GB-Lbl Add. MS 17803 (Gyffard Partbooks)

British Library, London, England

partbook: c.1570-c.1585 (Mateer)

Archive	British Library, London, England (GB-Lbl)
Shelfmark	Add. MS 17803 (Gyffard Partbooks)
Surface	Paper
Numbering System	Foliation
Format	portrait
Measurements	204-10 x 138 mm
Other Identifiers	CCM: LonBL 17802-5
Notations	black void mensural strene
Relationships	Puttick [and Simpson], auctioneers (owner) Gyffard, Philip (owner) ? St. Paul's Cathedral (copied at)
External Links	British Library online catalogue entry
Provenance	London? England Oxford, England
Contents	157 pieces from 28 composers

General Description

A partbook from a set of four volumes; a square of parchment with the designation 'Triplex' bound at the front of the book appears to be a remnant of a limp vellum binding. (NB In the numbering of the set, the Contratenor comes before the Triplex). Copied by a single scribe. Repertory organised (with some exceptions and inconsistencies) in liturgical categories (Masses, Kyries, Alleluias, etc.); within each category, pieces are arranged in descending order of seniority of composers. Probably copied in London, for use at St. Paul's Cathedral (BaillieS). Inscriptions indicate ownership by a certain Philip Gyffard. Purchased by British Museum at a Puttick's sale in 1849.

DIAMM, 2017

Binding

Modern (1934) covers of maroon leather and cloth on cardboard.

DIAMM, 2017

Watermark

At least three: (1) grapes with stalk; at bottom a fleur-de-lis with initials 'BG'; (2) grapes with stalk, with inset initials 'DB'; (3) grapes with stalk subscribed by a motif incorporating characters '4,' 'M,' and a cross.

DIAMM, 2017

Notation

black void, except for some folios in 'strene' notation (discussed in BentN). - whole set put together by a team of two scribes, possibly supervised by a well-connected musical patron (Mateer - see McCarthy, 'Evidence', 406).

DIAMM, 2017

Foliation

Modern foliation 1-243 (excludes blank pages)

DIAMM, 2017

Foliation

Other numberings: Original numbering of pieces, 1-10; 19-40 (= #1-10 and #24-45 in BrayBM inventory).

DIAMM, 2017

Surface

paper

DIAMM, 2017

DIAMM Note

Inventory taken from Bray, Roger W: 'British Museum Add. Mss. 17802-5 (the Gyffard Part-Books): An Index and Commentary' Royal Musical Association Research Chronicle 7 (1969), pp 31-50. on pp 34-41.

DIAMM, 2017

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

12 Masses, 7 Kyries, 1 Mass Proper cycle, 13 Mass Proper sections, 5 Magnificats, 1 Te Deum, 2 psalms, 4 processional hymns, 1 Passion, 48 motets = 94

P. Alcock-1, Appleby-1, Barber-1, Blitheman-3, Bramston-1, T.? Byrd [Mr. birde]-W. Mundy-Shepherd-1, R. Cooper-1, Ensdale-1, Hake-1, Hoskins-1, Hyett-1, R. Johnson I-2, T. Knight-3, J. Mundy-1, W. Mundy-7, Okeland-1, Redford-1, Shepherd-19, Stenings-1, Tallis-7, Taverner-10, Tye-6, R. White-1, Whytbroke-1, Wilder-2, Wright-1, anon-18

4 paper partbooks (Triplex-iv + 244 + ii + iii folios, Contratenor-v + 250 + iii, Medius-iv + 242 + iii, B-iii + 227 + ii), 204-10 x 138. Some original foliation in Triplex; modern foliation (Triplex: 1-243; Contratenor: 1-243; Medius: 1-231; B: 1-222). All books contain blank folios not included in new foliation. Original numbering of pieces, 1-10; 19-40 (= #1-10 and #24-45 in BrayBM inventory). Modern (1934) covers of maroon leather and cloth on cardboard. No index.

Black void mensural notation, except for some folios in "strene" notation (discussed in BentN). Copied by a single scribe. At least three watermarks: (1) grapes with stalk; at bottom a fleur-de-lis with initials "BG"; (2) grapes with stalk, with inset initials "DB"; (3) grapes with stalk subscribed by a motif incorporating characters "4," "M," and a cross. Repertory organized (with some exceptions and inconsistencies) in liturgical categories (Masses, Kyries, Alleluias, etc.); within each category, pieces are arranged in descending order of seniority of composers.

