D-Kl 4° Ms. Mus. 38/2

Universitätsbibliothek Kassel Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel, Kassel, Germany

partbook: 16th century

Archive Universitätsbibliothek Kassel Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel, Kassel, Germany (D-Kl)
Shelfmark 4° Ms. Mus. 38/2
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface Paper
Numbering System Foliation
Measurements 215 x 160 mm
Other Identifiers
  • CCM: KasL 38
Notations
  • black void mensural
Copyists
Relationships
External Links
Provenance
Contents 74 pieces from 21 composers
General Description

A Discantus II/Sexta partbook from a set of six volumes. Copied by Johannes Heugel (d. 1585), court composer for Philip of Hesse, who also wrote KasL 4, 9, 24, 43, 53a, 53b, 91, 94, 118, 142, and part of KasL 143. Copied in Kassel, for the court of Count Philip of Hesse. Present Landesbibliothek incorporates holdings of former court library.

DIAMM, 2017
Binding

Original parchment covers.

DIAMM, 2017
Notation

black void mensural

DIAMM, 2017
Date

Dates from June 1535 to January 1566 in manuscript; these are probably dates of composition or performance rather than copying.

DIAMM, 2022
Foliation

Sporadic pencil foliation

DIAMM, 2017
Foliation

Other numberings: original numbering of pieces, 1-53 (first seven pieces unnumbered).

DIAMM, 2017
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

2 Credos, 1 Te Deum, 39 motets (some on psalm texts), 2 German sacred pieces, 1 German secular piece, 15 textless pieces (7 with Latin incipits, 4 with German incipits, 2 with French incipits, 1 with incipit "Lerman") = 60

B.-1, Besuzio-1, Braetel [HBr:]-1, (Clemens non Papa)-2, (Clemens non Papa/Manchicourt)-1, Coppinus-1, Heugel-25 + 6?, (Jacotin/Jaquet of Mantua)-1, Josquin-1, La Rue [Pirson]-2, Lassus-1, Lemlin-1, Phinot-2, Senfl [L.S.]-1, Willaert [A.W.]-2, anon-11

6 paper partbooks Dl-52 folios, D2-52, A-58, T-52, Bl-54, B2/Q-53), 215 x 160. Sporadic pencil foliation; original numbering of pieces, 1-53 (first seven pieces unnumbered). Original parchment covers. No index. Copied by Johannes Heugel (d. 1585), court composer for Philip of Hesse, who also wrote KasL 4, 9, 24, 43, 53/1, 53/2, 91, 94, 118, 142, and part of KasL 143.

16th century (dates from June 1535 to January 1566 in manuscript; these are probably dates of composition or performance rather than copying). Copied in Kassel, for the court of Count Philip of Hesse. Present Landesbibliothek incorporates holdings of former court library.

Vol 4

Composers: Change "Heugel-25 + 6?" to "Heugel-25 + 5?"; change "Lassus-l" to "Lassus-3"; change "Phinot-2" to "Phinot-3"; change "anon-11" to "anon-9."

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
2 Hodie nobis - 1a pars (of 2): Hodie nobis caelorum rex de virgine nasci Allex. Coppinus
Appears on: 2
Genres: Motet
Source Attribution: Allex. Coppinus
Voice: [no designation]
Languages: Latin
Voice Text: Hodie nobis caelorum rex de virgine nasci II: Hodie deus caelo pax vera descendit
2v Hodie nobis - 2a pars (of 2): Hodie Deus caelo pax vera descendit -
Appears on: 2v
Genres: Motet
3–3v Credo [Patrem omnipotentem] (6vv) Pirson [= La Rue]
Appears on: 3–3v
Genres: Credo (patrem omnipotentem), Mass Ordinary
Source Attribution: Pirson [= La Rue]
Voice: [no designation]
Languages: Latin
Voice Text: [Credo] Patrem omnipotentem
4–5 Credo Angeli archangeli [Patrem omnipotentem] (8vv) Pirson
Appears on: 4–5
Genres: Credo (patrem omnipotentem), Mass Ordinary
Source Attribution: Pirson
Voice: [no designation]
Languages: Latin
Voice Text: [Credo] Patrem omnipotentem
5v Sancta Maria virgo intercede pro toto mundo (8vv, M102) L.S. [= Senfl]
Appears on: 5v
Genres: BVM, Motet
Source Attribution: L.S. [= Senfl]
Voice: [no designation]
Languages: Latin
Voice Text: Sancta Maria virgo intercede pro toto
6 Sancta Maria virgo intercede pro toto B. [= Braetel?]
Appears on: 6
Genres: Motet
Source Attribution: B. [= Braetel?]
Voice: [no designation]
Languages: Latin
Voice Text: Sancta Maria virgo intercede pro toto
6v–8 [blank staves] - -

