V-CVbav MS Capp. Sist. 38

Biblioteca Apostolica Vaticana, Vatican City, Rome, Italy

manuscript of polyphony: c. 1550-63

Archive Biblioteca Apostolica Vaticana, Vatican City, Rome, Italy (V-CVbav)
Shelfmark MS Capp. Sist. 38
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface Paper
Numbering System Foliation
Measurements 637 x 454 mm
Other Identifiers
  • CCM: VatS 38
  • olim (Former shelfmark): I-Rvat MS Capp. Sist. 38
Notations
  • black void mensural
Copyists
Relationships
External Links
External Authorities
Provenance
Contents 63 pieces from 22 composers
General Description

Composite of originally separate fascicles. Copied by Johannes Parvus (inscription on new f. 3). Copied in Rome, for use by Cappella Sistina.

DIAMM, 2017
Physical Description

Many folios in very poor condition due to severe ink corrosion; some music now illegible

DIAMM, 2017
Binding

Covers of medium brown leather over boards, blind tooled with decorative borders and central diamond motif; brass clasps, studs, and bosses. Covers date from 18th century (LlorCS), but decoration imitates earlier style; see VatS 13 for other manuscripts with similar bindings

DIAMM, 2017
Watermark

crossed arrows surmounted by six-pointed star (two variants, neither in Briquet; see BraunerP for other manuscripts with same marks).

DIAMM, 2017
Notation

black void mensural

DIAMM, 2017
Ruling

Staff height 27

DIAMM, 2017
Foliation

Original ink foliation, i-clix, on upper right rectos; modern pencil foliation, 1-162, on lower center rectos (excludes first and last flyleaves)

DIAMM, 2017
Decoration

Illuminated miniatures and initials on new ff. 4'-5 are work of Antonio Bonfratelli (LlorM); other folios have inked calligraphic initials. Coat of arms of Pope Pius IV (1499-1565) and inscription 'PIUS IIII PONTIFEX MAXIMUS ANNO III' on new f. 5.

DIAMM, 2017
Index

Original index on new ff. 2'-3 lists pieces in order of appearance.

DIAMM, 2017
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

39 motets

Clemens non Papa-1, Jaquet of Mantua/(Conseil)-1, Jaquet of Mantua/(Lupus)-1, Josquin-6, Josquin/(Bruck)-1, Josquin/(Ninot le Petit)-1, (Josquin/Verdelot)-1, Lafage-1, Lebel-2, (Maillard)-1, Morales-1, Moulu-1, Mouton-2, Mouton/(Josquin)-1, Mouton/(Josquin/Willaert)-1, Palestrina-2, Richafort-1, Robledo-1, (Sermisy)-1, Silva-3, Verdelot-2, Verdelot/(Richafort)-1, (Willaert)-1, anon-5

ii + ii + 159 + » paper folios, 637 x 454. Composite of originally separate fascicles. Many folios in very poor condition due to severe ink corrosion; some music now illegible. Original ink foliation, i-clix, on upper right rectos; modern pencil foliation, 1-162, on lower center rectos (excludes first and last flyleaves). Covers of medium brown leather over boards, blind tooled with decorative borders and central diamond motif; brass clasps, studs, and bosses. Covers date from 18th century (LlorCS), but decoration imitates earlier style; see VatS 13 for other manuscripts with similar bindings. Original index on new ff. 2'-3 lists pieces in order of appearance.

Copied by Johannes Parvus (inscription on new f. 3); see general index for other manuscripts copied by the same scribe. Staff height 27. Illuminated miniatures and initials on new ff. 4'-5 are work of Antonio Bonfratelli (LlorM); other folios have inked calligraphic initials. Coat of arms of Pope Pius IV (1499-1565) and inscription "PIUS IIII PONTIFEX MAXIMUS ANNO III" on new f. 5. Watermarks: crossed arrows surmounted by six-pointed star (two variants, neither in Briquet; see BraunerP for other manuscripts with same marks).

