Click an entry to see more information about that item.
| Folio / Pages | Composition / Item title | Source attribution | Composers (? Uncertain) |
|---|---|---|---|
| 1–5 | Stabat mater - 1a pars (of 2): Stabat mater dolorosa | Prenestini (i.e. Palestrina) | |
|
Appears on:
1–5
Genres:
Sequence, Stabat Mater
Source Attribution:
Prenestini (i.e. Palestrina)
Concordances= BolC Q.39:19 |
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| 5v–12 | Stabat mater - 2a pars (of 2): Eya mater fons amoris | - | |
|
Appears on:
5v–12
Genres:
Sequence, Stabat Mater
Concordances= BolC Q.39:19 |
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| 13–16v | Hodie Christus natus est | Andreae Rotae Bononiens. | |
|
Appears on:
13–16v
Genres:
Motet
Source Attribution:
Andreae Rotae Bononiens.
|
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| 17–19 | A la fontaine du pre Margot s'est baignée | [Willaert] | |
|
Appears on:
17–19
Genres:
Chanson
Source Attribution:
[Willaert]
|
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| 19v–20v | Quae est ista quae progreditur | - | Anonymous |
Quae est ista quae progrediturAnonymous
Appears on:
19v–20v
Genres:
Motet
Concordances= BolC Q.28:9 |
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| 21–22 | Fit porta Christi pervia | - | Anonymous |
Fit porta Christi perviaAnonymous
Appears on:
21–22
Genres:
Motet
|
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| 22v–24v | Beatus homo qui corripitur a Deo | - | Anonymous |
Beatus homo qui corripitur a DeoAnonymous
Appears on:
22v–24v
Genres:
Motet
Concordances=BolC Q.28:4 |
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| 25–29 | Lauda Sion (8vv) | Jo. Bapt. Giac[omet]ti | |
|
Appears on:
25–29
Genres:
Motet
Source Attribution:
Jo. Bapt. Giac[omet]ti
Concordances= BolC Q.39:5 |
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| 29v–32v | Alma redemptoris mater | Constantius Porta | |
|
Appears on:
29v–32v
Genres:
Motet
Source Attribution:
Constantius Porta
Concordances= BolC Q.39:21 |
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| 33–39v | Magnificat Anima mea | Constantius Porta | |
|
Appears on:
33–39v
Genres:
BVM, Canticle, Magnificat
Source Attribution:
Constantius Porta
|
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| 40–41 | Alma redemptoris mater - 1a pars (of 2): Alma redemptoris mater | Theodori Clinii | |
|
Appears on:
40–41
Genres:
Alma redemptoris mater, Motet
Source Attribution:
Theodori Clinii
|
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| 41v–43v | Alma redemptoris mater - 2a pars (of 2): Tu quae genuisti | - | |
|
Appears on:
41v–43v
Genres:
Alma redemptoris mater, Motet
|
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| 43v–46 | Regnum mundi - 1a pars (of 2): Regnum mundi et omnem ornatum | - | Anonymous |
|
Appears on:
43v–46
Genres:
Motet
|
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| 46–48v | Regnum mundi - 2a pars (of 2): Annulo suo subarrhavit me Dominus meus | - | Anonymous |
|
Appears on:
46–48v
Genres:
Motet
General Noteapparently incomplete - the piece breaks off abruptly at the end of the verso, and the following page is laid out differently. |
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| 49–51 | O regem caeli - 1a pars (of 2): O regem caeli | [Silva] | |
|
Appears on:
49–51
Genres:
Motet
Source Attribution:
[Silva]
|
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| 50v–52v | O regem caeli - 2a pars (of 2): Natus est nobis hodie salvator | - | |
|
Appears on:
50v–52v
Genres:
Motet
|
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| 52v–55 | In te Domine - 1a pars (of 2): In te Domine speravi | [Lheritier] | |
|
Appears on:
52v–55
Genres:
Motet
Source Attribution:
[Lheritier]
|
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| 55v–58v | In te Domine - 2a pars (of 2): Quoniam fortitudo mea et refugium meum | - | |
|
Appears on:
55v–58v
Genres:
Motet
|
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| 58v–61 | Panis quem ego dabo - 1a pars (of 2): Panis quem ego dabo | [Hellinck] | |
|
Appears on:
58v–61
Genres:
Motet
Source Attribution:
[Hellinck]
|
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| 61–62 | Panis quem ego dabo - 2a pars (of 2): Locutus est populus ad Dominum | - | |
|
Appears on:
61–62
Genres:
Motet
General Noteincomplete - copy ends abruptly about 20 breves from end, and the next piece beginson the same staves |
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| 62–64 | Virtute magna - 1a pars (of 2): Virtute magna reddebant apostoli testimonium | [Lasson/Verdelot] |
Lasson, Mathieu
(?)
|
|
Appears on:
62–64
Genres:
Motet
Source Attribution:
[Lasson/Verdelot]
|
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| 63v–65 | Virtute magna - 2a pars (of 2): Repleti sunt quidem spiritu sancto | - |
Lasson, Mathieu
(?)
|
|
Appears on:
63v–65
Genres:
Motet
|
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| 65v–68v | Spem in alium nunquam habui praeter in te | [Jacquet of Mantua] | |
|
Appears on:
65v–68v
Genres:
Motet
Source Attribution:
[Jacquet of Mantua]
|
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