GB-Och Mus. 982 (Baldwin Partbooks)

Christ Church, Oxford, England

partbook: c. 1575-81

Archive	Christ Church, Oxford, England (GB-Och)
Shelfmark	Mus. 982 (Baldwin Partbooks)
Surface	Paper
Numbering System	Pagination
Format	landscape
Measurements	c. 205 x 150 mm
Other Identifiers	CCM: OxfC 979-83
Copyists	Baldwin, John (ca. 1560–1615) Music
Relationships	Aldrich, Henry (1647–1710) (owner)
External Links	Christ Church Library online catalogue entry
Provenance	Windsor, England
Contents	101 pieces from 17 composers

General Description

A Sextus partbook from a set originally of six volumes, each consisting of the print RISM 1575/3, with manuscript additions. Copied and formerly owned by John Baldwin, a singing-man at St George's Chapel, Windsor; English, c.1575-81, with later additions. Probably conceived from the start as a mixed volume of manuscript and printed music, since Baldwin avoided making manuscript copies of the pieces available in the printed section. Baldwin's form of representing a composer's name often varies from partbook to partbook; some ascriptions refer to composers' institutional affilitiations. Copied in Windsor. Later owned by Henry Aldrich (1647-1710), Dean of Christ Church, Oxford; bequeathed to Christ Church Library in 1710.

John Milsom, 2010

Binding

Original covers of brown leather on cardboard, with voice designations and initials 'I.B.' [= John Baldwin] stamped in gold. The partbook titles (also stamped on the upper covers) are as follows: Mus. 979: Superius; Mus. 980: Discantus; Mus. 981: Contratenor; Mus. 982: Sextapars; Mus. 983: Bassus.

John Milsom, 2010

Notation

not indicated

John Milsom, 2010

Ruling

Music has been copied on sheets previously printed with black staves, of a type issued by Tallis and Byrd under the conditions of their 1575 royal patent.

John Milsom, 2010

Foliation

Other numberings: Baldwin himself numbered the contents as '1-169'; the only inconsistencies occur in items 167-9, where different partbooks contain different pieces.

John Milsom, 2010

Foliation

No foliation. The volumes were paginated in 2014.

John Milsom, 2010

Decoration

Some pieces have initials; no other decoration.

John Milsom, 2010

Index

An index of contents was begun by Baldwin at the front of Mus. 983; it was subsequently completed by Havergal, and has since been annotated by other hands.

John Milsom, 2010

Surface

paper

John Milsom, 2010

DIAMM Note

For a general discussion of the history and codicological structure of the set, see the article by Roger Bray listed in the Bibliography below. For a discussion of the printed music paper on which Baldwin copied the music, see the article by Fenlon & Milsom. For further sample images of pages from the set, see Mateer, pp. 148 and 154.

Digitized with funding from the Arts and Humanities Research Council (UK) for the Tudor Partbooks project at the Universities of Oxford and Newcastle.

John Milsom, 2010

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

1 Mass, 1 Magnificat, 2 Te Deums, 1 canticle, 28 hymns, 7 Lamentations, 124 motets, 1 English secular piece, 1 canon, 6 instrumental pieces = 172 + 1 duplicate = 173

Aston-1, Baldwin-4, Bevin-1, Byrd-32, Daman-4, Douglas-1, Douglas/(Lassus)-1, Fayrfax-1, A. Ferrabosco 1-2, D. Gerarde-1, R. Johnson 1-2, Lassus [mr. orlandus]/(C. Hollander/S. Hollander)-1, J. Mundy-4, W. Mundy-15, R. Parsons I-8, Redford-1, Shepherd-38, Shepherd/(Tallis)-2, Strabridge-1, Tallis-16, Taverner-10, Taverner/Tye-1, Tye-4, R. White-16, Wilder [mr: philips: of: the privie: chamber:]-1, Wood-1, anon-3

5 partbooks, each consisting of the print RISM 1575/3, with manuscript additions (Superius-iii + 147 + i paper folios, D-iv + 150 + i paper, A-iii + 149 + ii paper, B-v + 136 + i paper. S-i parchment + ii paper + 65 paper + iii paper), 146 x 199. No foliation or pagination; original numbering of pieces, 1-168 (omits last piece and one piece after #89; "167" and "168" each applied to two different pieces). Original covers of brown leather on cardboard, with voice designations and initials "I.B." [= John Baldwin] stamped in gold. Incomplete original index at beginning of B book groups pieces by composer. Only pieces by Shepherd, Taverner, Byrd, R. Parsons I, and W. Mundy (in that order) are listed; five-voice works precede six-voice works.

Copied by John Baldwin (d. 1615), a singer and clerk at St. George's Chapel, Windsor, and gentleman of the Chapel Royal from 1594; Baldwin also copied LonBLM 24 d.2, parts of OxfBMS e.376-81 and OxfC 984-8, and "My Ladye Nevells Booke" (last-named manuscript not within scope of this catalogue). Some pieces have initials; no other decoration.

