D-Kl 4° Ms. Mus. 38/5

Universitätsbibliothek Kassel Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel, Kassel, Germany

partbook: 16th century

Archive Universitätsbibliothek Kassel Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel, Kassel, Germany (D-Kl)
Shelfmark 4° Ms. Mus. 38/5
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface Paper
Numbering System Foliation
Measurements 215 x 160 mm
Other Identifiers
  • CCM: KasL 38
Notations
  • black void mensural
Copyists
Relationships
External Links
Provenance
Contents 75 pieces from 21 composers
General Description

A Bassus I partbook from a set of six volumes. Copied by Johannes Heugel (d. 1585), court composer for Philip of Hesse, who also wrote KasL 4, 9, 24, 43, 53a, 53b, 91, 94, 118, 142, and part of KasL 143. Copied in Kassel, for the court of Count Philip of Hesse. Present Landesbibliothek incorporates holdings of former court library.

DIAMM, 2017
Binding

Original parchment covers.

DIAMM, 2017
Notation

black void mensural

DIAMM, 2017
Date

Dates from June 1535 to January 1566 in manuscript; these are probably dates of composition or performance rather than copying.

DIAMM, 2022
Foliation

Sporadic pencil foliation

DIAMM, 2017
Foliation

Other numberings: original numbering of pieces, 1-53 (first seven pieces unnumbered).

DIAMM, 2017
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

2 Credos, 1 Te Deum, 39 motets (some on psalm texts), 2 German sacred pieces, 1 German secular piece, 15 textless pieces (7 with Latin incipits, 4 with German incipits, 2 with French incipits, 1 with incipit "Lerman") = 60

B.-1, Besuzio-1, Braetel [HBr:]-1, (Clemens non Papa)-2, (Clemens non Papa/Manchicourt)-1, Coppinus-1, Heugel-25 + 6?, (Jacotin/Jaquet of Mantua)-1, Josquin-1, La Rue [Pirson]-2, Lassus-1, Lemlin-1, Phinot-2, Senfl [L.S.]-1, Willaert [A.W.]-2, anon-11

6 paper partbooks Dl-52 folios, D2-52, A-58, T-52, Bl-54, B2/Q-53), 215 x 160. Sporadic pencil foliation; original numbering of pieces, 1-53 (first seven pieces unnumbered). Original parchment covers. No index. Copied by Johannes Heugel (d. 1585), court composer for Philip of Hesse, who also wrote KasL 4, 9, 24, 43, 53/1, 53/2, 91, 94, 118, 142, and part of KasL 143.

16th century (dates from June 1535 to January 1566 in manuscript; these are probably dates of composition or performance rather than copying). Copied in Kassel, for the court of Count Philip of Hesse. Present Landesbibliothek incorporates holdings of former court library.

Vol 4

Composers: Change "Heugel-25 + 6?" to "Heugel-25 + 5?"; change "Lassus-l" to "Lassus-3"; change "Phinot-2" to "Phinot-3"; change "anon-11" to "anon-9."

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
2 Hodie nobis - 1a pars (of 2): Hodie nobis caelorum rex de virgine nasci Allex. Coppinus
Appears on: 2
Genres: Motet
Source Attribution: Allex. Coppinus
Voice: [no designation]
Languages: Latin
Voice Text: Hodie nobis caelorum rex de virgine nasci II: Hodie deus caelo pax vera descendit
2–2v Hodie nobis - 2a pars (of 2): Hodie Deus caelo pax vera descendit -
Appears on: 2–2v
Genres: Motet
2v–3v Credo [Patrem omnipotentem] (6vv) Pirson [= La Rue]
Appears on: 2v–3v
Genres: Credo (patrem omnipotentem), Mass Ordinary
Source Attribution: Pirson [= La Rue]
Voice: [no designation]
Languages: Latin
Voice Text: [Credo] Patrem omnipotentem
3v–6 Credo Angeli archangeli [Patrem omnipotentem] (8vv) Pirson
Appears on: 3v–6
Genres: Credo (patrem omnipotentem), Mass Ordinary
Source Attribution: Pirson
Voice: [no designation]
Languages: Latin
Voice Text: [Credo] Patrem omnipotentem
General Note

