca. 1505–1585)
Salve intemerata virgo Maria Tallis, Thomas (ca. 1505–1585) Appears on: 88–92 Genres: Antiphon Source Attribution: mr: tho: tallis: Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Salve intemerata virgo maria General Note Annotations/Corrections: signum congruentiae in third line of p. 90;
93–95	Ave Dei patris filia	mr: fayrefax:.	Fayrfax, Robert (1464–1521)
Ave Dei patris filia Fayrfax, Robert (1464–1521) Appears on: 93–95 Genres: Motet Source Attribution: mr: fayrefax:. Voice: [no designation] Languages: Latin Clef: c5 Voice Text: Ave dei patris filia
96–100	Gaude plurimum [2p. Gaude Maria, Jesu mater; 3p. Eundem igitur Jesum]	mr: iohn: Tavernar:.	Taverner, John
Gaude plurimum [2p. Gaude Maria, Jesu mater; 3p. Eundem igitur Jesum] Taverner, John Appears on: 96–100 Genres: Motet Source Attribution: mr: iohn: Tavernar:. Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Gaude plurimu[m] General Note Annotations/Corrections: text corr. in second and fourth lines of p. 98;
100–103	Ave Dei patris filia	mr: iohn: tavernar:.	Taverner, John
Ave Dei patris filia Taverner, John Appears on: 100–103 Genres: Motet Source Attribution: mr: iohn: tavernar:. Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Ave su[m]me eternitatis General Note Notes: Ave dei patris:' at beginning under long pauses;
104–105	Mater Christi sanctissima virgo [= O most holy and mighty Lord]	mr: iohn: Tavernar:	Taverner, John
Mater Christi sanctissima virgo [= O most holy and mighty Lord] Taverner, John Appears on: 104–105 Genres: Motet Source Attribution: mr: iohn: Tavernar: Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Virgo sacrata maria General Note Notes: Mater xpi:' at beginning under long pauses;
105–106	Christe Jesu pastor bone	mr: tavernar:.	Taverner, John
Christe Jesu pastor bone Taverner, John Appears on: 105–106 Genres: Motet Source Attribution: mr: tavernar:. Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Christe Jesu pastor bone General Note Notes: cut semi-circle at beginning opening to left;
106–107	Ubi est Abel frater tuus dixit Dominus	mr: dowglas: prist: scotte: borne:.	Lassus, Orlande de (ca. 1532–1594)
Ubi est Abel frater tuus dixit Dominus Lassus, Orlande de (ca. 1532–1594) Appears on: 106–107 Genres: Motet Source Attribution: mr: dowglas: prist: scotte: borne:. Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Ubi est abell
107–110	In te Domine speravi	mr: iohn: mundie: of: windsore:	Mundy, John (ca. 1555–1630)
In te Domine speravi Mundy, John (ca. 1555–1630) Appears on: 107–110 Genres: Motet, Te Deum Source Attribution: mr: iohn: mundie: of: windsore: Voice: [no designation] Languages: Latin Clef: c3 Voice Text: In te domine speravi
110–114	O bone Jesu	mr parsons	Parsons (I), Robert (ca. 1535–ca. 1572)
O bone Jesu Parsons (I), Robert (ca. 1535–ca. 1572) Appears on: 110–114 Genres: Motet Source Attribution: mr parsons Voice: [no designation] Languages: Latin Clef: c4 Voice Text: O bone Jesu
114–116	Portio mea, Domine [2p. Media nocte]	mr: Robarte: whytte.	White, Robert (ca. 1538–1574)
Portio mea, Domine [2p. Media nocte] White, Robert (ca. 1538–1574) Appears on: 114–116 Genres: Motet Source Attribution: mr: Robarte: whytte. Voice: [no designation] Languages: Latin Clef: c3 Voice Text: cogitani vias meas General Note Notes: Porcio mea.' at beginning under long pauses;
116–119	Retribue servo tuo	mr: Robarte: parsons.	Parsons (I), Robert (ca. 1535–ca. 1572)
Retribue servo tuo Parsons (I), Robert (ca. 1535–ca. 1572) Appears on: 116–119 Genres: Motet Source Attribution: mr: Robarte: parsons. Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Retribue servo tuo General Note Canon/Gimels: Gimell' in bottom line of p. 116; 'Gimell Secundus' next to third line of p. 117; Annotations/Corrections: signum congtuentiae in bottom line of p. 116 and bototm line of p. 117;
119–121	Beati immaculati in via	mr: w: mundie:	Mundy, William (ca. 1528–ca. 1591)
Beati immaculati in via Mundy, William (ca. 1528–ca. 1591) Appears on: 119–121 Genres: Motet Source Attribution: mr: w: mundie: Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Beati immaculati in via General Note Notes: final line of the piece extended into the margin;
122–123	Domine praestolamur [2p. Veni domine]	mr: birde.	Byrd, William (ca. 1540–1623)
Domine praestolamur [2p. Veni domine] Byrd, William (ca. 1540–1623) Appears on: 122–123 Genres: Motet Source Attribution: mr: birde. Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Domine prestolamur
124–125	Ne irascaris Domine [2p. Civitas sancti tui]	mr: birde.	Byrd, William (ca. 1540–1623)
Ne irascaris Domine [2p. Civitas sancti tui] Byrd, William (ca. 1540–1623) Appears on: 124–125 Genres: Anthem Source Attribution: mr: birde. Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Ne irascaris domine
125–128	Tribulationes civitatum [2p. Timor et hebitudo, 3p. Nos enim pro peccatis]	mr: birde. laudes deo:.	Byrd, William (ca. 1540–1623)
Tribulationes civitatum [2p. Timor et hebitudo, 3p. Nos enim pro peccatis] Byrd, William (ca. 1540–1623) Appears on: 125–128 Genres: Motet Source Attribution: mr: birde. laudes deo:. Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Tribulationes civitatu[m] General Note Annotations/Corrections: second line on p. 127 slightly extended into margin;
128–129	Aspice Domine de sede sancta (5vv) [2p. Respice Domine]	mr: w: birde: organist: of the queens: maiesties: chappell:.	Byrd, William (ca. 1540–1623)
Aspice Domine de sede sancta (5vv) [2p. Respice Domine] Byrd, William (ca. 1540–1623) Appears on: 128–129 Genres: Motet Source Attribution: mr: w: birde: organist: of the queens: maiesties: chappell:. Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Ascpice domine
129–132	Evening service in Latin: Magnificat	-	Tallis, Thomas (ca. 1505–1585)
Evening service in Latin: Magnificat Tallis, Thomas (ca. 1505–1585) Appears on: 129–132 Genres: Anglican Service Music, Canticle, Magnificat, Nunc Dimittis Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Et exutauit spiritus meus General Note Canon/Gimels: Gimell' twice on p. 131; Annotations/Corrections: on top of p. 131 (next to first 'Gimell'): 'this part, of this songe / is in the sixte booke/ the firste / songe in ye booke:'; signum congruentiae in fourth line of p. 131 (before second 'Gimell'); composer name only at end of Nunc Dimittis;
133	Evening service in Latin: Nunc dimittis	mr: tallis.	Tallis, Thomas (ca. 1505–1585)
Evening service in Latin: Nunc dimittis Tallis, Thomas (ca. 1505–1585) Appears on: 133 Source Attribution: mr: tallis. Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Quia videru[n]t oculi mei
133–135	Manus tuae fecerunt me [2p. Veniant mihi]	mr: Ro: whytt of westminster:	White, Robert (ca. 1538–1574)
Manus tuae fecerunt me [2p. Veniant mihi] White, Robert (ca. 1538–1574) Appears on: 133–135 Genres: Motet Source Attribution: mr: Ro: whytt of westminster: Voice: [no designation] Languages: Latin Clef: f4 Voice Text: Cognovi d[omi]ne General Note Annotations/Corrections: at top: 'primus Baßus.'; 'rest' under long pauses in bottom line of p. 134; Notes: Manus tuae' at beginning under long pauses;
135–136	Confitebor tibi Domine	-	Anonymous
Confitebor tibi Domine Anonymous Appears on: 135–136 Genres: Motet Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Confitebor tibi d[omi]ne General Note Annotations/Corrections: p[ri]mus tenor.' at the top; at end just 'finis';
136–138	Adhesit pavimento	mr: w: mundie: of the queenes chappell.	Mundy, William (ca. 1528–ca. 1591)
Adhesit pavimento Mundy, William (ca. 1528–ca. 1591) Appears on: 136–138 Genres: Motet Source Attribution: mr: w: mundie: of the queenes chappell. Voice: [no designation] Languages: Latin Clef: f4 Voice Text: Via[m] iustificacionu[m] tuaru[m] General Note Annotations/Corrections: P[ri]mus: baßus.' at top; signum congruentiae at end of bottom line on p. 137 (possibly entered later?);
138–141	Noli aemulari in malignantibus	mr: w: mundie: one: of: the: gentlemen: of: the: queenes: maiesties: chappell.	Mundy, William (ca. 1528–ca. 1591)
Noli aemulari in malignantibus Mundy, William (ca. 1528–ca. 1591) Appears on: 138–141 Genres: Motet Source Attribution: mr: w: mundie: one: of: the: gentlemen: of: the: queenes: maiesties: chappell. Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Revela domino via[m] tua[m]
142–144	Domine quis habitabit [2p. Ad nihillum deductus]	mr: tallis:	Tallis, Thomas (ca. 1505–1585)
Domine quis habitabit [2p. Ad nihillum deductus] Tallis, Thomas (ca. 1505–1585) Appears on: 142–144 Genres: Motet Source Attribution: mr: tallis: Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Domine quis habitabit
144–145	Cunctis diebus quibus nunc milito	mr: w: birde: of the: chapell:.	Byrd, William (ca. 1540–1623)
Cunctis diebus quibus nunc milito Byrd, William (ca. 1540–1623) Appears on: 144–145 Genres: Motet Source Attribution: mr: w: birde: of the: chapell:. Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Dimitte me ergo General Note Annotations/Corrections: 6: voc:' at beginning; Notes: Cunctis' at beginning under long pauses;
146–148	Tristitia et anxietas, Domine tu jurasti (2p. Sed tu domine)	mr: w: birde:	Byrd, William (ca. 1540–1623)
Tristitia et anxietas, Domine tu jurasti (2p. Sed tu domine) Byrd, William (ca. 1540–1623) Appears on: 146–148 Genres: Motet Source Attribution: mr: w: birde: Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Tristitia [...] & anxietas General Note Annotations/Corrections: 5: voc:' at beginning; Notes: second line of p. 147 (end of a section) drawn out into the margin;
148	Reges Tharsis et insulae	mr: w: birde:.	Byrd, William (ca. 1540–1623)
Reges Tharsis et insulae Byrd, William (ca. 1540–1623) Appears on: 148 Genres: Motet Source Attribution: mr: w: birde:. Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Reges tharsis & insule
149–153	Miserere mei Deus [2p: Cor mundum crea]	mr whytt of: westminster:.	White, Robert (ca. 1538–1574)
Miserere mei Deus [2p: Cor mundum crea] White, Robert (ca. 1538–1574) Appears on: 149–153 Genres: Miserere mei Deus, Motet Source Attribution: mr whytt of: westminster:. Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Miserere mei deus
154–155	Memor esto verbi tui	mr w: mundie of the chapelle:.	Mundy, William (ca. 1528–ca. 1591)
Memor esto verbi tui Mundy, William (ca. 1528–ca. 1591) Appears on: 154–155 Genres: Motet Source Attribution: mr w: mundie of the chapelle:. Voice: [no designation] Languages: Latin Clef: f4 Voice Text: Superbi inique agebant General Note Annotations/Corrections: primus: bassus:' at beginning; Notes: Memor esto:' at beginning under long pauses;
155–156	Sive vigilem	w: mundie:.	Mundy, William (ca. 1528–ca. 1591)
Sive vigilem Mundy, William (ca. 1528–ca. 1591) Appears on: 155–156 Genres: Motet Source Attribution: w: mundie:. Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Sive vigilem
156–157	Peccantem me quotidie	mr: R: parsons:.	Parsons (I), Robert (ca. 1535–ca. 1572)
Peccantem me quotidie Parsons (I), Robert (ca. 1535–ca. 1572) Appears on: 156–157 Genres: Motet Source Attribution: mr: R: parsons:. Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Peccantem me quotidie
157–158	Videte miraculum	mr: w: mundie:.	Mundy, William (ca. 1528–ca. 1591)
Videte miraculum Mundy, William (ca. 1528–ca. 1591) Appears on: 157–158 Genres: Motet Source Attribution: mr: w: mundie:. Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Videte miraculu[m]
159	[Christe qui lux es (III)] Precamur sancte Domine	mr: R: whytt: of: westminster: organist: and: batchelar: of: musick:.	White, Robert (ca. 1538–1574)
[Christe qui lux es (III)] Precamur sancte Domine White, Robert (ca. 1538–1574) Appears on: 159 Genres: Motet Source Attribution: mr: R: whytt: of: westminster: organist: and: batchelar: of: musick:. Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Precamur sancte domine
160	Veni creator spiritus mentes tuorum	mr: w: mundie:.	Mundy, William (ca. 1528–ca. 1591)
Veni creator spiritus mentes tuorum Mundy, William (ca. 1528–ca. 1591) Appears on: 160 Genres: Veni creator spiritus Source Attribution: mr: w: mundie:. Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Veni creator spiritus
160–161	[Christe qui lux es (II)] Precamur sancte Domine	mr: R: whytt:.	White, Robert (ca. 1538–1574)
