I-Fc MS Basevi 2439 (Basevi Codex)

Conservatorio di Musica Luigi Cherubini, Firenze (Florence), Italy

manuscript of polyphony: 16th century

Archive	Conservatorio di Musica Luigi Cherubini, Firenze (Florence), Italy (I-Fc)
Shelfmark	MS Basevi 2439 (Basevi Codex)
Image Availability	DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface	Parchment
Numbering System	Foliation
Measurements	168 x 240 mm
Other Identifiers	RISM: Basevi 2439 RISM: I-Fc 2439 CCM: FlorC 2439
Copyists	? Bourgeois, Martin Text and Music scribal concordance [26], Alamire B (possibly Martin Bourgeois) Text and Music
Relationships	Seta of Pisa, Agostini della (patron)
External Links	CMME online edition images
Provenance	Brussels/Mechlin, Italy
Contents	88 pieces from 20 composers

General Description

Copied by Netherlands court scribe B (= Martin Bourgeois?) -KellJ; two pieces are in different hands. The manuscript is in two distinct parts; 4-part works are followed by 3-part works. Closely related to VerBC 756 (StaeQ). Copied in Brussels/Mechlin; belongs to Netherlands court complex (KellJ).

DIAMM, 2017

Binding

Modern leather covers with clasps

DIAMM, 2017

Notation

not indicated

DIAMM, 2017

Ruling

6 staves per page

DIAMM, 2017

Foliation

Original foliation, i-ci

DIAMM, 2017

Foliation

102 ff

DIAMM, 2017

Decoration

One miniature, illuminated in Ghent-Bruges style; painted initials and inked calligraphic initials. Coat of arms of the Counts Agostini della Seta of Pisa (StaeQ: latter identification doubtful -KellJ).

DIAMM, 2017

Index

Contemporary index on ff. i-i', listing pieces alphabetically by title; modern index on ff. ii-ii'.

DIAMM, 2017

Surface

parchment

DIAMM, 2017

DIAMM Note

Misattributions in inventory fixed.

David Wyatt, 2018

RISM Description

RISM B/IV 5: XVIe s. 102 ff. (+ 3 ff. de garde). Parchemin, 171 x 240 mm. Foliotation ancienne en eh. romains: I-CI + 1 f. n.ch. et les 3 ff. de garde paginés i-vi. Les ff. vi, 48v, 49, 101v sont blancs. Notation mesurée blanche. 6 portées par p. Miniature aux ff.lv et 49v. Initiales ornées, certaines en coul. Aux p. i à iv, Index alphabétique des pièces jusqu'à la lettre P, contemporain du ms. et Index des compositeurs signé F.[erdinando] L.[iuzzi].

Ce ms. d'origine franco-flamande, oeuvre d'un seul scribe, semble-t-il, a été légué à la Biblioteca del Conservatorio par Abramo Basevi (mort en 1885). L. de Burbure sur la foi de la comète qui apparaît à la miniature du f. 49v (facsim. in Burbure), date le ms. de 1532, ce qui semble trop tardif. En effet, si l'on interprète à la suite de Pirro (Histoire de la musique, p. 229) les paroles du no 80 comme une allusion aux 14 années de dévouement de P. de La Rue au service de Marguerite d'Autriche, où il était entré en 1492, on peut penser que le ms. a été copié dès 1506, date que corroborent le répertoire et les concordances avec d'autres sources. D'autre part, si l'on y reconnaît l'écriture de Martin Bourgeois, scribe qui disparaît des listes de paiement en 1514 (Keilman), on fixe ainsi la date extrême du recueil. Les armes qui figurent aux ff. Iv et Lv (facs. in Burbure) n'ont pu être jusqu'à présent identifiées avec certitude, bien que Staehelin ait cru pouvoir y reconnaître celles de la famille pisane Conte Agostini della Seta. La louve romaine (que l'on retrouve aussi sur la miniature du f. 49v) marque en tout cas l'origine italienne.

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Répertoire International des Sources Musicales

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

3 Mass Ordinary sections (from Obrecht's Missa Fortuna desperata, here with text incipit "Fortuna" only), 9 motets, 8 motet-chansons, 1 Latin secular piece, 56 French secular pieces, 7 Flemish secular pieces, 1 Italian secular piece, 1 instrumental piece (Isaac's "La mi la sol"), 1 textless piece = 87

A. Agricola-22, Brumel-1, Brumel/(A. Agricola)-1, Busnois-1, Compère-3, Ghiselin-11, Isaac-1, Josquin-3, La Rue-13, La Rue/(Isaac)-1, La Rue/(Obrecht)-1, Lannoy-1, Ninot le Petit-1, Ninot le Petit/(Josquin)-1, Obrecht-5, Ockeghem-4, Orto-2, Pipelare-1, Pipelare/(La Rue)-1, Prioris-7, Rigo de Bergis-2, Turleron [Hylaire]-1, Weerbecke or Japart? [Jaspar]-1, anon-2

iv + 101 + i parchment folios, 168 x 240. Original foliation, i-ci. Modern leather covers with clasps. Contemporary index on ff. i-i', listing pieces alphabetically by title; modern index on ff. ii-ii'. Copied by Netherlands court scribe B (= Martin Bourgeois?) -KellJ; two pieces are in different hands. One miniature, illuminated in Ghent-Bruges style; painted initials and inked calligraphic initials. Coat of arms of the Counts Agostini della Seta of Pisa (StaeQ: latter identification doubtful -KellJ). The manuscript is in two distinct parts; 4-part works are followed by 3-part works. Closely related to VerBC 756 (StaeQ).

1506-14, probably ca. 1508 (KellJ). Copied in Brussels/Mechlin; belongs to Netherlands court complex (KellJ).

Vol 4

Composers: Change "Ghiselin-11" to "Ghiselin-10, Ghiselin/(Josquin)-1."

