F-Pnm NAF 1817

Bibliothèque nationale de France, Département des Manuscrits, Paris, France

partbook: 1515-6

Archive	Bibliothèque nationale de France, Département des Manuscrits, Paris, France (F-Pnm)
Shelfmark	NAF 1817
Image Availability	The images on this record are linked using IIIF.
Surface	Parchment
Numbering System	Foliation
Measurements	123 x 175 mm
Other Identifiers	RISM: F-Pn 1817 CCM: ParisBNN 1817 olim (Former shelfmark): F-Pn nouvelles acquisitions françaises 1817
Notations	black void mensural
Copyists	Boccardi, Giovanni Illuminator
Relationships	Yemeniz, Nicolas (–1871) (owner) ? de' Medici, Giuliano di Lorenzo (1479–1516) (owner)
External Links	images IIIF Manifest
Provenance	Firenze (Florence), Italy
Contents	80 pieces from 16 composers

General Description

A Tenor partbook from a set originally of four volumes. Copied by one main scribe (ff. 4-76), with slightly later additions by a second scribe (ff. 76'-78). Copied in Florence; probably owned by Giuliano de' Medici (RedmS). Purchased by Bibliothèque Nationale in 1866 at sale of collection of Nicolas Yemeniz (d. 1871) of Lyons, a prominent silk manufacturer and diplomat; Yemeniz' bookplate pasted inside front cover.

DIAMM, 2017

Binding

Original covers of brown leather over boards, decorated with tooled geometric designs and gold-stamped leaf motifs.

DIAMM, 2017

Notation

black void mensural

DIAMM, 2017

Ruling

Staff height 12

DIAMM, 2017

Foliation

New ink foliation, 1-84; original ink foliation, 1-81? (mostly obliterated by later trimming), beginning on first folio with music (= new f. 4).

DIAMM, 2017

Decoration

Painted initials (light blue, purple, light green, and silver on blue, green, or red grounds), with gold filigree work and floral designs; folios gilt-edged. Decoration attributed to workshop of Giovanni Boccardi (SlimGM). Coat of arms of Medici family on new f. 41, as part of initials for Isaac's 'Palle, palle.' Historiated initial for Isaac's 'Prophetarum maxime' on new f. 64 depicts dog chained to tree, with motto 'Constante' on scroll behind tree..

DIAMM, 2017

Index

Original index on new ff. 1-2' lists first 42 pieces only, in alphabetical order by title.

DIAMM, 2017

Surface

parchment

DIAMM, 2017

RISM Description

RISM B/IV 5: [the description covers all three books]

XVIes. Parchemin, 122 x 175 mm. 3 livres; Sup. (CT96), 2ff. n.ch. portant la table incompl. Qu ms. + 87ff. dont les 13 derniers sont blancs. Foliotation ancienne: 1-50 puis moderne: 51-75, les derniers ff. sans numérotation; Ct. (CT95), 2ff. n.ch. portant la table incomplète + 88 ff. dont les 13 derniers sont blancs. Foliotation ancienne: 1-51 puis moderne: 51-88 avec quelques lacunes; T. (Pn1817), 2ff. n.ch. portant la table incomplète + 84ff. Foliotation ancienne avec lacunes, souvent rognée, et foliotation moderne: 1-84 d'après laquelle les ff. 3r-v, 32, 78v à 84v sont blancs. Notation mesurée blanche. 4 portées par p. Initiales ornées en coul. Reliures anciennes veau estampé, fers dorés, dos refaits au Sup. et Ct. Mq. le livre du Bassus.

Les livres du Sup. et du Ct. ont été acquis en 1879 pour le compte de la Biblioteca de Cortona par Girolamo Mancini qui y était alors bibliothécaire, tandis que le livre du T. a été acheté par la Bibliothèque nationale de Paris en 1866 à la vente de l'archéologue Yemenis. Le livre du B. n'a pas été jusqu'à présent retrouvé. On distingue dans chaque recueil 2 sections copiées par des scribes différents, le changement d'écriture se marquant au no 43, la table qui s'arrête au no 42 ne concernant donc que la 1ère partie. Les deux campagnes se sont vraisemblablement succédées sans interruption notable comme semble le prouver la dimension des marges et des portées exactement semblables et aussi les initiales de la main d'un même enlumineur pour les volumes entiers. Il est certain que ces volumes ont été compilés pour un membre de la famille Médicis, car au livre du T., l'initiale du no 37 est ornée des armes des Médicis surmontées d'un chapeau de cardinal. Si l'on admet qu'il s'agit de Giovanni, la 1ère partie du ms. aurait été copiée avant 1513, date où ce cardinal est devenu le pape Léon X. D'autre part, les deux médaillons portant l'inscription GLOVIS, devise adoptée par Giuliano de Médicis en 1515, on a le plus souvent attribué à celui-ci la possession du ms., bien qu'il n'ait jamais été cardinal (Gröber). Les nos 40 et 42 ayant un lien direct avec Laurent de Médicis (le no 42 a été composé pour sa mort en 1492), on pourrait penser (avec Pannella) que la 1ère partie du ms. aurait été copiée dès 1492-1494, si le répertoire n'était trop moderne pour justifier cette datation. Quant à la 2e section, le no 51 pour la mort d'Anne de Bretagne en 1514, et la mort de Giuliano survenue en 1516, en situent la copie entre ces deux dates.

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of any of this content without permission may result in legal action.

Répertoire International des Sources Musicales

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

19 motets, 31 French secular pieces, 4 Italian secular pieces, 1 macaronic secular piece = 55

(A. Agricola)-1, (Compère)-6, (Compère/Josquin/Ninot le Petit)-1, (Compère/Pipelare/Weerbecke)-1, (Danglon/Pesenti)-1, (A. Févin)-1, (Isaac)-9, (Japart)-1, (Josquin)-10, (Josquin/Pesenti)-1, (Mouton)-4, (Ninot le Petit)-3, (Ninot le Petit [Jo. le Petit]/ Obrecht)-1, anon-15

1 parchment partbook of an original 4 (T-84 folios), 123 x 175. D and A books from same original set now CorBC 95-6; B missing. New ink foliation, 1-84; original ink foliation, 1-81? (mostly obliterated by later trimming), beginning on first folio with music (= new f. 4). New ff. 3-3' blank; new ff. 78'-84' have blank staves only. Original covers of brown leather over boards, decorated with tooled geometric designs and gold-stamped leaf motifs. Original index on new ff. 1-2' lists first 42 pieces only, in alphabetical order by title.

Copied by one main scribe (ff. 4-76), with slightly later additions by a second scribe (ff. 76'-78). Staff height 12. Painted initials (light blue, purple, light green, and silver on blue, green, or red grounds), with gold filigree work and floral designs; folios gilt-edged. Decoration attributed to workshop of Giovanni Boccardi (SlimGM). Coat of arms of Medici family on new f. 41, as part of initials for Isaac's "Palle, palle." Historiated initial for Isaac's "Prophetarum maxime" on new f. 64 depicts dog chained to tree, with motto "Constante" on scroll behind tree.

