D-Usch 237 (a)

Münster Bibliothek, Ulm, Germany

partbook: c. 1530-40

Archive Münster Bibliothek, Ulm, Germany (D-Usch)
Shelfmark 237 (a)
Image Availability DIAMM does not have images of this source.
Surface Paper
Numbering System Foliation
Measurements 98 x 142 mm
Other Identifiers
  • CCM: UlmS 237
Relationships
External Links
Provenance
  • Bavaria, Germany
Contents 137 pieces from 50 composers
General Description

A Discantus partbook from a set of four volumes. Copied by nine scribes. Some pieces have text incipits only. Not all pieces are in all books; in particular there are several 3vv pieces (in D, T, B books only) and 2vv pieces (in D, B books only).

Of central German origin. Early (original?) owner may have been Hainrichus Lobereich, named on first folio of D book. Partbooks given to Marco Albano Lucio (or Rucio) by Albertus Calerus Troianus of Schweinfurt in 1551 (inscriptions at beginning of each partbook; see also StaeMI I, 73). Owned in late 16th and first half of 17th century by Egenolf and Anton von Schermar of Ulm; von Schermar collection later deposited in Münster Bibliothek, Ulm.

DIAMM, 2017
Binding

Original parchment covers

DIAMM, 2017
Notation

not indicated

DIAMM, 2017
Foliation

Original ink foliation in each book, with some errors; section of blank folios at end of each book not included by foliation

DIAMM, 2017
Decoration

Some inked calligraphic initials.

DIAMM, 2017
Index

Incomplete original index on ff. [ii-iii'] of T book lists motets only, in order of appearance (some motets not listed)

DIAMM, 2019
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

1 Agnus, 3 Mass Ordinary sections, 2 hymns, 52 motets, 25 French secular pieces (2 without text), 17 Dutch secular pieces, 3 German secular pieces, 3 Italian secular pieces, 1 Latin secular piece, 2 textless pieces = 109

(Appenzeller/Josquin/Vinders)-1, (Arcadelt)-2, (Barbireau/Isaac/ Obrecht)-1, (Brumel)-1 + 1?, (Caen/Lupus/Richafort)-1, (Conseil)-1, (Courtois/Jacotin/Morales)-1, (C. Festa/Gombert)-1, (A. Févin)-1, (Ghiselin)-1, (Gombert)-8, (Gombert/Haugk/Mahu) -1, (Gombert/Mouton/Verdelot)-1, (Gombert/Sermisy)-1, (Hayne van Ghizeghem)-1, (Hellinck/Senfl/Verdelot)-1, (Hesdin/Roquellay)-1, (Isaac)-2, (Jacotin/Sermisy)-1, (Janequin/Ninot 1e Petit/ Willaert)-1, (Jaquet of Mantua)-2, (Jhan of Ferrara)-1, (Josquin) -13, (Josquin/La Rue)-1, (Josquin-anon)-1, (La Rue/Obrecht)-1, (Lafage)-1, (L'Archier)-1, (Lasson/Verdelot)-1, (Le Cocq)-1, (Lupi)-1, (Magdelain)-1, (Moulu)-1, (Piéton)-1, (Pipelare)-2, (Roellrin)-1, Samson-3, (Sermisy)-1, (Verdelot)-1, anon-44

4 paper partbooks (D-124 folios, A-130, T-124, B-125), 98 x 142. Original ink foliation in each book, with some errors; section of blank folios at end of each book not included by foliation. Original parchment covers. Incomplete original index on ff. [ii-iii'] of T book lists motets only, in order of appearance (some motets not listed). Copied by nine scribes. Some inked calligraphic initials. Some pieces have text incipits only.

Ca. 1530-40. Of central German origin. Early (original?) owner may have been Hainrichus Lobereich, named on first folio of D book. Partbooks given to Marco Albano Lucio (or Rucio) by Albertus Calerus Troianus of Schweinfurt in 1551 (inscriptions at beginning of each partbook; see also StaeMI I, 73). Owned in late 16th and first half of 17th century by Egenolf and Anton von Schermar of Ulm; von Schermar collection later deposited in Münster Bibliothek, Ulm.

Vol 4

Composers: Change "(Brumel)-l + 1? " to "(Brumel)-2."

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
iii–vi v [blank pages] - -

[blank pages]

Appears on: iii–vi v
1–1v Ut Phoebi radiis 25.10 - 1a pars (of 2): Ut Phoebi radiis soror obvia sidera [Josquin]
Appears on: 1–1v
Genres: Motet
Source Attribution: [Josquin]
Voice: [no designation]
Languages: Latin
Voice Text: [Ut Phoebi radiis soror obvia sidera] 25.10 II: Latius [in numerum canit id quoque]
1v–2 Ut Phoebi radiis 25.10 - 2a pars (of 2): Latius in numerum canit id quoque -
Appears on: 1v–2
Genres: Motet
2v Ave Maria ... virgo serena 23.6 - 1a pars (of 2): Ave Maria ... virgo serena [Josquin]
Appears on: 2v
Genres: Ave Maria, Motet
Source Attribution: [Josquin]
Voice: [no designation]
Languages: Latin
Voice Text: Ave Maria gratia plena dominus tecum 23.6
3 Ave Maria ... virgo serena 23.6 - 2a pars (of 2): Ave vera virginitas -
Appears on: 3
Genres: Ave Maria, Motet
3v Anima mea liquefacta est - 1a pars (of 2): Anima mea liquefacta est ut dilectus [Ghiselin]
Appears on: 3v
Genres: Motet
Source Attribution: [Ghiselin]
Voice: [no designation]
Languages: Latin
Voice Text: Anima mea liquefacta est ut dilectus
4 Anima mea liquefacta est - 2a pars (of 2): Tulerunt pallium meum -
Appears on: 4
Genres: Motet
4v Anima mea liquefacta est - 1a pars (of 3): Anima mea liquefacta est [Isaac]
Appears on: 4v
Genres: Motet
Source Attribution: [Isaac]
Voice: [no designation]
Languages: Latin
Voice Text: Anima mea [liquefacta est ut dilectus] II: Invenerunt [me custodes civitatis] III: [Filie Hierusalem nunciate dilecto]
5 Anima mea liquefacta est - 2a pars (of 3): Invenerunt me custodes civitatis -
Appears on: 5
Genres: Motet
5v Anima mea liquefacta est - 3a pars (of 3): Filie Jerusalem nunciate dilecto -
Appears on: 5v
Genres: Motet
6–6v Alma redemptoris mater / Ave regina caelorum 23.2 - 1a pars (of 2): Alma redemptoris mater / Ave regina caelorum [Josquin]
Appears on: 6–6v
Genres: Alma redemptoris mater, BVM, Motet
Source Attribution: [Josquin]
Voice: [no designation]
Languages: Latin
Voice Text: Alma redemptoris mater/Ave regina celorum 23.2 II: [Tu que genuisti]/Gaude [virgo] gloriosa
6v–7 Alma redemptoris mater / Ave regina caelorum 23.2 - 2a pars (of 2): Tu que genuisti natura mirante / Gaude virgo gloriosa -
Appears on: 6v–7
Genres: Alma redemptoris mater, BVM, Motet
7–8v [untexted] Anon. Anonymous