[blank staves]

Appears on: 6v–8
8v–9 Inviolata integra et casta es 24.5 (12vv) Josquin
Appears on: 8v–9
Genres: Motet
Source Attribution: Josquin
Voice: [no designation]
Languages: Latin
Voice Text: Inviolata integra et casta es Maria 24.5
General Note

2 voice parts, Tenor & Bassus I

9v–10 [blank staves] - -

[blank staves]

Appears on: 9v–10
10v–13 Te Deum laudamus (12vv) Joannes Heugel
Appears on: 10v–13
Genres: Liturgical work, Te Deum
Source Attribution: Joannes Heugel
Voice: [no designation]
Languages: Latin
Voice Text: Te deum laudamus te dominum confitemur
General Note

2 voice parts, Discantus III (versos) & Tenor III (rectos)

13v–15 Felix illa dies sit ter palatine (6vv) Joannes Heugell
Appears on: 13v–15
Genres: Motet
Source Attribution: Joannes Heugell
Voice: [no designation]
Languages: Latin
Voice Text: Foelix illa dies sit ter palatine
General Note

2 voice parts, Discantus III & Tenor II

15v–16 Sapientia aedificavit sibi domum excidit Joan: Heug.
Appears on: 15v–16
Genres: Motet
Source Attribution: Joan: Heug.
Voice: [no designation]
Languages: Latin
Voice Text: Sapiencia aedificavit sibi domum excidit
16v–17 Oramus Domine conditor optime devotos Lauren: Lemblin [= Lemlin]
Appears on: 16v–17
Genres: Motet
Source Attribution: Lauren: Lemblin [= Lemlin]
Voice: [no designation]
Languages: Latin
Voice Text: [Festum nunc celebre magnaque gaudia] 4 Oramus domine conditor optime devotos
General Note

2 voice parts, Tenor II & III

17v–18 Congregati sunt gentes in multitudine Joannes Heugell
Appears on: 17v–18
Genres: Motet
Source Attribution: Joannes Heugell
Voice: [no designation]
Languages: Latin
Voice Text: Congregate sunt gentes in multitudine
General Note

C/f indicated: "De tous biens"

18v–19 Consolamini popule meus dicit Deus vester Joannes Heugell
Appears on: 18v–19
Genres: Motet
Source Attribution: Joannes Heugell
Voice: [no designation]
Languages: Latin
Voice Text: Consolamini popule meus dicit deus vester
19v Ut frendunt gentes - 1a pars (of 3): Ut frendunt gentes ut populi vana moliuntur Joannes Heugel
Appears on: 19v
Genres: Motet
Source Attribution: Joannes Heugel
Voice: [no designation]
Languages: Latin
Voice Text: Ut frendunt gentes ut populi vana moliuntur II: At qui caelos habitat dominus ridet III: Postula a me et dabo tibi hereditatem
20–20v Ut frendunt gentes - 2a pars (of 3): At qui caelos habitat Dominus ridet -
Appears on: 20–20v
Genres: Motet
20v–21 Ut frendunt gentes - 3a pars (of 3): Postula a me et dabo tibi hereditatem -
Appears on: 20v–21
Genres: Motet
21v–22 Planctibus nymphae - 1a pars (of 2): Planctibus nymphae resonant latinae Joannes Heug:
Appears on: 21v–22
Genres: Motet
Source Attribution: Joannes Heug:
Voice: [no designation]
Languages: Latin
Voice Text: Planctibus nymphae resonant latinae II: Stant viri circum pariter gementes
General Note