[Christe qui lux es (II)] Precamur sancte Domine White, Robert (ca. 1538–1574) Appears on: 160–161 Genres: Motet Source Attribution: mr: R: whytt:. Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Precamur sancte domine General Note Notes: not much of a gap between the end of this and the beginning of the next piece - composer's name just squeezed in;
161–162	Aeternae rex altissimae	mr: John: Shepperd:.	Sheppard, John (ca. 1515–1558)
Aeternae rex altissimae Sheppard, John (ca. 1515–1558) Appears on: 161–162 Genres: Motet Source Attribution: mr: John: Shepperd:. Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Scandens tribunall General Note Notes: not much of a gap between the end of the previous piece and the beginning of this one - composer's name just squeezed in;
163–164	Jesu salvator saeculi, Redemptis	mr: Shepperd:.	Sheppard, John (ca. 1515–1558)
Jesu salvator saeculi, Redemptis Sheppard, John (ca. 1515–1558) Appears on: 163–164 Genres: Motet Source Attribution: mr: Shepperd:. Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Cetus omnes angeli
164–165	Deus tuorum militum (I)	mr: Shepperd:.	Sheppard, John (ca. 1515–1558)
Deus tuorum militum (I) Sheppard, John (ca. 1515–1558) Appears on: 164–165 Genres: Motet Source Attribution: mr: Shepperd:. Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Hic nempe mu[n]di gaudia General Note Notes: clef opening to left in bottom line of p. 164; not much of a gap between the end of this and the beginning of the next piece - composer's name just squeezed in;
165–166	Christe redemptor omnium	mr: Shepperd:.	Sheppard, John (ca. 1515–1558)
Christe redemptor omnium Sheppard, John (ca. 1515–1558) Appears on: 165–166 Genres: Motet Source Attribution: mr: Shepperd:. Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Beata quo[que] agmina General Note Notes: not much of a gap between the end of the previous piece and the beginning of this one - composer's name just squeezed in;
166	Deus tuorum militum (II)	mr: Shepperd:.	Sheppard, John (ca. 1515–1558)
Deus tuorum militum (II) Sheppard, John (ca. 1515–1558) Appears on: 166 Genres: Motet Source Attribution: mr: Shepperd:. Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Hic nempe mu[n]di gaudia General Note Notes: not much of a gap between the end of the previous piece and the beginning of this one - composer's name just squeezed in;
167	Quod chorus vatum haec Deum	mr: tallis:.	Tallis, Thomas (ca. 1505–1585)
Quod chorus vatum haec Deum Tallis, Thomas (ca. 1505–1585) Appears on: 167 Genres: Motet Source Attribution: mr: tallis:. Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Hec deu[m] celi dominu[m]
168	Iam Christus astra	mr: tallis:.	Tallis, Thomas (ca. 1505–1585)
Iam Christus astra Tallis, Thomas (ca. 1505–1585) Appears on: 168 Genres: Motet Source Attribution: mr: tallis:. Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Solemnis vrgebat dies
169–170	Jesu salvator saeculi, Verbum	mr: tallis:	Tallis, Thomas (ca. 1505–1585)
Jesu salvator saeculi, Verbum Tallis, Thomas (ca. 1505–1585) Appears on: 169–170 Genres: Motet Source Attribution: mr: tallis: Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Tu fabricator omniu[m] General Note Notes: not much of a gap between the end of the previous piece and the beginning of this one - composer's name just squeezed in;
170–171	Salvator mundi (I)	mr: thomas: tallis: organiste: of: the: queens: chappell:.	Tallis, Thomas (ca. 1505–1585)
Salvator mundi (I) Tallis, Thomas (ca. 1505–1585) Appears on: 170–171 Genres: Motet Source Attribution: mr: thomas: tallis: organiste: of: the: queens: chappell:. Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Adesto nu[n]c prospicius
171–173	A solis ortus cardine ad usque terrae	mr: w: mundie:.	Mundy, William (ca. 1528–ca. 1591)
A solis ortus cardine ad usque terrae Mundy, William (ca. 1528–ca. 1591) Appears on: 171–173 Genres: Motet Source Attribution: mr: w: mundie:. Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Beatus auctor seculi
173–175	Libera me Domine de morte aeterna	mr: Ro: parsons: of: the: chappelle:.	Parsons (I), Robert (ca. 1535–ca. 1572)
Libera me Domine de morte aeterna Parsons (I), Robert (ca. 1535–ca. 1572) Appears on: 173–175 Genres: Motet, Requiem Source Attribution: mr: Ro: parsons: of: the: chappelle:. Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Libera me domine General Note Annotations/Corrections: signum congrentiae in second line of p. 174 and at end, with beginning of repeat written out; Notes: on p. 175, after last line of music an empty stave (cf. 'squeezed' notation of pieces above);
176	Canon 6 in one	mr birde	Byrd, William (ca. 1540–1623)
Canon 6 in one Byrd, William (ca. 1540–1623) Appears on: 176 Genres: Canon Source Attribution: mr birde Voice: Canon Languages: none Clef: c3 General Note Annotations/Corrections: 6. in one' between the two lines of the piece; five times signum congruentiae in top line; at bottom of page a stave with five different sections, each with its own clef (G2, C2 with one flat, F4, G2, C2 with one flat); beneath that, in bottom stave of page: 'w[ith] another conceite contained in the same of 4 parts in tono who that will fynde it out. 1600.'; Notes: writing on this page different from the other pages;
177	Justi autem in perpetuum	mr shepp[er]de:	Sheppard, John (ca. 1515–1558)
Justi autem in perpetuum Sheppard, John (ca. 1515–1558) Appears on: 177 Genres: Motet Source Attribution: mr shepp[er]de: Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Imperpetu[m] vivent General Note Notes: final note split (E-C); from here on writing distinctly different to previous items;
178	Impetum fecerunt unanimes	mr Shepperd	Sheppard, John (ca. 1515–1558)
Impetum fecerunt unanimes Sheppard, John (ca. 1515–1558) Appears on: 178 Genres: Motet Source Attribution: mr Shepperd Voice: [no designation] Languages: Latin Clef: c4 Voice Text: feceru[n]t vnanimes
181	Sancte Dei preciose	S	Sheppard, John (ca. 1515–1558)
Sancte Dei preciose Sheppard, John (ca. 1515–1558) Appears on: 181 Genres: Motet Source Attribution: S Voice: [no designation] Languages: Latin Clef: c4 Voice Text: ffunde p[re]ces p[ro] devoto
181	Homo quidam fecit caenam magnam et misit	-	Tallis, Thomas (ca. 1505–1585)
Homo quidam fecit caenam magnam et misit Tallis, Thomas (ca. 1505–1585) Appears on: 181 Genres: Motet Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Quidam fecit cena[m] magna[m] General Note Annotations/Corrections: signum congruentiae in bottom line; Notes: in plainchant notation throughout;
182–183	Non conturbetur cor vestrum I	mr shepperde.	Sheppard, John (ca. 1515–1558)
Non conturbetur cor vestrum I Sheppard, John (ca. 1515–1558) Appears on: 182–183 Genres: Motet Source Attribution: mr shepperde. Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Cor vestru[m] ego vado General Note Annotations/Corrections: signum congruentiae in third line and in bottom line of p. 182;
183–184	Christi virgo dilectissima	mr shepperd.	Sheppard, John (ca. 1515–1558)
Christi virgo dilectissima Sheppard, John (ca. 1515–1558) Appears on: 183–184 Genres: Motet Source Attribution: mr shepperd. Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Dilectissima [...] v[ir]tutu[m] operatrix
184–185	Non conturbetur cor vestrum II	mr shepperd.	Sheppard, John (ca. 1515–1558)
Non conturbetur cor vestrum II Sheppard, John (ca. 1515–1558) Appears on: 184–185 Genres: Motet Source Attribution: mr shepperd. Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Cor vestru[m] [...] ego vado General Note Annotations/Corrections: signum congruentiae in first and third line of p. 185;
185–186	Reges Tharsis et insulae	mr shepperde.	Sheppard, John (ca. 1515–1558)
Reges Tharsis et insulae Sheppard, John (ca. 1515–1558) Appears on: 185–186 Genres: Motet Source Attribution: mr shepperde. Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Et insule munera offerent General Note Annotations/Corrections: signum congruentiae in first and in second line on p. 186;
186–188	Gaude, gaude, gaude Maria, virgo cunctas	mr shepperde.	Sheppard, John (ca. 1515–1558)
Gaude, gaude, gaude Maria, virgo cunctas Sheppard, John (ca. 1515–1558) Appears on: 186–188 Genres: Motet Source Attribution: mr shepperde. Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Virgo cuntas hereses General Note Annotations/Corrections: signum congruentia in top line of p. 187 and at end, with beginning of repeat written out;
188–189	Sint lumbi vesti praecincti	mr Redford	Redford, John (–1547)
Sint lumbi vesti praecincti Redford, John (–1547) Appears on: 188–189 Genres: Motet Source Attribution: mr Redford Voice: [no designation] Languages: Latin Clef: c5 Voice Text: Vestri, presincti General Note Annotations/Corrections: signum congruentiae in bottom line of p. 188 and at end, with beginning of repeat written out; some more (untexted) music after composer's name, with etc.-line at end; 'e' written next to a note in bottom line of p. 188 (not an E, however); Notes: clef opening to left in top line of p. 189;
190–191	Ad te levavi oculos meos qui habitas II: Adjutorium nostrum in nomine Domini	mr: whyte.	White, Robert (ca. 1538–1574)
Ad te levavi oculos meos qui habitas II: Adjutorium nostrum in nomine Domini White, Robert (ca. 1538–1574) Appears on: 190–191 Genres: Motet Source Attribution: mr: whyte. Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Ad te levaui oculos meos
192	Da pacem Domine (II) (C28)	-	Ferrabosco, Alfonso (the elder) (1543–1588)
Da pacem Domine (II) (C28) Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 192 Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Da pace[m] d[omi]ne General Note Annotations/Corrections: at end merely 'finis.' in ink, but on top, in pencil, 'A Ferrabosco';
192–193	Ecce nunc benedicite I	-	Anonymous
Ecce nunc benedicite I Anonymous Appears on: 192–193 Genres: Motet Voice: [no designation] Languages: Latin Clef: f4 Voice Text: Ecce nu[n]c benedicite General Note Annotations/Corrections: secu[n]dus bassus'; only 'finis' at end; Notes: sharps entered in two bottom lines of p. 192 (possibly abit later than the main text?) - also one sharp in top line of p. 193;
193–194	Ecce nunc benedicite II	-	Anonymous
Ecce nunc benedicite II Anonymous Appears on: 193–194 Genres: Motet Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Ecce nu[n]c benedicite General Note Annotations/Corrections: only 'finis' at end;
194–195	Praedicabo laudes tuae	Demannde.	Daman, William
Praedicabo laudes tuae Daman, William Appears on: 194–195 Genres: Motet Source Attribution: Demannde. Voice: [no designation] Languages: Latin Clef: f4 Voice Text: Predicabo laudes tuas General Note Annotations/Corrections: secund[us] bassus';
195	Omnis caro gramen sit	-	Daman, William
Omnis caro gramen sit Daman, William Appears on: 195 Genres: Motet Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Omnis caro gramen sit General Note Annotations/Corrections: at end merely 'finis';
196	Loquebantur variis linguis	mr tallis	Tallis, Thomas (ca. 1505–1585)
Loquebantur variis linguis Tallis, Thomas (ca. 1505–1585) Appears on: 196 Genres: Motet Source Attribution: mr tallis Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Varijs linguis apostoli General Note Annotations/Corrections: 7 p[ar]ts.' on top of p. 196, next to number '106.'; signum congruentiae in last line;
196–198	Beata nobis gaudia	mr shepperde.	Sheppard, John (ca. 1515–1558)
Beata nobis gaudia Sheppard, John (ca. 1515–1558) Appears on: 196–198 Genres: Motet Source Attribution: mr shepperde. Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Ignis vibrante lumine General Note Annotations/Corrections: text corr. in bottom line of p. 197;
198–201	Sacris solemniis juncta	mr shepperde. / mr S	Sheppard, John (ca. 1515–1558)
Sacris solemniis juncta Sheppard, John (ca. 1515–1558) Appears on: 198–201 Genres: Motet Source Attribution: mr shepperde. / mr S Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Noctis recolitur cena novissima General Note Annotations/Corrections: 8: p[ar]ts.' at top; 'p[ri]mus co[un]tertenor' next to top line on p. 198 and 'v[er]te foliu[m] next to end of bottom line of p. 198; 'secund[us] co[un]tertenor' next to top line of p. 199 and 'v[er]te foliu[m]' next to end of bottom line of p. 199; 'primus: co[un]tertenor.' next to top line of p. 200 and 'Secundus: co[un]tertenor.' next to penultimate line of p. 200; at end of primus c'tenor (on p. 200) 'mr shepperde.' and at end of Secundus c'tenor (on p. 201) 'mr S'; Notes: not much space after the end of the previous piece and the beginning of this one (merely composer's name);
