D-Kl 4° Ms. Mus. 118/4

Universitätsbibliothek Kassel Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel, Kassel, Germany

partbook: 16th century

Archive Universitätsbibliothek Kassel Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel, Kassel, Germany (D-Kl)
Shelfmark 4° Ms. Mus. 118/4
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface Paper
Numbering System None / Unknown
Measurements 144 x 155 mm
Other Identifiers
  • CCM: KasL 118
Notations
  • black void mensural
Copyists
Relationships
External Links
Provenance
Contents 116 pieces from 2 composers
General Description

A Bassus partbook from a set originally of five volumes. Copied by Johannes Heugel (d. 1585), court composer for Philip of Hesse, who also wrote KasL 4, 9, 24, 38, 43, 53a, 53b, 91, 94, 142, and part of KasL 143. Some motets are occasional pieces (see MGG VI, 342 for list of persons and events). Copied in Kassel, for the court of Count Philip of Hesse. Present Landesbibliothek incorporates holdings of former court library.

DIAMM, 2017
Binding

Original parchment covers.

DIAMM, 2017
Notation

black void mensural

DIAMM, 2017
Date

Dates from February 1534 to March 1577 in T book; these are probably dates of composition or performance rather than copying.

DIAMM, 2022
Foliation

Other numberings: Original numbering of pieces, 1-89 ('30' omitted).

DIAMM, 2017
Foliation

No foliation

DIAMM, 2017
Decoration

No initials or decoration

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

1 Credo, 1 Magnificat, 3 hymns, 83 motets = 88

Heugel-1 + 87?

4 paper partbooks of an original 5 (A-101 folios, T-93, B-100, Q-95), 144 x 155. No foliation; original numbering of pieces, 1-89 ("30" omitted). Original parchment covers. No index. Copied by Johannes Heugel (d. 1585), court composer for Philip of Hesse, who also wrote KasL 4, 9, 24, 38, 43, 53/1, 53/2, 91, 94, 142, and part of KasL 143. No initials or decoration. Some motets are occasional pieces (see MGG VI, 342 for list of persons and events).

16th century (dates from February 1534 to March 1577 in T book; these are probably dates of composition or performance rather than copying). Copied in Kassel, for the court of Count Philip of Hesse. Present Landesbibliothek incorporates holdings of former court library.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1 Ecce ancilla Domini -
Appears on: 1
Genres: Motet
1v Nisi tu Domine -
Appears on: 1v
Genres: Motet
2 Tu es Petrus -
Appears on: 2
Genres: Motet
2v–3 Ad Dominum cum tribularer - 1a pars (of 2): Ad Dominum cum tribularer clamavi -
Appears on: 2v–3
Genres: Motet
3v–4 Ad Dominum cum tribularer - 2a pars (of 2): Heu mihi Domine -
Appears on: 3v–4
Genres: Motet
4v Ingresso Zacharie -
Appears on: 4v
Genres: Motet
5 Qui expansis manibus -
Appears on: 5
Genres: Motet
General Note

headed 'Equalium vocum'

5v Surge propera - 1a pars (of 2): Surge propera maca mea -
Appears on: 5v
Genres: Motet
6 Surge propera - 2a pars (of 2): Ostende mihi faciem mean -
Appears on: 6
Genres: Motet
6v Maria Magdalena - 1a pars (of 2): Maria Magdalena et Maria Jacobi -
Appears on: 6v
Genres: Motet
7 Maria Magdalena - 2a pars (of 2): Cum autem transisset -
Appears on: 7
Genres: Motet
7v Sancta Maria virgo -
Appears on: 7v
Genres: Motet
8 Ascendo ad patrem meum -
Appears on: 8
Genres: Motet
8v Recordare Domine -
Appears on: 8v
Genres: Motet
9 Salvo jure addendi -
Appears on: 9
Genres: textless
9v–10 Ego enim accepi a Domino -
Appears on: 9v–10
Genres: Motet
10v–11 Audite me qui sequimini -
Appears on: 10v–11
Genres: Motet
11v–12 Regia cum tenui mihi - Argentum et aureum -
Appears on: 11v–12
Genres: Motet
12v–13 O vos omnes -
Appears on: 12v–13
Genres: Motet
13v–14 Tu ne cadis - 1a pars (of 4): Tu ne cadis Thoma medio spolvere -
Appears on: 13v–14
Genres: Motet
14v–15 Tu ne cadis - 2a pars (of 4): Qua tu tantus -
Appears on: 14v–15
Genres: Motet
15v–16 Tu ne cadis - 3a pars (of 4): Una tamen non flexa -
Appears on: 15v–16
Genres: Motet
16v–17 Tu ne cadis - 4a pars (of 4): Iam quisiquis numeri genialia -
Appears on: 16v–17
Genres: Motet
17v Vivo ego dicit Dominus -
Appears on: 17v
Genres: Motet
18 Urbs beata Jerusalem -
Appears on: 18
Genres: Motet
18v Memento mei Domine (5vv - I) -
Appears on: 18v
Genres: Motet
19 Da pacem Domine (I) -
Appears on: 19
Genres: Motet
19v–20 Quia vidisti me Thoma (8vv) -
Appears on: 19v–20
Genres: Motet
General Note