the Tenor II part

22–23 Planctibus nymphae - 2a pars (of 2): Stant viri circum pariter gementes -
Appears on: 22–23
Genres: Motet
23 Nun bitten wir den heilgen geist Joan: Heug:
Appears on: 23
Genres: Chorale, Sacred Song
Source Attribution: Joan: Heug:
Voice: [no designation]
Languages: German
Voice Text: Nun bitten wir den heilgen geist
23v Dies est laetitiae in ortu regali (8vv) Joannes Heug:
Appears on: 23v
Genres: Motet
Source Attribution: Joannes Heug:
Voice: [no designation]
Languages: Latin
Voice Text: Dies est leticiae in ortu regali
24 Dies est laetitiae in ortu regali (7vv - I) Joannes Heug:
Appears on: 24
Genres: Motet
Source Attribution: Joannes Heug:
Voice: [no designation]
Languages: Latin
Voice Text: Dies est leticiae [in ortu regali]
General Note

labelled 'Vagans'

24v Dies est laetitiae in ortu regali (7vv - II) Joannes Heug:
Appears on: 24v
Genres: Motet
Source Attribution: Joannes Heug:
Voice: [no designation]
Languages: Latin
Voice Text: Dies est leticiae [in ortu regali]
General Note

labelled 'Vagans'

25 Der lermen (Lerman) Joan: Heug.
Appears on: 25
Genres: Secular
Source Attribution: Joan: Heug.
Voice: [no designation]
Languages: none
Voice Text: Lerman
25v Christ ist erstanden (8vv - I) Joan: Heug:
Appears on: 25v
Genres: Hymn, Motet, Sacred Song
Source Attribution: Joan: Heug:
Voice: [no designation]
Languages: German
Voice Text: Christ ist erstanden von der marter alle
General Note

labelled 'Vagans'

26 Christ ist erstanden (7vv) Joannes Heug:
Appears on: 26
Genres: Hymn, Motet, Sacred Song
Source Attribution: Joannes Heug:
Voice: [no designation]
Languages: German
Voice Text: Christ ist erstanden von der marter alle
General Note

labelled 'Vagans'

26v Christ ist erstanden (6vv - I) Joannes Heug:
Appears on: 26v
Genres: Motet
Source Attribution: Joannes Heug:
Voice: [no designation]
Languages: German
Voice Text: Christ ist erstanden [von der marter alle]
27 Christ ist erstanden (6vv - II) Joan: Heug:
Appears on: 27
Genres: Motet
Source Attribution: Joan: Heug:
Voice: [no designation]
Languages: German
Voice Text: Christ ist erstanden [von der marter alle]
General Note

labelled 'Vagans'

27v Ich armer man was hab ich gthan ein weib Joan: Heugel
Appears on: 27v
Genres: Song
Source Attribution: Joan: Heugel
Voice: [no designation]
Languages: German
Voice Text: Ich armer man was hab ich gthan ein weib
28 Non potest arbor bona fructus malos Jo: Heug:
Appears on: 28
Genres: Motet
Source Attribution: Jo: Heug:
Voice: [no designation]
Languages: Latin
Voice Text: Non potest arbor bona fructus malos
28v Pater noster (8vv) - 1a pars (of 2): Pater noster qui es in caelis Joannes Heug:
Appears on: 28v
Genres: Motet, Pater noster
Source Attribution: Joannes Heug:
Voice: [no designation]
Languages: Latin
Voice Text: Pater noster qui es in caelis II: Panem nostrum cotidianum da nobis
28v–29 Pater noster (8vv) - 2a pars (of 2): Panem nostrum cotidianum da nobis -
Appears on: 28v–29
Genres: Motet, Pater noster
29v Christ ist erstanden (8vv - II) Joannes Heug:
Appears on: 29v
Genres: Motet
Source Attribution: Joannes Heug:
Voice: [no designation]
Languages: German
Voice Text: Christ ist erstanden von der marter alle
General Note