Voice parts for Bassus I & II

6v–7 Sancta Maria virgo intercede pro toto mundo (8vv, M102) L.S. [= Senfl]
Appears on: 6v–7
Genres: BVM, Motet
Source Attribution: L.S. [= Senfl]
Voice: [no designation]
Languages: Latin
Voice Text: Sancta Maria virgo intercede pro toto
7 Sancta Maria virgo intercede pro toto B. [= Braetel?]
Appears on: 7
Genres: Motet
Source Attribution: B. [= Braetel?]
Voice: [no designation]
Languages: Latin
Voice Text: Sancta Maria virgo intercede pro toto
7v–8 [blank staves] - -

[blank staves]

Appears on: 7v–8
8v–9 Inviolata integra et casta es 24.5 (12vv) Josquin
Appears on: 8v–9
Genres: Motet
Source Attribution: Josquin
Voice: [no designation]
Languages: Latin
Voice Text: Inviolata integra et casta es Maria 24.5
General Note

Voice parts for Bassus II & III

9v–10 [blank staves] - -

[blank staves]

Appears on: 9v–10
10v–13 Te Deum laudamus (12vv) Joannes Heugel
Appears on: 10v–13
Genres: Liturgical work, Te Deum
Source Attribution: Joannes Heugel
Voice: [no designation]
Languages: Latin
Voice Text: Te deum laudamus te dominum confitemur
General Note

Voice parts for Bassus I & II

13v–14 Felix illa dies sit ter palatine (6vv) Joannes Heugell
Appears on: 13v–14
Genres: Motet
Source Attribution: Joannes Heugell
Voice: [no designation]
Languages: Latin
Voice Text: Foelix illa dies sit ter palatine
General Note

Voice parts for Bassus I & II

14v–15 Sapientia aedificavit sibi domum excidit Joan: Heug.
Appears on: 14v–15
Genres: Motet
Source Attribution: Joan: Heug.
Voice: [no designation]
Languages: Latin
Voice Text: Sapiencia aedificavit sibi domum excidit
15v Laudate Dominum omnes gentes, laudate eum (8vv) Joannes Heug:
Appears on: 15v
Genres: Motet
Source Attribution: Joannes Heug:
Voice: [no designation]
Languages: Latin
Voice Text: Laudate dominum omnes gentes laudate eum
16 Oramus Domine conditor optime devotos Lauren: Lemblin [= Lemlin]
Appears on: 16
Genres: Motet
Source Attribution: Lauren: Lemblin [= Lemlin]
Voice: [no designation]
Languages: Latin
Voice Text: [Festum nunc celebre magnaque gaudia] 4 Oramus domine conditor optime devotos
16v–18 Congregati sunt gentes in multitudine Joannes Heugell
Appears on: 16v–18
Genres: Motet
Source Attribution: Joannes Heugell
Voice: [no designation]
Languages: Latin
Voice Text: Congregate sunt gentes in multitudine
General Note

Voice parts for Bassus I & II

18v–20 Consolamini popule meus dicit Deus vester Joannes Heugell
Appears on: 18v–20
Genres: Motet
Source Attribution: Joannes Heugell
Voice: [no designation]
Languages: Latin
Voice Text: Consolamini popule meus dicit deus vester
General Note

Voice parts for Bassus I & II

20v–21 Ut frendunt gentes - 1a pars (of 3): Ut frendunt gentes ut populi vana moliuntur Joannes Heugel
Appears on: 20v–21
Genres: Motet
Source Attribution: Joannes Heugel
Voice: [no designation]
Languages: Latin
Voice Text: Ut frendunt gentes ut populi vana moliuntur II: At qui caelos habitat dominus ridet III: Postula a me et dabo tibi hereditatem
General Note

