Click an entry to see more information about that item.
| Folio / Pages | Composition / Item title | Source attribution | Composers (? Uncertain) |
|---|---|---|---|
| 2r–4r | Te Deum Laudamus [K.543] | - | Anonymous |
Te Deum Laudamus [K.543]Anonymous
Appears on:
2r–4r
Genres:
Te Deum
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f4
Voice Text:
Te eternu[m] patre[m]
General NoteAnnotations/Corrections: Bassus' added in pencil on top; corr. at beginning of top line of f. 3v; Notes: starts "Te eternum"; some passages/sections in plainchant notation (bottom line of f. 3 to third line o f. 3v and last three lines of the piece); |
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| 4r–5v | Asperges me I | - | Anonymous |
Asperges me IAnonymous
Appears on:
4r–5v
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f4
Voice Text:
Asparges me / Domine Isopo
General NoteAnnotations/Corrections: signum congruentiae in bottom line of f. 4 and bottom line of f. 5; text corr. in bottom line of f. 4v; Notes: Antiphon before Mass except in Paschal time (Easter and Trinity). All four settings are called 'Asparges me' and have the first two words as plainsong, starting polyphony at 'Domine hyssopo'; |
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| 5v–7v | Asperges me II | - | Anonymous |
Asperges me IIAnonymous
Appears on:
5v–7v
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f4
Voice Text:
Asparges me / Domine ysopo
General NoteAnnotations/Corrections: corrections in the first line of the piece; Notes: Antiphon before Mass except in Paschal time (Easter and Trinity). All four settings are called 'Asparges me' and have the first two words as plainsong, starting polyphony at 'Domine hyssopo'; |
|||
| 8r–9v | Asperges me III | - | Anonymous |
Asperges me IIIAnonymous
Appears on:
8r–9v
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f4
Voice Text:
Asparges me / Domine ysopo
General NoteNotes: Antiphon before Mass except in Paschal time (Easter and Trinity). All four settings are called 'Asparges me' and have the first two words as plainsong, starting polyphony at 'Domine hyssopo'; |
|||
| 10r–11r | Asperges me IV | - | Anonymous |
Asperges me IVAnonymous
Appears on:
10r–11r
Voice:
[no designation]
Languages:
Latin
Clef:
f4
Voice Text:
Asparges me / Domine ysopo
General NoteAnnotations/Corrections: signum congruentiae in second line of f. 10 and third line of f. 11; Notes: Antiphon before Mass except in Paschal time (Easter and Trinity). All four settings are called 'Asparges me' and have the first two words as plainsong, starting polyphony at 'Domine hyssopo'; |
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| 11r–12v | Pater Noster | mr phillippes va[n] wilder | |
|
Appears on:
11r–12v
Source Attribution:
mr phillippes va[n] wilder
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c3
Voice Text:
Pater noster
General NoteNotes: Sung at second appearance in Mass? [published Amsterdam 1554]; |
|||
| 13r–13v | Kyrie Leroy | mr tav[e]rnar | |
|
Appears on:
13r–13v
Source Attribution:
mr tav[e]rnar
Voice:
[no designation]
Languages:
Latin
Mensuration:
c-dot
Clef:
f4
Voice Text:
ley Roy kyri / kyri e leyson
General NoteAnnotations/Corrections: 5' in ink in upper outer corner of f. 13; erased '4' on top (centre) of f. 13v; |
|||
| 14r–14v | Kyrie | hyett | |
|
Appears on:
14r–14v
Source Attribution:
hyett
Voice:
[no designation]
Languages:
Latin
Mensuration:
c-dot
Clef:
f4
General NoteAnnotations/Corrections: very first note seems to be corr.; '6' in ink in upper outer corner of f. 14; the '.8.' on top of f. 14 is a correction of an original '5'; |
|||
| 14v–15r | Alleluia [Verse: Salve Virgo] | mr tav[e]rnar | |
|
Appears on:
14v–15r
