D-Kl 4° Ms. Mus. 118/5

Universitätsbibliothek Kassel Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel, Kassel, Germany

partbook: 16th century

Archive Universitätsbibliothek Kassel Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel, Kassel, Germany (D-Kl)
Shelfmark 4° Ms. Mus. 118/5
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface Paper
Numbering System None / Unknown
Measurements 144 x 155 mm
Other Identifiers
  • CCM: KasL 118
Notations
  • black void mensural
Copyists
Relationships
External Links
Provenance
Contents 115 pieces from 2 composers
General Description

A Quintus partbook from a set originally of five volumes. Copied by Johannes Heugel (d. 1585), court composer for Philip of Hesse, who also wrote KasL 4, 9, 24, 38, 43, 53a, 53b, 91, 94, 142, and part of KasL 143. Some motets are occasional pieces (see MGG VI, 342 for list of persons and events). Copied in Kassel, for the court of Count Philip of Hesse. Present Landesbibliothek incorporates holdings of former court library.

DIAMM, 2017
Binding

Original parchment covers.

DIAMM, 2017
Notation

black void mensural

DIAMM, 2017
Date

Dates from February 1534 to March 1577 in T book; these are probably dates of composition or performance rather than copying.

DIAMM, 2022
Foliation

Other numberings: Original numbering of pieces, 1-89 ('30' omitted).

DIAMM, 2017
Foliation

No foliation

DIAMM, 2017
Decoration

No initials or decoration

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

1 Credo, 1 Magnificat, 3 hymns, 83 motets = 88

Heugel-1 + 87?

4 paper partbooks of an original 5 (A-101 folios, T-93, B-100, Q-95), 144 x 155. No foliation; original numbering of pieces, 1-89 ("30" omitted). Original parchment covers. No index. Copied by Johannes Heugel (d. 1585), court composer for Philip of Hesse, who also wrote KasL 4, 9, 24, 38, 43, 53/1, 53/2, 91, 94, 142, and part of KasL 143. No initials or decoration. Some motets are occasional pieces (see MGG VI, 342 for list of persons and events).

16th century (dates from February 1534 to March 1577 in T book; these are probably dates of composition or performance rather than copying). Copied in Kassel, for the court of Count Philip of Hesse. Present Landesbibliothek incorporates holdings of former court library.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1 Ecce ancilla Domini -
Appears on: 1
Genres: Motet
1v Nisi tu Domine -
Appears on: 1v
Genres: Motet
2 Tu es Petrus -
Appears on: 2
Genres: Motet
2v–3 Ad Dominum cum tribularer - 2a pars (of 2): Heu mihi Domine -
Appears on: 2v–3
Genres: Motet
General Note

2 voice parts, Quinta and Sexta, for 2a pars only. (Pars 1 omitted: presumably for 4vv only, or an unspecified 'fuga' on the ?Tenor part?)

3v Ingresso Zacharie -
Appears on: 3v
Genres: Motet
4 Qui expansis manibus -
Appears on: 4
Genres: Motet
4v–5 Surge propera - 1a pars (of 2): Surge propera maca mea -
Appears on: 4v–5
Genres: Motet
General Note

Parts for Primus Discantus & Vagans

5v–6 Surge propera - 2a pars (of 2): Ostende mihi faciem mean -
Appears on: 5v–6
Genres: Motet
General Note

Parts for Primus Discantus & Vagans

6v Maria Magdalena - 1a pars (of 2): Maria Magdalena et Maria Jacobi -
Appears on: 6v
Genres: Motet
7 Maria Magdalena - 2a pars (of 2): Cum autem transisset -
Appears on: 7
Genres: Motet
7v Sancta Maria virgo -
Appears on: 7v
Genres: Motet
8 Ascendo ad patrem meum -
Appears on: 8
Genres: Motet
8v Recordare Domine -
Appears on: 8v
Genres: Motet
9 Salvo jure addendi -
Appears on: 9
Genres: textless
9v–10 Ego enim accepi a Domino -
Appears on: 9v–10
Genres: Motet
10v–11 Audite me qui sequimini -
Appears on: 10v–11
Genres: Motet
11v–12 Regia cum tenui mihi - Argentum et aureum -
Appears on: 11v–12
Genres: Motet
12v–13 O vos omnes -
Appears on: 12v–13
Genres: Motet
13v–14 Tu ne cadis - 1a pars (of 4): Tu ne cadis Thoma medio spolvere -
Appears on: 13v–14
Genres: Motet
14v–15 Tu ne cadis - 2a pars (of 4): Qua tu tantus -
Appears on: 14v–15
Genres: Motet
15v–16 Tu ne cadis - 3a pars (of 4): Una tamen non flexa -
Appears on: 15v–16
Genres: Motet
16v–17 Tu ne cadis - 4a pars (of 4): Iam quisiquis numeri genialia -
Appears on: 16v–17
Genres: Motet
17v Vivo ego dicit Dominus -
Appears on: 17v
Genres: Motet
18 Urbs beata Jerusalem -
Appears on: 18
Genres: Motet
18v Memento mei Domine (5vv - I) -
Appears on: 18v
Genres: Motet
19 Da pacem Domine (I) -
Appears on: 19
Genres: Motet
19v Quia vidisti me Thoma (8vv) -
Appears on: 19v
Genres: Motet
20 Da pacem Domine (II) -
Appears on: 20
Genres: Motet
General Note