Cantus III voice part

30 Constantes estote Anon. Anonymous

Constantes estote

Anonymous
Appears on: 30
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Constantes estote
30v Adieu mes amours on m'atent A.W. [= Willaert]
Appears on: 30v
Genres: Chanson
Source Attribution: A.W. [= Willaert]
Voice: [no designation]
Languages: French
Voice Text: Adiu mes amours [on m'atent]
31 Ferendum est aequo animo quod a deo A.W.
Appears on: 31
Genres: Motet
Source Attribution: A.W.
Voice: [no designation]
Languages: Latin
Voice Text: Ferendum est aequo animo quod a deo
31v Dulces exuviae HBr: [= Braetel]
Appears on: 31v
Genres: textless
Source Attribution: HBr: [= Braetel]
Voice: [no designation]
Languages: Latin
Voice Text: Dulces exuviae (Instrumental piece, despite incipit (OsV))
General Note

Altus I voice part

32–32v [untexted motet] Anon. Anonymous

[untexted motet]

Anonymous
Appears on: 32–32v
Genres: textless
Source Attribution: Anon.
Voice: [no designation]
Languages: none
Voice Text: Textless
General Note

labelled 'Vagans'

32v–33 Sancta Trinitas unus Deus miserere nobis (8vv) [Jacotin/Jaquet of Mantua]
Appears on: 32v–33
Genres: Motet
Source Attribution: [Jacotin/Jaquet of Mantua]
Voice: [no designation]
Languages: Latin
Voice Text: Sancta trinitas unus deus miserere nobis
33–33v Angele nec mireris - 1a pars (of 2): Angele nec mireris Anon. Anonymous
Appears on: 33–33v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Angele nec mireris II: Joseph Mariam socies
33v–34 Angele nec mireris - 2a pars (of 2): Joseph Mariam socies - Anonymous
Appears on: 33v–34
Genres: Motet
34v–35 Vae vobis scribae et Pharisaei (6vv) Joan: Heug:
Appears on: 34v–35
Genres: Motet
Source Attribution: Joan: Heug:
Voice: [no designation]
Languages: Latin
Voice Text: Vae vobis scribae et Pharisaei hypocritae
35–35v Adieu mes amours on m'atent Jo: Heug:
Appears on: 35–35v
Genres: Chanson
Source Attribution: Jo: Heug:
Voice: [no designation]
Languages: French
Voice Text: Adiu mes amours [on m'atent]
35v–36 Cantate Domino canticum novum quia mirabilia Anon. Anonymous
Appears on: 35v–36
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Cantate domino canticum novum quia mirabilia
36v Vidi speciosam - 1a pars (of 2): Vidi speciosam sicut columbam ascendentem [Clemens non Papa/Manchicourt]
Appears on: 36v
Genres: Motet
Source Attribution: [Clemens non Papa/Manchicourt]
Voice: [no designation]
Languages: Latin
Voice Text: Vidi speciosam sicut columbam ascendentem II: Quae est ista quae processit quasi aurora
37 Vidi speciosam - 2a pars (of 2): Quae est ista quae processit quasi aurora -
Appears on: 37
Genres: Motet
37v Exortum est in tenebris lumen rectis Joannes Heug:
Appears on: 37v
Genres: Motet
Source Attribution: Joannes Heug:
Voice: [no designation]
Languages: Latin
Voice Text: Exortum est in tenebris lumen rectis
38–38v Surrexit Christus hodie Alleluia (6vv) Joannes Heugel
Appears on: 38–38v
Genres: Motet
Source Attribution: Joannes Heugel
Voice: [no designation]
Languages: Latin
Voice Text: Surrexit Christus hodie halleluia
38v–39 Ecce quam bonum et quam jocundum habitare (= 1p of Lugebat David Absalon pius pater 14.7) [Gombert/Josquin]
Appears on: 38v–39
Genres: Motet
Source Attribution: [Gombert/Josquin]
Voice: [no designation]
Languages: Latin
Voice Text: Ecce quam bonum et quam iucundum 14.7 [= Lugebat David Absalom pius pater]
39v–40 Pater peccavi (8vv) - 1a pars (of 2): Pater peccavi in caelum et coram te [Clemens non Papa/Crecquillon]
Appears on: 39v–40
Genres: Motet
Source Attribution: [Clemens non Papa/Crecquillon]
Voice: [no designation]
Languages: Latin
Voice Text: Pater peccavi in caelum et coram te II: Quanti mercenarii in domo patris
40–40v Pater peccavi (8vv) - 2a pars (of 2): Quanti mercenarii in domo patris -
Appears on: 40–40v
Genres: Motet
40v–41 Ego flos campi et lilium convalium [Clemens non Papa]
Appears on: 40v–41
Genres: Motet
Source Attribution: [Clemens non Papa]
Voice: [no designation]
Languages: Latin
Voice Text: Ego flos campi [et lilium convallium]
41v Domine Deus caeli et terrae intuere [Bacchius]
Appears on: 41v
