D-Kl 4° Ms. Mus. 38/3

Universitätsbibliothek Kassel Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel, Kassel, Germany

partbook: 16th century

Archive Universitätsbibliothek Kassel Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel, Kassel, Germany (D-Kl)
Shelfmark 4° Ms. Mus. 38/3
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface Paper
Numbering System Foliation
Measurements 215 x 160 mm
Other Identifiers
  • CCM: KasL 38
Notations
  • black void mensural
Copyists
Relationships
External Links
Provenance
Contents 76 pieces from 21 composers
General Description

An Altus partbook from a set of six volumes. Copied by Johannes Heugel (d. 1585), court composer for Philip of Hesse, who also wrote KasL 4, 9, 24, 43, 53a, 53b, 91, 94, 118, 142, and part of KasL 143. Copied in Kassel, for the court of Count Philip of Hesse. Present Landesbibliothek incorporates holdings of former court library.

DIAMM, 2017
Binding

Original parchment covers.

DIAMM, 2017
Notation

black void mensural

DIAMM, 2017
Date

Dates from June 1535 to January 1566 in manuscript; these are probably dates of composition or performance rather than copying.

DIAMM, 2022
Foliation

Other numberings: original numbering of pieces, 1-53 (first seven pieces unnumbered).

DIAMM, 2017
Foliation

Sporadic pencil foliation

DIAMM, 2017
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

2 Credos, 1 Te Deum, 39 motets (some on psalm texts), 2 German sacred pieces, 1 German secular piece, 15 textless pieces (7 with Latin incipits, 4 with German incipits, 2 with French incipits, 1 with incipit "Lerman") = 60

B.-1, Besuzio-1, Braetel [HBr:]-1, (Clemens non Papa)-2, (Clemens non Papa/Manchicourt)-1, Coppinus-1, Heugel-25 + 6?, (Jacotin/Jaquet of Mantua)-1, Josquin-1, La Rue [Pirson]-2, Lassus-1, Lemlin-1, Phinot-2, Senfl [L.S.]-1, Willaert [A.W.]-2, anon-11

6 paper partbooks Dl-52 folios, D2-52, A-58, T-52, Bl-54, B2/Q-53), 215 x 160. Sporadic pencil foliation; original numbering of pieces, 1-53 (first seven pieces unnumbered). Original parchment covers. No index. Copied by Johannes Heugel (d. 1585), court composer for Philip of Hesse, who also wrote KasL 4, 9, 24, 43, 53/1, 53/2, 91, 94, 118, 142, and part of KasL 143.

16th century (dates from June 1535 to January 1566 in manuscript; these are probably dates of composition or performance rather than copying). Copied in Kassel, for the court of Count Philip of Hesse. Present Landesbibliothek incorporates holdings of former court library.

Vol 4

Composers: Change "Heugel-25 + 6?" to "Heugel-25 + 5?"; change "Lassus-l" to "Lassus-3"; change "Phinot-2" to "Phinot-3"; change "anon-11" to "anon-9."

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
2–2v Hodie nobis - 1a pars (of 2): Hodie nobis caelorum rex de virgine nasci Allex. Coppinus
Appears on: 2–2v
Genres: Motet
Source Attribution: Allex. Coppinus
Voice: [no designation]
Languages: Latin
Voice Text: Hodie nobis caelorum rex de virgine nasci II: Hodie deus caelo pax vera descendit
2v–3 Hodie nobis - 2a pars (of 2): Hodie Deus caelo pax vera descendit -
Appears on: 2v–3
Genres: Motet
3–3v Credo [Patrem omnipotentem] (6vv) Pirson [= La Rue]
Appears on: 3–3v
Genres: Credo (patrem omnipotentem), Mass Ordinary
Source Attribution: Pirson [= La Rue]
Voice: [no designation]
Languages: Latin
Voice Text: [Credo] Patrem omnipotentem
4–5 Credo Angeli archangeli [Patrem omnipotentem] (8vv) Pirson
Appears on: 4–5
Genres: Credo (patrem omnipotentem), Mass Ordinary
Source Attribution: Pirson
Voice: [no designation]
Languages: Latin
Voice Text: [Credo] Patrem omnipotentem
5–5v Sancta Maria virgo intercede pro toto mundo (8vv, M102) L.S. [= Senfl]
Appears on: 5–5v
Genres: BVM, Motet
Source Attribution: L.S. [= Senfl]
Voice: [no designation]
Languages: Latin
Voice Text: Sancta Maria virgo intercede pro toto
6 Sancta Maria virgo intercede pro toto B. [= Braetel?]
Appears on: 6
Genres: Motet
Source Attribution: B. [= Braetel?]
Voice: [no designation]
Languages: Latin
Voice Text: Sancta Maria virgo intercede pro toto
General Note