[untexted]

Anonymous
Appears on: 7–8v
Genres: textless
Source Attribution: Anon.
Voice: [no designation]
Languages: none
Voice Text: Textless
8v–9 Vultum tuum 25.14 - 2a pars (of 7): Sancta Dei genitrix virgo semper Maria [Josquin]
Appears on: 8v–9
Genres: Motet
Source Attribution: [Josquin]
Voice: [no designation]
Languages: Latin
Voice Text: Sancta dei genitrix virgo semper Maria 25.13 [Pars II of Vultum tuum deprecabuntur omnes]
9v–10 Vultum tuum 25.14 - 3a pars (of 7): O intemerata virgo que redemptorem [Josquin]
Appears on: 9v–10
Genres: Motet
Source Attribution: [Josquin]
Voice: [no designation]
Languages: Latin
Voice Text: O intemerata virgo que redemptorem 25.14 II: O Maria nullam tam gravam possimus Partes III-IV of Vultum tuum deprecabuntur omnes
10v Vultum tuum 25.14 - 4a pars (of 7): O Maria nullam tam gravem possimus [Josquin]
Appears on: 10v
Genres: Motet
Source Attribution: [Josquin]
Voice: [no designation]
Languages: Latin
Voice Text: [O] Maria nullam tam gravem possimus 25.14 [Pars IV of Vultum tuum deprecabuntur omnes]
11–11v Vultum tuum 25.14 - 5a pars (of 7): Mente tota tibi supplicamus ut sicut [Josquin]
Appears on: 11–11v
Genres: Motet
Source Attribution: [Josquin]
Voice: [no designation]
Languages: Latin
Voice Text: [M]ente tota tibi supplicamus ut sicut 25.14 [Pars V of Vultum tuum deprecabuntur omnes]
11v–12 Vultum tuum 25.14 - 6a pars (of 7): Ora pro nobis virgo sine termino [Josquin]
Appears on: 11v–12
Genres: Motet
Source Attribution: [Josquin]
Voice: [no designation]
Languages: Latin
Voice Text: [O]ra pro nobis [virgo] sine termino 25.14 [Pars VI of Vultum tuum deprecabuntur omnes]
12–12v Missus est Gabriel angelus ad Mariam 20.6 [Josquin]
Appears on: 12–12v
Genres: Motet
Source Attribution: [Josquin]
Voice: [no designation]
Languages: Latin
Voice Text: [M]issus est Gabriel angelus ad Mariam 20.6
12v–13 Ecce tu pulchra es amica mea 14.6 [Josquin]
Appears on: 12v–13
Genres: Motet
Source Attribution: [Josquin]
Voice: [no designation]
Languages: Latin
Voice Text: Ecce tu pulchra es amica mea 14.6
13v Le content est riche en ce monde [Gombert/Sermisy]
Appears on: 13v
Genres: Chanson
Source Attribution: [Gombert/Sermisy]
Voice: [no designation]
Languages: French
Voice Text: Le content [est riche en ce monde]
14–14v Beatus vir - 1a pars (of 2): Beatus vir qui non abiit in consilio [Sermisy]
Appears on: 14–14v
Genres: Motet
Source Attribution: [Sermisy]
Voice: [no designation]
Languages: Latin
Voice Text: Beatus vir qui non abiit [in consilio] II: Non sic impii non sic [sed tanquam]
14v–15 Beatus vir - 2a pars (of 2): Non sic impii non sic sed tanquam -
Appears on: 14v–15
Genres: Motet
15v Mijn herz altijt heeft verlanghen [La Rue/Obrecht]
Appears on: 15v
Genres: Italian secular
Source Attribution: [La Rue/Obrecht]
Voice: [no designation]
Languages: German
Voice Text: Myn hertz [heeft altijt verlanghen]
16 Ein frölich wesen hab ich erlesen [Barbireau/Isaac/Obrecht]
Appears on: 16
Genres: Song
Source Attribution: [Barbireau/Isaac/Obrecht]
Voice: [no designation]
Languages: German
Voice Text: Eyn vroelich wesen [myn oogskins saghen] [= Ein frölich wesen hab ich erlesen, Quen dites vous feres vous rien, Se une fois]
16–16v Myn herz ys alle zyt verlangen Anon. Anonymous
Appears on: 16–16v
Genres: Doxology
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Myn hertz ys alle zyt verlangen
16v–17 Adieu mes amours on m'atent Anon. Anonymous
Appears on: 16v–17
Genres: Chanson
Source Attribution: Anon.
Voice: [no designation]
Languages: French
Voice Text: [Adieu mes amours on m'atent]
17 De tous biens plaine est ma maîtresse [Hayne van Ghizeghem]
Appears on: 17
Genres: Chanson
Source Attribution: [Hayne van Ghizeghem]
Voice: [no designation]
Languages: French
Voice Text: De tous biens plaine est ma maistresse
17–17v V.... Anon. Anonymous

V....

Anonymous
Appears on: 17–17v
Genres: Secular
Source Attribution: Anon.
Voice: [no designation]
Languages: insufficient
Voice Text: V.
17v–18 Vrucht en moet is gar dahin [Roellrin]
Appears on: 17v–18
Genres: Song
Source Attribution: [Roellrin]
Voice: [no designation]
Languages: German
Voice Text: [V]reud und moitt [= Vrucht en moet is gar dahin]
18 En ..... Anon. Anonymous

En .....

Anonymous
Appears on: 18
Genres: Secular
Source Attribution: Anon.
Voice: [no designation]
Languages: insufficient
Voice Text: En
18v Ich hadd so schoene vrouwe Sampson [= Samson]
Appears on: 18v
Genres: Song
Source Attribution: Sampson [= Samson]
Voice: [no designation]
Languages: German
Voice Text: [I]ck hadd so schoene vrudwe
19–19v Myn synn synt myr entzuegen von einer junckfrawen [i] Anon. Anonymous
Appears on: 19–19v
Genres: Sacred Song
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Myn synn synt myr entzoegen van eyner junckfrawen
19v Helas Anon. Anonymous

Helas

Anonymous
Appears on: 19v
Genres: Secular
Source Attribution: Anon.
Voice: [no designation]
Languages: French
Voice Text: [H]ellas
20 En non sachant ce qu'il lui fault Anon. Anonymous
Appears on: 20
Genres: Chanson
Source Attribution: Anon.
Voice: [no designation]
Languages: French
Voice Text: [E]n non sachant [ce qu'il luy fault]
20–20v Tant ravi suis Anon. Anonymous