Genres: Motet
Source Attribution: [Bacchius]
Voice: [no designation]
Languages: Latin
Voice Text: Domine deus caeli et terrae intuere
42 Magna et mirabilia sunt opera tua (8vv) Cerbonius Besutius [= Besuzio]
Appears on: 42
Genres: Motet
Source Attribution: Cerbonius Besutius [= Besuzio]
Voice: [no designation]
Languages: Latin
Voice Text: Magna et mirabilia sunt opera tua
42v Da pacem Domine in diebus nostris [Mahu]
Appears on: 42v
Genres: Motet
Source Attribution: [Mahu]
Voice: [no designation]
Languages: Latin
Voice Text: Da pacem domine in diebus nostris
43–43v Attendite popule meus legem meam Anon. Anonymous
Appears on: 43–43v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Attendite popule meus legem meam
44 In convertendo Dominus - 1a pars (of 2): In convertendo Dominus captivitatem Sion [Lassus]
Appears on: 44
Genres: Motet
Source Attribution: [Lassus]
Voice: [no designation]
Languages: Latin
Voice Text: In convertendo dominus captivitatem Zion II: Convertere domine captivitatem Zion
44v In convertendo Dominus - 2a pars (of 2): Convertere Domine captivitatem -
Appears on: 44v
Genres: Motet
44v–45 Quo properas facunde nepos Atlantis [Lassus]
Appears on: 44v–45
Genres: Motet
Source Attribution: [Lassus]
Voice: [no designation]
Languages: Latin
Voice Text: Quo properas facunde nepos Atlantis?
45v In omnibus requiem quaesivi et in hereditate Orlande Lass: [= Lassus]
Appears on: 45v
Genres: Motet
Source Attribution: Orlande Lass: [= Lassus]
Voice: [no designation]
Languages: Latin
Voice Text: In omnibus requiem quesivi et in hereditate
46 Inclitus Hessiaci - 1a pars (of 2): Inclitus Hessiaci Guilielmus sanguinis [Heugel?]
Appears on: 46
Genres: Motet
Source Attribution: [Heugel?]
Voice: [no designation]
Languages: Latin
Voice Text: Inclitus Hessiaci Guilielmus sanguinis II: Da deus haec thalami cui sunt
46v Inclitus Hessiaci - 2a pars (of 2): Da Deus haec thalami cui sunt -
Appears on: 46v
Genres: Motet
47 Felix coniugium - 1a pars (of 2): Felix coniugium felicem Hymenaea precamur [Heugel?]
Appears on: 47
Genres: Motet
Source Attribution: [Heugel?]
Voice: [no designation]
Languages: Latin
Voice Text: Foelix coniugium faelicem Hymenaea precamur II: Vive ter illustri sate principe
47v Felix coniugium - 2a pars (of 2): Vive ter illustri sate principe -
Appears on: 47v
Genres: Motet
48 Beati omnes (8vv) - 1a pars (of 2): Beati omnes qui timent Dominum qui ambulant [Heugel?]
Appears on: 48
Genres: Motet
Source Attribution: [Heugel?]
Voice: [no designation]
Languages: Latin
Voice Text: Beati omnes qui timent dominum qui ambulant II: Ecce sic benedicetur homo qui timet
48v Beati omnes (8vv) - 2a pars (of 2): Ecce sic benedicetur homo qui timet -
Appears on: 48v
Genres: Motet
49 Tanto tempore vobiscum sum et non cognovistis (8vv) Dom: Finot [= Phinot]
Appears on: 49
Genres: Motet
Source Attribution: Dom: Finot [= Phinot]
Voice: [no designation]
Languages: Latin
Voice Text: Tanto tempore vobiscum sum et non cognovistis
49v Jam non dicam vos servos sed amicos (8vv) [Phinot]
Appears on: 49v
Genres: Motet
Source Attribution: [Phinot]
Voice: [no designation]
Languages: Latin
Voice Text: Iam non dicam vos servos sed amicos
50 Sancta Trinitas unus Deus miserere nobis (8vv) [Phinot]
Appears on: 50
Genres: Motet
Source Attribution: [Phinot]
Voice: [no designation]
Languages: Latin
Voice Text: Sancta Trinitas unus Deus miserere nobis II: Sit nomen domini benedictum ex hoc
50v–51 Quo te nympha pedes quo te via ducit? [Heugel?]
Appears on: 50v–51
Genres: Motet
Source Attribution: [Heugel?]
Voice: [no designation]
Languages: Latin
Voice Text: Que te nympha pedes quo te via ducit?
51 O sacrum convivium in quo Christus sumitur (8vv) Domin: Finot
Appears on: 51
Genres: Motet
Source Attribution: Domin: Finot
Voice: [no designation]
Languages: Latin
Voice Text: O sacrum convivium in quo Christus sumitur
51v–52 Confitebor tibi Domine in toto corde (8vv, LV189) [Lassus]
Appears on: 51v–52
Genres: Motet
Source Attribution: [Lassus]
Voice: [no designation]
Languages: Latin
Voice Text: Confitebor tibi domine in toto corde meo
52v [blank staves] Joannes Heug: -