voice part for Tenor II

6v–8 [blank staves] - -

[blank staves]

Appears on: 6v–8
8v–9 Inviolata integra et casta es 24.5 (12vv) Josquin
Appears on: 8v–9
Genres: Motet
Source Attribution: Josquin
Voice: [no designation]
Languages: Latin
Voice Text: Inviolata integra et casta es Maria 24.5
General Note

parts for Altus I & II

9v–10 [blank staves] - -

[blank staves]

Appears on: 9v–10
10v–13 Te Deum laudamus (12vv) Joannes Heugel
Appears on: 10v–13
Genres: Liturgical work, Te Deum
Source Attribution: Joannes Heugel
Voice: [no designation]
Languages: Latin
Voice Text: Te deum laudamus te dominum confitemur
General Note

music for Altus I (versos) & II (rectos)

13v–15 Felix illa dies sit ter palatine (6vv) Joannes Heugell
Appears on: 13v–15
Genres: Motet
Source Attribution: Joannes Heugell
Voice: [no designation]
Languages: Latin
Voice Text: Foelix illa dies sit ter palatine
General Note

music for Altus I & II

15v–16 Sapientia aedificavit sibi domum excidit Joan: Heug.
Appears on: 15v–16
Genres: Motet
Source Attribution: Joan: Heug.
Voice: [no designation]
Languages: Latin
Voice Text: Sapiencia aedificavit sibi domum excidit
16v Laudate Dominum omnes gentes, laudate eum (8vv) Joannes Heug:
Appears on: 16v
Genres: Motet
Source Attribution: Joannes Heug:
Voice: [no designation]
Languages: Latin
Voice Text: Laudate dominum omnes gentes laudate eum
17 Oramus Domine conditor optime devotos Lauren: Lemblin [= Lemlin]
Appears on: 17
Genres: Motet
Source Attribution: Lauren: Lemblin [= Lemlin]
Voice: [no designation]
Languages: Latin
Voice Text: [Festum nunc celebre magnaque gaudia] 4 Oramus domine conditor optime devotos
17v–18 Congregati sunt gentes in multitudine Joannes Heugell
Appears on: 17v–18
Genres: Motet
Source Attribution: Joannes Heugell
Voice: [no designation]
Languages: Latin
Voice Text: Congregate sunt gentes in multitudine
General Note

Annotated 'De tous biens' (= c/f)

18v–20 Consolamini popule meus dicit Deus vester Joannes Heugell
Appears on: 18v–20
Genres: Motet
Source Attribution: Joannes Heugell
Voice: [no designation]
Languages: Latin
Voice Text: Consolamini popule meus dicit deus vester
General Note