Ca. 1550-63 (BraunerP); illumination dated third year of reign of Pope Pius IV [= 1562], date 1563 at end of index. Copied in Rome, for use by Cappella Sistina.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1v–3 In principio erat verbum 19.7 - 1a pars (of 3): In principio erat verbum et verbum Iosquin des Pres
Appears on: 1v–3
Genres: Motet
Source Attribution: Iosquin des Pres
Voice: [no designation]
Languages: Latin
Voice Text: In principio erat verbum et verbum 19.7 II: Fuit homo missus a deo cui nomen III: Et verbum caro factum est
3v–7 In principio erat verbum 19.7 - 2a pars (of 3): Fuit homo missus a Deo -
Appears on: 3v–7
Genres: Motet
7v–8 In principio erat verbum 19.7 - 3a pars (of 3): Et verbum caro factum est -
Appears on: 7v–8
Genres: Motet
8v–12 In exitu Israel 17.4 - 1a pars (of 3): In exitu Israel de Aegipto domus Jacob Josquin des Pres
Appears on: 8v–12
Genres: Motet
Source Attribution: Josquin des Pres
Voice: [no designation]
Languages: Latin
Voice Text: In exitu Israel de Egipto domus Jacob 17.4 II: Deus autem noster in celo omnia III: Dominus memor fui nostri et benedixit
12v–15 In exitu Israel 17.4 - 2a pars (of 3): Deus autem noster -
Appears on: 12v–15
Genres: Psalm
15v–18 In exitu Israel 17.4 - 3a pars (of 3): Dominus memor fuit -
Appears on: 15v–18
Genres: Psalm
18v–22 Qui habitat 18.7 - 1a pars (of 2): Qui habitat in adjutorio altissimi Josquin des Pres
Appears on: 18v–22
Genres: Motet
Source Attribution: Josquin des Pres
Voice: [no designation]
Languages: Latin
Voice Text: Qui habitat in adiutorio altissimi 18.7 II: Non accedat ad te malum et flagellum
22v–25 Qui habitat 18.7 - 2a pars (of 2): Non accedat ad te malum -
Appears on: 22v–25
Genres: Motet
25v–27 Laudemus fortissimum - 1a pars (of 2): Laudemus fortissimum Christi martirem Anon. Anonymous
Appears on: 25v–27
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Laudemus fortissimum Christi martirem II: Domine Jesu Christe salvator meus
27v–29 Laudemus fortissimum - 2a pars (of 2): Domine Jesu Christe salvator meus - Anonymous
Appears on: 27v–29
Genres: Motet
29v–31 In illo tempore assumpsit Jesus duodecim 19.5 Josquin des Pres/[Bruck]
Appears on: 29v–31
Genres: Motet
Source Attribution: Josquin des Pres/[Bruck]
Voice: [no designation]
Languages: Latin
Voice Text: In illo tempore assumpsit Jesus duodecim 19.4
31v–35 Ave verum corpus natum de Maria virgine Firminus le Bel
Appears on: 31v–35
Genres: Motet
Source Attribution: Firminus le Bel
Voice: [no designation]
Languages: Latin
Voice Text: Ave verum corpus natum de Maria virgine
35v–37 Simile est regnum - 1a pars (of 2): Simile est regnum caelorum homini negociatori Melchior Robledo
Appears on: 35v–37
Genres: Motet
Source Attribution: Melchior Robledo
Voice: [no designation]
Languages: Latin
Voice Text: Simile est regnum celorum homini negociatori II: Inventa autem una preciosa margarita
37v–39 Simile est regnum - 2a pars (of 2): Inventa autem una preciosa margarita -
Appears on: 37v–39
Genres: Motet
39v–40 Partus et integritas discordes tempore longo Lafage
Appears on: 39v–40
Genres: Motet
Source Attribution: Lafage
Voice: [no designation]
Languages: Latin
Voice Text: Partus et integritas discordes tempore
40v–41 Per lignum salvi facti sumus Jo. Mouton
Appears on: 40v–41
Genres: Motet
Source Attribution: Jo. Mouton
Voice: [no designation]
Languages: Latin
Voice Text: Per lignum salvi facti sumus
41v–44 Miserere mei Deus 18.3 - 1a pars (of 3): Miserere mei Deus secundum magnam Josquin des Pres
Appears on: 41v–44
Genres: Miserere mei Deus, Motet
Source Attribution: Josquin des Pres
Voice: [no designation]
Languages: Latin
Voice Text: Miserere mei deus secundum magnam 18.3 II: Audi auditui meo dabis gaudium III: Domine labia mea aperies et os