'Resolution' (of canon in Tenor)

20v In die tribulationis meae -
Appears on: 20v
Genres: Motet
21 Recordare mei Domine -
Appears on: 21
Genres: Motet
21v–22 Pange lingua gloriosi (I) -
Appears on: 21v–22
Genres: Hymn, Motet
22v–23 Pater noster / Ave Maria (6vv - II) - 1a pars (of 3): Pater noster qui es in caelis -
Appears on: 22v–23
Genres: Motet, Pater noster
23–23v Pater noster / Ave Maria (6vv - II) - 2a pars (of 3): Panem nostrum quotidianum -
Appears on: 23–23v
Genres: Motet, Pater noster
23v–24v Pater noster / Ave Maria (6vv - II) - 3a pars (of 3): Ave Maria -
Appears on: 23v–24v
Genres: Ave Maria, Pater noster
25–25v Credo in Deum - 1a pars (of 2): Credo in Deum patrem -
Appears on: 25–25v
Genres: Credo (patrem omnipotentem), Motet
25v–26 Credo in Deum - 2a pars (of 2): Credo in spiritum sanctum -
Appears on: 25v–26
Genres: Credo (patrem omnipotentem), Motet
26v–27v Tradiderunt me Vs. Astiterunt reges terrae -
Appears on: 26v–27v
Genres: Hymn
28 [blank staves] - -

[blank staves]

Appears on: 28
General Note

left blank for the missing 'no.30'

28v–30 Vos amici mei estis (9vv) -
Appears on: 28v–30
Genres: Motet
General Note

parts for Primus Tenor & Vagans

General Note

parts for Primus Tenor (v) & Vagans (r)

30v–31 Aperiens Petrus os suum -
Appears on: 30v–31
Genres: Motet
31v–32 Domine ostende nobis patrem (7vv) -
Appears on: 31v–32
Genres: Motet
32v–33 Parcere prostratis -
Appears on: 32v–33
Genres: Motet
33v–34 Elisabeth Zachariae -
Appears on: 33v–34
Genres: Motet
34v–35 Quia vidisti me Thoma (6vv) -
Appears on: 34v–35
Genres: Motet
35v–36 Media vita - 1a pars (of 4): Media vita in morte sumus -
Appears on: 35v–36
Genres: Hymn
36 Media vita - 2a pars (of 4): In te speraverunt patres - Sancte Deus -
Appears on: 36
Genres: Hymn
36v Media vita - 3a pars (of 4): Ad te claverunt - Sancte fortis -
Appears on: 36v
Genres: Hymn
37 Media vita - 4a pars (of 4): Ne despicias nos - Sancte et misericors -
Appears on: 37
Genres: Hymn
37v–38 Ite in orbem universum Vs. Qui crederit -
Appears on: 37v–38
Genres: Hymn
38v–39 Dum steteritis ante reges -
Appears on: 38v–39
Genres: Motet
39v–40 Bethlehem non est minima -
Appears on: 39v–40
Genres: Motet
40v–41 Et exultavit spiritus meus -
Appears on: 40v–41
Genres: Motet
41v Pange lingua gloriosi (II) -
Appears on: 41v
Genres: Hymn, Motet
42 Philippe qui videt me -
Appears on: 42
Genres: Motet
General Note

No music copied: direction 'Ex Tenore In diapent[e] post 2 tempora'