201–202	A solis ortus cardine ad usque terrae	mr S	Sheppard, John (ca. 1515–1558)
A solis ortus cardine ad usque terrae Sheppard, John (ca. 1515–1558) Appears on: 201–202 Genres: Motet Source Attribution: mr S Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Beatus auctor seculi
203–205	Te Deum laudamus	mr: S.	Sheppard, John (ca. 1515–1558)
Te Deum laudamus Sheppard, John (ca. 1515–1558) Appears on: 203–205 Genres: Liturgical work, Te Deum Source Attribution: mr: S. Voice: [no designation] Languages: Latin Clef: c5 Voice Text: Te eternu[m] patrem
205	Dum transisset sabbatum [I]	S	Sheppard, John (ca. 1515–1558)
Dum transisset sabbatum [I] Sheppard, John (ca. 1515–1558) Appears on: 205 Genres: Motet Source Attribution: S Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Sabatu[m] [...] maria magdalene General Note Annotations/Corrections: bottom line extended into outer margin; composer name mostly cut-off (but seemingly merely an 'S');
206	Jam Christus astra	mr shepperde.	Sheppard, John (ca. 1515–1558)
Jam Christus astra Sheppard, John (ca. 1515–1558) Appears on: 206 Genres: Motet Source Attribution: mr shepperde. Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Solemnis vrgebat dies General Note Notes: in third line clef opening to the left;
209	Ave maris stella	mr: shepperde:.-	Sheppard, John (ca. 1515–1558)
Ave maris stella Sheppard, John (ca. 1515–1558) Appears on: 209 Genres: Ave maris stella, Motet Source Attribution: mr: shepperde:.- Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Sumens illud, ave gabrielis General Note Notes: composer's name again in different hand - same as earlier in the volume;
209–210	Adesto sancta Trinitas I	mr:-. Shep:-.	Sheppard, John (ca. 1515–1558)
Adesto sancta Trinitas I Sheppard, John (ca. 1515–1558) Appears on: 209–210 Genres: Motet Source Attribution: mr:-. Shep:-. Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Te celor[um] milicia
210–211	Hostis Herodes impie	mr: S.	Sheppard, John (ca. 1515–1558)
Hostis Herodes impie Sheppard, John (ca. 1515–1558) Appears on: 210–211 Genres: Motet Source Attribution: mr: S. Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Ibant magi qua[m] videre[n]t
211–212	Martyr Dei qui unicum	mr: S.	Sheppard, John (ca. 1515–1558)
Martyr Dei qui unicum Sheppard, John (ca. 1515–1558) Appears on: 211–212 Genres: Motet Source Attribution: mr: S. Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Tui p[re]cat[us] munere General Note Annotations/Corrections: on p. 212, in spare line after final line of music: 'this: parte: of: the 117. songe: is: in: thenor: i booke:.'; Notes: not much space after the end of the previous piece and the beginning of this one (merely composer's name); in second line of p. 212 clef opening to the left;
213–214	Media vita in morte sumus	mr shepperde.	Sheppard, John (ca. 1515–1558)
Media vita in morte sumus Sheppard, John (ca. 1515–1558) Appears on: 213–214 Genres: Motet Source Attribution: mr shepperde. Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Media vitae in more sum[us] General Note Annotations/Corrections: a sharp in the place of F before the first line of music, in margin, fainter than the music; signum congruentiae in penultimate lint of p. 213 and twice in bottom line of p. 213, then in penultimate line and in bottom line of p. 214; just before end long pauses and under these written 'qicoqnos.';
215–218	Gaude gloriosa Dei mater	mr: tallis.	Tallis, Thomas (ca. 1505–1585)
Gaude gloriosa Dei mater Tallis, Thomas (ca. 1505–1585) Appears on: 215–218 Genres: Motet Source Attribution: mr: tallis. Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Gaude v[ir]go maria General Note Annotations/Corrections: some of the lines on p. 215 extended into margin; signum congruentiae in third line of p. 215; on p. 218, after composer name at end some music with barline on either side and text 'refugiu[m]:' - the music is crossed out; Notes: generally quite tightly written, especially third line of p. 216;
219–221	Peccavimus cum patribus nostris	Doc: tye.	Tye, Christopher (ca. 1505–ca. 1573)
Peccavimus cum patribus nostris Tye, Christopher (ca. 1505–ca. 1573) Appears on: 219–221 Genres: Motet Source Attribution: Doc: tye. Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Peccauim[us] cu[m] p[at]ribus nostris
219–222	Quaesumus omnipotens	Docter: tye.	Tye, Christopher (ca. 1505–ca. 1573)
Quaesumus omnipotens Tye, Christopher (ca. 1505–ca. 1573) Appears on: 219–222 Genres: Motet Source Attribution: Docter: tye. Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Viuifices nos gratia tua General Note Annotations/Corrections: some corr. in third line of p. 221?; Notes: Quesum[us]:' at beginning under long pauses;
222–225	Cantate Domino canticum novum cantate	mr Docter: tye.	Tye, Christopher (ca. 1505–ca. 1573)
Cantate Domino canticum novum cantate Tye, Christopher (ca. 1505–ca. 1573) Appears on: 222–225 Genres: Motet Source Attribution: mr Docter: tye. Voice: [no designation] Languages: Latin Clef: f4 Voice Text: Cantate domino canticu[m] nouu[m] General Note Annotations/Corrections: P[ri]mus Bassus' in large letters before first line of music; on p. 224, signum congruentiae in third line, with 'tenor' written over the stave at that place: sigum congruentiae also in penultimate and bottom line of p. 224;
225–227	Deus misereatur nostri et benedicat nobis	mr whyte: batcheler: of musick.	White, Robert (ca. 1538–1574)
Deus misereatur nostri et benedicat nobis White, Robert (ca. 1538–1574) Appears on: 225–227 Genres: Anglican Service Music, Motet Source Attribution: mr whyte: batcheler: of musick. Voice: [no designation] Languages: Latin Clef: f4 Voice Text: Deus misereatur nostri General Note Annotations/Corrections: at end of top line of p. 227 a line through the stave to indicate exact position of text beneath;
227–229	Domine quis habitabit (I)	mr: whyte.	White, Robert (ca. 1538–1574)
Domine quis habitabit (I) White, Robert (ca. 1538–1574) Appears on: 227–229 Genres: Motet Source Attribution: mr: whyte. Voice: [no designation] Languages: Latin Clef: f4 Voice Text: Domine quis habitabit General Note Annotations/Corrections: at very end of the piece stave drawn out into the margin;
230–231	Adolescentulus sum ego	mr: w: mundye.	Mundy, William (ca. 1528–ca. 1591)
Adolescentulus sum ego Mundy, William (ca. 1528–ca. 1591) Appears on: 230–231 Genres: Motet Source Attribution: mr: w: mundye. Voice: [no designation] Languages: Latin Clef: f4 Voice Text: Adolosentulus [...] su[m] ego
231–232	Tota pulchra es amica mea et macula	mr: whyte.	White, Robert (ca. 1538–1574)
Tota pulchra es amica mea et macula White, Robert (ca. 1538–1574) Appears on: 231–232 Genres: Motet Source Attribution: mr: whyte. Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Tota pulcra es
232–233	Domine quis habitabit	mr: parsons.	Parsons (I), Robert (ca. 1535–ca. 1572)
Domine quis habitabit Parsons (I), Robert (ca. 1535–ca. 1572) Appears on: 232–233 Genres: Motet Source Attribution: mr: parsons. Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Domine quis habitabit General Note Notes: ed. in Robert Parsons: Latin Sacred Music, ed. P. Doe, EECM, xl (1994), 94;
234–236	Domine quis habitabit	mr: mundie	Mundy, William (ca. 1528–ca. 1591)
Domine quis habitabit Mundy, William (ca. 1528–ca. 1591) Appears on: 234–236 Genres: Motet Source Attribution: mr: mundie Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Domine quis habitabit General Note Annotations/Corrections: corr./erasure at beginning of third line of p. 234? At the end a sharp-sign over the composer name (much paler than the name);
236–238	Domine non est exaltatum (2p. Sicut ablactatus)	mr: Ro: whytte:	White, Robert (ca. 1538–1574)
Domine non est exaltatum (2p. Sicut ablactatus) White, Robert (ca. 1538–1574) Appears on: 236–238 Genres: Motet Source Attribution: mr: Ro: whytte: Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Domine non est exaltatu[m]
238–239	Domine non est exaltatum	mr: w: mundie: of the chappell:	Mundy, William (ca. 1528–ca. 1591)
Domine non est exaltatum Mundy, William (ca. 1528–ca. 1591) Appears on: 238–239 Genres: Motet Source Attribution: mr: w: mundie: of the chappell: Voice: [no designation] Languages: Latin Clef: f4 Voice Text: Domine non est exaltatu[m] General Note Annotations/Corrections: bassus: primus:' at beginning, written over time signature;
239–240	Domine quis habitabit (II) [2p. Ad nihillum deductus]	mr: whyte.	White, Robert (ca. 1538–1574)
Domine quis habitabit (II) [2p. Ad nihillum deductus] White, Robert (ca. 1538–1574) Appears on: 239–240 Genres: Motet Source Attribution: mr: whyte. Voice: [no designation] Languages: Latin Clef: f4 Voice Text: Domine quis habitabit
240–241	Credo quod redemptor meus vivit	mr: parsons: as some: doe say:	Parsons (I), Robert (ca. 1535–ca. 1572)
Credo quod redemptor meus vivit Parsons (I), Robert (ca. 1535–ca. 1572) Appears on: 240–241 Genres: Credo (patrem omnipotentem), Mass Ordinary Source Attribution: mr: parsons: as some: doe say: Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Credo quod redemptor meus viuit
241–244	Missa Gloria tibi Trinitas: Gloria	-	Taverner, John
Missa Gloria tibi Trinitas: Gloria Taverner, John Appears on: 241–244 Genres: Anglican Service Music, Gloria (et in terra pax) Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Et in terra pax General Note Annotations/Corrections: 2' under note near beginning (the one for 'pax');
244–246	Missa Gloria tibi Trinitas: Credo	-	Taverner, John
Missa Gloria tibi Trinitas: Credo Taverner, John Appears on: 244–246 Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Patrem o[m]nipotentem General Note Annotations/Corrections: 2' under note in first line of piece; 'rest' under group of long rests in third line of p. 244;
246–247	Missa Gloria tibi Trinitas: Sanctus	-	Taverner, John
Missa Gloria tibi Trinitas: Sanctus Taverner, John Appears on: 246–247 Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Sanctus. / D[omin]us Deus General Note Annotations/Corrections: 2' under note in top line of p. 247; Notes: no gap between end of Credo and beginning of Sanctus, merely a double barline and bold S for Sanctus and D[omin]us; several sections in black/colorated notation;
247–248	Missa Gloria tibi Trinitas: Benedictus	-	Taverner, John
Missa Gloria tibi Trinitas: Benedictus Taverner, John Appears on: 247–248 Voice: [no designation] Languages: Latin Clef: c4 Voice Text: In no[m]i[n]e Domini
248–249	Missa Gloria tibi Trinitas: Benedictus	John: tav[er]nar.	Taverner, John
Missa Gloria tibi Trinitas: Benedictus Taverner, John Appears on: 248–249 Source Attribution: John: tav[er]nar. Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Agnus dei. Qui tollis p[ec]cata, mu[n]di General Note Annotations/Corrections: 31' under cut full circle in second line of p. 249 (before black notation section); at end: 'Gloria: tibi: trinitas. q[uo]d John: tav[er]nar.'; Notes: on p. 249, before 'Dona' section: long episode noted in black notation (on 'mu[n]di'), at beginning of this '31' under cut full circle;
250–251	Domine quis habitabit (III)	mr: whytte.	White, Robert (ca. 1538–1574)
Domine quis habitabit (III) White, Robert (ca. 1538–1574) Appears on: 250–251 Genres: Motet Source Attribution: mr: whytte. Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Domine quis habitabit
252–255	Eructavit cor meum	mr: w: mundie.	Mundy, William (ca. 1528–ca. 1591)
Eructavit cor meum Mundy, William (ca. 1528–ca. 1591) Appears on: 252–255 Genres: Motet Source Attribution: mr: w: mundie. Voice: [no designation] Languages: Latin Clef: f5 Voice Text: Accingere gladio tuo General Note Annotations/Corrections: Primus baßus:' before first line of music; 'rest' under group of long rests in bottom line of p. 253; Notes: Eructavit:' at beginning under long pauses;
255–259	Vox Patris caelestis	mr w: mundie:.	Mundy, William (ca. 1528–ca. 1591)
Vox Patris caelestis Mundy, William (ca. 1528–ca. 1591) Appears on: 255–259 Genres: Motet Source Attribution: mr w: mundie:. Voice: [no designation] Languages: Latin Clef: c3 Voice Text: ffavus distillans labia tua General Note Annotations/Corrections: cross (with a plinth) drawn into initial 'U';