Ca. 1575-81, with additions ca. 1600-3 (BrayJB). Copied in Windsor. Later owned by Henry Aldrich (1647-1710), Dean of Christ Church, Oxford; bequeathed to Christ Church Library in 1710.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
iii	Peccavimus cum patribus nostris	doc[tor]: tye:-.	Tye, Christopher (ca. 1505–ca. 1573)
Peccavimus cum patribus nostris Tye, Christopher (ca. 1505–ca. 1573) Appears on: iii Source Attribution: doc[tor]: tye:-. Voice: [no designation] Languages: Latin Clef: f5 Voice Text: Iniuste egim[us] Voice: [no designation] Languages: Latin General Note Annotations/Corrections: at top 'vij: voc.-.'; in inner margin, next to first line of music: 'Secundus:-. bassus:.' and beneath that 'Belo[n]nige to the: 120. songe in thes bookes:-.';
2	Evening service in Latin: Magnificat	-	Tallis, Thomas (ca. 1505–1585)
Evening service in Latin: Magnificat Tallis, Thomas (ca. 1505–1585) Appears on: 2 Genres: Anglican Service Music, Canticle, Magnificat, Nunc Dimittis Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Esurientes implevit bonis Voice: [no designation] Languages: English Voice Text: Evening service in latin: M/N General Note Annotations/Corrections: before fist line of music: 'this songe belongeth: to the: 62. songe in thes bookes:-.'; face drawn into initial 'E' (behind the E-bar); at end of this page, after music, 'finis'; Notes: NB This is not followed by the Nunc Dimittis (as it is in the other partbooks);
3–4	Cunctis diebus quibus nunc milito	mr: w: birde: gentleman: of: the: queenes: chappelle:.	Byrd, William (ca. 1540–1623)
Cunctis diebus quibus nunc milito Byrd, William (ca. 1540–1623) Appears on: 3–4 Genres: Motet Source Attribution: mr: w: birde: gentleman: of: the: queenes: chappelle:. Voice: [no designation] Languages: Latin Voice Text: Cunctis diebus (Sexta pars of no. 68) Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Cunctis diebus
5	Homo quidam fecit caenam magnam et misit	mr tallis.	Tallis, Thomas (ca. 1505–1585)
Homo quidam fecit caenam magnam et misit Tallis, Thomas (ca. 1505–1585) Appears on: 5 Genres: Motet Source Attribution: mr tallis. Voice: [no designation] Languages: Latin Voice Text: Homo quidam fecit cenam magnam Voice: [no designation] Languages: Latin Clef: g2 Voice Text: Quidam fecit cena[m] magna[m] General Note Annotations/Corrections: the sept p[ar]te.' at top; signum congruentiae in second line;
5–6	Non conturbetur cor vestrum I	mr shepperde.	Sheppard, John (ca. 1515–1558)
Non conturbetur cor vestrum I Sheppard, John (ca. 1515–1558) Appears on: 5–6 Genres: Motet Source Attribution: mr shepperde. Voice: [no designation] Languages: Latin Clef: g2 Voice Text: Cor vestru[m] ego vado Voice: [no designation] Languages: Latin Voice Text: Non conturbetur cor vestrum [I] General Note Notes: in plainchant notation throughout;
6–7	Christi virgo dilectissima	mr shepperde.	Sheppard, John (ca. 1515–1558)
Christi virgo dilectissima Sheppard, John (ca. 1515–1558) Appears on: 6–7 Genres: Motet Source Attribution: mr shepperde. Voice: [no designation] Languages: Latin Voice Text: Christi virgo dilectissima Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Dilectissima virtutu[m] Operatrix General Note Annotations/Corrections: signum congruentiae in bottom line of p. 6; Notes: in plainchant notation throughout;
7–8	Non conturbetur cor vestrum II	-	Sheppard, John (ca. 1515–1558)
Non conturbetur cor vestrum II Sheppard, John (ca. 1515–1558) Appears on: 7–8 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Non conturbetur cor vestrum [II] Voice: [no designation] Languages: Latin Clef: g2 Voice Text: Cor vestru[m] ego vado General Note Annotations/Corrections: signum congruentiae in bottom line of p. 7 and at end, with beginning of repeat written out; Notes: final note split into three (G-B-E: although the G is probably a G-sharp, as the immediately preceding one);
8–9	Reges Tharsis et insulae	S	Sheppard, John (ca. 1515–1558)
Reges Tharsis et insulae Sheppard, John (ca. 1515–1558) Appears on: 8–9 Genres: Motet Source Attribution: S Voice: [no designation] Languages: Latin Voice Text: Reges Tharsis et insulae Voice: [no designation] Languages: Latin Clef: g2 Voice Text: Et insule munera offere[n]t General Note Annotations/Corrections: signum congruentiae in bottom line of p. 8 and in top line of p. 9; piece on top of p. 9 corr. (former one erased and '98.' written next to it); Notes: final note split (B-natural - D);
9–13	Gaude, gaude, gaude Maria, virgo cunctas	mr shepp[er]de.	Sheppard, John (ca. 1515–1558)
Gaude, gaude, gaude Maria, virgo cunctas Sheppard, John (ca. 1515–1558) Appears on: 9–13 Genres: Motet Source Attribution: mr shepp[er]de. Voice: [no designation] Languages: Latin Clef: g2 Voice Text: Virgo cunctas hereses Voice: [no designation] Languages: Latin Voice Text: Gaude, gaude, gaude Maria, virgo cunctas General Note Canon/Gimels: Gimell' in bottom line of p. 10; Annotations/Corrections: signum congruentiae in penultimate and in bottom line of p. 9; and also in penultimate line of p.12; 'p[ri]m[us] triplex' under stave with 'Gimell' in bottom line of p. 10; 'p[ri]m[us]' and 'secund[us] triplex' on p. 11 - both with v[er]te foliu[m]' at the end; on p. 12 'p[ri]m[us] triplex next to top line and 'Secund[us] triplex' next to bottom line (whihch is beneath the composer's name in penultimate line of p. 12), then 'mr shepp[er]de.' again at end of top line on p. 13; Notes: final note of top line on p. 98 (end of section) split (A-C); final note in third line of p. 12 (end of Primus Triplex) note split (A-C);
13–14	Sint lumbi vesti praecincti	mr Redforde.	Redford, John (–1547)
Sint lumbi vesti praecincti Redford, John (–1547) Appears on: 13–14 Genres: Motet Source Attribution: mr Redforde. Voice: [no designation] Languages: Latin Voice Text: Sint lumbi vesti praecincti Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Vestri presincti General Note Annotations/Corrections: signum congruentiae in seocnd line of piece on p. 13;
14–16	Ad te levavi oculos meos qui habitas II: Adjutorium nostrum in nomine Domini	-	White, Robert (ca. 1538–1574)
Ad te levavi oculos meos qui habitas II: Adjutorium nostrum in nomine Domini White, Robert (ca. 1538–1574) Appears on: 14–16 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Ad te levavi oculos meos Voice: [no designation] Languages: Latin Clef: c1 Voice Text: At te levaui oculos meos General Note Annotations/Corrections: at the end just 'finis' in ink, 'whyte' added in pencil;
16	Da pacem Domine (II) (C28)	-	Ferrabosco, Alfonso (the elder) (1543–1588)
Da pacem Domine (II) (C28) Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 16 Voice: [no designation] Languages: Latin Clef: g2 Voice Text: Da pacem d[omi]ne Voice: [no designation] Languages: Latin Voice Text: Da pacem Domine General Note Annotations/Corrections: at the end just 'finis' in ink;
17	Ecce nunc benedicite I	-	Anonymous
Ecce nunc benedicite I Anonymous Appears on: 17 Genres: Motet Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Ecce nu[n]c b[e]n[e]dicite Voice: [no designation] Languages: Latin Voice Text: Ecce nunc benedicite [I] General Note Annotations/Corrections: at the end just 'finis' in ink;
17–18	Ecce nunc benedicite II	-	Anonymous
Ecce nunc benedicite II Anonymous Appears on: 17–18 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Ecce nunc benedicite [II] Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Ecce nu[n]c benedicite General Note Annotations/Corrections: at the end just 'finis' in ink;
18–19	Praedicabo laudes tuae	w: demannde	Daman, William
Praedicabo laudes tuae Daman, William Appears on: 18–19 Genres: Motet Source Attribution: w: demannde Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Predicabo laudes tuas Voice: [no designation] Languages: Latin Voice Text: Praedicabo laudes tuae General Note Annotations/Corrections: word of text inserted in bottom line of p. 18;
19–20	Omnis caro gramen sit	W demannd.	Daman, William
Omnis caro gramen sit Daman, William Appears on: 19–20 Genres: Motet Source Attribution: W demannd. Voice: [no designation] Languages: Latin Voice Text: Omnis caro gramen sit Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Omnis caro gramen sit
20–21	Loquebantur variis linguis	mr tallis	Tallis, Thomas (ca. 1505–1585)
Loquebantur variis linguis Tallis, Thomas (ca. 1505–1585) Appears on: 20–21 Genres: Motet Source Attribution: mr tallis Voice: [no designation] Languages: Latin Clef: c1 Voice Text: varijs linguis apostoli Voice: [no designation] Languages: Latin Voice Text: Loquebantur variis linguis General Note Annotations/Corrections: 7 p[ar]ts.' at top of p. 20; signum congruentiae in top and in second line of p. 21;
21–22	Beata nobis gaudia	mr shepp[er]de,	Sheppard, John (ca. 1515–1558)
Beata nobis gaudia Sheppard, John (ca. 1515–1558) Appears on: 21–22 Genres: Motet Source Attribution: mr shepp[er]de, Voice: [no designation] Languages: Latin Voice Text: Beata nobis gaudia Voice: [no designation] Languages: Latin Clef: g2 Voice Text: Ignis vibrante lumine General Note Notes: at the end of top line on p. 22 note split (A-D);
22–23	Sacris solemniis juncta	mr shepperde.	Sheppard, John (ca. 1515–1558)
Sacris solemniis juncta Sheppard, John (ca. 1515–1558) Appears on: 22–23 Genres: Motet Source Attribution: mr shepperde. Voice: [no designation] Languages: Latin Clef: g2 Voice Text: Noctis recolitur cena novissima Voice: [no designation] Languages: Latin Voice Text: Sacris solemniis juncta
24–25	A solis ortus cardine ad usque terrae	mr: S / mr: J: Sheppede.	Sheppard, John (ca. 1515–1558)
A solis ortus cardine ad usque terrae Sheppard, John (ca. 1515–1558) Appears on: 24–25 Genres: Motet Source Attribution: mr: S / mr: J: Sheppede. Voice: [no designation] Languages: Latin Clef: g2 Voice Text: Beatus auctor seculi Voice: [no designation] Languages: Latin Voice Text: A solis ortus cardine General Note Annotations/Corrections: p[ri]m[us] triplex.' next to first line of p. 24 and 'Secundus: triplix.' next to second line of p. 25. 'mr: S' at end of top line on p. 25, 'mr: J: Sheppede.' at end of bottom line; Notes: first and last section in plainchant notation, middle one in 'normal' one;
26–27	Te Deum laudamus	mr shepperde.	Sheppard, John (ca. 1515–1558)
Te Deum laudamus Sheppard, John (ca. 1515–1558) Appears on: 26–27 Genres: Liturgical work, Te Deum Source Attribution: mr shepperde. Voice: [no designation] Languages: Latin Voice Text: Te Deum laudamus Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Te eternum patre[m] General Note Notes: three times split notes in first two lines of p. 26 (G-C, G-C, E-G); clef opening to left for bottom line of p. 26 and third line o p. 27;
28	Dum transisset sabbatum [I]	mr: S.	Sheppard, John (ca. 1515–1558)
Dum transisset sabbatum [I] Sheppard, John (ca. 1515–1558) Appears on: 28 Genres: Motet Source Attribution: mr: S. Voice: [no designation] Languages: Latin Clef: g2 Voice Text: Sabatu[m], maria magdalene Voice: [no designation] Languages: Latin Voice Text: Dum transisset sabbatum [I] General Note Annotations/Corrections: signum congruentiae twice in third line of p. 28;
28–29	Jam Christus astra	mr: Shepperde.	Sheppard, John (ca. 1515–1558)
Jam Christus astra Sheppard, John (ca. 1515–1558) Appears on: 28–29 Genres: Motet Source Attribution: mr: Shepperde. Voice: [no designation] Languages: Latin Clef: g2 Voice Text: Solemnis vrgebat dies Voice: [no designation] Languages: Latin Voice Text: Iam Christus astra General Note Annotations/Corrections: some erasure at beginning, on top of the clef?; Notes: in plainchant notation throughout,: clef opening to the left in top line of p. 29;
29–30	Ave maris stella	mr: S.	Sheppard, John (ca. 1515–1558)
Ave maris stella Sheppard, John (ca. 1515–1558) Appears on: 29–30 Genres: Ave maris stella, Motet Source Attribution: mr: S. Voice: [no designation] Languages: Latin Voice Text: Ave maris stella Voice: [no designation] Languages: Latin Clef: g2 Voice Text: Sumens illud ave General Note Notes: at end split note (B-D);
30	Adesto sancta Trinitas I	mr: S.	Sheppard, John (ca. 1515–1558)
Adesto sancta Trinitas I Sheppard, John (ca. 1515–1558) Appears on: 30 Genres: Motet Source Attribution: mr: S. Voice: [no designation] Languages: Latin Clef: g2 Voice Text: Te celeru[m] milicia Voice: [no designation] Languages: Latin Voice Text: Adesto sancta Trinitas [I]
30–31	Hostis Herodes impie	mr: shepperde.	Sheppard, John (ca. 1515–1558)
Hostis Herodes impie Sheppard, John (ca. 1515–1558) Appears on: 30–31 Genres: Motet Source Attribution: mr: shepperde. Voice: [no designation] Languages: Latin Voice Text: Hostis Herodes impie Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Ibant magi qua[m] viderant General Note Annotations/Corrections: medius.' next to first line of music; Notes: lcef opening to left in second line of p. 31;
31–32	Martyr Dei qui unicum	mr: shepp[er]de.	Sheppard, John (ca. 1515–1558)
Martyr Dei qui unicum Sheppard, John (ca. 1515–1558) Appears on: 31–32 Genres: Motet Source Attribution: mr: shepp[er]de. Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Tui p[re]cat[us] munere Voice: [no designation] Languages: Latin Voice Text: Martyr Dei qui unicum
32–33	Adesto sancta Trinitas II	mr: S:.	Sheppard, John (ca. 1515–1558)
Adesto sancta Trinitas II Sheppard, John (ca. 1515–1558) Appears on: 32–33 Genres: Motet Source Attribution: mr: S:. Voice: [no designation] Languages: Latin Voice Text: Adesto sancta Trinitas [II] Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Te celoru[m] milicia
34–36	Media vita in morte sumus	mr: Shepperde:.	Sheppard, John (ca. 1515–1558)
Media vita in morte sumus Sheppard, John (ca. 1515–1558) Appears on: 34–36 Genres: Motet Source Attribution: mr: Shepperde:. Voice: [no designation] Languages: Latin Clef: g2 Voice Text: Media vita, in morte sum[us] Voice: [no designation] Languages: Latin Voice Text: Media vita in morte sumus General Note Canon/Gimels: Gimell primis' and 'Gimell Sec[u]nd[us]' on p. 35-36; Annotations/Corrections: corr.? in top line of p. 36; signum congruentiae in top line and third line of p. 35 and at end (p. 36, with beginning of repeat written out);
