V-CVbav MS Capp. Sist. 57

Biblioteca Apostolica Vaticana, Vatican City, Rome, Italy

manuscript of polyphony: c. 1535-77

Archive Biblioteca Apostolica Vaticana, Vatican City, Rome, Italy (V-CVbav)
Shelfmark MS Capp. Sist. 57
Image Availability DIAMM does not have images of this source.
Surface Paper
Numbering System Foliation
Measurements 585 x 440 mm
Other Identifiers
  • CCM: VatS 57
  • olim (Former shelfmark): I-Rvat MS Capp. Sist. 57
Notations
  • black void mensural
Copyists
Relationships
External Links
External Authorities
Provenance
Contents 32 pieces from 8 composers
General Description

Composite of originally separate fascicles. Copied by Johannes Parvus, except for ff. 48'-67 (music and text) and ff. 110'-115 (music), copied by Johannes Ochon (BraunerP). Copied in Rome, for use by Cappella Sistina. Letter addressed to papal singer and composer Ivo Barri (datable 1545-52 - BraunerP) now mounted on unnumbered modern leaf bound in between ff. 109/110.

DIAMM, 2017
Physical Description

New ff. 132-140 now bound in incorrect sequence; latter folios in very poor condition due to severe ink corrosion, with loss of some music.

DIAMM, 2017
Binding

Rebound in modern covers of cream-coloured vellum over boards

DIAMM, 2017
Watermark

(1) anchor in circle surmounted by six-pointed star (not in Briquet); (2-3) crossed arrows surmounted by six-pointed star (two variants, neither in Briquet); (4) resembles Briquet #1131 (see BraunerP for other manuscripts with same marks).

DIAMM, 2017
Notation

black void mensural

DIAMM, 2017
Ruling

Staff height 29

DIAMM, 2017
Foliation

Original ink foliation, [1]-138, on lower right rectos; modern pencil foliation (cited here), 1-140, on lower center rectos (excludes front modern flyleaf, letter [see below], and rear modern flyleaf).

DIAMM, 2017
Decoration

Inked calligraphic initials

DIAMM, 2017
Index

Index on f. 2 probably dates from late 16th century; pieces listed in order of appearance.

DIAMM, 2017
Surface

paper

DIAMM, 2017
DIAMM Note

Inventory kindly provided by David Wyatt, 2017

David Wyatt, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

4 Masses, 1 Kyrie, 1 Credo, 6 motets = 12 Bauldeweyn-1, C. Festa-1, (Jacotin/Jaquet of Mantua)-1, Palestrina-2, Piéton-1, anon-6 it + i + 107 + i [= letter] + 31 + i paper folios, 585 x 440. Composite of originally separate fascicles. New ff. 132-140 now bound in incorrect sequence; latter folios in very poor condition due to severe ink corrosion, with loss of some music. Original ink foliation, [1]-138, on lower right rectos; modern pencil foliation (cited here), 1-140, on lower center rectos (excludes front modern flyleaf, letter [see below], and rear modern flyleaf). Rebound in modern covers of cream-colored vellum over boards. Index on f. 2 probably dates from late 16th century; pieces listed in order of appearance. Copied by Johannes Parvus, except for ff. 48'-67 (music and text) and ff. 110'-115 (music), copied by Johannes Ochon (BraunerP). Staff height 29. Inked calligraphic initials. Watermarks: (1) anchor in circle surmounted by six-pointed star (not in Briquet); (2-3) crossed arrows surmounted by six-pointed star (two variants, neither in Briquet); (4) resembles Briquet #1131 (see BraunerP for other manuscripts with same marks). Letter addressed to papal singer and composer Ivo Barri (datable 1545-52 - BraunerP) now mounted on unnumbered modern leaf bound in between ff. 109/110. Ca. 1535-77 (BraunerP); date 1571 on f. 9. Copied in Rome, for use by Cappella Sistina.