259–265	Maria virgo sanctissima	mr: w: mundie:.	Mundy, William (ca. 1528–ca. 1591)
Maria virgo sanctissima Mundy, William (ca. 1528–ca. 1591) Appears on: 259–265 Genres: Motet Source Attribution: mr: w: mundie:. Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Ex quibus personis General Note Annotations/Corrections: 8' written under long note in second line of p. 264; Notes: Maria v[ir]go:' at beginning under long pauses;
265–269	Infelix ego omnium (2p. Quid igitur faciam; 3p. Ad te igitur)	mr: w: birde: of: the: chappell:.	Byrd, William (ca. 1540–1623)
Infelix ego omnium (2p. Quid igitur faciam; 3p. Ad te igitur) Byrd, William (ca. 1540–1623) Appears on: 265–269 Genres: Motet Source Attribution: mr: w: birde: of: the: chappell:. Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Quo ibo / ad que[m] confugia[m] General Note Notes: In felix ego:' at beginning under long pauses;
269–271	Deus in adjutorium meum intende	mr: w: birde:	Byrd, William (ca. 1540–1623)
Deus in adjutorium meum intende Byrd, William (ca. 1540–1623) Appears on: 269–271 Genres: Motet Source Attribution: mr: w: birde: Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Deus in adiutoriu[m] meu[m] intende
272	Domine ante te omne desiderium meum	mr: w: birde: organiste: of: the: chappelle:.	Byrd, William (ca. 1540–1623)
Domine ante te omne desiderium meum Byrd, William (ca. 1540–1623) Appears on: 272 Genres: Motet Source Attribution: mr: w: birde: organiste: of: the: chappelle:. Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Domine ante, te omne desieriu[m]
273	O salutaris hostia I	mr: w: birde:.	Byrd, William (ca. 1540–1623)
O salutaris hostia I Byrd, William (ca. 1540–1623) Appears on: 273 Genres: Motet Source Attribution: mr: w: birde:. Voice: [no designation] Languages: Latin Clef: c4 Voice Text: O salutaris hostia
273–275	Descendit de caelis	mr: w: birde:.	Byrd, William (ca. 1540–1623)
Descendit de caelis Byrd, William (ca. 1540–1623) Appears on: 273–275 Genres: Anthem Source Attribution: mr: w: birde:. Voice: [no designation] Languages: Latin Clef: c5 Voice Text: Desendit de celis General Note Annotations/Corrections: face drawn into initial 'D'; signum congruentiae in penultimate line and in bottom line of p. 274;
275–276	Afflicti pro peccatis	mr: w: birde: of: the: chappelle;.	Byrd, William (ca. 1540–1623)
Afflicti pro peccatis Byrd, William (ca. 1540–1623) Appears on: 275–276 Genres: Anthem Source Attribution: mr: w: birde: of: the: chappelle;. Voice: [no designation] Languages: Latin Clef: c5 Voice Text: Afflicti, pro p[ec]catis nostis General Note Annotations/Corrections: in third stave of p. 275 a drawn in line indicating where exactly the text belongs; signum congruentiae in top line of p. 276;
276–277	Verbum caro factum est de virgine Maria	mr: iohn Shepperde:.	Sheppard, John (ca. 1515–1558)
Verbum caro factum est de virgine Maria Sheppard, John (ca. 1515–1558) Appears on: 276–277 Genres: Motet Source Attribution: mr: iohn Shepperde:. Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Uerbu[m] caro factu[m] est General Note Annotations/Corrections: signum congruentiae in bottm line of p. 276 and in top line of p. 277;
277–278	Spiritus sanctus procedens I	mr: S:	Sheppard, John (ca. 1515–1558)
Spiritus sanctus procedens I Sheppard, John (ca. 1515–1558) Appears on: 277–278 Genres: Motet Source Attribution: mr: S: Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Procedens, athrono, apostoloru[m] General Note Annotations/Corrections: face drawn into initial 'P' (looking slightly worried); signum congruentiae in top line and third line of p. 278;
278–279	Haec dies	mr: S:.	Sheppard, John (ca. 1515–1558)
Haec dies Sheppard, John (ca. 1515–1558) Appears on: 278–279 Genres: Motet Source Attribution: mr: S:. Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Hec dies, qua[m] fecit domin[us]
279–280	Videte miraculum	mr: tho: tallis:	Tallis, Thomas (ca. 1505–1585)
Videte miraculum Tallis, Thomas (ca. 1505–1585) Appears on: 279–280 Genres: Motet Source Attribution: mr: tho: tallis: Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Miraculu[m] [...] videte miraculu[m] General Note Annotations/Corrections: signum congruentiae in penultimate line of p. 279;
280–281	Sive vigilem	gerarde:.	Gerarde, Derrick (fl. c1540–1580)
Sive vigilem Gerarde, Derrick (fl. c1540–1580) Appears on: 280–281 Genres: Motet Source Attribution: gerarde:. Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Sive vigilem
281–282	Filiae Jerusalem	mr: Shepperde:.	Sheppard, John (ca. 1515–1558)
Filiae Jerusalem Sheppard, John (ca. 1515–1558) Appears on: 281–282 Genres: Motet Source Attribution: mr: Shepperde:. Voice: [no designation] Languages: Latin Clef: c3 Voice Text: hierusalem [...] venite & videte General Note Annotations/Corrections: signum congruentiae in penultimate line of p. 282; later in that line a barline with a big cross at the top: a corresponding barline with cross is at the very end (after composer name), followed by some music to insert above;
283	Dum transisset sabbatum [I]	mr: Shepperde:.	Sheppard, John (ca. 1515–1558)
Dum transisset sabbatum [I] Sheppard, John (ca. 1515–1558) Appears on: 283 Genres: Motet Source Attribution: mr: Shepperde:. Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Sabbatu[m] maria magdalene General Note Annotations/Corrections: signum congruentiae in third and in fourth line of p. 283;
284	Salvator mundi Domine	mr: S:.	Sheppard, John (ca. 1515–1558)
Salvator mundi Domine Sheppard, John (ca. 1515–1558) Appears on: 284 Genres: Motet Source Attribution: mr: S:. Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Adesto nu[n]c prospicius
284–285	Jesu salvator saeculi, Verbum	mr: S:	Sheppard, John (ca. 1515–1558)
Jesu salvator saeculi, Verbum Sheppard, John (ca. 1515–1558) Appears on: 284–285 Genres: Motet Source Attribution: mr: S: Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Tu fabricator omniu[m]
285–287	Jam Christus astra	mr: Ro: parsons:.	Parsons (I), Robert (ca. 1535–ca. 1572)
Jam Christus astra Parsons (I), Robert (ca. 1535–ca. 1572) Appears on: 285–287 Genres: Motet Source Attribution: mr: Ro: parsons:. Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Solemnis vrgebat dies
287	Libera nos, salva nos [I]	mr: Shepperd:.	Sheppard, John (ca. 1515–1558)
Libera nos, salva nos [I] Sheppard, John (ca. 1515–1558) Appears on: 287 Genres: Motet Source Attribution: mr: Shepperd:. Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Salva nos
288	Libera nos, salva nos [II]	mr: Shepperde:.	Sheppard, John (ca. 1515–1558)
Libera nos, salva nos [II] Sheppard, John (ca. 1515–1558) Appears on: 288 Genres: Motet Source Attribution: mr: Shepperde:. Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Salva nos
288–289	Dum transisset sabbatum	mr: iohn: mundie:	Mundy, John (ca. 1555–1630)
Dum transisset sabbatum Mundy, John (ca. 1555–1630) Appears on: 288–289 Genres: Motet Source Attribution: mr: iohn: mundie: Voice: [no designation] Languages: Latin Clef: f4 Voice Text: Sabatu[m] [...] maria magdalene General Note Annotations/Corrections: Baßus: primis:' before first line of music;
289–290	Fantasia a6 (I) in F	mr: w: birde	Byrd, William (ca. 1540–1623)
Fantasia a6 (I) in F Byrd, William (ca. 1540–1623) Appears on: 289–290 Genres: textless Source Attribution: mr: w: birde Voice: [no designation] Languages: none Clef: f4
290–291	The song called trumpets = Lusty Gallant	mr: parsons:.	Parsons (I), Robert (ca. 1535–ca. 1572)
The song called trumpets = Lusty Gallant Parsons (I), Robert (ca. 1535–ca. 1572) Appears on: 290–291 Genres: Motet Source Attribution: mr: parsons:. Voice: [no designation] Languages: none Clef: f4 General Note Annotations/Corrections: 31' under semi-circle with dot in top line of p. 291; Notes: the section of the piece on p. 291 all in black notation;
291–292	Beati omnes	w: daman:	Daman, William
Beati omnes Daman, William Appears on: 291–292 Genres: Motet Source Attribution: w: daman: Voice: [no designation] Languages: none Clef: f4
292–293	Quemadmodum	mr: tavernar:.	Taverner, John
Quemadmodum Taverner, John Appears on: 292–293 Genres: Motet Source Attribution: mr: tavernar:. Voice: [no designation] Languages: none Clef: c4 General Note Notes: at very beginning of the piece, the stave is rather uneven (i.e. lines not parallel);
293–294	Redime me Domine	iohn: bawdwine	Baldwin, John (ca. 1560–1615)
Redime me Domine Baldwin, John (ca. 1560–1615) Appears on: 293–294 Genres: Motet Source Attribution: iohn: bawdwine Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Redime me domine
294–295	Pater noster	iohn: bawdwine:.	Baldwin, John (ca. 1560–1615)
Pater noster Baldwin, John (ca. 1560–1615) Appears on: 294–295 Genres: Motet Source Attribution: iohn: bawdwine:. Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Pater noster General Note Annotations/Corrections: noster' at beginning added later; similarly, 'nostris,' in top line of p. 295 added later;
295–297	Hugh Aston's Maske	mr: whytbrooke:	Aston, Hugh (ca. 1485–1558)
Hugh Aston's Maske Aston, Hugh (ca. 1485–1558) Appears on: 295–297 Genres: Secular Source Attribution: mr: whytbrooke: Voice: [no designation] Languages: none Clef: c2
298–299	Fancy a3	iohn: bawdwine:	Baldwin, John (ca. 1560–1615)
Fancy a3 Baldwin, John (ca. 1560–1615) Appears on: 298–299 Genres: textless Source Attribution: iohn: bawdwine: Voice: [no designation] Languages: none Clef: c2 General Note Annotations/Corrections: 31' under firt note on p. 299; final note of piece split (E-G);
299–300	Browning a3	ellewaye: beven:	Bevin, Elway
Browning a3 Bevin, Elway Appears on: 299–300 Genres: Song Source Attribution: ellewaye: beven: Voice: [no designation] Languages: none Clef: c4
301	[Christe qui lux es (I)] Precamur sancte Domine	mr: Ro: whytte:.	White, Robert (ca. 1538–1574)
[Christe qui lux es (I)] Precamur sancte Domine White, Robert (ca. 1538–1574) Appears on: 301 Genres: Motet Source Attribution: mr: Ro: whytte:. Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Precamur sancte domine General Note Notes: in plainchant notation throughout;
302–305	De Lamentatione Jeremiae	mr: iohn: mundie:	Mundy, John (ca. 1555–1630)
De Lamentatione Jeremiae Mundy, John (ca. 1555–1630) Appears on: 302–305 Genres: Lamentations, Motet Source Attribution: mr: iohn: mundie: Voice: [no designation] Languages: Latin, Hebrew Clef: c3 Voice Text: De lamentacione, [...] Jeremie prophetae General Note Annotations/Corrections: v: voc:' at top;
305–307	Lamentations (II) a6	mr: Ro: whytte:.	White, Robert (ca. 1538–1574)
Lamentations (II) a6 White, Robert (ca. 1538–1574) Appears on: 305–307 Genres: Lamentations, Motet Source Attribution: mr: Ro: whytte:. Voice: [no designation] Languages: Latin, Hebrew Clef: c3 Voice Text: Heth. / Teth / Sordes eius General Note Annotations/Corrections: at top: 'V. Voc.';
308	Cuckoo as I me walked	Jo: bawdwine:-.	Baldwin, John (ca. 1560–1615)
Cuckoo as I me walked Baldwin, John (ca. 1560–1615) Appears on: 308 Genres: Song Source Attribution: Jo: bawdwine:-. Voice: [no designation] Languages: none Clef: c2 General Note Annotations/Corrections: iij: voc:-.' at top; '31' under notes in third and in fourth line;
309–314	Tallis and Byrd, 'Cantiones Sacrae' (1575), title page and prelims	-	-
Tallis and Byrd, 'Cantiones Sacrae' (1575), title page and prelims Appears on: 309–314
315	Salvator mundi (I)	T. Tallis.	Tallis, Thomas (ca. 1505–1585)
Salvator mundi (I) Tallis, Thomas (ca. 1505–1585) Appears on: 315 Genres: Motet Source Attribution: T. Tallis. Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Saluator mu[n]di salua nos General Note Annotations/Corrections: at top: 'V. Voc.';
316–317	Absterge Domine	T. Tallis.	Tallis, Thomas (ca. 1505–1585)
Absterge Domine Tallis, Thomas (ca. 1505–1585) Appears on: 316–317 Source Attribution: T. Tallis. Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Absterge Domine General Note Annotations/Corrections: at top: 'V. Voc.';
318	In manus tuas Domine	T. Tallis	Tallis, Thomas (ca. 1505–1585)
In manus tuas Domine Tallis, Thomas (ca. 1505–1585) Appears on: 318 Genres: Motet Source Attribution: T. Tallis Voice: [no designation] Languages: Latin Clef: c3 Voice Text: IN manus tuas Domine General Note Annotations/Corrections: at top: 'V. Voc.';