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
v–1	Ave Maria gratia plena Dominus tecum	-	Anonymous
Ave Maria gratia plena Dominus tecum Anonymous Appears on: v–1 Genres: Ave Maria, Marian antiphon, Motet Voice: [no designation] Languages: Latin Voice Text: Ave Maria gratia plena Concordances TVer I (1885)
1v–3	Mon seul plaisir 28.26 - 1a pars (of 2): Mon seul plaisir	NINO LE PETIT [ou JOSQUIN*]	Petit, Nino le (fl. c1500) (?) Despres, Josquin (ca. 1450–1521) (?)
Mon seul plaisir 28.26 - 1a pars (of 2): Mon seul plaisir Petit, Nino le (fl. c1500) (?) Despres, Josquin (ca. 1450–1521) (?) Appears on: 1v–3 Genres: Italian secular Source Attribution: NINO LE PETIT [ou JOSQUIN] Voice:* [no designation] Languages: French Voice Text: Mon seul plaisir General Note 2a p.: Mieux ne me pourroit. Concordances »CH-Bu F.X. 1- 4 Item Bibliography Picker, Martin. 1965. The Chanson Albums of Marguerite of Austria. Berkeley and Los Angeles: University of California Press. Shipp, Clifford Marion. 1960. A chansonnier of the dukes of Lorraine: The Paris manuscript Fonds Français 1597. North Texas State College, Ph.D. Dissertation. [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 87.
1v–3	Mon seul plaisir 28.26 - 2a pars (of 2): Mieux ne me pourroit	NINO LE PETIT [ou JOSQUIN*]	Petit, Nino le (fl. c1500) Despres, Josquin (ca. 1450–1521)
Mon seul plaisir 28.26 - 2a pars (of 2): Mieux ne me pourroit Petit, Nino le (fl. c1500) Despres, Josquin (ca. 1450–1521) Appears on: 1v–3 Genres: Chanson Source Attribution: NINO LE PETIT [ou JOSQUIN] Voice:* [no designation] Languages: French Voice Text: 2a p.: Mieux ne me pourroit Concordances »CH-Bu F.X. 1- 4 Item Bibliography Picker, Martin. 1965. The Chanson Albums of Marguerite of Austria. Berkeley and Los Angeles: University of California Press. Shipp, Clifford Marion. 1960. A chansonnier of the dukes of Lorraine: The Paris manuscript Fonds Français 1597. North Texas State College, Ph.D. Dissertation. [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 87.
3v–4	Adieu natürlich Leben mein	COLINET DE LANNOY	Lannoy, Colinet de
Adieu natürlich Leben mein Lannoy, Colinet de Appears on: 3v–4 Genres: Song Source Attribution: COLINET DE LANNOY Voice: [no designation] Languages: French Voice Text: Adieu naturlic leven myn Item Bibliography Lenaerts, René Bernard. 1933. Het Nederlands polifonies Lied in de lòde eeuw. Mechelen-Amsterdam.
4v–5	Revenez tous regrets / Quis det	ALLEXANDER	Agricola, Alexander (ca. 1445–1506)
Revenez tous regrets / Quis det Agricola, Alexander (ca. 1445–1506) Appears on: 4v–5 Genres: Chanson Source Attribution: ALLEXANDER Voice: [no designation] Languages: French Voice Text: Revenez tous regretz / Quis det General Note B: Quis det ut veniat … 4vx Item Bibliography Picker, Martin. 1965. The Chanson Albums of Marguerite of Austria. Berkeley and Los Angeles: University of California Press. [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 22, IV.
5v–7	Tout a par moi (I)	ALLEXANDER	Agricola, Alexander (ca. 1445–1506)
Tout a par moi (I) Agricola, Alexander (ca. 1445–1506) Appears on: 5v–7 Genres: Chanson Source Attribution: ALLEXANDER Voice: [no designation] Languages: French Voice Text: 2a.) Tout a par moy Item Bibliography Smijers, Albert (editor). 1949. Van Ockeghem tot Sweelinck. 5 vols. Amsterdam: Vereniging voor Nederlandse Muziekgeschiedenis. Pages: IV. [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 22, V. Smijers, Albert, Myroslaw Antonowycz, and Willem Elders (editors). 1925 - . Werken van Josquin des Prés: Wereldlijke Werken (1925); Missen (1931). Leipzig/ Amsterdam. Pages: III.
7v–8	D'un autre aimer mon coeur s'abesseroit (I)	-	Agricola, Alexander (ca. 1445–1506)
D'un autre aimer mon coeur s'abesseroit (I) Agricola, Alexander (ca. 1445–1506) Appears on: 7v–8 Genres: Chanson Voice: [no designation] Languages: French Voice Text: D'ung aultre amer
8v–9	D'un autre aimer mon coeur s'abesseroit (II)	ALLEXANDER	Agricola, Alexander (ca. 1445–1506)
D'un autre aimer mon coeur s'abesseroit (II) Agricola, Alexander (ca. 1445–1506) Appears on: 8v–9 Genres: Chanson Source Attribution: ALLEXANDER Voice: [no designation] Languages: French Voice Text: D'ung aultre amer Item Bibliography Smijers, Albert (editor). 1949. Van Ockeghem tot Sweelinck. 5 vols. Amsterdam: Vereniging voor Nederlandse Muziekgeschiedenis. Pages: IV. [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 22, V.
9v–10	De l'oeil de la fille du roi	RUE	Rue, Pierre de la (ca. 1452–1518)
De l'oeil de la fille du roi Rue, Pierre de la (ca. 1452–1518) Appears on: 9v–10 Genres: Italian secular Source Attribution: RUE Voice: [no designation] Languages: French Voice Text: De l'euil de la fille du roy Item Bibliography Picker, Martin. 1965. The Chanson Albums of Marguerite of Austria. Berkeley and Los Angeles: University of California Press.
10v–11	Pourquoi tant me fault il attendre	RUE (PERISON)	Rue, Pierre de la (ca. 1452–1518)
Pourquoi tant me fault il attendre Rue, Pierre de la (ca. 1452–1518) Appears on: 10v–11 Genres: Italian secular Source Attribution: RUE (PERISON) Voice: [no designation] Languages: French Voice Text: Pourquoy tant me fault il attendre Item Bibliography Picker, Martin. 1965. The Chanson Albums of Marguerite of Austria. Berkeley and Los Angeles: University of California Press. Pages: (d'après B-Br 11239, légères variantes).
11v–12	II viendra le jour désiré	RUE	Rue, Pierre de la (ca. 1452–1518)
II viendra le jour désiré Rue, Pierre de la (ca. 1452–1518) Appears on: 11v–12 Genres: Secular Source Attribution: RUE Voice: [no designation] Languages: French Voice Text: II viendra le jour désiré Item Bibliography Picker, Martin. 1965. The Chanson Albums of Marguerite of Austria. Berkeley and Los Angeles: University of California Press.
12v–13	Autant en porte le vent	RUE	Rue, Pierre de la (ca. 1452–1518)
Autant en porte le vent Rue, Pierre de la (ca. 1452–1518) Appears on: 12v–13 Genres: Chanson Source Attribution: RUE Voice: [no designation] Languages: French Voice Text: Autant en porte le vent Item Bibliography Picker, Martin. 1965. The Chanson Albums of Marguerite of Austria. Berkeley and Los Angeles: University of California Press. Blume, Friedrich, and Kurt Gude (editors). 1929-79. Das Chorwerk. Wolfenbüttel/Berlin. Pages: 3.
13v–14	Puisque je suis hors du compte = Pour ce que je suis	RUE (COMPER)	Compère, Loyset (ca. 1445–1518) (?) Rue, Pierre de la (ca. 1452–1518) (?)
Puisque je suis hors du compte = Pour ce que je suis Compère, Loyset (ca. 1445–1518) (?) Rue, Pierre de la (ca. 1452–1518) (?) Appears on: 13v–14 Genres: Italian secular Source Attribution: RUE (COMPER) Voice: [no designation] Languages: French Voice Text: Puisque je suis hors du compte [ = Pour ce que je suis] Concordances B-Br 228 Item Bibliography Picker, Martin. 1965. The Chanson Albums of Marguerite of Austria. Berkeley and Los Angeles: University of California Press.
14v–15	Mijn herz altijt heeft verlanghen	RUE [ou J. OBRECHT*]	Obrecht, Jacobus (ca. 1457–1505) (?) Rue, Pierre de la (ca. 1452–1518) (?)
Mijn herz altijt heeft verlanghen Obrecht, Jacobus (ca. 1457–1505) (?) Rue, Pierre de la (ca. 1452–1518) (?) Appears on: 14v–15 Genres: Italian secular Source Attribution: RUE [ou J. OBRECHT] Voice:* [no designation] Languages: German Voice Text: Mijn hertz altijt heeft verlanghen Concordances CH-SGs 463 Item Bibliography Picker, Martin. 1965. The Chanson Albums of Marguerite of Austria.* Berkeley and Los Angeles: University of California Press. Smijers, Albert (editor). 1949. Van Ockeghem tot Sweelinck. 5 vols. Amsterdam: Vereniging voor Nederlandse Muziekgeschiedenis. Pages: V. Engel, A Lehman (editor). 1939-56. Three centuries of choral music: Renaissance to Baroque. 5 vols. New York. Pages: I. Wolf, Johannes. 1908-21. Werken van Jacob Obrecht: Missen. Amsterdam und Leipzig.
15v–16	Dedans boutez dedans [previously Dedens boutons]	PIERSON DE LA RUE	Rue, Pierre de la (ca. 1452–1518)
Dedans boutez dedans [previously Dedens boutons] Rue, Pierre de la (ca. 1452–1518) Appears on: 15v–16 Genres: Chanson Source Attribution: PIERSON DE LA RUE Voice: [no designation] Languages: French Voice Text: Dedens bouton boutons dedens General Note BurbE (1882) transcribes the text as "Dedans boutez dedans/Entres en service de dames/Soes leal de cuer et dame/C'est l'uasige des vrays amans" - others have it (garbled?) as "Dedens bouton, boutons dedens" Item Bibliography Burbure, Léon de. 1882. Étude sur un manuscrit du XVIe siècle, contenant des chants à quatre et à trois voix. Memoires couronnes et autres Memoires publies par l'Academie royale des Sciences des Lettres et des Beaux-Arts de Belgique, . Pages: 16. Notes: transcribes the text as "Dedans boutez dedans/Entres en service de dames/Soes leal de cuer et dame/C'est l'uasige des vrays amans".
16v–17	Scaramella fa la galla	COMPÈRE	Compère, Loyset (ca. 1445–1518)
Scaramella fa la galla Compère, Loyset (ca. 1445–1518) Appears on: 16v–17 Genres: Italian secular Source Attribution: COMPÈRE Voice: [no designation] Languages: Italian Voice Text: Scaramella fa la galla Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 15, V. Torrefranca, Fausto. 1939-42; Reprint: Bologna 1972. II segreto del Quattrocento. Milano. Schwartz, Rudolf (editor). 1935. Ottaviano Petrucci, Frottole, Buch I und IV. Publikationen älterer Musik. Leipzig.
17v–18	Fors seulement l'attente que je meure	GHISLING	Ghiselin (Verbonnet), Johannes
Fors seulement l'attente que je meure Ghiselin (Verbonnet), Johannes Appears on: 17v–18 Genres: Chanson Source Attribution: GHISLING Voice: [no designation] Languages: French Voice Text: Fors seullement Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 23, IV. Giesbert, Franz Julius. 1936. Ein altes Spielbuch aus der Zeit um 1500... Pergament-Handschrift (Liber Fridolini Sichery) der Stiftsbibliothek St. Gallen. 2 vols. Mainz. Gombosi, Otto Johannes. 1925. Jacob Obrecht: Eine stilkritische Studie. Leipzig.
18v–19	Fors seulement l'attente que je meure 28.15	GHISLING [ou JOSQUIN DES PRÉS*]	Despres, Josquin (ca. 1450–1521) (?) Ghiselin (Verbonnet), Johannes (?)
Fors seulement l'attente que je meure 28.15 Despres, Josquin (ca. 1450–1521) (?) Ghiselin (Verbonnet), Johannes (?) Appears on: 18v–19 Genres: Chanson Source Attribution: GHISLING [ou JOSQUIN DES PRÉS] Voice:* [no designation] Languages: French Voice Text: Fors seullement Concordances »CH-SGs 46 Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 23, IV. Giesbert, Franz Julius. 1936. Ein altes Spielbuch aus der Zeit um 1500... Pergament-Handschrift (Liber Fridolini Sichery) der Stiftsbibliothek St. Gallen. 2 vols. Mainz. Gombosi, Otto Johannes. 1925. Jacob Obrecht: Eine stilkritische Studie. Leipzig.
19v–20	Fors seulement l'attente que je meure (2p. Qui n'est douleur)	RUE	Rue, Pierre de la (ca. 1452–1518)
Fors seulement l'attente que je meure (2p. Qui n'est douleur) Rue, Pierre de la (ca. 1452–1518) Appears on: 19v–20 Genres: Chanson Source Attribution: RUE Voice: [no designation] Languages: French Voice Text: Fors seullement Item Bibliography Giesbert, Franz Julius. 1936. Ein altes Spielbuch aus der Zeit um 1500... Pergament-Handschrift (Liber Fridolini Sichery) der Stiftsbibliothek St. Gallen. 2 vols. Mainz.
20v–21	Du tout plongiet / Fors seulement a 5	BRUMEL [ou A. AGRICOLA*]	Agricola, Johannes (ca. 1560–ca. 1601) (?) Brumel, Antoine (ca. 1460–ca. 1513) (?)
Du tout plongiet / Fors seulement a 5 Agricola, Johannes (ca. 1560–ca. 1601) (?) Brumel, Antoine (ca. 1460–ca. 1513) (?) Appears on: 20v–21 Genres: Chanson Source Attribution: BRUMEL [ou A. AGRICOLA] Voice:* [no designation] Languages: French Voice Text: Fors seullement General Note [= Du tout piongiet*] Concordances 15043 *B-Br228 Item Bibliography Picker, Martin. 1965. The Chanson Albums of Marguerite of Austria.* Berkeley and Los Angeles: University of California Press. [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 5, VI. Giesbert, Franz Julius. 1936. Ein altes Spielbuch aus der Zeit um 1500... Pergament-Handschrift (Liber Fridolini Sichery) der Stiftsbibliothek St. Gallen. 2 vols. Mainz. Wolf, Johannes. 1908-21. Werken van Jacob Obrecht: Missen. Amsterdam und Leipzig.
21v–22	Fors seulement l'atent que je meure (I)	PIPELARE	Pipelare, Mattheus (ca. 1450–ca. 1515)
Fors seulement l'atent que je meure (I) Pipelare, Mattheus (ca. 1450–ca. 1515) Appears on: 21v–22 Genres: Chanson Source Attribution: PIPELARE Voice: [no designation] Languages: French Voice Text: Fors seullement. Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 34, I.
22v–23	Fors seulement l'attente que je meure	DE ORTO	Orto, Marbrianus de
Fors seulement l'attente que je meure Orto, Marbrianus de Appears on: 22v–23 Genres: Chanson Source Attribution: DE ORTO Voice: [no designation] Languages: French Voice Text: Fors seullement