Tant ravi suis

Anonymous
Appears on: 20–20v
Genres: Chanson
Source Attribution: Anon.
Voice: [no designation]
Languages: French
Voice Text: Tant ravi suis
20v Je ris et si ay larme a l'oeil 28.18 [Josquin]
Appears on: 20v
Genres: Chanson
Source Attribution: [Josquin]
Voice: [no designation]
Languages: French
Voice Text: [J]e ris et sy ay la larme [= Je ris et si ay larme a loeil] 28.18
21 Amour si fort Anon. Anonymous

Amour si fort

Anonymous
Appears on: 21
Genres: Chanson
Source Attribution: Anon.
Voice: [no designation]
Languages: French
Voice Text: Amour sy fort
21v Het was eyn regulerer moench Anon. Anonymous
Appears on: 21v
Genres: Song
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: [H]et was eyn regulerer moench
21v–22 C'est donc par moy que je suis fortune [Janequin/Ninot le Petit/Willaert]
Appears on: 21v–22
Genres: Chanson
Source Attribution: [Janequin/Ninot le Petit/Willaert]
Voice: [no designation]
Languages: French
Voice Text: Cest don par moy [= c'est donc par moy que je suis fortune]
22–22v Pensen en truren duchten en hopen Anon. Anonymous
Appears on: 22–22v
Genres: Song
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: [P]ensen ende truren [duchten en hopen]
22v Missa Quant j'ai au coeur: Benedictus [Isaac]
Appears on: 22v
Genres: Mass Ordinary, Sanctus [& Benedictus], Troped Sanctus
Source Attribution: [Isaac]
Voice: [no designation]
Languages: Latin
Voice Text: Benedictus [from Missa Quant j'ay au cueur]
23 Du bon du coeur ma chère dame Anon. Anonymous
Appears on: 23
Genres: Chanson
Source Attribution: Anon.
Voice: [no designation]
Languages: French
Voice Text: Du bon de cueur [ma chère dame?]
23–23v On [Tu] a mal dit de mon amy [A. Févin]
Appears on: 23–23v
Genres: Chanson
Source Attribution: [A. Févin]
Voice: [no designation]
Languages: French
Voice Text: On a mal dit de mon amy
23v–24 Myn liefkins bruyn ooghen ende haren [Pipelare]
Appears on: 23v–24
Genres: Song
Source Attribution: [Pipelare]
Voice: [no designation]
Languages: German
Voice Text: Myn liefgyns bruyn oughen [ende haren]
24–24v Ick loop ick draue Anon. Anonymous

Ick loop ick draue

Anonymous
Appears on: 24–24v
Genres: Song
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Ick loop ick draue
24v–25 Noch wyll van aventuyren Anon. Anonymous
Appears on: 24v–25
Genres: Song
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Noch wyll van aventuyren
25 Myn synn synt myr entzuegen von einer junckfrawen [ii] Anon. Anonymous
Appears on: 25
Genres: Sacred Song
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Myn synn synt myr entzuegen [von einer junckfrawen]
25v Vrai dieu d'amours confortez moi vous m'avez mis [Brumel]
Appears on: 25v
Genres: Chanson
Source Attribution: [Brumel]
Voice: [no designation]
Languages: French
Voice Text: Vra dieu damours [= Vray dieu d'amours confortez moy]
25v–26 Als der Winter van hinnen scheid so kumpt Anon. Anonymous
Appears on: 25v–26
Genres: Song
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Als der wynter van hynnen scheyd so kumpt
26 Het quam eyn schaferken uyt Saphoyen Anon. Anonymous
Appears on: 26
Genres: Song
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: [H]et quam eyn schaferken uyt Saphoyen
26–26v Ich seck adieu wy twe wy moeten scheiden Anon. Anonymous
Appears on: 26–26v
Genres: Song
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Ich seck adieu [wy twe wy moeten scheiden]
26v Ich seck adieu wy twe wy moeten scheiden Anon. Anonymous
Appears on: 26v
Genres: Song
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Ich seck adieu [wy twe wy moeten scheiden]
26v–27 Der Mai bringt uns die Blumen Anon. Anonymous
Appears on: 26v–27
Genres: Song
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Der may brenckt uns de blomen
27 Rich Gott wem sall ich clagen Anon. Anonymous
Appears on: 27
Genres: Sacred Song
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Rich Got wem sall ich clagen
27v–28 Nu noch nummer me sal ick van ju scheyden [Pipelare]
Appears on: 27v–28
Genres: Song
Source Attribution: [Pipelare]
Voice: [no designation]
Languages: German
Voice Text: Nu noch nummer me sal ick van ju scheyden [= Ave castissima]
28 Faulte dargent c'est douleur non pareille Anon. Anonymous
Appears on: 28
Genres: Chanson
Source Attribution: Anon.
Voice: [no designation]
Languages: French
Voice Text: Faulte dargent [c'est douleur non pareille]
28v–29v Pater a nullo est factus nec creatus [Samson]
Appears on: 28v–29v
Genres: Motet
Source Attribution: [Samson]
Voice: [no designation]
Languages: Latin
Voice Text: Pater a nullo est factus nec creatus
29v–30 Noch lust Anon. Anonymous

Noch lust

Anonymous
Appears on: 29v–30
Genres: Song
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Noch lust
30 Undas thespiadum qui gustavere beati floribus Anon. Anonymous
Appears on: 30
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Undas thespiadum qui gustavere beati floribus
30v–31v Domini est terra 16.12 - 1a pars (of 2): Domini est terra et plenitudo eius [Appenzeller/Josquin/Vinders]
Appears on: 30v–31v
Genres: Motet
Source Attribution: [Appenzeller/Josquin/Vinders]
Voice: [no designation]
Languages: Latin
Voice Text: Domini est terra et plenitudo eius 16.12 II: Haec est generatio querentium
31v–32v Domini est terra 16.12 - 2a pars (of 2): Haec est generatio querentium -
Appears on: 31v–32v
Genres: Motet
32v–34 Quae est ista que processit sicut sol [Lafage]
Appears on: 32v–34
Genres: Motet
Source Attribution: [Lafage]
Voice: [no designation]
Languages: Latin
Voice Text: [Q]ue est ista que processit sicut sol
34–34v Missa Beata Virgine = Missa Coronata 3.3: Gloria (excerpt: Cum sancto spiritu) [Josquin/La Rue]
Appears on: 34–34v
Genres: Gloria (et in terra pax), Mass Ordinary
Source Attribution: [Josquin/La Rue]
Voice: [no designation]
Languages: Latin
Voice Text: [C]um sancto spiritu [from Missa De beata Virgine] 3.3
34v–35 Homo quidam - 1a pars (of 2): Homo quidam fecit caenam magnam et misit Anon. Anonymous
Appears on: 34v–35
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [H]omo quidam fecit cenam magnam et misit II: Ite ergo ad exitus viarum
35v–36 Homo quidam - 2a pars (of 2): Ite ergo ad exitus viarum - Anonymous
Appears on: 35v–36
Genres: Motet
36 Cesse mon oeil de plus la regarder [Pathie]
Appears on: 36
Genres: Chanson
Source Attribution: [Pathie]
Voice: [no designation]
Languages: French
Voice Text: Cesse mon [oeil de plus la regarder]
36v Venerantes Anon. Anonymous