Source Attribution:
mr tav[e]rnar
Voice:
[no designation]
Languages:
Latin
Clef:
f4
Voice Text:
Alleluya / Alleluya
General NoteAnnotations/Corrections: 7' in upper outer corner of f. 15; |
|||
| 15r–15v | Alleluia [Verse: Veni electa] | mr tav[e]rnar | |
|
Appears on:
15r–15v
Source Attribution:
mr tav[e]rnar
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f4
Voice Text:
Alleluya / Alleluya
General NoteNotes: followed by an unnumbered folio that is blank on the recto and has blank staves on the verso; |
|||
| 16r | [blank staves] | - | - |
[blank staves]
Appears on:
16r
|
|||
| 16v–17r | Kyrie | doctor Tye | |
|
Appears on:
16v–17r
Source Attribution:
doctor Tye
Voice:
[no designation]
Languages:
Latin
Clef:
c4
Voice Text:
kyry e leyson
General NoteAnnotations/Corrections: 31' under three notes on f. 16v; |
|||
| 17v | Alleluia [Verse: Per Te Dei] | doctor Tye | |
|
Appears on:
17v
Source Attribution:
doctor Tye
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c4
Voice Text:
Alleluya
|
|||
| 18r–18v | Kyrie | Mr mondy | |
|
Appears on:
18r–18v
Source Attribution:
Mr mondy
Voice:
[no designation]
Languages:
Latin
Clef:
c4
Voice Text:
kyry e leyson
|
|||
| 18v–19r | Alleluia [Verse: Post partum] | master mondy | |
|
Appears on:
18v–19r
Source Attribution:
master mondy
Voice:
[no designation]
Languages:
Latin
Clef:
c4
Voice Text:
Alleluya
|
|||
| 19r–19v | Kyrie | mr hake | |
|
Appears on:
19r–19v
Source Attribution:
mr hake
Voice:
[no designation]
Languages:
Latin
Clef:
c4
Voice Text:
kyrye leyson
|
|||
| 19v | Alleluia [Verse: Per Te Dei] | Mr mondy | |
|
Appears on:
19v
Source Attribution:
Mr mondy
Voice:
[no designation]
Languages:
Latin
Clef:
c3
Voice Text:
Alleluya
|
|||
| 20r | Kyrie | mr okeland | |
|
Appears on:
20r
Source Attribution:
mr okeland
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c4
Voice Text:
kyrye leyson
|
|||
| 20v | Alleluia [Verse: Obtine sacris] | mr knighte | |
|
Appears on:
20v
Source Attribution:
mr knighte
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f4
Voice Text:
Alleluya
|
|||
| 21r–21v | Alleluia [Verse: Ora pro nobis] | master Talles | |
|
Appears on:
21r–21v
Source Attribution:
master Talles
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f4
Voice Text:
Alleluya
General NoteNotes: different F-clef to previously (here just semi-circle with two dots); |
|||
| 21v | Alleluia [Verse: Per Te Dei] | master sheperd | |
|
Appears on:
21v
Source Attribution:
master sheperd
Voice:
[no designation]
Languages:
Latin
Clef:
f4
Voice Text:
Alleluya
General NoteNotes: different F-clef to previously (here just semi-circle with two dots); |
|||
| 21v | Alleluia [Verse: Posuisti Domine] | master shep[er]de | |
|
Appears on:
21v
Source Attribution:
master shep[er]de
Voice:
[no designation]
Languages:
Latin
Clef:
f4
Voice Text:
Alleluya
General NoteNotes: different F-clef to previously (here just semi-circle with two dots); |
|||
| 22r | Alleluia [Verse: Virtutes caeli] | Maister Shepard | |
|
Appears on:
22r
Source Attribution:
Maister Shepard
Voice:
[no designation]
Languages:
Latin
Clef:
f4
Voice Text:
Alleluya
General NoteNotes: different F-clef to previously (here just semi-circle with two dots); dirrent writing to previously (more ornate); |
|||
| 22r | Alleluia [Verse: Veni electa] | Maister Shepard | |
|
Appears on:
22r
Source Attribution:
Maister Shepard
Voice:
[no designation]
Languages:
Latin
Clef:
f4
Voice Text:
Alleluya
General NoteNotes: different F-clef to previously (here just semi-circle with two dots); dirrent writing to previously (more ornate); |
|||
| 22v | [blank staves] | - | - |
[blank staves]
Appears on:
22v
|
|||
| 23r–25r | The Western Wynde Mass: Gloria | mr tauerner | |
|
Appears on:
23r–25r
Source Attribution:
mr tauerner
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f4
Voice Text:
The Western Wynde / Et in terra pax
General NoteAnnotations/Corrections: 4' in bottom outer corner of f. 25; Notes: the very first F-clef is combined with flat, but none of the following; |
|||
| 25v–28r | The Western Wynde Mass: Credo | - | |
|
Appears on:
25v–28r
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f4
Voice Text:
patrem / Patrem o[m]nipote[n]tem
General NoteAnnotations/Corrections: 31' under note in fourth line of f. 26; Notes: title actually at bottom of f. 25; |
|||
| 28r–29v | The Western Wynde Mass: Sanctus | - | |
|
Appears on:
28r–29v
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f4
Voice Text:
Sanct[us] / Sanctus / Domin[us]
|
|||
| 29v–30v | The Western Wynde Mass: Benedictus | - | |
|
Appears on:
29v–30v
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f4
Voice Text:
benedict[us] / qui venit In nomine
|
|||
| 30v–32v | The Western Wynde Mass: Agnus dei | at end 'John Tanerner' | |
|
Appears on:
30v–32v
Source Attribution:
at end 'John Tanerner'
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f4
Voice Text:
Agnus / Agn[us] dei
General NoteAnnotations/Corrections: 32' under first note of bottom line on f. 30v; note/stem corr. in top line of f. 31v; '32' under note at end of fourth line of f. 31v; '2' under ligature in third line and in bottom line of f. 32v; |
|||
| 33r–35r | The Western Wynde Mass: Gloria | doctor Tye | |
|
Appears on:
33r–35r
Source Attribution:
doctor Tye
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f4
Voice Text:
The Western Wynde / gracias agim[us] tibi
General NoteAnnotations/Corrections: note corr. at bottom of f. 33v; note/stem corr. in first line of f. 34; |
|||
| 35v–38r | The Western Wynde Mass: Credo | - | |
|
Appears on:
35v–38r
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f4
Voice Text:
Patrem / Patrem o[m]nipote[n]tem
General NoteAnnotations/Corrections: 4' in bottom outer corner of f. 37; stave corr. at beginning of fourth line of f. 37v; Notes: title actually at bottom of f. 35; |
|||
| 38r–39v | The Western Wynde Mass: Sanctus | - | |
|
Appears on:
38r–39v
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f4
Voice Text:
Sanct[us] / Sanct[us] sanc sanctus
General NoteNotes: at the very end, stave extended slightly into margin; |
|||
| 39v–40r | The Western Wynde Mass: Benedictus | - | |
|
Appears on:
39v–40r
Voice:
[no designation]
Languages:
Latin
Clef:
f4
Voice Text:
Benedict[us] q[u]i venit / In nomine domini
General NoteNotes: Benedict[us] q[u]i venit' at beginning noted under pauses; final note split in the octave (B-natural - B-natural); |
|||
| 40v–41v | The Western Wynde Mass: Agnus dei | at end: 'd tye' | |
|
Appears on:
40v–41v
Source Attribution:
at end: 'd tye'
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f4
Voice Text:
Agn[us] / Agn[us] dei
|
|||
| 42r–44r | The Western Wynde Mass: Gloria | mr sheperd | |
|
Appears on:
42r–44r
Source Attribution:
mr sheperd
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f4
Voice Text:
The Western Wynde / Et in terra pax
General NoteAnnotations/Corrections: text corr. at end of top line of f. 42v.; paste-on in bottom line of f. 43; Notes: the scribe used two types of 'e' in the title and composer's name; |
|||
| 44r–46r | The Western Wynde Mass: Credo | - | |
|
Appears on:
44r–46r
Voice:
[no designation]
Languages:
Latin
Clef:
f4
Voice Text:
Patrem / Patrem o[m]nipotentem
|
|||
| 46r–47v | The Western Wynde Mass: Sanctus | - | |
|
Appears on:
46r–47v
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f4
Voice Text:
Sanctus / Sanctus sanct[us] sanct[us]