23v–24	Fors seulement l'attente que je meure	HOBRECHT	Obrecht, Jacobus (ca. 1457–1505)
Fors seulement l'attente que je meure Obrecht, Jacobus (ca. 1457–1505) Appears on: 23v–24 Genres: Motet Source Attribution: HOBRECHT Voice: [no designation] Languages: French Voice Text: Fors seullement Item Bibliography Giesbert, Franz Julius. 1936. Ein altes Spielbuch aus der Zeit um 1500... Pergament-Handschrift (Liber Fridolini Sichery) der Stiftsbibliothek St. Gallen. 2 vols. Mainz. Wolf, Johannes. 1908-21. Werken van Jacob Obrecht: Missen. Amsterdam und Leipzig. Ambros, August Wilhelm. 1880-82. Geschichte der Musik. 2. Auflage. 5 vols. Leipzig. Pages: V.
24v–25	Par vous je suis 28.13 (= Entre je suis)	JOSQUIN	Despres, Josquin (ca. 1450–1521)
Par vous je suis 28.13 (= Entre je suis) Despres, Josquin (ca. 1450–1521) Appears on: 24v–25 Genres: Chanson, Contrafactum Source Attribution: JOSQUIN Voice: [no designation] Languages: French Voice Text: Par vous je suis. [= Entré je suis][= In mijnen sinn] General Note Publ. cf. CT 95-96 n° 21 Concordances *1535n
25v–26	Par vous je suis = Entre ie suis un grant penser	PRIORIS	Prioris, Johannes (Denis, Dionisius) (–1515)
Par vous je suis = Entre ie suis un grant penser Prioris, Johannes (Denis, Dionisius) (–1515) Appears on: 25v–26 Genres: Chanson Source Attribution: PRIORIS Voice: [no designation] Languages: French Voice Text: Par vous je suis. [= Entré je suis] (a 5) Concordances A-Wn 18746 Item Bibliography Wexler, Richard. 1974. The Complete Works of Johannes Prioris. . Picker, Martin. 1965. The Chanson Albums of Marguerite of Austria. Berkeley and Los Angeles: University of California Press.
26v–27	Ein fröhlich Wesen hab ich erlesen	PIPELARE [ou P. DE LA RUE*]	Rue, Pierre de la (ca. 1452–1518) (?) Pipelare, Mattheus (ca. 1450–ca. 1515) (?)
Ein fröhlich Wesen hab ich erlesen Rue, Pierre de la (ca. 1452–1518) (?) Pipelare, Mattheus (ca. 1450–ca. 1515) (?) Appears on: 26v–27 Genres: Song Source Attribution: PIPELARE [ou P. DE LA RUE] Voice:* [no designation] Languages: German Voice Text: Een vrouelic wessenn Concordances A-Wn 18810 Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae.* The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 34, I. Disertori, Benvenuto. 1946. II manoscritto 1947-4 di Trento e la canzone 'i'ay prins amours. Rivista Musicale Italiana, 1-29.
27v–28	Ein fröhlich Wesen	-	Hylaire
Ein fröhlich Wesen Hylaire Appears on: 27v–28 Genres: Italian secular Voice: [no designation] Languages: German Voice Text: Een vroelic wessenn Item Bibliography Lenaerts, René Bernard. 1933. Het Nederlands polifonies Lied in de lòde eeuw. Mechelen-Amsterdam.
28v–29	James que la ne peult estre trouvée	BRUMEL	Brumel, Antoine (ca. 1460–ca. 1513)
James que la ne peult estre trouvée Brumel, Antoine (ca. 1460–ca. 1513) Appears on: 28v–29 Genres: Sacred Song Source Attribution: BRUMEL Voice: [no designation] Languages: French Voice Text: James que la ne peult estre trouvée General Note T: Canon vade et revertere. Je ne vis oncques la pareille. Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 5, VI.
29v–30	In myne zynn.	BUNOYS	Busnoys, Antoine (ca. 1430–1492)
In myne zynn. Busnoys, Antoine (ca. 1430–1492) Appears on: 29v–30 Genres: Song Source Attribution: BUNOYS Voice: [no designation] Languages: German Voice Text: In myne zynn. Item Bibliography Picker, Martin. 1964. Newly Discovered Sources for In Minen Sin. Journal of the American Musicological Society, 133-43. Pages: avec facs. Lenaerts, René Bernard. 1933. Het Nederlands polifonies Lied in de lòde eeuw. Mechelen-Amsterdam.
30v–31	Je n'ai deuil que je ne suis morte	OCKEGHEM	Ockeghem, Jean de (ca. 1410–1497)
Je n'ai deuil que je ne suis morte Ockeghem, Jean de (ca. 1410–1497) Appears on: 30v–31 Genres: Chanson Source Attribution: OCKEGHEM Voice: [no designation] Languages: French Voice Text: J'en nay deuil [que je ne suis morte] General Note Publ. cf. Bc 17 n° 66
31v–32	Petite camusette à la mort m'avez mis / S'elle m'aimera	OCKEGHEM	Ockeghem, Jean de (ca. 1410–1497)
Petite camusette à la mort m'avez mis / S'elle m'aimera Ockeghem, Jean de (ca. 1410–1497) Appears on: 31v–32 Genres: Motet Source Attribution: OCKEGHEM Voice: [no designation] Languages: French Voice Text: Petit camusette General Note [Paroles complètes au T] [= S'elle m'amerà je ne scay] Concordances F-Dm 517 Item Bibliography Perkins, Leeman L. 1977. The Mellon Chansonnier. New Haven. Haberkamp, Gertraut. 1968. Die weltliche Vokalmusik in Spanien um 1500. Der Cancionero musical de Colombina von Sevilla und außerspanische Handschriften. Münchner Veröffentlichungen zur Musikgeschichte. Tutzing. Picker, Martin. 1965. The Chanson Albums of Marguerite of Austria. Berkeley and Los Angeles: University of California Press. Pope, Isabel. 1964. The musical manuscript Montecassino N879 [sic; recte 871]. Anuário Musical, 123-53. Pages: Ms 871. Anglès, Higinio (editor). 1941-1971. Monumentos de la Mùsica Espanola. Madrid (later Barcelona, later Rome). Pages: 33. Gombosi, Otto Johannes. 1925. Jacob Obrecht: Eine stilkritische Studie. Leipzig.
32v–33	Deuil et ennuy / Quoniam tribulatio	PRIORIS	Prioris, Johannes (Denis, Dionisius) (–1515)
Deuil et ennuy / Quoniam tribulatio Prioris, Johannes (Denis, Dionisius) (–1515) Appears on: 32v–33 Genres: Chanson Source Attribution: PRIORIS Voice: [no designation] Languages: French Voice Text: Deuil et ennuy. Voice: [no designation] Languages: French Voice Text: Deuil et ennuy. Voice: Tenor Languages: Latin Voice Text: Quoniam tribulatio pròxima est adjuvet. Voice: [no designation] Languages: French Voice Text: Deuil et ennuy. General Note T: Quoniam tribulatiopròxima est adjuvet. Item Bibliography Wexler, Richard. 1974. The Complete Works of Johannes Prioris. . Picker, Martin. 1965. The Chanson Albums of Marguerite of Austria. Berkeley and Los Angeles: University of California Press.
33v–36	Missa Fortuna desperata	Hobrecht	Obrecht, Jacobus (ca. 1457–1505)
Missa Fortuna desperata Obrecht, Jacobus (ca. 1457–1505) Appears on: 33v–36 Genres: Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus] Source Attribution: Hobrecht Voice: [no designation] Languages: Latin, Greek Voice Text: Kyrie General Note [Kyrie I: +2+4+2 ,014][Missa] Fortuna, [desperata] Item Bibliography Baker, Norma Klein. 1978. A fifteenth-century manuscript from the Segovia cathedral. University of Maryland, Ph.D. Dissertation. Smijers, Albert, and M van Crevel (editors). 1953-. Jacob Obrecht: Opera omnia. Amsterdam. Wolf, Johannes. 1908-21. Werken van Jacob Obrecht: Missen. Amsterdam und Leipzig.
33v–36	Missa Fortuna desperata: Sanctus with: Pleni: 3 voces, Benedictus: 3 voces.	Hobrecht	Obrecht, Jacobus (ca. 1457–1505)
Missa Fortuna desperata: Sanctus with: Pleni: 3 voces, Benedictus: 3 voces. Obrecht, Jacobus (ca. 1457–1505) Appears on: 33v–36 Genres: Mass Ordinary, Sanctus [& Benedictus] Source Attribution: Hobrecht Voice: [no designation] Languages: Latin Voice Text: Sanctus Voice: [no designation] Languages: Latin Voice Text: Sanctus Voice: [no designation] Languages: Latin Voice Text: Sanctus Voice: [no designation] Languages: Latin Voice Text: Sanctus General Note [Missa] Fortuna, [desperata] Item Bibliography Baker, Norma Klein. 1978. A fifteenth-century manuscript from the Segovia cathedral. University of Maryland, Ph.D. Dissertation. Smijers, Albert, and M van Crevel (editors). 1953-. Jacob Obrecht: Opera omnia. Amsterdam. Wolf, Johannes. 1908-21. Werken van Jacob Obrecht: Missen. Amsterdam und Leipzig.
33v–36	Missa Fortuna desperata: Osanna	Hobrecht	Obrecht, Jacobus (ca. 1457–1505)
Missa Fortuna desperata: Osanna Obrecht, Jacobus (ca. 1457–1505) Appears on: 33v–36 Genres: Mass Ordinary, Sanctus [& Benedictus] Source Attribution: Hobrecht Voice: [no designation] Languages: Latin Voice Text: Osanna Voice: [no designation] Languages: Latin Voice Text: Osanna Voice: [no designation] Languages: Latin Voice Text: Osanna Voice: [no designation] Languages: Latin Voice Text: Osanna Item Bibliography Baker, Norma Klein. 1978. A fifteenth-century manuscript from the Segovia cathedral. University of Maryland, Ph.D. Dissertation. Smijers, Albert, and M van Crevel (editors). 1953-. Jacob Obrecht: Opera omnia. Amsterdam. Wolf, Johannes. 1908-21. Werken van Jacob Obrecht: Missen. Amsterdam und Leipzig.
36v–37	Plorés gémier crier et braire	Rue	Rue, Pierre de la (ca. 1452–1518)
Plorés gémier crier et braire Rue, Pierre de la (ca. 1452–1518) Appears on: 36v–37 Genres: Chanson Source Attribution: Rue Voice: [no designation] Languages: French Voice Text: Plorés gémier crier et braire … Voice: [no designation] Languages: Latin Voice Text: Requiem eternam . . Voice: [no designation] Languages: Latin Voice Text: Requiem eternam . . Voice: [no designation] Languages: French Voice Text: Plorés gémier crier et braire … General Note . T et B: Requiem eternam . .
37v–38	Royne du ciel	Prioris	Prioris, Johannes (Denis, Dionisius) (–1515)
Royne du ciel Prioris, Johannes (Denis, Dionisius) (–1515) Appears on: 37v–38 Genres: Chanson, Sacred Song Source Attribution: Prioris Voice: [no designation] Languages: French Voice Text: Royne du ciel Voice: [no designation] Languages: French Voice Text: Royne du ciel Voice: [no designation] Languages: French Voice Text: Royne du ciel Voice: [no designation] Languages: Latin Voice Text: Regina celi letare alleluia General Note Publ. cf. Bc 17 n° 47B: Regina celi letare alleluia.
38v–40	La mi la sol (= Rogamus te piissime)	YZAAC	Isaac, Heinrich (ca. 1450–1517)
La mi la sol (= Rogamus te piissime) Isaac, Heinrich (ca. 1450–1517) Appears on: 38v–40 Genres: Chanson, Contrafactum Source Attribution: YZAAC Voice: [no designation] Languages: Latin Voice Text: [Missa La mi la sol/O preclara. Fragments du Credo] La mi la sol. [= Patrem] General Note [= Patrem]= Rogamus te piissima virgo Maria]Publ. cf. Bc 18 ii- 26
40v–42	Ma bouche rit	RUE	Rue, Pierre de la (ca. 1452–1518)
Ma bouche rit Rue, Pierre de la (ca. 1452–1518) Appears on: 40v–42 Genres: Italian secular Source Attribution: RUE Voice: [no designation] Languages: Italian Voice Text: 2a p.: La solfa mi la. General Note Ma buche rit.
42v–44	Comme femme desconfortee (I) [=2a pars of O Venus bant]	ALLEXANDER	Agricola, Alexander (ca. 1445–1506)
Comme femme desconfortee (I) [=2a pars of O Venus bant] Agricola, Alexander (ca. 1445–1506) Appears on: 42v–44 Genres: Chanson Source Attribution: ALLEXANDER Voice: [no designation] Languages: Italian Voice Text: 2a p.: Fa mi re do fa General Note Comme femme. [= Ave que sublimaris] Concordances D-ddr-Bds 40021 Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 22, V.
44v–45	Trop plus secret que ma partie suis	Rue	Rue, Pierre de la (ca. 1452–1518)
Trop plus secret que ma partie suis Rue, Pierre de la (ca. 1452–1518) Appears on: 44v–45 Genres: Chanson Source Attribution: Rue Voice: [no designation] Languages: French Voice Text: Trop plus secret que ma partie … Voice: [no designation] Languages: French Voice Text: Trop plus secret que ma partie … Voice: [no designation] Languages: French Voice Text: Trop plus secret que ma partie … Voice: [no designation] Languages: French Voice Text: Trop plus secret que ma partie … Item Bibliography Picker, Martin. 1965. The Chanson Albums of Marguerite of Austria. Berkeley and Los Angeles: University of California Press.
45v–46	Amours m'on fait de desplaisier	-	Anonymous
Amours m'on fait de desplaisier Anonymous Appears on: 45v–46 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Amours m'on fait de desplaisier … Voice: [no designation] Languages: French Voice Text: Amours m'on fait de desplaisier … Voice: [no designation] Languages: French Voice Text: Amours m'on fait de desplaisier … Voice: [no designation] Languages: French Voice Text: Amours m'on fait de desplaisier …
46v–47	Dulces exuviae dum fata Deusque	De Orto	Orto, Marbrianus de
Dulces exuviae dum fata Deusque Orto, Marbrianus de Appears on: 46v–47 Genres: Motet Source Attribution: De Orto Voice: [no designation] Languages: Latin Voice Text: Dulces exuviae dum fata deusque Item Bibliography Picker, Martin. 1965. The Chanson Albums of Marguerite of Austria. Berkeley and Los Angeles: University of California Press.
47v–48	Mille quingentis verum bis sex minus annis / Requiem aeternam	Obreht	Obrecht, Jacobus (ca. 1457–1505)
Mille quingentis verum bis sex minus annis / Requiem aeternam Obrecht, Jacobus (ca. 1457–1505) Appears on: 47v–48 Genres: Motet Source Attribution: Obreht Voice: [no designation] Languages: Latin Voice Text: Mille quingentis verum bis sex minus annis/Requiem eternam General Note [= Mille quingentis] Concordances E-SE Item Bibliography Wolf, Johannes. 1908-21. Werken van Jacob Obrecht: Missen. Amsterdam und Leipzig. Pages: IV.