music for Altus I & II

20v Ut frendunt gentes - 1a pars (of 3): Ut frendunt gentes ut populi vana moliuntur Joannes Heugel
Appears on: 20v
Genres: Motet
Source Attribution: Joannes Heugel
Voice: [no designation]
Languages: Latin
Voice Text: Ut frendunt gentes ut populi vana moliuntur II: At qui caelos habitat dominus ridet III: Postula a me et dabo tibi hereditatem
21–21v Ut frendunt gentes - 2a pars (of 3): At qui caelos habitat Dominus ridet -
Appears on: 21–21v
Genres: Motet
21v–22v Ut frendunt gentes - 3a pars (of 3): Postula a me et dabo tibi hereditatem -
Appears on: 21v–22v
Genres: Motet
22v–23 Planctibus nymphae - 1a pars (of 2): Planctibus nymphae resonant latinae Joannes Heug:
Appears on: 22v–23
Genres: Motet
Source Attribution: Joannes Heug:
Voice: [no designation]
Languages: Latin
Voice Text: Planctibus nymphae resonant latinae II: Stant viri circum pariter gementes
23–24 Planctibus nymphae - 2a pars (of 2): Stant viri circum pariter gementes -
Appears on: 23–24
Genres: Motet
24 Nun bitten wir den heilgen geist Joan: Heug:
Appears on: 24
Genres: Chorale, Sacred Song
Source Attribution: Joan: Heug:
Voice: [no designation]
Languages: German
Voice Text: Nun bitten wir den heilgen geist
24v–25 Dies est laetitiae in ortu regali (8vv) Joannes Heug:
Appears on: 24v–25
Genres: Motet
Source Attribution: Joannes Heug:
Voice: [no designation]
Languages: Latin
Voice Text: Dies est leticiae in ortu regali
General Note

music for Altus I & II

25v–26 Dies est laetitiae in ortu regali (7vv - I) Joannes Heug:
Appears on: 25v–26
Genres: Motet
Source Attribution: Joannes Heug:
Voice: [no designation]
Languages: Latin
Voice Text: Dies est leticiae [in ortu regali]
General Note

voice parts for Altus I & II

26v Dies est laetitiae in ortu regali (7vv - II) Joannes Heug:
Appears on: 26v
Genres: Motet
Source Attribution: Joannes Heug:
Voice: [no designation]
Languages: Latin
Voice Text: Dies est leticiae [in ortu regali]
27 Der lermen (Lerman) Joan: Heug.
Appears on: 27
Genres: Secular
Source Attribution: Joan: Heug.
Voice: [no designation]
Languages: none
Voice Text: Lerman
27v Christ ist erstanden (8vv - I) Joan: Heug:
Appears on: 27v
Genres: Hymn, Motet, Sacred Song
Source Attribution: Joan: Heug:
Voice: [no designation]
Languages: German
Voice Text: Christ ist erstanden von der marter alle
28 Christ ist erstanden (7vv) Joannes Heug:
Appears on: 28
Genres: Hymn, Motet, Sacred Song
Source Attribution: Joannes Heug:
Voice: [no designation]
Languages: German
Voice Text: Christ ist erstanden von der marter alle
28v Christ ist erstanden (6vv - I) Joannes Heug:
Appears on: 28v
Genres: Motet
Source Attribution: Joannes Heug:
Voice: [no designation]
Languages: German
Voice Text: Christ ist erstanden [von der marter alle]
29 Christ ist erstanden (6vv - II) Joan: Heug:
Appears on: 29
Genres: Motet
Source Attribution: Joan: Heug:
Voice: [no designation]
Languages: German
Voice Text: Christ ist erstanden [von der marter alle]
29v Ich armer man was hab ich gthan ein weib Joan: Heugel
Appears on: 29v
Genres: Song
Source Attribution: Joan: Heugel
Voice: [no designation]
Languages: German
Voice Text: Ich armer man was hab ich gthan ein weib
30 Non potest arbor bona fructus malos Jo: Heug:
Appears on: 30
Genres: Motet
Source Attribution: Jo: Heug:
Voice: [no designation]
Languages: Latin
Voice Text: Non potest arbor bona fructus malos
30v–31 Pater noster (8vv) - 1a pars (of 2): Pater noster qui es in caelis Joannes Heug:
Appears on: 30v–31
Genres: Motet, Pater noster
Source Attribution: Joannes Heug:
Voice: [no designation]
Languages: Latin
Voice Text: Pater noster qui es in caelis II: Panem nostrum cotidianum da nobis
General Note

voice parts for Altus I & II

31v–32 Pater noster (8vv) - 2a pars (of 2): Panem nostrum cotidianum da nobis -
Appears on: 31v–32
Genres: Motet, Pater noster
General Note

voice parts for Altus I & II

32v Christ ist erstanden (8vv - II) Joannes Heug:
Appears on: 32v
Genres: Motet
Source Attribution: Joannes Heug:
Voice: [no designation]
Languages: German
Voice Text: Christ ist erstanden von der marter alle
33 Constantes estote Anon. Anonymous