36–40	Gaude gloriosa Dei mater	mr tallis.	Tallis, Thomas (ca. 1505–1585)
Gaude gloriosa Dei mater Tallis, Thomas (ca. 1505–1585) Appears on: 36–40 Genres: Motet Source Attribution: mr tallis. Voice: [no designation] Languages: Latin Voice Text: Gaude gloriosa Dei mater Voice: [no designation] Languages: Latin Clef: g2 Voice Text: Cui angelic[a]e turme General Note Canon/Gimels: Gimell' in top line and bottom line of p. 38;
41–42	Peccavimus cum patribus nostris	Doc: tye.	Tye, Christopher (ca. 1505–ca. 1573)
Peccavimus cum patribus nostris Tye, Christopher (ca. 1505–ca. 1573) Appears on: 41–42 Genres: Motet Source Attribution: Doc: tye. Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Tuae tame[n] cleme[n]tiae Voice: [no designation] Languages: Latin Voice Text: Peccavimus cum patribus nostris General Note Annotations/Corrections: rest' written under long pauses on penultimate line of p. 41;
43–44	Quaesumus omnipotens	Doc: tye.	Tye, Christopher (ca. 1505–ca. 1573)
Quaesumus omnipotens Tye, Christopher (ca. 1505–ca. 1573) Appears on: 43–44 Genres: Motet Source Attribution: Doc: tye. Voice: [no designation] Languages: Latin Clef: g2 Voice Text: Et misericors Deus Voice: [no designation] Languages: Latin Voice Text: Quaesumus omnipotens
44–47	Cantate Domino canticum novum cantate	Docter: tye.	Tye, Christopher (ca. 1505–ca. 1573)
Cantate Domino canticum novum cantate Tye, Christopher (ca. 1505–ca. 1573) Appears on: 44–47 Genres: Motet Source Attribution: Docter: tye. Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Cantate d[omi]no canticu[m] novum Voice: [no designation] Languages: Latin Voice Text: Cantate Domino
47–50	Deus misereatur nostri et benedicat nobis	mr whyte:	White, Robert (ca. 1538–1574)
Deus misereatur nostri et benedicat nobis White, Robert (ca. 1538–1574) Appears on: 47–50 Genres: Anglican Service Music, Motet Source Attribution: mr whyte: Voice: [no designation] Languages: Latin Voice Text: Deus misereatur nostri Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Deus misereatur nostri
50–52	Domine quis habitabit (I)	mr: whyte	White, Robert (ca. 1538–1574)
Domine quis habitabit (I) White, Robert (ca. 1538–1574) Appears on: 50–52 Genres: Motet Source Attribution: mr: whyte Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Domine quis habitabit Voice: [no designation] Languages: Latin Voice Text: Domine quis habitabit [I]
52–53	Adolescentulus sum ego	mr: mundye.	Mundy, William (ca. 1528–ca. 1591)
Adolescentulus sum ego Mundy, William (ca. 1528–ca. 1591) Appears on: 52–53 Genres: Motet Source Attribution: mr: mundye. Voice: [no designation] Languages: Latin Voice Text: Adolescentulus sum ego Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Adolescentulus su[m] ego
54–55	Tota pulchra es amica mea et macula	mr: whyte.	White, Robert (ca. 1538–1574)
Tota pulchra es amica mea et macula White, Robert (ca. 1538–1574) Appears on: 54–55 Genres: Motet Source Attribution: mr: whyte. Voice: [no designation] Languages: Latin Voice Text: Tota pulchra es Voice: [no designation] Languages: Latin Clef: g2 Voice Text: Tota pulcra es
55–56	Domine quis habitabit	mr: parsons.	Parsons (I), Robert (ca. 1535–ca. 1572)
Domine quis habitabit Parsons (I), Robert (ca. 1535–ca. 1572) Appears on: 55–56 Genres: Motet Source Attribution: mr: parsons. Voice: [no designation] Languages: Latin Voice Text: Domine quis habitabit Voice: [no designation] Languages: Latin Clef: g2 Voice Text: Domine quis habitabit
56–59	Domine quis habitabit	mr: mundie.	Mundy, William (ca. 1528–ca. 1591)
Domine quis habitabit Mundy, William (ca. 1528–ca. 1591) Appears on: 56–59 Genres: Motet Source Attribution: mr: mundie. Voice: [no designation] Languages: Latin Clef: g2 Voice Text: Domine quis habitabit Voice: [no designation] Languages: Latin Voice Text: Domine quis habitabit General Note Notes: double barline at end of top line p. 58;
59–61	Domine non est exaltatum (2p. Sicut ablactatus)	mr: Ro: whytte:	White, Robert (ca. 1538–1574)
Domine non est exaltatum (2p. Sicut ablactatus) White, Robert (ca. 1538–1574) Appears on: 59–61 Genres: Motet Source Attribution: mr: Ro: whytte: Voice: [no designation] Languages: Latin Voice Text: Domine non est exaltatum Voice: [no designation] Languages: Latin Clef: g2 Voice Text: Domine non est exaltatu[m]
61–62	Domine non est exaltatum	mr: w: mundie: of the queens chappell.	Mundy, William (ca. 1528–ca. 1591)
Domine non est exaltatum Mundy, William (ca. 1528–ca. 1591) Appears on: 61–62 Genres: Motet Source Attribution: mr: w: mundie: of the queens chappell. Voice: [no designation] Languages: Latin Clef: g2 Voice Text: Domine non est exaltatu[m] Voice: [no designation] Languages: Latin Voice Text: Domine non est exaltatum
62–63	Domine quis habitabit (II) [2p. Ad nihillum deductus]	mr: whyte of westminster:	White, Robert (ca. 1538–1574)
Domine quis habitabit (II) [2p. Ad nihillum deductus] White, Robert (ca. 1538–1574) Appears on: 62–63 Genres: Motet Source Attribution: mr: whyte of westminster: Voice: [no designation] Languages: Latin Voice Text: Domine quis habitabit Voice: [no designation] Languages: Latin Clef: g2 Voice Text: In monte sancto tuo
64	Credo quod redemptor meus vivit	-	Parsons (I), Robert (ca. 1535–ca. 1572)
Credo quod redemptor meus vivit Parsons (I), Robert (ca. 1535–ca. 1572) Appears on: 64 Genres: Credo (patrem omnipotentem), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: Credo quod redemptor meus vivit Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Credo quod redemptor meus viuit General Note Notes: merely 'finis' at end;
64–66	Missa Gloria tibi Trinitas: Gloria	-	Taverner, John
Missa Gloria tibi Trinitas: Gloria Taverner, John Appears on: 64–66 Genres: Anglican Service Music, Gloria (et in terra pax) Voice: [no designation] Languages: Latin Clef: g2 Voice Text: Et in terra pax Voice: [no designation] Languages: Latin Voice Text: Mass 'Gloria tibi Trinitas' General Note Annotations/Corrections: 4' and '2' under notes in top line of p. 65; Notes: final note split (A-D);
67–70	Missa Gloria tibi Trinitas: Credo	-	Taverner, John
Missa Gloria tibi Trinitas: Credo Taverner, John Appears on: 67–70 Voice: [no designation] Languages: Latin Clef: g2 Voice Text: Patre[m] omnipotente[m] General Note Canon/Gimels: Gimell' twice on p. 68; Notes: title at end of bottom line of p. 66;
70–71	Missa Gloria tibi Trinitas: Sanctus	-	Taverner, John
Missa Gloria tibi Trinitas: Sanctus Taverner, John Appears on: 70–71 Voice: [no designation] Languages: Latin Clef: g2 Voice Text: Sanctus. / Dominus deus General Note Annotations/Corrections: 2' under three notes on p. 70;
71	Missa Gloria tibi Trinitas: Benedictus	-	Taverner, John
Missa Gloria tibi Trinitas: Benedictus Taverner, John Appears on: 71 Voice: [no designation] Languages: Latin Clef: g2 Voice Text: In no[m]i[n]e ne, domini
71–73	Missa Gloria tibi Trinitas: Agnus dei	mr tav[er]nar:	Taverner, John
Missa Gloria tibi Trinitas: Agnus dei Taverner, John Appears on: 71–73 Source Attribution: mr tav[er]nar: Voice: [no designation] Languages: Latin Clef: g2 Voice Text: Agnus dei / Miserere General Note Annotations/Corrections: In top line of p. 73 a cross, indicating some music to be inserted: this is noted after the end of the piece, at the end of the second line on p. 73; '2' and '4' under some notes;
73–75	Domine quis habitabit (III)	mr: whytte.	White, Robert (ca. 1538–1574)
Domine quis habitabit (III) White, Robert (ca. 1538–1574) Appears on: 73–75 Genres: Motet Source Attribution: mr: whytte. Voice: [no designation] Languages: Latin Clef: g2 Voice Text: Domine quis habitabit Voice: [no designation] Languages: Latin Voice Text: Domine quis habitabit [III]
75–78	Eructavit cor meum	mr: w: mundie:	Mundy, William (ca. 1528–ca. 1591)
Eructavit cor meum Mundy, William (ca. 1528–ca. 1591) Appears on: 75–78 Genres: Motet Source Attribution: mr: w: mundie: Voice: [no designation] Languages: Latin Voice Text: Eructavit cor meum Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Speciosus forma General Note Annotations/Corrections: at beginning long rests with 'rest' written beneath;
78–83	Vox Patris caelestis	mr w: mundie of the chapell:	Mundy, William (ca. 1528–ca. 1591)
Vox Patris caelestis Mundy, William (ca. 1528–ca. 1591) Appears on: 78–83 Genres: Motet Source Attribution: mr w: mundie of the chapell: Voice: [no designation] Languages: Latin Clef: g2 Voice Text: Ex corde purissimo Voice: [no designation] Languages: Latin Voice Text: Vox Patris caelestis General Note Canon/Gimels: Gimell p[ri]mus' and 'Gimell Secu[n]dus' on pp. 81-83; Notes: title under long rests at beginning; in bottom line of p. 79 (end of a section), note split (A-D), in third line of p. 80 (among long rests), a line followed by two dots - to indicate Gimells?;
83–87	Maria virgo sanctissima	mr: w: mundie: one: of: the: queens: chappelle:.	Mundy, William (ca. 1528–ca. 1591)
Maria virgo sanctissima Mundy, William (ca. 1528–ca. 1591) Appears on: 83–87 Genres: Motet Source Attribution: mr: w: mundie: one: of: the: queens: chappelle:. Voice: [no designation] Languages: Latin Clef: g2 Voice Text: Te pater in filia[m] Voice: [no designation] Languages: Latin Voice Text: Maria virgo sanctissima General Note Annotations/Corrections: in composer ascription, 'mr: w:' is added later, on top (in same hand and ink);
88–90	Infelix ego omnium (2p. Quid igitur faciam; 3p. Ad te igitur)	mr: w: birde: gentleman: of: the: chappell:.	Byrd, William (ca. 1540–1623)
Infelix ego omnium (2p. Quid igitur faciam; 3p. Ad te igitur) Byrd, William (ca. 1540–1623) Appears on: 88–90 Genres: Motet Source Attribution: mr: w: birde: gentleman: of: the: chappell:. Voice: [no designation] Languages: Latin Voice Text: Infelix ego Voice: [no designation] Languages: Latin Clef: c1 Voice Text: In felix ego General Note Annotations/Corrections: in first and fourth line of p. 89 two dots around lines (among group of rests);
91–93	Deus in adjutorium meum intende	mr: w: birde: organiste: of: the: queens: maiesties: chappell:.	Byrd, William (ca. 1540–1623)
Deus in adjutorium meum intende Byrd, William (ca. 1540–1623) Appears on: 91–93 Genres: Motet Source Attribution: mr: w: birde: organiste: of: the: queens: maiesties: chappell:. Voice: [no designation] Languages: Latin Voice Text: Deus in adiutorium Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Deus in adiutoriu[m] meu[m] intende General Note Notes: face drawn into initial 'D'; string of notes with a sharp in top line of p. 92;
94	Domine ante te omne desiderium meum	mr: w: birde:	Byrd, William (ca. 1540–1623)
Domine ante te omne desiderium meum Byrd, William (ca. 1540–1623) Appears on: 94 Genres: Motet Source Attribution: mr: w: birde: Voice: [no designation] Languages: Latin Voice Text: Domine ante te Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Domine ante, te omne desideriu[m]
95	O salutaris hostia I	mr: w: birde:	Byrd, William (ca. 1540–1623)
O salutaris hostia I Byrd, William (ca. 1540–1623) Appears on: 95 Genres: Motet Source Attribution: mr: w: birde: Voice: [no designation] Languages: Latin Clef: c1 Voice Text: O salutaris hostia Voice: [no designation] Languages: Latin Voice Text: O salutaris hostia
95–96	Descendit de caelis	mr: w: birde:	Byrd, William (ca. 1540–1623)
Descendit de caelis Byrd, William (ca. 1540–1623) Appears on: 95–96 Genres: Anthem Source Attribution: mr: w: birde: Voice: [no designation] Languages: Latin Voice Text: Descendit de caelis Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Descendit de celis General Note Notes: face drawn into initial 'D';
96–97	Afflicti pro peccatis	mr: w: birde:	Byrd, William (ca. 1540–1623)
Afflicti pro peccatis Byrd, William (ca. 1540–1623) Appears on: 96–97 Genres: Anthem Source Attribution: mr: w: birde: Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Afflicti pro p[ec]catis nostris Voice: [no designation] Languages: Latin Voice Text: Afflicti pro peccatis General Note Annotations/Corrections: in third line of p. 97, signum congruentiae;
98	Verbum caro factum est de virgine Maria	mr: iohn: shepperde:.	Sheppard, John (ca. 1515–1558)
Verbum caro factum est de virgine Maria Sheppard, John (ca. 1515–1558) Appears on: 98 Genres: Motet Source Attribution: mr: iohn: shepperde:. Voice: [no designation] Languages: Latin Voice Text: Verbum caro factum est Voice: [no designation] Languages: Latin Clef: g2 Voice Text: Verbu[m] caro factu[m] est General Note Notes: final note split into three (B-D-G);
99	Spiritus sanctus procedens I	mr: Shep:	Sheppard, John (ca. 1515–1558)
Spiritus sanctus procedens I Sheppard, John (ca. 1515–1558) Appears on: 99 Genres: Motet Source Attribution: mr: Shep: Voice: [no designation] Languages: Latin Clef: g2 Voice Text: Procedens athrono, apostoloru[m] Voice: [no designation] Languages: Latin Voice Text: Spiritus sanctus procedens [I] General Note Annotations/Corrections: signum congruentiae near beginning of penultimate line; Notes: final note split into two (C-E);
100	Haec dies	mr: S:.	Sheppard, John (ca. 1515–1558)
Haec dies Sheppard, John (ca. 1515–1558) Appears on: 100 Genres: Motet Source Attribution: mr: S:. Voice: [no designation] Languages: Latin Clef: g2 Voice Text: Hec dies, qua[m] fecit dominus Voice: [no designation] Languages: Latin Voice Text: Haec dies
100–101	Videte miraculum	mr: thomas: tallis: organiste: of: the: chappelle:.	Tallis, Thomas (ca. 1505–1585)
Videte miraculum Tallis, Thomas (ca. 1505–1585) Appears on: 100–101 Genres: Motet Source Attribution: mr: thomas: tallis: organiste: of: the: chappelle:. Voice: [no designation] Languages: Latin Voice Text: Videte miraculum Voice: [no designation] Languages: Latin Clef: g2 Voice Text: Miraculu[m] videte miraculu[m]
101–103	Sive vigilem	derick: gerarde:.	Gerarde, Derrick (fl. c1540–1580)