44v–47 Miserere mei Deus 18.3 - 2a pars (of 3): Auditui meo dabis gaudium -
Appears on: 44v–47
Genres: Miserere mei Deus, Motet
47v–50 Miserere mei Deus 18.3 - 3a pars (of 3): Domine labia mea aperies et os -
Appears on: 47v–50
Genres: Miserere mei Deus, Motet
50v–52 Confitemini Domino quoniam bonus 15.9 Johannes Mouton/[Josquin]
Appears on: 50v–52
Genres: Motet
Source Attribution: Johannes Mouton/[Josquin]
Voice: [no designation]
Languages: Latin
Voice Text: Confitemini domino quoniam bonus 15.9
52v–54 Benedicam Dominum in omni tempore semper Jo. Mouton
Appears on: 52v–54
Genres: Motet
Source Attribution: Jo. Mouton
Voice: [no designation]
Languages: Latin
Voice Text: Benedicam dominum in omni tempore semper
54v–56 Veni sponsa Christi Richafort
Appears on: 54v–56
Genres: Motet
Source Attribution: Richafort
Voice: [no designation]
Languages: Latin
Voice Text: Veni sponsa Christi accipe coronam
56v–58 Qui sunt isti - 1a pars (of 2): Qui sunt isti qui ut nubes volant Anon. Anonymous
Appears on: 56v–58
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Qui sunt isti qui ut nubes volant II: Isti sunt viri sancti quos elegit
58v–60 Qui sunt isti - 2a pars (of 2): Isti sunt viri sancti quos elegit - Anonymous
Appears on: 58v–60
Genres: Motet
60v–63 Si bona suscepimus de manu Domini Verdelot/[Richafort]
Appears on: 60v–63
Genres: Motet
Source Attribution: Verdelot/[Richafort]
Voice: [no designation]
Languages: Latin
Voice Text: Si bona suscepimus de manu domini
63v–66 Planxit autem David 14.9 - 1a pars (of 4): Planxit autem David planctu huiuscemodi Josquin des Pres/[Ninot le Petit]
Appears on: 63v–66
Genres: Motet
Source Attribution: Josquin des Pres/[Ninot le Petit]
Voice: [no designation]
Languages: Latin
Voice Text: Planxit autem David planctu huiuscemodi 14.9 II: Montes Gelboe nec ros nec pluvia III: Sagitta Jonathe nunquam rediit IV: Doleo super te frater mi Jonatha
66v–68 Planxit autem David 14.9 - 2a pars (of 4): Montes Gelboe nec ros nec pluvia -
Appears on: 66v–68
Genres: Motet
68v–71 Planxit autem David 14.9 - 3a pars (of 4): Sagitta Jonathe nunquam rediit -
Appears on: 68v–71
Genres: Motet
71v–73 Planxit autem David 14.9 - 4a pars (of 4): Doleo super te frater mi Jonatha -
Appears on: 71v–73
Genres: Motet
73v–76 Me oportet minui illum autem crescere Clemens non Papa
Appears on: 73v–76
Genres: Motet
Source Attribution: Clemens non Papa
Voice: [no designation]
Languages: Latin
Voice Text: Me oportet minui illum autem crescere
76v–78 Beatus Laurentius orabat dicens gratias Jo. Aloysius Prenestinus [= Palestrina]
Appears on: 76v–78
Genres: Motet
Source Attribution: Jo. Aloysius Prenestinus [= Palestrina]
Voice: [no designation]
Languages: Latin
Voice Text: Beatus Laurentius orabat dicens gratias
78v–82 Pater noster ... Ave Maria - 1a pars (of 2): Pater noster qui es in caelis Morales
Appears on: 78v–82
Genres: Ave Maria, Motet, Pater noster
Source Attribution: Morales
Voice: [no designation]
Languages: Latin
Voice Text: Pater noster qui es in celis II: Ave Maria gratia plena dominus tecum
80v–82 Pater noster ... Ave Maria - 2a pars (of 2): Ave Maria gratia plena Dominus tecum -
Appears on: 80v–82
Genres: Ave Maria, Motet, Pater noster
82v–84 Deus misereatur nostri - 1a pars (of 2): Deus misereatur nostri et benedicat nobis [Sermisy]
Appears on: 82v–84
Genres: Motet
Source Attribution: [Sermisy]
Voice: [no designation]
Languages: Latin
Voice Text: Deus misereatur nostri et benedicat nobis II: Letentur et exultent gentes quoniam
84v–87 Deus misereatur nostri - 2a pars (of 2): Laetentur et exultent gentes quoniam -
Appears on: 84v–87
Genres: Motet
87v–89 Vulnerasti cor meum - 1a pars (of 2): Vulnerasti cor meum soror mea sponsa Moulu
Appears on: 87v–89
Genres: Motet
Source Attribution: Moulu