General NoteAnnotations/Corrections: 3' under note in third line of f. 47 (beginning of new section); |
|||
| 47v–48r | The Western Wynde Mass: Benedictus | - | |
|
Appears on:
47v–48r
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f4
Voice Text:
Benedictus / Beneict[us] qui venit
|
|||
| 48r–49v | The Western Wynde Mass: Agnus dei | at end: mr shep[er]de | |
|
Appears on:
48r–49v
Source Attribution:
at end: mr shep[er]de
Voice:
[no designation]
Languages:
Latin
Clef:
f4
Voice Text:
Agn[us] / Agn[us] dei
General NoteNotes: at very beginning of piece one flat noted, but not afterwards; |
|||
| 50r–52r | The French Mass: Gloria | mr shep[er]de | |
|
Appears on:
50r–52r
Source Attribution:
mr shep[er]de
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-o
Clef:
c4
Voice Text:
ffrench masse / Et in terra pax
General NoteAnnotations/Corrections: 4' in bottom outer corner of f. 53; Notes: h' in 'ffrench' just a curl; |
|||
| 52r–55r | The French Mass: Credo | - | |
|
Appears on:
52r–55r
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-o
Clef:
c4
Voice Text:
patrem / Patre[m] o[m]nipotentem
|
|||
| 55r–56r | The French Mass: Sanctus | - | |
|
Appears on:
55r–56r
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-o
Clef:
c4
Voice Text:
Sanctus / Sanct[us] sanct[us] sanct[us]
|
|||
| 56r–56v | The French Mass: Benedictus | - | |
|
Appears on:
56r–56v
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c4
Voice Text:
Benedictus / Benedictu[us] qui venit
|
|||
| 56v–57v | The French Mass: Agnus dei | - | |
|
Appears on:
56v–57v
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-o
Clef:
c4
Voice Text:
Agn[us] / Agn[us] dei
General NoteAnnotations/Corrections: 4' in bottom outer corner of f. 57; |
|||
| 57v–59v | Mass 'Be not afraid': Gloria | mr shep[er]d | |
|
Appears on:
57v–59v
Source Attribution:
mr shep[er]d
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f4
Voice Text:
be not Afrede / Et in terra pax
General NoteAnnotations/Corrections: 4' in bottom outer corner of f. 58; |
|||
| 59v–62r | Mass 'Be not afraid': Credo | - | |
|
Appears on:
59v–62r
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f4
Voice Text:
patre[m] / Patre[m] o[m]nipotentem
General NoteAnnotations/Corrections: note/stem corr. in top line of f. 61v; |
|||
| 62r–63r | Mass 'Be not afraid': Sanctus | - | |
|
Appears on:
62r–63r
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f4
Voice Text:
sanctus / Sanct[us] sct[us] sanctus
General NoteAnnotations/Corrections: 4' in bottom outer corner of f. 62; |
|||
| 63r–64r | Mass 'Be not afraid': Benedictus | - | |
|
Appears on:
63r–64r
Voice:
[no designation]
Languages:
Latin
Clef:
f4
Voice Text:
Benedictus / Benedict[us] [...] q[u]i nenit
|
|||
| 64v–66r | Mass 'Be not afraid': Agnus dei | at end 'mr shep[er]de' | |
|
Appears on:
64v–66r
Source Attribution:
at end 'mr shep[er]de'
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f4
Voice Text:
Agn[us] / Agn[us] dei
General NoteAnnotations/Corrections: bottom line of f. 64v extended into margin to fit one note in; '4' in bottom outer corner of f. 65; Notes: title actually at bottom of f. 64; |
|||
| 66v–68v | Mass for Four Voices: Gloria | mr talles | |
|
Appears on:
66v–68v
Genres:
Gloria (et in terra pax), Mass Ordinary
Source Attribution:
mr talles
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
d4
Voice Text:
Et in terra pax
General NoteAnnotations/Corrections: top stave of f. 68v , corr. in top line; Notes: first instance of a D-clef in this set; |
|||
| 68v–71r | Mass for Four Voices: Credo | - | |
|
Appears on:
68v–71r
Genres:
Credo (patrem omnipotentem), Mass Ordinary
Voice:
[no designation]
Languages:
Latin
Clef:
d4
Voice Text:
patrem / Patre[m] o[m]nipote[n]tem