42v–43 Grates nunc omnes - 1a pars (of 2): Grates nunc omnes -
Appears on: 42v–43
Genres: Motet
43v Grates nunc omnes - 2a pars (of 2): Huic oportet ut canamus -
Appears on: 43v
Genres: Motet
44 In patientia vestra -
Appears on: 44
Genres: Motet
44v–45 Deus cor mundum -
Appears on: 44v–45
Genres: Motet
45v–46 Parce hospes tumulo - Fortuna desperata -
Appears on: 45v–46
Genres: Motet
46v–47 Felix illa dies sit ter palatine (5vv) -
Appears on: 46v–47
Genres: Motet
47v–48v Quas igitur laudes -
Appears on: 47v–48v
Genres: Motet
48v–49 Plorans ploravit in nocte -
Appears on: 48v–49
Genres: Motet
49v–50 Multa pericula passus sum -
Appears on: 49v–50
Genres: Motet
50v Valde honorandus est -
Appears on: 50v
Genres: Motet
51 Domine non sum dignus -
Appears on: 51
Genres: Motet
General Note

No music copied: direction 'Ex Tenore'

51v Christum regem - 1a pars (of 2): Christum regem adoremus -
Appears on: 51v
Genres: Motet
52 Christum regem - 2a pars (of 2): Venite exultemus -
Appears on: 52
Genres: Motet
52v Jupiter omnipotens - Sancte Mathie ora pro nobis - Die kuh schreit Muhu -
Appears on: 52v
Genres: Motet
52v–53 Dies est laetitiae (5vv) -
Appears on: 52v–53
Genres: Motet
53v Suscepimus Deus misericordiam -
Appears on: 53v
Genres: Motet
54 Veni sancte spiritus (5vv) -
Appears on: 54
Genres: Hymn, Veni sancte spiritus
54v–55 In illo tempore (5vv) - 1a pars (of 2): In illo tempore, Elizabethae impletum -
Appears on: 54v–55
Genres: Motet
55v–56 In illo tempore (5vv) - 2a pars (of 2): Et dixerunt ad illam -
Appears on: 55v–56
Genres: Motet
56v–57 Crux fidelis -
Appears on: 56v–57
Genres: Motet
57v Memento mei Domine (5vv - II) -
Appears on: 57v
Genres: Motet
58 Surrexit Christus hodie (5vv) -
Appears on: 58
Genres: Motet
58v–59 Qua te voce - 1a pars (of 2): Qua te voce canam -
Appears on: 58v–59
Genres: Motet
59 Qua te voce - 2a pars (of 2): Victori tibi de caelo victoria -
Appears on: 59
Genres: Motet
59v–60 De caelo victoria -
Appears on: 59v–60
Genres: Motet
60v–61 Vae vobis scribae et Pharisaei (5vv) -
Appears on: 60v–61
Genres: Motet
61v–62 Haec est voluntas - 1a pars (of 3): Haec est voluntas patris nostri -
Appears on: 61v–62
Genres: Motet
62v Haec est voluntas - 2a pars (of 3): Igitur vera penitentia -
Appears on: 62v
Genres: Motet
62v–63 Haec est voluntas - 3a pars (of 3): Haec est autem vita aeterna -
Appears on: 62v–63
Genres: Motet
63v–64 Salva nos Domine vigilantes (5vv) -
Appears on: 63v–64
Genres: Motet
64v Sicut dilexit - 1a pars (of 2): Sicut dilexit Senecam Paulina - Veni electa mea -
Appears on: 64v
Genres: Motet
General Note

marked 'Discantus Secundus'

65 Sicut dilexit - 2a pars (of 2): Te iuvenis coniunx - Veni electa mea -
Appears on: 65
Genres: Motet
General Note

marked 'Discantus Secundus'

65v–66 Sanctae trinitatis fidem Martinus confessus est -
Appears on: 65v–66
Genres: Motet
66v–67v Numquid tu es ab initio -
Appears on: 66v–67v
Genres: Motet
68–68v Pro nuba Tisiphone thalamis - Gementes et flentes[!] -
Appears on: 68–68v
Genres: Motet
68v–69v Ecce dies venient - 1a pars (of 2): Ecce dies venient -
Appears on: 68v–69v
Genres: Motet
70–71 Ecce dies venient - 2a pars (of 2): In diebus illis -
Appears on: 70–71
Genres: Motet
71–72v Advenisti desiserabilis -
Appears on: 71–72v
Genres: Motet
72v–73 Beatus Laurentius - 1a pars (of 2): Beatus Laurentius orabat -
Appears on: 72v–73
Genres: Motet
General Note