Voice: [no designation]
Languages: Latin
Voice Text: Vulnerasti cor meum soror mea sponsa II: Et vox tua dulcis et facies decora
89v–92 Vulnerasti cor meum - 2a pars (of 2): Et vox tua dulcis in auribus meis -
Appears on: 89v–92
Genres: Motet
92v–94 In te Domine speravi - 1a pars (of 2): In te Domine speravi Andreas de Silva
Appears on: 92v–94
Genres: Motet, Te Deum
Source Attribution: Andreas de Silva
Voice: [no designation]
Languages: Latin
Voice Text: In te domine speravi non confundar II: Quoniam fortitudo mea et refugium
94v–97 In te Domine speravi - 2a pars (of 2): Quoniam fortitudo mea et refugium -
Appears on: 94v–97
Genres: Motet
97v–101 Aspice Domine quia facta est desolata Jacquet [of Mantua]/[Lupus]
Appears on: 97v–101
Genres: Motet
Source Attribution: Jacquet [of Mantua]/[Lupus]
Voice: [no designation]
Languages: Latin
Voice Text: Aspice domine quia facta est desolata
101v–106 In die tribulationis meae renuit consolari Jacquet [of Mantua]/[Conseil]
Appears on: 101v–106
Genres: Motet
Source Attribution: Jacquet [of Mantua]/[Conseil]
Voice: [no designation]
Languages: Latin
Voice Text: In die tribulationis mee renuit consolari
106v–110 De profundis clamavi 15.13 (5vv) Josquin
Appears on: 106v–110
Genres: Motet
Source Attribution: Josquin
Voice: [no designation]
Languages: Latin
Voice Text: De profundis clamavi ad te domine 15.13
110v–112 O panem vere sacrum - 1a pars (of 2): O panem vere sacrum per quem penitentium Anon. Anonymous
Appears on: 110v–112
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: O panem vere sacrum per quem penitentium II: Panem vere pinguem et prebentem
112v–114 O panem vere sacrum - 2a pars (of 2): Panem vere pinguem et prebentem - Anonymous
Appears on: 112v–114
Genres: Motet
114v–117 Gaude felix Florentia = Gaude felix ecclesia - 1a pars (of 3): Gaude felix ecclesia quod veram = Gaude felix Florentia que verum [Silva]
Appears on: 114v–117
Genres: Motet
Source Attribution: [Silva]
Voice: [no designation]
Languages: Latin
Voice Text: Gaude felix ecclesia quod veram Christi II: Cuius pietate omnes reges principes III: Salve virgo sanctissima pientissima [= Gaude felix Florentia que verum Christi]
117v–119 Gaude felix Florentia = Gaude felix ecclesia - 2a pars (of 3): Cuius pietate/iudicio omnes reges principes -
Appears on: 117v–119
Genres: Motet
119v–122 Gaude felix Florentia = Gaude felix ecclesia - 3a pars (of 3): Salve virgo sanctissima pietissima = Salve pater sanctissimus -
Appears on: 119v–122
Genres: Motet
122v–124 O altitudo divitiarum - 1a pars (of 2): O altitudo divitiarum scientie et sapientie Anon. Anonymous
Appears on: 122v–124
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: O altitudo divitiarum scientie et sapientie II: Quis enim cognovit sensum domini
124v–126 O altitudo divitiarum - 2a pars (of 2): Quis enim cognovit sensum Domini - Anonymous
Appears on: 124v–126
Genres: Motet
126v–129 Simile est regnum caelorum homini negociatori Anon. Anonymous
Appears on: 126v–129
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Simile est regnum celorum homini negociatori
129v–131 Inter natos mulierum 19.10 - 1a pars (of 2): Inter natos mulierum non surrexit major [Josquin]
Appears on: 129v–131
Genres: Motet
Source Attribution: [Josquin]
Voice: [no designation]
Languages: Latin
Voice Text: Inter natos mulierum non surrexit maior 19.10 II: Fuit homo missus a deo cui nomen
131v–133 Inter natos mulierum 19.10 - 2a pars (of 2): Fuit homo missus a deo cui nomen -
Appears on: 131v–133
Genres: Motet
133v–135 Congregati sunt - 1a pars (of 2): Congregati sunt inimici nostri et gloriantur Verdelot
Appears on: 133v–135
Genres: Motet
Source Attribution: Verdelot
Voice: [no designation]
Languages: Latin