Ca. 1540-80; most copying probably done 1553-8, during reign of Queen Mary (BrayBM); ca. 1553-80 (JosephT). Probably copied in London, for use at St. Paul's Cathedral (BaillieS). Inscriptions indicate ownership by a certain Philip Gyffard. Purchased by British Museum at a Puttick's sale in 1849.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
1r–4r	Te Deum Laudamus [K.543]	-	Anonymous
Te Deum Laudamus [K.543] Anonymous Appears on: 1r–4r Genres: Te Deum Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Te eternu[m] patre[m] General Note Annotations/Corrections: Triplex' in pencil at top, on f. 1; Notes: starts "Te eternum";
4r–5r	Asperges me I	-	Anonymous
Asperges me I Anonymous Appears on: 4r–5r Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Asparges me / Domine ysopo et mu[n]dabor General Note Annotations/Corrections: signum congruentiae twice in third and fourth line of f. 4; Notes: Antiphon before Mass except in Paschal time (Easter and Trinity). All four settings are called 'Asparges me' and have the first two words as plainsong, starting polyphony at 'Domine hyssopo';
5r–7r	Asperges me II	-	Anonymous
Asperges me II Anonymous Appears on: 5r–7r Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Asparges me Domine ysopo General Note Notes: Antiphon before Mass except in Paschal time (Easter and Trinity). All four settings are called 'Asparges me' and have the first two words as plainsong, starting polyphony at 'Domine hyssopo';
7r–9r	Asperges me III	-	Anonymous
Asperges me III Anonymous Appears on: 7r–9r Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Asparges me Domine ysopo General Note Annotations/Corrections: signum congruentiae in bottom line of f. 7 and near the verz end; Notes: Antiphon before Mass except in Paschal time (Easter and Trinity). All four settings are called 'Asparges me' and have the first two words as plainsong, starting polyphony at 'Domine hyssopo';
9v–10v	Asperges me IV	-	Anonymous
Asperges me IV Anonymous Appears on: 9v–10v Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Asparges me Domine ysopo General Note Annotations/Corrections: text corr. /add. on 'Domine' in first line; in bottom line of f, 9v, at beginning in stave 'Miserere'; in f. 10 big paste-on in middle of page, with differently spaced staves; on f. 10 'Et secu[n]du[m]' and later 'gloria patri' written on stave (on paste-on); Notes: Antiphon before Mass except in Paschal time (Easter and Trinity). All four settings are called 'Asparges me' and have the first two words as plainsong, starting polyphony at 'Domine hyssopo';
10v–12v	Pater Noster	Master philippes	Van Wilder, Phillip
Pater Noster Van Wilder, Phillip Appears on: 10v–12v Source Attribution: Master philippes Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: g2 Voice Text: Paster noster General Note Notes: Sung at second appearance in Mass? [published Amsterdam 1554];
13r–13v	Kyrie Leroy	mr taberner	Taverner, John
Kyrie Leroy Taverner, John Appears on: 13r–13v Source Attribution: mr taberner Voice: [no designation] Languages: Latin Mensuration: c-dot Clef: c1 Voice Text: ley roy kyri / kyry e leyson
13v–14r	Kyrie	-	Hyett
Kyrie Hyett Appears on: 13v–14r Voice: [no designation] Languages: Latin Mensuration: c-dot Clef: g2 Voice Text: kyry e leyson
14r–14v	Alleluia [Verse: Salve Virgo]	mr Tau[er]nor	Taverner, John
Alleluia [Verse: Salve Virgo] Taverner, John Appears on: 14r–14v Source Attribution: mr Tau[er]nor Voice: [no designation] Languages: Latin Clef: g2 Voice Text: Alleluy-luya General Note Annotations/Corrections: note corr. in bottom line of f. 14;
14v–15r	Alleluia [Verse: Veni electa]	mr Tau[er]nor	Taverner, John
Alleluia [Verse: Veni electa] Taverner, John Appears on: 14v–15r Source Attribution: mr Tau[er]nor Voice: [no designation] Languages: Latin Clef: g2 Voice Text: Alleluya General Note Notes: Music ends on first line of f. 15, the rest of that folio, and f. 15v have blank staves; this is followed by another folio with blank staves on both sides, formerly numbered '16'; the following f. 17 also has blank staves on the recto - the number is now changed to '16' (in pencil) and the following folio numbers are also changed accordingly;
16v–17r	Kyrie	Doctor Tye	Tye, Christopher (ca. 1505–ca. 1573)
Kyrie Tye, Christopher (ca. 1505–ca. 1573) Appears on: 16v–17r Source Attribution: Doctor Tye Voice: [no designation] Languages: Latin Clef: g1 Voice Text: Kyrye leyson
17r	Alleluia [Verse: Per Te Dei]	Docter Tye	Tye, Christopher (ca. 1505–ca. 1573)
Alleluia [Verse: Per Te Dei] Tye, Christopher (ca. 1505–ca. 1573) Appears on: 17r Source Attribution: Docter Tye Voice: [no designation] Languages: Latin Clef: g1 Voice Text: Alleluya
17v–18v	Kyrie	mr Wyllyam Mondy	Mundy, William (ca. 1528–ca. 1591)
Kyrie Mundy, William (ca. 1528–ca. 1591) Appears on: 17v–18v Source Attribution: mr Wyllyam Mondy Voice: [no designation] Languages: Latin Clef: g2 Voice Text: Kyry e leyson General Note Canon/Gimels: gimell' in bototm line of f. 17v and in third line of f. 18; Annotations/Corrections: sharps added later in bottom line of f. 17v, in seocnd line of f. 18 and in bottom line of f. 18;
18v–19r	Alleluia [Verse: Post partum]	master mondy	Mundy, William (ca. 1528–ca. 1591)
Alleluia [Verse: Post partum] Mundy, William (ca. 1528–ca. 1591) Appears on: 18v–19r Source Attribution: master mondy Voice: [no designation] Languages: Latin Clef: g2 Voice Text: Alleluya
19r–19v	Kyrie	Master Hacke; at end: mr Hake	Hake, John
Kyrie Hake, John Appears on: 19r–19v Source Attribution: Master Hacke; at end: mr Hake Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: g2 Voice Text: Kyry e leyson General Note Annotations/Corrections: some scribbles at the bottom of f. 19;
19v	Alleluia [Verse: Per Te Dei]	mr mondy	Mundy, William (ca. 1528–ca. 1591)
Alleluia [Verse: Per Te Dei] Mundy, William (ca. 1528–ca. 1591) Appears on: 19v Source Attribution: mr mondy Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Alleluya General Note Annotations/Corrections: note/stem corr. in last line;
20r	Kyrie	mr ocland	Okeland, Robert
Kyrie Okeland, Robert Appears on: 20r Source Attribution: mr ocland Voice: [no designation] Languages: Latin Clef: g2 Voice Text: Kyrye kyry e leyson General Note Notes: oblong box at end of piece closing the stave;
20v	Alleluia [Verse: Obtine sacris]	mr Knighte	Knight, Robert
Alleluia [Verse: Obtine sacris] Knight, Robert Appears on: 20v Source Attribution: mr Knighte Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: g2 Voice Text: Alleluya
21r–21v	Alleluia [Verse: Ora pro nobis]	master Talles	Tallis, Thomas (ca. 1505–1585)
Alleluia [Verse: Ora pro nobis] Tallis, Thomas (ca. 1505–1585) Appears on: 21r–21v Source Attribution: master Talles Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: g2 Voice Text: Alleluya
21v–22r	Alleluia [Verse: Per Te Dei]	master shep[er]de	Sheppard, John (ca. 1515–1558)
Alleluia [Verse: Per Te Dei] Sheppard, John (ca. 1515–1558) Appears on: 21v–22r Source Attribution: master shep[er]de Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Alleluya
22r	Alleluia [Verse: Posuisti Domine]	master sheperde	Sheppard, John (ca. 1515–1558)
Alleluia [Verse: Posuisti Domine] Sheppard, John (ca. 1515–1558) Appears on: 22r Source Attribution: master sheperde Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Alleluya
22v	Alleluia [Verse: Virtutes caeli]	master shep[er]de	Sheppard, John (ca. 1515–1558)
Alleluia [Verse: Virtutes caeli] Sheppard, John (ca. 1515–1558) Appears on: 22v Source Attribution: master shep[er]de Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Alleluya
22v	Alleluia [Verse: Veni electa]	master shep[er]de	Sheppard, John (ca. 1515–1558)
Alleluia [Verse: Veni electa] Sheppard, John (ca. 1515–1558) Appears on: 22v Source Attribution: master shep[er]de Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Alleluya
23r	[blank staves]	-	-
[blank staves] Appears on: 23r
23v–26r	The Western Wynde Mass: Gloria	mr tauerner	Taverner, John
The Western Wynde Mass: Gloria Taverner, John Appears on: 23v–26r Source Attribution: mr tauerner Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: g2 Voice Text: The Western Wynde / Et in terra pax General Note Annotations/Corrections: note/stem corr. in to pline of f. 24; two sharps in second line of f. 24v possibly entered later;
26r–29r	The Western Wynde Mass: Credo	-	Taverner, John
The Western Wynde Mass: Credo Taverner, John Appears on: 26r–29r Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: g2 Voice Text: patrem / Patrem o[m]nipotentem General Note Annotations/Corrections: note/stem corr. in secone line of f. 26v and in bottom line of f. 29v;
29r–30v	The Western Wynde Mass: Sanctus	-	Taverner, John
The Western Wynde Mass: Sanctus Taverner, John Appears on: 29r–30v Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: g2 Voice Text: Sanct[us] / Sanct[us] sanct[us] sanct[us]
30v–31v	The Western Wynde Mass: Benedictus	-	Taverner, John
The Western Wynde Mass: Benedictus Taverner, John Appears on: 30v–31v Voice: [no designation] Languages: Latin Clef: g2 Voice Text: Benedict[us] / Benedict[us] qui venit
31v–34r	The Western Wynde Mass: Agnus dei	-	Taverner, John
The Western Wynde Mass: Agnus dei Taverner, John Appears on: 31v–34r Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: g2 Voice Text: Agn[us] / Agn[us] dei General Note Annotations/Corrections: last three lines of f. 32 have ocloration, in bottom line twice a '2' under second note of a ligature; on f. 32v twice '32' under note; on f. 33v in bottom line '2' under second note of ligature and the same towards the end, on f. 34;
34r–36v	The Western Wynde Mass: Gloria	docter Tye	Tye, Christopher (ca. 1505–ca. 1573)
The Western Wynde Mass: Gloria Tye, Christopher (ca. 1505–ca. 1573) Appears on: 34r–36v Source Attribution: docter Tye Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: g2 Voice Text: The Western Wynde / General Note Annotations/Corrections: note/stem corr. in second line, on f. 34 and in fourth line of f. 34v; in penultimate line of f. 35 at the end a precautionary accidental (a sharp, which comes also at the beginning of the next line);
36v–39v	The Western Wynde Mass: Credo	-	Tye, Christopher (ca. 1505–ca. 1573)
The Western Wynde Mass: Credo Tye, Christopher (ca. 1505–ca. 1573) Appears on: 36v–39v Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: g2 Voice Text: patrem / Patre[m] o[m]nipotentem General Note Annotations/Corrections: in penultimate line, on f. 39v, '2i' under first note of ligature; in bottom line half-colorated ligature;
40r–41r	The Western Wynde Mass: Sanctus	-	Tye, Christopher (ca. 1505–ca. 1573)
The Western Wynde Mass: Sanctus Tye, Christopher (ca. 1505–ca. 1573) Appears on: 40r–41r Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: g2 Voice Text: sanctus / Sanct[us] sanct[us] sanctus General Note Annotations/Corrections: note/stem corr. just before end; Notes: title actually at the bottom of f. 39v;
41v–42r	The Western Wynde Mass: Benedictus	-	Tye, Christopher (ca. 1505–ca. 1573)
The Western Wynde Mass: Benedictus Tye, Christopher (ca. 1505–ca. 1573) Appears on: 41v–42r Voice: [no designation] Languages: Latin Clef: g2 Voice Text: Benedictus / Benedict[us] q[u]i venit / In nomine domini General Note Annotations/Corrections: corr. in top line of f. 41v; Notes: title actually at the bottom of f. 41; music begins only with 'In nomine', the text before is merely under pauses;
42r–43v	The Western Wynde Mass: Agnus dei	-	Tye, Christopher (ca. 1505–ca. 1573)
The Western Wynde Mass: Agnus dei Tye, Christopher (ca. 1505–ca. 1573) Appears on: 42r–43v Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: g2 Voice Text: Agnus / Agn[us] dei
44r–45v	The Western Wynde Mass: Gloria	master sheperd	Sheppard, John (ca. 1515–1558)
The Western Wynde Mass: Gloria Sheppard, John (ca. 1515–1558) Appears on: 44r–45v Source Attribution: master sheperd Voice: [no designation] Languages: Latin Clef: g2 Voice Text: The Western Wynde / Et in terra pax General Note Annotations/Corrections: text corr. in penultimate line of f. 44;
45v–48r	The Western Wynde Mass: Credo	-	Sheppard, John (ca. 1515–1558)
The Western Wynde Mass: Credo Sheppard, John (ca. 1515–1558) Appears on: 45v–48r Voice: [no designation] Languages: Latin Clef: g2 Voice Text: Patrem / Patre[m] o[m]nipotentem General Note Annotations/Corrections: text corr. in top line of f. 47v;
48r–49r	The Western Wynde Mass: Sanctus	-	Sheppard, John (ca. 1515–1558)
The Western Wynde Mass: Sanctus Sheppard, John (ca. 1515–1558) Appears on: 48r–49r Voice: [no designation] Languages: Latin Clef: g2 Voice Text: sanctus / Sanctu sanctus sanctus
49r–49v	The Western Wynde Mass: Benedictus	-	Sheppard, John (ca. 1515–1558)
The Western Wynde Mass: Benedictus Sheppard, John (ca. 1515–1558) Appears on: 49r–49v Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: g2 Voice Text: benedict[us] / Benedict[us] qui venit General Note Annotations/Corrections: note/stem corr. in first line, on f. 49;
49v–50v	The Western Wynde Mass: Agnus dei	at end 'mr shep[er]de'	Sheppard, John (ca. 1515–1558)
The Western Wynde Mass: Agnus dei Sheppard, John (ca. 1515–1558) Appears on: 49v–50v Source Attribution: at end 'mr shep[er]de' Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: g2 Voice Text: Agn[us] / Agn[us] dei General Note Annotations/Corrections: note/stem corr. in second line of f. 50;
51r–53r	The French Mass: Gloria	mr sheperde	Sheppard, John (ca. 1515–1558)
The French Mass: Gloria Sheppard, John (ca. 1515–1558) Appears on: 51r–53r Source Attribution: mr sheperde Voice: [no designation] Languages: Latin Mensuration: cut-o Clef: g1 Voice Text: The ffrench masse / Et in terra pax General Note Notes: the 'h' in 'ffrench' is not very clear - rather like a 't' or 'f';
53r–56r	The French Mass: Credo	-	Sheppard, John (ca. 1515–1558)
The French Mass: Credo Sheppard, John (ca. 1515–1558) Appears on: 53r–56r Voice: [no designation] Languages: Latin Mensuration: cut-o Clef: g1 Voice Text: patrem / Patre[m] om[n]ipotentem General Note Annotations/Corrections: text cor.r in fourth line of f. 53; two note/stem corr. in bottom line of f. 53;
56r–57r	The French Mass: Sanctus	-	Sheppard, John (ca. 1515–1558)
The French Mass: Sanctus Sheppard, John (ca. 1515–1558) Appears on: 56r–57r Voice: [no designation] Languages: Latin Clef: g1 Voice Text: Sanctus / Sanct[us] sanct[us] sanctus
57r–57v	The French Mass: Benedictus	-	Sheppard, John (ca. 1515–1558)
The French Mass: Benedictus Sheppard, John (ca. 1515–1558) Appears on: 57r–57v Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: g1 Voice Text: Benedictus / Benedict[us] q[u]i venit
57v–58v	The French Mass: Agnus dei	at end 'mr shep[er]de'	Sheppard, John (ca. 1515–1558)
The French Mass: Agnus dei Sheppard, John (ca. 1515–1558) Appears on: 57v–58v Source Attribution: at end 'mr shep[er]de' Voice: [no designation] Languages: Latin Mensuration: cut-o Clef: g1 Voice Text: Agnus / Agn[us] dei
59r–61r	Mass 'Be not afraid': Gloria	mr shep[er]de	Sheppard, John (ca. 1515–1558)
Mass 'Be not afraid': Gloria Sheppard, John (ca. 1515–1558) Appears on: 59r–61r Source Attribution: mr shep[er]de Voice: [no designation] Languages: Latin Clef: c4 Voice Text: be not Afraide / Et in terra pax General Note Annotations/Corrections: text corr. in second line of f. 60v;
61r–63v	Mass 'Be not afraid': Credo	-	Sheppard, John (ca. 1515–1558)
Mass 'Be not afraid': Credo Sheppard, John (ca. 1515–1558) Appears on: 61r–63v Voice: [no designation] Languages: Latin Clef: c4 Voice Text: patre[m] / Patre[m] o[m]nipotente[m]
63v–65r	Mass 'Be not afraid': Sanctus	-	Sheppard, John (ca. 1515–1558)
Mass 'Be not afraid': Sanctus Sheppard, John (ca. 1515–1558) Appears on: 63v–65r Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Sanct[us] / Sanct[us] sanct[us] sanct[us]
65r–66v	Mass 'Be not afraid': Benedictus	-	Sheppard, John (ca. 1515–1558)
Mass 'Be not afraid': Benedictus Sheppard, John (ca. 1515–1558) Appears on: 65r–66v Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Benedict[us] / Benedictus [...] q[u]i venit
66v–68r	Mass 'Be not afraid': Agnus dei	-	Sheppard, John (ca. 1515–1558)
Mass 'Be not afraid': Agnus dei Sheppard, John (ca. 1515–1558) Appears on: 66v–68r Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Agn[us] / Agn[us] dei General Note Annotations/Corrections: on f. 67, M of 'Miserere' crossed out; Notes: from here onwards, again only one folio number (in ink), not more pencil ones;
68v–70v	Mass for Four Voices: Gloria	Mr talles	Tallis, Thomas (ca. 1505–1585)
Mass for Four Voices: Gloria Tallis, Thomas (ca. 1505–1585) Appears on: 68v–70v Genres: Gloria (et in terra pax), Mass Ordinary Source Attribution: Mr talles Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Et in terra pax General Note Annotations/Corrections: clef corr. from C4 to C3 on all five staves of f. 68v; note/stem corr. in third line of f. 69 and in fourth line of f. 69v; Notes: C-clef throughout this mass is merely semi-circle;
70v–73r	Mass for Four Voices: Credo	-	Tallis, Thomas (ca. 1505–1585)
Mass for Four Voices: Credo Tallis, Thomas (ca. 1505–1585) Appears on: 70v–73r Genres: Credo (patrem omnipotentem), Mass Ordinary Voice: [no designation] Languages: Latin Clef: c3 Voice Text: patrem / Patre[m] omnipotente[m] General Note Annotations/Corrections: text corr. in third line of f. 73;
73v–74r	Mass for Four Voices: Sanctus	-	Tallis, Thomas (ca. 1505–1585)
Mass for Four Voices: Sanctus Tallis, Thomas (ca. 1505–1585) Appears on: 73v–74r Genres: Mass Ordinary, Sanctus [& Benedictus] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Sanctus / Sanct[us] sanct[us] Sanct[us] General Note Notes: title actually at bottom of f. 73;