[blank staves]

Appears on: 52v
Source Attribution: Joannes Heug:
Voice: [no designation]
Languages: Latin
Voice Text: Laudate dominum omnes gentes laudate eum
Composer Compositions
Anonymous
Appenzeller, Benedictus (ca. 1480–ca. 1558)
Bacchius, Johannes de (–ca. 1557)
Besutius, Cerbonius
Bratel, Ulrich
Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Coppini, Alessandro (ca. 1456–1527)
Crecquillon, Thomas (ca. 1505–ca. 1557)
Despres, Josquin (ca. 1450–1521)
Gombert, Nicolas (ca. 1495–ca. 1560)
Heugel, Johannes
Jacotin, Jacques (1445–1529)
Lassus, Orlande de (ca. 1532–1594)
Lemlin, Lorenz (ca. 1495–ca. 1549)
Mahu, Stephan
Manchicourt, Pierre de
Mantua, Jacquet de (1483–1559)
Phinot, Dominique
Rue, Pierre de la (ca. 1452–1518)
Senfl, Ludwig (ca. 1486–ca. 1543)
Willaert, Adrian (ca. 1490–1562)
Composition Composers (? Uncertain) Folios / Pages
[untexted motet] Anonymous 32–32v
Adieu mes amours on m'atent 30v
Adieu mes amours on m'atent 35–35v
Angele nec mireris - 1a pars (of 2): Angele nec mireris Anonymous 33–33v
Angele nec mireris - 2a pars (of 2): Joseph Mariam socies Anonymous 33v–34
Attendite popule meus legem meam Anonymous 43–43v
Beati omnes (8vv) - 1a pars (of 2): Beati omnes qui timent Dominum qui ambulant 48
Beati omnes (8vv) - 2a pars (of 2): Ecce sic benedicetur homo qui timet 48v
Cantate Domino canticum novum quia mirabilia Anonymous 35v–36
Christ ist erstanden (6vv - I) 26v
Christ ist erstanden (6vv - II) 27
Christ ist erstanden (7vv) 26
Christ ist erstanden (8vv - I) 25v
Christ ist erstanden (8vv - II) 29v
Confitebor tibi Domine in toto corde (8vv, LV189) 51v–52
Congregati sunt gentes in multitudine 17v–18
Consolamini popule meus dicit Deus vester 18v–19
Constantes estote Anonymous 30
Credo [Patrem omnipotentem] (6vv) 3–3v
Credo Angeli archangeli [Patrem omnipotentem] (8vv) 4–5
Da pacem Domine in diebus nostris 42v
Der lermen (Lerman) 25
Dies est laetitiae in ortu regali (7vv - I) 24
Dies est laetitiae in ortu regali (7vv - II) 24v
Dies est laetitiae in ortu regali (8vv) 23v
Domine Deus caeli et terrae intuere 41v
Dulces exuviae 31v
Ecce quam bonum et quam jocundum habitare (= 1p of Lugebat David Absalon pius pater 14.7) 38v–39
Ego flos campi et lilium convalium 40v–41
Exortum est in tenebris lumen rectis 37v
Felix coniugium - 1a pars (of 2): Felix coniugium felicem Hymenaea precamur 47