Voice Text: Congregati sunt inimici nostri et gloriantur II: Disperge illos in virtute tua
135v–137 Congregati sunt - 2a pars (of 2): Disperge illos in virtute tua - with c. f. Da pacem Domine -
Appears on: 135v–137
Genres: Motet
137v–139 Attende Domine - 1a pars (of 2): Attende Domine ad me Verdelot
Appears on: 137v–139
Genres: Motet
Source Attribution: Verdelot
Voice: [no designation]
Languages: Latin
Voice Text: Attende domine ad me et audi voces II: Recordare domine quod steterim
139v–141 Attende Domine - 2a pars (of 2): Recordare domine quod steterim -
Appears on: 139v–141
Genres: Motet
141v–144 Sancta Maria virgo virginum 25.7 [Josquin/Verdelot]
Appears on: 141v–144
Genres: Motet
Source Attribution: [Josquin/Verdelot]
Voice: [no designation]
Languages: Latin
Voice Text: Sancta Maria virgo virginum 25.6
144v–146 Beatus Laurentius orabat dicens domine -
Appears on: 144v–146
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Beatus Laurentius orabat dicens domine
146v–148 Crux clavis corone spinarum flagellis Andreas de Silva
Appears on: 146v–148
Genres: Motet
Source Attribution: Andreas de Silva
Voice: [no designation]
Languages: Latin
Voice Text: Crux clavis corone spinarum flagellis
148v–151 Fratres mei elongaverunt se a me et noti [Maillard]
Appears on: 148v–151
Genres: Motet
Source Attribution: [Maillard]
Voice: [no designation]
Languages: Latin
Voice Text: Fratres mei elongaverunt se a me et noti
151v–152 Salva nos Domine vigilantes custodi 26.12 Jo. Mouton/[Josquin/Willaert]
Appears on: 151v–152
Genres: Motet
Source Attribution: Jo. Mouton/[Josquin/Willaert]
Voice: [no designation]
Languages: Latin
Voice Text: Salva nos domine vigilantes custodi nos 26.11
152v–155 Estote fortes in bello et pugnate Jo. Aloysius Prenestinus [= Palestrina]
Appears on: 152v–155
Genres: Motet
Source Attribution: Jo. Aloysius Prenestinus [= Palestrina]
Voice: [no designation]
Languages: Latin
Voice Text: Estote fortes in bello et pugnate
155v–159 Puer natus est nobis et filius datus est Firminus le Bel
Appears on: 155v–159
Genres: Motet
Source Attribution: Firminus le Bel
Voice: [no designation]
Languages: Latin
Voice Text: Puer natus est nobis et filius datus est
Composer Compositions
Anonymous
Berchem, Jacques (ca. 1505–1567)
Bruck, Arnold von (ca. 1500–1554)
Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Conseil, Jean (ca. 1498–1534)
Despres, Josquin (ca. 1450–1521)
Fage, Jean de la
Hellinck, Lupus (ca. 1494–1541)
Lebel, Firmin
Maillard, Jean (fl. c1538–1570)
Mantua, Jacquet de (1483–1559)
Morales, Cristóbal de (ca. 1500–1553)
Moulu, Pierre (ca. 1484–ca. 1550)
Mouton, Jean (ca. 1459–1522)
Palestrina, Giovanni Pierluigi da (1525–1594)
Petit, Nino le (fl. c1500)
Richafort, Jean (ca. 1480–ca. 1550)
Robledo, Melchor
Sermisy, Claudin de (ca. 1490–1562)
Silva, Andreas de (ca. 1475–ca. 1522)
Verdelot, Philippe (ca. 1480–ca. 1532)
Willaert, Adrian (ca. 1490–1562)
Composition Composers (? Uncertain) Folios / Pages
Aspice Domine quia facta est desolata 97v–101
Attende Domine - 1a pars (of 2): Attende Domine ad me 137v–139
Attende Domine - 2a pars (of 2): Recordare domine quod steterim 139v–141
Ave verum corpus natum de Maria virgine 31v–35
Beatus Laurentius orabat dicens domine 144v–146
Beatus Laurentius orabat dicens gratias 76v–78
Benedicam Dominum in omni tempore semper 52v–54
Confitemini Domino quoniam bonus 15.9 50v–52
Congregati sunt - 1a pars (of 2): Congregati sunt inimici nostri et gloriantur 133v–135
Congregati sunt - 2a pars (of 2): Disperge illos in virtute tua - with c. f. Da pacem Domine 135v–137
Crux clavis corone spinarum flagellis 146v–148
De profundis clamavi 15.13 (5vv) 106v–110
Deus misereatur nostri - 1a pars (of 2): Deus misereatur nostri et benedicat nobis 82v–84
Deus misereatur nostri - 2a pars (of 2): Laetentur et exultent gentes quoniam 84v–87