2 voice parts, Bassus 2 & Bassus 1 (the former with a 'chant' F-clef

20v–21 Da pacem Domine (II) -
Appears on: 20v–21
Genres: Motet
21v In die tribulationis meae -
Appears on: 21v
Genres: Motet
22 Recordare mei Domine -
Appears on: 22
Genres: Motet
22v–23 Pange lingua gloriosi (I) -
Appears on: 22v–23
Genres: Hymn, Motet
General Note

Canon: 'Tenor ex Basso in diapason post duo tempora'

23v–24 Pater noster / Ave Maria (6vv - II) - 1a pars (of 3): Pater noster qui es in caelis -
Appears on: 23v–24
Genres: Motet, Pater noster
24–24v Pater noster / Ave Maria (6vv - II) - 2a pars (of 3): Panem nostrum quotidianum -
Appears on: 24–24v
Genres: Motet, Pater noster
25–25v Pater noster / Ave Maria (6vv - II) - 3a pars (of 3): Ave Maria -
Appears on: 25–25v
Genres: Ave Maria, Pater noster
26–26v Credo in Deum - 1a pars (of 2): Credo in Deum patrem -
Appears on: 26–26v
Genres: Credo (patrem omnipotentem), Motet
26v–27 Credo in Deum - 2a pars (of 2): Credo in spiritum sanctum -
Appears on: 26v–27
Genres: Credo (patrem omnipotentem), Motet
27v–28v Tradiderunt me Vs. Astiterunt reges terrae -
Appears on: 27v–28v
Genres: Hymn
29 [blank staves] - -

[blank staves]

Appears on: 29
General Note

space left for the missing 'no.30'

29v–31 Vos amici mei estis (9vv) -
Appears on: 29v–31
Genres: Motet
General Note

2 voice parts, Bassus 1 & Bassus 2

31v–32 Aperiens Petrus os suum -
Appears on: 31v–32
Genres: Motet
32v–33 Domine ostende nobis patrem (7vv) -
Appears on: 32v–33
Genres: Motet
33v–34 Parcere prostratis -
Appears on: 33v–34
Genres: Motet
34v–35 Elisabeth Zachariae -
Appears on: 34v–35
Genres: Motet
35v–36 Quia vidisti me Thoma (6vv) -
Appears on: 35v–36
Genres: Motet
36v–37 Media vita - 1a pars (of 4): Media vita in morte sumus -
Appears on: 36v–37
Genres: Hymn
37 Media vita - 2a pars (of 4): In te speraverunt patres - Sancte Deus -
Appears on: 37
Genres: Hymn
37 Media vita - 3a pars (of 4): Ad te claverunt - Sancte fortis -
Appears on: 37
Genres: Hymn
37v Media vita - 4a pars (of 4): Ne despicias nos - Sancte et misericors -
Appears on: 37v
Genres: Hymn
38–38v Ite in orbem universum Vs. Qui crederit -
Appears on: 38–38v
Genres: Hymn
39 Dum steteritis ante reges -
Appears on: 39
Genres: Motet
39v–40 Bethlehem non est minima -
Appears on: 39v–40
Genres: Motet
40v–41 Et exultavit spiritus meus -
Appears on: 40v–41
Genres: Motet
41v Pange lingua gloriosi (II) -
Appears on: 41v
Genres: Hymn, Motet
42 Philippe qui videt me -
Appears on: 42
Genres: Motet
42v Grates nunc omnes - 1a pars (of 2): Grates nunc omnes -
Appears on: 42v
Genres: Motet
43 Grates nunc omnes - 2a pars (of 2): Huic oportet ut canamus -
Appears on: 43
Genres: Motet
43 In patientia vestra -
Appears on: 43
Genres: Motet
General Note