74r–75r	Mass for Four Voices: Benedictus	-	Tallis, Thomas (ca. 1505–1585)
Mass for Four Voices: Benedictus Tallis, Thomas (ca. 1505–1585) Appears on: 74r–75r Genres: Mass Ordinary, Sanctus [& Benedictus] Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Benedictus / Benedict[us] q[u]i venit General Note Annotations/Corrections: note/stem corr. in bottom line of f. 74v;
75r–76r	Mass for Four Voices: Agnus dei	-	Tallis, Thomas (ca. 1505–1585)
Mass for Four Voices: Agnus dei Tallis, Thomas (ca. 1505–1585) Appears on: 75r–76r Genres: Agnus Dei, Mass Ordinary Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Agnn[us] / Agn[us] dei
76v–78v	Plainsong Mass: Gloria	mr tauerner	Taverner, John
Plainsong Mass: Gloria Taverner, John Appears on: 76v–78v Source Attribution: mr tauerner Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: plensong masse / Et in terra pax General Note Annotations/Corrections: gap in the music in fourth line of f. 77 (words entered, but not notes on stave); third line of f. 77v extended into margin;
78v–81r	Plainsong Mass: Credo	-	Taverner, John
Plainsong Mass: Credo Taverner, John Appears on: 78v–81r Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Patre[m] omnipote[n]te[m] General Note Notes: no gap between Gloria and Credo (merely a barline);
81r–82r	Plainsong Mass: Sanctus	-	Taverner, John
Plainsong Mass: Sanctus Taverner, John Appears on: 81r–82r Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Sanct[us] / Sanct[us] sanct[us] sanct[us]
82r–83r	Plainsong Mass: Benedictus	-	Taverner, John
Plainsong Mass: Benedictus Taverner, John Appears on: 82r–83r Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Benedictus q[u]i venit General Note Notes: no extra key: there is no gap at all between the Sanctus and the Benedictus, merely a barline;
83r–84v	Plainsong Mass: Agnus dei	-	Taverner, John
Plainsong Mass: Agnus dei Taverner, John Appears on: 83r–84v Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Agn[us] / Agn[us] dei General Note Annotations/Corrections: text corr. at beginning (after 'dei');
85r	Plainsong Mass for a Mean: Kyrie	Mr sheperde	Sheppard, John (ca. 1515–1558)
Plainsong Mass for a Mean: Kyrie Sheppard, John (ca. 1515–1558) Appears on: 85r Source Attribution: Mr sheperde Voice: [no designation] Languages: Latin Mensuration: cut-o Clef: c2 Voice Text: playnsong masse for a Mene / Kyrye eleyson General Note Notes: Notation different to preceding pieces;
85r–86r	Plainsong Mass for a Mean: Gloria	-	Sheppard, John (ca. 1515–1558)
Plainsong Mass for a Mean: Gloria Sheppard, John (ca. 1515–1558) Appears on: 85r–86r Voice: [no designation] Languages: Latin Clef: c2 Voice Text: laudam[us] te General Note Annotations/Corrections: at the end of the third line on f. 85v: last note and syllable added;
86r–87v	Plainsong Mass for a Mean: Credo	-	Sheppard, John (ca. 1515–1558)
Plainsong Mass for a Mean: Credo Sheppard, John (ca. 1515–1558) Appears on: 86r–87v Voice: [no designation] Languages: Latin Clef: c2 Voice Text: patrem / Et in vnu[m] dominu[m] General Note Notes: finishes with 'resurrexione[m] mortuor[m]'; i.e. final words not set;
87v	Plainsong Mass for a Mean: Sanctus	-	Sheppard, John (ca. 1515–1558)
Plainsong Mass for a Mean: Sanctus Sheppard, John (ca. 1515–1558) Appears on: 87v Voice: [no designation] Languages: Latin Clef: c2 Voice Text: sact[us] / Pleni su[n]t celi
88r	Plainsong Mass for a Mean: Benedictus	-	Sheppard, John (ca. 1515–1558)
Plainsong Mass for a Mean: Benedictus Sheppard, John (ca. 1515–1558) Appears on: 88r Voice: [no designation] Languages: Latin Clef: c2 Voice Text: benedict[us] / Benedictus benedict[us] q[u]i venit General Note Notes: title actually at bottom of f. 87v;
88v	Plainsong Mass for a Mean: Agnus dei	at end 'master Jhon shep[er]de'	Sheppard, John (ca. 1515–1558)
Plainsong Mass for a Mean: Agnus dei Sheppard, John (ca. 1515–1558) Appears on: 88v Source Attribution: at end 'master Jhon shep[er]de' Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Agn[us] / Agn[us] dei General Note Notes: title actually at bottom of f. 88; final note split (D-G);
89r–89v	Mass for a Mean: Kyrie	mr applebye	Appleby, Thomas
Mass for a Mean: Kyrie Appleby, Thomas Appears on: 89r–89v Source Attribution: mr applebye Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: for A mene / Kyrye leyson
89v	Mass for a Mean: Alleluia	-	Appleby, Thomas
Mass for a Mean: Alleluia Appleby, Thomas Appears on: 89v Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Alleluya
89v–92v	Mass for a Mean: Gloria	-	Appleby, Thomas
Mass for a Mean: Gloria Appleby, Thomas Appears on: 89v–92v Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Et in terra / Et in terra pax
92v–95v	Mass for a Mean: Credo	-	Appleby, Thomas
Mass for a Mean: Credo Appleby, Thomas Appears on: 92v–95v Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: patre[m] / Patrem o[m]nipote[n]te[m] General Note Annotations/Corrections: note/stem corr. in second line of piece, on f. 92v; Notes: from f. 93v onwards several pencil lines for outer margins;
95v–97r	Mass for a Mean: Sanctus	-	Appleby, Thomas
Mass for a Mean: Sanctus Appleby, Thomas Appears on: 95v–97r Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Sanctus / Sanctu sanctus Sanctus
97r–98r	Mass for a Mean: Benedictus	-	Appleby, Thomas
Mass for a Mean: Benedictus Appleby, Thomas Appears on: 97r–98r Voice: [no designation] Languages: Latin Clef: c2 Voice Text: benedict[us] / Benedict[us] [...] q[u]i venit
98r–100v	Mass for a Mean: Agnus dei	at end 'mr Applebye'	Appleby, Thomas
Mass for a Mean: Agnus dei Appleby, Thomas Appears on: 98r–100v Source Attribution: at end 'mr Applebye' Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Agn[us] / Agn[us] dei General Note Annotations/Corrections: some illegible pencil annotation over composer's name at the end; Notes: three repeated notes in seocnd line of f. 100;
101r	Audivi vocem de caelo	mr taverner	Taverner, John
Audivi vocem de caelo Taverner, John Appears on: 101r Source Attribution: mr taverner Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: g2 Voice Text: In die o[m]niu[m] sanctoru[m] Audivi / Audivi / medianocte General Note Annotations/Corrections: in bottom line of f. 101, '4' under last note of ligature; Notes: 8th Respond at Matins, All Saints;
101v–102r	Audivi vocem de caelo	mr Talles	Tallis, Thomas (ca. 1505–1585)
Audivi vocem de caelo Tallis, Thomas (ca. 1505–1585) Appears on: 101v–102r Source Attribution: mr Talles Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Audivi mr Talles / Audivi [...] / media nocte General Note Notes: lots of blank space on top of f. 101v; 8th Respond at Matins, All Saints;
102v–103r	Audivi vocem de caelo	mr shep[er]de	Sheppard, John (ca. 1515–1558)
Audivi vocem de caelo Sheppard, John (ca. 1515–1558) Appears on: 102v–103r Source Attribution: mr shep[er]de Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Audiui mr shep[er]de / Audivi / medianocte General Note Notes: C-clef just a semi-circle; 8th Respond at Matins, All Saints;
103v–104r	[Hodie] Gloria in excelsis	docter cooper	Cowper (Cooper), Robert (ca. 1474–ca. 1540)
[Hodie] Gloria in excelsis Cowper (Cooper), Robert (ca. 1474–ca. 1540) Appears on: 103v–104r Source Attribution: docter cooper Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: In die Natalis d[omi]ni / gloria In excelsis deo General Note Annotations/Corrections: ink stains on f. 103v-104; 'note/stem corr. and '2i' under note in second line of f. 103v; Notes: 1st Respond at Matins, Christmas;
104v–105v	[Hodie] Gloria in excelsis	mr taverner	Taverner, John
[Hodie] Gloria in excelsis Taverner, John Appears on: 104v–105v Source Attribution: mr taverner Voice: [no designation] Languages: Latin Mensuration: cut-o Clef: g2 Voice Text: gloria In excelsis deo General Note Annotations/Corrections: 4' under fourth line of f. 104v; Notes: 1st Respond at Matins, Christmas;
105v–106r	[Hodie] Gloria in excelsis	mr tallis	Tallis, Thomas (ca. 1505–1585)
[Hodie] Gloria in excelsis Tallis, Thomas (ca. 1505–1585) Appears on: 105v–106r Source Attribution: mr tallis Voice: [no designation] Languages: Latin Clef: c5 Voice Text: hodie / gloira In excelsis deo General Note Notes: C-clef is only semi-circle; 1st Respond at Matins, Christmas;
106r–106v	[Hodie] Gloria in excelsis	mr shep[er]de	Sheppard, John (ca. 1515–1558)
[Hodie] Gloria in excelsis Sheppard, John (ca. 1515–1558) Appears on: 106r–106v Source Attribution: mr shep[er]de Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: g2 Voice Text: gloria In excelsis deo General Note Notes: 1st Respond at Matins, Christmas;
107r–107v	In pace in idipsum	mr taverner	Taverner, John
In pace in idipsum Taverner, John Appears on: 107r–107v Source Attribution: mr taverner Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: iij men and A childe / In pace / Sidedero General Note Notes: Respond at Compline, Lent I to Passion Sunday;
107r–109r	In pace in idipsum	mr tallis	Tallis, Thomas (ca. 1505–1585)
In pace in idipsum Tallis, Thomas (ca. 1505–1585) Appears on: 107r–109r Source Attribution: mr tallis Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: g2 Voice Text: In pace / sidede General Note Annotations/Corrections: erasure in third line of f. 108; Notes: Respond at Compline, Lent I to Passion Sunday;
109r–110r	In pace in idipsum	mr shep[er]de	Sheppard, John (ca. 1515–1558)
In pace in idipsum Sheppard, John (ca. 1515–1558) Appears on: 109r–110r Source Attribution: mr shep[er]de Voice: [no designation] Languages: Latin Mensuration: cut-o Clef: g2 Voice Text: In pace in pace / sidedero General Note Notes: Respond at Compline, Lent I to Passion Sunday;
110r–110v	In pace in idipsum	master blytheman	Blitheman, John
In pace in idipsum Blitheman, John Appears on: 110r–110v Source Attribution: master blytheman Voice: [no designation] Languages: Latin Clef: g2 Voice Text: In pace / Sidedero General Note Notes: Respond at Compline, Lent I to Passion Sunday;
111r–112r	In pace in idipsum	docter Tye	Tye, Christopher (ca. 1505–ca. 1573)
In pace in idipsum Tye, Christopher (ca. 1505–ca. 1573) Appears on: 111r–112r Source Attribution: docter Tye Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: In pace / Sidedero General Note Annotations/Corrections: note corr. at end of third line on f. 111; Notes: Respond at Compline, Lent I to Passion Sunday;
112r–112v	In manus tuas I	mr shep[er]de	Sheppard, John (ca. 1515–1558)
In manus tuas I Sheppard, John (ca. 1515–1558) Appears on: 112r–112v Source Attribution: mr shep[er]de Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: g2 Voice Text: In man[us] / In man[us] tuas General Note Annotations/Corrections: in outer bottom corner off f. 112, in different ink: 'this is [...]ff'; Notes: Respond at Compline, Passion Sunday to Maundy Thursday;
112v–113r	In manus tuas II	mr shep[er]de	Sheppard, John (ca. 1515–1558)
In manus tuas II Sheppard, John (ca. 1515–1558) Appears on: 112v–113r Source Attribution: mr shep[er]de Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: In manu[us] Corus / Domine Comme[n]do General Note Notes: Respond at Compline, Passion Sunday to Maundy Thursday;
113r–113v	In manus tuas III	mr shep[er]d	Sheppard, John (ca. 1515–1558)
In manus tuas III Sheppard, John (ca. 1515–1558) Appears on: 113r–113v Source Attribution: mr shep[er]d Voice: [no designation] Languages: Latin Clef: c3 Voice Text: In manu[us] Corus / Domine Co[m]me[n]do General Note Notes: Respond at Compline, Passion Sunday to Maundy Thursday;
113v–114r	Exsurge Christe	-	Mundy, William (ca. 1528–ca. 1591)
Exsurge Christe Mundy, William (ca. 1528–ca. 1591) Appears on: 113v–114r Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Exurge xpe [= Christe]
114r–116r	Nos alium Deum nescimus	-	Anonymous
Nos alium Deum nescimus Anonymous Appears on: 114r–116r Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Nos aliu[m] / Deu[m] nescim[us] General Note Annotations/Corrections: towards the end signum congruentiae and continuation marks over 'finis'; Notes: Nos aliu[m]' in plainchant notation with different C4-clef: seemingly abbreviated, only beginning noted, then curly lines; 8th Respond for Sundays in Historia Tobit;
116r–116v	O Salutaris hostia	-	Anonymous
O Salutaris hostia Anonymous Appears on: 116r–116v Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: O salutaris hostia
117r–118v	Libera me Domine	mr white (at end)	White, Robert (ca. 1538–1574)
Libera me Domine White, Robert (ca. 1538–1574) Appears on: 117r–118v Source Attribution: mr white (at end) Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: libera me / Domine de morte eterna General Note Annotations/Corrections: signum congruentiae in fourth/fifth line of f. 117 and on top of f. 117v; at end of f. 117v 'q[u]a[n]ndo] written in stave; Notes: libera me' in plainchant notation with C4 clef on additional stave at the top of the page; bigger gap to the left of the first line (as if for title or similar); 9th Respond at Matins for the Dead;
118v–120r	Gloria laus	doctor Tyye; at end 'd Tye'	Tye, Christopher (ca. 1505–ca. 1573)
Gloria laus Tye, Christopher (ca. 1505–ca. 1573) Appears on: 118v–120r Source Attribution: doctor Tyye; at end 'd Tye' Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: g2 Voice Text: Gloria laus et honor tibi General Note Notes: music ends in third stave of page, but the two staves below also have clefs and flats; Processional Hymn, Palm Sunday;
120v–127v	Passion [St Matthew]	-	Anonymous
Passion [St Matthew] Anonymous Appears on: 120v–127v Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: The passion / Passio d[omi]ni nostri Jesu Cristi decu[n]du[m] matheu[m] General Note Annotations/Corrections: corr. in second line of f. 124v?; Notes: writing of text (and music?) different to previous items (thinner and sharper); music ends on penultimate line of f. 127v, but final (blank) stave has clef and flat; followed by an unnumbered folio with blank staves on both sides;
128r–129v	Gloria laus I	mr blythman	Blitheman, John
Gloria laus I Blitheman, John Appears on: 128r–129v Source Attribution: mr blythman Voice: [no designation] Languages: Latin Mensuration: cut-o Clef: g2 Voice Text: glorialaus / Gloria las et honor tibi General Note Notes: Processional Hymn, Palm Sunday;
130r–131r	Gloria laus II	mr blitheman	Blitheman, John
Gloria laus II Blitheman, John Appears on: 130r–131r Source Attribution: mr blitheman Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: g2 Voice Text: glorialaus / Gloria laus et honor tibi General Note Annotations/Corrections: text corr. in third line of f. 130; in second to forth line of f. 130v in different notation (plainchant? - although with same key); Notes: Processional Hymn, Palm Sunday;
131r–132r	Alleluia [Verse: Confitemini]	mr shep[er]de	Sheppard, John (ca. 1515–1558)
Alleluia [Verse: Confitemini] Sheppard, John (ca. 1515–1558) Appears on: 131r–132r Source Attribution: mr shep[er]de Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Victim[e] pasce / AlleluyA / Confitemini domino General Note Notes: C-clef just a semi-circle; Alleluya, Easter Eve;
132r–134v	Christus resurgens	mr Knyght	Knight, Robert
Christus resurgens Knight, Robert Appears on: 132r–134v Source Attribution: mr Knyght Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c5 Voice Text: In die pasce / Ex mortuis Iam Iam no[n] moritur General Note Annotations/Corrections: several corr. in third line of f. 132v; Notes: Processional Antiphon, Easter Day;
134v–138v	Christus resurgens	mr Redfurde; at end 'mr Redforde'	Redford, John (–1547)
Christus resurgens Redford, John (–1547) Appears on: 134v–138v Source Attribution: mr Redfurde; at end 'mr Redforde' Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: In die pasce / Christus resurgens General Note Notes: Processional Antiphon, Easter Day;
138v–139v	Dum transisset Sabbatum	mr barbar	Barber
Dum transisset Sabbatum Barber Appears on: 138v–139v Source Attribution: mr barbar Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: In die pasce / Sabatu[m] maria magdalene General Note Notes: 3rd Respond at Matins, Easter Day;
140r–141r	Dum transisset Sabbatum	mr Johnson	Johnson (I), Robert (ca. 1500–ca. 1560)
Dum transisset Sabbatum Johnson (I), Robert (ca. 1500–ca. 1560) Appears on: 140r–141r Source Attribution: mr Johnson Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: In die pasce / Du[m] tra[n]sisset sabatu[m] General Note Notes: 3rd Respond at Matins, Easter Day;
141r–142v	Dum transisset sabbatum [I - 5vv]	master Taverner; at end: 'mr John Taverner'	Taverner, John
Dum transisset sabbatum [I - 5vv] Taverner, John Appears on: 141r–142v Genres: Motet Source Attribution: master Taverner; at end: 'mr John Taverner' Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Sabatu[m] sabatu[m] maria magdalene General Note Annotations/Corrections: signum congruentiae in top line of f. 142v; Notes: 3rd Respond at Matins, Easter Day;
143r–145r	Vidi aquam egredientem	-	Anonymous
Vidi aquam egredientem Anonymous Appears on: 143r–145r Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Vidi aqua / Egrediente[m] General Note Annotations/Corrections: signum congruentiae at beginning of top line of f. 143v; text corr. in top of f. 144v; in third line of f. 145, final note of section split (D-F), then signum congruentiae before indicated repeat; Notes: Vidi aqua' at beginning in plainchant notation with C4-clef; Antiphon before Mass, Paschal time;
145r–145v	Salve festa dies	Master sheperd	Sheppard, John (ca. 1515–1558)
Salve festa dies Sheppard, John (ca. 1515–1558) Appears on: 145r–145v Source Attribution: Master sheperd Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Salve festa dies General Note Notes: Processional Prose, Easter;