Venerantes

Anonymous
Appears on: 36v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Venerantes
37 Pater noster qui es in caelis Anon. Anonymous
Appears on: 37
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [P]ater noster qui es in celis
37v Inclina Domine - 2a pars (of 3): Deduc me Domine in via tua et ingrediar [Courtois/Jacotin/Morales]
Appears on: 37v
Genres: Motet
Source Attribution: [Courtois/Jacotin/Morales]
Voice: [no designation]
Languages: Latin
Voice Text: Deduc me domine [in via tua et ingrediar] [Pars II of Inclina domine aurem tuam]
38 Sans liberte qu'un bon esprit [Magdelain]
Appears on: 38
Genres: Chanson
Source Attribution: [Magdelain]
Voice: [no designation]
Languages: French
Voice Text: Sans liberte [qu'un bon esprit]
38–38v Fleur de beaulte chef d'oeuvre de nature [Conseil]
Appears on: 38–38v
Genres: Chanson
Source Attribution: [Conseil]
Voice: [no designation]
Languages: French
Voice Text: Fleur de beaulte [chef d'oeuvre de nature]
39–39v [blank pages] - -

[blank pages]

Appears on: 39–39v
40 Missa Sine nomine (4vv): Benedictus [Brumel]
Appears on: 40
Genres: Mass Ordinary, Sanctus [& Benedictus]
Source Attribution: [Brumel]
Voice: [no designation]
Languages: Latin
Voice Text: Benedictus [from Missa Sine nomine]
40v Missa Beata Virgine = Missa Coronata 3.3: Agnus Dei II [Josquin]
Appears on: 40v
Genres: Agnus Dei, Mass Ordinary
Source Attribution: [Josquin]
Voice: [no designation]
Languages: Latin
Voice Text: Agnus dei qui tollis [= Agnus II from Missa De beata Virgine] 3.3
41 A qui dirette sa pensé la fille [= Nunquid vixisti O pauper nunquam] [Jacotin]
Appears on: 41
Genres: Chanson
Source Attribution: [Jacotin]
Voice: [no designation]
Languages: Latin, French
Voice Text: A qui direlle sa pencee la fille = Nunquid vixisti O pauper nunquam
41–41v Sine nomine Anon. Anonymous

Sine nomine

Anonymous
Appears on: 41–41v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Sine nomine
42 [blank page] - -

[blank page]

Appears on: 42
42v–43 Au pres de vous secretement demeure [Jacotin/Sermisy]
Appears on: 42v–43
Genres: Chanson
Source Attribution: [Jacotin/Sermisy]
Voice: [no designation]
Languages: French
Voice Text: A[u pres de vous secretement demeure]
43v [blank page] - -

[blank page]