Voice parts for Bassus I & II

21v–23 Ut frendunt gentes - 2a pars (of 3): At qui caelos habitat Dominus ridet -
Appears on: 21v–23
Genres: Motet
General Note

Voice parts for Bassus I & II

22v–24 Ut frendunt gentes - 3a pars (of 3): Postula a me et dabo tibi hereditatem -
Appears on: 22v–24
Genres: Motet
General Note

Voice parts for Bassus I & II

24v Planctibus nymphae - 1a pars (of 2): Planctibus nymphae resonant latinae Joannes Heug:
Appears on: 24v
Genres: Motet
Source Attribution: Joannes Heug:
Voice: [no designation]
Languages: Latin
Voice Text: Planctibus nymphae resonant latinae II: Stant viri circum pariter gementes
25–25v Planctibus nymphae - 2a pars (of 2): Stant viri circum pariter gementes -
Appears on: 25–25v
Genres: Motet
26 Nun bitten wir den heilgen geist Joan: Heug:
Appears on: 26
Genres: Chorale, Sacred Song
Source Attribution: Joan: Heug:
Voice: [no designation]
Languages: German
Voice Text: Nun bitten wir den heilgen geist
26v–27 Dies est laetitiae in ortu regali (8vv) Joannes Heug:
Appears on: 26v–27
Genres: Motet
Source Attribution: Joannes Heug:
Voice: [no designation]
Languages: Latin
Voice Text: Dies est leticiae in ortu regali
General Note

Voice parts for Bassus I & II

27v Dies est laetitiae in ortu regali (7vv - I) Joannes Heug:
Appears on: 27v
Genres: Motet
Source Attribution: Joannes Heug:
Voice: [no designation]
Languages: Latin
Voice Text: Dies est leticiae [in ortu regali]
28 Dies est laetitiae in ortu regali (7vv - II) Joannes Heug:
Appears on: 28
Genres: Motet
Source Attribution: Joannes Heug:
Voice: [no designation]
Languages: Latin
Voice Text: Dies est leticiae [in ortu regali]
28v Der lermen (Lerman) Joan: Heug.
Appears on: 28v
Genres: Secular
Source Attribution: Joan: Heug.
Voice: [no designation]
Languages: none
Voice Text: Lerman
29 Christ ist erstanden (8vv - I) Joan: Heug:
Appears on: 29
Genres: Hymn, Motet, Sacred Song
Source Attribution: Joan: Heug:
Voice: [no designation]
Languages: German
Voice Text: Christ ist erstanden von der marter alle
29v Christ ist erstanden (7vv) Joannes Heug:
Appears on: 29v
Genres: Hymn, Motet, Sacred Song
Source Attribution: Joannes Heug:
Voice: [no designation]
Languages: German
Voice Text: Christ ist erstanden von der marter alle
30 Christ ist erstanden (6vv - I) Joannes Heug:
Appears on: 30
Genres: Motet
Source Attribution: Joannes Heug:
Voice: [no designation]
Languages: German
Voice Text: Christ ist erstanden [von der marter alle]
30v Christ ist erstanden (6vv - II) Joan: Heug:
Appears on: 30v
Genres: Motet
Source Attribution: Joan: Heug:
Voice: [no designation]
Languages: German
Voice Text: Christ ist erstanden [von der marter alle]
31 Ich armer man was hab ich gthan ein weib Joan: Heugel
Appears on: 31
Genres: Song
Source Attribution: Joan: Heugel
Voice: [no designation]
Languages: German
Voice Text: Ich armer man was hab ich gthan ein weib
31v Non potest arbor bona fructus malos Jo: Heug:
Appears on: 31v
Genres: Motet
Source Attribution: Jo: Heug:
Voice: [no designation]
Languages: Latin
Voice Text: Non potest arbor bona fructus malos
32 Pater noster (8vv) - 1a pars (of 2): Pater noster qui es in caelis Joannes Heug:
Appears on: 32
Genres: Motet, Pater noster
Source Attribution: Joannes Heug:
Voice: [no designation]
Languages: Latin
Voice Text: Pater noster qui es in caelis II: Panem nostrum cotidianum da nobis
32v Pater noster (8vv) - 2a pars (of 2): Panem nostrum cotidianum da nobis -
Appears on: 32v
Genres: Motet, Pater noster
33 Christ ist erstanden (8vv - II) Joannes Heug:
Appears on: 33
Genres: Motet
Source Attribution: Joannes Heug:
Voice: [no designation]
Languages: German
Voice Text: Christ ist erstanden von der marter alle
33v Constantes estote Anon. Anonymous