49v–50	Ein fröhlich Wesen a 3	Jo. Gysling Alias Verbonnet	Ghiselin (Verbonnet), Johannes
Ein fröhlich Wesen a 3 Ghiselin (Verbonnet), Johannes Appears on: 49v–50 Genres: Song Source Attribution: Jo. Gysling Alias Verbonnet Voice: [no designation] Languages: German Voice Text: Een vrowelic wessen. Voice: [no designation] Languages: German Voice Text: Een vrowelic wessen. Voice: [no designation] Languages: German Voice Text: Een vrowelic wessen. Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 23, IV. Lenaerts, René Bernard. 1933. Het Nederlands polifonies Lied in de lòde eeuw. Mechelen-Amsterdam.
50v–51	Plaine d'ennuy de longue main / Anima mea	COMPÈRE	Compère, Loyset (ca. 1445–1518)
Plaine d'ennuy de longue main / Anima mea Compère, Loyset (ca. 1445–1518) Appears on: 50v–51 Genres: Chanson Source Attribution: COMPÈRE Voice: [no designation] Languages: French Voice Text: Plaine d'ennuy de longue main … Voice: [no designation] Languages: French Voice Text: Plaine d'ennuy de longue main … Voice: [no designation] Languages: Latin, French Voice Text: Anima mea liquefacta est ... General Note Publ. cf. Bc 17 n° 6;Facs. Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 15, V.
51v–52	Sourdez regrets avironnez mon coeur	COMPÈRE	Compère, Loyset (ca. 1445–1518)
Sourdez regrets avironnez mon coeur Compère, Loyset (ca. 1445–1518) Appears on: 51v–52 Genres: Chanson Source Attribution: COMPÈRE Voice: [no designation] Languages: French Voice Text: Sourdes regretz avironnez mon ceur … Voice: [no designation] Languages: French Voice Text: Sourdes regretz avironnez mon ceur … Voice: [no designation] Languages: French Voice Text: Sourdes regretz avironnez mon ceur … Item Bibliography Picker, Martin. 1965. The Chanson Albums of Marguerite of Austria. Berkeley and Los Angeles: University of California Press. [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 15, V.
52v–53	Fors seullement contre ce que ay promis	Ockeghem	Ockeghem, Jean de (ca. 1410–1497)
Fors seullement contre ce que ay promis Ockeghem, Jean de (ca. 1410–1497) Appears on: 52v–53 Genres: Chanson Source Attribution: Ockeghem Voice: [no designation] Languages: French Voice Text: Fors seuïlement [contre ce que ay promis] Voice:* [no designation] Languages: French Voice Text: Fors seuïlement [contre ce que ay promis] Voice:* [no designation] Languages: French Voice Text: Fors seuïlement [contre ce que ay promis] General Note F-Pn 1596 et 2245 Concordances F-Pn 1596 et 2245 Item Bibliography Giesbert, Franz Julius. 1936. Ein altes Spielbuch aus der Zeit um 1500... Pergament-Handschrift (Liber Fridolini Sichery) der Stiftsbibliothek St. Gallen.* 2 vols. Mainz. Gombosi, Otto Johannes. 1925. Jacob Obrecht: Eine stilkritische Studie. Leipzig.
53v–54	Baisiés moi dont fort a 3	Ockeghem	Ockeghem, Jean de (ca. 1410–1497)
Baisiés moi dont fort a 3 Ockeghem, Jean de (ca. 1410–1497) Appears on: 53v–54 Genres: Chanson Source Attribution: Ockeghem Voice: [no designation] Languages: French Voice Text: Baisiés moy dont fort … Voice: [no designation] Languages: French Voice Text: Baisiés moy dont fort … Voice: [no designation] Languages: French Voice Text: Baisiés moy dont fort …
54v–55	Par vous sermens tous plains	Prioris	Prioris, Johannes (Denis, Dionisius) (–1515)
Par vous sermens tous plains Prioris, Johannes (Denis, Dionisius) (–1515) Appears on: 54v–55 Genres: Chanson Source Attribution: Prioris Voice: [no designation] Languages: French Voice Text: Par vous sermens tous plains. Voice: [no designation] Languages: French Voice Text: Par vous sermens tous plains. Voice: [no designation] Languages: French Voice Text: Par vous sermens tous plains. General Note . Publ. cf. Bc 17 n° 46
55v–56	Mon coeur et moi d'une alliance	Prioris	Prioris, Johannes (Denis, Dionisius) (–1515) (?)
Mon coeur et moi d'une alliance Prioris, Johannes (Denis, Dionisius) (–1515) (?) Appears on: 55v–56 Genres: Chanson Source Attribution: Prioris Voice: [no designation] Languages: French Voice Text: Mon euer et moy d'une aliance. Voice: [no designation] Languages: French Voice Text: Mon euer et moy d'une aliance. Voice: [no designation] Languages: French Voice Text: Mon euer et moy d'une aliance. Item Bibliography Wexler, Richard. 1974. The Complete Works of Johannes Prioris. . Bush, Helen E. 1946. The Laborde Chansonnier. Papers of the American Musicological Society, 56-79. Jeppesen, Knud (editor). 1927. New York, 1965 (reprint, with new remarks by the editor). Der Kopenhagener Chansonnier: Das Manuskript Thott 291s der Königlichen Bibliothek Kopenhagen. Copenhagen and Leipzig. Copenhagen and Leipzig.
56v–57	Mon plus que riens que je sceusse nonmer a 3	Prioris	Prioris, Johannes (Denis, Dionisius) (–1515)
Mon plus que riens que je sceusse nonmer a 3 Prioris, Johannes (Denis, Dionisius) (–1515) Appears on: 56v–57 Genres: Chanson Source Attribution: Prioris Voice: [no designation] Languages: French Voice Text: Mon plus que riens que je sceusse nonmer. Voice: [no designation] Languages: French Voice Text: Mon plus que riens que je sceusse nonmer. Voice: [no designation] Languages: French Voice Text: Mon plus que riens que je sceusse nonmer. Item Bibliography Wexler, Richard. 1974. The Complete Works of Johannes Prioris. .
57v–58	Riens ne me plaist a 3	Prioris	Prioris, Johannes (Denis, Dionisius) (–1515)
Riens ne me plaist a 3 Prioris, Johannes (Denis, Dionisius) (–1515) Appears on: 57v–58 Genres: Chanson Source Attribution: Prioris Voice: [no designation] Languages: French Voice Text: Riens ne me plaist. Voice: [no designation] Languages: French Voice Text: Riens ne me plaist. Voice: [no designation] Languages: French Voice Text: Riens ne me plaist. Item Bibliography Wexler, Richard. 1974. The Complete Works of Johannes Prioris. .
58v–59	Va t'en regret a 3	Allexander	Agricola, Alexander (ca. 1445–1506)
Va t'en regret a 3 Agricola, Alexander (ca. 1445–1506) Appears on: 58v–59 Genres: Chanson Source Attribution: Allexander Voice: [no designation] Languages: French Voice Text: Va t'en regret Voice: [no designation] Languages: French Voice Text: Va t'en regret Voice: [no designation] Languages: French Voice Text: Va t'en regret Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 22.V.
59v–60	Pour ce quelpaine / Pourquoi tant / Pour quel paine	Allexander	Agricola, Alexander (ca. 1445–1506)
Pour ce quelpaine / Pourquoi tant / Pour quel paine Agricola, Alexander (ca. 1445–1506) Appears on: 59v–60 Genres: Chanson Source Attribution: Allexander Voice: [no designation] Languages: French Voice Text: Pour ce quelpaine Voice: [no designation] Languages: French Voice Text: Pourquoy tant. Voice: [no designation] Languages: French Voice Text: Pour quel paine. General Note Attrib. à Ghiselin par Pitoni (cf. Rc 2856 n" 112) Item Bibliography Plamenac, Dragan. 1950. A postscript to volume II of the "Collected works" of Johannes Ockeghem. Journal of the American Musicological Society, 33ff. [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 22.V.
60v–61	S'il vous plaist bien que je vous tiengne = Je suis margot	Allexander	Agricola, Alexander (ca. 1445–1506)
S'il vous plaist bien que je vous tiengne = Je suis margot Agricola, Alexander (ca. 1445–1506) Appears on: 60v–61 Genres: Chanson Source Attribution: Allexander Voice: [no designation] Languages: French Voice Text: Sy vous plaist biens que je vous tiengne . . . Voice: [no designation] Languages: French Voice Text: Sy vous plaist biens que je vous tiengne . . . Voice: [no designation] Languages: French Voice Text: Sy vous plaist biens que je vous tiengne . . . Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 22.V. Giesbert, Franz Julius. 1936. Ein altes Spielbuch aus der Zeit um 1500... Pergament-Handschrift (Liber Fridolini Sichery) der Stiftsbibliothek St. Gallen. 2 vols. Mainz.
61v–62	Amours amours	Allexander	Agricola, Alexander (ca. 1445–1506)
Amours amours Agricola, Alexander (ca. 1445–1506) Appears on: 61v–62 Genres: Chanson Source Attribution: Allexander Voice: [no designation] Languages: French Voice Text: Amours amours. Voice: [no designation] Languages: French Voice Text: Amours amours. Voice: [no designation] Languages: French Voice Text: Amours amours. General Note Publ cf. Bc 17 n° 8
62v–63	Se mieulx ne vient d'amours	ALLEXANDER	Agricola, Alexander (ca. 1445–1506)
Se mieulx ne vient d'amours Agricola, Alexander (ca. 1445–1506) Appears on: 62v–63 Genres: Chanson Source Attribution: ALLEXANDER Voice: [no designation] Languages: French Voice Text: Se mieulx ne vient d'amours. Voice: [no designation] Languages: French Voice Text: Se mieulx ne vient d'amours. Voice: [no designation] Languages: French Voice Text: Se mieulx ne vient d'amours. Item Bibliography Shipp, Clifford Marion. 1960. A chansonnier of the dukes of Lorraine: The Paris manuscript Fonds Français 1597. North Texas State College, Ph.D. Dissertation. [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 22.V.
63v–64	Belles sur toutes / Tota pulcrà es amica mea a 3	Alexander Agricola	Agricola, Alexander (ca. 1445–1506)
Belles sur toutes / Tota pulcrà es amica mea a 3 Agricola, Alexander (ca. 1445–1506) Appears on: 63v–64 Genres: Chanson Source Attribution: Alexander Agricola Voice: [no designation] Languages: French Voice Text: Belles sur toutes Voice: [no designation] Languages: French Voice Text: Belles sur toutes Voice: [no designation] Languages: Latin Voice Text: Tota pulirà es amica mea . .. Item Bibliography Geering, Arnold (editor). 1955-. Schweizerische Musikdenkmäler. Basel. Pages: 5. Lewis, Anthony (editor). 1951-. Musica Britannica: A National Collection of Music. London. Pages: XVIII. [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 22.IV.
64v–65	Adieu m'amour (II)	Allexander	Agricola, Alexander (ca. 1445–1506)
Adieu m'amour (II) Agricola, Alexander (ca. 1445–1506) Appears on: 64v–65 Genres: Chanson Source Attribution: Allexander Voice: [no designation] Languages: French Voice Text: Adieu mamour. Voice: [no designation] Languages: French Voice Text: Adieu mamour. Voice: [no designation] Languages: French Voice Text: Adieu mamour. Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 22.V.
65v–66	Adieu m'amour (I)	ALLEXANDER	Agricola, Alexander (ca. 1445–1506)
Adieu m'amour (I) Agricola, Alexander (ca. 1445–1506) Appears on: 65v–66 Genres: Chanson Source Attribution: ALLEXANDER Voice: [no designation] Languages: French Voice Text: Adieu m'amour Voice: [no designation] Languages: French Voice Text: Adieu m'amour Voice: [no designation] Languages: French Voice Text: Adieu m'amour Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 22.V.
66v–67	De tous biens plaine (III)	Allexander	Agricola, Alexander (ca. 1445–1506)
De tous biens plaine (III) Agricola, Alexander (ca. 1445–1506) Appears on: 66v–67 Genres: Chanson Source Attribution: Allexander Voice: [no designation] Languages: French Voice Text: De tous biens playne. Voice: [no designation] Languages: French Voice Text: De tous biens playne. Voice: [no designation] Languages: French Voice Text: De tous biens playne. Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 22.V.
67v–68	De tous biens plaine (II)	Allexander	Agricola, Alexander (ca. 1445–1506)
De tous biens plaine (II) Agricola, Alexander (ca. 1445–1506) Appears on: 67v–68 Source Attribution: Allexander Voice: [no designation] Languages: French Voice Text: De tous biens playne. Voice: [no designation] Languages: French Voice Text: De tous biens playne. Voice: [no designation] Languages: French Voice Text: De tous biens playne. Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 22.V.
68v–70	Tout a par moi (II)	Allexander	Agricola, Alexander (ca. 1445–1506)
Tout a par moi (II) Agricola, Alexander (ca. 1445–1506) Appears on: 68v–70 Genres: Chanson Source Attribution: Allexander Voice: [no designation] Languages: French Voice Text: Tout a par moy. Voice: [no designation] Languages: French Voice Text: Tout a par moy. Voice: [no designation] Languages: French Voice Text: Tout a par moy. General Note 2a p.: Sans texte. Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 22, V.
70v–71	D'un autre aimer mon coeur s'abesseroit (III)	Allex[ander]	Agricola, Alexander (ca. 1445–1506)
D'un autre aimer mon coeur s'abesseroit (III) Agricola, Alexander (ca. 1445–1506) Appears on: 70v–71 Genres: Chanson Source Attribution: Allex[ander] Voice: [no designation] Languages: French Voice Text: D'ung anitre amer. Voice: [no designation] Languages: French Voice Text: D'ung anitre amer. Voice: [no designation] Languages: French Voice Text: D'ung anitre amer. Item Bibliography Smijers, Albert (editor). 1949. Van Ockeghem tot Sweelinck. 5 vols. Amsterdam: Vereniging voor Nederlandse Muziekgeschiedenis. Pages: IV. [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 22.V.