Sive vigilem Gerarde, Derrick (fl. c1540–1580) Appears on: 101–103 Genres: Motet Source Attribution: derick: gerarde:. Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Sive vigilem Voice: [no designation] Languages: Latin Voice Text: Sive vigilem
103	Filiae Jerusalem	mr: iohn: shepperde:.	Sheppard, John (ca. 1515–1558)
Filiae Jerusalem Sheppard, John (ca. 1515–1558) Appears on: 103 Genres: Motet Source Attribution: mr: iohn: shepperde:. Voice: [no designation] Languages: Latin Clef: g2 Voice Text: Hierusalem venite e[t] videte Voice: [no designation] Languages: Latin Voice Text: Filiae Jerusalem General Note Annotations/Corrections: signum congruentiae in second and third line; Notes: in plainchant notation; lines of the staves towards the right-hand side of the page rather wobbly;
104	Dum transisset sabbatum [II]	mr: Shepperde:.	Sheppard, John (ca. 1515–1558)
Dum transisset sabbatum [II] Sheppard, John (ca. 1515–1558) Appears on: 104 Genres: Motet Source Attribution: mr: Shepperde:. Voice: [no designation] Languages: Latin Clef: g2 Voice Text: Sabbatu[m], maria magdalene Voice: [no designation] Languages: Latin Voice Text: Dum transisset sabbatum [I] General Note Annotations/Corrections: signum congruentiae in middle of penultimate line;
105	Salvator mundi Domine	mr: Shepperde:.	Sheppard, John (ca. 1515–1558)
Salvator mundi Domine Sheppard, John (ca. 1515–1558) Appears on: 105 Genres: Motet Source Attribution: mr: Shepperde:. Voice: [no designation] Languages: Latin Clef: g2 Voice Text: Adesto nu[n]c propicius Voice: [no designation] Languages: Latin Voice Text: Salvator mundi Domine
105–106	Jesu salvator saeculi, Verbum	mr: Shepperde:.	Sheppard, John (ca. 1515–1558)
Jesu salvator saeculi, Verbum Sheppard, John (ca. 1515–1558) Appears on: 105–106 Genres: Motet Source Attribution: mr: Shepperde:. Voice: [no designation] Languages: Latin Clef: g2 Voice Text: Tu fabricator omniu[m] Voice: [no designation] Languages: Latin Voice Text: Jesu salvator saeculi, Verbum General Note Annotations/Corrections: possibly corr. near beginning of top line of p. 106; Notes: first half (up to second line of p. 106) in plainchant notation;
106–107	Jam Christus astra	mr: p[ar]sons:	Parsons (I), Robert (ca. 1535–ca. 1572)
Jam Christus astra Parsons (I), Robert (ca. 1535–ca. 1572) Appears on: 106–107 Genres: Motet Source Attribution: mr: p[ar]sons: Voice: [no designation] Languages: Latin Clef: g2 Voice Text: Solemnis vrgebat dies Voice: [no designation] Languages: Latin Voice Text: Iam Christus astra General Note Notes: in top line of p. 107, cut semi-circle opening to the left;
107	Libera nos, salva nos [I]	mr: Shepperde:.	Sheppard, John (ca. 1515–1558)
Libera nos, salva nos [I] Sheppard, John (ca. 1515–1558) Appears on: 107 Genres: Motet Source Attribution: mr: Shepperde:. Voice: [no designation] Languages: Latin Voice Text: Libera nos, salva nos [I] Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Salva nos
108	Libera nos, salva nos [II]	mr: Shepperde:.	Sheppard, John (ca. 1515–1558)
Libera nos, salva nos [II] Sheppard, John (ca. 1515–1558) Appears on: 108 Genres: Motet Source Attribution: mr: Shepperde:. Voice: [no designation] Languages: Latin Voice Text: Libera nos, salva nos [II] Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Salva nos
108–109	Dum transisset sabbatum	mr: iohn: mundie: gentlema[n]: of: the: kings: free: chapelle: of: windsore:.	Mundy, John (ca. 1555–1630)
Dum transisset sabbatum Mundy, John (ca. 1555–1630) Appears on: 108–109 Genres: Motet Source Attribution: mr: iohn: mundie: gentlema[n]: of: the: kings: free: chapelle: of: windsore:. Voice: [no designation] Languages: Latin Clef: g2 Voice Text: Sabatu[m] […] maria magdalene Voice: [no designation] Languages: Latin Voice Text: Dum transisset sabbatum
109–110	Fantasia a6 (I) in F	mr: w: birde:.	Byrd, William (ca. 1540–1623)
Fantasia a6 (I) in F Byrd, William (ca. 1540–1623) Appears on: 109–110 Genres: textless Source Attribution: mr: w: birde:. Voice: [no designation] Languages: none Clef: c1 Voice: [no designation] Languages: none Voice Text: Fantasia a6 in F
110–111	The song called trumpets = Lusty Gallant	mr: parsons:.	Parsons (I), Robert (ca. 1535–ca. 1572)
The song called trumpets = Lusty Gallant Parsons (I), Robert (ca. 1535–ca. 1572) Appears on: 110–111 Genres: Motet Source Attribution: mr: parsons:. Voice: [no designation] Languages: English Voice Text: The song called trumpets Voice: [no designation] Languages: none Clef: c1 General Note Annotations/Corrections: 31' under semi-circle with dot in second line of p. 111 (in same line several pauses that look like 'ie');
111–112	Beati omnes	w: da: man:.	Daman, William
Beati omnes Daman, William Appears on: 111–112 Genres: Motet Source Attribution: w: da: man:. Voice: [no designation] Languages: Latin Voice Text: Beati omnes Voice: [no designation] Languages: none Clef: c1
112–113	Quemadmodum	mr: tavernar:.	Taverner, John
Quemadmodum Taverner, John Appears on: 112–113 Genres: Motet Source Attribution: mr: tavernar:. Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Que[m]admodu[m] [otherwise untexted] Voice: [no designation] Languages: Latin Voice Text: Quemadmodum
113–114	Redime me Domine	iohn: bawdwine:.	Baldwin, John (ca. 1560–1615)
Redime me Domine Baldwin, John (ca. 1560–1615) Appears on: 113–114 Genres: Motet Source Attribution: iohn: bawdwine:. Voice: [no designation] Languages: Latin Voice Text: Redime me Domine Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Redime me domine
114–115	Pater noster	iohn: bawdwine:	Baldwin, John (ca. 1560–1615)
Pater noster Baldwin, John (ca. 1560–1615) Appears on: 114–115 Genres: Motet Source Attribution: iohn: bawdwine: Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Pater noster Voice: [no designation] Languages: Latin Voice Text: Pater noster General Note Annotations/Corrections: note/stem corr. in top line of p. 115;
115–117	Hugh Aston's Maske	mr: hugh: ashton:.	Aston, Hugh (ca. 1485–1558)
Hugh Aston's Maske Aston, Hugh (ca. 1485–1558) Appears on: 115–117 Genres: Secular Source Attribution: mr: hugh: ashton:. Voice: [no designation] Languages: English Voice Text: Hugh Aston's Maske Voice: [no designation] Languages: none Clef: g2
118–127	Laudes Deo	mr: iohnson	Johnson (I), Robert (ca. 1500–ca. 1560)
Laudes Deo Johnson (I), Robert (ca. 1500–ca. 1560) Appears on: 118–127 Genres: Motet Source Attribution: mr: iohnson Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Laudes deo, dicam per secula Voice: [no designation] Languages: Latin Voice Text: Laudes Deo General Note Annotations/Corrections: v[er]te: foliu[m]' at end of pp. 118 and 119, and 120 and 121, and 122 and 123; '32' under note in third line of pp. 120 and 121, and second line of pp. 122 and 123; 'ij p[ar]ts:' at top of p. 124; 'v[er]te foliu[m]:' at end of p. 125; 'ij p[ar]ts:' before top line of p. 126; Notes: One part on left-hand pages ( in C2) and the other on the right-hand pages (in C4); Johnson as composer at end of top line on p. 126, and Taverner at end of bottom line;
126–127	Ecce carissimi ... Ecce mater nostra	mr: iohn tavernar:.	Taverner, John
Ecce carissimi ... Ecce mater nostra Taverner, John Appears on: 126–127 Genres: Motet Source Attribution: mr: iohn tavernar:. Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Ecce, mater, nostra Voice: [no designation] Languages: Latin Voice Text: Ecce carissimi ... Ecce mater nostra General Note Annotations/Corrections: ij p[ar]ts:' before beginning (second line of p. 126); in third line of p. 127 a cross, indicating notes to be inserted: these are noted in the bottom line; Notes: Belongs to the previous; part with C2 notation on left-hand page, C5 on right-hand page;
128–131	Lamentations (II) a6	mr: Ro: whytte:.	White, Robert (ca. 1538–1574)
Lamentations (II) a6 White, Robert (ca. 1538–1574) Appears on: 128–131 Genres: Lamentations, Motet Source Attribution: mr: Ro: whytte:. Voice: [no designation] Languages: Latin, Hebrew Clef: c1 Voice Text: Heth p[ec]catu[m] p[ec]cavit General Note Annotations/Corrections: vj: voc:.' at top;
132–134	[blank staves]	-	-
[blank staves] Appears on: 132–134
135–141	Tallis and Byrd, 'Cantiones Sacrae' (1575), title page and prelims	-	-
Tallis and Byrd, 'Cantiones Sacrae' (1575), title page and prelims Appears on: 135–141
142–143	Aspice Domine quia facta est (6vv)	W. Birdi.	Byrd, William (ca. 1540–1623)
Aspice Domine quia facta est (6vv) Byrd, William (ca. 1540–1623) Appears on: 142–143 Genres: Motet Source Attribution: W. Birdi. Voice: [no designation] Languages: Latin Clef: c1 Voice Text: ASpice Domine General Note Annotations/Corrections: at top: 'VI. Voc.';
144–145	Attollite portas	W. Birdi.	Byrd, William (ca. 1540–1623)
Attollite portas Byrd, William (ca. 1540–1623) Appears on: 144–145 Genres: Psalm Source Attribution: W. Birdi. Voice: [no designation] Languages: Latin Clef: c1 Voice Text: ATtolite portas General Note Annotations/Corrections: at top: 'VI. Voc.'; signum congruentiae in third line of p. 145 and at end, with beginning of repeat written out;
146	O lux beata trinitas et principalis (2p.Te mane laudum carmine te deprecamur; 3p. Deo patri sit gloria eiusque soli)	W. Birdi.	Byrd, William (ca. 1540–1623)
O lux beata trinitas et principalis (2p.Te mane laudum carmine te deprecamur; 3p. Deo patri sit gloria eiusque soli) Byrd, William (ca. 1540–1623) Appears on: 146 Genres: Motet Source Attribution: W. Birdi. Voice: [no designation] Languages: Latin Clef: c1 Voice Text: O Lux beata trinitas General Note Annotations/Corrections: at top: 'HYMNVS. VI. Voc.';
147	Deo Patri sit gloria	W. Birdi.	Byrd, William (ca. 1540–1623)
Deo Patri sit gloria Byrd, William (ca. 1540–1623) Appears on: 147 Source Attribution: W. Birdi. Voice: [no designation] Languages: Latin Clef: c1 Voice Text: DEo Patri sit gloria General Note Annotations/Corrections: at top: ' VI. Voc.';
148–149	Laudate pueri Dominum	W. Birdi.	Byrd, William (ca. 1540–1623)
Laudate pueri Dominum Byrd, William (ca. 1540–1623) Appears on: 148–149 Source Attribution: W. Birdi. Voice: [no designation] Languages: Latin Clef: f4 Voice Text: LAudate pueri Dominu[m] General Note Annotations/Corrections: at top: 'VI. Voc.';
150	Memento homo quod cinis es	W. Birdi.	Byrd, William (ca. 1540–1623)
Memento homo quod cinis es Byrd, William (ca. 1540–1623) Appears on: 150 Source Attribution: W. Birdi. Voice: [no designation] Languages: Latin Clef: c4 Voice Text: MEmento homo quod cinis es General Note Annotations/Corrections: at top: 'VI. Voc.';
151	[blank staves]	-	-
[blank staves] Appears on: 151
152–153	De Tribulatione	W. Birdi.	Byrd, William (ca. 1540–1623)
De Tribulatione Byrd, William (ca. 1540–1623) Appears on: 152–153 Source Attribution: W. Birdi. Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Da mihi auxilium de tribulatione General Note Annotations/Corrections: at top: 'VI. Voc.';
154–155	Domine secundum actum meum	W. Birdi.	Byrd, William (ca. 1540–1623)
Domine secundum actum meum Byrd, William (ca. 1540–1623) Appears on: 154–155 Source Attribution: W. Birdi. Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Domine, secu[n]du[m] actu[m] meu[m] General Note Annotations/Corrections: at top: 'VI. Voc.'; on top of p. 155 'SECVNDA PARS' ('IDeo de precor maiestatem tuam');
156–159	Suscipe quaeso Domine II: Si enim iniquitates	T. Tallis.	Tallis, Thomas (ca. 1505–1585)
Suscipe quaeso Domine II: Si enim iniquitates Tallis, Thomas (ca. 1505–1585) Appears on: 156–159 Genres: Motet Source Attribution: T. Tallis. Voice: [no designation] Languages: Latin Clef: c2 Voice Text: SVscipe quaeso Domine, voce[m] co[n]fitentis General Note Annotations/Corrections: at top: 'VII. Voc.'; Superius secundus on p. 156 with the final line of 'Prima pars' at the bottom of p. 157 and Bassus secundus on p. 157. On the top of p. 158 'SECVNDA PARS' for Superius secundus and on the top of p. 159 'SECVUNDA PARS' for Bassus secundus.;
160	Miserere mihi Domine	W. Birdi.	Byrd, William (ca. 1540–1623)
Miserere mihi Domine Byrd, William (ca. 1540–1623) Appears on: 160 Source Attribution: W. Birdi. Voice: [no designation] Languages: Latin Clef: c4 Voice Text: MIserere mihi Domine General Note Annotations/Corrections: at top: 'VI. Voc.'; at third line 'CANON Due partes in vna, in subdiatessaron'; Signum congruentiae in the bottom line.;
161	Tribue Domine	W. Birdi.	Byrd, William (ca. 1540–1623)
Tribue Domine Byrd, William (ca. 1540–1623) Appears on: 161 Genres: Motet Source Attribution: W. Birdi. Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Laudete te cor meu[m] General Note Annotations/Corrections: at top: 'VI. Voc.';
162–163	Te Deprecor	W. Birdi.	Byrd, William (ca. 1540–1623)
Te Deprecor Byrd, William (ca. 1540–1623) Appears on: 162–163 Genres: Motet Source Attribution: W. Birdi. Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Fac nos per ipsam gratiam tuam General Note Annotations/Corrections: at top: 'VI. Voc.';
164–165	Gloria Patri qui creavit nos	W. Birdi.	Byrd, William (ca. 1540–1623)
Gloria Patri qui creavit nos Byrd, William (ca. 1540–1623) Appears on: 164–165 Source Attribution: W. Birdi. Voice: [no designation] Languages: Latin Clef: c4 Voice Text: GLoria Patri qui creauit nos General Note Annotations/Corrections: at top: 'VI. Voc.';
166–167	Miserere nostri Domine	T. Tallis.	Tallis, Thomas (ca. 1505–1585)
Miserere nostri Domine Tallis, Thomas (ca. 1505–1585) Appears on: 166–167 Source Attribution: T. Tallis. Voice: [no designation] Languages: Latin Clef: c1 Voice Text: MIserere nostri Domine General Note Annotations/Corrections: at top: 'VII. Voc.'; Bassus secundus at p. 166 and Superius secundus at p. 167; at beginning of both voices (before first line): Canon in vnisonus;
168–169	-	-	Anonymous
[Unknown Title] Appears on: 168–169
170	Extract of letters patents to Tallis and Byrd	-	Anonymous
Extract of letters patents to Tallis and Byrd Anonymous Appears on: 170
171–176	-		Anonymous
[Unknown Title] Appears on: 171–176 Source Attribution:

Composer	Compositions
Anonymous	Ecce nunc benedicite I – 17 Ecce nunc benedicite II – 17–18 Extract of letters patents to Tallis and Byrd – 170 [No description] – 171–176 [No description] – 168–169 [No description] – 132–134 [No description] – 151 [No description] – 135–141
Aston, Hugh (ca. 1485–1558)	Hugh Aston's Maske – 115–117
Baldwin, John (ca. 1560–1615)	Pater noster – 114–115 Redime me Domine – 113–114
Byrd, William (ca. 1540–1623)	Afflicti pro peccatis – 96–97 Aspice Domine quia facta est (6vv) – 142–143 Attollite portas – 144–145 Cunctis diebus quibus nunc milito – 3–4 De Tribulatione – 152–153 Deo Patri sit gloria – 147 Descendit de caelis – 95–96 Deus in adjutorium meum intende – 91–93 Domine ante te omne desiderium meum – 94 Domine secundum actum meum – 154–155 Fantasia a6 (I) in F – 109–110 Gloria Patri qui creavit nos – 164–165 Infelix ego omnium (2p. Quid igitur faciam; 3p. Ad te igitur) – 88–90 Laudate pueri Dominum – 148–149 Memento homo quod cinis es – 150 Miserere mihi Domine – 160 O lux beata trinitas et principalis (2p.Te mane laudum carmine te deprecamur; 3p. Deo patri sit gloria eiusque soli) – 146 O salutaris hostia I – 95 Te Deprecor – 162–163 Tribue Domine – 161
Daman, William	Beati omnes – 111–112 Omnis caro gramen sit – 19–20 Praedicabo laudes tuae – 18–19
Ferrabosco, Alfonso (the elder) (1543–1588)	Da pacem Domine (II) (C28) – 16
Gerarde, Derrick (fl. c1540–1580)	Sive vigilem – 101–103
Johnson (I), Robert (ca. 1500–ca. 1560)	Laudes Deo – 118–127
Mundy, John (ca. 1555–1630)	Dum transisset sabbatum – 108–109
Mundy, William (ca. 1528–ca. 1591)	Adolescentulus sum ego – 52–53 Domine non est exaltatum – 61–62 Domine quis habitabit – 56–59 Eructavit cor meum – 75–78 Maria virgo sanctissima – 83–87 Vox Patris caelestis – 78–83
Parsons (I), Robert (ca. 1535–ca. 1572)	Credo quod redemptor meus vivit – 64 Domine quis habitabit – 55–56 Jam Christus astra – 106–107 The song called trumpets = Lusty Gallant – 110–111
Redford, John (–1547)	Sint lumbi vesti praecincti – 13–14
Sheppard, John (ca. 1515–1558)	A solis ortus cardine ad usque terrae – 24–25 Adesto sancta Trinitas I – 30 Adesto sancta Trinitas II – 32–33 Ave maris stella – 29–30 Beata nobis gaudia – 21–22 Christi virgo dilectissima – 6–7 Dum transisset sabbatum [II] – 104 Dum transisset sabbatum [I] – 28 Filiae Jerusalem – 103 Gaude, gaude, gaude Maria, virgo cunctas – 9–13 Haec dies – 100 Hostis Herodes impie – 30–31 Jam Christus astra – 28–29 Jesu salvator saeculi, Verbum – 105–106 Libera nos, salva nos [II] – 108 Libera nos, salva nos [I] – 107 Martyr Dei qui unicum – 31–32 Media vita in morte sumus – 34–36 Non conturbetur cor vestrum I – 5–6 Non conturbetur cor vestrum II – 7–8 Reges Tharsis et insulae – 8–9 Sacris solemniis juncta – 22–23 Salvator mundi Domine – 105 Spiritus sanctus procedens I – 99 Te Deum laudamus – 26–27 Verbum caro factum est de virgine Maria – 98
Tallis, Thomas (ca. 1505–1585)	Evening service in Latin: Magnificat – 2 Gaude gloriosa Dei mater – 36–40 Homo quidam fecit caenam magnam et misit – 5 Loquebantur variis linguis – 20–21 Miserere nostri Domine – 166–167 Suscipe quaeso Domine II: Si enim iniquitates – 156–159 Videte miraculum – 100–101
Taverner, John	Ecce carissimi ... Ecce mater nostra – 126–127 Missa Gloria tibi Trinitas: Agnus dei – 71–73 Missa Gloria tibi Trinitas: Benedictus – 71 Missa Gloria tibi Trinitas: Credo – 67–70 Missa Gloria tibi Trinitas: Gloria – 64–66 Missa Gloria tibi Trinitas: Sanctus – 70–71 Quemadmodum – 112–113
Tye, Christopher (ca. 1505–ca. 1573)	Cantate Domino canticum novum cantate – 44–47 Peccavimus cum patribus nostris – 41–42 Peccavimus cum patribus nostris – iii Quaesumus omnipotens – 43–44
White, Robert (ca. 1538–1574)	Ad te levavi oculos meos qui habitas II: Adjutorium nostrum in nomine Domini – 14–16 Deus misereatur nostri et benedicat nobis – 47–50 Domine non est exaltatum (2p. Sicut ablactatus) – 59–61 Domine quis habitabit (I) – 50–52 Domine quis habitabit (II) [2p. Ad nihillum deductus] – 62–63 Domine quis habitabit (III) – 73–75 Lamentations (II) a6 – 128–131 Tota pulchra es amica mea et macula – 54–55