No music copied: cross-reference 'In Tenore'

43v–44 Deus cor mundum -
Appears on: 43v–44
Genres: Motet
44v–45 Parce hospes tumulo - Fortuna desperata -
Appears on: 44v–45
Genres: Motet
45v–46 Felix illa dies sit ter palatine (5vv) -
Appears on: 45v–46
Genres: Motet
46v–48 Quas igitur laudes -
Appears on: 46v–48
Genres: Motet
General Note

Parts for Bassus 1 (v) & Bassus 2 (r)

48v–49 Plorans ploravit in nocte -
Appears on: 48v–49
Genres: Motet
General Note

Parts for Bassus 1 (v) & Bassus 2 (r)

49v–50 Multa pericula passus sum -
Appears on: 49v–50
Genres: Motet
50v Valde honorandus est -
Appears on: 50v
Genres: Motet
51 Domine non sum dignus -
Appears on: 51
Genres: Motet
51v Christum regem - 1a pars (of 2): Christum regem adoremus -
Appears on: 51v
Genres: Motet
51v–52 Christum regem - 2a pars (of 2): Venite exultemus -
Appears on: 51v–52
Genres: Motet
52v Jupiter omnipotens - Sancte Mathie ora pro nobis - Die kuh schreit Muhu -
Appears on: 52v
Genres: Motet
53 Dies est laetitiae (5vv) -
Appears on: 53
Genres: Motet
53v Suscepimus Deus misericordiam -
Appears on: 53v
Genres: Motet
54 Veni sancte spiritus (5vv) -
Appears on: 54
Genres: Hymn, Veni sancte spiritus
54v–55 In illo tempore (5vv) - 1a pars (of 2): In illo tempore, Elizabethae impletum -
Appears on: 54v–55
Genres: Motet
55v–56 In illo tempore (5vv) - 2a pars (of 2): Et dixerunt ad illam -
Appears on: 55v–56
Genres: Motet
56v–57 Crux fidelis -
Appears on: 56v–57
Genres: Motet
57v Memento mei Domine (5vv - II) -
Appears on: 57v
Genres: Motet
General Note

the Tenor part

58 Surrexit Christus hodie (5vv) -
Appears on: 58
Genres: Motet
58v Qua te voce - 1a pars (of 2): Qua te voce canam -
Appears on: 58v
Genres: Motet
59 Qua te voce - 2a pars (of 2): Victori tibi de caelo victoria -
Appears on: 59
Genres: Motet
59v–60 De caelo victoria -
Appears on: 59v–60
Genres: Motet
60v–62 Vae vobis scribae et Pharisaei (5vv) -
Appears on: 60v–62
Genres: Motet
General Note

Parts for Bassus 1 & Bassus 2

62v–63 Haec est voluntas - 1a pars (of 3): Haec est voluntas patris nostri -
Appears on: 62v–63
Genres: Motet
63v Haec est voluntas - 2a pars (of 3): Igitur vera penitentia -
Appears on: 63v
Genres: Motet
63v–64 Haec est voluntas - 3a pars (of 3): Haec est autem vita aeterna -
Appears on: 63v–64
Genres: Motet
64v–65 Salva nos Domine vigilantes (5vv) -
Appears on: 64v–65
Genres: Motet
65v–66 Sicut dilexit - 1a pars (of 2): Sicut dilexit Senecam Paulina - Veni electa mea -
Appears on: 65v–66
Genres: Motet
66v–67 Sicut dilexit - 2a pars (of 2): Te iuvenis coniunx - Veni electa mea -
Appears on: 66v–67
Genres: Motet
67v–68 Sanctae trinitatis fidem Martinus confessus est -
Appears on: 67v–68
Genres: Motet
68v–69v Numquid tu es ab initio -
Appears on: 68v–69v
Genres: Motet
70–70v Pro nuba Tisiphone thalamis - Gementes et flentes[!] -
Appears on: 70–70v
Genres: Motet
General Note

"Epithalamium in Nuptias Sinnaoi Sircipuli 20 Februarii Anno 1547" i.e. written for a weddding (so the Tenor, 'Gementes et flentes', is presumably a joke!)