1515-6 (GröbL, RedmS). Copied in Florence; probably owned by Giuliano de' Medici (RedmS). Purchased by Bibliothèque Nationale in 1866 at sale of collection of Nicolas Yemeniz (d. 1871) of Lyons, a prominent silk manufacturer and diplomat; Yemeniz' bookplate pasted inside front cover.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
1–2v	index	-	-
index Appears on: 1–2v
4–4v	Je n'ai deuil - 1a pars (of 2): Je n'ai deuil que de vous ne viegne	[A. AGRICOLA]	Agricola, Alexander (ca. 1445–1506)
Je n'ai deuil - 1a pars (of 2): Je n'ai deuil que de vous ne viegne Agricola, Alexander (ca. 1445–1506) Appears on: 4–4v Genres: Chanson Source Attribution: [A. AGRICOLA] Voice: [no designation] Languages: French Voice Text: Je nay deuil que de vous ne viegne . . . General Note Publ. cf. Bc 17 n° 64
4v	Je n'ai deuil - 2a pars (of 2): Car Dieu voulut tant pour vous faire	-	Agricola, Alexander (ca. 1445–1506)
Je n'ai deuil - 2a pars (of 2): Car Dieu voulut tant pour vous faire Agricola, Alexander (ca. 1445–1506) Appears on: 4v Genres: Chanson
5	Baises moi ma doulce amie par amour je vous am prie 28.4	[JOSQUIN DES PRES*]	Despres, Josquin (ca. 1450–1521)
Baises moi ma doulce amie par amour je vous am prie 28.4 Despres, Josquin (ca. 1450–1521) Appears on: 5 Genres: Chanson Source Attribution: [JOSQUIN DES PRES] Voice:* [no designation] Languages: French Voice Text: Basé moy [ma doulx amie] pour amor je vous am prie . . . Item Bibliography Hewitt, Helen Margaret (editor). 1967. Canti B numero cinquanta, Venice 1502. Monuments of Renaissance Music. Chicago. Smijers, Albert, Myroslaw Antonowycz, and Willem Elders (editors). 1925 - . Werken van Josquin des Prés: Wereldlijke Werken (1925); Missen (1931). Leipzig/ Amsterdam. Pages: I.
5v–6v	Une playsant filette au matin se leva	[L. COMPERE]	Compère, Loyset (ca. 1445–1518)
Une playsant filette au matin se leva Compère, Loyset (ca. 1445–1518) Appears on: 5v–6v Genres: Chanson Source Attribution: [L. COMPERE] Voice: [no designation] Languages: French Voice Text: Une playsant figlette au mattin se leva..... Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 15,V (avec facs. f. 2v-3 CT 95).
6v–7v	Joulis mariner passe moi sena	-	Anonymous
Joulis mariner passe moi sena Anonymous Appears on: 6v–7v Genres: Chanson Voice: [no designation] Languages: French Voice Text: Jouli mariner passe moy sena
8–8v	Veci la danse barbari - L'autre jour	-	Compère, Loyset (ca. 1445–1518) (?)
Veci la danse barbari - L'autre jour Compère, Loyset (ca. 1445–1518) (?) Appears on: 8–8v Genres: Secular Voice: [no designation] Languages: Italian Voice Text: Veci la danse barbari . . .
8v–9	Lourdault Lourdault garde que tu feras 28.23	NINOT LE PETIT ou L. COMPÈRE* ou JOSQUIN**]	Despres, Josquin (ca. 1450–1521) (?) Petit, Nino le (fl. c1500) Compère, Loyset (ca. 1445–1518) (?)
Lourdault Lourdault garde que tu feras 28.23 Despres, Josquin (ca. 1450–1521) (?) Petit, Nino le (fl. c1500) Compère, Loyset (ca. 1445–1518) (?) Appears on: 8v–9 Genres: Chanson Source Attribution: NINOT LE PETIT ou L. COMPÈRE* ou JOSQUIN] Voice: [no designation] Languages: French Voice Text:** Lordault lordault garde que tu feras … General Note t Publ. cf. Bc 17 n° 55 Concordances … *15022 »»CH-Bu F.X. l - 4
9–10	Vostre bargeronette mamiette	[L. COMPÈRE]	Compère, Loyset (ca. 1445–1518)
Vostre bargeronette mamiette Compère, Loyset (ca. 1445–1518) Appears on: 9–10 Genres: Chanson Source Attribution: [L. COMPÈRE] Voice: [no designation] Languages: French Voice Text: Vostre bargeronette mamiette … General Note Publ. cf. Bc 17 n° 60
10–11	Et levé vous o Guigliermette	[NINOT LE PETIT]	Petit, Nino le (fl. c1500)
Et levé vous o Guigliermette Petit, Nino le (fl. c1500) Appears on: 10–11 Genres: Italian secular Source Attribution: [NINOT LE PETIT] Voice: [no designation] Languages: French Voice Text: Et levé vous o Guigliermette . . . Item Bibliography Haar, James (editor). 1964. Chanson and Madrigal, 1480-1530... a Conference at Isham Memorial Library, September 13-14 1961. Cambridge, Mass. Honegger, M, and G Dottin. 1963-. Chansons françaises. Chansons polyphoniques du XVIème siècle. Paris. [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 87.
11–11v	Je suis amie du forrier	[L. COMPÈRE]	Compère, Loyset (ca. 1445–1518)
Je suis amie du forrier Compère, Loyset (ca. 1445–1518) Appears on: 11–11v Genres: Chanson Source Attribution: [L. COMPÈRE] Voice: [no designation] Languages: French Voice Text: Je suis amie du forrier Item Bibliography Hewitt, Helen Margaret (editor). 1967. Canti B numero cinquanta, Venice 1502. Monuments of Renaissance Music. Chicago. [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 15, V.
12–12v	Gentil galans de France chi alla guerra ales	-	Anonymous
Gentil galans de France chi alla guerra ales Anonymous Appears on: 12–12v Genres: Chanson Voice: [no designation] Languages: French Voice Text: Gentil galans de France
13–14	Alons fere nus barbes	[L. COMPERE]*	Compère, Loyset (ca. 1445–1518)
Alons fere nus barbes Compère, Loyset (ca. 1445–1518) Appears on: 13–14 Genres: Chanson Source Attribution: [L. COMPERE]* Voice: [no designation] Languages: French Voice Text: Alon fere nous barbes … Concordances 1501 Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae.* The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 15, V. Hewitt, Helen Margaret (editor). 1942. Harmonice Musices Odhecaton A. Studies and Documents. Cambridge, Massachusetts: Mediaeval Academy of America.
14–14v	Tant belle mi son pensade	-	Isaac, Heinrich (ca. 1450–1517)
Tant belle mi son pensade Isaac, Heinrich (ca. 1450–1517) Appears on: 14–14v Genres: Chanson Voice: [no designation] Languages: Italian Voice Text: Tambien mi son pensada . . . General Note Publ. cf. Bc 17 n° 67Attrib. à Ghisehn par Pitoni (cf. Bibliographie AtlasTC) Item Bibliography Atlas, Allan W. 1976. The Cappella Giulia chansonnier. (Rome, Biblioteca Apostolica Vaticana, CG. XII-27). Musicological Studies. Brooklyn.
14v–15v	Tambur tambur tambor tamburelaridon	-	Anonymous
Tambur tambur tambor tamburelaridon Anonymous Appears on: 14v–15v Genres: Secular Voice: [no designation] Languages: Italian Voice Text: Tambur tambur tambor tamburelaridon . . .
15v–16	Volez ouir une sanson de chyons	[L. COMPÈRE]	Compère, Loyset (ca. 1445–1518)
Volez ouir une sanson de chyons Compère, Loyset (ca. 1445–1518) Appears on: 15v–16 Genres: Secular Source Attribution: [L. COMPÈRE] Voice: [no designation] Languages: French Voice Text: Volés oir une chanson de chons … [ = Veles mongetes] Item Bibliography Atlas, Allan W. 1976. The Cappella Giulia chansonnier. (Rome, Biblioteca Apostolica Vaticana, CG. XII-27). Musicological Studies. Brooklyn. Pages: II. [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 15, V.
16v–17	Si je fet un chop apres	[J. JAPART]*	Japart, Jean
Si je fet un chop apres Japart, Jean Appears on: 16v–17 Genres: Chanson Source Attribution: [J. JAPART]* Voice: [no designation] Languages: French Voice Text: Si je vo [Ct et T: Si je fet] un chop apres … General Note = Tambien mi son pensade]Publ. cf. Bc 17 n° 71 Concordances 1501
17–17v	Si je vous avoye pointe hellas	-	Anonymous
Si je vous avoye pointe hellas Anonymous Appears on: 17–17v Genres: Chanson Voice: [no designation] Languages: French Voice Text: Si je vous avoye pointe hellas . .
18–19	Ciascun me crie marie toi Marie	-	Anonymous
Ciascun me crie marie toi Marie Anonymous Appears on: 18–19 Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: Ciascun me crie marie toy Marie . . .
19v–20	Fille vous have mal guarde / Ave sanctissima Maria	[H. ISAAC]	Isaac, Heinrich (ca. 1450–1517)
Fille vous have mal guarde / Ave sanctissima Maria Isaac, Heinrich (ca. 1450–1517) Appears on: 19v–20 Genres: Contrafactum, Marian antiphon, Song Source Attribution: [H. ISAAC] Voice: [no designation] Languages: French Voice Text: Fille vous avés mal gardé le pan d'avant … General Note Publ. cf. Bc 17 no 59
20v–21	Fortuna desperata / Vidi la forosetta / Voi m'avete / Fortuna mang'io biscotti	-	Anonymous
Fortuna desperata / Vidi la forosetta / Voi m'avete / Fortuna mang'io biscotti Anonymous Appears on: 20v–21 Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: Fortuna disperata . . . General Note Ct: Vidi la forosetta in un boschetto . . .T: Vo m'avete svergogne niente . . . Item Bibliography Wolf, Johannes. 1908-21. Werken van Jacob Obrecht: Missen. Amsterdam und Leipzig.
21v–22	Donna di dentro dalla tua casa	[H. ISAAC]	Isaac, Heinrich (ca. 1450–1517)