146r–148r	Sedit angelus	-	Anonymous
Sedit angelus Anonymous Appears on: 146r–148r Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Sedit A[n]gelus / Ad sepulcru[m] d[omi]ni General Note Annotations/Corrections: signum congruentiae in third line of f. 147; text corr. in penultimate line of f. 147; at very end, note split (C-E); Notes: Sedit A[n]gelus' in plainchant notation with different, C4-clef; Processional Antiphon, Easter II and Sunday before Ascension Day;
148r–149v	Viri Galilei	-	Anonymous
Viri Galilei Anonymous Appears on: 148r–149v Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: g2 Voice Text: In die ascenciome / Viri galilei / Quid admiramini General Note Annotations/Corrections: signum congruentiae in top lines of f. 149 and f. 149v; Notes: Viri galilei' in plainchant notation with C4-clef; Processional Antiphon, Ascension Day;
149v–153r	Spiritus Sanctus procedens	-	Anonymous
Spiritus Sanctus procedens Anonymous Appears on: 149v–153r Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: In die penthecostes / Spirit[us] sanctus / Spirit[us] sanct[us] procedens General Note Annotations/Corrections: signum congruentiae in second line of f. 151v; Notes: Spirit[us] sanctus' at beginning in plainchant notation with different clef (C4), but G2 and one flat noted before title; at end of top line of f. 152v (end of a section), note split (G-C) - same in top line and bottom line of f. 153 (G-C); 3re Respond at Matins, Whitsunday;
153v–154r	Kyrie	John mu[n]dye	Mundy, John (ca. 1555–1630)
Kyrie Mundy, John (ca. 1555–1630) Appears on: 153v–154r Source Attribution: John mu[n]dye Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: In die pasce / kirieleson General Note Notes: (for Easter Day);
154r–155r	Haec dies quam fecit	John ensdale	Ensdale
Haec dies quam fecit Ensdale Appears on: 154r–155r Source Attribution: John ensdale Voice: [no designation] Languages: Latin Clef: c4 Voice Text: In die pasce / Hec cies qua[m] fecit domin[us] General Note Notes: Hec' at beginning in plainchant notation with different clef (semi-circle with two dots, but apparently funcioning as a C4-clef); Gradual, Easter Day;
155v	[blank staves]	-	-
[blank staves] Appears on: 155v
156r–157r	Laudate pueri [beginning at 'Sit nomen']	mr sheparde; at end 'mr shep[er]de	Sheppard, John (ca. 1515–1558)
Laudate pueri [beginning at 'Sit nomen'] Sheppard, John (ca. 1515–1558) Appears on: 156r–157r Source Attribution: mr sheparde; at end 'mr shep[er]de Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Laudate Pueri / Sit nome[n] d[omi]ni General Note Notes: writing different to previous items; Processional Psalm (cxii) Easter Day;
157v–162r	In exitu Israel [starts 'Facta est']	mr sheparde.	Mundy, William (ca. 1528–ca. 1591) Sheppard, John (ca. 1515–1558) Byrd, William (ca. 1540–1623)
In exitu Israel [starts 'Facta est'] Mundy, William (ca. 1528–ca. 1591) Sheppard, John (ca. 1515–1558) Byrd, William (ca. 1540–1623) Appears on: 157v–162r Source Attribution: mr sheparde. Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: In exitu Israell / ffacta est iudea sanctificatio eius General Note Annotations/Corrections: on f. 159v 'mr birde'; on f. 160v 'mr mu[n]dye'; Notes: Processional Psalm (cxii) Easter Day;
162v	[blank staves]	-	-
[blank staves] Appears on: 162v General Note Notes: followed by an unnumbered folio with blank staves on both sides;
163r–166v	In nomine Jesu omne genuflectatur	-	Anonymous
In nomine Jesu omne genuflectatur Anonymous Appears on: 163r–166v Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: In nomine Jh[es]u / Omne genuflectatur General Note Annotations/Corrections: at end of third lines of f. 164 and f. 164v: 'In no[mi]ne Jh[es]u'; on f. 164v, this is also followed by 'grale'; note corr. in bottom line of f. 165; Notes: In nomine Jh[es]u' in plainchant notation with C4-clef; introit or Jesus Mass;
167r	Adjuva nos	-	Anonymous
Adjuva nos Anonymous Appears on: 167r Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Ad Juua nos / Tuu[m]
167r–167v	Alleluia	-	Anonymous
Alleluia Anonymous Appears on: 167r–167v Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Allelua / Alleluy-luy-A
167v–168r	Dulce	-	Anonymous
Dulce Anonymous Appears on: 167v–168r Voice: [no designation] Languages: Latin Clef: c3 Voice Text: dulce / Sibilu[m]
168r–169v	Dulcis Jesus Nazarenus	-	Anonymous
Dulcis Jesus Nazarenus Anonymous Appears on: 168r–169v Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Dulcis Jhesu nazeren[us] / Pro salute sue gentis General Note Notes: Dulcis Jesus nazerenus' at beginning in plainchant notation with C4-clef; in top line of f. 168v (end of a section) note split (B-D); Sequence for Jesus Mass;
169r–171v	Mass 'Apon the square': Kyrie	mr Whitbroke	Whytbroke, William
Mass 'Apon the square': Kyrie Whytbroke, William Appears on: 169r–171v Source Attribution: mr Whitbroke Voice: [no designation] Languages: Latin Mensuration: cut-o Clef: c2 Voice Text: Apo[n] ye square mayde by mr Whitbroke / Ky e ley son
171v–173v	Mass 'Apon the square': Gloria	-	Whytbroke, William
Mass 'Apon the square': Gloria Whytbroke, William Appears on: 171v–173v Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Et in tera / Laudam[us] te General Note Notes: Et in terra' is under pauses, music beginning only with 'Laudam[us] te';
173v–176v	Mass 'Apon the square': Credo	-	Whytbroke, William
Mass 'Apon the square': Credo Whytbroke, William Appears on: 173v–176v Voice: [no designation] Languages: Latin Mensuration: c-dot Clef: c1 Voice Text: Patre[m] o[m]nipote[n]te[m] / Visibiliu[m] o[m]niu[m] General Note Annotations/Corrections: 32' under note in second line of f. 174v; dots over notes and clef corr. in two bottom lines of f. 174v; Notes: Patre[m] o[m]nipote[n]te[m]' in plainchant notation with C5-clef; in second line of f. 176v (end of a section), note split (D-G);
176v–178r	Mass 'Apon the square': Sanctus	-	Whytbroke, William
Mass 'Apon the square': Sanctus Whytbroke, William Appears on: 176v–178r Voice: [no designation] Languages: Latin Mensuration: cut-o Clef: c1 Voice Text: sanctu Sanctus sanctus General Note Annotations/Corrections: note/stem corr. in top line of f. 178; Notes: first 'sanctus' is in plainchant notation, with C5-clef;
178r–179r	Mass 'Apon the square': Benedictus	-	Whytbroke, William
Mass 'Apon the square': Benedictus Whytbroke, William Appears on: 178r–179r Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Benedictus / Benedictus qui venit General Note Annotations/Corrections: at beginning clef corr. from C1 (erased) to C4;
179r–181r	Mass 'Apon the square': Agnus	-	Whytbroke, William
Mass 'Apon the square': Agnus Whytbroke, William Appears on: 179r–181r Voice: [no designation] Languages: Latin Mensuration: cut-o Clef: c1 Voice Text: Agn[us] dei General Note Notes: first 'Agn[us] dei] in plainchant notation with C5-clef; generally in this mass, at end of sections often curly lines to indicate continuation;
181v–182r	Mass 'Apon the square' (I): Kyrie	-	Mundy, William (ca. 1528–ca. 1591)
Mass 'Apon the square' (I): Kyrie Mundy, William (ca. 1528–ca. 1591) Appears on: 181v–182r Voice: [no designation] Languages: Latin Mensuration: cut-o Clef: c1 Voice Text: Apo[n] ye square by mr mu[n]daye / kyrieleyson
182r–184v	Mass 'Apon the square' (I): Gloria	-	Mundy, William (ca. 1528–ca. 1591)
Mass 'Apon the square' (I): Gloria Mundy, William (ca. 1528–ca. 1591) Appears on: 182r–184v Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Et in terra pax
184v–188r	Mass 'Apon the square' (I): Credo	-	Mundy, William (ca. 1528–ca. 1591)
Mass 'Apon the square' (I): Credo Mundy, William (ca. 1528–ca. 1591) Appears on: 184v–188r Voice: [no designation] Languages: Latin Mensuration: c-dot Clef: c1 Voice Text: patrem / ffactore[m] celi et terre
188v–189v	Mass 'Apon the square' (I): Sanctus	-	Mundy, William (ca. 1528–ca. 1591)
Mass 'Apon the square' (I): Sanctus Mundy, William (ca. 1528–ca. 1591) Appears on: 188v–189v Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Sanctus / d[omin]us deus General Note Annotations/Corrections: text corr. in bottom line of f. 188v;
189r–191r	Mass 'Apon the square' (I): Benedictus	-	Mundy, William (ca. 1528–ca. 1591)
Mass 'Apon the square' (I): Benedictus Mundy, William (ca. 1528–ca. 1591) Appears on: 189r–191r Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Benedictus [...] q[u]i venit General Note Annotations/Corrections: in bottom line of f. 189v a note with two downward stems (just smears?); Notes: apart from a barline and new time sign. no indication of a new piece bebinning;
191r–193r	Mass 'Apon the square' (I): Agnus	at end: 'mr mondye'	Mundy, William (ca. 1528–ca. 1591)
Mass 'Apon the square' (I): Agnus Mundy, William (ca. 1528–ca. 1591) Appears on: 191r–193r Source Attribution: at end: 'mr mondye' Voice: [no designation] Languages: Latin Mensuration: cut-o Clef: c1 Voice Text: Agn[us] / qui tollis p[e]ccata
193r–193v	Mass 'Apon the square' (II): Kyrie	-	Mundy, William (ca. 1528–ca. 1591)
Mass 'Apon the square' (II): Kyrie Mundy, William (ca. 1528–ca. 1591) Appears on: 193r–193v Voice: [no designation] Languages: Latin Mensuration: cut-o Clef: c1 Voice Text: Apo[n] the square by mr mondye / kyrieleyson
193v–196r	Mass 'Apon the square' (II): Gloria	-	Mundy, William (ca. 1528–ca. 1591)
Mass 'Apon the square' (II): Gloria Mundy, William (ca. 1528–ca. 1591) Appears on: 193v–196r Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Et in terra pax General Note Annotations/Corrections: at the end of the top line of f. 194v (end of section), note split (C-F); Notes: while the other pages all have five staves, f. 194v has six staves - however, the bottom one is blank ruled: a clef had been written in but was erased;
196r–199v	Mass 'Apon the square' (II): Credo	-	Mundy, William (ca. 1528–ca. 1591)
Mass 'Apon the square' (II): Credo Mundy, William (ca. 1528–ca. 1591) Appears on: 196r–199v Voice: [no designation] Languages: Latin Mensuration: c-dot Clef: c1 Voice Text: patre[m] o[m]nipote[n]te[m] / ffactorem celi General Note Notes: patre[m] o[m]nipote[n]te[m]' in plainchant notation with C5-clef;
199v–200v	Mass 'Apon the square' (II): Sanctus	-	Mundy, William (ca. 1528–ca. 1591)
Mass 'Apon the square' (II): Sanctus Mundy, William (ca. 1528–ca. 1591) Appears on: 199v–200v Voice: [no designation] Languages: Latin Mensuration: cut-o Clef: c1 Voice Text: Sanctus Sanctus sanctus General Note Notes: first 'Sanctus' in plainchant notation with C5-clef;
200v–201r	Mass 'Apon the square' (II): Benedictus	-	Mundy, William (ca. 1528–ca. 1591)
Mass 'Apon the square' (II): Benedictus Mundy, William (ca. 1528–ca. 1591) Appears on: 200v–201r Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Benedict[us] / Benedict[us] q[u]i venit
201v–202v	Mass 'Apon the square' (II): Agnus	-	Mundy, William (ca. 1528–ca. 1591)
Mass 'Apon the square' (II): Agnus Mundy, William (ca. 1528–ca. 1591) Appears on: 201v–202v Voice: [no designation] Languages: Latin Mensuration: cut-o Clef: c1 Voice Text: Agn[us] / Agn[us] dei / Qui tollis General Note Notes: title actually at bottom of f. 201: first 'Agn[us] dei] in plainchant notation with C5-clef;
203r–206r	Magnificat	mr mu[n]dy (at end)	Mundy, William (ca. 1528–ca. 1591)
Magnificat Mundy, William (ca. 1528–ca. 1591) Appears on: 203r–206r Source Attribution: mr mu[n]dy (at end) Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: g2 Voice Text: Et exvltavit spiritus meus General Note Canon/Gimels: gimell' on top of f. 203v and f. 204; Notes: before first line a gap (as if for title or similar); in top line of f. 205v (end of a secion), note split (A-D);
206r–209r	Magnificat	mr talles	Tallis, Thomas (ca. 1505–1585)
Magnificat Tallis, Thomas (ca. 1505–1585) Appears on: 206r–209r Source Attribution: mr talles Voice: [no designation] Languages: Latin Mensuration: cut-o Clef: c2 Voice Text: Et exultauit spiritus meus
209r–212r	Magnificat	Master sheperde	Sheppard, John (ca. 1515–1558)
Magnificat Sheppard, John (ca. 1515–1558) Appears on: 209r–212r Source Attribution: Master sheperde Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Et exultavit spiritus meus General Note Annotations/Corrections: text corr. in third line of f. 211v;
212r–215r	Magnificat a4	Master Tan[er]ner	Taverner, John
Magnificat a4 Taverner, John Appears on: 212r–215r Source Attribution: Master Tan[er]ner Voice: [no designation] Languages: Latin Mensuration: cut-o Clef: c4 Voice Text: Et exultavit spirit[us] meus
215r–218v	Magnificat	Sstenings	Stoning, Henry
Magnificat Stoning, Henry Appears on: 215r–218v Source Attribution: Sstenings Voice: [no designation] Languages: Latin Mensuration: cut-o Clef: c2 Voice Text: Et exultavit spirit[us] meus General Note Annotations/Corrections: on f. 217: in third line stem erased? and in fourth line note/stem corr.;
218v–221r	Sancte Deus	Master phillippes	Van Wilder, Phillip
Sancte Deus Van Wilder, Phillip Appears on: 218v–221r Source Attribution: Master phillippes Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: g2 Voice Text: Sancte deus / sancte fortis
221v	[blank staves]	-	-
[blank staves] Appears on: 221v General Note Notes: followed by another unnumbered folio with blank staves on both sides;
222r–223v	Sancte Deus	mr tallis; at end: 'mr talles'	Tallis, Thomas (ca. 1505–1585)
Sancte Deus Tallis, Thomas (ca. 1505–1585) Appears on: 222r–223v Source Attribution: mr tallis; at end: 'mr talles' Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Sancte deu[us] / sancte fortis
224r–224v	Recordare Domine	master bramston	Bramston, Richard
Recordare Domine Bramston, Richard Appears on: 224r–224v Source Attribution: master bramston Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Recordare d[omo]ne testame[n]ti tui General Note Annotations/Corrections: signum congruentiae in bottom line of f. 224 and in the same line two sharp added later(?); signum congruentiae in bottom line of f. 224v, at end of line: 'finis bra[m]ston / vt no[n] de soletz';
225r–225v	Suub tuam protectionem	doctor tye; at end: 'mr doctor Cretover Tye'	Tye, Christopher (ca. 1505–ca. 1573) (?)
Suub tuam protectionem Tye, Christopher (ca. 1505–ca. 1573) (?) Appears on: 225r–225v Source Attribution: doctor tye; at end: 'mr doctor Cretover Tye' Voice: [no designation] Languages: Latin Mensuration: cut-o Clef: c2 Voice Text: Sub tua[m] / Proteccione[m]
226r–227v	Gaude Maria Virgo	mr Johnson pryste	Johnson (II), Robert
Gaude Maria Virgo Johnson (II), Robert Appears on: 226r–227v Source Attribution: mr Johnson pryste Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Gaude maria virgo General Note Annotations/Corrections: in third line of f. 226v, stave amended; bottom line of f. 226v extended by one note; Notes: Marian Antiphon;
227v–229r	Salve Regina	pilip alcoke	Alcoke
Salve Regina Alcoke Appears on: 227v–229r Source Attribution: pilip alcoke Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Salue regina General Note Notes: Marian Antiphon;
229v–230r	Sancta Maria Virgo	-	Anonymous
Sancta Maria Virgo Anonymous Appears on: 229v–230r Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: g2 Voice Text: Sancta maria virgo et mater General Note Notes: before first line of music a gap (as for title or similar); Marian Antiphon;
230r–232r	Gaudete caelicolae	mr shep[er]de	Sheppard, John (ca. 1515–1558)
Gaudete caelicolae Sheppard, John (ca. 1515–1558) Appears on: 230r–232r Source Attribution: mr shep[er]de Voice: [no designation] Languages: Latin Mensuration: cut-o Clef: c1 Voice Text: Gaudete celi General Note Annotations/Corrections: fourth line of f. 232 slightly extended into margin (for two quavers); Notes: Jesus Antiphon;
232v–233v	Et portae inferi	-	Anonymous
Et portae inferi Anonymous Appears on: 232v–233v Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Et porte inferi General Note Notes: before first line of music a gap (as for title or similar); St Peter Antiphon;
233v–234v	Sancta Maria Virgo	Mr Knighte; at end: 'mr Knyghte'	Knight, Robert
Sancta Maria Virgo Knight, Robert Appears on: 233v–234v Source Attribution: Mr Knighte; at end: 'mr Knyghte' Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: g1 Voice Text: Maria virgo [...] Intercede General Note Notes: in bottom line of f. 234 (end of a section), note split (D-G); Marian Antiphon;
235r–236r	Speciosa facta es	master hoskins; at end: Cristofer hoskins'	Hoskins, Christopher
Speciosa facta es Hoskins, Christopher Appears on: 235r–236r Source Attribution: master hoskins; at end: Cristofer hoskins' Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Speciosa facta es General Note Annotations/Corrections: text corr. in top line of f. 236; Notes: composer's name from EECM; Marian Antiphon;
236v–237v	Nesciens Mater	at end 'mr Wrighte'	Wright
Nesciens Mater Wright Appears on: 236v–237v Source Attribution: at end 'mr Wrighte' Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Peperit sine dolore General Note Annotations/Corrections: at top pencil annotation: 'Nesciens'; Notes: before first line of music a gap (as for title or similar); Marian Antiphon;
237v	Ave Maria	-	Anonymous
Ave Maria Anonymous Appears on: 237v Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Ave Ave maria [...] gracia plena General Note Notes: Marian Antiphon;
238r–241r	O Bone Jesu	-	Anonymous
O Bone Jesu Anonymous Appears on: 238r–241r Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: O bone Jesu General Note Notes: barline in blank-ruled stave under last stave of music; Jesus Antiphon;
241v	[blank staves]	-	-
[blank staves] Appears on: 241v
242r–243r	[endleaves with scribbles]	-	-
[endleaves with scribbles] Appears on: 242r–243r General Note Notes: for instance, on f. 242v: ‘this is mi booke tho Thomas Charles Philip wille brone’;