70v–71v Ecce dies venient - 1a pars (of 2): Ecce dies venient -
Appears on: 70v–71v
Genres: Motet
71v–72v Ecce dies venient - 2a pars (of 2): In diebus illis -
Appears on: 71v–72v
Genres: Motet
73–74 Advenisti desiserabilis -
Appears on: 73–74
Genres: Motet
74v–76 Beatus Laurentius - 1a pars (of 2): Beatus Laurentius orabat -
Appears on: 74v–76
Genres: Motet
General Note

2 parts, Vagans & Tenor 2

75v–77 Beatus Laurentius - 2a pars (of 2): Quia accusatus -
Appears on: 75v–77
Genres: Motet
77v–78v Libera me Domine ab homine maligno (5vv) -
Appears on: 77v–78v
Genres: Motet
78v–80 Pangite Castalides - 1a pars (of 2): Pangite Castalides gratantia carmina -
Appears on: 78v–80
Genres: Motet
80–81v Pangite Castalides - 2a pars (of 2): Auspiciis igitur -
Appears on: 80–81v
Genres: Motet
82–83v Non glorietur sapiens -
Appears on: 82–83v
Genres: Motet
84–85 Frange esuriente panem -
Appears on: 84–85
Genres: Motet
85v–86 Michael praepositus - 1a pars (of 2): Michael praepositus paradisi -
Appears on: 85v–86
Genres: Motet
86–86v Michael praepositus - 2a pars (of 2): Niger sum sed formosus -
Appears on: 86–86v
Genres: Motet
86v–87v Vide cui fides - 1a pars (of 2): Vide cui fides. Vivendum caute -
Appears on: 86v–87v
Genres: Motet
87v–88v Vide cui fides - 2a pars (of 2): Vide cui fides. Melleus est sermo -
Appears on: 87v–88v
Genres: Motet
General Note

followed by a poem in praise of Heugel & his music

89–89v Vivendum caute - 1a pars (of 2): Vivendum caute fallaz est frontis -
Appears on: 89–89v
Genres: Motet
General Note

Canon: Maxmia praetereo, per parva silentia servo. (The same canon in Altus.) Heugel means that the piece can be sung in two ways, as written or eliminating the breve & semibreve rests. (Cf. Moulu's famous Missa Alma redemptoris setting.)

89v–90 Vivendum caute - 2a pars (of 2): Melleus est sermo -
Appears on: 89v–90
Genres: Motet
90–90v Ito bonis avibus -
Appears on: 90–90v
Genres: Motet
90v–91v Cavendum est ne assentatoribus - Ab insidiis asulatorum -
Appears on: 90v–91v
Genres: Motet
91v–92 Ad Dominum - 1a pars (of 2): Ad Dominum in tribulatione mea -
Appears on: 91v–92
Genres: Motet
92v–93v Ad Dominum - 2a pars (of 2): Heu mihi qui incola fui -
Appears on: 92v–93v
Genres: Motet
93v–94 Vester honos agitur Musae - Veni coronaberis -
Appears on: 93v–94
Genres: Motet
94v–95 Tu Gerharde prior Wallenbergere -
Appears on: 94v–95
Genres: Motet
95v–96 Bonum operatus es -
Appears on: 95v–96
Genres: Motet
96v–97 Dispersit humanis -
Appears on: 96v–97
Genres: Motet
97v–98 Vendere qui nescit -
Appears on: 97v–98
Genres: Motet
98v [blank staves] - -

[blank staves]