Appears on: 43v
44–44v Au fort quand dieu plaira jaray bonne adventure Anon. Anonymous
Appears on: 44–44v
Genres: Chanson
Source Attribution: Anon.
Voice: [no designation]
Languages: French
Voice Text: Au fort quant dieu plaira
44v–45 Ambulans Jesus - 1a pars (of 2): Ambulans Jesus juxta mare Galileae [Jhan of Ferrara]
Appears on: 44v–45
Genres: Motet
Source Attribution: [Jhan of Ferrara]
Voice: [no designation]
Languages: Latin
Voice Text: Ambulans Jhesus iuxta mare Galilee vidit II: At illi continuo relictis retibus
45v–46 Ambulans Jesus - 2a pars (of 2): [At illi continuo] Relictis retibus -
Appears on: 45v–46
Genres: Motet
46–46v Jerusalem luge - 1a pars (of 2): Jerusalem luge et exue te vestibus jocunditatis [Caen/Lupus/Richafort]
Appears on: 46–46v
Genres: Motet
Source Attribution: [Caen/Lupus/Richafort]
Voice: [no designation]
Languages: Latin
Voice Text: Jerusalem luge et exue te vestibus II: Deduc quasi torrentem lachrimas
46v–47 Jerusalem luge - 2a pars (of 2): Deduc quasi torrentem lacrimas -
Appears on: 46v–47
Genres: Motet
47–47v Dulcis amica Dei rosa vernans atque decora [Gombert]
Appears on: 47–47v
Genres: Motet
Source Attribution: [Gombert]
Voice: [no designation]
Languages: Latin
Voice Text: [D]ulcis amica dei rosa vernans atque decora
47v–49 Qui confidunt in Domino sicut mons Sion II: Benefac Domine bonis et rectis corde Anon. Anonymous
Appears on: 47v–49
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [Q]ui confidunt in domino sicut mons Syon II: Benefac domine bonis et rectis corde
49–49v Virtute magna - 1a pars (of 2): Virtute magna reddebant apostoli testimonium [Lasson/Verdelot]
Appears on: 49–49v
Genres: Motet
Source Attribution: [Lasson/Verdelot]
Voice: [no designation]
Languages: Latin
Voice Text: [V]irtute magna reddebant apostoli II: Repleti quidem spiritu sancto
49v–50 Virtute magna - 2a pars (of 2): Repleti sunt quidem spiritu sancto -
Appears on: 49v–50
Genres: Motet
50–50v Operarius ebrosius non locum pletabitur Anon. Anonymous
Appears on: 50–50v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [O]perarius ebrosius non locum pletabitur
50v–51v Spem in alium nunquam habui praeter in te [Jaquet of Mantua]
Appears on: 50v–51v
Genres: Motet
Source Attribution: [Jaquet of Mantua]
Voice: [no designation]
Languages: Latin
Voice Text: [S]pem in alium nunquam habui preter in te
51v–52 Jubilate Deo - 1a pars (of 2): Jubilate Deo omnis terra servite Domino [Gombert]
Appears on: 51v–52
Genres: Motet
Source Attribution: [Gombert]
Voice: [no designation]
Languages: Latin
Voice Text: [J]ubilate deo omnis terra servite domino II: Populus eius et oves pascue eius
52v–53 Jubilate Deo - 2a pars (of 2): Populus eius et oves pascue eius -
Appears on: 52v–53
Genres: Motet
53–53v Fac tibi mortales - 1a pars (of 2): Fac tibi mortales pareant Davidica radix [Gombert]
Appears on: 53–53v
Genres: Motet
Source Attribution: [Gombert]
Voice: [no designation]
Languages: Latin
Voice Text: [F]ac tibi mortales [pareant Davidica radix] II: O clemens geniti [faveas per secula]
53v–54 Fac tibi mortales - 2a pars (of 2): O clemens geniti faveas per saecula -
Appears on: 53v–54
Genres: Motet
54v–55 Cur quisquam corradat opes jam resque [Gombert/Haugk/Mahu]
Appears on: 54v–55
Genres: Motet
Source Attribution: [Gombert/Haugk/Mahu]
Voice: [no designation]
Languages: Latin
Voice Text: [C]ur quisquam corradat [opes jam resque]
55–55v Unum cole Deum - 1a pars (of 2): Unum cole Deum nec jures vana per ipsum [Jaquet of Mantua]
Appears on: 55–55v
Genres: Motet
Source Attribution: [Jaquet of Mantua]
Voice: [no designation]
Languages: Latin
Voice Text: [U]num cole deum nec iures vana per ipsum II: Non sis occisor fur moechus [testis]
55v–56 Unum cole Deum - 2a pars (of 2): Non sis occisor fur moechus testis -
Appears on: 55v–56
Genres: Motet
56–56v Qui seminant in lachrimis - 1a pars (of 2): Qui seminant in lachrimis in exsultatione [Gombert]
Appears on: 56–56v
Genres: Motet
Source Attribution: [Gombert]
Voice: [no designation]
Languages: Latin
Voice Text: [Q]ui seminant in lachrimis [in exsultatione] II: [Qui parce seminant et parce metent]
57–57v Qui seminant in lachrimis - 2a pars (of 2): Qui parce seminant et parce metent -
Appears on: 57–57v
Genres: Motet
57v–58 Vulnerasti cor meum - 1a pars (of 2): Vulnerasti cor meum soror mea sponsa [Moulu]
Appears on: 57v–58
Genres: Motet
Source Attribution: [Moulu]
Voice: [no designation]
Languages: Latin
Voice Text: [V]ulnerasti cor meum soror mea/Dulcis amica dei II: Et vox tua dulcis/Dulcis amica dei
58–58v Vulnerasti cor meum - 2a pars (of 2): Et vox tua dulcis in auribus meis -
Appears on: 58–58v
Genres: Motet
59–60 A solis occasum usque ad exortum est II: Huic caelum obsequi est paratum Anon. Anonymous
Appears on: 59–60
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [A] solis occasum usque ad exortum est II: [H]uic celum obsequi est paratum
60–61v Precursor Domini venit de quo ipse testatur II: Hic est cuius propheta et plusquam Anon. Anonymous
Appears on: 60–61v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [P]recursor domini venit de quo ipse testatur II: [H]ic est cuius propheta et plusquam
61v–62 Vidi speciosam - 1a pars (of 2): Vidi speciosam sicut columbam ascendentem [Lupi]
Appears on: 61v–62
Genres: Motet
Source Attribution: [Lupi]
Voice: [no designation]
Languages: Latin
Voice Text: [V]idi speciosam sicut columbam ascendentem II: Que est ista que processit quasi aurora
62–62v Vidi speciosam - 2a pars (of 2): Quae est ista quae processit sicut -
Appears on: 62–62v
Genres: Motet
63–64v Vidi speciosam sicut columbam ascendentem II: Que est ista que ascendit per desertum Anon. Anonymous
Appears on: 63–64v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [V]idi speciosam sicut columbam ascendentem II: [Q]ue est ista que ascendit per desertum
64v–65 In te Domine speravi - 1a pars (of 2): In te Domine speravi [Hellinck/Senfl/Verdelot]
Appears on: 64v–65
Genres: Motet, Te Deum
Source Attribution: [Hellinck/Senfl/Verdelot]
Voice: [no designation]
Languages: Latin
Voice Text: In te domine speravi non confundar II: Quoniam fortitudo mea et refugium
65–65v In te Domine speravi - 2a pars (of 2): Quoniam fortitudo mea ... Et propter nomen -
Appears on: 65–65v
Genres: Motet
65v–66 Surge Petre - 1a pars (of 2): Surge Petre et indue te vestimentis tuis [Gombert/Mouton/Verdelot]
Appears on: 65v–66
Genres: Motet
Source Attribution: [Gombert/Mouton/Verdelot]
Voice: [no designation]
Languages: Latin
Voice Text: [S]urge Petre et indue te vestimentis tuis II: [A]ngelus domini astitit et lumen
66v–67 Surge Petre - 2a pars (of 2): Angelus Domini astitit et lumen refulsit -
Appears on: 66v–67
Genres: Motet
67–68 Aspice Domine - 1a pars (of 2): Aspice Domine quia facta est desolata [C. Festa/Gombert]
Appears on: 67–68
Genres: Motet
Source Attribution: [C. Festa/Gombert]
Voice: [no designation]
Languages: Latin
Voice Text: Aspice domine quia facta est desolata II: Muro tuo inexpugnabili circumcinge
68–68v Aspice Domine - 2a pars (of 2): Muro tuo inexpugnabili circumcinge -
Appears on: 68–68v
Genres: Motet
68v–69v Angelus Domini descendit de caelo [Le Cocq]
Appears on: 68v–69v
Genres: Motet
Source Attribution: [Le Cocq]
Voice: [no designation]
Languages: Latin
Voice Text: Angelus Domini descendit de caelo
69v–70v Elegi abiectus esse in domo Dei mei Anon. Anonymous
Appears on: 69v–70v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [E]legi abiectus esse in domo dei mei
70v–71 Domine pater et Deus vitae meae [Gombert]
Appears on: 70v–71
Genres: Motet
Source Attribution: [Gombert]
Voice: [no designation]
Languages: Latin
Voice Text: [D]omine pater et deus vite meae
71v–72 Laudem dicite deo nostro omnes sancti [Piéton]
Appears on: 71v–72
Genres: Motet
Source Attribution: [Piéton]
Voice: [no designation]
Languages: Latin
Voice Text: [L]audem dicite deo nostro omnes sancti
72–73 Ecce nunc tempus acceptabile ecce nunc dies II: In omnibus exhibeamus nosmet ipsos Anon. Anonymous
Appears on: 72–73
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [E]cce nunc tempus acceptabile ecce nunc dies II: In omnibus exhibeamus nosmet ipsos
73–73v Beata mater et innupta - 1a pars (of 4): Beata mater et innupta virgo gloriosa [Gombert]
Appears on: 73–73v
Genres: Motet
Source Attribution: [Gombert]
Voice: [no designation]
Languages: Latin
Voice Text: [B]eata mater et innupta virgo gloriosa II: [I]n prole mater in partum virgo III: [S]ub tuum presidium confugimus sancta IV: [S]ub tuam protectionem confugimus ubi
74 Beata mater et innupta - 2a pars (of 4): In prole mater in partum virgo -
Appears on: 74
Genres: Motet
74v Beata mater et innupta - 3a pars (of 4): Sub tuum presidium confugimus sancta -
Appears on: 74v
Genres: Motet
75 Beata mater et innupta - 4a pars (of 4): Sub tuam protectionem confugimus ubi -
Appears on: 75
Genres: Motet
75v–76 Hortus conclusus es Dei genitrix fons [Gombert]
Appears on: 75v–76
Genres: Motet
Source Attribution: [Gombert]
Voice: [no designation]
Languages: Latin
Voice Text: [H]ortus conclusus es dei genitrix fons
76v–77v Salve regina ... Vita dulcedo Anon.
Appears on: 76v–77v
Genres: Motet, Salve Regina
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [Salve regina misericordie] [V]ita dulcedo II: Ad te suspiramus gementes et flentes III: Et Jhesum benedictum fructum ventris IV: O clemens O pia
78–80 Surgens Jesus Dominus noster stans in medio II: Surrexit Dominus de sepulchro Anon. Anonymous
Appears on: 78–80
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [S]urgens Jhesus dominus noster stans in medio II: [S]urrexit dominus de sepulchro
80v–82 Mon petit coeur helas qui nuit et jour [Gombert]
Appears on: 80v–82
Genres: Chanson
Source Attribution: [Gombert]
Voice: [no designation]
Languages: French
Voice Text: Mon petit coeur helas qui nuit et jour
82–82v D'amour me plains et non de vous m'amie [LvArchier]
Appears on: 82–82v
Genres: Chanson
Source Attribution: [LvArchier]
Voice: [no designation]
Languages: French
Voice Text: [D]amor me playn et non de vous mamie
82v–83 Vous.... [?Nous....] Anon. Anonymous
Appears on: 82v–83
Genres: Chanson
Source Attribution: Anon.
Voice: [no designation]
Languages: French
Voice Text: [V?]ous
83v Canamus et bibamus - Anonymous