Constantes estote

Anonymous
Appears on: 33
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Constantes estote
33v–34 Adieu mes amours on m'atent A.W. [= Willaert]
Appears on: 33v–34
Genres: Chanson
Source Attribution: A.W. [= Willaert]
Voice: [no designation]
Languages: French
Voice Text: Adiu mes amours [on m'atent]
General Note

voice parts for Altus I & II

34v–35 Ferendum est aequo animo quod a deo A.W.
Appears on: 34v–35
Genres: Motet
Source Attribution: A.W.
Voice: [no designation]
Languages: Latin
Voice Text: Ferendum est aequo animo quod a deo
General Note

voice parts for Altus & Tenor 2 (? - unnamed)

35v Dulces exuviae HBr: [= Braetel]
Appears on: 35v
Genres: textless
Source Attribution: HBr: [= Braetel]
Voice: [no designation]
Languages: Latin
Voice Text: Dulces exuviae (Instrumental piece, despite incipit (OsV))
36 [untexted motet] Anon. Anonymous

[untexted motet]

Anonymous
Appears on: 36
Genres: textless
Source Attribution: Anon.
Voice: [no designation]
Languages: none
Voice Text: Textless
36v–37 Sancta Trinitas unus Deus miserere nobis (8vv) [Jacotin/Jaquet of Mantua]
Appears on: 36v–37
Genres: Motet
Source Attribution: [Jacotin/Jaquet of Mantua]
Voice: [no designation]
Languages: Latin
Voice Text: Sancta trinitas unus deus miserere nobis
37 Angele nec mireris - 1a pars (of 2): Angele nec mireris Anon. Anonymous
Appears on: 37
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Angele nec mireris II: Joseph Mariam socies
37v–38 Angele nec mireris - 2a pars (of 2): Joseph Mariam socies - Anonymous
Appears on: 37v–38
Genres: Motet
38–38v Vae vobis scribae et Pharisaei (6vv) Joan: Heug:
Appears on: 38–38v
Genres: Motet
Source Attribution: Joan: Heug:
Voice: [no designation]
Languages: Latin
Voice Text: Vae vobis scribae et Pharisaei hypocritae
38v–39 Adieu mes amours on m'atent Jo: Heug:
Appears on: 38v–39
Genres: Chanson
Source Attribution: Jo: Heug:
Voice: [no designation]
Languages: French
Voice Text: Adiu mes amours [on m'atent]
39v–40 Cantate Domino canticum novum quia mirabilia Anon. Anonymous
Appears on: 39v–40
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Cantate domino canticum novum quia mirabilia
40–40v Vidi speciosam - 1a pars (of 2): Vidi speciosam sicut columbam ascendentem [Clemens non Papa/Manchicourt]
Appears on: 40–40v
Genres: Motet
Source Attribution: [Clemens non Papa/Manchicourt]
Voice: [no designation]
Languages: Latin
Voice Text: Vidi speciosam sicut columbam ascendentem II: Quae est ista quae processit quasi aurora
40v–41 Vidi speciosam - 2a pars (of 2): Quae est ista quae processit quasi aurora -
Appears on: 40v–41
Genres: Motet
41 Pater peccavi (8vv) - 1a pars (of 2): Pater peccavi in caelum et coram te -
Appears on: 41
Genres: Motet
General Note