Constantes estote

Anonymous
Appears on: 33v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Constantes estote
34 Adieu mes amours on m'atent A.W. [= Willaert]
Appears on: 34
Genres: Chanson
Source Attribution: A.W. [= Willaert]
Voice: [no designation]
Languages: French
Voice Text: Adiu mes amours [on m'atent]
34v Ferendum est aequo animo quod a deo A.W.
Appears on: 34v
Genres: Motet
Source Attribution: A.W.
Voice: [no designation]
Languages: Latin
Voice Text: Ferendum est aequo animo quod a deo
35 Dulces exuviae HBr: [= Braetel]
Appears on: 35
Genres: textless
Source Attribution: HBr: [= Braetel]
Voice: [no designation]
Languages: Latin
Voice Text: Dulces exuviae (Instrumental piece, despite incipit (OsV))
35v–36 [untexted motet] Anon. Anonymous

[untexted motet]

Anonymous
Appears on: 35v–36
Genres: textless
Source Attribution: Anon.
Voice: [no designation]
Languages: none
Voice Text: Textless
36–36v Sancta Trinitas unus Deus miserere nobis (8vv) [Jacotin/Jaquet of Mantua]
Appears on: 36–36v
Genres: Motet
Source Attribution: [Jacotin/Jaquet of Mantua]
Voice: [no designation]
Languages: Latin
Voice Text: Sancta trinitas unus deus miserere nobis
36v–37 Angele nec mireris - 1a pars (of 2): Angele nec mireris Anon. Anonymous
Appears on: 36v–37
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Angele nec mireris II: Joseph Mariam socies
37–37v Angele nec mireris - 2a pars (of 2): Joseph Mariam socies - Anonymous
Appears on: 37–37v
Genres: Motet
37v–38 Vae vobis scribae et Pharisaei (6vv) Joan: Heug:
Appears on: 37v–38
Genres: Motet
Source Attribution: Joan: Heug:
Voice: [no designation]
Languages: Latin
Voice Text: Vae vobis scribae et Pharisaei hypocritae
38–38v Adieu mes amours on m'atent Jo: Heug:
Appears on: 38–38v
Genres: Chanson
Source Attribution: Jo: Heug:
Voice: [no designation]
Languages: French
Voice Text: Adiu mes amours [on m'atent]
38v–39 Cantate Domino canticum novum quia mirabilia Anon. Anonymous
Appears on: 38v–39
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Cantate domino canticum novum quia mirabilia
39v Vidi speciosam - 1a pars (of 2): Vidi speciosam sicut columbam ascendentem [Clemens non Papa/Manchicourt]
Appears on: 39v
Genres: Motet
Source Attribution: [Clemens non Papa/Manchicourt]
Voice: [no designation]
Languages: Latin
Voice Text: Vidi speciosam sicut columbam ascendentem II: Quae est ista quae processit quasi aurora
40 Vidi speciosam - 2a pars (of 2): Quae est ista quae processit quasi aurora -
Appears on: 40
Genres: Motet
40v Exortum est in tenebris lumen rectis Joannes Heug:
Appears on: 40v
Genres: Motet
Source Attribution: Joannes Heug:
Voice: [no designation]
Languages: Latin
Voice Text: Exortum est in tenebris lumen rectis
40v–41 Surrexit Christus hodie Alleluia (6vv) Joannes Heugel
Appears on: 40v–41
Genres: Motet
Source Attribution: Joannes Heugel
Voice: [no designation]
Languages: Latin
Voice Text: Surrexit Christus hodie halleluia
41v–42 Ecce quam bonum et quam jocundum habitare (= 1p of Lugebat David Absalon pius pater 14.7) [Gombert/Josquin]
Appears on: 41v–42
Genres: Motet
Source Attribution: [Gombert/Josquin]
Voice: [no designation]
Languages: Latin
Voice Text: Ecce quam bonum et quam iucundum 14.7 [= Lugebat David Absalom pius pater]
42–42v Pater peccavi (8vv) - 1a pars (of 2): Pater peccavi in caelum et coram te [Clemens non Papa/Crecquillon]
Appears on: 42–42v
Genres: Motet
Source Attribution: [Clemens non Papa/Crecquillon]
Voice: [no designation]
Languages: Latin
Voice Text: Pater peccavi in caelum et coram te II: Quanti mercenarii in domo patris
42v–43 Pater peccavi (8vv) - 2a pars (of 2): Quanti mercenarii in domo patris -
Appears on: 42v–43
Genres: Motet
43–43v Ego flos campi et lilium convalium [Clemens non Papa]
Appears on: 43–43v
Genres: Motet
Source Attribution: [Clemens non Papa]
Voice: [no designation]
Languages: Latin
Voice Text: Ego flos campi [et lilium convallium]
44 Domine Deus caeli et terrae intuere [Bacchius]
Appears on: 44
Genres: Motet
Source Attribution: [Bacchius]
Voice: [no designation]