Bassus part

73v Beatus Laurentius - 2a pars (of 2): Quia accusatus -
Appears on: 73v
Genres: Motet
General Note

Bassus part

74 Libera me Domine ab homine maligno (5vv) -
Appears on: 74
Genres: Motet
General Note

No music is copied. The words to be sung are written out in groups of 4 syllables. Canon: 'Canon alternis cadit et surgit gradibus Tetrachordum Synemmenon, brevibus trinis tot et antea mussat.' (Gottwald explains: "the Tetrachordum excellentiam, transposed here to a-b-c'-d', is sung alternately falling and rising, with each tone having the value of three breves. Before each 'cycle'a pause of three breves is to be inserted, also at the beginning. As a concept, Heugel's motet corresponds to that of Ghiselin-Verbonnet's hexachord Mass 'De les armes'.")

74v–76 Pangite Castalides - 1a pars (of 2): Pangite Castalides gratantia carmina -
Appears on: 74v–76
Genres: Motet
76–77v Pangite Castalides - 2a pars (of 2): Auspiciis igitur -
Appears on: 76–77v
Genres: Motet
78–80 Non glorietur sapiens -
Appears on: 78–80
Genres: Motet
80–81 Frange esuriente panem -
Appears on: 80–81
Genres: Motet
81v–82 Michael praepositus - 1a pars (of 2): Michael praepositus paradisi -
Appears on: 81v–82
Genres: Motet
General Note

marked 'Altus Secundus'

82–82v Michael praepositus - 2a pars (of 2): Niger sum sed formosus -
Appears on: 82–82v
Genres: Motet
General Note

Altus Secundus

83–83v Vide cui fides - 1a pars (of 2): Vide cui fides. Vivendum caute -
Appears on: 83–83v
Genres: Motet
84–84v Vide cui fides - 2a pars (of 2): Vide cui fides. Melleus est sermo -
Appears on: 84–84v
Genres: Motet
85–85v Vivendum caute - 1a pars (of 2): Vivendum caute fallaz est frontis -
Appears on: 85–85v
Genres: Motet
General Note

Canon: Maxmia praetereo, per parva silentia servo. (The same canon in Altus.) Heugel means that the piece can be sung in two ways, as written or eliminating the breve & semibreve rests. (Cf. Moulu's famous Missa Alma redemptoris setting.)

85v–86 Vivendum caute - 2a pars (of 2): Melleus est sermo -
Appears on: 85v–86
Genres: Motet
86–86v Ito bonis avibus -
Appears on: 86–86v
Genres: Motet
86v–87 Cavendum est ne assentatoribus - Ab insidiis asulatorum -
Appears on: 86v–87
Genres: Motet
General Note

the music on f. 86v is written with 4 time-signatures; a 'resolutio' is rwritten out on f. 47

87v–88 Ad Dominum - 1a pars (of 2): Ad Dominum in tribulatione mea -
Appears on: 87v–88
Genres: Motet
88v–89 Ad Dominum - 2a pars (of 2): Heu mihi qui incola fui -
Appears on: 88v–89
Genres: Motet
89v–90 Vester honos agitur Musae - Veni coronaberis -
Appears on: 89v–90
Genres: Motet
General Note

Vagans (with text "Veni coronaberis") copied on f. 89v with 'Canon Semiditonum age', f. 90r headed 'Resolutio' but left blank

90v–91 Tu Gerharde prior Wallenbergere -
Appears on: 90v–91
Genres: Motet
91v–92 Bonum operatus es -
Appears on: 91v–92
Genres: Motet
92v–93 Dispersit humanis -
Appears on: 92v–93
Genres: Motet
93v–94 Vendere qui nescit -
Appears on: 93v–94
Genres: Motet
94v [blank staves] - -

[blank staves]