Composition	Composers (? Uncertain)	Folios / Pages
A solis ortus cardine ad usque terrae	Sheppard, John (ca. 1515–1558)	24–25
Ad te levavi oculos meos qui habitas II: Adjutorium nostrum in nomine Domini	White, Robert (ca. 1538–1574)	14–16
Adesto sancta Trinitas I	Sheppard, John (ca. 1515–1558)	30
Adesto sancta Trinitas II	Sheppard, John (ca. 1515–1558)	32–33
Adolescentulus sum ego	Mundy, William (ca. 1528–ca. 1591)	52–53
Afflicti pro peccatis	Byrd, William (ca. 1540–1623)	96–97
Aspice Domine quia facta est (6vv)	Byrd, William (ca. 1540–1623)	142–143
Attollite portas	Byrd, William (ca. 1540–1623)	144–145
Ave maris stella	Sheppard, John (ca. 1515–1558)	29–30
Beata nobis gaudia	Sheppard, John (ca. 1515–1558)	21–22
Beati omnes	Daman, William	111–112
Cantate Domino canticum novum cantate	Tye, Christopher (ca. 1505–ca. 1573)	44–47
Christi virgo dilectissima	Sheppard, John (ca. 1515–1558)	6–7
Credo quod redemptor meus vivit	Parsons (I), Robert (ca. 1535–ca. 1572)	64
Cunctis diebus quibus nunc milito	Byrd, William (ca. 1540–1623)	3–4
Da pacem Domine (II) (C28)	Ferrabosco, Alfonso (the elder) (1543–1588)	16
De Tribulatione	Byrd, William (ca. 1540–1623)	152–153
Deo Patri sit gloria	Byrd, William (ca. 1540–1623)	147
Descendit de caelis	Byrd, William (ca. 1540–1623)	95–96
Deus in adjutorium meum intende	Byrd, William (ca. 1540–1623)	91–93
Deus misereatur nostri et benedicat nobis	White, Robert (ca. 1538–1574)	47–50
Domine ante te omne desiderium meum	Byrd, William (ca. 1540–1623)	94
Domine non est exaltatum	Mundy, William (ca. 1528–ca. 1591)	61–62
Domine non est exaltatum (2p. Sicut ablactatus)	White, Robert (ca. 1538–1574)	59–61
Domine quis habitabit	Parsons (I), Robert (ca. 1535–ca. 1572)	55–56
Domine quis habitabit	Mundy, William (ca. 1528–ca. 1591)	56–59
Domine quis habitabit (I)	White, Robert (ca. 1538–1574)	50–52
Domine quis habitabit (II) [2p. Ad nihillum deductus]	White, Robert (ca. 1538–1574)	62–63
Domine quis habitabit (III)	White, Robert (ca. 1538–1574)	73–75
Domine secundum actum meum	Byrd, William (ca. 1540–1623)	154–155
Dum transisset sabbatum	Mundy, John (ca. 1555–1630)	108–109
Dum transisset sabbatum [I]	Sheppard, John (ca. 1515–1558)	28
Dum transisset sabbatum [II]	Sheppard, John (ca. 1515–1558)	104
Ecce carissimi ... Ecce mater nostra	Taverner, John	126–127
Ecce nunc benedicite I	Anonymous	17
Ecce nunc benedicite II	Anonymous	17–18
Eructavit cor meum	Mundy, William (ca. 1528–ca. 1591)	75–78
Evening service in Latin: Magnificat	Tallis, Thomas (ca. 1505–1585)	2
Extract of letters patents to Tallis and Byrd	Anonymous	170
Fantasia a6 (I) in F	Byrd, William (ca. 1540–1623)	109–110
Filiae Jerusalem	Sheppard, John (ca. 1515–1558)	103
Gaude gloriosa Dei mater	Tallis, Thomas (ca. 1505–1585)	36–40
Gaude, gaude, gaude Maria, virgo cunctas	Sheppard, John (ca. 1515–1558)	9–13
Gloria Patri qui creavit nos	Byrd, William (ca. 1540–1623)	164–165
Haec dies	Sheppard, John (ca. 1515–1558)	100
Homo quidam fecit caenam magnam et misit	Tallis, Thomas (ca. 1505–1585)	5
Hostis Herodes impie	Sheppard, John (ca. 1515–1558)	30–31
Hugh Aston's Maske	Aston, Hugh (ca. 1485–1558)	115–117
Infelix ego omnium (2p. Quid igitur faciam; 3p. Ad te igitur)	Byrd, William (ca. 1540–1623)	88–90
Jam Christus astra	Sheppard, John (ca. 1515–1558)	28–29
Jam Christus astra	Parsons (I), Robert (ca. 1535–ca. 1572)	106–107
Jesu salvator saeculi, Verbum	Sheppard, John (ca. 1515–1558)	105–106
Lamentations (II) a6	White, Robert (ca. 1538–1574)	128–131
Laudate pueri Dominum	Byrd, William (ca. 1540–1623)	148–149
Laudes Deo	Johnson (I), Robert (ca. 1500–ca. 1560)	118–127
Libera nos, salva nos [I]	Sheppard, John (ca. 1515–1558)	107
Libera nos, salva nos [II]	Sheppard, John (ca. 1515–1558)	108
Loquebantur variis linguis	Tallis, Thomas (ca. 1505–1585)	20–21
Maria virgo sanctissima	Mundy, William (ca. 1528–ca. 1591)	83–87
Martyr Dei qui unicum	Sheppard, John (ca. 1515–1558)	31–32
Media vita in morte sumus	Sheppard, John (ca. 1515–1558)	34–36
Memento homo quod cinis es	Byrd, William (ca. 1540–1623)	150
Miserere mihi Domine	Byrd, William (ca. 1540–1623)	160
Miserere nostri Domine	Tallis, Thomas (ca. 1505–1585)	166–167
Missa Gloria tibi Trinitas: Agnus dei	Taverner, John	71–73
Missa Gloria tibi Trinitas: Benedictus	Taverner, John	71
Missa Gloria tibi Trinitas: Credo	Taverner, John	67–70
Missa Gloria tibi Trinitas: Gloria	Taverner, John	64–66
Missa Gloria tibi Trinitas: Sanctus	Taverner, John	70–71
Non conturbetur cor vestrum I	Sheppard, John (ca. 1515–1558)	5–6
Non conturbetur cor vestrum II	Sheppard, John (ca. 1515–1558)	7–8
O lux beata trinitas et principalis (2p.Te mane laudum carmine te deprecamur; 3p. Deo patri sit gloria eiusque soli)	Byrd, William (ca. 1540–1623)	146
O salutaris hostia I	Byrd, William (ca. 1540–1623)	95
Omnis caro gramen sit	Daman, William	19–20
Pater noster	Baldwin, John (ca. 1560–1615)	114–115
Peccavimus cum patribus nostris	Tye, Christopher (ca. 1505–ca. 1573)	iii
Peccavimus cum patribus nostris	Tye, Christopher (ca. 1505–ca. 1573)	41–42
Praedicabo laudes tuae	Daman, William	18–19
Quaesumus omnipotens	Tye, Christopher (ca. 1505–ca. 1573)	43–44
Quemadmodum	Taverner, John	112–113
Redime me Domine	Baldwin, John (ca. 1560–1615)	113–114
Reges Tharsis et insulae	Sheppard, John (ca. 1515–1558)	8–9
Sacris solemniis juncta	Sheppard, John (ca. 1515–1558)	22–23
Salvator mundi Domine	Sheppard, John (ca. 1515–1558)	105
Sint lumbi vesti praecincti	Redford, John (–1547)	13–14
Sive vigilem	Gerarde, Derrick (fl. c1540–1580)	101–103
Spiritus sanctus procedens I	Sheppard, John (ca. 1515–1558)	99
Suscipe quaeso Domine II: Si enim iniquitates	Tallis, Thomas (ca. 1505–1585)	156–159
Te Deprecor	Byrd, William (ca. 1540–1623)	162–163
Te Deum laudamus	Sheppard, John (ca. 1515–1558)	26–27
The song called trumpets = Lusty Gallant	Parsons (I), Robert (ca. 1535–ca. 1572)	110–111
Tota pulchra es amica mea et macula	White, Robert (ca. 1538–1574)	54–55
Tribue Domine	Byrd, William (ca. 1540–1623)	161
Verbum caro factum est de virgine Maria	Sheppard, John (ca. 1515–1558)	98
Videte miraculum	Tallis, Thomas (ca. 1505–1585)	100–101
Vox Patris caelestis	Mundy, William (ca. 1528–ca. 1591)	78–83