319	Emendemus - 1a pars (of 2): Emendemus in melius	W. Birdi.	Byrd, William (ca. 1540–1623)
Emendemus - 1a pars (of 2): Emendemus in melius Byrd, William (ca. 1540–1623) Appears on: 319 Genres: Motet Source Attribution: W. Birdi. Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Eme[n]demus in melius General Note Annotations/Corrections: at top: 'V. Voc.'; 'Secunda pars' in penultimate line;
319	Emendemus - 2a pars (of 2): Adiuva nos Deus	-	Byrd, William (ca. 1540–1623)
Emendemus - 2a pars (of 2): Adiuva nos Deus Byrd, William (ca. 1540–1623) Appears on: 319 Genres: Motet
320–322	Libera me domine et pone me (2p. Dies mei transierunt)	W. Birdi.	Byrd, William (ca. 1540–1623)
Libera me domine et pone me (2p. Dies mei transierunt) Byrd, William (ca. 1540–1623) Appears on: 320–322 Genres: Anthem Source Attribution: W. Birdi. Voice: [no designation] Languages: Latin Clef: c3 Voice Text: LIbera me Domine General Note Annotations/Corrections: at top: 'V. Voc.'; in last line of p. 320: 'Secunda pars.';
322–323	Peccantem me quotidie	W. Birdi.	Byrd, William (ca. 1540–1623)
Peccantem me quotidie Byrd, William (ca. 1540–1623) Appears on: 322–323 Source Attribution: W. Birdi. Voice: [no designation] Languages: Latin Clef: c3 Voice Text: PEccante[m] me quotidie General Note Annotations/Corrections: at top: 'V. Voc.';
324	Mihi autem nimis honorati sunt	T. Tallis.	Tallis, Thomas (ca. 1505–1585)
Mihi autem nimis honorati sunt Tallis, Thomas (ca. 1505–1585) Appears on: 324 Genres: Motet Source Attribution: T. Tallis. Voice: [no designation] Languages: Latin Clef: c3 Voice Text: MIhi aute[m] nimishonorati su[n]t General Note Annotations/Corrections: at top: 'V. Voc.';
325	O nata lux de lumine	T. Tallis.	Tallis, Thomas (ca. 1505–1585)
O nata lux de lumine Tallis, Thomas (ca. 1505–1585) Appears on: 325 Source Attribution: T. Tallis. Voice: [no designation] Languages: Latin Clef: c3 Voice Text: O Nata lux de lumine General Note Annotations/Corrections: at top: 'HYMNVS. V. Voc.';
326–327	O sacrum convivium in quo Christus sumitur	T. Tallis.	Tallis, Thomas (ca. 1505–1585)
O sacrum convivium in quo Christus sumitur Tallis, Thomas (ca. 1505–1585) Appears on: 326–327 Genres: Motet Source Attribution: T. Tallis. Voice: [no designation] Languages: Latin Clef: c3 Voice Text: O Sacru[m] conuiuium General Note Annotations/Corrections: at top: 'V. Voc.'; Notes: in second line a sharp sign for the B;
328–329	Aspice Domine quia facta est (6vv)	W. Birdi.	Byrd, William (ca. 1540–1623)
Aspice Domine quia facta est (6vv) Byrd, William (ca. 1540–1623) Appears on: 328–329 Genres: Motet Source Attribution: W. Birdi. Voice: [no designation] Languages: Latin Clef: c3 Voice Text: ASpice Domine General Note Annotations/Corrections: at top: 'VI. Voc.';
330–331	Attollite portas	W. Birdi.	Byrd, William (ca. 1540–1623)
Attollite portas Byrd, William (ca. 1540–1623) Appears on: 330–331 Genres: Psalm Source Attribution: W. Birdi. Voice: [no designation] Languages: Latin Clef: c3 Voice Text: ATtolite portas General Note Annotations/Corrections: at top: 'VI. Voc.'; signum congruentiae in second line of p. 331 and at end, with beginning of repeat written out;
332	O lux beata trinitas et principalis (2p.Te mane laudum carmine te deprecamur; 3p. Deo patri sit gloria eiusque soli)	W. Birdi.	Byrd, William (ca. 1540–1623)
O lux beata trinitas et principalis (2p.Te mane laudum carmine te deprecamur; 3p. Deo patri sit gloria eiusque soli) Byrd, William (ca. 1540–1623) Appears on: 332 Genres: Motet Source Attribution: W. Birdi. Voice: [no designation] Languages: Latin Clef: c3 Voice Text: O Lux beata trinitas General Note Annotations/Corrections: at top: 'HYMNVS. VI. Voc.';
333	Deo Patri sit gloria	W. Birdi.	Byrd, William (ca. 1540–1623)
Deo Patri sit gloria Byrd, William (ca. 1540–1623) Appears on: 333 Source Attribution: W. Birdi. Voice: [no designation] Languages: Latin Clef: c3 Voice Text: DEo Patri sit gloria General Note Annotations/Corrections: at top: 'CANON. VI. Voc.'; two signum congruentiae in the top line and two in the bottom line;
334–335	Derelinquit impius viam suam	T Tallis.	Tallis, Thomas (ca. 1505–1585)
Derelinquit impius viam suam Tallis, Thomas (ca. 1505–1585) Appears on: 334–335 Source Attribution: T Tallis. Voice: [no designation] Languages: Latin Clef: c4 Voice Text: DErelinquit impius viam suam General Note Annotations/Corrections: at top: 'V. Voc.';
336–337	Dum transisset sabbatum, Maria Magdalene / Aromata emerunt	T. Tallis.	Tallis, Thomas (ca. 1505–1585)
Dum transisset sabbatum, Maria Magdalene / Aromata emerunt Tallis, Thomas (ca. 1505–1585) Appears on: 336–337 Genres: Motet Source Attribution: T. Tallis. Voice: [no designation] Languages: Latin Clef: c2 Voice Text: SAbbathu[m] [...] Maria Magdalene General Note Annotations/Corrections: at top: 'V. Voc.'; signum congruentiae in fourth and bottom lines of p. 336;
337–338	Honor, virtus et potestas	T. Tallis.	Tallis, Thomas (ca. 1505–1585)
Honor, virtus et potestas Tallis, Thomas (ca. 1505–1585) Appears on: 337–338 Source Attribution: T. Tallis. Voice: [no designation] Languages: Latin Clef: c1 Voice Text: VIrtus honor virtus [...] & potestas General Note Annotations/Corrections: at top: 'V. Voc.'; signum congruentiae in penultimate line of p. 337;
338–339	Sermone blando Illae dum pergunt concitae Apostolis	T. Tallis.	Tallis, Thomas (ca. 1505–1585)
Sermone blando Illae dum pergunt concitae Apostolis Tallis, Thomas (ca. 1505–1585) Appears on: 338–339 Genres: Motet Source Attribution: T. Tallis. Voice: [no designation] Languages: Latin Clef: c3 Voice Text: ILlae du[m] pergu[n]t co[n]citae [...] Apostolis General Note Annotations/Corrections: at top: 'HYMNVS. V. Voc.';
340–341	Laudate pueri Dominum	W. Birdi.	Byrd, William (ca. 1540–1623)
Laudate pueri Dominum Byrd, William (ca. 1540–1623) Appears on: 340–341 Source Attribution: W. Birdi. Voice: [no designation] Languages: Latin Clef: c3 Voice Text: LAudate pueri Dominu[m] General Note Annotations/Corrections: at top: 'VI. Voc.';
342	Memento homo quod cinis es	W. Birdi.	Byrd, William (ca. 1540–1623)
Memento homo quod cinis es Byrd, William (ca. 1540–1623) Appears on: 342 Source Attribution: W. Birdi. Voice: [no designation] Languages: Latin Clef: c3 Voice Text: MEmento homo quod cinis es General Note Annotations/Corrections: at top: 'VI. Voc.';
342–343	Siderum rector Deus alme	W. Birdi.	Byrd, William (ca. 1540–1623)
Siderum rector Deus alme Byrd, William (ca. 1540–1623) Appears on: 342–343 Source Attribution: W. Birdi. Voice: [no designation] Languages: Latin Clef: c3 Voice Text: SIderu[m] rector Deus alme General Note Annotations/Corrections: at top: 'V. Voc.'; the piece actually begins on page 343 but a flower on the bottom of p. 343 refers to the last line which is already at the bottom of the previous page (342, also marked by a flower).;
344	Procul recedant omnia	T. Tallis.	Tallis, Thomas (ca. 1505–1585)
Procul recedant omnia Tallis, Thomas (ca. 1505–1585) Appears on: 344 Source Attribution: T. Tallis. Voice: [no designation] Languages: Latin Clef: c3 Voice Text: PRocul receda[n]t somnia General Note Annotations/Corrections: at top: 'HYMNVS. V. Voc.';
345	Salvator mundi (II)	T Tallis.	Tallis, Thomas (ca. 1505–1585)
Salvator mundi (II) Tallis, Thomas (ca. 1505–1585) Appears on: 345 Genres: Motet Source Attribution: T Tallis. Voice: [no designation] Languages: Latin Clef: c4 Voice Text: SAluator mu[n]di salua nos General Note Annotations/Corrections: at top: 'V. Voc.';
346	Candidi Facti sunt = Facti sunt Nazarei eius candidi	T. Tallis.	Tallis, Thomas (ca. 1505–1585)
Candidi Facti sunt = Facti sunt Nazarei eius candidi Tallis, Thomas (ca. 1505–1585) Appears on: 346 Genres: Motet Source Attribution: T. Tallis. Voice: [no designation] Languages: Latin Clef: c5 Voice Text: FActi su[n]t nazarei [...] eius candidi General Note Annotations/Corrections: at top: 'V. Voc.'; signum congruentiae in third line;
347	[blank staves]	-	-
[blank staves] Appears on: 347
348–349	De Tribulatione	W. Birdi.	Byrd, William (ca. 1540–1623)
De Tribulatione Byrd, William (ca. 1540–1623) Appears on: 348–349 Source Attribution: W. Birdi. Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Da mihi auxilium de tribulatione General Note Annotations/Corrections: at top: 'VI. Voc.';
350–351	Domine secundum actum meum	W. Birdi.	Byrd, William (ca. 1540–1623)
Domine secundum actum meum Byrd, William (ca. 1540–1623) Appears on: 350–351 Source Attribution: W. Birdi. Voice: [no designation] Languages: Latin Clef: c3 Voice Text: SEcundu[m] actu[m] meum General Note Annotations/Corrections: at top: 'VI. Voc.'; on top of p. 351 'SECVNDA PARS' ('IDeo de precor maiestatem tuam'); at bottom of p. 350 at end of last line, a flower - matching with the same flower at the beginning of the bottom line on the following page: the music continues over the page break;
352–353	Diliges Dominum Deum	W. Birdi.	Byrd, William (ca. 1540–1623)
Diliges Dominum Deum Byrd, William (ca. 1540–1623) Appears on: 352–353 Source Attribution: W. Birdi. Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Diliges Dominu[m] Deum General Note Annotations/Corrections: at top: 'VIII. Voc.'; At the beginning: 'Duae partes in vna recte & retro.' ;
354–355	In ieiunio et fletu	T. Tallis.	Tallis, Thomas (ca. 1505–1585)
In ieiunio et fletu Tallis, Thomas (ca. 1505–1585) Appears on: 354–355 Source Attribution: T. Tallis. Voice: [no designation] Languages: Latin Clef: c5 Voice Text: IN ieiunio & fletu General Note Annotations/Corrections: at top: 'V. Voc.';
356–358	Suscipe quaeso Domine II: Si enim iniquitates	T. Tallis.	Tallis, Thomas (ca. 1505–1585)
Suscipe quaeso Domine II: Si enim iniquitates Tallis, Thomas (ca. 1505–1585) Appears on: 356–358 Genres: Motet Source Attribution: T. Tallis. Voice: [no designation] Languages: Latin Clef: c3 Voice Text: SVscipe quaeso Domine, voce[m] co[n]fitentis General Note Annotations/Corrections: at top: 'VII. Voc.'; on top of p. 358 'SECVNDA PARS' ('SI enim iniquitates');
359	Miserere mihi Domine	W. Birdi.	Byrd, William (ca. 1540–1623)
Miserere mihi Domine Byrd, William (ca. 1540–1623) Appears on: 359 Source Attribution: W. Birdi. Voice: [no designation] Languages: Latin Clef: c3 Voice Text: MIserere mihi Domine General Note Annotations/Corrections: at top: 'VI. Voc.';
360–361	Tribue Domine	W. Birdi.	Byrd, William (ca. 1540–1623)
Tribue Domine Byrd, William (ca. 1540–1623) Appears on: 360–361 Genres: Motet Source Attribution: W. Birdi. Voice: [no designation] Languages: Latin Clef: c3 Voice Text: TRibue Domine General Note Annotations/Corrections: at top: 'VI. Voc.';
362	Te Deprecor	W. Birdi.	Byrd, William (ca. 1540–1623)
Te Deprecor Byrd, William (ca. 1540–1623) Appears on: 362 Genres: Motet Source Attribution: W. Birdi. Voice: [no designation] Languages: Latin Clef: c3 Voice Text: TE deprecor supplico General Note Annotations/Corrections: at top: 'VI.';
363	[blank staves]	-	-
[blank staves] Appears on: 363
364–365	Gloria Patri qui creavit nos	W. Birdi.	Byrd, William (ca. 1540–1623)
Gloria Patri qui creavit nos Byrd, William (ca. 1540–1623) Appears on: 364–365 Source Attribution: W. Birdi. Voice: [no designation] Languages: Latin Clef: c3 Voice Text: GLoria Patri qui creauit nos General Note Annotations/Corrections: at top: 'VI. Voc.';
366–367	Libera me domine de morte aeterna	W. Birdi.	Byrd, William (ca. 1540–1623)
Libera me domine de morte aeterna Byrd, William (ca. 1540–1623) Appears on: 366–367 Source Attribution: W. Birdi. Voice: [no designation] Languages: Latin Clef: c3 Voice Text: LIbera me Domine General Note Annotations/Corrections: at top: 'V. Voc.';
368	Miserere nostri Domine	T. Tallis.	Tallis, Thomas (ca. 1505–1585)
Miserere nostri Domine Tallis, Thomas (ca. 1505–1585) Appears on: 368 Source Attribution: T. Tallis. Voice: [no designation] Languages: Latin Clef: c4 Voice Text: MIserere nostri Domine General Note Annotations/Corrections: at top: 'VII. Voc.'; at beginning (before first line): Cano'n in vnisonus';
369–371	-	-	Anonymous
[Unknown Title] Appears on: 369–371
372	Extract of letters patents to Tallis and Byrd	-	Anonymous
Extract of letters patents to Tallis and Byrd Anonymous Appears on: 372
373–376	-		Anonymous
[Unknown Title] Appears on: 373–376 Source Attribution:

Composer	Compositions
Anonymous	Confitebor tibi Domine – 135–136 Ecce nunc benedicite I – 192–193 Ecce nunc benedicite II – 193–194 Extract of letters patents to Tallis and Byrd – 372 [No description] – 373–376 [No description] – 309–314 [No description] – 369–371 [No description] – 363 [No description] – 347
Aston, Hugh (ca. 1485–1558)	Hugh Aston's Maske – 295–297
Baldwin, John (ca. 1560–1615)	Cuckoo as I me walked – 308 Fancy a3 – 298–299 Pater noster – 294–295 Redime me Domine – 293–294
Bevin, Elway	Browning a3 – 299–300
Byrd, William (ca. 1540–1623)	Afflicti pro peccatis – 275–276 Apparebit in finem – 21–22 Aspice Domine de sede sancta (5vv) [2p. Respice Domine] – 128–129 Aspice Domine quia facta est (6vv) – 328–329 Attollite portas – 330–331 Audivi vocem de caelo – 23–24 Benigne fac, Domine – 70–71 Canon 6 in one – 176 Circumdederunt me dolores mortis – 71–72 Cunctis diebus quibus nunc milito – 144–145 De Tribulatione – 348–349 Deo Patri sit gloria – 333 Descendit de caelis – 273–275 Deus in adjutorium meum intende – 269–271 Diliges Dominum Deum – 352–353 Domine Deus omnipotens – 17–19 Domine ante te omne desiderium meum – 272 Domine exaudi orationem meam (2p. Et non intres) – 30–32 Domine praestolamur [2p. Veni domine] – 122–123 Domine secundum actum meum – 350–351 Emendemus - 1a pars (of 2): Emendemus in melius – 319 Emendemus - 2a pars (of 2): Adiuva nos Deus – 319 Exsurge Domine quare obdormis? (or, Exsurge quare obdormis Domine) – 68–70 Fantasia a6 (I) in F – 289–290 Gloria Patri qui creavit nos – 364–365 Infelix ego omnium (2p. Quid igitur faciam; 3p. Ad te igitur) – 265–269 Lamentations: De lamentatione Jeremiae – 65–68 Laudate pueri Dominum – 340–341 Levemus corda nostra – 24–26 Libera me domine de morte aeterna – 366–367 Libera me domine et pone me (2p. Dies mei transierunt) – 320–322 Memento Domine – 28–29 Memento homo quod cinis es – 342 Miserere mihi Domine – 359 Ne irascaris Domine [2p. Civitas sancti tui] – 124–125 Ne perdas cum impiis – 34–35 O Domine adjuva me – 29–30 O lux beata trinitas et principalis (2p.Te mane laudum carmine te deprecamur; 3p. Deo patri sit gloria eiusque soli) – 332 O quam gloriosum est regnum (2p. Benedictio et claritas) – 19–21 O salutaris hostia I – 273 Omni tempore benedic Deum [2p. Memor esto fili] – 32–33 Peccantem me quotidie – 322–323 Peccavi super numerum – 26–27 Reges Tharsis et insulae – 148 Sacris solemniis juncta – 35–37 Siderum rector Deus alme – 342–343 Te Deprecor – 362 Tribue Domine – 360–361 Tribulationes civitatum [2p. Timor et hebitudo, 3p. Nos enim pro peccatis] – 125–128 Tristitia et anxietas, Domine tu jurasti (2p. Sed tu domine) – 146–148 Vide domine afflictionem nostram et in tempore (2p. Sed veni domine et noli tardare) – 57–59
Daman, William	Beati omnes – 291–292 Confitebor tibi Domine – 73–74 Omnis caro gramen sit – 195 Praedicabo laudes tuae – 194–195
Douglas, Patrick	In convertendo Dominus [2a pars: Convertere Domine] – 86–88
Fayrfax, Robert (1464–1521)	Ave Dei patris filia – 93–95
Ferrabosco, Alfonso (the elder) (1543–1588)	Da pacem Domine (II) (C28) – 192 De Lamentatione Jeremiae (C64) – 82–84
Gerarde, Derrick (fl. c1540–1580)	Sive vigilem – 280–281
Hollander, Christian	(?) Dum transisset sabbatum Maria Magdalena II: Et valde mane una sabbatorum veniunt – 48–49
Hollander, Sebastian	(?) Dum transisset sabbatum Maria Magdalena II: Et valde mane una sabbatorum veniunt – 48–49
Johnson (I), Robert (ca. 1500–ca. 1560)	Domine in virtute tua (I) (2p: Magna gloria eius) – 10–14
Lassus, Orlande de (ca. 1532–1594)	Ubi est Abel frater tuus dixit Dominus – 106–107
Mundy, John (ca. 1555–1630)	Aedes nostra sancta – 59–60 De Lamentatione Jeremiae – 302–305 Dum transisset sabbatum – 288–289 In te Domine speravi – 107–110
Mundy, William (ca. 1528–ca. 1591)	A solis ortus cardine ad usque terrae – 171–173 Adhesit pavimento – 136–138 Adolescentulus sum ego – 230–231 Beati immaculati in via – 119–121 Beatus et sanctus – 73 Domine non est exaltatum – 238–239 Domine quis habitabit – 234–236 Eructavit cor meum – 252–255 Maria virgo sanctissima – 259–265 Memor esto verbi tui – 154–155 Noli aemulari in malignantibus – 138–141 Sive vigilem – 155–156 Veni creator spiritus mentes tuorum – 160 Videte miraculum – 157–158 Vox Patris caelestis – 255–259
Parsons (I), Robert (ca. 1535–ca. 1572)	Credo quod redemptor meus vivit – 240–241 Domine quis habitabit – 232–233 Jam Christus astra – 285–287 Libera me Domine de morte aeterna – 173–175 O bone Jesu – 110–114 Peccantem me quotidie – 156–157 Retribue servo tuo – 116–119 The song called trumpets = Lusty Gallant – 290–291
Redford, John (–1547)	Sint lumbi vesti praecincti – 188–189
Sheppard, John (ca. 1515–1558)	A solis ortus cardine ad usque terrae – 201–202 Adesto sancta Trinitas I – 209–210 Aeternae rex altissimae – 161–162 Ave maris stella – 209 Beata nobis gaudia – 196–198 Beati omnes qui timent Dominum – 4–6 Christe redemptor omnium – 165–166 Christi virgo dilectissima – 183–184 Confitebor tibi Domine – 8–10 Deus misereator nostri [2p. Ut cognoscamus; 3p. Confiteantur; 4p. Letentur; 5p. Benedicat] – 6–8 Deus tuorum militum (I) – 164–165 Deus tuorum militum (II) – 166 Dum transisset sabbatum [I] – 283 Dum transisset sabbatum [I] – 205 Filiae Jerusalem – 281–282 Gaude, gaude, gaude Maria, virgo cunctas – 186–188 Haec dies – 278–279 Hostis Herodes impie – 210–211 Impetum fecerunt unanimes – 178 Jam Christus astra – 206 Jesu salvator saeculi, Redemptis – 163–164 Jesu salvator saeculi, Verbum – 284–285 Judica me, Deus – 1–3 Justi autem in perpetuum – 177 Laudem dicite Deo nostro – 16 Laudem dicite Deo nostro – 41–42 Libera nos, salva nos [II] – 288 Libera nos, salva nos [I] – 287 Martyr Dei qui unicum – 211–212 Media vita in morte sumus – 213–214 Non conturbetur cor vestrum I – 182–183 Non conturbetur cor vestrum II – 184–185 Reges Tharsis et insulae – 185–186 Sacris solemniis juncta – 198–201 Salvator mundi Domine – 284 Sancte Dei preciose – 181 Spiritus sanctus procedens I – 277–278 Spiritus sanctus procedens [II] – 40–41 Te Deum laudamus – 203–205 Verbum caro factum est de virgine Maria – 276–277
Strabridge, John	Dum transisset sabbatum – 22–23
Tallis, Thomas (ca. 1505–1585)	Absterge Domine – 316–317 Candidi Facti sunt = Facti sunt Nazarei eius candidi – 346 Derelinquit impius viam suam – 334–335 Domine quis habitabit [2p. Ad nihillum deductus] – 142–144 Dum transisset sabbatum, Maria Magdalene / Aromata emerunt – 37–38 Dum transisset sabbatum, Maria Magdalene / Aromata emerunt – 336–337 Evening service in Latin: Magnificat – 129–132 Evening service in Latin: Nunc dimittis – 133 Gaude gloriosa Dei mater – 215–218 Homo quidam fecit caenam magnam et misit – 181 Honor, virtus et potestas – 337–338 Iam Christus astra – 168 In ieiunio et fletu – 354–355 In manus tuas Domine – 318 Jesu salvator saeculi, Verbum – 169–170 Lamentations (I) : Incipit lamentatio Jeremiae - Aleph - Beth - Convertere Jerusalem – 80–82 Lamentations (II): De lamentatione Jeremiae - Gimel - Daleth - Heth - Convertere Jerusalem – 76–80 Laudate Dominum omnes gentes, laudate eum – 74–76 Loquebantur variis linguis – 196 Mihi autem nimis honorati sunt – 324 Miserere nostri Domine – 368 O nata lux de lumine – 325 O sacrum convivium in quo Christus sumitur – 326–327 Procul recedant omnia – 344 Quod chorus vatum haec Deum – 167 Salvator mundi (I) – 170–171 Salvator mundi (I) – 315 Salvator mundi (II) – 345 Salve intemerata virgo Maria – 88–92 Sermone blando Illae dum pergunt concitae Apostolis – 338–339 Suscipe quaeso Domine II: Si enim iniquitates – 356–358 Videte miraculum – 279–280
Taverner, John	Ave Dei patris filia – 100–103 Christe Jesu pastor bone – 105–106 Dum transisset sabbatum [I - 5vv] – 38–39 Dum transisset sabbatum [II - 4vv] – 39–40 Gaude plurimum [2p. Gaude Maria, Jesu mater; 3p. Eundem igitur Jesum] – 96–100 Mater Christi sanctissima virgo [= O most holy and mighty Lord] – 104–105 Missa Gloria tibi Trinitas: Benedictus – 248–249 Missa Gloria tibi Trinitas: Benedictus – 247–248 Missa Gloria tibi Trinitas: Credo – 244–246 Missa Gloria tibi Trinitas: Gloria – 241–244 Missa Gloria tibi Trinitas: Sanctus – 246–247 O splendor gloriae – 50–53 Quemadmodum – 292–293 Te Deum laudamus – 43–45
Tye, Christopher (ca. 1505–ca. 1573)	Cantate Domino canticum novum cantate – 222–225 Miserere mei Deus – 45–47 Peccavimus cum patribus nostris – 219–221 Quaesumus omnipotens – 219–222
Van Wilder, Phillip	Aspice Domine quia facta est [2p. Plorans ploravit in nocte] – 14–16
White, Robert (ca. 1538–1574)	Ad te levavi oculos meos qui habitas II: Adjutorium nostrum in nomine Domini – 190–191 Deus misereatur nostri et benedicat nobis – 225–227 Domine non est exaltatum (2p. Sicut ablactatus) – 236–238 Domine quis habitabit (I) – 227–229 Domine quis habitabit (II) [2p. Ad nihillum deductus] – 239–240 Domine quis habitabit (III) – 250–251 Lamentations (I) a5 – 61–65 Lamentations (II) a6 – 305–307 Manus tuae fecerunt me [2p. Veniant mihi] – 133–135 Miserere mei Deus [2p: Cor mundum crea] – 149–153 Portio mea, Domine [2p. Media nocte] – 114–116 Regina caeli laetare – 85–86 Tota pulchra es amica mea et macula – 231–232 [Christe qui lux es (I)] Precamur sancte Domine – 301 [Christe qui lux es (II)] Precamur sancte Domine – 160–161 [Christe qui lux es (III)] Precamur sancte Domine – 159
Wood, John	Exsurge Domine – 53–57