Canamus et bibamus

Anonymous
Appears on: 83v
Genres: Song
General Note

Copied in Discantus only; in Altus marked 'vacans' and then crossed through

84 [blank page] - -

[blank page]

Appears on: 84
84v–85 Grace et vertu bonté beaulté noblesse [Hesdin/Roquellay]
Roquellay (?)
Appears on: 84v–85
Genres: Chanson
Source Attribution: [Hesdin/Roquellay]
Voice: [no designation]
Languages: French
Voice Text: Grace et vertu [bonté beaulté noblesse]
85–85v Acoutrons nous Anon. Anonymous

Acoutrons nous

Anonymous
Appears on: 85–85v
Genres: Chanson
Source Attribution: Anon.
Voice: [no designation]
Languages: French
Voice Text: Acoutronnons
86–103v [blank staves] - -

[blank staves]

Appears on: 86–103v
104–104v Si liet'e grata morte da gli occhi [Verdelot]
Appears on: 104–104v
Genres: Italian secular
Source Attribution: [Verdelot]
Voice: [no designation]
Languages: Italian
Voice Text: Si liet'e grata morte [da gli occhi]
104v–105 Ragion' e ben ch' alcuna volta io canti [Arcadelt]
Appears on: 104v–105
Genres: Madrigal (Italian)
Source Attribution: [Arcadelt]
Voice: [no designation]
Languages: Italian
Voice Text: Ragion e ben ch'alcuna volta io canti
105–105v Non ch'io non voglio mai altro pensiero [Arcadelt]
Appears on: 105–105v
Genres: Madrigal (Italian)
Source Attribution: [Arcadelt]
Voice: [no designation]
Languages: Italian
Voice Text: Non ch'io non voglio mai altro pensiero
106–120v [blank staves] - -

[blank staves]