Estote fortes in bello et pugnate 152v–155
Fratres mei elongaverunt se a me et noti 148v–151
Gaude felix Florentia = Gaude felix ecclesia - 1a pars (of 3): Gaude felix ecclesia quod veram = Gaude felix Florentia que verum 114v–117
Gaude felix Florentia = Gaude felix ecclesia - 2a pars (of 3): Cuius pietate/iudicio omnes reges principes 117v–119
Gaude felix Florentia = Gaude felix ecclesia - 3a pars (of 3): Salve virgo sanctissima pietissima = Salve pater sanctissimus 119v–122
In die tribulationis meae renuit consolari 101v–106
In exitu Israel 17.4 - 1a pars (of 3): In exitu Israel de Aegipto domus Jacob 8v–12
In exitu Israel 17.4 - 2a pars (of 3): Deus autem noster 12v–15
In exitu Israel 17.4 - 3a pars (of 3): Dominus memor fuit 15v–18
In illo tempore assumpsit Jesus duodecim 19.5 29v–31
In principio erat verbum 19.7 - 1a pars (of 3): In principio erat verbum et verbum 1v–3
In principio erat verbum 19.7 - 2a pars (of 3): Fuit homo missus a Deo 3v–7
In principio erat verbum 19.7 - 3a pars (of 3): Et verbum caro factum est 7v–8
In te Domine speravi - 1a pars (of 2): In te Domine speravi 92v–94
In te Domine speravi - 2a pars (of 2): Quoniam fortitudo mea et refugium 94v–97
Inter natos mulierum 19.10 - 1a pars (of 2): Inter natos mulierum non surrexit major 129v–131
Inter natos mulierum 19.10 - 2a pars (of 2): Fuit homo missus a deo cui nomen 131v–133
Laudemus fortissimum - 1a pars (of 2): Laudemus fortissimum Christi martirem Anonymous 25v–27
Laudemus fortissimum - 2a pars (of 2): Domine Jesu Christe salvator meus Anonymous 27v–29
Me oportet minui illum autem crescere 73v–76
Miserere mei Deus 18.3 - 1a pars (of 3): Miserere mei Deus secundum magnam 41v–44
Miserere mei Deus 18.3 - 2a pars (of 3): Auditui meo dabis gaudium 44v–47
Miserere mei Deus 18.3 - 3a pars (of 3): Domine labia mea aperies et os 47v–50
O altitudo divitiarum - 1a pars (of 2): O altitudo divitiarum scientie et sapientie Anonymous 122v–124
O altitudo divitiarum - 2a pars (of 2): Quis enim cognovit sensum Domini Anonymous 124v–126
O panem vere sacrum - 1a pars (of 2): O panem vere sacrum per quem penitentium Anonymous 110v–112
O panem vere sacrum - 2a pars (of 2): Panem vere pinguem et prebentem Anonymous 112v–114
Partus et integritas discordes tempore longo 39v–40
Pater noster ... Ave Maria - 1a pars (of 2): Pater noster qui es in caelis 78v–82
Pater noster ... Ave Maria - 2a pars (of 2): Ave Maria gratia plena Dominus tecum 80v–82
Per lignum salvi facti sumus 40v–41
Planxit autem David 14.9 - 1a pars (of 4): Planxit autem David planctu huiuscemodi 63v–66
Planxit autem David 14.9 - 2a pars (of 4): Montes Gelboe nec ros nec pluvia 66v–68
Planxit autem David 14.9 - 3a pars (of 4): Sagitta Jonathe nunquam rediit 68v–71
Planxit autem David 14.9 - 4a pars (of 4): Doleo super te frater mi Jonatha 71v–73
Puer natus est nobis et filius datus est 155v–159
Qui habitat 18.7 - 1a pars (of 2): Qui habitat in adjutorio altissimi 18v–22
Qui habitat 18.7 - 2a pars (of 2): Non accedat ad te malum 22v–25
Qui sunt isti - 1a pars (of 2): Qui sunt isti qui ut nubes volant Anonymous 56v–58
Qui sunt isti - 2a pars (of 2): Isti sunt viri sancti quos elegit Anonymous 58v–60
Salva nos Domine vigilantes custodi 26.12 151v–152
Sancta Maria virgo virginum 25.7 141v–144
Si bona suscepimus de manu Domini 60v–63
Simile est regnum - 1a pars (of 2): Simile est regnum caelorum homini negociatori 35v–37
Simile est regnum - 2a pars (of 2): Inventa autem una preciosa margarita 37v–39
Simile est regnum caelorum homini negociatori Anonymous 126v–129
Veni sponsa Christi 54v–56
Vulnerasti cor meum - 1a pars (of 2): Vulnerasti cor meum soror mea sponsa 87v–89
Vulnerasti cor meum - 2a pars (of 2): Et vox tua dulcis in auribus meis 89v–92