71v–72	Sonnés muses mélodieusement	Allex[ander]	Agricola, Alexander (ca. 1445–1506)
Sonnés muses mélodieusement Agricola, Alexander (ca. 1445–1506) Appears on: 71v–72 Genres: Chanson Source Attribution: Allex[ander] Voice: [no designation] Languages: French Voice Text: Sonnés muses mélodieusement … Voice: [no designation] Languages: French Voice Text: Sonnés muses mélodieusement … Voice: [no designation] Languages: French Voice Text: Sonnés muses mélodieusement … Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 22.V.
72v–73	"D...": untexted a 3	Allexander	Agricola, Alexander (ca. 1445–1506)
"D...": untexted a 3 Agricola, Alexander (ca. 1445–1506) Appears on: 72v–73 Genres: textless Source Attribution: Allexander Voice: [no designation] Languages: none Voice: [no designation] Languages: none Voice: [no designation] Languages: none Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 22.V.
73v–74	Oblier veult douleur et tristesse (= Carmen in sol)	Allexander	Agricola, Alexander (ca. 1445–1506)
Oblier veult douleur et tristesse (= Carmen in sol) Agricola, Alexander (ca. 1445–1506) Appears on: 73v–74 Genres: Chanson Source Attribution: Allexander Voice: [no designation] Languages: French Voice Text: Ublier veuil tristuse Voice: [no designation] Languages: French Voice Text: Ublier veuil tristuse Voice: [no designation] Languages: French Voice Text: Ublier veuil tristuse General Note Publ. cf. Bc 17 n° 3 Concordances *A-Wn 18810
74v–76	Comme femme desconfortee (II)	Allexander	Agricola, Alexander (ca. 1445–1506)
Comme femme desconfortee (II) Agricola, Alexander (ca. 1445–1506) Appears on: 74v–76 Genres: Chanson, Contrafactum Source Attribution: Allexander Voice: [no designation] Languages: French Voice Text: Comme femme. Voice: [no designation] Languages: French Voice Text: Comme femme. Voice: [no designation] Languages: French Voice Text: Comme femme. Concordances D-ddr-Bds 40021 Item Bibliography Shipp, Clifford Marion. 1960. A chansonnier of the dukes of Lorraine: The Paris manuscript Fonds Français 1597. North Texas State College, Ph.D. Dissertation. [No Author] 1947-. Corpus mensurabilis musicae.* The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 22.IV et V. Ambros, August Wilhelm. 1880-82. Geschichte der Musik. 2. Auflage. 5 vols. Leipzig. Pages: V.
76v–78	Se congé prens de mes belles amours	Allexander	Agricola, Alexander (ca. 1445–1506)
Se congé prens de mes belles amours Agricola, Alexander (ca. 1445–1506) Appears on: 76v–78 Genres: Ballade Source Attribution: Allexander Voice: [no designation] Languages: French Voice Text: Se congé prens. Voice: [no designation] Languages: French Voice Text: Se congé prens. Voice: [no designation] Languages: French Voice Text: Se congé prens. Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 22.V. Giesbert, Franz Julius. 1936. Ein altes Spielbuch aus der Zeit um 1500... Pergament-Handschrift (Liber Fridolini Sichery) der Stiftsbibliothek St. Gallen. 2 vols. Mainz.
78v–79	Celle que j'ai longtemps aymé (= Myn hert helf altijt verlanghen)	Cornelius Rigo [de Bergis]	Bergis, Cornelius Rigo de
Celle que j'ai longtemps aymé (= Myn hert helf altijt verlanghen) Bergis, Cornelius Rigo de Appears on: 78v–79 Genres: Chanson Source Attribution: Cornelius Rigo [de Bergis] Voice: [no designation] Languages: French Voice Text: Cette que j'ay longtemps aymé. Voice: [no designation] Languages: French Voice Text: Cette que j'ay longtemps aymé. Voice: [no designation] Languages: French Voice Text: Cette que j'ay longtemps aymé. Concordances 1538' Item Bibliography Gombosi, Otto Johannes. 1925. Jacob Obrecht: Eine stilkritische Studie.* Leipzig.
79v–80	Sans regrets veul entretenir a 3	Jaspar [van Weerbecke]	Weerbecke, Gaspar van (ca. 1445–ca. 1516)
Sans regrets veul entretenir a 3 Weerbecke, Gaspar van (ca. 1445–ca. 1516) Appears on: 79v–80 Genres: Chanson Source Attribution: Jaspar [van Weerbecke] Voice: [no designation] Languages: French Voice Text: Sans regretz veul entretenir. Voice: [no designation] Languages: French Voice Text: Sans regretz veul entretenir. Voice: [no designation] Languages: French Voice Text: Sans regretz veul entretenir.
80v–81	A la mort an prioit / Monstra te esse matrem 27.1	Josquin	Despres, Josquin (ca. 1450–1521)
A la mort an prioit / Monstra te esse matrem 27.1 Despres, Josquin (ca. 1450–1521) Appears on: 80v–81 Genres: Chanson Source Attribution: Josquin Voice: [no designation] Languages: French Voice Text: A la mort an prioit … Voice: [no designation] Languages: Latin Voice Text: Monstra te essematrem. Voice: [no designation] Languages: French Voice Text: A la mort an prioit …
81v–82	Da pacem Domine in diebus nostris	Gislingh [= Ghiselin]	Ghiselin (Verbonnet), Johannes
Da pacem Domine in diebus nostris Ghiselin (Verbonnet), Johannes Appears on: 81v–82 Genres: Motet Source Attribution: Gislingh [= Ghiselin] Voice: [no designation] Languages: Latin Voice Text: Da pacem domine in diebus nostris Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 23, I.
82v–83	Weet ghy wat mynder jonghen herten deert a 3	Ghisling	Ghiselin (Verbonnet), Johannes
Weet ghy wat mynder jonghen herten deert a 3 Ghiselin (Verbonnet), Johannes Appears on: 82v–83 Genres: Secular Source Attribution: Ghisling Voice: [no designation] Languages: Flemish Voice Text: Weet ghy wat mynder jonghen hertendeert. Voice: [no designation] Languages: Flemish Voice Text: Weet ghy wat mynder jonghen hertendeert. Voice: [no designation] Languages: Flemish Voice Text: Weet ghy wat mynder jonghen hertendeert. Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 23, IV. Lenaerts, René Bernard. 1933. Het Nederlands polifonies Lied in de lòde eeuw. Mechelen-Amsterdam.
83v–84	Rendes le moi mon coeur	Ghiselingh	Ghiselin (Verbonnet), Johannes
Rendes le moi mon coeur Ghiselin (Verbonnet), Johannes Appears on: 83v–84 Genres: Chanson Source Attribution: Ghiselingh Voice: [no designation] Languages: French Voice Text: Rendes le moy mon ceur … Voice: [no designation] Languages: French Voice Text: Rendes le moy mon ceur … Voice: [no designation] Languages: French Voice Text: Rendes le moy mon ceur … Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 23, IV.
84v–85	Le coeur la suit et mon oeil la regrete	Verbonnet	Ghiselin (Verbonnet), Johannes
Le coeur la suit et mon oeil la regrete Ghiselin (Verbonnet), Johannes Appears on: 84v–85 Genres: Chanson Source Attribution: Verbonnet Voice: [no designation] Languages: French Voice Text: Le couer les yeult ... Voice: [no designation] Languages: French Voice Text: Le couer les yeult ... Voice: [no designation] Languages: French Voice Text: Le couer les yeult ... Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 23, IV.
85v–86	A vous madame	Verbonnet	Ghiselin (Verbonnet), Johannes
A vous madame Ghiselin (Verbonnet), Johannes Appears on: 85v–86 Genres: Chanson Source Attribution: Verbonnet Voice: [no designation] Languages: French Voice Text: A vous madame. Voice: [no designation] Languages: French Voice Text: A vous madame. Voice: [no designation] Languages: French Voice Text: A vous madame. Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 23, IV.
86v–87	Je suis si treffort = Ie ben zo nau bedwonghen	Verbonnet	Ghiselin (Verbonnet), Johannes
Je suis si treffort = Ie ben zo nau bedwonghen Ghiselin (Verbonnet), Johannes Appears on: 86v–87 Genres: Chanson Source Attribution: Verbonnet Voice: [no designation] Languages: French Voice Text: Je suis si treffort. Voice: [no designation] Languages: French Voice Text: Je suis si treffort. Voice: [no designation] Languages: French Voice Text: Je suis si treffort. Concordances GB-Lbm 35087 Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae.* The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 23, IV.
87v–88	Tous nobles ceurs qui mes regrets voyez a 3	Rue	Rue, Pierre de la (ca. 1452–1518)
Tous nobles ceurs qui mes regrets voyez a 3 Rue, Pierre de la (ca. 1452–1518) Appears on: 87v–88 Genres: Chanson Source Attribution: Rue Voice: [no designation] Languages: French Voice Text: Tous nobles ceurs qui mes regretz voyez ... Voice: [no designation] Languages: French Voice Text: Tous nobles ceurs qui mes regretz voyez ... Voice: [no designation] Languages: French Voice Text: Tous nobles ceurs qui mes regretz voyez ... Item Bibliography Picker, Martin. 1965. The Chanson Albums of Marguerite of Austria. Berkeley and Los Angeles: University of California Press.
88v–89	A vous non autre servir a 3	Rue	Rue, Pierre de la (ca. 1452–1518)
A vous non autre servir a 3 Rue, Pierre de la (ca. 1452–1518) Appears on: 88v–89 Genres: Chanson Source Attribution: Rue Voice: [no designation] Languages: French Voice Text: A vous non aulire … Voice: [no designation] Languages: French Voice Text: A vous non aulire … Voice: [no designation] Languages: French Voice Text: A vous non aulire … Item Bibliography Picker, Martin. 1965. The Chanson Albums of Marguerite of Austria. Berkeley and Los Angeles: University of California Press.
89v–90	Pauper sum ego / Ce pouvre mendiant / Fortune d'estrange plumaige 27.5	Josquin	Despres, Josquin (ca. 1450–1521)
Pauper sum ego / Ce pouvre mendiant / Fortune d'estrange plumaige 27.5 Despres, Josquin (ca. 1450–1521) Appears on: 89v–90 Genres: Chanson, Motet Source Attribution: Josquin Voice: [no designation] Languages: French Voice Text: Fortune d'estrange plumaige. Voice: [no designation] Languages: French Voice Text: Fortune d'estrange plumaige. Voice: Bassus Languages: Latin Voice Text: Pauper sum ego ... General Note This copy has the bassus fully texted "Pauper sum ego, et in laboribus a juventute mea; exaltatus autem, humiliatus sum et conturbatus" though this full text does not fit the music & only "Pauper sum ego" is (probably) supposed to be sung. Upper voices have incipit(?) only "Fortune d’estrange plummaige", which is completely different from the full text provided by Brussels 228. (The London copy offers only 'Pauper sum ego' in all voices.) Concordances B-Br 228 GB-L Add Ms 35087 Item Bibliography Smijers, Albert, Myroslaw Antonowycz, and Willem Elders (editors). 1925 - . Werken van Josquin des Prés: Wereldlijke Werken (1925); Missen (1931). Leipzig/ Amsterdam. Pages: II.
90v–92	O florens rosa mater Domini speciosa	J. GHISELIN	Ghiselin (Verbonnet), Johannes
O florens rosa mater Domini speciosa Ghiselin (Verbonnet), Johannes Appears on: 90v–92 Genres: Marian antiphon Source Attribution: J. GHISELIN Voice: [no designation] Languages: Latin Voice Text: O florens rosa mater domini speciosa Concordances CH-SGs 463 Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae.* The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 23, I.
92v–94	Anima mea liquefacta est ut dilectus	Ghiseling	Ghiselin (Verbonnet), Johannes
Anima mea liquefacta est ut dilectus Ghiselin (Verbonnet), Johannes Appears on: 92v–94 Genres: Motet Source Attribution: Ghiseling Voice: [no designation] Languages: Latin Voice Text: Anima mea liquefacta est Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 23, I (avec facs.).
94v–96	Sancta Maria virgo / O Maria virgo mittis	Rue	Rue, Pierre de la (ca. 1452–1518)
Sancta Maria virgo / O Maria virgo mittis Rue, Pierre de la (ca. 1452–1518) Appears on: 94v–96 Genres: Motet Source Attribution: Rue Voice: [no designation] Languages: Latin Voice Text: Sancta Maria virgo/O Maria virgo mittis
96v–98	Si dormiero (O mitis mater Christi) 14.13	RUE [ou H. ISAAC*]	Despres, Josquin (ca. 1450–1521) (?) Isaac, Heinrich (ca. 1450–1517) (?) Rue, Pierre de la (ca. 1452–1518) (?)
Si dormiero (O mitis mater Christi) 14.13 Despres, Josquin (ca. 1450–1521) (?) Isaac, Heinrich (ca. 1450–1517) (?) Rue, Pierre de la (ca. 1452–1518) (?) Appears on: 96v–98 Genres: Motet Source Attribution: RUE [ou H. ISAAC] Voice:* [no designation] Languages: Latin Voice Text: Si dormiero (O mitis mater Christi) General Note [= Guretzsch] Concordances A-Wn 18810 Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 28 (XIV).
98v–99	Cum audisset Job nuntiorum verba	Cornelius Rigo de Bergis	Bergis, Cornelius Rigo de
Cum audisset Job nuntiorum verba Bergis, Cornelius Rigo de Appears on: 98v–99 Genres: Motet Source Attribution: Cornelius Rigo de Bergis Voice: [no designation] Languages: Latin Voice Text: Cum audisset Job nuntiorum verba Item Bibliography Geering, Arnold (editor). 1955-. Schweizerische Musikdenkmäler. Basel. Pages: 5.
99v–101	Si bibero crathere pleno ad lachrimas	Nino [le Petit]	Petit, Nino le (fl. c1500)
Si bibero crathere pleno ad lachrimas Petit, Nino le (fl. c1500) Appears on: 99v–101 Genres: Motet Source Attribution: Nino [le Petit] Voice: [no designation] Languages: Italian Voice Text: Si bibero crathere pleno ad lachrimas Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 87.