Donna di dentro dalla tua casa Isaac, Heinrich (ca. 1450–1517) Appears on: 21v–22 Genres: Italian secular Source Attribution: [H. ISAAC] Voice: [no designation] Languages: Italian Voice Text: Donna di dentro dalla tua chasa . General Note Ct: Dammene un poco di quella mazacrocha . . .T: Fortuna d'un gran tempo . . Item Bibliography Brown, Howard Mayer (editor). 1983. A Florentine Chansonnier from the time of Lorenzo the Magnificent. Monuments of Renaissance Music. Chicago and London. Feilerer, Karl Gustav (editor). 1962-65. Altklassische Polyphonie. Das Musikwerk. Eine Beispielsammlung zur Musikgeschichte. Köln. Pages: 22. Pannella, Liliana. 1958. L'incatenatura "Donna di dentro dalla tua casa" di H. Ysaac. Lares: Journal of the International Folk Music Council, 10ff. Smijers, Albert (editor). 1949. Van Ockeghem tot Sweelinck. 5 vols. Amsterdam: Vereniging voor Nederlandse Muziekgeschiedenis. Pages: VI. Blume, Friedrich, and Kurt Gude (editors). 1929-79. Das Chorwerk. Wolfenbüttel/Berlin. Pages: 43. Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 28 (XIV. Ambros, August Wilhelm. 1880-82. Geschichte der Musik. 2. Auflage. 5 vols. Leipzig. Pages: V.
22v–23	Entre je suis en grand pensée 28.13	[JOSQUIN DES PRÉS]	Despres, Josquin (ca. 1450–1521)
Entre je suis en grand pensée 28.13 Despres, Josquin (ca. 1450–1521) Appears on: 22v–23 Genres: Chanson Source Attribution: [JOSQUIN DES PRÉS] Voice: [no designation] Languages: French Voice Text: Entré ye suis en gran penser. [ = Par vous je suis] [= In mijnen sinn] Item Bibliography Newton, Paul G. 1968. Florence, Biblioteca del Conservatorio di Musica Luigi Cherubini, Manuscript Baseai 2439: Critical Edition and Commentary. North Texas State University, Unpublished Ph.D. dissertation. Picker, Martin. 1965. The Chanson Albums of Marguerite of Austria.* Berkeley and Los Angeles: University of California Press. Osthoff, Helmuth. 1962. Josquin Desprez. 2 vols. Tutzing. Pages: II. Smijers, Albert, Myroslaw Antonowycz, and Willem Elders (editors). 1925 - . Werken van Josquin des Prés: Wereldlijke Werken (1925); Missen (1931). Leipzig/ Amsterdam. Pages: II.
23–23v	Fors seulement l'attente que je meure = Frayres y dexedes me	-	Ockeghem, Jean de (ca. 1410–1497)
Fors seulement l'attente que je meure = Frayres y dexedes me Ockeghem, Jean de (ca. 1410–1497) Appears on: 23–23v Genres: Chanson Voice: [no designation] Languages: French Voice Text: For sellement l'atante que je more . . .
24–24v	Il etait un bon homme qui venoit de Lyons	-	Anonymous
Il etait un bon homme qui venoit de Lyons Anonymous Appears on: 24–24v Genres: Chanson Voice: [no designation] Languages: French Voice Text: II estoit ung bon home qui venoet da Lion . . . Item Bibliography Shipp, Clifford Marion. 1960. A chansonnier of the dukes of Lorraine: The Paris manuscript Fonds Français 1597. North Texas State College, Ph.D. Dissertation.
25–25v	L'amour de moi si est enclosé	-	Anonymous
L'amour de moi si est enclosé Anonymous Appears on: 25–25v Genres: Chanson Voice: [no designation] Languages: French Voice Text: L'amor de moi il est enclose . . .
25v–26	Tant ravi suis	-	Anonymous
Tant ravi suis Anonymous Appears on: 25v–26 Genres: Chanson Voice: [no designation] Languages: French Voice Text: (Tant ravis suis) General Note untexted
26–26v	Maire de Dieu tant caude soy	-	Anonymous
Maire de Dieu tant caude soy Anonymous Appears on: 26–26v Genres: Chanson Voice: [no designation] Languages: French Voice Text: Maire de die tant caude soy . . .
27–27v	L'autre jour me chevauchoie / L'autrier joiant et joli doi compaignon / Vilain, lieve sus o.	-	Anonymous
L'autre jour me chevauchoie / L'autrier joiant et joli doi compaignon / Vilain, lieve sus o. Anonymous Appears on: 27–27v Genres: Motet Voice: [no designation] Languages: French Voice Text: L'aultre jor je cievalcioie General Note [Ct: Cavaucoie; T: Cevaucoye]
28	Che fa la ramanzina	-	Compère, Loyset (ca. 1445–1518)
Che fa la ramanzina Compère, Loyset (ca. 1445–1518) Appears on: 28 Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: Che fa la ramanzina … General Note Publ. cf. Bc 17 n° 57 Concordances Not the Compere version (nor the one in Seville 5-1-43)
28v–29	Sustinuimus pacem Domine et ecce turbatio (cantus firmus: En l'ombre/Une mousse)	[H. ISAAC]	Isaac, Heinrich (ca. 1450–1517)
Sustinuimus pacem Domine et ecce turbatio (cantus firmus: En l'ombre/Une mousse) Isaac, Heinrich (ca. 1450–1517) Appears on: 28v–29 Genres: Motet Source Attribution: [H. ISAAC] Voice: [no designation] Languages: Latin Voice Text: Sustinuimus pacem domine et ecce turbatio Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 28, XIV.
29v–30	O bone et dulcis Domine Jesu credo / Pater noster / Ave Maria 21.8	[JOSQUIN DES PRÉS]	Despres, Josquin (ca. 1450–1521)
O bone et dulcis Domine Jesu credo / Pater noster / Ave Maria 21.8 Despres, Josquin (ca. 1450–1521) Appears on: 29v–30 Genres: Ave Maria, BVM, Motet, Pater noster Source Attribution: [JOSQUIN DES PRÉS] Voice: [no designation] Languages: Latin Voice Text: O bone et dulcis domine Iesu credo/Pater noster/Ave Maria Item Bibliography Smijers, Albert, Myroslaw Antonowycz, and Willem Elders (editors). 1925-, 1926-. Werken van Josquin des Prés: Motetten. Leipzig/ Amsterdam. Pages: I.
30v–31	Alma redemptoris mater / Ave regina caelorum 23.2 - 1a pars (of 2): Alma redemptoris mater / Ave regina caelorum	[JOSQUIN DES PRÉS]	Despres, Josquin (ca. 1450–1521)
Alma redemptoris mater / Ave regina caelorum 23.2 - 1a pars (of 2): Alma redemptoris mater / Ave regina caelorum Despres, Josquin (ca. 1450–1521) Appears on: 30v–31 Genres: Alma redemptoris mater, BVM, Motet Source Attribution: [JOSQUIN DES PRÉS] Voice: [no designation] Languages: Latin Voice Text: Alma redemptoris mater/Ave regina General Note Ct et T: Ave regina celorum … Item Bibliography Smijers, Albert, Myroslaw Antonowycz, and Willem Elders (editors). 1925-, 1926-. Werken van Josquin des Prés: Motetten. Leipzig/ Amsterdam. Pages: I.
31–31v	Alma redemptoris mater / Ave regina caelorum 23.2 - 2a pars (of 2): Tu que genuisti natura mirante / Gaude virgo gloriosa	-	Despres, Josquin (ca. 1450–1521)
Alma redemptoris mater / Ave regina caelorum 23.2 - 2a pars (of 2): Tu que genuisti natura mirante / Gaude virgo gloriosa Despres, Josquin (ca. 1450–1521) Appears on: 31–31v Genres: Alma redemptoris mater, BVM, Motet
32v–33	E logeron nous seans hostesse	H. ISAAC]	Isaac, Heinrich (ca. 1450–1517)
E logeron nous seans hostesse Isaac, Heinrich (ca. 1450–1517) Appears on: 32v–33 Genres: Chanson Source Attribution: H. ISAAC] Voice: [no designation] Languages: French Voice Text: E logeron nous seans hostesse. General Note Paroles complètes au T Publ. cf. Bc 17 n° 56
33–33v	Une mosche de Bischaye 28.35	[JOSQUIN DES PRÉS]	Despres, Josquin (ca. 1450–1521)
Une mosche de Bischaye 28.35 Despres, Josquin (ca. 1450–1521) Appears on: 33–33v Genres: Chanson Source Attribution: [JOSQUIN DES PRÉS] Voice: [no designation] Languages: French Voice Text: Une(mosa) [de Biscaye] General Note ] Publ. cf. Bc 17 n° 69. Untexted (incipit: Une)
33v–34	Vrai dieu quel payne esse que d'aymer = Quam diu che pena messe	[L. COMPÈRE* ou GASPAR VAN WEERBECKE ou M. PIPELARE**]	Pipelare, Mattheus (ca. 1450–ca. 1515) (?) Weerbecke, Gaspar van (ca. 1445–ca. 1516) (?) Compère, Loyset (ca. 1445–1518) (?)
Vrai dieu quel payne esse que d'aymer = Quam diu che pena messe Pipelare, Mattheus (ca. 1450–ca. 1515) (?) Weerbecke, Gaspar van (ca. 1445–ca. 1516) (?) Compère, Loyset (ca. 1445–1518) (?) Appears on: 33v–34 Genres: Chanson, Contrafactum, Motet Source Attribution: [L. COMPÈRE* ou GASPAR VAN WEERBECKE ou M. PIPELARE] Voice: [no designation] Languages: French Voice Text:** Vray dieu que pene m'esse . . . General Note Publ. cf. Bc 17 n° 65 Concordances *15043 ^CH-SGs 530
34v–35v	Si oblitus fuero - 1a pars (of 2): Si oblitus fuero tui Jerusalem alleluia	[NINOT LE PETIT ou J. OBRECHT*]	Obrecht, Jacobus (ca. 1457–1505) (?) Petit, Nino le (fl. c1500) (?)
Si oblitus fuero - 1a pars (of 2): Si oblitus fuero tui Jerusalem alleluia Obrecht, Jacobus (ca. 1457–1505) (?) Petit, Nino le (fl. c1500) (?) Appears on: 34v–35v Genres: Motet Source Attribution: [NINOT LE PETIT ou J. OBRECHT] Voice:* [no designation] Languages: Latin Voice Text: Si oblitus fuero tui Concordances D-ddr-ABG 2 Item Bibliography Shine, Josephine M. 1953. The Motets of Jean Mouton. New York University, Unpublished Ph.D. dissertation. Pages: (attrib. à Mouton). [No Author] 1947-. Corpus mensurabilis musicae.* The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 87. Wolf, Johannes. 1908-21. Werken van Jacob Obrecht: Missen. Amsterdam und Leipzig.