Composition	Composers (? Uncertain)	Folios / Pages
[Christe qui lux es (I)] Precamur sancte Domine	White, Robert (ca. 1538–1574)	301
[Christe qui lux es (II)] Precamur sancte Domine	White, Robert (ca. 1538–1574)	160–161
[Christe qui lux es (III)] Precamur sancte Domine	White, Robert (ca. 1538–1574)	159
A solis ortus cardine ad usque terrae	Mundy, William (ca. 1528–ca. 1591)	171–173
A solis ortus cardine ad usque terrae	Sheppard, John (ca. 1515–1558)	201–202
Absterge Domine	Tallis, Thomas (ca. 1505–1585)	316–317
Ad te levavi oculos meos qui habitas II: Adjutorium nostrum in nomine Domini	White, Robert (ca. 1538–1574)	190–191
Adesto sancta Trinitas I	Sheppard, John (ca. 1515–1558)	209–210
Adhesit pavimento	Mundy, William (ca. 1528–ca. 1591)	136–138
Adolescentulus sum ego	Mundy, William (ca. 1528–ca. 1591)	230–231
Aedes nostra sancta	Mundy, John (ca. 1555–1630)	59–60
Aeternae rex altissimae	Sheppard, John (ca. 1515–1558)	161–162
Afflicti pro peccatis	Byrd, William (ca. 1540–1623)	275–276
Apparebit in finem	Byrd, William (ca. 1540–1623)	21–22
Aspice Domine de sede sancta (5vv) [2p. Respice Domine]	Byrd, William (ca. 1540–1623)	128–129
Aspice Domine quia facta est (6vv)	Byrd, William (ca. 1540–1623)	328–329
Aspice Domine quia facta est [2p. Plorans ploravit in nocte]	Van Wilder, Phillip	14–16
Attollite portas	Byrd, William (ca. 1540–1623)	330–331
Audivi vocem de caelo	Byrd, William (ca. 1540–1623)	23–24
Ave Dei patris filia	Fayrfax, Robert (1464–1521)	93–95
Ave Dei patris filia	Taverner, John	100–103
Ave maris stella	Sheppard, John (ca. 1515–1558)	209
Beata nobis gaudia	Sheppard, John (ca. 1515–1558)	196–198
Beati immaculati in via	Mundy, William (ca. 1528–ca. 1591)	119–121
Beati omnes	Daman, William	291–292
Beati omnes qui timent Dominum	Sheppard, John (ca. 1515–1558)	4–6
Beatus et sanctus	Mundy, William (ca. 1528–ca. 1591)	73
Benigne fac, Domine	Byrd, William (ca. 1540–1623)	70–71
Browning a3	Bevin, Elway	299–300
Candidi Facti sunt = Facti sunt Nazarei eius candidi	Tallis, Thomas (ca. 1505–1585)	346
Canon 6 in one	Byrd, William (ca. 1540–1623)	176
Cantate Domino canticum novum cantate	Tye, Christopher (ca. 1505–ca. 1573)	222–225
Christe Jesu pastor bone	Taverner, John	105–106
Christe redemptor omnium	Sheppard, John (ca. 1515–1558)	165–166
Christi virgo dilectissima	Sheppard, John (ca. 1515–1558)	183–184
Circumdederunt me dolores mortis	Byrd, William (ca. 1540–1623)	71–72
Confitebor tibi Domine	Sheppard, John (ca. 1515–1558)	8–10
Confitebor tibi Domine	Daman, William	73–74
Confitebor tibi Domine	Anonymous	135–136
Credo quod redemptor meus vivit	Parsons (I), Robert (ca. 1535–ca. 1572)	240–241
Cuckoo as I me walked	Baldwin, John (ca. 1560–1615)	308
Cunctis diebus quibus nunc milito	Byrd, William (ca. 1540–1623)	144–145
Da pacem Domine (II) (C28)	Ferrabosco, Alfonso (the elder) (1543–1588)	192
De Lamentatione Jeremiae	Mundy, John (ca. 1555–1630)	302–305
De Lamentatione Jeremiae (C64)	Ferrabosco, Alfonso (the elder) (1543–1588)	82–84
De Tribulatione	Byrd, William (ca. 1540–1623)	348–349
Deo Patri sit gloria	Byrd, William (ca. 1540–1623)	333
Derelinquit impius viam suam	Tallis, Thomas (ca. 1505–1585)	334–335
Descendit de caelis	Byrd, William (ca. 1540–1623)	273–275
Deus in adjutorium meum intende	Byrd, William (ca. 1540–1623)	269–271
Deus misereator nostri [2p. Ut cognoscamus; 3p. Confiteantur; 4p. Letentur; 5p. Benedicat]	Sheppard, John (ca. 1515–1558)	6–8
Deus misereatur nostri et benedicat nobis	White, Robert (ca. 1538–1574)	225–227
Deus tuorum militum (I)	Sheppard, John (ca. 1515–1558)	164–165
Deus tuorum militum (II)	Sheppard, John (ca. 1515–1558)	166
Diliges Dominum Deum	Byrd, William (ca. 1540–1623)	352–353
Domine ante te omne desiderium meum	Byrd, William (ca. 1540–1623)	272
Domine Deus omnipotens	Byrd, William (ca. 1540–1623)	17–19
Domine exaudi orationem meam (2p. Et non intres)	Byrd, William (ca. 1540–1623)	30–32
Domine in virtute tua (I) (2p: Magna gloria eius)	Johnson (I), Robert (ca. 1500–ca. 1560)	10–14
Domine non est exaltatum	Mundy, William (ca. 1528–ca. 1591)	238–239
Domine non est exaltatum (2p. Sicut ablactatus)	White, Robert (ca. 1538–1574)	236–238
Domine praestolamur [2p. Veni domine]	Byrd, William (ca. 1540–1623)	122–123
Domine quis habitabit	Parsons (I), Robert (ca. 1535–ca. 1572)	232–233
Domine quis habitabit	Mundy, William (ca. 1528–ca. 1591)	234–236
Domine quis habitabit (I)	White, Robert (ca. 1538–1574)	227–229
Domine quis habitabit (II) [2p. Ad nihillum deductus]	White, Robert (ca. 1538–1574)	239–240
Domine quis habitabit (III)	White, Robert (ca. 1538–1574)	250–251
Domine quis habitabit [2p. Ad nihillum deductus]	Tallis, Thomas (ca. 1505–1585)	142–144
Domine secundum actum meum	Byrd, William (ca. 1540–1623)	350–351
Dum transisset sabbatum	Strabridge, John	22–23
Dum transisset sabbatum	Mundy, John (ca. 1555–1630)	288–289
Dum transisset sabbatum [I - 5vv]	Taverner, John	38–39
Dum transisset sabbatum [I]	Sheppard, John (ca. 1515–1558)	205
Dum transisset sabbatum [I]	Sheppard, John (ca. 1515–1558)	283
Dum transisset sabbatum [II - 4vv]	Taverner, John	39–40
Dum transisset sabbatum Maria Magdalena II: Et valde mane una sabbatorum veniunt	Hollander, Sebastian (?) Hollander, Christian (?)	48–49
Dum transisset sabbatum, Maria Magdalene / Aromata emerunt	Tallis, Thomas (ca. 1505–1585)	37–38
Dum transisset sabbatum, Maria Magdalene / Aromata emerunt	Tallis, Thomas (ca. 1505–1585)	336–337
Ecce nunc benedicite I	Anonymous	192–193
Ecce nunc benedicite II	Anonymous	193–194
Emendemus - 1a pars (of 2): Emendemus in melius	Byrd, William (ca. 1540–1623)	319
Emendemus - 2a pars (of 2): Adiuva nos Deus	Byrd, William (ca. 1540–1623)	319
Eructavit cor meum	Mundy, William (ca. 1528–ca. 1591)	252–255
Evening service in Latin: Magnificat	Tallis, Thomas (ca. 1505–1585)	129–132
Evening service in Latin: Nunc dimittis	Tallis, Thomas (ca. 1505–1585)	133
Exsurge Domine	Wood, John	53–57
Exsurge Domine quare obdormis? (or, Exsurge quare obdormis Domine)	Byrd, William (ca. 1540–1623)	68–70
Extract of letters patents to Tallis and Byrd	Anonymous	372
Fancy a3	Baldwin, John (ca. 1560–1615)	298–299
Fantasia a6 (I) in F	Byrd, William (ca. 1540–1623)	289–290
Filiae Jerusalem	Sheppard, John (ca. 1515–1558)	281–282
Gaude gloriosa Dei mater	Tallis, Thomas (ca. 1505–1585)	215–218
Gaude plurimum [2p. Gaude Maria, Jesu mater; 3p. Eundem igitur Jesum]	Taverner, John	96–100
Gaude, gaude, gaude Maria, virgo cunctas	Sheppard, John (ca. 1515–1558)	186–188
Gloria Patri qui creavit nos	Byrd, William (ca. 1540–1623)	364–365
Haec dies	Sheppard, John (ca. 1515–1558)	278–279
Homo quidam fecit caenam magnam et misit	Tallis, Thomas (ca. 1505–1585)	181
Honor, virtus et potestas	Tallis, Thomas (ca. 1505–1585)	337–338
Hostis Herodes impie	Sheppard, John (ca. 1515–1558)	210–211
Hugh Aston's Maske	Aston, Hugh (ca. 1485–1558)	295–297
Iam Christus astra	Tallis, Thomas (ca. 1505–1585)	168
Impetum fecerunt unanimes	Sheppard, John (ca. 1515–1558)	178
In convertendo Dominus [2a pars: Convertere Domine]	Douglas, Patrick	86–88
In ieiunio et fletu	Tallis, Thomas (ca. 1505–1585)	354–355
In manus tuas Domine	Tallis, Thomas (ca. 1505–1585)	318
In te Domine speravi	Mundy, John (ca. 1555–1630)	107–110
Infelix ego omnium (2p. Quid igitur faciam; 3p. Ad te igitur)	Byrd, William (ca. 1540–1623)	265–269
Jam Christus astra	Sheppard, John (ca. 1515–1558)	206
Jam Christus astra	Parsons (I), Robert (ca. 1535–ca. 1572)	285–287
Jesu salvator saeculi, Redemptis	Sheppard, John (ca. 1515–1558)	163–164
Jesu salvator saeculi, Verbum	Tallis, Thomas (ca. 1505–1585)	169–170
Jesu salvator saeculi, Verbum	Sheppard, John (ca. 1515–1558)	284–285
Judica me, Deus	Sheppard, John (ca. 1515–1558)	1–3
Justi autem in perpetuum	Sheppard, John (ca. 1515–1558)	177
Lamentations (I) : Incipit lamentatio Jeremiae - Aleph - Beth - Convertere Jerusalem	Tallis, Thomas (ca. 1505–1585)	80–82
Lamentations (I) a5	White, Robert (ca. 1538–1574)	61–65
Lamentations (II) a6	White, Robert (ca. 1538–1574)	305–307
Lamentations (II): De lamentatione Jeremiae - Gimel - Daleth - Heth - Convertere Jerusalem	Tallis, Thomas (ca. 1505–1585)	76–80
Lamentations: De lamentatione Jeremiae	Byrd, William (ca. 1540–1623)	65–68
Laudate Dominum omnes gentes, laudate eum	Tallis, Thomas (ca. 1505–1585)	74–76
Laudate pueri Dominum	Byrd, William (ca. 1540–1623)	340–341
Laudem dicite Deo nostro	Sheppard, John (ca. 1515–1558)	16
Laudem dicite Deo nostro	Sheppard, John (ca. 1515–1558)	41–42
Levemus corda nostra	Byrd, William (ca. 1540–1623)	24–26
Libera me Domine de morte aeterna	Parsons (I), Robert (ca. 1535–ca. 1572)	173–175
Libera me domine de morte aeterna	Byrd, William (ca. 1540–1623)	366–367
Libera me domine et pone me (2p. Dies mei transierunt)	Byrd, William (ca. 1540–1623)	320–322
Libera nos, salva nos [I]	Sheppard, John (ca. 1515–1558)	287
Libera nos, salva nos [II]	Sheppard, John (ca. 1515–1558)	288
Loquebantur variis linguis	Tallis, Thomas (ca. 1505–1585)	196
Manus tuae fecerunt me [2p. Veniant mihi]	White, Robert (ca. 1538–1574)	133–135
Maria virgo sanctissima	Mundy, William (ca. 1528–ca. 1591)	259–265
Martyr Dei qui unicum	Sheppard, John (ca. 1515–1558)	211–212
Mater Christi sanctissima virgo [= O most holy and mighty Lord]	Taverner, John	104–105
Media vita in morte sumus	Sheppard, John (ca. 1515–1558)	213–214
Memento Domine	Byrd, William (ca. 1540–1623)	28–29
Memento homo quod cinis es	Byrd, William (ca. 1540–1623)	342
Memor esto verbi tui	Mundy, William (ca. 1528–ca. 1591)	154–155
Mihi autem nimis honorati sunt	Tallis, Thomas (ca. 1505–1585)	324
Miserere mei Deus	Tye, Christopher (ca. 1505–ca. 1573)	45–47
Miserere mei Deus [2p: Cor mundum crea]	White, Robert (ca. 1538–1574)	149–153
Miserere mihi Domine	Byrd, William (ca. 1540–1623)	359
Miserere nostri Domine	Tallis, Thomas (ca. 1505–1585)	368
Missa Gloria tibi Trinitas: Benedictus	Taverner, John	247–248
Missa Gloria tibi Trinitas: Benedictus	Taverner, John	248–249
Missa Gloria tibi Trinitas: Credo	Taverner, John	244–246
Missa Gloria tibi Trinitas: Gloria	Taverner, John	241–244
Missa Gloria tibi Trinitas: Sanctus	Taverner, John	246–247
Ne irascaris Domine [2p. Civitas sancti tui]	Byrd, William (ca. 1540–1623)	124–125
Ne perdas cum impiis	Byrd, William (ca. 1540–1623)	34–35
Noli aemulari in malignantibus	Mundy, William (ca. 1528–ca. 1591)	138–141
Non conturbetur cor vestrum I	Sheppard, John (ca. 1515–1558)	182–183
Non conturbetur cor vestrum II	Sheppard, John (ca. 1515–1558)	184–185
O bone Jesu	Parsons (I), Robert (ca. 1535–ca. 1572)	110–114
O Domine adjuva me	Byrd, William (ca. 1540–1623)	29–30
O lux beata trinitas et principalis (2p.Te mane laudum carmine te deprecamur; 3p. Deo patri sit gloria eiusque soli)	Byrd, William (ca. 1540–1623)	332
O nata lux de lumine	Tallis, Thomas (ca. 1505–1585)	325
O quam gloriosum est regnum (2p. Benedictio et claritas)	Byrd, William (ca. 1540–1623)	19–21
O sacrum convivium in quo Christus sumitur	Tallis, Thomas (ca. 1505–1585)	326–327
O salutaris hostia I	Byrd, William (ca. 1540–1623)	273
O splendor gloriae	Taverner, John	50–53
Omni tempore benedic Deum [2p. Memor esto fili]	Byrd, William (ca. 1540–1623)	32–33
Omnis caro gramen sit	Daman, William	195
Pater noster	Baldwin, John (ca. 1560–1615)	294–295
Peccantem me quotidie	Parsons (I), Robert (ca. 1535–ca. 1572)	156–157
Peccantem me quotidie	Byrd, William (ca. 1540–1623)	322–323
Peccavi super numerum	Byrd, William (ca. 1540–1623)	26–27
Peccavimus cum patribus nostris	Tye, Christopher (ca. 1505–ca. 1573)	219–221
Portio mea, Domine [2p. Media nocte]	White, Robert (ca. 1538–1574)	114–116
Praedicabo laudes tuae	Daman, William	194–195
Procul recedant omnia	Tallis, Thomas (ca. 1505–1585)	344
Quaesumus omnipotens	Tye, Christopher (ca. 1505–ca. 1573)	219–222
Quemadmodum	Taverner, John	292–293
Quod chorus vatum haec Deum	Tallis, Thomas (ca. 1505–1585)	167
Redime me Domine	Baldwin, John (ca. 1560–1615)	293–294
Reges Tharsis et insulae	Byrd, William (ca. 1540–1623)	148
Reges Tharsis et insulae	Sheppard, John (ca. 1515–1558)	185–186
Regina caeli laetare	White, Robert (ca. 1538–1574)	85–86
Retribue servo tuo	Parsons (I), Robert (ca. 1535–ca. 1572)	116–119
Sacris solemniis juncta	Byrd, William (ca. 1540–1623)	35–37
Sacris solemniis juncta	Sheppard, John (ca. 1515–1558)	198–201
Salvator mundi (I)	Tallis, Thomas (ca. 1505–1585)	170–171
Salvator mundi (I)	Tallis, Thomas (ca. 1505–1585)	315
Salvator mundi (II)	Tallis, Thomas (ca. 1505–1585)	345
Salvator mundi Domine	Sheppard, John (ca. 1515–1558)	284
Salve intemerata virgo Maria	Tallis, Thomas (ca. 1505–1585)	88–92
Sancte Dei preciose	Sheppard, John (ca. 1515–1558)	181
Sermone blando Illae dum pergunt concitae Apostolis	Tallis, Thomas (ca. 1505–1585)	338–339
Siderum rector Deus alme	Byrd, William (ca. 1540–1623)	342–343
Sint lumbi vesti praecincti	Redford, John (–1547)	188–189
Sive vigilem	Mundy, William (ca. 1528–ca. 1591)	155–156
Sive vigilem	Gerarde, Derrick (fl. c1540–1580)	280–281
Spiritus sanctus procedens [II]	Sheppard, John (ca. 1515–1558)	40–41
Spiritus sanctus procedens I	Sheppard, John (ca. 1515–1558)	277–278
Suscipe quaeso Domine II: Si enim iniquitates	Tallis, Thomas (ca. 1505–1585)	356–358
Te Deprecor	Byrd, William (ca. 1540–1623)	362
Te Deum laudamus	Taverner, John	43–45
Te Deum laudamus	Sheppard, John (ca. 1515–1558)	203–205
The song called trumpets = Lusty Gallant	Parsons (I), Robert (ca. 1535–ca. 1572)	290–291
Tota pulchra es amica mea et macula	White, Robert (ca. 1538–1574)	231–232
Tribue Domine	Byrd, William (ca. 1540–1623)	360–361
Tribulationes civitatum [2p. Timor et hebitudo, 3p. Nos enim pro peccatis]	Byrd, William (ca. 1540–1623)	125–128
Tristitia et anxietas, Domine tu jurasti (2p. Sed tu domine)	Byrd, William (ca. 1540–1623)	146–148
Ubi est Abel frater tuus dixit Dominus	Lassus, Orlande de (ca. 1532–1594)	106–107
Veni creator spiritus mentes tuorum	Mundy, William (ca. 1528–ca. 1591)	160
Verbum caro factum est de virgine Maria	Sheppard, John (ca. 1515–1558)	276–277
Vide domine afflictionem nostram et in tempore (2p. Sed veni domine et noli tardare)	Byrd, William (ca. 1540–1623)	57–59
Videte miraculum	Mundy, William (ca. 1528–ca. 1591)	157–158
Videte miraculum	Tallis, Thomas (ca. 1505–1585)	279–280
Vox Patris caelestis	Mundy, William (ca. 1528–ca. 1591)	255–259