denotes primary source study

Brauner, Mitchell Paul. 1984. Music from the Cappella Sistina at the Cappella Giulia. The Journal of Musicology, 287-311. Pages: 303-4. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Brauner, Mitchell Paul. 1982. The Parvus Manuscripts: A Study of Vatican Polyphony, ca. 1535 to 1580. Brandeis University, Unpublished Ph.D. dissertation. Pages: 186ff, 370, 386-99, passim. Notes: physical description (partial); contents list; concordances (partial); facsimile (partial); mention of MS; discussion.

Hudson, Barton (editor). 1979. Ninot le Petit: Collected Works. Corpus mensurabilis musicae.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: xiv. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Lewis, Mary Stuart. 1979. Antonio Gardane and His Publications of Sacred Music, 1538-55. Brandeis University, Unpublished Ph.D. dissertation. Pages: 335, 350-1, 369, 388-90. Notes: contents list (partial); concordances (partial).

Kirsch, Winfried. 1977. Die Motetten des Andreas de Silva: Studien zur Geschichte der Motette im 16. Jahrhundert. Frankfurter Beiträge zur Musikwissenschaft.  Tutzing. Pages: 40, 46-8, 441-3. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Kellman, Herbert. 1976. Josquin and the Courts of the Netherlands and France: The Evidence of the Sources. Josquin des Prez: Proceedings of the International Josquin Festival-Conference ... 21-25 June 1971, 181-216. London, New York, and Toronto. Pages: 189-90. Notes: contents list (partial); mention of MS; discussion.