36–37v	Si oblitus fuero - 2a pars (of 2): Decantabat populus laudes	-	Petit, Nino le (fl. c1500) (?) Obrecht, Jacobus (ca. 1457–1505) (?)
Si oblitus fuero - 2a pars (of 2): Decantabat populus laudes Petit, Nino le (fl. c1500) (?) Obrecht, Jacobus (ca. 1457–1505) (?) Appears on: 36–37v Genres: Motet
38–39v	In illo tempore - 1a pars (of 3): In illo tempore assumpsit Jesus Petrum	[NINOT LE PETIT]	Petit, Nino le (fl. c1500)
In illo tempore - 1a pars (of 3): In illo tempore assumpsit Jesus Petrum Petit, Nino le (fl. c1500) Appears on: 38–39v Genres: Motet Source Attribution: [NINOT LE PETIT] Voice: [no designation] Languages: Latin Voice Text: In illo tempore assumpsit Iesus Petrum Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 87.
39v–40	In illo tempore - 2a pars (of 3): Adhuc eo loquente	-	Petit, Nino le (fl. c1500)
In illo tempore - 2a pars (of 3): Adhuc eo loquente Petit, Nino le (fl. c1500) Appears on: 39v–40 Genres: Motet
40–40v	In illo tempore - 3a pars (of 3): Et tetigit eos divitiis eis	-	Petit, Nino le (fl. c1500)
In illo tempore - 3a pars (of 3): Et tetigit eos divitiis eis Petit, Nino le (fl. c1500) Appears on: 40–40v Genres: Motet
41–41v	Palle palle palle	[H. ISAAC]	Isaac, Heinrich (ca. 1450–1517)
Palle palle palle Isaac, Heinrich (ca. 1450–1517) Appears on: 41–41v Genres: Italian secular Source Attribution: [H. ISAAC] Voice: [no designation] Languages: Italian Voice Text: Palle palle. Item Bibliography Disertori, Benvenuto. 1964. Le Frottole per canto e liuto intabulate da Franciscus Bossinensis. Istituzioni e Monumenti dell'arte musicale italiana. Nuova serie. Milano. Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 28 (XIV).
41v–43	Liber generationis Jesu Christi 19.13 - 1a pars (of 3): Liber generationis Jesu Christi	[JOSQUIN DES PRÉS]	Despres, Josquin (ca. 1450–1521)
Liber generationis Jesu Christi 19.13 - 1a pars (of 3): Liber generationis Jesu Christi Despres, Josquin (ca. 1450–1521) Appears on: 41v–43 Genres: Motet Source Attribution: [JOSQUIN DES PRÉS] Voice: [no designation] Languages: Latin Voice Text: Liber generationis Iesu Christi General Note [2a p.]: SaL•mon autem genuit . .[Sup.tacet][3a p-]: Et post transmigrationem Babyl-lonis . _ _ JosquinMO Item Bibliography Smijers, Albert, Myroslaw Antonowycz, and Willem Elders (editors). 1925-, 1926-. Werken van Josquin des Prés: Motetten. Leipzig/ Amsterdam. Pages: I.
43–44v	Liber generationis Jesu Christi 19.13 - 2a pars (of 3): Salomon autem genuit Roboam	-	Despres, Josquin (ca. 1450–1521)
Liber generationis Jesu Christi 19.13 - 2a pars (of 3): Salomon autem genuit Roboam Despres, Josquin (ca. 1450–1521) Appears on: 43–44v Genres: Motet
44v–46	Liber generationis Jesu Christi 19.13 - 3a pars (of 3): Et post transmigracionem Babilonis	-	Despres, Josquin (ca. 1450–1521)
Liber generationis Jesu Christi 19.13 - 3a pars (of 3): Et post transmigracionem Babilonis Despres, Josquin (ca. 1450–1521) Appears on: 44v–46 Genres: Motet
46–47	Tulerunt Dominum - 1a pars (of 2): Tulerunt Dominum meum et nescio ubi	[M. PESENTI]*	Pesenti, Benedetto
Tulerunt Dominum - 1a pars (of 2): Tulerunt Dominum meum et nescio ubi Pesenti, Benedetto Appears on: 46–47 Genres: Motet Source Attribution: [M. PESENTI]* Voice: [no designation] Languages: Latin Voice Text: Tulerunt dominum meum et nescio ubi General Note [2a p.]: Reposita est hec spes mea … Concordances 15192 Item Bibliography Disertori, Benvenuto. 1954. La frottola nella storia della musica. Monumenta N.I., Cremona,* Instituta et monumenta, Serie I. 9ff.
47	Tulerunt Dominum - 2a pars (of 2): Reposita est haec spes mea	-	Pesenti, Benedetto
Tulerunt Dominum - 2a pars (of 2): Reposita est haec spes mea Pesenti, Benedetto Appears on: 47 Genres: Motet
47v–48	Quis dabit pacem - 1a pars (of 2): Quis dabit pacem populo timenti	[H. ISAAC]	Isaac, Heinrich (ca. 1450–1517)
Quis dabit pacem - 1a pars (of 2): Quis dabit pacem populo timenti Isaac, Heinrich (ca. 1450–1517) Appears on: 47v–48 Genres: Motet Source Attribution: [H. ISAAC] Voice: [no designation] Languages: Latin Voice Text: Quis dabit pacem populo timenti General Note [2a p.]: Quam tuas laudes Publ. cf. Bc 20 no 24
48–49	Quis dabit pacem - 2a pars (of 2): Quam tuas laudes	-	Isaac, Heinrich (ca. 1450–1517)
Quis dabit pacem - 2a pars (of 2): Quam tuas laudes Isaac, Heinrich (ca. 1450–1517) Appears on: 48–49 Genres: Motet
49v–50	Tota pulchra es - 1a pars (of 2): Tota pulchra es amica mea et macula	[H. ISAAC]	Isaac, Heinrich (ca. 1450–1517)
Tota pulchra es - 1a pars (of 2): Tota pulchra es amica mea et macula Isaac, Heinrich (ca. 1450–1517) Appears on: 49v–50 Genres: Motet Source Attribution: [H. ISAAC] Voice: [no designation] Languages: Latin Voice Text: Tota pulchra es amica mea et macula General Note [2a p.]: Flores apparuerunt … Item Bibliography Blume, Friedrich, and Kurt Gude (editors). 1929-79. Das Chorwerk. Wolfenbüttel/Berlin. Pages: 100.
50v–51	Tota pulchra es - 2a pars (of 2): Flores apparuerunt vineae florentes	-	Isaac, Heinrich (ca. 1450–1517)
Tota pulchra es - 2a pars (of 2): Flores apparuerunt vineae florentes Isaac, Heinrich (ca. 1450–1517) Appears on: 50v–51 Genres: Motet
51v	Quis dabit capiti - 1a pars (of 4): Quis dabit capiti meo aquam	[H. ISAAC]	Isaac, Heinrich (ca. 1450–1517)
Quis dabit capiti - 1a pars (of 4): Quis dabit capiti meo aquam Isaac, Heinrich (ca. 1450–1517) Appears on: 51v Genres: Motet Source Attribution: [H. ISAAC] Voice: [no designation] Languages: Latin Voice Text: Quis dabit capiti meo aquam General Note [Quis oculis = Missa salva nos. Osanna II] Item Bibliography Rehm, Wolfgang (editor). 1957) & Vol. VI: Mehrstimmige Lamentationen aus der ersten Hälfte des 16. Jahrhunderts, Massenkeil, G (ed.) (1965) & Vol. VII-VIII. Heinrich Isaac Messen, Staehelin, Martin (ed.) (1970-1973. Die Chansons von Gilles Binchois (1400-1460). Musikalische Denkmäler. Pages: VIII (Missa Salva nos). [No Author] 1937. Mostra bibliografica di musica italiana dalle origini alla fine del secolo XVIII. Firenze: R. Biblioteca nazionale centrale Firenze. Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 28, XIV.
51v–52	Quis dabit capiti - 2a pars (of 4): Sic turtur viduus solet	-	Isaac, Heinrich (ca. 1450–1517)
Quis dabit capiti - 2a pars (of 4): Sic turtur viduus solet Isaac, Heinrich (ca. 1450–1517) Appears on: 51v–52 Genres: Motet
52	Quis dabit capiti - 3a pars (of 4): Laurus impetu fulminis	-	Isaac, Heinrich (ca. 1450–1517)
Quis dabit capiti - 3a pars (of 4): Laurus impetu fulminis Isaac, Heinrich (ca. 1450–1517) Appears on: 52 Genres: Motet
52v	Quis dabit capiti - 4a pars (of 4): Sub cuius patula coma	-	Isaac, Heinrich (ca. 1450–1517)
Quis dabit capiti - 4a pars (of 4): Sub cuius patula coma Isaac, Heinrich (ca. 1450–1517) Appears on: 52v Genres: Kyrie eleison, Mass Ordinary, Motet
53–54	Je mi levay l'autre nuytée	[NINOT LE PETIT]	Petit, Nino le (fl. c1500)
Je mi levay l'autre nuytée Petit, Nino le (fl. c1500) Appears on: 53–54 Genres: Chanson Source Attribution: [NINOT LE PETIT] Voice: [no designation] Languages: French Voice Text: Je me leves l'aultre nuyt General Note untexted Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 87.
54v–55v	Pardonnez moi se je foloye verdin goie	[A. FEVIN]	Fevin, Antoine de (ca. 1470–ca. 1512)
Pardonnez moi se je foloye verdin goie Fevin, Antoine de (ca. 1470–ca. 1512) Appears on: 54v–55v Genres: Song Source Attribution: [A. FEVIN] Voice: [no designation] Languages: French Voice Text: Pardonnés moy se je soloye … Item Bibliography Schuetze, George C, Jr. 1960-80. Collected works of Faugues, Transcription and introduction by G.C. Schuetze, jr. Collected works. Gesamtausgaben. New York. Pages: XI.
55v–57	Vele ci vele la ma mere	[J. MOUTON]	Mouton, Jean (ca. 1459–1522)
Vele ci vele la ma mere Mouton, Jean (ca. 1459–1522) Appears on: 55v–57 Genres: Italian secular Source Attribution: [J. MOUTON] Voice: [no designation] Languages: French Voice Text: Vele ci vele la ma mere . . .-
57–58	Se j'ai perdu mon amy	-	Anonymous
Se j'ai perdu mon amy Anonymous Appears on: 57–58 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Se j'ay perdu mon amy . . .
58–59v	Paratum cor meum - 1a pars (of 3): Paratum cor meum Deus cantabo et psallam	[JOSQUIN DES PRÉS]*	Despres, Josquin (ca. 1450–1521)