Images © The Governing Body of Christ Church, Oxford

Set: TUDOR PARTBOOKS

Type: Project Collection

GB-CF MS D/DP Z6/1

GB-CF MS D/DP Z6/2

GB-Cfm MU MS 1005 (Fayrfax fragments)

GB-Cgc MS 667/760 (Caius Choirbook)

GB-Cjc MS 234 (K.31)

GB-Ckc Rowe 316

GB-Cp MS 31 [Contratenor] (Peterhouse Partbooks: Henrician Set)

GB-Cp MS 32 [Bassus] (Peterhouse Partbooks: Henrician Set)

GB-Cp MS 40 [Triplex] (Peterhouse Partbooks: Henrician Set)

GB-Cp MS 41 [Medius] (Peterhouse Partbooks: Henrician Set)

GB-Cqcl Old Library G.4.17

GB-Cu Dd.13.27

GB-DORmcghie McGhie manuscript

GB-Lbl [pr. bk.] C. 52. b. 21

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GB-Lbl [pr. bk.] Music Library K. 2. f. 1 [Altus]

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GB-Lbl [pr. bk.] Music Library K. 2. f. 1 [Discantus]

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GB-Lbl [pr. bk.] Music Library K. 2. f. 1 [Medius]

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GB-Lbl [pr. bk.] Music Library K. 2. f. 1 [Tenor]

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GB-Lbl [pr. bk.] Music Library K. 2. f. 13

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GB-Lbl [pr. bk.] Music Library K. 3. f. 9 [Altus]

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GB-Lbl [pr. bk.] Music Library K. 3. f. 9 [Bassus]

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GB-Lbl [pr. bk.] Music Library K. 3. f. 9 [Discantus]

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GB-Lbl [pr. bk.] Music Library K. 3. f. 9 [Tenor]

GB-Lbl Add. MS 4900

GB-Lbl Add. MS 15166

GB-Lbl Add. MS 17802 (Gyffard Partbooks)

GB-Lbl Add. MS 17803 (Gyffard Partbooks)

GB-Lbl Add. MS 17804 (Gyffard Partbooks)

GB-Lbl Add. MS 17805 (Gyffard Partbooks)

GB-Lbl Add. MS 22597

GB-Lbl Add. MS 29996

GB-Lbl Add. MS 30480 (Hamond Partbooks)

GB-Lbl Add. MS 30481 (Hamond Partbooks)

GB-Lbl Add. MS 30482 (Hamond Partbooks)

GB-Lbl Add. MS 30483 (Hamond Partbooks)

GB-Lbl Add. MS 30484 (Hamond Partbooks)

GB-Lbl R.M.24.d.2 (Baldwin Commonplace Book)

GB-Lbl Royal Appendix 12

GB-Lbl Royal Appendix 13

GB-Lbl Royal Appendix 14

GB-Lbl Royal Appendix 15

GB-Lbl Royal Appendix 16

GB-Lbl Royal Appendix 17

GB-Lbl Royal Appendix 18

GB-Lbl Royal Appendix 19

GB-Lbl Royal Appendix 20

GB-Lbl Royal Appendix 21

GB-Lbl Royal Appendix 22

GB-Lbl Royal Appendix 23

GB-Lbl Royal Appendix 24

GB-Lbl Royal Appendix 25

GB-Lbl Royal Appendix 26

GB-Lbl Royal Appendix 27

GB-Lbl Royal Appendix 28

GB-Lbl Royal Appendix 29

GB-Lbl Royal Appendix 30

GB-Lbl Royal Appendix 31

GB-Lbl Royal Appendix 32

GB-Lbl Royal Appendix 33

GB-Lbl Royal Appendix 34

GB-Lbl Royal Appendix 35

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GB-Lbl Royal Appendix 41

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GB-Lbl Royal Appendix 42

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GB-Lbl Royal Appendix 43

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GB-Lbl Royal Appendix 44

GB-Lbl Royal Appendix 45 (Ludford)

GB-Lbl Royal Appendix 46 (Ludford)

GB-Lbl Royal Appendix 47 (Ludford)

GB-Lbl Royal Appendix 48 (Ludford)

GB-Lbl Royal Appendix 49

GB-Lbl Royal Appendix 50

GB-Lbl Royal Appendix 51

GB-Lbl Royal Appendix 52

GB-Lbl Royal Appendix 53

GB-Lbl Royal Appendix 54

GB-Lbl Royal Appendix 56

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GB-Lbl Royal Appendix 57

GB-Lbl Royal Appendix 58

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GB-Lbl Royal Appendix 59

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GB-Lbl Royal Appendix 60

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GB-Lbl Royal Appendix 61

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GB-Lbl Royal Appendix 62

GB-Lbl Royal Appendix 74 (Lumley)

GB-Lbl Royal Appendix 75 (Lumley)

GB-Lbl Royal Appendix 76 (Lumley)

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GB-Lcm [pr. bk.] B187

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GB-Lcm [pr. bk.] B190 [Altus]

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GB-Lcm [pr. bk.] B190 [Bassus]

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GB-Lcm [pr. bk.] B190 [Discantus]

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GB-Lcm [pr. bk.] B190 [Tenor]

GB-Llp MS 1 (Lambeth Choirbook; Arundel Choirbook)

GB-Lna SP I/246

GB-Ob MS. Mus. c. 784 (Willmott Manuscript)

GB-Ob MS. Mus. d. 103

GB-Ob MS. Mus. e. 1 (Sadler Partbooks)

GB-Ob MS. Mus. e. 2 (Sadler Partbooks)

GB-Ob MS. Mus. e. 3 (Sadler Partbooks)

GB-Ob MS. Mus. e. 4 (Sadler Partbooks)

GB-Ob MS. Mus. e. 5 (Sadler Partbooks)

GB-Ob MS. Mus. e. 21

GB-Ob MS. Mus. Sch. e. 376 (Forrest-Heather Partbooks)

GB-Ob MS. Mus. Sch. e. 377 (Forrest-Heather Partbooks)

GB-Ob MS. Mus. Sch. e. 378 (Forrest-Heather Partbooks)

GB-Ob MS. Mus. Sch. e. 379 (Forrest-Heather Partbooks)

GB-Ob MS. Mus. Sch. e. 380 (Forrest-Heather Partbooks)

GB-Ob MS. Mus. Sch. e. 381 (Forrest-Heather Partbooks)

GB-Ob MS. Mus. Sch. e. 420 (Wanley Partbooks)

GB-Ob MS. Mus. Sch. e. 421 (Wanley Partbooks)

GB-Ob MS. Mus. Sch. e. 422 (Wanley Partbooks)

GB-Ob MS. Mus. Sch. e. 423

GB-Ob MS. Tenbury 341

GB-Ob MS. Tenbury 342

GB-Ob MS. Tenbury 343

GB-Ob MS. Tenbury 344

GB-Ob MS. Tenbury 389

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GB-Ob MS. Tenbury 807

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GB-Ob MS. Tenbury 808

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GB-Ob MS. Tenbury 809

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GB-Ob MS. Tenbury 810

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GB-Ob MS. Tenbury 811

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GB-Ob MS. Tenbury 1382 (Southwell Tenor Book)

GB-Ob MS. Tenbury 1464

GB-Ob MS. Tenbury 1486 (Braikenridge Manuscript)

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GB-Och Mus. 45

GB-Och Mus. 979 (Baldwin Partbooks)

GB-Och Mus. 980 (Baldwin Partbooks)

GB-Och Mus. 981 (Baldwin Partbooks)

GB-Och Mus. 982 (Baldwin Partbooks)

GB-Och Mus. 983 (Baldwin Partbooks)

GB-Och Mus. 984 (Dow Partbooks)

GB-Och Mus. 985 (Dow Partbooks)

GB-Och Mus. 986 (Dow Partbooks)

GB-Och Mus. 987 (Dow Partbooks)

GB-Och Mus. 988 (Dow Partbooks)

GB-Odiamm Contratenor partbook in private ownership (contact DIAMM)

GB-W X4/34/3 (Fayrfax fragments)

GB-WCc MS 153 Bassus (Winchester Partbooks)

GB-WCc MS 153 Contra Altus (Winchester Partbooks)

GB-WCc MS 153 Discantus (Winchester Partbooks)

GB-WCc MS 153 Tenor (Winchester Partbooks)

GB-WRec MS 178 (Eton Choirbook)

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IRL-Dm [pr. bk.] Z4. 3. 1-5

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IRL-Dtc [pr. bk.] OLS. 192. n. 40 [Altus]

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IRL-Dtc [pr. bk.] OLS. 192. n. 40 [Bassus]

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IRL-Dtc [pr. bk.] OLS. 192. n. 40 [Discantus]

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IRL-Dtc [pr. bk.] OLS. 192. n. 40 [Superius (Quintus)]

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IRL-Dtc [pr. bk.] OLS. 192. n. 40 [Tenor]

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US-NYp Mus. Res. *MNZ (Chirk) [1] (Chirk Castle Partbooks)

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US-NYp Mus. Res. *MNZ (Chirk) [2] (Chirk Castle Partbooks)

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US-NYp Mus. Res. *MNZ (Chirk) [3] (Chirk Castle Partbooks)

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US-NYp Mus. Res. *MNZ (Chirk) [4] (Chirk Castle Partbooks)

US-NYp Mus. Res. Drexel 4180

US-NYp Mus. Res. Drexel 4181

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US-NYp Mus. Res. Drexel 4182

US-NYp Mus. Res. Drexel 4183

US-NYp Mus. Res. Drexel 4184

US-NYp Mus. Res. Drexel 4185

US-Ws V.a. 408

Set: Baldwin partbooks (Christ Church Mus. 979-983)

Type: Partbooks

GB-Och Mus. 979 (Baldwin Partbooks)

GB-Och Mus. 980 (Baldwin Partbooks)

GB-Och Mus. 981 (Baldwin Partbooks)

GB-Och Mus. 982 (Baldwin Partbooks)

GB-Och Mus. 983 (Baldwin Partbooks)

‡ denotes primary source study

Boydell, Barra. 1999. Music at Christ Church before 1800: documents and selected anthems. Four Courts Press.

Mateer, David G. 1995. John Baldwin and Changing Concepts of Text Underlay. English Choral Practice, 1400-1650, edited by David G Mateer, Cambridge. Pages: 143-60.

Fenlon, Iain, and John Milsom. 1984. 'Ruled Paper Imprinted': Music Paper and Patents in Sixteenth-Century England. Journal of the American Musicological Society, 139-63. Pages: 139-63.

Trowell, Brian. 1980. Faburden-New Sources, New Evidence: A Preliminary Survey. Modern Musical Scholarship, 28-78. Stocksfield, Boston, Henley, and London. Pages: 70, 75, 77. Notes: mention of MS; contents list (partial); concordances (partial).

Caldwell, John. 1978. The 'Te Deum' in Late Medieval England. Early Music, 188-94. Pages: 189. Notes: physical description; mention of MS; discussion.

Benham, Hugh Raymond. 1977. Latin Church Music in England c. 1460-1575. London. Pages: 24, 26, 148, 153, 163, 169, 211, Plate 7. Notes: physical description (partial); contents list (partial); concordances (partial); facsimile (partial); mention of MS; discussion.

Bray, Roger W. 1975. John Baldwin. Music and Letters, 55-9. Notes: physical description; mention of MS; discussion.

Bray, Roger W. 1971. The Part-Books Oxford, Christ Church, MSS 979-983: An Index and Commentary. Musica Disciplina, 179-97. Notes: physical description (partial); contents list; concordances; mention of MS; discussion.

Bray, Roger W. 1970-71. The Interpretation of Musica Ficta in English Music C.1490-C.1580. Proceedings of the Royal Musical Association, 29-45. Pages: 36-7. Notes: transcription (partial); mention of MS; discussion.

Benham, Hugh Raymond. 1969. The Music of John Taverner - A Study and Assessment. University of Southampton, Unpublished Ph.D. dissertation. Pages: 41. Notes: physical description (partial).

Bray, Roger W. 1969. The Interpretation of Musica Ficta in English Music, C. 1490-C. 1580 [dissertation]. Oxford University, Unpublished Ph.D. dissertation. Pages: I, 141-55, 169-84, 214-33, passim; II, 75-88. Notes: physical description (partial); contents list; concordances; transcription (partial); mention of MS; discussion.

Warren, Edwin B. 1969. Life and Works of Robert Fayrfax. Musicological Studies and Documents. American Institute of Musicology. Pages: 53, 60. Notes: physical description (partial); contents list (partial); concordances (partial).

Harrison, Frank Llewellyn (editor). 1963-. Early English Church Music. London: Stainer & Bell. Pages: II, passim; XVII, 16-27, 39-125, 129-51, 156-60; XX, 249ff; XXIV, xiv; XXV,168ff; XXVIII, 124,130, 133-4; XXIX,128,132-4,138,140; XXX,passim. Notes: physical description (partial); contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Lamont, Herbert Harry. 1963. John Shepherd: His Life and Music. University of Southern California, Unpublished Ph.D. dissertation. Pages: I, 82-3, 111-4, 183ff, passim; II, 83-95, 104-6, 115-20, 123-36. Notes: physical description (partial); contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Kerman, Joseph. 1961. Byrd's Motets: Chronology and Canon. Journal of the American Musicological Society, 359-82. Pages: 361, 364, 366-7, 374, 376. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Fellowes, Edmund H. 1948. William Byrd. London, New York, and Toronto. Pages: 99, 109, 112-3, 180-2, 188, 192. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Fellowes, Edmund H (editor). 1937-50, 1962. The Collected Works of William Byrd. Pages: VIII, vi; XVII, 48-52, 150, 157. Notes: mention of MS; contents list (partial); concordances (partial); transcriptions (partial).

Blume, Friedrich (editor). 1929-. Das Chorwerk. Berlin/Wolfenbüttel. Pages: LXXXIV, v, 11-21. Notes: contents list (partial); transcriptions (partial); mention of MS; discussion.

Fellowes, Edmund H (editor). 1923-48. Tudor Church Music. London, Oxford et al. Pages: I, xxx, lix, lxii; III, xv-xix, passim; V, xx-xxiv, passim; VI, xxvi-xxvii, xxxi-xxxii, passim; IX, xii-xiv, passim. Notes: physical description (partial); contents list (partial); concordances (partial); transcriptions (partial).

Davey, Henry. 1921. History of English Music. London. Pages: 123-4, passim [confuses OxfC 979-83 and OxfC 984-8]. Notes: physical description (partial); contents list (partial).

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description