None

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
3v–6r Missa O magnum mysterium: Kyrie Praenestrin.
Appears on: 3v–6r
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Praenestrin.
6v–10r Missa O magnum mysterium: Gloria -
Appears on: 6v–10r
Genres: Gloria (et in terra pax), Mass Ordinary
10v–16r Missa O magnum mysterium: Credo -
Appears on: 10v–16r
Genres: Credo (patrem omnipotentem), Mass Ordinary
16v–21r Missa O magnum mysterium: Sanctus -
Appears on: 16v–21r
Genres: Mass Ordinary, Sanctus [& Benedictus]
21v–23r Missa O magnum mysterium: Agnus -
Appears on: 21v–23r
Genres: Agnus Dei, Mass Ordinary
24v–27r Missa Veni creator spiritus: Kyrie Jo. Petrus Loisius Prenestinus
Appears on: 24v–27r
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Jo. Petrus Loisius Prenestinus
27v–31r Missa Veni creator spiritus: Gloria -
Appears on: 27v–31r
Genres: Gloria (et in terra pax), Mass Ordinary
31v–38r Missa Veni creator spiritus: Credo -
Appears on: 31v–38r
Genres: Credo (patrem omnipotentem), Mass Ordinary
38v–42r Missa Veni creator spiritus: Sanctus -
Appears on: 38v–42r
Genres: Mass Ordinary, Sanctus [& Benedictus]
42v–47r Missa Veni creator spiritus: Agnus -
Appears on: 42v–47r
Genres: Agnus Dei, Mass Ordinary
48v–51r Missa Sine nomine a6: Kyrie Noel Balduin
Appears on: 48v–51r
Genres: Kyrie eleison
Source Attribution: Noel Balduin
51v–55r Missa Sine nomine a6: Gloria -
Appears on: 51v–55r
Genres: Gloria (et in terra pax)
55v–61r Missa Sine nomine a6: Credo -
Appears on: 55v–61r
Genres: Credo (patrem omnipotentem)
61v–65r Missa Sine nomine a6: Sanctus -
Appears on: 61v–65r
Genres: Sanctus [& Benedictus]
65v–67r Missa Sine nomine a6: Agnus Dei -
Appears on: 65v–67r
Genres: Agnus Dei
68v–72r Kyrie (7vv) - Anonymous

Kyrie (7vv)

Anonymous
Appears on: 68v–72r
Genres: Kyrie eleison, Mass Ordinary
72v–75r Mass for 7 voices: Kyrie - -
Appears on: 72v–75r
Genres: Agnus Dei, Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus]
75v–79r Mass for 7 voices: Gloria - Anonymous
Appears on: 75v–79r
Genres: Gloria (et in terra pax)
79v–85r Mass for 7 voices: Credo - Anonymous
Appears on: 79v–85r
Genres: Credo (patrem omnipotentem)
85v–89r Mass for 7 voices: Sanctus - Anonymous
Appears on: 85v–89r
Genres: Sanctus [& Benedictus]
89v–93r Mass for 7 voices: Agnus Dei - Anonymous
Appears on: 89v–93r
Genres: Agnus Dei
94v–102r Credo Solemnitas gloriosae virginis con. festa
Appears on: 94v–102r
Genres: Credo (patrem omnipotentem), Mass Ordinary
Source Attribution: con. festa
103v–106r Christus resurgens ex mortuis - 1a pars (of 2): Christus resurgens - Anonymous
Appears on: 103v–106r
Genres: Motet
106v–109r Christus resurgens ex mortuis - 2a pars (of 2): Mortuus est enim - Anonymous
Appears on: 106v–109r
Genres: Motet
110v-2–113r Benedicta es caelorum regina - 1a pars (of 2): Benedicta es caelorum regina et mundi -
Appears on: 110v-2–113r
Genres: Motet
113v–115r Benedicta es caelorum regina - 2a pars (of 2): Per illud ave prolatum et tuum -
Appears on: 113v–115r
Genres: Motet
116v–119r Eterna Mundi Serie - 1a pars (of 2): Eterna mundi serie - Anonymous
Appears on: 116v–119r
Genres: Motet
119v–122r Eterna munda serie - 2a pars (of 2): Tres sunt in throno glorie - Anonymous
Appears on: 119v–122r
Genres: Motet
122v–126r Sancta Trinitas unus Deus miserere nobis (8vv) -
Appears on: 122v–126r
Genres: Motet
127v–131r Assumpta est Maria - Anonymous

Assumpta est Maria

Anonymous
Appears on: 127v–131r
Genres: Marian antiphon
132v–134v? O Magnum Mysterium - Anonymous