Beginning copied here in error, then crossed through - see f. 43

41v Exortum est in tenebris lumen rectis Joannes Heug:
Appears on: 41v
Genres: Motet
Source Attribution: Joannes Heug:
Voice: [no designation]
Languages: Latin
Voice Text: Exortum est in tenebris lumen rectis
42–42v Surrexit Christus hodie Alleluia (6vv) Joannes Heugel
Appears on: 42–42v
Genres: Motet
Source Attribution: Joannes Heugel
Voice: [no designation]
Languages: Latin
Voice Text: Surrexit Christus hodie halleluia
42v–43 Ecce quam bonum et quam jocundum habitare (= 1p of Lugebat David Absalon pius pater 14.7) [Gombert/Josquin]
Appears on: 42v–43
Genres: Motet
Source Attribution: [Gombert/Josquin]
Voice: [no designation]
Languages: Latin
Voice Text: Ecce quam bonum et quam iucundum 14.7 [= Lugebat David Absalom pius pater]
43–43v Pater peccavi (8vv) - 1a pars (of 2): Pater peccavi in caelum et coram te [Clemens non Papa/Crecquillon]
Appears on: 43–43v
Genres: Motet
Source Attribution: [Clemens non Papa/Crecquillon]
Voice: [no designation]
Languages: Latin
Voice Text: Pater peccavi in caelum et coram te II: Quanti mercenarii in domo patris
43v–44 Pater peccavi (8vv) - 2a pars (of 2): Quanti mercenarii in domo patris -
Appears on: 43v–44
Genres: Motet
44v–45 Ego flos campi et lilium convalium [Clemens non Papa]
Appears on: 44v–45
Genres: Motet
Source Attribution: [Clemens non Papa]
Voice: [no designation]
Languages: Latin
Voice Text: Ego flos campi [et lilium convallium]
45–45v Domine Deus caeli et terrae intuere [Bacchius]
Appears on: 45–45v
Genres: Motet
Source Attribution: [Bacchius]
Voice: [no designation]
Languages: Latin
Voice Text: Domine deus caeli et terrae intuere
45v–46 Magna et mirabilia sunt opera tua (8vv) Cerbonius Besutius [= Besuzio]
Appears on: 45v–46
Genres: Motet
Source Attribution: Cerbonius Besutius [= Besuzio]
Voice: [no designation]
Languages: Latin
Voice Text: Magna et mirabilia sunt opera tua
46–46v Da pacem Domine in diebus nostris [Mahu]
Appears on: 46–46v
Genres: Motet
Source Attribution: [Mahu]
Voice: [no designation]
Languages: Latin
Voice Text: Da pacem domine in diebus nostris
47–47v Attendite popule meus legem meam Anon. Anonymous
Appears on: 47–47v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Attendite popule meus legem meam
47v–48 In convertendo Dominus - 1a pars (of 2): In convertendo Dominus captivitatem Sion [Lassus]
Appears on: 47v–48
Genres: Motet
Source Attribution: [Lassus]
Voice: [no designation]
Languages: Latin
Voice Text: In convertendo dominus captivitatem Zion II: Convertere domine captivitatem Zion
48 In convertendo Dominus - 2a pars (of 2): Convertere Domine captivitatem -
Appears on: 48
Genres: Motet
48v–50 Quo properas facunde nepos Atlantis [Lassus]
Appears on: 48v–50
Genres: Motet
Source Attribution: [Lassus]
Voice: [no designation]
Languages: Latin
Voice Text: Quo properas facunde nepos Atlantis?
General Note