Appears on: 98v
Composer Compositions
Anonymous
Heugel, Johannes
Composition Composers (? Uncertain) Folios / Pages
Ad Dominum - 1a pars (of 2): Ad Dominum in tribulatione mea 91v–92
Ad Dominum - 2a pars (of 2): Heu mihi qui incola fui 92v–93v
Ad Dominum cum tribularer - 1a pars (of 2): Ad Dominum cum tribularer clamavi 2v–3
Ad Dominum cum tribularer - 2a pars (of 2): Heu mihi Domine 3v–4
Advenisti desiserabilis 73–74
Aperiens Petrus os suum 31v–32
Ascendo ad patrem meum 8
Audite me qui sequimini 10v–11
Beatus Laurentius - 1a pars (of 2): Beatus Laurentius orabat 74v–76
Beatus Laurentius - 2a pars (of 2): Quia accusatus 75v–77
Bethlehem non est minima 39v–40
Bonum operatus es 95v–96
Cavendum est ne assentatoribus - Ab insidiis asulatorum 90v–91v
Christum regem - 1a pars (of 2): Christum regem adoremus 51v
Christum regem - 2a pars (of 2): Venite exultemus 51v–52
Credo in Deum - 1a pars (of 2): Credo in Deum patrem 26–26v
Credo in Deum - 2a pars (of 2): Credo in spiritum sanctum 26v–27
Crux fidelis 56v–57
Da pacem Domine (I) 19
Da pacem Domine (II) 20v–21
De caelo victoria 59v–60
Deus cor mundum 43v–44
Dies est laetitiae (5vv) 53
Dispersit humanis 96v–97
Domine non sum dignus 51
Domine ostende nobis patrem (7vv) 32v–33
Dum steteritis ante reges 39
Ecce ancilla Domini 1
Ecce dies venient - 1a pars (of 2): Ecce dies venient 70v–71v
Ecce dies venient - 2a pars (of 2): In diebus illis 71v–72v
Ego enim accepi a Domino 9v–10
Elisabeth Zachariae 34v–35
Et exultavit spiritus meus 40v–41
Felix illa dies sit ter palatine (5vv) 45v–46
Frange esuriente panem 84–85
Grates nunc omnes - 1a pars (of 2): Grates nunc omnes 42v
Grates nunc omnes - 2a pars (of 2): Huic oportet ut canamus 43
Haec est voluntas - 1a pars (of 3): Haec est voluntas patris nostri 62v–63
Haec est voluntas - 2a pars (of 3): Igitur vera penitentia 63v
Haec est voluntas - 3a pars (of 3): Haec est autem vita aeterna 63v–64
In die tribulationis meae 21v
In illo tempore (5vv) - 1a pars (of 2): In illo tempore, Elizabethae impletum 54v–55
In illo tempore (5vv) - 2a pars (of 2): Et dixerunt ad illam 55v–56
In patientia vestra 43
Ingresso Zacharie 4v
Ite in orbem universum Vs. Qui crederit 38–38v
Ito bonis avibus 90–90v
Jupiter omnipotens - Sancte Mathie ora pro nobis - Die kuh schreit Muhu 52v
Libera me Domine ab homine maligno (5vv) 77v–78v
Maria Magdalena - 1a pars (of 2): Maria Magdalena et Maria Jacobi 6v
Maria Magdalena - 2a pars (of 2): Cum autem transisset 7
Media vita - 1a pars (of 4): Media vita in morte sumus 36v–37
Media vita - 2a pars (of 4): In te speraverunt patres - Sancte Deus 37
Media vita - 3a pars (of 4): Ad te claverunt - Sancte fortis 37
Media vita - 4a pars (of 4): Ne despicias nos - Sancte et misericors 37v
Memento mei Domine (5vv - I) 18v
Memento mei Domine (5vv - II) 57v
Michael praepositus - 1a pars (of 2): Michael praepositus paradisi 85v–86
Michael praepositus - 2a pars (of 2): Niger sum sed formosus 86–86v
Multa pericula passus sum 49v–50
Nisi tu Domine 1v
Non glorietur sapiens 82–83v
Numquid tu es ab initio 68v–69v
O vos omnes 12v–13
Pange lingua gloriosi (I) 22v–23
Pange lingua gloriosi (II) 41v
Pangite Castalides - 1a pars (of 2): Pangite Castalides gratantia carmina 78v–80
Pangite Castalides - 2a pars (of 2): Auspiciis igitur 80–81v
Parce hospes tumulo - Fortuna desperata 44v–45
Parcere prostratis 33v–34
Pater noster / Ave Maria (6vv - II) - 2a pars (of 3): Panem nostrum quotidianum 24–24v
Pater noster / Ave Maria (6vv - II) - 1a pars (of 3): Pater noster qui es in caelis 23v–24
Pater noster / Ave Maria (6vv - II) - 3a pars (of 3): Ave Maria 25–25v
Philippe qui videt me 42
Plorans ploravit in nocte 48v–49
Pro nuba Tisiphone thalamis - Gementes et flentes[!] 70–70v
Qua te voce - 1a pars (of 2): Qua te voce canam 58v
Qua te voce - 2a pars (of 2): Victori tibi de caelo victoria 59
Quas igitur laudes 46v–48
Qui expansis manibus 5
Quia vidisti me Thoma (6vv) 35v–36
Quia vidisti me Thoma (8vv) 19v–20
Recordare Domine 8v
Recordare mei Domine 22
Regia cum tenui mihi - Argentum et aureum 11v–12
Salva nos Domine vigilantes (5vv) 64v–65
Salvo jure addendi 9
Sancta Maria virgo 7v
Sanctae trinitatis fidem Martinus confessus est 67v–68
Sicut dilexit - 1a pars (of 2): Sicut dilexit Senecam Paulina - Veni electa mea 65v–66
Sicut dilexit - 2a pars (of 2): Te iuvenis coniunx - Veni electa mea 66v–67
Surge propera - 1a pars (of 2): Surge propera maca mea 5v
Surge propera - 2a pars (of 2): Ostende mihi faciem mean 6
Surrexit Christus hodie (5vv) 58
Suscepimus Deus misericordiam 53v
Tradiderunt me Vs. Astiterunt reges terrae 27v–28v
Tu es Petrus 2
Tu Gerharde prior Wallenbergere 94v–95
Tu ne cadis - 1a pars (of 4): Tu ne cadis Thoma medio spolvere 13v–14
Tu ne cadis - 2a pars (of 4): Qua tu tantus 14v–15
Tu ne cadis - 3a pars (of 4): Una tamen non flexa 15v–16
Tu ne cadis - 4a pars (of 4): Iam quisiquis numeri genialia 16v–17
Urbs beata Jerusalem 18
Vae vobis scribae et Pharisaei (5vv) 60v–62
Valde honorandus est 50v
Vendere qui nescit 97v–98
Veni sancte spiritus (5vv) 54
Vester honos agitur Musae - Veni coronaberis 93v–94
Vide cui fides - 1a pars (of 2): Vide cui fides. Vivendum caute 86v–87v
Vide cui fides - 2a pars (of 2): Vide cui fides. Melleus est sermo 87v–88v
Vivendum caute - 1a pars (of 2): Vivendum caute fallaz est frontis 89–89v
Vivendum caute - 2a pars (of 2): Melleus est sermo 89v–90
Vivo ego dicit Dominus 17v
Vos amici mei estis (9vv) 29v–31