Composer	Compositions
Alcoke	Salve Regina – 227v–229r
Anonymous	Adjuva nos – 167r Alleluia – 167r–167v Asperges me I – 4r–5r Asperges me II – 5r–7r Asperges me III – 7r–9r Asperges me IV – 9v–10v Ave Maria – 237v Dulce – 167v–168r Dulcis Jesus Nazarenus – 168r–169v Et portae inferi – 232v–233v In nomine Jesu omne genuflectatur – 163r–166v Nos alium Deum nescimus – 114r–116r O Bone Jesu – 238r–241r O Salutaris hostia – 116r–116v Passion [St Matthew] – 120v–127v Sancta Maria Virgo – 229v–230r Sedit angelus – 146r–148r Spiritus Sanctus procedens – 149v–153r Te Deum Laudamus [K.543] – 1r–4r Vidi aquam egredientem – 143r–145r Viri Galilei – 148r–149v [No description] – 162v [No description] – 241v [No description] – 242r–243r [No description] – 23r [No description] – 155v [No description] – 221v
Appleby, Thomas	Mass for a Mean: Agnus dei – 98r–100v Mass for a Mean: Alleluia – 89v Mass for a Mean: Benedictus – 97r–98r Mass for a Mean: Credo – 92v–95v Mass for a Mean: Gloria – 89v–92v Mass for a Mean: Kyrie – 89r–89v Mass for a Mean: Sanctus – 95v–97r
Barber	Dum transisset Sabbatum – 138v–139v
Blitheman, John	Gloria laus I – 128r–129v Gloria laus II – 130r–131r In pace in idipsum – 110r–110v
Bramston, Richard	Recordare Domine – 224r–224v
Byrd, William (ca. 1540–1623)	In exitu Israel [starts 'Facta est'] – 157v–162r
Cowper (Cooper), Robert (ca. 1474–ca. 1540)	[Hodie] Gloria in excelsis – 103v–104r
Ensdale	Haec dies quam fecit – 154r–155r
Hake, John	Kyrie – 19r–19v
Hoskins, Christopher	Speciosa facta es – 235r–236r
Hyett	Kyrie – 13v–14r
Johnson (I), Robert (ca. 1500–ca. 1560)	Dum transisset Sabbatum – 140r–141r
Johnson (II), Robert	Gaude Maria Virgo – 226r–227v
Knight, Robert	Alleluia [Verse: Obtine sacris] – 20v Christus resurgens – 132r–134v Sancta Maria Virgo – 233v–234v
Mundy, John (ca. 1555–1630)	Kyrie – 153v–154r
Mundy, William (ca. 1528–ca. 1591)	Alleluia [Verse: Per Te Dei] – 19v Alleluia [Verse: Post partum] – 18v–19r Exsurge Christe – 113v–114r In exitu Israel [starts 'Facta est'] – 157v–162r Kyrie – 17v–18v Magnificat – 203r–206r Mass 'Apon the square' (I): Agnus – 191r–193r Mass 'Apon the square' (I): Benedictus – 189r–191r Mass 'Apon the square' (I): Credo – 184v–188r Mass 'Apon the square' (I): Gloria – 182r–184v Mass 'Apon the square' (I): Kyrie – 181v–182r Mass 'Apon the square' (I): Sanctus – 188v–189v Mass 'Apon the square' (II): Agnus – 201v–202v Mass 'Apon the square' (II): Benedictus – 200v–201r Mass 'Apon the square' (II): Credo – 196r–199v Mass 'Apon the square' (II): Gloria – 193v–196r Mass 'Apon the square' (II): Kyrie – 193r–193v Mass 'Apon the square' (II): Sanctus – 199v–200v
Okeland, Robert	Kyrie – 20r
Redford, John (–1547)	Christus resurgens – 134v–138v
Sheppard, John (ca. 1515–1558)	Alleluia [Verse: Confitemini] – 131r–132r Alleluia [Verse: Per Te Dei] – 21v–22r Alleluia [Verse: Posuisti Domine] – 22r Alleluia [Verse: Veni electa] – 22v Alleluia [Verse: Virtutes caeli] – 22v Audivi vocem de caelo – 102v–103r Gaudete caelicolae – 230r–232r In exitu Israel [starts 'Facta est'] – 157v–162r In manus tuas I – 112r–112v In manus tuas II – 112v–113r In manus tuas III – 113r–113v In pace in idipsum – 109r–110r Laudate pueri [beginning at 'Sit nomen'] – 156r–157r Magnificat – 209r–212r Mass 'Be not afraid': Agnus dei – 66v–68r Mass 'Be not afraid': Benedictus – 65r–66v Mass 'Be not afraid': Credo – 61r–63v Mass 'Be not afraid': Gloria – 59r–61r Mass 'Be not afraid': Sanctus – 63v–65r Plainsong Mass for a Mean: Agnus dei – 88v Plainsong Mass for a Mean: Benedictus – 88r Plainsong Mass for a Mean: Credo – 86r–87v Plainsong Mass for a Mean: Gloria – 85r–86r Plainsong Mass for a Mean: Kyrie – 85r Plainsong Mass for a Mean: Sanctus – 87v Salve festa dies – 145r–145v The French Mass: Agnus dei – 57v–58v The French Mass: Benedictus – 57r–57v The French Mass: Credo – 53r–56r The French Mass: Gloria – 51r–53r The French Mass: Sanctus – 56r–57r The Western Wynde Mass: Agnus dei – 49v–50v The Western Wynde Mass: Benedictus – 49r–49v The Western Wynde Mass: Credo – 45v–48r The Western Wynde Mass: Gloria – 44r–45v The Western Wynde Mass: Sanctus – 48r–49r [Hodie] Gloria in excelsis – 106r–106v
Stoning, Henry	Magnificat – 215r–218v
Tallis, Thomas (ca. 1505–1585)	Alleluia [Verse: Ora pro nobis] – 21r–21v Audivi vocem de caelo – 101v–102r In pace in idipsum – 107r–109r Magnificat – 206r–209r Mass for Four Voices: Agnus dei – 75r–76r Mass for Four Voices: Benedictus – 74r–75r Mass for Four Voices: Credo – 70v–73r Mass for Four Voices: Gloria – 68v–70v Mass for Four Voices: Sanctus – 73v–74r Sancte Deus – 222r–223v [Hodie] Gloria in excelsis – 105v–106r
Taverner, John	Alleluia [Verse: Salve Virgo] – 14r–14v Alleluia [Verse: Veni electa] – 14v–15r Audivi vocem de caelo – 101r Dum transisset sabbatum [I - 5vv] – 141r–142v In pace in idipsum – 107r–107v Kyrie Leroy – 13r–13v Magnificat a4 – 212r–215r Plainsong Mass: Agnus dei – 83r–84v Plainsong Mass: Benedictus – 82r–83r Plainsong Mass: Credo – 78v–81r Plainsong Mass: Gloria – 76v–78v Plainsong Mass: Sanctus – 81r–82r The Western Wynde Mass: Agnus dei – 31v–34r The Western Wynde Mass: Benedictus – 30v–31v The Western Wynde Mass: Credo – 26r–29r The Western Wynde Mass: Gloria – 23v–26r The Western Wynde Mass: Sanctus – 29r–30v [Hodie] Gloria in excelsis – 104v–105v
Tye, Christopher (ca. 1505–ca. 1573)	Alleluia [Verse: Per Te Dei] – 17r Gloria laus – 118v–120r In pace in idipsum – 111r–112r Kyrie – 16v–17r (?) Suub tuam protectionem – 225r–225v The Western Wynde Mass: Agnus dei – 42r–43v The Western Wynde Mass: Benedictus – 41v–42r The Western Wynde Mass: Credo – 36v–39v The Western Wynde Mass: Gloria – 34r–36v The Western Wynde Mass: Sanctus – 40r–41r
Van Wilder, Phillip	Pater Noster – 10v–12v Sancte Deus – 218v–221r
White, Robert (ca. 1538–1574)	Libera me Domine – 117r–118v
Whytbroke, William	Mass 'Apon the square': Agnus – 179r–181r Mass 'Apon the square': Benedictus – 178r–179r Mass 'Apon the square': Credo – 173v–176v Mass 'Apon the square': Gloria – 171v–173v Mass 'Apon the square': Kyrie – 169r–171v Mass 'Apon the square': Sanctus – 176v–178r
Wright	Nesciens Mater – 236v–237v