voice parts for Altus I & II

49v–50 In omnibus requiem quaesivi et in hereditate Orlande Lass: [= Lassus]
Appears on: 49v–50
Genres: Motet
Source Attribution: Orlande Lass: [= Lassus]
Voice: [no designation]
Languages: Latin
Voice Text: In omnibus requiem quesivi et in hereditate
50v Inclitus Hessiaci - 1a pars (of 2): Inclitus Hessiaci Guilielmus sanguinis [Heugel?]
Appears on: 50v
Genres: Motet
Source Attribution: [Heugel?]
Voice: [no designation]
Languages: Latin
Voice Text: Inclitus Hessiaci Guilielmus sanguinis II: Da deus haec thalami cui sunt
51 Inclitus Hessiaci - 2a pars (of 2): Da Deus haec thalami cui sunt -
Appears on: 51
Genres: Motet
51v Felix coniugium - 1a pars (of 2): Felix coniugium felicem Hymenaea precamur [Heugel?]
Appears on: 51v
Genres: Motet
Source Attribution: [Heugel?]
Voice: [no designation]
Languages: Latin
Voice Text: Foelix coniugium faelicem Hymenaea precamur II: Vive ter illustri sate principe
52 Felix coniugium - 2a pars (of 2): Vive ter illustri sate principe -
Appears on: 52
Genres: Motet
52v Beati omnes (8vv) - 1a pars (of 2): Beati omnes qui timent Dominum qui ambulant [Heugel?]
Appears on: 52v
Genres: Motet
Source Attribution: [Heugel?]
Voice: [no designation]
Languages: Latin
Voice Text: Beati omnes qui timent dominum qui ambulant II: Ecce sic benedicetur homo qui timet
53 Beati omnes (8vv) - 2a pars (of 2): Ecce sic benedicetur homo qui timet -
Appears on: 53
Genres: Motet
53v Tanto tempore vobiscum sum et non cognovistis (8vv) Dom: Finot [= Phinot]
Appears on: 53v
Genres: Motet
Source Attribution: Dom: Finot [= Phinot]
Voice: [no designation]
Languages: Latin
Voice Text: Tanto tempore vobiscum sum et non cognovistis
54 Jam non dicam vos servos sed amicos (8vv) [Phinot]
Appears on: 54
Genres: Motet
Source Attribution: [Phinot]
Voice: [no designation]
Languages: Latin
Voice Text: Iam non dicam vos servos sed amicos
54v Sancta Trinitas unus Deus miserere nobis (8vv) [Phinot]
Appears on: 54v
Genres: Motet
Source Attribution: [Phinot]
Voice: [no designation]
Languages: Latin
Voice Text: Sancta Trinitas unus Deus miserere nobis II: Sit nomen domini benedictum ex hoc
55–55v Quo te nympha pedes quo te via ducit? [Heugel?]
Appears on: 55–55v
Genres: Motet
Source Attribution: [Heugel?]
Voice: [no designation]
Languages: Latin
Voice Text: Que te nympha pedes quo te via ducit?
55v–56 O sacrum convivium in quo Christus sumitur (8vv) Domin: Finot
Appears on: 55v–56
Genres: Motet
Source Attribution: Domin: Finot
Voice: [no designation]
Languages: Latin
Voice Text: O sacrum convivium in quo Christus sumitur
56–57 Confitebor tibi Domine in toto corde (8vv, LV189) [Lassus]
Appears on: 56–57
Genres: Motet
Source Attribution: [Lassus]
Voice: [no designation]
Languages: Latin
Voice Text: Confitebor tibi domine in toto corde meo
57v [blank staves] - -

[blank staves]