Languages: Latin
Voice Text: Domine deus caeli et terrae intuere
44v–45 Magna et mirabilia sunt opera tua (8vv) Cerbonius Besutius [= Besuzio]
Appears on: 44v–45
Genres: Motet
Source Attribution: Cerbonius Besutius [= Besuzio]
Voice: [no designation]
Languages: Latin
Voice Text: Magna et mirabilia sunt opera tua
45 Da pacem Domine in diebus nostris [Mahu]
Appears on: 45
Genres: Motet
Source Attribution: [Mahu]
Voice: [no designation]
Languages: Latin
Voice Text: Da pacem domine in diebus nostris
45v–46 Attendite popule meus legem meam Anon. Anonymous
Appears on: 45v–46
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Attendite popule meus legem meam
46–46v In convertendo Dominus - 1a pars (of 2): In convertendo Dominus captivitatem Sion [Lassus]
Appears on: 46–46v
Genres: Motet
Source Attribution: [Lassus]
Voice: [no designation]
Languages: Latin
Voice Text: In convertendo dominus captivitatem Zion II: Convertere domine captivitatem Zion
46v In convertendo Dominus - 2a pars (of 2): Convertere Domine captivitatem -
Appears on: 46v
Genres: Motet
47 Quo properas facunde nepos Atlantis [Lassus]
Appears on: 47
Genres: Motet
Source Attribution: [Lassus]
Voice: [no designation]
Languages: Latin
Voice Text: Quo properas facunde nepos Atlantis?
47v–48 In omnibus requiem quaesivi et in hereditate Orlande Lass: [= Lassus]
Appears on: 47v–48
Genres: Motet
Source Attribution: Orlande Lass: [= Lassus]
Voice: [no designation]
Languages: Latin
Voice Text: In omnibus requiem quesivi et in hereditate
48 Inclitus Hessiaci - 1a pars (of 2): Inclitus Hessiaci Guilielmus sanguinis [Heugel?]
Appears on: 48
Genres: Motet
Source Attribution: [Heugel?]
Voice: [no designation]
Languages: Latin
Voice Text: Inclitus Hessiaci Guilielmus sanguinis II: Da deus haec thalami cui sunt
48v Inclitus Hessiaci - 2a pars (of 2): Da Deus haec thalami cui sunt -
Appears on: 48v
Genres: Motet
49 Felix coniugium - 1a pars (of 2): Felix coniugium felicem Hymenaea precamur [Heugel?]
Appears on: 49
Genres: Motet
Source Attribution: [Heugel?]
Voice: [no designation]
Languages: Latin
Voice Text: Foelix coniugium faelicem Hymenaea precamur II: Vive ter illustri sate principe
49v Felix coniugium - 2a pars (of 2): Vive ter illustri sate principe -
Appears on: 49v
Genres: Motet
50 Beati omnes (8vv) - 1a pars (of 2): Beati omnes qui timent Dominum qui ambulant [Heugel?]
Appears on: 50
Genres: Motet
Source Attribution: [Heugel?]
Voice: [no designation]
Languages: Latin
Voice Text: Beati omnes qui timent dominum qui ambulant II: Ecce sic benedicetur homo qui timet
50v Beati omnes (8vv) - 2a pars (of 2): Ecce sic benedicetur homo qui timet -
Appears on: 50v
Genres: Motet
51 Tanto tempore vobiscum sum et non cognovistis (8vv) Dom: Finot [= Phinot]
Appears on: 51
Genres: Motet
Source Attribution: Dom: Finot [= Phinot]
Voice: [no designation]
Languages: Latin
Voice Text: Tanto tempore vobiscum sum et non cognovistis
51v Jam non dicam vos servos sed amicos (8vv) [Phinot]
Appears on: 51v
Genres: Motet
Source Attribution: [Phinot]
Voice: [no designation]
Languages: Latin
Voice Text: Iam non dicam vos servos sed amicos
52 Sancta Trinitas unus Deus miserere nobis (8vv) [Phinot]
Appears on: 52
Genres: Motet
Source Attribution: [Phinot]
Voice: [no designation]
Languages: Latin
Voice Text: Sancta Trinitas unus Deus miserere nobis II: Sit nomen domini benedictum ex hoc
52v–53 Quo te nympha pedes quo te via ducit? [Heugel?]
Appears on: 52v–53
Genres: Motet
Source Attribution: [Heugel?]
Voice: [no designation]
Languages: Latin
Voice Text: Que te nympha pedes quo te via ducit?
53–53v O sacrum convivium in quo Christus sumitur (8vv) Domin: Finot
Appears on: 53–53v
Genres: Motet
Source Attribution: Domin: Finot
Voice: [no designation]
Languages: Latin
Voice Text: O sacrum convivium in quo Christus sumitur
53v–54 Confitebor tibi Domine in toto corde (8vv, LV189) [Lassus]
Appears on: 53v–54
Genres: Motet
Source Attribution: [Lassus]
Voice: [no designation]
Languages: Latin
Voice Text: Confitebor tibi domine in toto corde meo
54v [blank staves] - -