Appears on: 106–120v
Composer Compositions
Agricola, Alexander (ca. 1445–1506)
Anonymous
Appenzeller, Benedictus (ca. 1480–ca. 1558)
Arcadelt, Jacques (ca. 1507–1568)
Barbireau, Jacobus (1455–1491)
Berchem, Jacques (ca. 1505–1567)
Brumel, Antoine (ca. 1460–ca. 1513)
Caen, Arnold
Conseil, Jean (ca. 1498–1534)
Courtois, Jean (fl. 1530-1545)
Despres, Josquin (ca. 1450–1521)
Fage, Jean de la
Ferrara, Maistre Jhan of (ca. 1485–1538)
Festa, Costanzo (ca. 1485–1545)
Fevin, Antoine de (ca. 1470–ca. 1512)
Gallus, Joannes
Ghiselin (Verbonnet), Johannes
Ghizeghem, Hayne van (ca. 1445–ca. 1497)
Gombert, Nicolas (ca. 1495–ca. 1560)
Haugk, Virgilius (ca. 1490–1555)
Hellinck, Lupus (ca. 1494–1541)
Hesdin, Nicolle des Celliers de (–1538)
Isaac, Heinrich (ca. 1450–1517)
Jacotin, Jacques (1445–1529)
Janequin, Clement (ca. 1485–ca. 1558)
Larchier, Jean
Lasson, Mathieu
Le Cocq, Gerard
Lupi, Johannes (ca. 1506–1539)
Magdelain
Mahu, Stephan
Mantua, Jacquet de (1483–1559)
Morales, Cristóbal de (ca. 1500–1553)
Moulu, Pierre (ca. 1484–ca. 1550)
Mouton, Jean (ca. 1459–1522)
Obrecht, Jacobus (ca. 1457–1505)
Pathie, Rogier (ca. 1510–ca. 1564)
Petit, Nino le (fl. c1500)
Pieton, Loyset
Pipelare, Mattheus (ca. 1450–ca. 1515)
Raulin / Roelkin (1443–1485)
Richafort, Jean (ca. 1480–ca. 1550)
Roquellay
Rue, Pierre de la (ca. 1452–1518)
Sampson
Senfl, Ludwig (ca. 1486–ca. 1543)
Sermisy, Claudin de (ca. 1490–1562)
Verdelot, Philippe (ca. 1480–ca. 1532)
Vinders, Jheronimus (fl. c1525-1526)
Willaert, Adrian (ca. 1490–1562)
Composition Composers (? Uncertain) Folios / Pages
[untexted] Anonymous 7–8v
A qui dirette sa pensé la fille [= Nunquid vixisti O pauper nunquam] 41
A solis occasum usque ad exortum est II: Huic caelum obsequi est paratum Anonymous 59–60
Acoutrons nous Anonymous 85–85v
Adieu mes amours on m'atent Anonymous 16v–17
Alma redemptoris mater / Ave regina caelorum 23.2 - 1a pars (of 2): Alma redemptoris mater / Ave regina caelorum 6–6v
Alma redemptoris mater / Ave regina caelorum 23.2 - 2a pars (of 2): Tu que genuisti natura mirante / Gaude virgo gloriosa 6v–7
Als der Winter van hinnen scheid so kumpt Anonymous 25v–26
Ambulans Jesus - 1a pars (of 2): Ambulans Jesus juxta mare Galileae 44v–45
Ambulans Jesus - 2a pars (of 2): [At illi continuo] Relictis retibus 45v–46
Amour si fort Anonymous 21
Angelus Domini descendit de caelo 68v–69v
Anima mea liquefacta est - 1a pars (of 2): Anima mea liquefacta est ut dilectus 3v
Anima mea liquefacta est - 1a pars (of 3): Anima mea liquefacta est 4v
Anima mea liquefacta est - 2a pars (of 2): Tulerunt pallium meum 4
Anima mea liquefacta est - 2a pars (of 3): Invenerunt me custodes civitatis 5
Anima mea liquefacta est - 3a pars (of 3): Filie Jerusalem nunciate dilecto 5v
Aspice Domine - 1a pars (of 2): Aspice Domine quia facta est desolata 67–68
Aspice Domine - 2a pars (of 2): Muro tuo inexpugnabili circumcinge 68–68v
Au fort quand dieu plaira jaray bonne adventure Anonymous 44–44v
Au pres de vous secretement demeure 42v–43
Ave Maria ... virgo serena 23.6 - 1a pars (of 2): Ave Maria ... virgo serena 2v
Ave Maria ... virgo serena 23.6 - 2a pars (of 2): Ave vera virginitas 3
Beata mater et innupta - 1a pars (of 4): Beata mater et innupta virgo gloriosa 73–73v
Beata mater et innupta - 2a pars (of 4): In prole mater in partum virgo 74
Beata mater et innupta - 3a pars (of 4): Sub tuum presidium confugimus sancta 74v
Beata mater et innupta - 4a pars (of 4): Sub tuam protectionem confugimus ubi 75
Beatus vir - 1a pars (of 2): Beatus vir qui non abiit in consilio 14–14v
Beatus vir - 2a pars (of 2): Non sic impii non sic sed tanquam 14v–15
C'est donc par moy que je suis fortune 21v–22
Canamus et bibamus Anonymous 83v
Cesse mon oeil de plus la regarder 36
Cur quisquam corradat opes jam resque 54v–55
D'amour me plains et non de vous m'amie 82–82v
De tous biens plaine est ma maîtresse 17
Der Mai bringt uns die Blumen Anonymous 26v–27
Domine pater et Deus vitae meae 70v–71
Domini est terra 16.12 - 1a pars (of 2): Domini est terra et plenitudo eius 30v–31v
Domini est terra 16.12 - 2a pars (of 2): Haec est generatio querentium 31v–32v
Du bon du coeur ma chère dame Anonymous 23
Dulcis amica Dei rosa vernans atque decora 47–47v
Ecce nunc tempus acceptabile ecce nunc dies II: In omnibus exhibeamus nosmet ipsos Anonymous 72–73
Ecce tu pulchra es amica mea 14.6 12v–13
Ein frölich wesen hab ich erlesen 16
Elegi abiectus esse in domo Dei mei Anonymous 69v–70v
En ..... Anonymous 18
En non sachant ce qu'il lui fault Anonymous 20
Fac tibi mortales - 1a pars (of 2): Fac tibi mortales pareant Davidica radix 53–53v
Fac tibi mortales - 2a pars (of 2): O clemens geniti faveas per saecula 53v–54
Faulte dargent c'est douleur non pareille Anonymous 28
Fleur de beaulte chef d'oeuvre de nature 38–38v
Grace et vertu bonté beaulté noblesse
Roquellay (?)
84v–85
Helas Anonymous 19v
Het quam eyn schaferken uyt Saphoyen Anonymous 26
Het was eyn regulerer moench Anonymous 21v
Homo quidam - 1a pars (of 2): Homo quidam fecit caenam magnam et misit Anonymous 34v–35
Homo quidam - 2a pars (of 2): Ite ergo ad exitus viarum Anonymous 35v–36
Hortus conclusus es Dei genitrix fons 75v–76
Ich hadd so schoene vrouwe 18v
Ich seck adieu wy twe wy moeten scheiden Anonymous 26–26v
Ich seck adieu wy twe wy moeten scheiden Anonymous 26v
Ick loop ick draue Anonymous 24–24v
In te Domine speravi - 1a pars (of 2): In te Domine speravi 64v–65
In te Domine speravi - 2a pars (of 2): Quoniam fortitudo mea ... Et propter nomen 65–65v
Inclina Domine - 2a pars (of 3): Deduc me Domine in via tua et ingrediar 37v
Je ris et si ay larme a l'oeil 28.18 20v
Jerusalem luge - 1a pars (of 2): Jerusalem luge et exue te vestibus jocunditatis 46–46v
Jerusalem luge - 2a pars (of 2): Deduc quasi torrentem lacrimas 46v–47
Jubilate Deo - 1a pars (of 2): Jubilate Deo omnis terra servite Domino 51v–52
Jubilate Deo - 2a pars (of 2): Populus eius et oves pascue eius 52v–53
Laudem dicite deo nostro omnes sancti 71v–72
Le content est riche en ce monde 13v
Mijn herz altijt heeft verlanghen 15v
Missa Beata Virgine = Missa Coronata 3.3: Agnus Dei II 40v
Missa Beata Virgine = Missa Coronata 3.3: Gloria (excerpt: Cum sancto spiritu) 34–34v
Missa Quant j'ai au coeur: Benedictus 22v
Missa Sine nomine (4vv): Benedictus 40
Missus est Gabriel angelus ad Mariam 20.6 12–12v
Mon petit coeur helas qui nuit et jour 80v–82
Myn herz ys alle zyt verlangen Anonymous 16–16v
Myn liefkins bruyn ooghen ende haren 23v–24
Myn synn synt myr entzuegen von einer junckfrawen [i] Anonymous 19–19v
Myn synn synt myr entzuegen von einer junckfrawen [ii] Anonymous 25
Noch lust Anonymous 29v–30
Noch wyll van aventuyren Anonymous 24v–25
Non ch'io non voglio mai altro pensiero 105–105v
Nu noch nummer me sal ick van ju scheyden 27v–28
On [Tu] a mal dit de mon amy 23–23v
Operarius ebrosius non locum pletabitur Anonymous 50–50v
Pater a nullo est factus nec creatus 28v–29v
Pater noster qui es in caelis Anonymous 37
Pensen en truren duchten en hopen Anonymous 22–22v
Precursor Domini venit de quo ipse testatur II: Hic est cuius propheta et plusquam Anonymous 60–61v
Quae est ista que processit sicut sol 32v–34
Qui confidunt in Domino sicut mons Sion II: Benefac Domine bonis et rectis corde Anonymous 47v–49
Qui seminant in lachrimis - 1a pars (of 2): Qui seminant in lachrimis in exsultatione 56–56v
Qui seminant in lachrimis - 2a pars (of 2): Qui parce seminant et parce metent 57–57v
Ragion' e ben ch' alcuna volta io canti 104v–105
Rich Gott wem sall ich clagen Anonymous 27
Salve regina ... Vita dulcedo 76v–77v
Sans liberte qu'un bon esprit 38
Si liet'e grata morte da gli occhi 104–104v
Sine nomine Anonymous 41–41v
Spem in alium nunquam habui praeter in te 50v–51v
Surge Petre - 1a pars (of 2): Surge Petre et indue te vestimentis tuis 65v–66
Surge Petre - 2a pars (of 2): Angelus Domini astitit et lumen refulsit 66v–67
Surgens Jesus Dominus noster stans in medio II: Surrexit Dominus de sepulchro Anonymous 78–80
Tant ravi suis Anonymous 20–20v
Undas thespiadum qui gustavere beati floribus Anonymous 30
Unum cole Deum - 1a pars (of 2): Unum cole Deum nec jures vana per ipsum 55–55v
Unum cole Deum - 2a pars (of 2): Non sis occisor fur moechus testis 55v–56
Ut Phoebi radiis 25.10 - 1a pars (of 2): Ut Phoebi radiis soror obvia sidera 1–1v
Ut Phoebi radiis 25.10 - 2a pars (of 2): Latius in numerum canit id quoque 1v–2
V.... Anonymous 17–17v
Venerantes Anonymous 36v
Vidi speciosam - 1a pars (of 2): Vidi speciosam sicut columbam ascendentem 61v–62
Vidi speciosam - 2a pars (of 2): Quae est ista quae processit sicut 62–62v
Vidi speciosam sicut columbam ascendentem II: Que est ista que ascendit per desertum Anonymous 63–64v
Virtute magna - 1a pars (of 2): Virtute magna reddebant apostoli testimonium 49–49v
Virtute magna - 2a pars (of 2): Repleti sunt quidem spiritu sancto 49v–50
Vous.... [?Nous....] Anonymous 82v–83
Vrai dieu d'amours confortez moi vous m'avez mis 25v
Vrucht en moet is gar dahin 17v–18
Vulnerasti cor meum - 1a pars (of 2): Vulnerasti cor meum soror mea sponsa 57v–58
Vulnerasti cor meum - 2a pars (of 2): Et vox tua dulcis in auribus meis 58–58v
Vultum tuum 25.14 - 2a pars (of 7): Sancta Dei genitrix virgo semper Maria 8v–9
Vultum tuum 25.14 - 3a pars (of 7): O intemerata virgo que redemptorem 9v–10
Vultum tuum 25.14 - 4a pars (of 7): O Maria nullam tam gravem possimus 10v
Vultum tuum 25.14 - 5a pars (of 7): Mente tota tibi supplicamus ut sicut 11–11v
Vultum tuum 25.14 - 6a pars (of 7): Ora pro nobis virgo sine termino 11v–12