Appears on: 57v
Composer Compositions
Anonymous
Appenzeller, Benedictus (ca. 1480–ca. 1558)
Bacchius, Johannes de (–ca. 1557)
Besutius, Cerbonius
Bratel, Ulrich
Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Coppini, Alessandro (ca. 1456–1527)
Crecquillon, Thomas (ca. 1505–ca. 1557)
Despres, Josquin (ca. 1450–1521)
Gombert, Nicolas (ca. 1495–ca. 1560)
Heugel, Johannes
Jacotin, Jacques (1445–1529)
Lassus, Orlande de (ca. 1532–1594)
Lemlin, Lorenz (ca. 1495–ca. 1549)
Mahu, Stephan
Manchicourt, Pierre de
Mantua, Jacquet de (1483–1559)
Phinot, Dominique
Rue, Pierre de la (ca. 1452–1518)
Senfl, Ludwig (ca. 1486–ca. 1543)
Willaert, Adrian (ca. 1490–1562)
Composition Composers (? Uncertain) Folios / Pages
[untexted motet] Anonymous 36
Adieu mes amours on m'atent 33v–34
Adieu mes amours on m'atent 38v–39
Angele nec mireris - 1a pars (of 2): Angele nec mireris Anonymous 37
Angele nec mireris - 2a pars (of 2): Joseph Mariam socies Anonymous 37v–38
Attendite popule meus legem meam Anonymous 47–47v
Beati omnes (8vv) - 1a pars (of 2): Beati omnes qui timent Dominum qui ambulant 52v
Beati omnes (8vv) - 2a pars (of 2): Ecce sic benedicetur homo qui timet 53
Cantate Domino canticum novum quia mirabilia Anonymous 39v–40
Christ ist erstanden (6vv - I) 28v
Christ ist erstanden (6vv - II) 29
Christ ist erstanden (7vv) 28
Christ ist erstanden (8vv - I) 27v
Christ ist erstanden (8vv - II) 32v
Confitebor tibi Domine in toto corde (8vv, LV189) 56–57
Congregati sunt gentes in multitudine 17v–18
Consolamini popule meus dicit Deus vester 18v–20
Constantes estote Anonymous 33
Credo [Patrem omnipotentem] (6vv) 3–3v
Credo Angeli archangeli [Patrem omnipotentem] (8vv) 4–5
Da pacem Domine in diebus nostris 46–46v
Der lermen (Lerman) 27
Dies est laetitiae in ortu regali (7vv - I) 25v–26
Dies est laetitiae in ortu regali (7vv - II) 26v
Dies est laetitiae in ortu regali (8vv) 24v–25
Domine Deus caeli et terrae intuere 45–45v
Dulces exuviae 35v
Ecce quam bonum et quam jocundum habitare (= 1p of Lugebat David Absalon pius pater 14.7) 42v–43
Ego flos campi et lilium convalium 44v–45
Exortum est in tenebris lumen rectis 41v
Felix coniugium - 1a pars (of 2): Felix coniugium felicem Hymenaea precamur 51v
Felix coniugium - 2a pars (of 2): Vive ter illustri sate principe 52
Felix illa dies sit ter palatine (6vv) 13v–15
Ferendum est aequo animo quod a deo 34v–35
Hodie nobis - 1a pars (of 2): Hodie nobis caelorum rex de virgine nasci 2–2v
Hodie nobis - 2a pars (of 2): Hodie Deus caelo pax vera descendit 2v–3
Ich armer man was hab ich gthan ein weib 29v
In convertendo Dominus - 1a pars (of 2): In convertendo Dominus captivitatem Sion 47v–48
In convertendo Dominus - 2a pars (of 2): Convertere Domine captivitatem 48
In omnibus requiem quaesivi et in hereditate 49v–50
Inclitus Hessiaci - 1a pars (of 2): Inclitus Hessiaci Guilielmus sanguinis 50v
Inclitus Hessiaci - 2a pars (of 2): Da Deus haec thalami cui sunt 51
Inviolata integra et casta es 24.5 (12vv) 8v–9
Jam non dicam vos servos sed amicos (8vv) 54
Laudate Dominum omnes gentes, laudate eum (8vv) 16v
Magna et mirabilia sunt opera tua (8vv) 45v–46
Non potest arbor bona fructus malos 30
Nun bitten wir den heilgen geist 24
O sacrum convivium in quo Christus sumitur (8vv) 55v–56
Oramus Domine conditor optime devotos 17
Pater noster (8vv) - 1a pars (of 2): Pater noster qui es in caelis 30v–31
Pater noster (8vv) - 2a pars (of 2): Panem nostrum cotidianum da nobis 31v–32
Pater peccavi (8vv) - 1a pars (of 2): Pater peccavi in caelum et coram te 41
Pater peccavi (8vv) - 1a pars (of 2): Pater peccavi in caelum et coram te 43–43v
Pater peccavi (8vv) - 2a pars (of 2): Quanti mercenarii in domo patris 43v–44
Planctibus nymphae - 1a pars (of 2): Planctibus nymphae resonant latinae 22v–23
Planctibus nymphae - 2a pars (of 2): Stant viri circum pariter gementes 23–24
Quo properas facunde nepos Atlantis 48v–50
Quo te nympha pedes quo te via ducit? 55–55v
Sancta Maria virgo intercede pro toto 6
Sancta Maria virgo intercede pro toto mundo (8vv, M102) 5–5v
Sancta Trinitas unus Deus miserere nobis (8vv) 36v–37
Sancta Trinitas unus Deus miserere nobis (8vv) 54v
Sapientia aedificavit sibi domum excidit 15v–16
Surrexit Christus hodie Alleluia (6vv) 42–42v
Tanto tempore vobiscum sum et non cognovistis (8vv) 53v
Te Deum laudamus (12vv) 10v–13
Ut frendunt gentes - 1a pars (of 3): Ut frendunt gentes ut populi vana moliuntur 20v
Ut frendunt gentes - 2a pars (of 3): At qui caelos habitat Dominus ridet 21–21v
Ut frendunt gentes - 3a pars (of 3): Postula a me et dabo tibi hereditatem 21v–22v
Vae vobis scribae et Pharisaei (6vv) 38–38v
Vidi speciosam - 1a pars (of 2): Vidi speciosam sicut columbam ascendentem 40–40v
Vidi speciosam - 2a pars (of 2): Quae est ista quae processit quasi aurora 40v–41