Composer	Compositions
Agricola, Alexander (ca. 1445–1506)	"D...": untexted a 3 – 72v–73 Adieu m'amour (I) – 65v–66 Adieu m'amour (II) – 64v–65 Amours amours – 61v–62 Belles sur toutes / Tota pulcrà es amica mea a 3 – 63v–64 Comme femme desconfortee (I) [=2a pars of O Venus bant] – 42v–44 Comme femme desconfortee (II) – 74v–76 D'un autre aimer mon coeur s'abesseroit (I) – 7v–8 D'un autre aimer mon coeur s'abesseroit (II) – 8v–9 D'un autre aimer mon coeur s'abesseroit (III) – 70v–71 De tous biens plaine (II) – 67v–68 De tous biens plaine (III) – 66v–67 Oblier veult douleur et tristesse (= Carmen in sol) – 73v–74 Pour ce quelpaine / Pourquoi tant / Pour quel paine – 59v–60 Revenez tous regrets / Quis det – 4v–5 S'il vous plaist bien que je vous tiengne = Je suis margot – 60v–61 Se congé prens de mes belles amours – 76v–78 Se mieulx ne vient d'amours – 62v–63 Sonnés muses mélodieusement – 71v–72 Tout a par moi (I) – 5v–7 Tout a par moi (II) – 68v–70 Va t'en regret a 3 – 58v–59
Agricola, Johannes (ca. 1560–ca. 1601)	(?) Du tout plongiet / Fors seulement a 5 – 20v–21
Anonymous	Amours m'on fait de desplaisier – 45v–46 Ave Maria gratia plena Dominus tecum – v–1
Bergis, Cornelius Rigo de	Celle que j'ai longtemps aymé (= Myn hert helf altijt verlanghen) – 78v–79 Cum audisset Job nuntiorum verba – 98v–99
Brumel, Antoine (ca. 1460–ca. 1513)	(?) Du tout plongiet / Fors seulement a 5 – 20v–21 James que la ne peult estre trouvée – 28v–29
Busnoys, Antoine (ca. 1430–1492)	In myne zynn. – 29v–30
Compère, Loyset (ca. 1445–1518)	Plaine d'ennuy de longue main / Anima mea – 50v–51 (?) Puisque je suis hors du compte = Pour ce que je suis – 13v–14 Scaramella fa la galla – 16v–17 Sourdez regrets avironnez mon coeur – 51v–52
Despres, Josquin (ca. 1450–1521)	A la mort an prioit / Monstra te esse matrem 27.1 – 80v–81 (?) Fors seulement l'attente que je meure 28.15 – 18v–19 (?) Mon seul plaisir 28.26 - 1a pars (of 2): Mon seul plaisir – 1v–3 Mon seul plaisir 28.26 - 2a pars (of 2): Mieux ne me pourroit – 1v–3 Par vous je suis 28.13 (= Entre je suis) – 24v–25 Pauper sum ego / Ce pouvre mendiant / Fortune d'estrange plumaige 27.5 – 89v–90 (?) Si dormiero (O mitis mater Christi) 14.13 – 96v–98
Ghiselin (Verbonnet), Johannes	A vous madame – 85v–86 Anima mea liquefacta est ut dilectus – 92v–94 Da pacem Domine in diebus nostris – 81v–82 Ein fröhlich Wesen a 3 – 49v–50 Fors seulement l'attente que je meure – 17v–18 (?) Fors seulement l'attente que je meure 28.15 – 18v–19 Je suis si treffort = Ie ben zo nau bedwonghen – 86v–87 Le coeur la suit et mon oeil la regrete – 84v–85 O florens rosa mater Domini speciosa – 90v–92 Rendes le moi mon coeur – 83v–84 Weet ghy wat mynder jonghen herten deert a 3 – 82v–83
Hylaire	Ein fröhlich Wesen – 27v–28
Isaac, Heinrich (ca. 1450–1517)	La mi la sol (= Rogamus te piissime) – 38v–40 (?) Si dormiero (O mitis mater Christi) 14.13 – 96v–98
Lannoy, Colinet de	Adieu natürlich Leben mein – 3v–4
Obrecht, Jacobus (ca. 1457–1505)	Fors seulement l'attente que je meure – 23v–24 (?) Mijn herz altijt heeft verlanghen – 14v–15 Mille quingentis verum bis sex minus annis / Requiem aeternam – 47v–48 Missa Fortuna desperata – 33v–36 Missa Fortuna desperata: Osanna – 33v–36 Missa Fortuna desperata: Sanctus with: Pleni: 3 voces, Benedictus: 3 voces. – 33v–36
Ockeghem, Jean de (ca. 1410–1497)	Baisiés moi dont fort a 3 – 53v–54 Fors seullement contre ce que ay promis – 52v–53 Je n'ai deuil que je ne suis morte – 30v–31 Petite camusette à la mort m'avez mis / S'elle m'aimera – 31v–32
Orto, Marbrianus de	Dulces exuviae dum fata Deusque – 46v–47 Fors seulement l'attente que je meure – 22v–23
Petit, Nino le (fl. c1500)	(?) Mon seul plaisir 28.26 - 1a pars (of 2): Mon seul plaisir – 1v–3 Mon seul plaisir 28.26 - 2a pars (of 2): Mieux ne me pourroit – 1v–3 Si bibero crathere pleno ad lachrimas – 99v–101
Pipelare, Mattheus (ca. 1450–ca. 1515)	(?) Ein fröhlich Wesen hab ich erlesen – 26v–27 Fors seulement l'atent que je meure (I) – 21v–22
Prioris, Johannes (Denis, Dionisius) (–1515)	Deuil et ennuy / Quoniam tribulatio – 32v–33 (?) Mon coeur et moi d'une alliance – 55v–56 Mon plus que riens que je sceusse nonmer a 3 – 56v–57 Par vous je suis = Entre ie suis un grant penser – 25v–26 Par vous sermens tous plains – 54v–55 Riens ne me plaist a 3 – 57v–58 Royne du ciel – 37v–38
Rue, Pierre de la (ca. 1452–1518)	A vous non autre servir a 3 – 88v–89 Autant en porte le vent – 12v–13 De l'oeil de la fille du roi – 9v–10 Dedans boutez dedans [previously Dedens boutons] – 15v–16 (?) Ein fröhlich Wesen hab ich erlesen – 26v–27 Fors seulement l'attente que je meure (2p. Qui n'est douleur) – 19v–20 II viendra le jour désiré – 11v–12 Ma bouche rit – 40v–42 (?) Mijn herz altijt heeft verlanghen – 14v–15 Plorés gémier crier et braire – 36v–37 Pourquoi tant me fault il attendre – 10v–11 (?) Puisque je suis hors du compte = Pour ce que je suis – 13v–14 Sancta Maria virgo / O Maria virgo mittis – 94v–96 (?) Si dormiero (O mitis mater Christi) 14.13 – 96v–98 Tous nobles ceurs qui mes regrets voyez a 3 – 87v–88 Trop plus secret que ma partie suis – 44v–45
Weerbecke, Gaspar van (ca. 1445–ca. 1516)	Sans regrets veul entretenir a 3 – 79v–80