Set: 236 (a-d)

Type: Partbooks

No images available

D-Usch 237 (a)

No images available

D-Usch 237 (b)

No images available

D-Usch 237 (c)

No images available

D-Usch 237 (d)

denotes primary source study

Gottwald, Clytus. 1993. Katalog der Musikalien in der Schermar-Bibliothek Ulm. Veröffentlichungen der Stadtbibliothek Ulm.  Wiesbaden: Harrassowitz Verlag.

Boorman, Stanley. 1983. Notational Spelling and Scribal Habit. Datierung und Filiation von Musikhandschriften der Josquin-Zeit, Wolfenbütteler Forschungen.  Wiesbaden. Pages: 77,89-90, 107-9. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Jonas, Luise. 1983. Das Augsburger Liederbuch: Die Musikhandschrift 2° Codex 142a der Staats- und Stadtbibliothek Augsburg. Edition und Kommentar. Berliner Musikwissenschaftliche Arbeiten.  Munich and Salzburg. Pages: II, 12,76-90. Notes: physical description (partial); contents list (partial); concordances (partial); mention of MS; discussion.

Perkins, Leeman L, and Howard Garey (editors). 1979. The Mellon Chansonnier.  New Haven and London. Pages: II, 181,321-2. Notes: physical description (partial); contents list (partial); concordances (partial).

Staehelin, Martin. 1977. Die Messen Heinrich Isaacs. Publikationen der Schweizerischen Musikforschenden Gesellschaft Serie II.  Bern and Stuttgart. Pages: I,xli,32-4,73 III,78. Notes: physical description (partial); contents list (partial); concordances (partial).

Atlas, Allan W. 1975-6. The Cappella Giulia Chansonnier (Rome, Biblioteca Apostolica Vaticana, C. G.XIII.27). Musicological Studies.  Brooklyn. Pages: I,65ff, passim. Notes: contents list (partial); concordances (partial); discussion of the MS.

Whisler, Bruce Allen. 1974. Munich, Mus. Ms. 1516: A Critical Edition. University of Rochester, Unpublished Ph.D. dissertation. Pages: I,65-7,96,150-1,211,273,319-24. Notes: physical description (partial); contents list (partial); concordances (partial); mention of MS; discussion.

Smijers, Albert, Myroslaw Antonowycz, and Willem Elders (editors). 1969. Werken van Josquin des Prés: Supplement.  Amsterdam. Pages: xvii. Notes: contents list (partial); concordances (partial).

Picker, Martin. 1960. The Chanson Albums of Marguerite of Austria: Manuscripts 228 and 11239 of the Bibliothèque Royale de Belgique, Bruxelles. University of California at Berkeley, Unpublished Ph.D. dissertation. Pages: I,372. Notes: physical description (partial); contents list (partial); concordances (partial).

Jeppesen, Knud (editor). 1927. New York, 1965 (reprint, with new remarks by the editor). Der Kopenhagener Chansonnier: Das Manuskript Thott 291s der Königlichen Bibliothek Kopenhagen. Copenhagen and Leipzig.  Copenhagen and Leipzig. Pages: lxxiii, lxxxi-lxxxii. Notes: physical description; contents list (partial); concordances (partial).

Smijers, Albert (editor). 1927-56. Werken van Josquin des Prez: Missen.  Amsterdam. Pages: XVI.xlv-lx. Notes: contents list (partial); concordances (partial).

Smijers, Albert (editor). 1926-64. Werken van Josquin des Prez: Motetten.  Amsterdam. Pages: I,xi, xiii III,x,xiii IV,viii,x VI,vi-viii. Notes: physical description (partial); contents list (partial); concordances (partial).

Smijers, Albert (editor). 1925-68. Werken van Josquin des Prez: Wereldlijke Werken.  Amsterdam. Pages: I,xv. Notes: contents list (partial); concordances (partial).

Wolf, Johannes. 1913-9; Reprinted: Hildesheim, 1963. Handbuch der Notationskunde.  Leipzig. Pages: I,463. Notes: physical description (partial).

Wolf, Johannes (editor). 1908-21. Reprint: Farnborough, England, 1968. Werken van Jacob Obrecht.  Leipzig and Amsterdam,. Pages: XV/XVI,viii. Notes: physical description (partial); contents list (partial).

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Eric Jas

Tuesday, 22 October, 2019

Inventory for 237 attached in error to 236; inventories for 236 & 237 swapped.

DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Notation Note; Foliation Note; Foliation Note; Decoration Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description