Kempers, Karel Philippus Bernet. 1973. Text und Proportionsvorschrift Zugleich (Die Motette "Me oportet minui" von Clemens non Papa). Musicat Scientiae Collectanea: Festschrift Karl Gustav Feilerer zum siebzigsten Geburtstag am 7. Juli 1972, 47-9. Cologne. Notes: physical description (partial); contents list (partial); concordances (partial); mention of MS; discussion.

Nugent, George Edward. 1973. The Jacquet Motets and Their Authors. Princeton University, Unpublished Ph.D. dissertation. Pages: I, 140, 143, 148. Notes: mention of MS; contents list (partial); concordances (partial).

Kirsch, Winfried (editor). 1970-. Andreas de Silva: Opera Omnia. Corpus mensurabilis musicae.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: II, x, xiv, xxiii. Notes: contents list (partial); concordances (partial); facsimile (partial).

Dunning, Albert. 1969. Die Staatsmotette 1480-1555.  Utrecht. Pages: 341, 344. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Lowinsky, Edward E (editor). 1968. The Medici Codex of 1518: A Choirbook of Motets Dedicated to Lorenzo de' Medici, Duke of Urbino. Monuments of Renaissance Music.  Chicago. Pages: III, 47-8, 177-80, 184-5, 194-9, 202-5, 233-5. Notes: contents list (partial); concordances (partial); texts (partial); mention of MS; discussion.

Böker-Heil, Norbert. 1967. Die Motetten von Philippe Verdelot.  Frankfurt am Main. Pages: 270-1, 278-9, 310-6. Notes: contents list (partial); concordances (partial); incipits (partial).

Osthoff, Helmuth. 1962. Josquin Desprez. 2 vols. Tutzing. Pages: II, 17, 22, 105, 125-9, 289, 292, 325, 333. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Stevenson, Robert. 1961. Spanish Cathedral Music in the Golden Age.  Berkeley and Los Angeles. Pages: 326, 435. Notes: contents list (partial); mention of MS; discussion.

Llorens Cisteró, José Maria. 1960. Capellae Sixtinae Codices.  Vatican City. Pages: 76-9, 484-5. Notes: physical description; contents list; incipits (partial).

Llorens Cisteró, José Maria. 1958-61. Miniaturas de Vincent Raymond en los Manuscritos Musicales de la Capilla Sixtina. Miscelânea en Homenaje a Monsenor Higinio Angles, 475-98. Barcelona. Pages: 489-90, 494. Notes: physical description (partial).

Kempers, Karel Philippus Bernet, and Chris J. Maas (editors). 1951-76. Jacobus Clemens non Papa: Opera Omnia. Corpus mensurabilis musicae.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: XXI, xiii-xiv, 162-6. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Lowinsky, Edward E. 1950. A Newly Discovered Sixteenth-Century Motet Manuscript at the Biblioteca Vallicelliana in Rome. Journal of the American Musicological Society, 173-232. Pages: 175-6, 199, 201-2, 206ff. Notes: contents list (partial); concordances (partial); texts (partial); mention of MS; discussion.

Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik.  Kassel. Pages: II, 1350 XI, 753. Notes: physical description (partial).

Anglès, Higinio (editor). 1941-1971. Monumentos de la Mùsica Espanola.  Madrid (later Barcelona, later Rome). Pages: XIII, xxxiii XX, xx, 117-25. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Blume, Friedrich (editor). 1929-. Das Chorwerk.  Berlin/Wolfenbüttel. Pages: LVII, iv, 26-32 LXXVI, vii, 9-14. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Smijers, Albert (editor). 1926-64. Werken van Josquin des Prez: Motetten.  Amsterdam. Pages: (III, ix, xv VIII, xiii-xv XI, xxvii XIII, xxxiv-xxxv XIV, xliii XXII, xxiii XXIII, xxx XXIV, xxxvi. Notes: physical description; contents list (partial); concordances (partial).

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description