Composition	Composers (? Uncertain)	Folios / Pages
[Hodie] Gloria in excelsis	Cowper (Cooper), Robert (ca. 1474–ca. 1540)	103v–104r
[Hodie] Gloria in excelsis	Taverner, John	104v–105v
[Hodie] Gloria in excelsis	Tallis, Thomas (ca. 1505–1585)	105v–106r
[Hodie] Gloria in excelsis	Sheppard, John (ca. 1515–1558)	106r–106v
Adjuva nos	Anonymous	167r
Alleluia	Anonymous	167r–167v
Alleluia [Verse: Confitemini]	Sheppard, John (ca. 1515–1558)	131r–132r
Alleluia [Verse: Obtine sacris]	Knight, Robert	20v
Alleluia [Verse: Ora pro nobis]	Tallis, Thomas (ca. 1505–1585)	21r–21v
Alleluia [Verse: Per Te Dei]	Tye, Christopher (ca. 1505–ca. 1573)	17r
Alleluia [Verse: Per Te Dei]	Mundy, William (ca. 1528–ca. 1591)	19v
Alleluia [Verse: Per Te Dei]	Sheppard, John (ca. 1515–1558)	21v–22r
Alleluia [Verse: Post partum]	Mundy, William (ca. 1528–ca. 1591)	18v–19r
Alleluia [Verse: Posuisti Domine]	Sheppard, John (ca. 1515–1558)	22r
Alleluia [Verse: Salve Virgo]	Taverner, John	14r–14v
Alleluia [Verse: Veni electa]	Taverner, John	14v–15r
Alleluia [Verse: Veni electa]	Sheppard, John (ca. 1515–1558)	22v
Alleluia [Verse: Virtutes caeli]	Sheppard, John (ca. 1515–1558)	22v
Asperges me I	Anonymous	4r–5r
Asperges me II	Anonymous	5r–7r
Asperges me III	Anonymous	7r–9r
Asperges me IV	Anonymous	9v–10v
Audivi vocem de caelo	Taverner, John	101r
Audivi vocem de caelo	Tallis, Thomas (ca. 1505–1585)	101v–102r
Audivi vocem de caelo	Sheppard, John (ca. 1515–1558)	102v–103r
Ave Maria	Anonymous	237v
Christus resurgens	Knight, Robert	132r–134v
Christus resurgens	Redford, John (–1547)	134v–138v
Dulce	Anonymous	167v–168r
Dulcis Jesus Nazarenus	Anonymous	168r–169v
Dum transisset Sabbatum	Barber	138v–139v
Dum transisset Sabbatum	Johnson (I), Robert (ca. 1500–ca. 1560)	140r–141r
Dum transisset sabbatum [I - 5vv]	Taverner, John	141r–142v
Et portae inferi	Anonymous	232v–233v
Exsurge Christe	Mundy, William (ca. 1528–ca. 1591)	113v–114r
Gaude Maria Virgo	Johnson (II), Robert	226r–227v
Gaudete caelicolae	Sheppard, John (ca. 1515–1558)	230r–232r
Gloria laus	Tye, Christopher (ca. 1505–ca. 1573)	118v–120r
Gloria laus I	Blitheman, John	128r–129v
Gloria laus II	Blitheman, John	130r–131r
Haec dies quam fecit	Ensdale	154r–155r
In exitu Israel [starts 'Facta est']	Mundy, William (ca. 1528–ca. 1591) Sheppard, John (ca. 1515–1558) Byrd, William (ca. 1540–1623)	157v–162r
In manus tuas I	Sheppard, John (ca. 1515–1558)	112r–112v
In manus tuas II	Sheppard, John (ca. 1515–1558)	112v–113r
In manus tuas III	Sheppard, John (ca. 1515–1558)	113r–113v
In nomine Jesu omne genuflectatur	Anonymous	163r–166v
In pace in idipsum	Taverner, John	107r–107v
In pace in idipsum	Tallis, Thomas (ca. 1505–1585)	107r–109r
In pace in idipsum	Sheppard, John (ca. 1515–1558)	109r–110r
In pace in idipsum	Blitheman, John	110r–110v
In pace in idipsum	Tye, Christopher (ca. 1505–ca. 1573)	111r–112r
Kyrie	Hyett	13v–14r
Kyrie	Tye, Christopher (ca. 1505–ca. 1573)	16v–17r
Kyrie	Mundy, William (ca. 1528–ca. 1591)	17v–18v
Kyrie	Hake, John	19r–19v
Kyrie	Okeland, Robert	20r
Kyrie	Mundy, John (ca. 1555–1630)	153v–154r
Kyrie Leroy	Taverner, John	13r–13v
Laudate pueri [beginning at 'Sit nomen']	Sheppard, John (ca. 1515–1558)	156r–157r
Libera me Domine	White, Robert (ca. 1538–1574)	117r–118v
Magnificat	Mundy, William (ca. 1528–ca. 1591)	203r–206r
Magnificat	Tallis, Thomas (ca. 1505–1585)	206r–209r
Magnificat	Sheppard, John (ca. 1515–1558)	209r–212r
Magnificat	Stoning, Henry	215r–218v
Magnificat a4	Taverner, John	212r–215r
Mass 'Apon the square' (I): Agnus	Mundy, William (ca. 1528–ca. 1591)	191r–193r
Mass 'Apon the square' (I): Benedictus	Mundy, William (ca. 1528–ca. 1591)	189r–191r
Mass 'Apon the square' (I): Credo	Mundy, William (ca. 1528–ca. 1591)	184v–188r
Mass 'Apon the square' (I): Gloria	Mundy, William (ca. 1528–ca. 1591)	182r–184v
Mass 'Apon the square' (I): Kyrie	Mundy, William (ca. 1528–ca. 1591)	181v–182r
Mass 'Apon the square' (I): Sanctus	Mundy, William (ca. 1528–ca. 1591)	188v–189v
Mass 'Apon the square' (II): Agnus	Mundy, William (ca. 1528–ca. 1591)	201v–202v
Mass 'Apon the square' (II): Benedictus	Mundy, William (ca. 1528–ca. 1591)	200v–201r
Mass 'Apon the square' (II): Credo	Mundy, William (ca. 1528–ca. 1591)	196r–199v
Mass 'Apon the square' (II): Gloria	Mundy, William (ca. 1528–ca. 1591)	193v–196r
Mass 'Apon the square' (II): Kyrie	Mundy, William (ca. 1528–ca. 1591)	193r–193v
Mass 'Apon the square' (II): Sanctus	Mundy, William (ca. 1528–ca. 1591)	199v–200v
Mass 'Apon the square': Agnus	Whytbroke, William	179r–181r
Mass 'Apon the square': Benedictus	Whytbroke, William	178r–179r
Mass 'Apon the square': Credo	Whytbroke, William	173v–176v
Mass 'Apon the square': Gloria	Whytbroke, William	171v–173v
Mass 'Apon the square': Kyrie	Whytbroke, William	169r–171v
Mass 'Apon the square': Sanctus	Whytbroke, William	176v–178r
Mass 'Be not afraid': Agnus dei	Sheppard, John (ca. 1515–1558)	66v–68r
Mass 'Be not afraid': Benedictus	Sheppard, John (ca. 1515–1558)	65r–66v
Mass 'Be not afraid': Credo	Sheppard, John (ca. 1515–1558)	61r–63v
Mass 'Be not afraid': Gloria	Sheppard, John (ca. 1515–1558)	59r–61r
Mass 'Be not afraid': Sanctus	Sheppard, John (ca. 1515–1558)	63v–65r
Mass for a Mean: Agnus dei	Appleby, Thomas	98r–100v
Mass for a Mean: Alleluia	Appleby, Thomas	89v
Mass for a Mean: Benedictus	Appleby, Thomas	97r–98r
Mass for a Mean: Credo	Appleby, Thomas	92v–95v
Mass for a Mean: Gloria	Appleby, Thomas	89v–92v
Mass for a Mean: Kyrie	Appleby, Thomas	89r–89v
Mass for a Mean: Sanctus	Appleby, Thomas	95v–97r
Mass for Four Voices: Agnus dei	Tallis, Thomas (ca. 1505–1585)	75r–76r
Mass for Four Voices: Benedictus	Tallis, Thomas (ca. 1505–1585)	74r–75r
Mass for Four Voices: Credo	Tallis, Thomas (ca. 1505–1585)	70v–73r
Mass for Four Voices: Gloria	Tallis, Thomas (ca. 1505–1585)	68v–70v
Mass for Four Voices: Sanctus	Tallis, Thomas (ca. 1505–1585)	73v–74r
Nesciens Mater	Wright	236v–237v
Nos alium Deum nescimus	Anonymous	114r–116r
O Bone Jesu	Anonymous	238r–241r
O Salutaris hostia	Anonymous	116r–116v
Passion [St Matthew]	Anonymous	120v–127v
Pater Noster	Van Wilder, Phillip	10v–12v
Plainsong Mass for a Mean: Agnus dei	Sheppard, John (ca. 1515–1558)	88v
Plainsong Mass for a Mean: Benedictus	Sheppard, John (ca. 1515–1558)	88r
Plainsong Mass for a Mean: Credo	Sheppard, John (ca. 1515–1558)	86r–87v
Plainsong Mass for a Mean: Gloria	Sheppard, John (ca. 1515–1558)	85r–86r
Plainsong Mass for a Mean: Kyrie	Sheppard, John (ca. 1515–1558)	85r
Plainsong Mass for a Mean: Sanctus	Sheppard, John (ca. 1515–1558)	87v
Plainsong Mass: Agnus dei	Taverner, John	83r–84v
Plainsong Mass: Benedictus	Taverner, John	82r–83r
Plainsong Mass: Credo	Taverner, John	78v–81r
Plainsong Mass: Gloria	Taverner, John	76v–78v
Plainsong Mass: Sanctus	Taverner, John	81r–82r
Recordare Domine	Bramston, Richard	224r–224v
Salve festa dies	Sheppard, John (ca. 1515–1558)	145r–145v
Salve Regina	Alcoke	227v–229r
Sancta Maria Virgo	Anonymous	229v–230r
Sancta Maria Virgo	Knight, Robert	233v–234v
Sancte Deus	Van Wilder, Phillip	218v–221r
Sancte Deus	Tallis, Thomas (ca. 1505–1585)	222r–223v
Sedit angelus	Anonymous	146r–148r
Speciosa facta es	Hoskins, Christopher	235r–236r
Spiritus Sanctus procedens	Anonymous	149v–153r
Suub tuam protectionem	Tye, Christopher (ca. 1505–ca. 1573) (?)	225r–225v
Te Deum Laudamus [K.543]	Anonymous	1r–4r
The French Mass: Agnus dei	Sheppard, John (ca. 1515–1558)	57v–58v
The French Mass: Benedictus	Sheppard, John (ca. 1515–1558)	57r–57v
The French Mass: Credo	Sheppard, John (ca. 1515–1558)	53r–56r
The French Mass: Gloria	Sheppard, John (ca. 1515–1558)	51r–53r
The French Mass: Sanctus	Sheppard, John (ca. 1515–1558)	56r–57r
The Western Wynde Mass: Agnus dei	Taverner, John	31v–34r
The Western Wynde Mass: Agnus dei	Tye, Christopher (ca. 1505–ca. 1573)	42r–43v
The Western Wynde Mass: Agnus dei	Sheppard, John (ca. 1515–1558)	49v–50v
The Western Wynde Mass: Benedictus	Taverner, John	30v–31v
The Western Wynde Mass: Benedictus	Tye, Christopher (ca. 1505–ca. 1573)	41v–42r
The Western Wynde Mass: Benedictus	Sheppard, John (ca. 1515–1558)	49r–49v
The Western Wynde Mass: Credo	Taverner, John	26r–29r
The Western Wynde Mass: Credo	Tye, Christopher (ca. 1505–ca. 1573)	36v–39v
The Western Wynde Mass: Credo	Sheppard, John (ca. 1515–1558)	45v–48r
The Western Wynde Mass: Gloria	Taverner, John	23v–26r
The Western Wynde Mass: Gloria	Tye, Christopher (ca. 1505–ca. 1573)	34r–36v
The Western Wynde Mass: Gloria	Sheppard, John (ca. 1515–1558)	44r–45v
The Western Wynde Mass: Sanctus	Taverner, John	29r–30v
The Western Wynde Mass: Sanctus	Tye, Christopher (ca. 1505–ca. 1573)	40r–41r
The Western Wynde Mass: Sanctus	Sheppard, John (ca. 1515–1558)	48r–49r
Vidi aquam egredientem	Anonymous	143r–145r
Viri Galilei	Anonymous	148r–149v