Images © The Governing Body of Christ Church, Oxford

Set: TUDOR PARTBOOKS

Type: Project Collection

GB-CF MS D/DP Z6/1

GB-CF MS D/DP Z6/2

GB-Cfm MU MS 1005 (Fayrfax fragments)

GB-Cgc MS 667/760 (Caius Choirbook)

GB-Cjc MS 234 (K.31)

GB-Ckc Rowe 316

GB-Cp MS 31 [Contratenor] (Peterhouse Partbooks: Henrician Set)

GB-Cp MS 32 [Bassus] (Peterhouse Partbooks: Henrician Set)

GB-Cp MS 40 [Triplex] (Peterhouse Partbooks: Henrician Set)

GB-Cp MS 41 [Medius] (Peterhouse Partbooks: Henrician Set)

GB-Cqcl Old Library G.4.17

GB-Cu Dd.13.27

GB-DORmcghie McGhie manuscript

GB-Lbl [pr. bk.] C. 52. b. 21

No images available

GB-Lbl [pr. bk.] Music Library K. 2. f. 1 [Altus]

No images available

GB-Lbl [pr. bk.] Music Library K. 2. f. 1 [Discantus]

No images available

GB-Lbl [pr. bk.] Music Library K. 2. f. 1 [Medius]

No images available

GB-Lbl [pr. bk.] Music Library K. 2. f. 1 [Tenor]

No images available

GB-Lbl [pr. bk.] Music Library K. 2. f. 13

No images available

GB-Lbl [pr. bk.] Music Library K. 3. f. 9 [Altus]

No images available

GB-Lbl [pr. bk.] Music Library K. 3. f. 9 [Bassus]

No images available

GB-Lbl [pr. bk.] Music Library K. 3. f. 9 [Discantus]

No images available

GB-Lbl [pr. bk.] Music Library K. 3. f. 9 [Tenor]

GB-Lbl Add. MS 4900

GB-Lbl Add. MS 15166

GB-Lbl Add. MS 17802 (Gyffard Partbooks)

GB-Lbl Add. MS 17803 (Gyffard Partbooks)

GB-Lbl Add. MS 17804 (Gyffard Partbooks)

GB-Lbl Add. MS 17805 (Gyffard Partbooks)

GB-Lbl Add. MS 22597

GB-Lbl Add. MS 29996

GB-Lbl Add. MS 30480 (Hamond Partbooks)

GB-Lbl Add. MS 30481 (Hamond Partbooks)

GB-Lbl Add. MS 30482 (Hamond Partbooks)

GB-Lbl Add. MS 30483 (Hamond Partbooks)

GB-Lbl Add. MS 30484 (Hamond Partbooks)

GB-Lbl R.M.24.d.2 (Baldwin Commonplace Book)

GB-Lbl Royal Appendix 12

GB-Lbl Royal Appendix 13

GB-Lbl Royal Appendix 14

GB-Lbl Royal Appendix 15

GB-Lbl Royal Appendix 16

GB-Lbl Royal Appendix 17

GB-Lbl Royal Appendix 18

GB-Lbl Royal Appendix 19

GB-Lbl Royal Appendix 20

GB-Lbl Royal Appendix 21

GB-Lbl Royal Appendix 22

GB-Lbl Royal Appendix 23

GB-Lbl Royal Appendix 24

GB-Lbl Royal Appendix 25

GB-Lbl Royal Appendix 26

GB-Lbl Royal Appendix 27

GB-Lbl Royal Appendix 28

GB-Lbl Royal Appendix 29

GB-Lbl Royal Appendix 30

GB-Lbl Royal Appendix 31

GB-Lbl Royal Appendix 32

GB-Lbl Royal Appendix 33

GB-Lbl Royal Appendix 34

GB-Lbl Royal Appendix 35

No images available

GB-Lbl Royal Appendix 41

No images available

GB-Lbl Royal Appendix 42

No images available

GB-Lbl Royal Appendix 43

No images available

GB-Lbl Royal Appendix 44

GB-Lbl Royal Appendix 45 (Ludford)

GB-Lbl Royal Appendix 46 (Ludford)

GB-Lbl Royal Appendix 47 (Ludford)

GB-Lbl Royal Appendix 48 (Ludford)

GB-Lbl Royal Appendix 49

GB-Lbl Royal Appendix 50

GB-Lbl Royal Appendix 51

GB-Lbl Royal Appendix 52

GB-Lbl Royal Appendix 53

GB-Lbl Royal Appendix 54

GB-Lbl Royal Appendix 56

No images available

GB-Lbl Royal Appendix 57

GB-Lbl Royal Appendix 58

No images available

GB-Lbl Royal Appendix 59

No images available

GB-Lbl Royal Appendix 60

No images available

GB-Lbl Royal Appendix 61

No images available

GB-Lbl Royal Appendix 62

GB-Lbl Royal Appendix 74 (Lumley)