Paratum cor meum - 1a pars (of 3): Paratum cor meum Deus cantabo et psallam Despres, Josquin (ca. 1450–1521) Appears on: 58–59v Genres: Psalm motet Source Attribution: [JOSQUIN DES PRÉS]* Voice: [no designation] Languages: Latin Voice Text: Paratum cor meum deus cantabo et psallam General Note [2a p.]: Salvumfac dextera tua … [Sup.tacet][3a p.]: In idumeam extendam . . Concordances 15399 Item Bibliography Smijers, Albert, Myroslaw Antonowycz, and Willem Elders (editors). 1925-, 1926-. Werken van Josquin des Prés: Motetten.* Leipzig/ Amsterdam. Pages: IV.
59v–61	Paratum cor meum - 2a pars (of 3): Salvam fac dextera tua	-	Despres, Josquin (ca. 1450–1521)
Paratum cor meum - 2a pars (of 3): Salvam fac dextera tua Despres, Josquin (ca. 1450–1521) Appears on: 59v–61 Genres: Motet
61–62v	Paratum cor meum - 3a pars (of 3): In idumeam extendam	-	Despres, Josquin (ca. 1450–1521)
Paratum cor meum - 3a pars (of 3): In idumeam extendam Despres, Josquin (ca. 1450–1521) Appears on: 61–62v Genres: Motet
63–64	Ecce tu pulchra es amica mea 14.6	[JOSQUIN DES PRÉS]	Despres, Josquin (ca. 1450–1521)
Ecce tu pulchra es amica mea 14.6 Despres, Josquin (ca. 1450–1521) Appears on: 63–64 Genres: Motet Source Attribution: [JOSQUIN DES PRÉS] Voice: [no designation] Languages: Latin Voice Text: Ecce tu pulchra es amica mea General Note Publ. cf. Bc 19 n° 63
64–65v	Prophetarum maxime - 1a pars (of 2): Prophetarum maxime vatumque princeps	[H. ISAAC]	Isaac, Heinrich (ca. 1450–1517)
Prophetarum maxime - 1a pars (of 2): Prophetarum maxime vatumque princeps Isaac, Heinrich (ca. 1450–1517) Appears on: 64–65v Genres: Motet Source Attribution: [H. ISAAC] Voice: [no designation] Languages: Latin Voice Text: Prophetarum maxime vatumque princeps General Note . . .[2a p.]: Concede nobis tuas digne . . .
65v–66v	Prophetarum maxime - 2a pars (of 2): [Praesta nobis] Concede nobis tuas digne concinere laudes - Inter natos mulierum	-	Isaac, Heinrich (ca. 1450–1517)
Prophetarum maxime - 2a pars (of 2): [Praesta nobis] Concede nobis tuas digne concinere laudes - Inter natos mulierum Isaac, Heinrich (ca. 1450–1517) Appears on: 65v–66v Genres: Motet
67–67v	Misericordias Domini 18.4 - 1a pars (of 5): Misericordias Domini in aeternum cantabo	JOSQUIN DES PRÉS]	Despres, Josquin (ca. 1450–1521)
Misericordias Domini 18.4 - 1a pars (of 5): Misericordias Domini in aeternum cantabo Despres, Josquin (ca. 1450–1521) Appears on: 67–67v Genres: Motet Source Attribution: JOSQUIN DES PRÉS] Voice: [no designation] Languages: Latin Voice Text: Misericordias domini in aeternum cantabo General Note [3a p.]: Quam bonus dominus . . .[4a p.]: Miserere nostri domine . . .[5a p.]: Fiat misericordia tua . . . Item Bibliography Smijers, Albert, Myroslaw Antonowycz, and Willem Elders (editors). 1925-, 1926-. Werken van Josquin des Prés: Motetten. Leipzig/ Amsterdam. Pages: II.
68	Misericordias Domini 18.4 - 2a pars (of 5): Quoniam Dominus suavis est	-	Despres, Josquin (ca. 1450–1521)
Misericordias Domini 18.4 - 2a pars (of 5): Quoniam Dominus suavis est Despres, Josquin (ca. 1450–1521) Appears on: 68 Genres: Motet
68v	Misericordias Domini 18.4 - 3a pars (of 5): Quam bonus Dominus	-	Despres, Josquin (ca. 1450–1521)
Misericordias Domini 18.4 - 3a pars (of 5): Quam bonus Dominus Despres, Josquin (ca. 1450–1521) Appears on: 68v Genres: Motet
69	Misericordias Domini 18.4 - 4a pars (of 5): Miserere nostri Domine	-	Despres, Josquin (ca. 1450–1521)
Misericordias Domini 18.4 - 4a pars (of 5): Miserere nostri Domine Despres, Josquin (ca. 1450–1521) Appears on: 69 Genres: Motet
69–69v	Misericordias Domini 18.4 - 5a pars (of 5): Fiat misericordia tua	-	Despres, Josquin (ca. 1450–1521)
Misericordias Domini 18.4 - 5a pars (of 5): Fiat misericordia tua Despres, Josquin (ca. 1450–1521) Appears on: 69–69v Genres: Motet
69v–70	Quis dabit oculis - 1a pars (of 3): Quis dabit oculis nostris fontem lachrimarum	[J. MOUTON]	Mouton, Jean (ca. 1459–1522)
Quis dabit oculis - 1a pars (of 3): Quis dabit oculis nostris fontem lachrimarum Mouton, Jean (ca. 1459–1522) Appears on: 69v–70 Genres: Motet Source Attribution: [J. MOUTON] Voice: [no designation] Languages: Latin Voice Text: Quis dabit oculis nostris fontem lachrimarum General Note [2a p.]: Heu nobis domine . . .[3a p.]: Ergo eiulate pueri . . . Item Bibliography Expert, Henry. 1966-. Maîtres anciens de la musique française. Série des compositeurs et auteurs parisiens. Paris: L'Association des Amis d'Henry Expert et de la Musique Francaise Ancienne. Pages: V. Shine, Josephine M. 1953. The Motets of Jean Mouton. New York University, Unpublished Ph.D. dissertation. Casimiri, Raffaele (editor). 1930-1958. Vol. II: Constantius Festa, Sacrae cantiones. ed. Eduardo Dagnino. (1936) & Vol. III: Constantius Festa. Hymni per totum annum... transcr. Glen Haydon. (1958). Monumenta Polyphoniae Italicae. Rome. Pages: II.
70v–71	Quis dabit oculis - 2a pars (of 3): Heu nobis Domine defecit Cesar	[J. MOUTON]	Mouton, Jean (ca. 1459–1522)
Quis dabit oculis - 2a pars (of 3): Heu nobis Domine defecit Cesar Mouton, Jean (ca. 1459–1522) Appears on: 70v–71 Genres: Motet Source Attribution: [J. MOUTON] Voice: [no designation] Languages: Latin Voice Text: Quis dabit oculis nostris fontem lachrimarum General Note Quis dabit oculis nostris fontem lachryma-rum . . .[2a p.]: Heu nobis domine . . .[ Item Bibliography Expert, Henry. 1966-. Maîtres anciens de la musique française. Série des compositeurs et auteurs parisiens. Paris: L'Association des Amis d'Henry Expert et de la Musique Francaise Ancienne. Pages: V. Shine, Josephine M. 1953. The Motets of Jean Mouton. New York University, Unpublished Ph.D. dissertation. Casimiri, Raffaele (editor). 1930-1958. Vol. II: Constantius Festa, Sacrae cantiones. ed. Eduardo Dagnino. (1936) & Vol. III: Constantius Festa. Hymni per totum annum... transcr. Glen Haydon. (1958). Monumenta Polyphoniae Italicae. Rome. Pages: II.
71–71v	Quis dabit oculis - 3a pars (of 3): Ergo ululate pueri plorate sacerdotes	-	Mouton, Jean (ca. 1459–1522)
Quis dabit oculis - 3a pars (of 3): Ergo ululate pueri plorate sacerdotes Mouton, Jean (ca. 1459–1522) Appears on: 71–71v Genres: Motet
72–72v	Factum est silentium - 1a pars (of 2): Factum est silentium in caelo dum committeret	[J.MOUTON]	Mouton, Jean (ca. 1459–1522)
Factum est silentium - 1a pars (of 2): Factum est silentium in caelo dum committeret Mouton, Jean (ca. 1459–1522) Appears on: 72–72v Genres: Motet Source Attribution: [J.MOUTON] Voice: [no designation] Languages: Latin Voice Text: Factum est silentium in caelo dum committeret General Note [2a p.]: [Dum sacrum misterium] Publ. cf. Bc 142 n° 8 Item Bibliography Shine, Josephine M. 1953. The Motets of Jean Mouton. New York University, Unpublished Ph.D. dissertation.
72v–73v	Factum est silentium - 2a pars (of 2): Dum sacrum misterium cernere Johannes	-	Mouton, Jean (ca. 1459–1522)
Factum est silentium - 2a pars (of 2): Dum sacrum misterium cernere Johannes Mouton, Jean (ca. 1459–1522) Appears on: 72v–73v Genres: Motet General Note untexted
74–75	Gaude Barbara beata - 1a pars (of 2): Gaude Barbara beata summe polens	[J. MOUTON	Mouton, Jean (ca. 1459–1522)
Gaude Barbara beata - 1a pars (of 2): Gaude Barbara beata summe polens Mouton, Jean (ca. 1459–1522) Appears on: 74–75 Genres: Motet Source Attribution: [J. MOUTON Voice: [no designation] Languages: Latin Voice Text: Gaude Barbara beata General Note Pubi cf. CFm 59 n- 25
75–76	Gaude Barbara beata - 2a pars (of 2): Gaude quia meruisti impetrare	-	Mouton, Jean (ca. 1459–1522)
Gaude Barbara beata - 2a pars (of 2): Gaude quia meruisti impetrare Mouton, Jean (ca. 1459–1522) Appears on: 75–76 Genres: Motet
76v–77	Missus est Gabriel angelus ad Mariam 20.6	[JOSQUIN DES PRÉS]	Despres, Josquin (ca. 1450–1521)
Missus est Gabriel angelus ad Mariam 20.6 Despres, Josquin (ca. 1450–1521) Appears on: 76v–77 Genres: Motet Source Attribution: [JOSQUIN DES PRÉS] Voice: [no designation] Languages: Latin Voice Text: Missus est Gabriel angelus General Note .Publ. cf. Bc 142 n° 8
77v–78	Manus Domini fecerunt me	[A- DANGLON ou M. PESENTI	Danglon, A. (?) Pesenti, Martino (?)
Manus Domini fecerunt me Danglon, A. (?) Pesenti, Martino (?) Appears on: 77v–78 Genres: Motet Source Attribution: [A- DANGLON ou M. PESENTI Voice: [no designation] Languages: Latin Voice Text: Manus Domini fecerunt me General Note PubL cf- CMac D(F) °° 20 Concordances .*15216