Images © The British Library

Set: Gyffard Partbooks (MSS Additional 17802-17805)

Type: Partbooks

GB-Lbl Add. MS 17802 (Gyffard Partbooks)

GB-Lbl Add. MS 17803 (Gyffard Partbooks)

GB-Lbl Add. MS 17804 (Gyffard Partbooks)

GB-Lbl Add. MS 17805 (Gyffard Partbooks)

Set: TUDOR PARTBOOKS

Type: Project Collection

GB-CF MS D/DP Z6/1

GB-CF MS D/DP Z6/2

GB-Cfm MU MS 1005 (Fayrfax fragments)

GB-Cgc MS 667/760 (Caius Choirbook)

GB-Cjc MS 234 (K.31)

GB-Ckc Rowe 316

GB-Cp MS 31 [Contratenor] (Peterhouse Partbooks: Henrician Set)

GB-Cp MS 32 [Bassus] (Peterhouse Partbooks: Henrician Set)

GB-Cp MS 40 [Triplex] (Peterhouse Partbooks: Henrician Set)

GB-Cp MS 41 [Medius] (Peterhouse Partbooks: Henrician Set)

GB-Cqcl Old Library G.4.17

GB-Cu Dd.13.27

GB-DORmcghie McGhie manuscript

GB-Lbl [pr. bk.] C. 52. b. 21

No images available

GB-Lbl [pr. bk.] Music Library K. 2. f. 1 [Altus]

No images available

GB-Lbl [pr. bk.] Music Library K. 2. f. 1 [Discantus]

No images available

GB-Lbl [pr. bk.] Music Library K. 2. f. 1 [Medius]

No images available

GB-Lbl [pr. bk.] Music Library K. 2. f. 1 [Tenor]

No images available

GB-Lbl [pr. bk.] Music Library K. 2. f. 13

No images available

GB-Lbl [pr. bk.] Music Library K. 3. f. 9 [Altus]

No images available

GB-Lbl [pr. bk.] Music Library K. 3. f. 9 [Bassus]

No images available

GB-Lbl [pr. bk.] Music Library K. 3. f. 9 [Discantus]

No images available

GB-Lbl [pr. bk.] Music Library K. 3. f. 9 [Tenor]

GB-Lbl Add. MS 4900

GB-Lbl Add. MS 15166

GB-Lbl Add. MS 17802 (Gyffard Partbooks)

GB-Lbl Add. MS 17803 (Gyffard Partbooks)

GB-Lbl Add. MS 17804 (Gyffard Partbooks)

GB-Lbl Add. MS 17805 (Gyffard Partbooks)

GB-Lbl Add. MS 22597

GB-Lbl Add. MS 29996

GB-Lbl Add. MS 30480 (Hamond Partbooks)

GB-Lbl Add. MS 30481 (Hamond Partbooks)

GB-Lbl Add. MS 30482 (Hamond Partbooks)

GB-Lbl Add. MS 30483 (Hamond Partbooks)

GB-Lbl Add. MS 30484 (Hamond Partbooks)

GB-Lbl R.M.24.d.2 (Baldwin Commonplace Book)