GB-Lbl Royal Appendix 75 (Lumley)

GB-Lbl Royal Appendix 76 (Lumley)

No images available

GB-Lcm [pr. bk.] B187

No images available

GB-Lcm [pr. bk.] B190 [Altus]

No images available

GB-Lcm [pr. bk.] B190 [Bassus]

No images available

GB-Lcm [pr. bk.] B190 [Discantus]

No images available

GB-Lcm [pr. bk.] B190 [Tenor]

GB-Llp MS 1 (Lambeth Choirbook; Arundel Choirbook)

GB-Lna SP I/246

GB-Ob MS. Mus. c. 784 (Willmott Manuscript)

GB-Ob MS. Mus. d. 103

GB-Ob MS. Mus. e. 1 (Sadler Partbooks)

GB-Ob MS. Mus. e. 2 (Sadler Partbooks)

GB-Ob MS. Mus. e. 3 (Sadler Partbooks)

GB-Ob MS. Mus. e. 4 (Sadler Partbooks)

GB-Ob MS. Mus. e. 5 (Sadler Partbooks)

GB-Ob MS. Mus. e. 21

GB-Ob MS. Mus. Sch. e. 376 (Forrest-Heather Partbooks)

GB-Ob MS. Mus. Sch. e. 377 (Forrest-Heather Partbooks)

GB-Ob MS. Mus. Sch. e. 378 (Forrest-Heather Partbooks)

GB-Ob MS. Mus. Sch. e. 379 (Forrest-Heather Partbooks)

GB-Ob MS. Mus. Sch. e. 380 (Forrest-Heather Partbooks)

GB-Ob MS. Mus. Sch. e. 381 (Forrest-Heather Partbooks)

GB-Ob MS. Mus. Sch. e. 420 (Wanley Partbooks)

GB-Ob MS. Mus. Sch. e. 421 (Wanley Partbooks)

GB-Ob MS. Mus. Sch. e. 422 (Wanley Partbooks)

GB-Ob MS. Mus. Sch. e. 423

GB-Ob MS. Tenbury 341

GB-Ob MS. Tenbury 342

GB-Ob MS. Tenbury 343

GB-Ob MS. Tenbury 344

GB-Ob MS. Tenbury 389

No images available

GB-Ob MS. Tenbury 807

No images available

GB-Ob MS. Tenbury 808

No images available

GB-Ob MS. Tenbury 809

No images available

GB-Ob MS. Tenbury 810

No images available

GB-Ob MS. Tenbury 811

No images available

GB-Ob MS. Tenbury 1382 (Southwell Tenor Book)

GB-Ob MS. Tenbury 1464

GB-Ob MS. Tenbury 1486 (Braikenridge Manuscript)

No images available

GB-Och Mus. 45

GB-Och Mus. 979 (Baldwin Partbooks)

GB-Och Mus. 980 (Baldwin Partbooks)

GB-Och Mus. 981 (Baldwin Partbooks)

GB-Och Mus. 982 (Baldwin Partbooks)

GB-Och Mus. 983 (Baldwin Partbooks)

GB-Och Mus. 984 (Dow Partbooks)

GB-Och Mus. 985 (Dow Partbooks)

GB-Och Mus. 986 (Dow Partbooks)

GB-Och Mus. 987 (Dow Partbooks)

GB-Och Mus. 988 (Dow Partbooks)

GB-Odiamm Contratenor partbook in private ownership (contact DIAMM)

GB-W X4/34/3 (Fayrfax fragments)

GB-WCc MS 153 Bassus (Winchester Partbooks)

GB-WCc MS 153 Contra Altus (Winchester Partbooks)

GB-WCc MS 153 Discantus (Winchester Partbooks)

GB-WCc MS 153 Tenor (Winchester Partbooks)

GB-WRec MS 178 (Eton Choirbook)

No images available

IRL-Dm [pr. bk.] Z4. 3. 1-5

No images available

IRL-Dtc [pr. bk.] OLS. 192. n. 40 [Altus]

No images available

IRL-Dtc [pr. bk.] OLS. 192. n. 40 [Bassus]

No images available

IRL-Dtc [pr. bk.] OLS. 192. n. 40 [Discantus]

No images available

IRL-Dtc [pr. bk.] OLS. 192. n. 40 [Superius (Quintus)]

No images available

IRL-Dtc [pr. bk.] OLS. 192. n. 40 [Tenor]

No images available

US-NYp Mus. Res. *MNZ (Chirk) [1] (Chirk Castle Partbooks)

No images available

US-NYp Mus. Res. *MNZ (Chirk) [2] (Chirk Castle Partbooks)

No images available

US-NYp Mus. Res. *MNZ (Chirk) [3] (Chirk Castle Partbooks)

No images available

US-NYp Mus. Res. *MNZ (Chirk) [4] (Chirk Castle Partbooks)

US-NYp Mus. Res. Drexel 4180

US-NYp Mus. Res. Drexel 4181

No images available

US-NYp Mus. Res. Drexel 4182

US-NYp Mus. Res. Drexel 4183

US-NYp Mus. Res. Drexel 4184

US-NYp Mus. Res. Drexel 4185

US-Ws V.a. 408

Set: Baldwin partbooks (Christ Church Mus. 979-983)

Type: Partbooks

GB-Och Mus. 979 (Baldwin Partbooks)

GB-Och Mus. 980 (Baldwin Partbooks)

GB-Och Mus. 981 (Baldwin Partbooks)

GB-Och Mus. 982 (Baldwin Partbooks)

GB-Och Mus. 983 (Baldwin Partbooks)

‡ denotes primary source study

Boydell, Barra. 1999. Music at Christ Church before 1800: documents and selected anthems. Four Courts Press.

Mateer, David G. 1995. John Baldwin and Changing Concepts of Text Underlay. English Choral Practice, 1400-1650, edited by David G Mateer, Cambridge. Pages: 143-60.

Fenlon, Iain, and John Milsom. 1984. 'Ruled Paper Imprinted': Music Paper and Patents in Sixteenth-Century England. Journal of the American Musicological Society, 139-63. Pages: 139-63.

Trowell, Brian. 1980. Faburden-New Sources, New Evidence: A Preliminary Survey. Modern Musical Scholarship, 28-78. Stocksfield, Boston, Henley, and London. Pages: 70, 75, 77. Notes: mention of MS; contents list (partial); concordances (partial).

Caldwell, John. 1978. The 'Te Deum' in Late Medieval England. Early Music, 188-94. Pages: 189. Notes: physical description; mention of MS; discussion.

Benham, Hugh Raymond. 1977. Latin Church Music in England c. 1460-1575. London. Pages: 24, 26, 148, 153, 163, 169, 211, Plate 7. Notes: physical description (partial); contents list (partial); concordances (partial); facsimile (partial); mention of MS; discussion.

Bray, Roger W. 1975. John Baldwin. Music and Letters, 55-9. Notes: physical description; mention of MS; discussion.

Bray, Roger W. 1971. The Part-Books Oxford, Christ Church, MSS 979-983: An Index and Commentary. Musica Disciplina, 179-97. Notes: physical description (partial); contents list; concordances; mention of MS; discussion.

Bray, Roger W. 1970-71. The Interpretation of Musica Ficta in English Music C.1490-C.1580. Proceedings of the Royal Musical Association, 29-45. Pages: 36-7. Notes: transcription (partial); mention of MS; discussion.

Benham, Hugh Raymond. 1969. The Music of John Taverner - A Study and Assessment. University of Southampton, Unpublished Ph.D. dissertation. Pages: 41. Notes: physical description (partial).

Bray, Roger W. 1969. The Interpretation of Musica Ficta in English Music, C. 1490-C. 1580 [dissertation]. Oxford University, Unpublished Ph.D. dissertation. Pages: I, 141-55, 169-84, 214-33, passim; II, 75-88. Notes: physical description (partial); contents list; concordances; transcription (partial); mention of MS; discussion.

Warren, Edwin B. 1969. Life and Works of Robert Fayrfax. Musicological Studies and Documents. American Institute of Musicology. Pages: 53, 60. Notes: physical description (partial); contents list (partial); concordances (partial).

Harrison, Frank Llewellyn (editor). 1963-. Early English Church Music. London: Stainer & Bell. Pages: II, passim; XVII, 16-27, 39-125, 129-51, 156-60; XX, 249ff; XXIV, xiv; XXV,168ff; XXVIII, 124,130, 133-4; XXIX,128,132-4,138,140; XXX,passsim. Notes: physical description (partial); contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Lamont, Herbert Harry. 1963. John Shepherd: His Life and Music. University of Southern California, Unpublished Ph.D. dissertation. Pages: I, 82-3, 111-4, 183ff, passim; II, 83-95, 104-6, 115-20, 123-36. Notes: physical description (partial); contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Kerman, Joseph. 1961. Byrd's Motets: Chronology and Canon. Journal of the American Musicological Society, 359-82. Pages: 361, 364, 366-7, 374, 376. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Fellowes, Edmund H. 1948. William Byrd. London, New York, and Toronto. Pages: 99, 109, 112-3, 180-2, 188, 192. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Fellowes, Edmund H (editor). 1937-50, 1962. The Collected Works of William Byrd. Pages: VIII, vi; XVII, 48-52, 150, 157. Notes: mention of MS; contents list (partial); concordances (partial); transcriptions (partial).

Blume, Friedrich (editor). 1929-. Das Chorwerk. Berlin/Wolfenbüttel. Pages: LXXXIV, v, 11-21. Notes: contents list (partial); transcriptions (partial); mention of MS; discussion.

Fellowes, Edmund H (editor). 1923-48. Tudor Church Music. London, Oxford et al. Pages: I, xxx, lix, lxii; III, xv-xix, passim; V, xx-xxiv, passim; VI, xxvi-xxvii, xxxi-xxxii, passim; IX, xii-xiv, passim. Notes: physical description (partial); contents list (partial); concordances (partial); transcriptions (partial).

Davey, Henry. 1921. History of English Music. London. Pages: 123-4, passim [confuses OxfC 979-83 and OxfC 984-8]. Notes: physical description (partial); contents list (partial).

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Edward Tambling

Friday, 1 September, 2017

part naming in book descriptions corrected

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description