[blank staves]

Appears on: 54v
Composer Compositions
Anonymous
Appenzeller, Benedictus (ca. 1480–ca. 1558)
Bacchius, Johannes de (–ca. 1557)
Besutius, Cerbonius
Bratel, Ulrich
Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Coppini, Alessandro (ca. 1456–1527)
Crecquillon, Thomas (ca. 1505–ca. 1557)
Despres, Josquin (ca. 1450–1521)
Gombert, Nicolas (ca. 1495–ca. 1560)
Heugel, Johannes
Jacotin, Jacques (1445–1529)
Lassus, Orlande de (ca. 1532–1594)
Lemlin, Lorenz (ca. 1495–ca. 1549)
Mahu, Stephan
Manchicourt, Pierre de
Mantua, Jacquet de (1483–1559)
Phinot, Dominique
Rue, Pierre de la (ca. 1452–1518)
Senfl, Ludwig (ca. 1486–ca. 1543)
Willaert, Adrian (ca. 1490–1562)
Composition Composers (? Uncertain) Folios / Pages
[untexted motet] Anonymous 35v–36
Adieu mes amours on m'atent 34
Adieu mes amours on m'atent 38–38v
Angele nec mireris - 1a pars (of 2): Angele nec mireris Anonymous 36v–37
Angele nec mireris - 2a pars (of 2): Joseph Mariam socies Anonymous 37–37v
Attendite popule meus legem meam Anonymous 45v–46
Beati omnes (8vv) - 1a pars (of 2): Beati omnes qui timent Dominum qui ambulant 50
Beati omnes (8vv) - 2a pars (of 2): Ecce sic benedicetur homo qui timet 50v
Cantate Domino canticum novum quia mirabilia Anonymous 38v–39
Christ ist erstanden (6vv - I) 30
Christ ist erstanden (6vv - II) 30v
Christ ist erstanden (7vv) 29v
Christ ist erstanden (8vv - I) 29
Christ ist erstanden (8vv - II) 33
Confitebor tibi Domine in toto corde (8vv, LV189) 53v–54
Congregati sunt gentes in multitudine 16v–18
Consolamini popule meus dicit Deus vester 18v–20
Constantes estote Anonymous 33v
Credo [Patrem omnipotentem] (6vv) 2v–3v
Credo Angeli archangeli [Patrem omnipotentem] (8vv) 3v–6
Da pacem Domine in diebus nostris 45
Der lermen (Lerman) 28v
Dies est laetitiae in ortu regali (7vv - I) 27v
Dies est laetitiae in ortu regali (7vv - II) 28
Dies est laetitiae in ortu regali (8vv) 26v–27
Domine Deus caeli et terrae intuere 44
Dulces exuviae 35
Ecce quam bonum et quam jocundum habitare (= 1p of Lugebat David Absalon pius pater 14.7) 41v–42
Ego flos campi et lilium convalium 43–43v
Exortum est in tenebris lumen rectis 40v
Felix coniugium - 1a pars (of 2): Felix coniugium felicem Hymenaea precamur 49
Felix coniugium - 2a pars (of 2): Vive ter illustri sate principe 49v
Felix illa dies sit ter palatine (6vv) 13v–14