Composition	Composers (? Uncertain)	Folios / Pages
"D...": untexted a 3	Agricola, Alexander (ca. 1445–1506)	72v–73
A la mort an prioit / Monstra te esse matrem 27.1	Despres, Josquin (ca. 1450–1521)	80v–81
A vous madame	Ghiselin (Verbonnet), Johannes	85v–86
A vous non autre servir a 3	Rue, Pierre de la (ca. 1452–1518)	88v–89
Adieu m'amour (I)	Agricola, Alexander (ca. 1445–1506)	65v–66
Adieu m'amour (II)	Agricola, Alexander (ca. 1445–1506)	64v–65
Adieu natürlich Leben mein	Lannoy, Colinet de	3v–4
Amours amours	Agricola, Alexander (ca. 1445–1506)	61v–62
Amours m'on fait de desplaisier	Anonymous	45v–46
Anima mea liquefacta est ut dilectus	Ghiselin (Verbonnet), Johannes	92v–94
Autant en porte le vent	Rue, Pierre de la (ca. 1452–1518)	12v–13
Ave Maria gratia plena Dominus tecum	Anonymous	v–1
Baisiés moi dont fort a 3	Ockeghem, Jean de (ca. 1410–1497)	53v–54
Belles sur toutes / Tota pulcrà es amica mea a 3	Agricola, Alexander (ca. 1445–1506)	63v–64
Celle que j'ai longtemps aymé (= Myn hert helf altijt verlanghen)	Bergis, Cornelius Rigo de	78v–79
Comme femme desconfortee (I) [=2a pars of O Venus bant]	Agricola, Alexander (ca. 1445–1506)	42v–44
Comme femme desconfortee (II)	Agricola, Alexander (ca. 1445–1506)	74v–76
Cum audisset Job nuntiorum verba	Bergis, Cornelius Rigo de	98v–99
D'un autre aimer mon coeur s'abesseroit (I)	Agricola, Alexander (ca. 1445–1506)	7v–8
D'un autre aimer mon coeur s'abesseroit (II)	Agricola, Alexander (ca. 1445–1506)	8v–9
D'un autre aimer mon coeur s'abesseroit (III)	Agricola, Alexander (ca. 1445–1506)	70v–71
Da pacem Domine in diebus nostris	Ghiselin (Verbonnet), Johannes	81v–82
De l'oeil de la fille du roi	Rue, Pierre de la (ca. 1452–1518)	9v–10
De tous biens plaine (II)	Agricola, Alexander (ca. 1445–1506)	67v–68
De tous biens plaine (III)	Agricola, Alexander (ca. 1445–1506)	66v–67
Dedans boutez dedans [previously Dedens boutons]	Rue, Pierre de la (ca. 1452–1518)	15v–16
Deuil et ennuy / Quoniam tribulatio	Prioris, Johannes (Denis, Dionisius) (–1515)	32v–33
Du tout plongiet / Fors seulement a 5	Agricola, Johannes (ca. 1560–ca. 1601) (?) Brumel, Antoine (ca. 1460–ca. 1513) (?)	20v–21
Dulces exuviae dum fata Deusque	Orto, Marbrianus de	46v–47
Ein fröhlich Wesen	Hylaire	27v–28
Ein fröhlich Wesen a 3	Ghiselin (Verbonnet), Johannes	49v–50
Ein fröhlich Wesen hab ich erlesen	Rue, Pierre de la (ca. 1452–1518) (?) Pipelare, Mattheus (ca. 1450–ca. 1515) (?)	26v–27
Fors seulement l'atent que je meure (I)	Pipelare, Mattheus (ca. 1450–ca. 1515)	21v–22
Fors seulement l'attente que je meure	Ghiselin (Verbonnet), Johannes	17v–18
Fors seulement l'attente que je meure	Orto, Marbrianus de	22v–23
Fors seulement l'attente que je meure	Obrecht, Jacobus (ca. 1457–1505)	23v–24
Fors seulement l'attente que je meure (2p. Qui n'est douleur)	Rue, Pierre de la (ca. 1452–1518)	19v–20
Fors seulement l'attente que je meure 28.15	Despres, Josquin (ca. 1450–1521) (?) Ghiselin (Verbonnet), Johannes (?)	18v–19
Fors seullement contre ce que ay promis	Ockeghem, Jean de (ca. 1410–1497)	52v–53
II viendra le jour désiré	Rue, Pierre de la (ca. 1452–1518)	11v–12
In myne zynn.	Busnoys, Antoine (ca. 1430–1492)	29v–30
James que la ne peult estre trouvée	Brumel, Antoine (ca. 1460–ca. 1513)	28v–29
Je n'ai deuil que je ne suis morte	Ockeghem, Jean de (ca. 1410–1497)	30v–31
Je suis si treffort = Ie ben zo nau bedwonghen	Ghiselin (Verbonnet), Johannes	86v–87
La mi la sol (= Rogamus te piissime)	Isaac, Heinrich (ca. 1450–1517)	38v–40
Le coeur la suit et mon oeil la regrete	Ghiselin (Verbonnet), Johannes	84v–85
Ma bouche rit	Rue, Pierre de la (ca. 1452–1518)	40v–42
Mijn herz altijt heeft verlanghen	Obrecht, Jacobus (ca. 1457–1505) (?) Rue, Pierre de la (ca. 1452–1518) (?)	14v–15
Mille quingentis verum bis sex minus annis / Requiem aeternam	Obrecht, Jacobus (ca. 1457–1505)	47v–48
Missa Fortuna desperata	Obrecht, Jacobus (ca. 1457–1505)	33v–36
Missa Fortuna desperata: Osanna	Obrecht, Jacobus (ca. 1457–1505)	33v–36
Missa Fortuna desperata: Sanctus with: Pleni: 3 voces, Benedictus: 3 voces.	Obrecht, Jacobus (ca. 1457–1505)	33v–36
Mon coeur et moi d'une alliance	Prioris, Johannes (Denis, Dionisius) (–1515) (?)	55v–56
Mon plus que riens que je sceusse nonmer a 3	Prioris, Johannes (Denis, Dionisius) (–1515)	56v–57
Mon seul plaisir 28.26 - 1a pars (of 2): Mon seul plaisir	Petit, Nino le (fl. c1500) (?) Despres, Josquin (ca. 1450–1521) (?)	1v–3
Mon seul plaisir 28.26 - 2a pars (of 2): Mieux ne me pourroit	Petit, Nino le (fl. c1500) Despres, Josquin (ca. 1450–1521)	1v–3
O florens rosa mater Domini speciosa	Ghiselin (Verbonnet), Johannes	90v–92
Oblier veult douleur et tristesse (= Carmen in sol)	Agricola, Alexander (ca. 1445–1506)	73v–74
Par vous je suis 28.13 (= Entre je suis)	Despres, Josquin (ca. 1450–1521)	24v–25
Par vous je suis = Entre ie suis un grant penser	Prioris, Johannes (Denis, Dionisius) (–1515)	25v–26
Par vous sermens tous plains	Prioris, Johannes (Denis, Dionisius) (–1515)	54v–55
Pauper sum ego / Ce pouvre mendiant / Fortune d'estrange plumaige 27.5	Despres, Josquin (ca. 1450–1521)	89v–90
Petite camusette à la mort m'avez mis / S'elle m'aimera	Ockeghem, Jean de (ca. 1410–1497)	31v–32
Plaine d'ennuy de longue main / Anima mea	Compère, Loyset (ca. 1445–1518)	50v–51
Plorés gémier crier et braire	Rue, Pierre de la (ca. 1452–1518)	36v–37
Pour ce quelpaine / Pourquoi tant / Pour quel paine	Agricola, Alexander (ca. 1445–1506)	59v–60
Pourquoi tant me fault il attendre	Rue, Pierre de la (ca. 1452–1518)	10v–11
Puisque je suis hors du compte = Pour ce que je suis	Compère, Loyset (ca. 1445–1518) (?) Rue, Pierre de la (ca. 1452–1518) (?)	13v–14
Rendes le moi mon coeur	Ghiselin (Verbonnet), Johannes	83v–84
Revenez tous regrets / Quis det	Agricola, Alexander (ca. 1445–1506)	4v–5
Riens ne me plaist a 3	Prioris, Johannes (Denis, Dionisius) (–1515)	57v–58
Royne du ciel	Prioris, Johannes (Denis, Dionisius) (–1515)	37v–38
S'il vous plaist bien que je vous tiengne = Je suis margot	Agricola, Alexander (ca. 1445–1506)	60v–61
Sancta Maria virgo / O Maria virgo mittis	Rue, Pierre de la (ca. 1452–1518)	94v–96
Sans regrets veul entretenir a 3	Weerbecke, Gaspar van (ca. 1445–ca. 1516)	79v–80
Scaramella fa la galla	Compère, Loyset (ca. 1445–1518)	16v–17
Se congé prens de mes belles amours	Agricola, Alexander (ca. 1445–1506)	76v–78
Se mieulx ne vient d'amours	Agricola, Alexander (ca. 1445–1506)	62v–63
Si bibero crathere pleno ad lachrimas	Petit, Nino le (fl. c1500)	99v–101
Si dormiero (O mitis mater Christi) 14.13	Despres, Josquin (ca. 1450–1521) (?) Isaac, Heinrich (ca. 1450–1517) (?) Rue, Pierre de la (ca. 1452–1518) (?)	96v–98
Sonnés muses mélodieusement	Agricola, Alexander (ca. 1445–1506)	71v–72
Sourdez regrets avironnez mon coeur	Compère, Loyset (ca. 1445–1518)	51v–52
Tous nobles ceurs qui mes regrets voyez a 3	Rue, Pierre de la (ca. 1452–1518)	87v–88
Tout a par moi (I)	Agricola, Alexander (ca. 1445–1506)	5v–7
Tout a par moi (II)	Agricola, Alexander (ca. 1445–1506)	68v–70
Trop plus secret que ma partie suis	Rue, Pierre de la (ca. 1452–1518)	44v–45
Va t'en regret a 3	Agricola, Alexander (ca. 1445–1506)	58v–59
Weet ghy wat mynder jonghen herten deert a 3	Ghiselin (Verbonnet), Johannes	82v–83