Appears on: 94v
Composer Compositions
Anonymous
Heugel, Johannes
Composition Composers (? Uncertain) Folios / Pages
Ad Dominum - 1a pars (of 2): Ad Dominum in tribulatione mea 87v–88
Ad Dominum - 2a pars (of 2): Heu mihi qui incola fui 88v–89
Ad Dominum cum tribularer - 2a pars (of 2): Heu mihi Domine 2v–3
Advenisti desiserabilis 71–72v
Aperiens Petrus os suum 30v–31
Ascendo ad patrem meum 8
Audite me qui sequimini 10v–11
Beatus Laurentius - 1a pars (of 2): Beatus Laurentius orabat 72v–73
Beatus Laurentius - 2a pars (of 2): Quia accusatus 73v
Bethlehem non est minima 39v–40
Bonum operatus es 91v–92
Cavendum est ne assentatoribus - Ab insidiis asulatorum 86v–87
Christum regem - 1a pars (of 2): Christum regem adoremus 51v
Christum regem - 2a pars (of 2): Venite exultemus 52
Credo in Deum - 1a pars (of 2): Credo in Deum patrem 25–25v
Credo in Deum - 2a pars (of 2): Credo in spiritum sanctum 25v–26
Crux fidelis 56v–57
Da pacem Domine (I) 19
Da pacem Domine (II) 20
De caelo victoria 59v–60
Deus cor mundum 44v–45
Dies est laetitiae (5vv) 52v–53
Dispersit humanis 92v–93
Domine non sum dignus 51
Domine ostende nobis patrem (7vv) 31v–32
Dum steteritis ante reges 38v–39
Ecce ancilla Domini 1
Ecce dies venient - 1a pars (of 2): Ecce dies venient 68v–69v
Ecce dies venient - 2a pars (of 2): In diebus illis 70–71
Ego enim accepi a Domino 9v–10
Elisabeth Zachariae 33v–34
Et exultavit spiritus meus 40v–41
Felix illa dies sit ter palatine (5vv) 46v–47
Frange esuriente panem 80–81
Grates nunc omnes - 1a pars (of 2): Grates nunc omnes 42v–43
Grates nunc omnes - 2a pars (of 2): Huic oportet ut canamus 43v
Haec est voluntas - 1a pars (of 3): Haec est voluntas patris nostri 61v–62
Haec est voluntas - 2a pars (of 3): Igitur vera penitentia 62v
Haec est voluntas - 3a pars (of 3): Haec est autem vita aeterna 62v–63
In die tribulationis meae 20v
In illo tempore (5vv) - 1a pars (of 2): In illo tempore, Elizabethae impletum 54v–55
In illo tempore (5vv) - 2a pars (of 2): Et dixerunt ad illam 55v–56
In patientia vestra 44
Ingresso Zacharie 3v
Ite in orbem universum Vs. Qui crederit 37v–38
Ito bonis avibus 86–86v
Jupiter omnipotens - Sancte Mathie ora pro nobis - Die kuh schreit Muhu 52v
Libera me Domine ab homine maligno (5vv) 74
Maria Magdalena - 1a pars (of 2): Maria Magdalena et Maria Jacobi 6v
Maria Magdalena - 2a pars (of 2): Cum autem transisset 7
Media vita - 1a pars (of 4): Media vita in morte sumus 35v–36
Media vita - 2a pars (of 4): In te speraverunt patres - Sancte Deus 36
Media vita - 3a pars (of 4): Ad te claverunt - Sancte fortis 36v
Media vita - 4a pars (of 4): Ne despicias nos - Sancte et misericors 37
Memento mei Domine (5vv - I) 18v
Memento mei Domine (5vv - II) 57v
Michael praepositus - 1a pars (of 2): Michael praepositus paradisi 81v–82
Michael praepositus - 2a pars (of 2): Niger sum sed formosus 82–82v
Multa pericula passus sum 49v–50
Nisi tu Domine 1v
Non glorietur sapiens 78–80
Numquid tu es ab initio 66v–67v
O vos omnes 12v–13
Pange lingua gloriosi (I) 21v–22
Pange lingua gloriosi (II) 41v
Pangite Castalides - 1a pars (of 2): Pangite Castalides gratantia carmina 74v–76
Pangite Castalides - 2a pars (of 2): Auspiciis igitur 76–77v
Parce hospes tumulo - Fortuna desperata 45v–46
Parcere prostratis 32v–33
Pater noster / Ave Maria (6vv - II) - 2a pars (of 3): Panem nostrum quotidianum 23–23v
Pater noster / Ave Maria (6vv - II) - 1a pars (of 3): Pater noster qui es in caelis 22v–23
Pater noster / Ave Maria (6vv - II) - 3a pars (of 3): Ave Maria 23v–24v
Philippe qui videt me 42
Plorans ploravit in nocte 48v–49
Pro nuba Tisiphone thalamis - Gementes et flentes[!] 68–68v
Qua te voce - 1a pars (of 2): Qua te voce canam 58v–59
Qua te voce - 2a pars (of 2): Victori tibi de caelo victoria 59
Quas igitur laudes 47v–48v
Qui expansis manibus 4
Quia vidisti me Thoma (6vv) 34v–35
Quia vidisti me Thoma (8vv) 19v
Recordare Domine 8v
Recordare mei Domine 21
Regia cum tenui mihi - Argentum et aureum 11v–12
Salva nos Domine vigilantes (5vv) 63v–64
Salvo jure addendi 9
Sancta Maria virgo 7v
Sanctae trinitatis fidem Martinus confessus est 65v–66
Sicut dilexit - 1a pars (of 2): Sicut dilexit Senecam Paulina - Veni electa mea 64v
Sicut dilexit - 2a pars (of 2): Te iuvenis coniunx - Veni electa mea 65
Surge propera - 1a pars (of 2): Surge propera maca mea 4v–5
Surge propera - 2a pars (of 2): Ostende mihi faciem mean 5v–6
Surrexit Christus hodie (5vv) 58
Suscepimus Deus misericordiam 53v
Tradiderunt me Vs. Astiterunt reges terrae 26v–27v
Tu es Petrus 2
Tu Gerharde prior Wallenbergere 90v–91
Tu ne cadis - 1a pars (of 4): Tu ne cadis Thoma medio spolvere 13v–14
Tu ne cadis - 2a pars (of 4): Qua tu tantus 14v–15
Tu ne cadis - 3a pars (of 4): Una tamen non flexa 15v–16
Tu ne cadis - 4a pars (of 4): Iam quisiquis numeri genialia 16v–17
Urbs beata Jerusalem 18
Vae vobis scribae et Pharisaei (5vv) 60v–61
Valde honorandus est 50v
Vendere qui nescit 93v–94
Veni sancte spiritus (5vv) 54
Vester honos agitur Musae - Veni coronaberis 89v–90
Vide cui fides - 1a pars (of 2): Vide cui fides. Vivendum caute 83–83v
Vide cui fides - 2a pars (of 2): Vide cui fides. Melleus est sermo 84–84v
Vivendum caute - 1a pars (of 2): Vivendum caute fallaz est frontis 85–85v
Vivendum caute - 2a pars (of 2): Melleus est sermo 85v–86
Vivo ego dicit Dominus 17v
Vos amici mei estis (9vv) 28v–30