Set: MSS 4° Mus. 118/1-4

Type: Partbooks

No images available

D-Kl 4° Ms. Mus. 118/1

No images available

D-Kl 4° Ms. Mus. 118/3

No images available

D-Kl 4° Ms. Mus. 118/4

No images available

D-Kl 4° Ms. Mus. 118/5

denotes primary source study

[No Author] None. Catalogue of Valuable PrintedBooks, Illuminated and Other Manuscripts, Autograph Letters, etc. ... Sotheby & Co.  London: Sotheby & Co. Pages: 10. Notes: contents list (partial).

Gottwald, Clytus. 1997. Die Handschriften der Gesamthochschulbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel, Bd. 6: Manuscripta musica.  Wiesbaden.

Windh, John Ernfrid. 1971. Early Lutheran Masses. University of Illinois, Unpublished D.M.A. thesis. Pages: 139-40. Notes: physical description (partial).

Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts.  Tutzing. Pages: 139-40. Notes: physical description (partial); contents list (partial); incipits (partial).

Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik.  Kassel. Pages: VI, 342. Notes: physical description (partial); contents list (partial).

Lange, Wilhelm (compiler). 1920. Katalog der Musikalien der Landesbibliothek.  Kassel. Pages: 226. Notes: mention of MS.

Nagel, Wilibald. 1905-6. Johann Heugel (ca. 1500-1584/5). Sammelbande der Internationalen Musikgesellschaft, 80-110. Pages: 91-6. Notes: physical description (partial); contents list (partial); texts (partial).

Eitner, Robert. 1893), 149-55, 164-79, 183-204, 207-20; XXVI (1894. Das alte deutsche mehrstimmige Lied und seine Meister. Monatshefte für Musikgeschichte, 1-14,17-21,25-3. Pages: XXVI, 40. Notes: mention of MS.

Israël, Carl. 1881. Uebersichtlicher Katalog der Musikalien der ständischen Landesbibliothek zu Cassei.  Kassel. Pages: 12-6. Notes: physical description (partial); contents list.

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Notation Note; Foliation Note; Foliation Note; Decoration Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description