Felix coniugium - 2a pars (of 2): Vive ter illustri sate principe 47v
Felix illa dies sit ter palatine (6vv) 13v–15
Ferendum est aequo animo quod a deo 31
Hodie nobis - 1a pars (of 2): Hodie nobis caelorum rex de virgine nasci 2
Hodie nobis - 2a pars (of 2): Hodie Deus caelo pax vera descendit 2v
Ich armer man was hab ich gthan ein weib 27v
In convertendo Dominus - 1a pars (of 2): In convertendo Dominus captivitatem Sion 44
In convertendo Dominus - 2a pars (of 2): Convertere Domine captivitatem 44v
In omnibus requiem quaesivi et in hereditate 45v
Inclitus Hessiaci - 1a pars (of 2): Inclitus Hessiaci Guilielmus sanguinis 46
Inclitus Hessiaci - 2a pars (of 2): Da Deus haec thalami cui sunt 46v
Inviolata integra et casta es 24.5 (12vv) 8v–9
Jam non dicam vos servos sed amicos (8vv) 49v
Magna et mirabilia sunt opera tua (8vv) 42
Non potest arbor bona fructus malos 28
Nun bitten wir den heilgen geist 23
O sacrum convivium in quo Christus sumitur (8vv) 51
Oramus Domine conditor optime devotos 16v–17
Pater noster (8vv) - 1a pars (of 2): Pater noster qui es in caelis 28v
Pater noster (8vv) - 2a pars (of 2): Panem nostrum cotidianum da nobis 28v–29
Pater peccavi (8vv) - 1a pars (of 2): Pater peccavi in caelum et coram te 39v–40
Pater peccavi (8vv) - 2a pars (of 2): Quanti mercenarii in domo patris 40–40v
Planctibus nymphae - 1a pars (of 2): Planctibus nymphae resonant latinae 21v–22
Planctibus nymphae - 2a pars (of 2): Stant viri circum pariter gementes 22–23
Quo properas facunde nepos Atlantis 44v–45
Quo te nympha pedes quo te via ducit? 50v–51
Sancta Maria virgo intercede pro toto 6
Sancta Maria virgo intercede pro toto mundo (8vv, M102) 5v
Sancta Trinitas unus Deus miserere nobis (8vv) 32v–33
Sancta Trinitas unus Deus miserere nobis (8vv) 50
Sapientia aedificavit sibi domum excidit 15v–16
Surrexit Christus hodie Alleluia (6vv) 38–38v
Tanto tempore vobiscum sum et non cognovistis (8vv) 49
Te Deum laudamus (12vv) 10v–13
Ut frendunt gentes - 1a pars (of 3): Ut frendunt gentes ut populi vana moliuntur 19v
Ut frendunt gentes - 2a pars (of 3): At qui caelos habitat Dominus ridet 20–20v
Ut frendunt gentes - 3a pars (of 3): Postula a me et dabo tibi hereditatem 20v–21
Vae vobis scribae et Pharisaei (6vv) 34v–35
Vidi speciosam - 1a pars (of 2): Vidi speciosam sicut columbam ascendentem 36v
Vidi speciosam - 2a pars (of 2): Quae est ista quae processit quasi aurora 37