Set: MSS 4° Mus. 118/1-4

Type: Partbooks

No images available

D-Kl 4° Ms. Mus. 118/1

No images available

D-Kl 4° Ms. Mus. 118/3

No images available

D-Kl 4° Ms. Mus. 118/4

No images available

D-Kl 4° Ms. Mus. 118/5

denotes primary source study

[No Author] None. Catalogue of Valuable PrintedBooks, Illuminated and Other Manuscripts, Autograph Letters, etc. ... Sotheby & Co.  London: Sotheby & Co. Pages: 10. Notes: contents list (partial).

Gottwald, Clytus. 1997. Die Handschriften der Gesamthochschulbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel, Bd. 6: Manuscripta musica.  Wiesbaden.

Windh, John Ernfrid. 1971. Early Lutheran Masses. University of Illinois, Unpublished D.M.A. thesis. Pages: 139-40. Notes: physical description (partial).

Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts.  Tutzing. Pages: 139-40. Notes: physical description (partial); contents list (partial); incipits (partial).

Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik.  Kassel. Pages: VI, 342. Notes: physical description (partial); contents list (partial).

Lange, Wilhelm (compiler). 1920. Katalog der Musikalien der Landesbibliothek.  Kassel. Pages: 226. Notes: mention of MS.

Nagel, Wilibald. 1905-6. Johann Heugel (ca. 1500-1584/5). Sammelbande der Internationalen Musikgesellschaft, 80-110. Pages: 91-6. Notes: physical description (partial); contents list (partial); texts (partial).

Eitner, Robert. 1893), 149-55, 164-79, 183-204, 207-20; XXVI (1894. Das alte deutsche mehrstimmige Lied und seine Meister. Monatshefte für Musikgeschichte, 1-14,17-21,25-3. Pages: XXVI, 40. Notes: mention of MS.

Israël, Carl. 1881. Uebersichtlicher Katalog der Musikalien der ständischen Landesbibliothek zu Cassei.  Kassel. Pages: 12-6. Notes: physical description (partial); contents list.

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Daniel TROCME-LATTER

Friday, 9 April, 2021

shelfmarks for the partbooks updated (from 1-4 to 1, 3-5); and image links corrected

DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Notation Note; Foliation Note; Foliation Note; Decoration Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description