Set: Books prepared by the Alamire workshop

Type: Linked by Origin or Contents

No images available

A-Wn Mus.Hs. 15495 (Maximilian Codex)

A-Wn Mus.Hs. 15496

A-Wn Mus.Hs. 15497

A-Wn Mus.Hs. 15941 (B)

A-Wn Mus.Hs. 15941 (Contratenor)

A-Wn Mus.Hs. 15941 Mus (T)

A-Wn Mus.Hs. 18746 (Altus/Contratenor)

A-Wn Mus.Hs. 18746 (Bassus)

A-Wn Mus.Hs. 18746 (Superius/Cantus)

A-Wn Mus.Hs. 18746 (Tenor 1)

A-Wn Mus.Hs. 18746 (Tenor 2/Quintus)

A-Wn Mus.Hs. 18825 (Bassus)

A-Wn Mus.Hs. 18825 (Contratenor)

A-Wn Mus.Hs. 18825 (Discantus)

A-Wn Mus.Hs. 18825 (Tenor)

A-Wn Mus.Hs. 18832 (Lower Voice)

A-Wn Mus.Hs. 18832 (Upper Voice)

B-Amp MS M18.13 (fragment 1)

B-Amp MS M18.13 (fragment 2)

B-BRra 756

No images available

B-Baeb Fonds Sint-Goedele, 5170

B-Baeb Fonds Sint-Goedele, 9423

B-Baeb Fonds Sint-Goedele, 9424

No images available

B-Bcpas H 1135

No images available

B-Br MS 215-216

No images available

B-Br MS 228 (Chansonnier of Margaret of Austria)

No images available

B-Br MS 6428

No images available

B-Br MS 9126

No images available

B-Br MS 15075

No images available

B-Br MS IV.922 (Occo Codex)

B-Gra Varia D.3360 B

B-MEa s.s.

B-TOsa Oud regime MS 183

No images available

No images available

No images available

No images available

GB-Lbl Royal 8 G. vii

GB-Ob MS. Ashmole 831

GB-Ob MS. Lat. liturg. a. 8

No images available

I-Fc MS Basevi 2439 (Basevi Codex)

No images available

NL-Urc Hs. 47 (fragments 1 and 2)

No images available

V-CVbav MS Capp. Sist. 34

No images available

V-CVbav MS Capp. Sist. 36

No images available

V-CVbav MS Capp. Sist. 160

No images available

V-CVbav MS Pal. lat. 1976

No images available

V-CVbav MS Pal. lat. 1977

No images available

V-CVbav MS Pal. lat. 1978

No images available

V-CVbav MS Pal. lat. 1979

‡ denotes primary source study

Kellman, Herbert (editor). 1999. The Treasury of Petrus Alamire. Music and art in Flemish Court Manuscripts 1500-1535. Leuven: Alamire Foundation.

Kellman, Herbert. 1989. Observations on the Production and Distribution of Music Manuscripts at the Netherlands Court. Early Music History, . Notes: physical description; mention of MS; discussion; contents list (partial).

Keahey, Thomas Herman, and Conrad Edward Mary Douglas (editors). 1982-85. Johannes Prioris: Opera Omnia. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: III,xv-xix,99-107,111-2, 114-8. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Picker, Martin. 1980. More 'Regret' Chansons for Marguerite d'Autriche. Musique naturelle et musique artificielle: In Memoriam Gustav Reese, Le Moyen Français. 81-101. Montreal. Pages: 84-5,93-6. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Hamm, Charles E, and Herbert Kellman (editors). 1979-1988. Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550. Renaissance Manuscript Studies. 5 vols. Neuhausen nr. Stuttgart: American Institute of Musicology, Hänssler Verlag. Pages: I, 233 f.

Perkins, Leeman L, and Howard Garey (editors). 1979. The Mellon Chansonnier. New Haven and London. Pages: I, 158,198-200. Notes: physical description; contents list (partial); concordances (partial); mention of MS; discussion.

Hudson, Barton (editor). 1979. Ninot le Petit: Collected Works. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: xi,xiv,xxiii-xxiv. Notes: mention of MS; contents list (partial); concordances (partial).

Staehelin, Martin. 1977. Die Messen Heinrich Isaacs. Publikationen der Schweizerischen Musikforschenden Gesellschaft Serie II. Bern and Stuttgart. Pages: I,xxiii,29, 59,87; III,65. Notes: physical description; contents list (partial); concordances (partial).

Kellman, Herbert. 1976. Josquin and the Courts of the Netherlands and France: The Evidence of the Sources. Josquin des Prez: Proceedings of the International Josquin Festival-Conference ... 21-25 June 1971, 181-216. London, New York, and Toronto. Notes: physical description; mention of MS; discussion.

Lowinksy, Edward E (editor). 1976. Kellman, Josquin and the courts of the Netherlands and France: The evidence of the sources in Josquin des Prez. Proceedings of the International Josquin Festival. Conference held at the Juilliard School at Lincoln Center in New York City, 21-25 June 1971, 181ff. London. Pages: 209 et 211.

Adams, Courtney S. 1974. The Three-Part Chanson during the Sixteenth Century: Changes in Its Style and Importance. University of Pennsylvania, Unpublished Ph.D. dissertation. Pages: 48,182-9,355ff. Notes: contents list (partial); concordances (partial).

Wexler, Richard. 1974. The Complete Works of Johannes Prioris. . Pages: 230ff.

Drake, George Warren James. 1972. The first printed book of motets, Petrucci's Motteti A numero trentatre (Venice 1502) and Motetti de Passione De cruce De sacramento De beata virgine et huius modi B (Venice 1503): A critical study and complete edition. University of Illinois, Ph.D. Dissertation. Pages: 77-9. Notes: physical description; mention of MS; discussion.

Hudson, Barton (editor). 1969-72. Antoine Brumel: Collected Works. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: VI,xxvi-xxvii,74-6, 80-2. Notes: mention of MS; transcription (partial).

Benthem, Jaap van. 1968-70. Die Chanson Entré je suis à 4 von Josquin des Prez und ihre Überlieferung. Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 203-10. Notes: mention of MS.

Newton, Paul G. 1968. Florence, Biblioteca del Conservatorio di Musica Luigi Cherubini, Manuscript Baseai 2439: Critical Edition and Commentary. North Texas State University, Unpublished Ph.D. dissertation. Notes: physical description; contents list; concordances; transcription.

Staehelin, Martin. 1967. Quellenkundliche Beiträge zum Werk von Johannes Ghiselin-Verbonnet. Archiv für Musikwissenschaft, 120-32. Pages: 123-5. Notes: physical description; mention of MS; discussion.

Becherini, Bianca. 1964. I Manoscritti e le stampe rare della Biblioteca del Conservatorio 'L. Cherubini' di Firenze. La Bibliofilia, 255-99. Pages: 257-60. Notes: physical description; contents list.

Picker, Martin. 1964. Newly Discovered Sources for In Minen Sin. Journal of the American Musicological Society, 133-43. Pages: 135-7,Plate III. Notes: transcription (partial); facsimile (partial).

Just, Martin. 1963. Heinrich Isaacs Motetten in Italienischen Quellen. Analecta Musicologica, 1-19. Notes: concordances (partial); mention of MS; discussion.

Lerner, Edward R (editor). 1961-70. Alexandrí Agricola: Opera Omnia. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: IV,xviii, xxii.52-3; V,iv-ff,39ff. Notes: concordances (partial); transcription (partial).

Gottwald, Clytus (editor). 1961-68. Johannes Ghiselin- Verbonnet: Opera Omnia. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: VI,xxvi-xxvii,74-6, 80-2. Notes: concordances (partial); transcription (partial); facsimile (partial).

Becherini, Bianca. 1959. Catalogo dei manoscritti musicali della Biblioteca Nazionale di Firenze. Kassel. Pages: 244f.

Picker, Martin. 1959. Polyphonic Settings c. 1500 of the Flemish Tune, 'In minen sin'. Journal of the American Musicological Society, 94-5. Pages: 94. Notes: concordances (partial).

Picker, Martin. 1958-63. The Chanson Albums of Marguerite of Austria: MSS. 228 and 11239 of the Bibliothèque Royale de Belgique, Brussels. Annales Musicologiques, 145-287. Pages: 151. Notes: mention of MS.

Finscher, Ludwig (editor). 1958-. Loyset Compere: Opera Omnia. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: V,[vi-vii]. Notes: facsimile (partial).

Schmitz, Arnold (editor). 1955-. Musikalische Denkmäler. Mainz. Pages: VIII,144. Notes: physical description.

Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik. Kassel. Pages: V, Tafel 3; X,1634, Tafel 34. Notes: facsimile (partial).

[No Author] 1937. Mostra bibliografica di musica italiana dalle origini alla fine del secolo XVIII. Firenze: R. Biblioteca nazionale centrale Firenze. Pages: 23 no 21.

Smijers, Albert. 1935. Vijftiende en zestiende eeuwsche Muziekhandschriften in Italië met werken van Nederlandsche Componisten. Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 165-81. Pages: 171. Notes: contents list (partial).

Gandolfi, Riccardo. 1911. Intorno al Codice membranaceo di ballate et di canzoncine ... R. Instituto Musicale di Firenze, N. 2440. Rivista Musicale Italiana, 537-48. Pages: 244-5. Notes: physical description; contents list.

Wolf, Johannes (editor). 1908-21. Reprint: Farnborough, England, 1968. Werken van Jacob Obrecht. Leipzig and Amsterdam,. Pages: III, vi. Notes: physical description.

Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: XXVIII,171. Notes: physical description; contents list; incipitsst of contents (partial).

Burbure, Léon de. 1882. Étude sur un manuscrit du XVIe siècle, contenant des chants à quatre et à trois voix. Memoires couronnes et autres Memoires publies par l'Academie royale des Sciences des Lettres et des Beaux-Arts de Belgique, . Notes: physical description; contents list; concordances; facsimile (partial).

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William Kempster

Tuesday, 26 May, 2020

BurbE (1882) transcribes the text of la Rue's song on f. 15v as "Dedans boutez dedans/Entres en service de dames/Soes leal de cuer et dame/C'est l'uasige des vrays amans". This reading offers meaning, instead of the (garbled?) "Dedens bouton, boutons dedens" usually quoted.

David Wyatt

Wednesday, 17 January, 2018

misattributions fixed

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description

Répertoire Internationale des Sources Musicales

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description