Composer	Compositions
Agricola, Alexander (ca. 1445–1506)	Je n'ai deuil - 1a pars (of 2): Je n'ai deuil que de vous ne viegne – 4–4v Je n'ai deuil - 2a pars (of 2): Car Dieu voulut tant pour vous faire – 4v
Anonymous	Ciascun me crie marie toi Marie – 18–19 Fortuna desperata / Vidi la forosetta / Voi m'avete / Fortuna mang'io biscotti – 20v–21 Gentil galans de France chi alla guerra ales – 12–12v Il etait un bon homme qui venoit de Lyons – 24–24v Joulis mariner passe moi sena – 6v–7v L'amour de moi si est enclosé – 25–25v L'autre jour me chevauchoie / L'autrier joiant et joli doi compaignon / Vilain, lieve sus o. – 27–27v Maire de Dieu tant caude soy – 26–26v Se j'ai perdu mon amy – 57–58 Si je vous avoye pointe hellas – 17–17v Tambur tambur tambor tamburelaridon – 14v–15v Tant ravi suis – 25v–26 [No description] – 1–2v
Compère, Loyset (ca. 1445–1518)	Alons fere nus barbes – 13–14 Che fa la ramanzina – 28 Je suis amie du forrier – 11–11v (?) Lourdault Lourdault garde que tu feras 28.23 – 8v–9 Une playsant filette au matin se leva – 5v–6v (?) Veci la danse barbari - L'autre jour – 8–8v Volez ouir une sanson de chyons – 15v–16 Vostre bargeronette mamiette – 9–10 (?) Vrai dieu quel payne esse que d'aymer = Quam diu che pena messe – 33v–34
Danglon, A.	(?) Manus Domini fecerunt me – 77v–78
Despres, Josquin (ca. 1450–1521)	Alma redemptoris mater / Ave regina caelorum 23.2 - 1a pars (of 2): Alma redemptoris mater / Ave regina caelorum – 30v–31 Alma redemptoris mater / Ave regina caelorum 23.2 - 2a pars (of 2): Tu que genuisti natura mirante / Gaude virgo gloriosa – 31–31v Baises moi ma doulce amie par amour je vous am prie 28.4 – 5 Ecce tu pulchra es amica mea 14.6 – 63–64 Entre je suis en grand pensée 28.13 – 22v–23 Liber generationis Jesu Christi 19.13 - 1a pars (of 3): Liber generationis Jesu Christi – 41v–43 Liber generationis Jesu Christi 19.13 - 2a pars (of 3): Salomon autem genuit Roboam – 43–44v Liber generationis Jesu Christi 19.13 - 3a pars (of 3): Et post transmigracionem Babilonis – 44v–46 (?) Lourdault Lourdault garde que tu feras 28.23 – 8v–9 Misericordias Domini 18.4 - 1a pars (of 5): Misericordias Domini in aeternum cantabo – 67–67v Misericordias Domini 18.4 - 2a pars (of 5): Quoniam Dominus suavis est – 68 Misericordias Domini 18.4 - 3a pars (of 5): Quam bonus Dominus – 68v Misericordias Domini 18.4 - 4a pars (of 5): Miserere nostri Domine – 69 Misericordias Domini 18.4 - 5a pars (of 5): Fiat misericordia tua – 69–69v Missus est Gabriel angelus ad Mariam 20.6 – 76v–77 O bone et dulcis Domine Jesu credo / Pater noster / Ave Maria 21.8 – 29v–30 Paratum cor meum - 1a pars (of 3): Paratum cor meum Deus cantabo et psallam – 58–59v Paratum cor meum - 2a pars (of 3): Salvam fac dextera tua – 59v–61 Paratum cor meum - 3a pars (of 3): In idumeam extendam – 61–62v Une mosche de Bischaye 28.35 – 33–33v
Fevin, Antoine de (ca. 1470–ca. 1512)	Pardonnez moi se je foloye verdin goie – 54v–55v
Isaac, Heinrich (ca. 1450–1517)	Donna di dentro dalla tua casa – 21v–22 E logeron nous seans hostesse – 32v–33 Fille vous have mal guarde / Ave sanctissima Maria – 19v–20 Palle palle palle – 41–41v Prophetarum maxime - 1a pars (of 2): Prophetarum maxime vatumque princeps – 64–65v Prophetarum maxime - 2a pars (of 2): [Praesta nobis] Concede nobis tuas digne concinere laudes - Inter natos mulierum – 65v–66v Quis dabit capiti - 1a pars (of 4): Quis dabit capiti meo aquam – 51v Quis dabit capiti - 2a pars (of 4): Sic turtur viduus solet – 51v–52 Quis dabit capiti - 3a pars (of 4): Laurus impetu fulminis – 52 Quis dabit capiti - 4a pars (of 4): Sub cuius patula coma – 52v Quis dabit pacem - 1a pars (of 2): Quis dabit pacem populo timenti – 47v–48 Quis dabit pacem - 2a pars (of 2): Quam tuas laudes – 48–49 Sustinuimus pacem Domine et ecce turbatio (cantus firmus: En l'ombre/Une mousse) – 28v–29 Tant belle mi son pensade – 14–14v Tota pulchra es - 1a pars (of 2): Tota pulchra es amica mea et macula – 49v–50 Tota pulchra es - 2a pars (of 2): Flores apparuerunt vineae florentes – 50v–51
Japart, Jean	Si je fet un chop apres – 16v–17
Mouton, Jean (ca. 1459–1522)	Factum est silentium - 1a pars (of 2): Factum est silentium in caelo dum committeret – 72–72v Factum est silentium - 2a pars (of 2): Dum sacrum misterium cernere Johannes – 72v–73v Gaude Barbara beata - 1a pars (of 2): Gaude Barbara beata summe polens – 74–75 Gaude Barbara beata - 2a pars (of 2): Gaude quia meruisti impetrare – 75–76 Quis dabit oculis - 1a pars (of 3): Quis dabit oculis nostris fontem lachrimarum – 69v–70 Quis dabit oculis - 2a pars (of 3): Heu nobis Domine defecit Cesar – 70v–71 Quis dabit oculis - 3a pars (of 3): Ergo ululate pueri plorate sacerdotes – 71–71v Vele ci vele la ma mere – 55v–57
Obrecht, Jacobus (ca. 1457–1505)	(?) Si oblitus fuero - 1a pars (of 2): Si oblitus fuero tui Jerusalem alleluia – 34v–35v (?) Si oblitus fuero - 2a pars (of 2): Decantabat populus laudes – 36–37v
Ockeghem, Jean de (ca. 1410–1497)	Fors seulement l'attente que je meure = Frayres y dexedes me – 23–23v
Pesenti, Benedetto	Tulerunt Dominum - 1a pars (of 2): Tulerunt Dominum meum et nescio ubi – 46–47 Tulerunt Dominum - 2a pars (of 2): Reposita est haec spes mea – 47
Pesenti, Martino	(?) Manus Domini fecerunt me – 77v–78
Petit, Nino le (fl. c1500)	Et levé vous o Guigliermette – 10–11 In illo tempore - 1a pars (of 3): In illo tempore assumpsit Jesus Petrum – 38–39v In illo tempore - 2a pars (of 3): Adhuc eo loquente – 39v–40 In illo tempore - 3a pars (of 3): Et tetigit eos divitiis eis – 40–40v Je mi levay l'autre nuytée – 53–54 Lourdault Lourdault garde que tu feras 28.23 – 8v–9 (?) Si oblitus fuero - 1a pars (of 2): Si oblitus fuero tui Jerusalem alleluia – 34v–35v (?) Si oblitus fuero - 2a pars (of 2): Decantabat populus laudes – 36–37v
Pipelare, Mattheus (ca. 1450–ca. 1515)	(?) Vrai dieu quel payne esse que d'aymer = Quam diu che pena messe – 33v–34
Weerbecke, Gaspar van (ca. 1445–ca. 1516)	(?) Vrai dieu quel payne esse que d'aymer = Quam diu che pena messe – 33v–34