Ferendum est aequo animo quod a deo 34v
Hodie nobis - 1a pars (of 2): Hodie nobis caelorum rex de virgine nasci 2
Hodie nobis - 2a pars (of 2): Hodie Deus caelo pax vera descendit 2–2v
Ich armer man was hab ich gthan ein weib 31
In convertendo Dominus - 1a pars (of 2): In convertendo Dominus captivitatem Sion 46–46v
In convertendo Dominus - 2a pars (of 2): Convertere Domine captivitatem 46v
In omnibus requiem quaesivi et in hereditate 47v–48
Inclitus Hessiaci - 1a pars (of 2): Inclitus Hessiaci Guilielmus sanguinis 48
Inclitus Hessiaci - 2a pars (of 2): Da Deus haec thalami cui sunt 48v
Inviolata integra et casta es 24.5 (12vv) 8v–9
Jam non dicam vos servos sed amicos (8vv) 51v
Laudate Dominum omnes gentes, laudate eum (8vv) 15v
Magna et mirabilia sunt opera tua (8vv) 44v–45
Non potest arbor bona fructus malos 31v
Nun bitten wir den heilgen geist 26
O sacrum convivium in quo Christus sumitur (8vv) 53–53v
Oramus Domine conditor optime devotos 16
Pater noster (8vv) - 1a pars (of 2): Pater noster qui es in caelis 32
Pater noster (8vv) - 2a pars (of 2): Panem nostrum cotidianum da nobis 32v
Pater peccavi (8vv) - 1a pars (of 2): Pater peccavi in caelum et coram te 42–42v
Pater peccavi (8vv) - 2a pars (of 2): Quanti mercenarii in domo patris 42v–43
Planctibus nymphae - 1a pars (of 2): Planctibus nymphae resonant latinae 24v
Planctibus nymphae - 2a pars (of 2): Stant viri circum pariter gementes 25–25v
Quo properas facunde nepos Atlantis 47
Quo te nympha pedes quo te via ducit? 52v–53
Sancta Maria virgo intercede pro toto 7
Sancta Maria virgo intercede pro toto mundo (8vv, M102) 6v–7
Sancta Trinitas unus Deus miserere nobis (8vv) 36–36v
Sancta Trinitas unus Deus miserere nobis (8vv) 52
Sapientia aedificavit sibi domum excidit 14v–15
Surrexit Christus hodie Alleluia (6vv) 40v–41
Tanto tempore vobiscum sum et non cognovistis (8vv) 51
Te Deum laudamus (12vv) 10v–13
Ut frendunt gentes - 1a pars (of 3): Ut frendunt gentes ut populi vana moliuntur 20v–21
Ut frendunt gentes - 2a pars (of 3): At qui caelos habitat Dominus ridet 21v–23
Ut frendunt gentes - 3a pars (of 3): Postula a me et dabo tibi hereditatem 22v–24
Vae vobis scribae et Pharisaei (6vv) 37v–38
Vidi speciosam - 1a pars (of 2): Vidi speciosam sicut columbam ascendentem 39v
Vidi speciosam - 2a pars (of 2): Quae est ista quae processit quasi aurora 40