GB-Lbl Royal Appendix 12

GB-Lbl Royal Appendix 13

GB-Lbl Royal Appendix 14

GB-Lbl Royal Appendix 15

GB-Lbl Royal Appendix 16

GB-Lbl Royal Appendix 17

GB-Lbl Royal Appendix 18

GB-Lbl Royal Appendix 19

GB-Lbl Royal Appendix 20

GB-Lbl Royal Appendix 21

GB-Lbl Royal Appendix 22

GB-Lbl Royal Appendix 23

GB-Lbl Royal Appendix 24

GB-Lbl Royal Appendix 25

GB-Lbl Royal Appendix 26

GB-Lbl Royal Appendix 27

GB-Lbl Royal Appendix 28

GB-Lbl Royal Appendix 29

GB-Lbl Royal Appendix 30

GB-Lbl Royal Appendix 31

GB-Lbl Royal Appendix 32

GB-Lbl Royal Appendix 33

GB-Lbl Royal Appendix 34

GB-Lbl Royal Appendix 35

No images available

GB-Lbl Royal Appendix 41

No images available

GB-Lbl Royal Appendix 42

No images available

GB-Lbl Royal Appendix 43

No images available

GB-Lbl Royal Appendix 44

GB-Lbl Royal Appendix 45 (Ludford)

GB-Lbl Royal Appendix 46 (Ludford)

GB-Lbl Royal Appendix 47 (Ludford)

GB-Lbl Royal Appendix 48 (Ludford)

GB-Lbl Royal Appendix 49

GB-Lbl Royal Appendix 50

GB-Lbl Royal Appendix 51

GB-Lbl Royal Appendix 52

GB-Lbl Royal Appendix 53

GB-Lbl Royal Appendix 54

GB-Lbl Royal Appendix 56

No images available

GB-Lbl Royal Appendix 57

GB-Lbl Royal Appendix 58

No images available

GB-Lbl Royal Appendix 59

No images available

GB-Lbl Royal Appendix 60

No images available

GB-Lbl Royal Appendix 61

No images available

GB-Lbl Royal Appendix 62

GB-Lbl Royal Appendix 74 (Lumley)

GB-Lbl Royal Appendix 75 (Lumley)

GB-Lbl Royal Appendix 76 (Lumley)

No images available

GB-Lcm [pr. bk.] B187

No images available

GB-Lcm [pr. bk.] B190 [Altus]

No images available

GB-Lcm [pr. bk.] B190 [Bassus]

No images available

GB-Lcm [pr. bk.] B190 [Discantus]

No images available

GB-Lcm [pr. bk.] B190 [Tenor]

GB-Llp MS 1 (Lambeth Choirbook; Arundel Choirbook)

GB-Lna SP I/246

GB-Ob MS. Mus. c. 784 (Willmott Manuscript)

GB-Ob MS. Mus. d. 103

GB-Ob MS. Mus. e. 1 (Sadler Partbooks)

GB-Ob MS. Mus. e. 2 (Sadler Partbooks)

GB-Ob MS. Mus. e. 3 (Sadler Partbooks)

GB-Ob MS. Mus. e. 4 (Sadler Partbooks)

GB-Ob MS. Mus. e. 5 (Sadler Partbooks)

GB-Ob MS. Mus. e. 21

GB-Ob MS. Mus. Sch. e. 376 (Forrest-Heather Partbooks)

GB-Ob MS. Mus. Sch. e. 377 (Forrest-Heather Partbooks)

GB-Ob MS. Mus. Sch. e. 378 (Forrest-Heather Partbooks)

GB-Ob MS. Mus. Sch. e. 379 (Forrest-Heather Partbooks)

GB-Ob MS. Mus. Sch. e. 380 (Forrest-Heather Partbooks)

GB-Ob MS. Mus. Sch. e. 381 (Forrest-Heather Partbooks)

GB-Ob MS. Mus. Sch. e. 420 (Wanley Partbooks)

GB-Ob MS. Mus. Sch. e. 421 (Wanley Partbooks)

GB-Ob MS. Mus. Sch. e. 422 (Wanley Partbooks)

GB-Ob MS. Mus. Sch. e. 423

GB-Ob MS. Tenbury 341

GB-Ob MS. Tenbury 342

GB-Ob MS. Tenbury 343

GB-Ob MS. Tenbury 344

GB-Ob MS. Tenbury 389

No images available

GB-Ob MS. Tenbury 807

No images available

GB-Ob MS. Tenbury 808

No images available

GB-Ob MS. Tenbury 809

No images available

GB-Ob MS. Tenbury 810

No images available

GB-Ob MS. Tenbury 811

No images available

GB-Ob MS. Tenbury 1382 (Southwell Tenor Book)

GB-Ob MS. Tenbury 1464

GB-Ob MS. Tenbury 1486 (Braikenridge Manuscript)

No images available

GB-Och Mus. 45

GB-Och Mus. 979 (Baldwin Partbooks)

GB-Och Mus. 980 (Baldwin Partbooks)

GB-Och Mus. 981 (Baldwin Partbooks)

GB-Och Mus. 982 (Baldwin Partbooks)

GB-Och Mus. 983 (Baldwin Partbooks)

GB-Och Mus. 984 (Dow Partbooks)

GB-Och Mus. 985 (Dow Partbooks)

GB-Och Mus. 986 (Dow Partbooks)

GB-Och Mus. 987 (Dow Partbooks)

GB-Och Mus. 988 (Dow Partbooks)

GB-Odiamm Contratenor partbook in private ownership (contact DIAMM)

GB-W X4/34/3 (Fayrfax fragments)

GB-WCc MS 153 Bassus (Winchester Partbooks)

GB-WCc MS 153 Contra Altus (Winchester Partbooks)

GB-WCc MS 153 Discantus (Winchester Partbooks)

GB-WCc MS 153 Tenor (Winchester Partbooks)

GB-WRec MS 178 (Eton Choirbook)

No images available

IRL-Dm [pr. bk.] Z4. 3. 1-5

No images available

IRL-Dtc [pr. bk.] OLS. 192. n. 40 [Altus]

No images available

IRL-Dtc [pr. bk.] OLS. 192. n. 40 [Bassus]

No images available

IRL-Dtc [pr. bk.] OLS. 192. n. 40 [Discantus]

No images available

IRL-Dtc [pr. bk.] OLS. 192. n. 40 [Superius (Quintus)]

No images available

IRL-Dtc [pr. bk.] OLS. 192. n. 40 [Tenor]

No images available

US-NYp Mus. Res. *MNZ (Chirk) [1] (Chirk Castle Partbooks)

No images available

US-NYp Mus. Res. *MNZ (Chirk) [2] (Chirk Castle Partbooks)

No images available

US-NYp Mus. Res. *MNZ (Chirk) [3] (Chirk Castle Partbooks)

No images available

US-NYp Mus. Res. *MNZ (Chirk) [4] (Chirk Castle Partbooks)

US-NYp Mus. Res. Drexel 4180

US-NYp Mus. Res. Drexel 4181

No images available

US-NYp Mus. Res. Drexel 4182

US-NYp Mus. Res. Drexel 4183

US-NYp Mus. Res. Drexel 4184

US-NYp Mus. Res. Drexel 4185

US-Ws V.a. 408

‡ denotes primary source study

McCarthy, Kerry. 2010. 'Evidence of Things Past' [Review of The Gyffard Partbooks, 2 vols, Early English Church Music, 48, by David Mateer]. Journal of the Royal Musical Association, 405-11.

Mateer, David G (editor). 2007-9. The Gyffard Partbooks [edition]. Early English Church Music. London: Stainer & Bell for the British Academy. Notes: edition, dating.

Mateer, David G. 1995. The "Gyffard" Partbooks: Composers, Owners, Date and Provenance. Royal Musical Association Research Chronicle, 21-50. Notes: discussion.

Aplin, John. 1980. The Fourth Kind of Faburden': The Identity of an English Four-Part Style. Music and Letters, 245ff. Pages: 256ff. Notes: contents list (partial); transcriptions (partial); mention of MS; discussion.

Trowell, Brian. 1980. Faburden-New Sources, New Evidence: A Preliminary Survey. Modern Musical Scholarship, 28-78. Stocksfield, Boston, Henley, and London. Pages: 61, 68-70, 75, 77. Notes: mention of MS; contents list (partial).

Daniel, Ralph T, and Peter Le Huray. 1972. The Sources of English Church Music 1549-1660. Early English Church Music. London. Pages: 2. Notes: mention of MS.

Doe, Paul. 1971-2. Another View of Musica Ficta in Tudor Music. Proceedings of the Royal Musical Association, 113-22. Pages: 120-1. Notes: transcription (partial); mention of MS; discussion.

Bray, Roger W. 1969. The Interpretation of Musica Ficta in English Music, C. 1490-C. 1580 [dissertation]. Oxford University, Unpublished Ph.D. dissertation. Pages: I, 49-93; II, 2-27. Notes: physical description; contents list; concordances; transcription (partial); mention of MS; discussion.

Bray, Roger W. 1969. British Museum Add. Mss. 17802-5 (the Gyffard Part-Books): An Index and Commentary. Royal Musical Association Research Chronicle, 31-50. Notes: physical description; contents list; concordances; mention of MS; discussion.

Doe, Paul. 1968-9. Latin Polyphony under Henry VIII. Proceedings of the Royal Musical Association, 81-96. Pages: 89-92. Notes: transcription (partial); mention of MS; discussion.

Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts. Tutzing. Pages: 143. Notes: contents list (partial); concordances (partial); incipits (partial).

Harrison, Frank Llewellyn (editor). 1963-. Early English Church Music. London: Stainer & Bell. Pages: XVII, 1-15, 28-38, 126-8, 155-9; XVIII, passim; XXIV,x-xi, 1-46,159; XXX.40-52,91-108,119-26,136-9,146-8,150-1,176,184,188-95. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Lamont, Herbert Harry. 1963. John Shepherd: His Life and Music. University of Southern California, Unpublished Ph.D. dissertation. Pages: I, 81-2, 91-5, 221-6, passim; II, passim. Notes: physical description (partial); contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Harrison, Frank Llewellyn. 1962. Faburden in Practice. Musica Disciplina, 11-34. Pages: 15ff, 26, 34. Notes: contents list (partial); transcriptions (partial); mention of MS; discussion.

Bergsagel, John D. 1960. An Introduction to Ludford (c. 1485-c. 1557). Musica Disciplina, 105-30. Pages: 120-2, 126. Notes: contents list (partial); transcriptions (partial); mention of MS; discussion.

Harrison, Frank Llewellyn. 1958, second ed. 1963. Music in Medieval Britain. London: Routledge. Pages: 288ff, passim, Plate XVI. Notes: transcription (partial); facsimile (partial); mention of MS; discussion.

Westrup, Jack A (editor). 1954-. New Oxford History of Music. London, New York, and Toronto. Pages: III, 344-5; IV, 473ff. Notes: contents list (partial); transcriptions (partial); mention of MS; discussion.

Hughes, Dom Anselm. 1953. Catalogue of the Musical Manuscripts at Peterhouse, Cambridge. Cambridge. Pages: I, 142, 213-4, 271-3, 387, 460. Notes: physical description (partial); contents list.

Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik. Kassel. Pages: VII, 1270; VIII, 1177. Notes: mention of MS; facsimile (partial).

Blume, Friedrich (editor). 1929-. Das Chorwerk. Berlin/Wolfenbüttel. Pages: LXXXIV. Notes: transcription (partial).

Fellowes, Edmund H (editor). 1923-48. Tudor Church Music. London, Oxford et al. Pages: I, lviii, lxi, passim; III, xv-xvi, passim; V, xxii; VI, xxv-xxvii, passim; IX, xiv, 298-300. Notes: physical description (partial); contents list (partial); concordances (partial); transcriptions (partial).

Davey, Henry. 1921. History of English Music. London. Pages: 91, 97-8, 100, 122-3, 129, 132-40. Notes: physical description (partial); contents list (partial).

Madden, F. 1843-. Catalogue of Additions to the Manuscripts in the British Museum. Pages: [1848-53], 55. Notes: physical description (partial).

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Ben Byram-Wigfield

Wednesday, 12 September, 2018

Dates amended per Mateer edition

DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Watermark Note; Notation Note; Foliation Note; Foliation Note; Surface Note; DIAMM Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description