O Magnum Mysterium

Anonymous
Appears on: 132v–134v?
Genres: Motet
135r?–140r Hodie Christus natus est - Anonymous
Appears on: 135r?–140r
Genres: Motet
Composer Compositions
Anonymous
Bauldeweyn, Noel (ca. 1480–1529)
Brumel, Antoine (ca. 1460–ca. 1513)
Festa, Costanzo (ca. 1485–1545)
Jacotin, Jacques (1445–1529)
Mantua, Jacquet de (1483–1559)
Palestrina, Giovanni Pierluigi da (1525–1594)
Pieton, Loyset
Composition Composers (? Uncertain) Folios / Pages
Assumpta est Maria Anonymous 127v–131r
Benedicta es caelorum regina - 1a pars (of 2): Benedicta es caelorum regina et mundi 110v-2–113r
Benedicta es caelorum regina - 2a pars (of 2): Per illud ave prolatum et tuum 113v–115r
Christus resurgens ex mortuis - 1a pars (of 2): Christus resurgens Anonymous 103v–106r
Christus resurgens ex mortuis - 2a pars (of 2): Mortuus est enim Anonymous 106v–109r
Credo Solemnitas gloriosae virginis 94v–102r
Eterna munda serie - 2a pars (of 2): Tres sunt in throno glorie Anonymous 119v–122r
Eterna Mundi Serie - 1a pars (of 2): Eterna mundi serie Anonymous 116v–119r
Hodie Christus natus est Anonymous 135r?–140r
Kyrie (7vv) Anonymous 68v–72r
Mass for 7 voices: Agnus Dei Anonymous 89v–93r
Mass for 7 voices: Credo Anonymous 79v–85r
Mass for 7 voices: Gloria Anonymous 75v–79r
Mass for 7 voices: Kyrie - 72v–75r
Mass for 7 voices: Sanctus Anonymous 85v–89r
Missa O magnum mysterium: Agnus 21v–23r
Missa O magnum mysterium: Credo 10v–16r
Missa O magnum mysterium: Gloria 6v–10r
Missa O magnum mysterium: Kyrie 3v–6r
Missa O magnum mysterium: Sanctus 16v–21r
Missa Sine nomine a6: Agnus Dei 65v–67r
Missa Sine nomine a6: Credo 55v–61r
Missa Sine nomine a6: Gloria 51v–55r
Missa Sine nomine a6: Kyrie 48v–51r
Missa Sine nomine a6: Sanctus 61v–65r
Missa Veni creator spiritus: Agnus 42v–47r
Missa Veni creator spiritus: Credo 31v–38r
Missa Veni creator spiritus: Gloria 27v–31r
Missa Veni creator spiritus: Kyrie 24v–27r
Missa Veni creator spiritus: Sanctus 38v–42r
O Magnum Mysterium Anonymous 132v–134v?
Sancta Trinitas unus Deus miserere nobis (8vv) 122v–126r

denotes primary source study

Brauner, Mitchell Paul. 1984. Music from the Cappella Sistina at the Cappella Giulia. The Journal of Musicology, 287-311. Pages: 302-3. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Brauner, Mitchell Paul. 1982. The Parvus Manuscripts: A Study of Vatican Polyphony, ca. 1535 to 1580. Brandeis University, Unpublished Ph.D. dissertation. Pages: 12, 51ff, 226ff, 371, 383, 385, 387, passim. Notes: physical description; contents list; concordances (partial); facsimile (partial); mention of MS; discussion.

Lewis, Mary Stuart. 1979. Antonio Gardane and His Publications of Sacred Music, 1538-55. Brandeis University, Unpublished Ph.D. dissertation. Pages: 342, 815. Notes: contents list (partial); concordances (partial).

Nugent, George Edward. 1973. The Jacquet Motets and Their Authors. Princeton University, Unpublished Ph.D. dissertation. Pages: I, 140, 154. Notes: mention of MS; contents list (partial); concordances (partial).

Sparks, Edgar H. 1972. The music of Noel Bauldeweyn.  American Musicological Society. Pages: 5-7, 120-1, 132 [some information on dating and scribes incorrect: Bauldeweyn Mass on ff. 48'-67 copied ca. 1535-8 by Johannes Ochon]. Notes: contents list (partial); concordances (partial); incipits (partial); mention of MS; discussion.

Main, Alexander, and Albert Seay (editors). 1962-. Costanza Festa: Opera Omnia. Corpus mensurabilis musicae.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: I, iv, xi, 94-104. Notes: contents list (partial); transcriptions (partial); mention of MS; discussion.

Llorens Cisteró, José Maria. 1960. Capellae Sixtinae Codices.  Vatican City. Pages: 111-2, 490-1. Notes: physical description; contents list; incipits (partial).

Haberl, Franz Xavier. 1888 R 1971. Bibliographischer und Thematischer Musikkatalog des Päpstlichen Kapellarchives im Vatikan zu Rom. Supplement to Monatshefte für Musikgeschichte, . Pages: 23, 72, 84, 89-91, 99, 116, 131, 159. Notes: physical description (partial); contents list; concordances (partial); incipits (partial).

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David Wyatt

Monday, 23 October, 2017

Inventory added

David Wyatt

Monday, 4 September, 2017

comment merged with previous report

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description