Set: MSS 4° Mus. 38/1-6

Type: Partbooks

No images available

D-Kl 4° Ms. Mus. 38/1

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D-Kl 4° Ms. Mus. 38/2

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D-Kl 4° Ms. Mus. 38/3

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D-Kl 4° Ms. Mus. 38/4

No images available

D-Kl 4° Ms. Mus. 38/5

No images available

D-Kl 4° Ms. Mus. 38/6

denotes primary source study

Gottwald, Clytus. 1997. Die Handschriften der Gesamthochschulbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel, Bd. 6: Manuscripta musica.  Wiesbaden.

Höfler, Janez (editor). 1972-. Dominici Phinot: Opera Omnia. Corpus mensurabilis musicae.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: IV,xv. Notes: contents list (partial); concordances (partial).

Windh, John Ernfrid. 1971. Early Lutheran Masses. University of Illinois, Unpublished D.M.A. thesis. Pages: 139. Notes: physical description (partial).

Smijers, Albert, Myroslaw Antonowycz, and Willem Elders (editors). 1969. Werken van Josquin des Prés: Supplement.  Amsterdam. Pages: 45-54. Notes: transcription (partial).

D'Accone, Frank A (editor). 1967. Collected Works of Alessandro Coppini, Bartolomeo degli Organi, Giovanni Serragli and three anonymous works. Corpus mensurabilis musicae.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: 59-72. Notes: transcription (partial).

D'Accone, Frank A. 1967. Alessandro Coppini and Bartolomeo degli Organi: Two Florentine Composers of the Renaissance. Analecta Musicologica, 38-76. Pages: 64. Notes: contents list (partial).

Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts.  Tutzing. Pages: 139. Notes: physical description (partial); contents list (partial); incipits (partial).

Bente, Martin. 1962. Ulrich Brätel. Über Leben und Werk des ersten württembergischen Hofkomponisten der Reformationszeit. Hans Albrecht in Memoriam, 63-74, 63-74. Kassel. Pages: 68. Notes: contents list (partial).

Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik.  Kassel. Pages: II, 183; VI, 341; XIII, Tafel 9. Notes: contents list (partial); concordances (partial); facsimile (partial); mention of MS; discussion.

Jeppesen, Knud (editor). 1933-. Dania Sonans.  Copenhagen, Leipzig, and Egtved. Pages: IV, 46, 48. Notes: contents list (partial); concordances (partial).

Nagel, Wilibald. 1905-6. Johann Heugel (ca. 1500-1584/5). Sammelbande der Internationalen Musikgesellschaft, 80-110. Pages: 96-100. Notes: physical description (partial); contents list (partial).

Israël, Carl. 1881. Uebersichtlicher Katalog der Musikalien der ständischen Landesbibliothek zu Cassei.  Kassel. Pages: 17. Notes: physical description (partial); contents list (partial).

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Notation Note; Foliation Note; Foliation Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description