Composition	Composers (? Uncertain)	Folios / Pages
Alma redemptoris mater / Ave regina caelorum 23.2 - 1a pars (of 2): Alma redemptoris mater / Ave regina caelorum	Despres, Josquin (ca. 1450–1521)	30v–31
Alma redemptoris mater / Ave regina caelorum 23.2 - 2a pars (of 2): Tu que genuisti natura mirante / Gaude virgo gloriosa	Despres, Josquin (ca. 1450–1521)	31–31v
Alons fere nus barbes	Compère, Loyset (ca. 1445–1518)	13–14
Baises moi ma doulce amie par amour je vous am prie 28.4	Despres, Josquin (ca. 1450–1521)	5
Che fa la ramanzina	Compère, Loyset (ca. 1445–1518)	28
Ciascun me crie marie toi Marie	Anonymous	18–19
Donna di dentro dalla tua casa	Isaac, Heinrich (ca. 1450–1517)	21v–22
E logeron nous seans hostesse	Isaac, Heinrich (ca. 1450–1517)	32v–33
Ecce tu pulchra es amica mea 14.6	Despres, Josquin (ca. 1450–1521)	63–64
Entre je suis en grand pensée 28.13	Despres, Josquin (ca. 1450–1521)	22v–23
Et levé vous o Guigliermette	Petit, Nino le (fl. c1500)	10–11
Factum est silentium - 1a pars (of 2): Factum est silentium in caelo dum committeret	Mouton, Jean (ca. 1459–1522)	72–72v
Factum est silentium - 2a pars (of 2): Dum sacrum misterium cernere Johannes	Mouton, Jean (ca. 1459–1522)	72v–73v
Fille vous have mal guarde / Ave sanctissima Maria	Isaac, Heinrich (ca. 1450–1517)	19v–20
Fors seulement l'attente que je meure = Frayres y dexedes me	Ockeghem, Jean de (ca. 1410–1497)	23–23v
Fortuna desperata / Vidi la forosetta / Voi m'avete / Fortuna mang'io biscotti	Anonymous	20v–21
Gaude Barbara beata - 1a pars (of 2): Gaude Barbara beata summe polens	Mouton, Jean (ca. 1459–1522)	74–75
Gaude Barbara beata - 2a pars (of 2): Gaude quia meruisti impetrare	Mouton, Jean (ca. 1459–1522)	75–76
Gentil galans de France chi alla guerra ales	Anonymous	12–12v
Il etait un bon homme qui venoit de Lyons	Anonymous	24–24v
In illo tempore - 1a pars (of 3): In illo tempore assumpsit Jesus Petrum	Petit, Nino le (fl. c1500)	38–39v
In illo tempore - 2a pars (of 3): Adhuc eo loquente	Petit, Nino le (fl. c1500)	39v–40
In illo tempore - 3a pars (of 3): Et tetigit eos divitiis eis	Petit, Nino le (fl. c1500)	40–40v
Je mi levay l'autre nuytée	Petit, Nino le (fl. c1500)	53–54
Je n'ai deuil - 1a pars (of 2): Je n'ai deuil que de vous ne viegne	Agricola, Alexander (ca. 1445–1506)	4–4v
Je n'ai deuil - 2a pars (of 2): Car Dieu voulut tant pour vous faire	Agricola, Alexander (ca. 1445–1506)	4v
Je suis amie du forrier	Compère, Loyset (ca. 1445–1518)	11–11v
Joulis mariner passe moi sena	Anonymous	6v–7v
L'amour de moi si est enclosé	Anonymous	25–25v
L'autre jour me chevauchoie / L'autrier joiant et joli doi compaignon / Vilain, lieve sus o.	Anonymous	27–27v
Liber generationis Jesu Christi 19.13 - 1a pars (of 3): Liber generationis Jesu Christi	Despres, Josquin (ca. 1450–1521)	41v–43
Liber generationis Jesu Christi 19.13 - 2a pars (of 3): Salomon autem genuit Roboam	Despres, Josquin (ca. 1450–1521)	43–44v
Liber generationis Jesu Christi 19.13 - 3a pars (of 3): Et post transmigracionem Babilonis	Despres, Josquin (ca. 1450–1521)	44v–46
Lourdault Lourdault garde que tu feras 28.23	Despres, Josquin (ca. 1450–1521) (?) Petit, Nino le (fl. c1500) Compère, Loyset (ca. 1445–1518) (?)	8v–9
Maire de Dieu tant caude soy	Anonymous	26–26v
Manus Domini fecerunt me	Danglon, A. (?) Pesenti, Martino (?)	77v–78
Misericordias Domini 18.4 - 1a pars (of 5): Misericordias Domini in aeternum cantabo	Despres, Josquin (ca. 1450–1521)	67–67v
Misericordias Domini 18.4 - 2a pars (of 5): Quoniam Dominus suavis est	Despres, Josquin (ca. 1450–1521)	68
Misericordias Domini 18.4 - 3a pars (of 5): Quam bonus Dominus	Despres, Josquin (ca. 1450–1521)	68v
Misericordias Domini 18.4 - 4a pars (of 5): Miserere nostri Domine	Despres, Josquin (ca. 1450–1521)	69
Misericordias Domini 18.4 - 5a pars (of 5): Fiat misericordia tua	Despres, Josquin (ca. 1450–1521)	69–69v
Missus est Gabriel angelus ad Mariam 20.6	Despres, Josquin (ca. 1450–1521)	76v–77
O bone et dulcis Domine Jesu credo / Pater noster / Ave Maria 21.8	Despres, Josquin (ca. 1450–1521)	29v–30
Palle palle palle	Isaac, Heinrich (ca. 1450–1517)	41–41v
Paratum cor meum - 1a pars (of 3): Paratum cor meum Deus cantabo et psallam	Despres, Josquin (ca. 1450–1521)	58–59v
Paratum cor meum - 2a pars (of 3): Salvam fac dextera tua	Despres, Josquin (ca. 1450–1521)	59v–61
Paratum cor meum - 3a pars (of 3): In idumeam extendam	Despres, Josquin (ca. 1450–1521)	61–62v
Pardonnez moi se je foloye verdin goie	Fevin, Antoine de (ca. 1470–ca. 1512)	54v–55v
Prophetarum maxime - 1a pars (of 2): Prophetarum maxime vatumque princeps	Isaac, Heinrich (ca. 1450–1517)	64–65v
Prophetarum maxime - 2a pars (of 2): [Praesta nobis] Concede nobis tuas digne concinere laudes - Inter natos mulierum	Isaac, Heinrich (ca. 1450–1517)	65v–66v
Quis dabit capiti - 1a pars (of 4): Quis dabit capiti meo aquam	Isaac, Heinrich (ca. 1450–1517)	51v
Quis dabit capiti - 2a pars (of 4): Sic turtur viduus solet	Isaac, Heinrich (ca. 1450–1517)	51v–52
Quis dabit capiti - 3a pars (of 4): Laurus impetu fulminis	Isaac, Heinrich (ca. 1450–1517)	52
Quis dabit capiti - 4a pars (of 4): Sub cuius patula coma	Isaac, Heinrich (ca. 1450–1517)	52v
Quis dabit oculis - 1a pars (of 3): Quis dabit oculis nostris fontem lachrimarum	Mouton, Jean (ca. 1459–1522)	69v–70
Quis dabit oculis - 2a pars (of 3): Heu nobis Domine defecit Cesar	Mouton, Jean (ca. 1459–1522)	70v–71
Quis dabit oculis - 3a pars (of 3): Ergo ululate pueri plorate sacerdotes	Mouton, Jean (ca. 1459–1522)	71–71v
Quis dabit pacem - 1a pars (of 2): Quis dabit pacem populo timenti	Isaac, Heinrich (ca. 1450–1517)	47v–48
Quis dabit pacem - 2a pars (of 2): Quam tuas laudes	Isaac, Heinrich (ca. 1450–1517)	48–49
Se j'ai perdu mon amy	Anonymous	57–58
Si je fet un chop apres	Japart, Jean	16v–17
Si je vous avoye pointe hellas	Anonymous	17–17v
Si oblitus fuero - 1a pars (of 2): Si oblitus fuero tui Jerusalem alleluia	Obrecht, Jacobus (ca. 1457–1505) (?) Petit, Nino le (fl. c1500) (?)	34v–35v
Si oblitus fuero - 2a pars (of 2): Decantabat populus laudes	Petit, Nino le (fl. c1500) (?) Obrecht, Jacobus (ca. 1457–1505) (?)	36–37v
Sustinuimus pacem Domine et ecce turbatio (cantus firmus: En l'ombre/Une mousse)	Isaac, Heinrich (ca. 1450–1517)	28v–29
Tambur tambur tambor tamburelaridon	Anonymous	14v–15v
Tant belle mi son pensade	Isaac, Heinrich (ca. 1450–1517)	14–14v
Tant ravi suis	Anonymous	25v–26
Tota pulchra es - 1a pars (of 2): Tota pulchra es amica mea et macula	Isaac, Heinrich (ca. 1450–1517)	49v–50
Tota pulchra es - 2a pars (of 2): Flores apparuerunt vineae florentes	Isaac, Heinrich (ca. 1450–1517)	50v–51
Tulerunt Dominum - 1a pars (of 2): Tulerunt Dominum meum et nescio ubi	Pesenti, Benedetto	46–47
Tulerunt Dominum - 2a pars (of 2): Reposita est haec spes mea	Pesenti, Benedetto	47
Une mosche de Bischaye 28.35	Despres, Josquin (ca. 1450–1521)	33–33v
Une playsant filette au matin se leva	Compère, Loyset (ca. 1445–1518)	5v–6v
Veci la danse barbari - L'autre jour	Compère, Loyset (ca. 1445–1518) (?)	8–8v
Vele ci vele la ma mere	Mouton, Jean (ca. 1459–1522)	55v–57
Volez ouir une sanson de chyons	Compère, Loyset (ca. 1445–1518)	15v–16
Vostre bargeronette mamiette	Compère, Loyset (ca. 1445–1518)	9–10
Vrai dieu quel payne esse que d'aymer = Quam diu che pena messe	Pipelare, Mattheus (ca. 1450–ca. 1515) (?) Weerbecke, Gaspar van (ca. 1445–ca. 1516) (?) Compère, Loyset (ca. 1445–1518) (?)	33v–34