Set: MSS 4° Mus. 38/1-6

Type: Partbooks

No images available

D-Kl 4° Ms. Mus. 38/1

No images available

D-Kl 4° Ms. Mus. 38/2

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D-Kl 4° Ms. Mus. 38/3

No images available

D-Kl 4° Ms. Mus. 38/4

No images available

D-Kl 4° Ms. Mus. 38/5

No images available

D-Kl 4° Ms. Mus. 38/6

denotes primary source study

Gottwald, Clytus. 1997. Die Handschriften der Gesamthochschulbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel, Bd. 6: Manuscripta musica.  Wiesbaden.

Höfler, Janez (editor). 1972-. Dominici Phinot: Opera Omnia. Corpus mensurabilis musicae.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: IV,xv. Notes: contents list (partial); concordances (partial).

Windh, John Ernfrid. 1971. Early Lutheran Masses. University of Illinois, Unpublished D.M.A. thesis. Pages: 139. Notes: physical description (partial).

Smijers, Albert, Myroslaw Antonowycz, and Willem Elders (editors). 1969. Werken van Josquin des Prés: Supplement.  Amsterdam. Pages: 45-54. Notes: transcription (partial).

D'Accone, Frank A (editor). 1967. Collected Works of Alessandro Coppini, Bartolomeo degli Organi, Giovanni Serragli and three anonymous works. Corpus mensurabilis musicae.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: 59-72. Notes: transcription (partial).

D'Accone, Frank A. 1967. Alessandro Coppini and Bartolomeo degli Organi: Two Florentine Composers of the Renaissance. Analecta Musicologica, 38-76. Pages: 64. Notes: contents list (partial).

Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts.  Tutzing. Pages: 139. Notes: physical description (partial); contents list (partial); incipits (partial).

Bente, Martin. 1962. Ulrich Brätel. Über Leben und Werk des ersten württembergischen Hofkomponisten der Reformationszeit. Hans Albrecht in Memoriam, 63-74, 63-74. Kassel. Pages: 68. Notes: contents list (partial).

Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik.  Kassel. Pages: II, 183; VI, 341; XIII, Tafel 9. Notes: contents list (partial); concordances (partial); facsimile (partial); mention of MS; discussion.

Jeppesen, Knud (editor). 1933-. Dania Sonans.  Copenhagen, Leipzig, and Egtved. Pages: IV, 46, 48. Notes: contents list (partial); concordances (partial).

Nagel, Wilibald. 1905-6. Johann Heugel (ca. 1500-1584/5). Sammelbande der Internationalen Musikgesellschaft, 80-110. Pages: 96-100. Notes: physical description (partial); contents list (partial).

Israël, Carl. 1881. Uebersichtlicher Katalog der Musikalien der ständischen Landesbibliothek zu Cassei.  Kassel. Pages: 17. Notes: physical description (partial); contents list (partial).

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Notation Note; Foliation Note; Foliation Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description