Set: MSS 4° Mus. 38/1-6

Type: Partbooks

No images available

D-Kl 4° Ms. Mus. 38/1

No images available

D-Kl 4° Ms. Mus. 38/2

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D-Kl 4° Ms. Mus. 38/3

No images available

D-Kl 4° Ms. Mus. 38/4

No images available

D-Kl 4° Ms. Mus. 38/5

No images available

D-Kl 4° Ms. Mus. 38/6

denotes primary source study

Gottwald, Clytus. 1997. Die Handschriften der Gesamthochschulbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel, Bd. 6: Manuscripta musica.  Wiesbaden.

Höfler, Janez (editor). 1972-. Dominici Phinot: Opera Omnia. Corpus mensurabilis musicae.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: IV,xv. Notes: contents list (partial); concordances (partial).

Windh, John Ernfrid. 1971. Early Lutheran Masses. University of Illinois, Unpublished D.M.A. thesis. Pages: 139. Notes: physical description (partial).

Smijers, Albert, Myroslaw Antonowycz, and Willem Elders (editors). 1969. Werken van Josquin des Prés: Supplement.  Amsterdam. Pages: 45-54. Notes: transcription (partial).

D'Accone, Frank A (editor). 1967. Collected Works of Alessandro Coppini, Bartolomeo degli Organi, Giovanni Serragli and three anonymous works. Corpus mensurabilis musicae.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: 59-72. Notes: transcription (partial).

D'Accone, Frank A. 1967. Alessandro Coppini and Bartolomeo degli Organi: Two Florentine Composers of the Renaissance. Analecta Musicologica, 38-76. Pages: 64. Notes: contents list (partial).

Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts.  Tutzing. Pages: 139. Notes: physical description (partial); contents list (partial); incipits (partial).

Bente, Martin. 1962. Ulrich Brätel. Über Leben und Werk des ersten württembergischen Hofkomponisten der Reformationszeit. Hans Albrecht in Memoriam, 63-74, 63-74. Kassel. Pages: 68. Notes: contents list (partial).

Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik.  Kassel. Pages: II, 183; VI, 341; XIII, Tafel 9. Notes: contents list (partial); concordances (partial); facsimile (partial); mention of MS; discussion.

Jeppesen, Knud (editor). 1933-. Dania Sonans.  Copenhagen, Leipzig, and Egtved. Pages: IV, 46, 48. Notes: contents list (partial); concordances (partial).

Nagel, Wilibald. 1905-6. Johann Heugel (ca. 1500-1584/5). Sammelbande der Internationalen Musikgesellschaft, 80-110. Pages: 96-100. Notes: physical description (partial); contents list (partial).

Israël, Carl. 1881. Uebersichtlicher Katalog der Musikalien der ständischen Landesbibliothek zu Cassei.  Kassel. Pages: 17. Notes: physical description (partial); contents list (partial).

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Notation Note; Foliation Note; Foliation Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description