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Set: Medici partbooks

Type: Partbooks

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F-Pnm NAF 1817

No images available

I-CT MS 95

No images available

I-CT MS 96

‡ denotes primary source study

Cummings, Anthony M. 1983. A Florentine Sacred Repertory from the Medici Restoration (Manuscript II. I. 232 [Olim Magi. XIX. 58; Gaddi 1113] of the Biblioteca Nazionale Centrale, Florence): Bibliography and History. Acta Musicologica, 267-332. Pages: 274,280-92,309ff. Notes: physical description (partial); contents list (partial); concordances (partial); mention of MS; discussion.

Bernstein, Lawrence F. 1982. Notes on the Origin of the Parisian Chanson. The Journal of Musicology, 275-326. Pages: 284-5, 296-7. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Noblitt, Thomas L. 1982. Obrecht's Missa Sine nomine and its Recently Discovered Model. The Musical Quarterly, 102-27. Notes: contents list (partial); transcriptions (partial); mention of MS; discussion.

Brown, Howard Mayer. 1981. Words and Music in Early loth-Century Chansons: Text Underlay in Florence, Biblioteca del Conservatorio, Ms Basevi 2442. Formen und Probleme der Überlieferung mehrstimmiger Musik im Zeitalter Josquins Desprez, Wolfenbütteler Forschungen. 7-141. Munich. Pages: 104ff. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Cummings, Anthony M. 1981. Medici Musical Patronage in the Early Sixteenth Century: New Perspectives. Studi Musicali, 197-216. Pages: 203-4, 213. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Winn, Mary Beth. 1979. Some Texts for Chansons by Loyset Compere. Musica Disciplina, 43-54. Pages: 50-4. Notes: contents list (partial); concordances (partial); texts (partial); mention of MS; discussion.

Staehelin, Martin. 1977. Die Messen Heinrich Isaacs. Publikationen der Schweizerischen Musikforschenden Gesellschaft Serie II. Bern and Stuttgart. Pages: I, xxi-xxii, 26, 61-2; II, 37-8. Notes: physical description; contents list (partial); concordances (partial).

Atlas, Allan W. 1975-6. The Cappella Giulia Chansonnier (Rome, Biblioteca Apostolica Vaticana, C. G.XIII.27). Musicological Studies. Brooklyn. Pages: I, 49ff, 240-2. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Slim, H Colin. 1972. A Gift of Madrigals and Motets. Chicago and London. Pages: I, 36-7, Plate 27. Notes: facsimile (partial); mention of MS; discussion.

Redmond, Mary. 1970. A Set of Part-Books for Giuliano de' Medici: Cortona, Biblioteca Comunale, Mss. 95, 96 and Paris, Bibliothèque Nationale, Nouvelle Acquisition 1817. University of Illinois, Unpublished Master's thesis. Notes: physical description; contents list; concordances; texts; facsimile (partial); texts; mention of MS; discussion.

Dunning, Albert. 1969. Die Staatsmotette 1480-1555. Utrecht. Pages: 19-26, 339-40. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Jeppesen, Knud. 1968-70. La Frottola. Acta Jutlandica. 3 vols. Copenhagen. Pages: II, 17-8. Notes: physical description (partial); contents list (partial); concordances (partial).

Pannella, Liliana. 1968. Le composizioni profane di una raccolta fiorentina del cinquecento. Revista Italiana di Musicologia, 3-47. Pages: 4, 39, 43-7. Notes: mention of MS; contents list (partial); concordances (partial).

Picker, Martin. 1960. The Chanson Albums of Marguerite of Austria: Manuscripts 228 and 11239 of the Bibliothèque Royale de Belgique, Bruxelles. University of California at Berkeley, Unpublished Ph.D. dissertation. Pages: I, 351-2. Notes: physical description (partial); contents list (partial); concordances (partial).

Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik. Kassel. Pages: X, 800. Notes: physical description (partial); contents list (partial); mention of MS; discussion.

Gröber, Gustav. 1887. Zu den Liederbüchern von Cortona. Zeitschrift für Romanische Philologie, 371-404. Pages: 371ff [incorrectly referred to as MS 1819]. Notes: physical description (partial); mention of MS; discussion.

Omont, Henri (editor). 1868-1902. Bibliothèque Nationale: Catalogue Général des Manuscrits Français. Paris. Pages: XV, 285. Notes: physical description.

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description

Répertoire Internationale des Sources Musicales

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description

F-Pnm NAF 1817

Bibliothèque nationale de France, Département des Manuscrits, Paris, France

partbook: 1515-6

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