General NoteAnnotations/Corrections: 4' in bottom outer corner of f. 70 and f. 71; Notes: top stave of f. 68v: top line drawn in at least two stages; |
|||
| 71r–72r | Mass for Four Voices: Sanctus | - | |
|
Appears on:
71r–72r
Genres:
Mass Ordinary, Sanctus [& Benedictus]
Voice:
[no designation]
Languages:
Latin
Clef:
d4
Voice Text:
Sanctus / Sanct[us] sanctus sanctus
|
|||
| 72r–73r | Mass for Four Voices: Benedictus | - | |
|
Appears on:
72r–73r
Genres:
Mass Ordinary, Sanctus [& Benedictus]
Voice:
[no designation]
Languages:
Latin
Clef:
d4
Voice Text:
Benedict[us] / Beneict[us] q[u]i venit
General NoteAnnotations/Corrections: scribble [='4'?] at bottom outer corner of f. 72; |
|||
| 73r–74r | Mass for Four Voices: Agnus dei | - | |
|
Appears on:
73r–74r
Genres:
Agnus Dei, Mass Ordinary
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
d4
Voice Text:
Agnus / Agn[us] dei
General NoteAnnotations/Corrections: 4' in bottom outer corner of f. 73 and f. 74; |
|||
| 74v–76r | Plainsong Mass: Gloria | master Taverner | |
|
Appears on:
74v–76r
Source Attribution:
master Taverner
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f4
Voice Text:
playnsong masse / Et in terra pax
General NoteAnnotations/Corrections: signum congruentiae in fourth line of f. 74v; in third line of f. 75, among pauses a '2'; at end of fourth line of f. 75v a '+' and a crossed out circle; '4' in bottom outer corner of f. 75 (half cut off); Notes: F-clef as for plainchant; |
|||
| 76r–78v | Plainsong Mass: Credo | - | |
|
Appears on:
76r–78v
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f4
Voice Text:
patrem / ffactore[m] celi et terre
General NoteAnnotations/Corrections: 4' in bottom outer corner of f. 77 and f. 78 (possibly also of f. 76, but there cut); |
|||
| 78v–80r | Plainsong Mass: Sanctus | - | |
|
Appears on:
78v–80r
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f4
Voice Text:
Sanctus / Sanct[us] sanct[us] sanctus
General NoteAnnotations/Corrections: 4' in bottom outer corner of f. 79; |
|||
| 80r–80v | Plainsong Mass: Benedictus | - | |
|
Appears on:
80r–80v
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f4
Voice Text:
Beneict[us] q[u]i venit
General NoteNotes: no gap between Sanctus and Benedictus, merely barline (and Benedictus begins on new line anyway); |
|||
| 80v–82v | Plainsong Mass: Agnus dei | at end 'mr taverner' | |
|
Appears on:
80v–82v
Source Attribution:
at end 'mr taverner'
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f4
Voice Text:
Agn[us] / Qui tollis p[e]ccata mu[n]di
|
|||
| 82v | Plainsong Mass for a Mean: Kyrie | mr sheperd | |
|
Appears on:
82v
Source Attribution:
mr sheperd
Voice:
[no designation]
Languages:
Latin
Clef:
f4
Voice Text:
playnsong masse for a Mene / kyrie eleyson
General NoteNotes: in plainchant notation, with plainchant F-clef; |
|||
| 83r–83v | Plainsong Mass for a Mean: Gloria | - | |
|
Appears on:
83r–83v
Voice:
[no designation]
Languages:
Latin
Clef:
f4
Voice Text:
laudam[us] the benedicim[us] te
General NoteAnnotations/Corrections: 4' in bottom outer corner of f. 83; Notes: in plainchant notation, with plainchant F-clef; |
|||
| 84r–85r | Plainsong Mass for a Mean: Credo | - | |
|
Appears on:
84r–85r
Voice:
[no designation]
Languages:
Latin
Clef:
f4
Voice Text:
patrem / Et in vnu[m] dominu[m]
General NoteAnnotations/Corrections: 4' in bottom outer corner of f. 84; Notes: title actually at bottom of f. 83v; |
|||
| 85r | Plainsong Mass for a Mean: Sanctus | - | |
|
Appears on:
85r
Voice:
[no designation]
Languages:
Latin
Clef:
f4
Voice Text:
sanct[us] / Pleni su[nt] celi
|
|||
| 85v | Plainsong Mass for a Mean: Benedictus | - | |
|
Appears on:
85v
Voice:
[no designation]
Languages:
Latin
Clef:
f4
Voice Text:
Benedict[us] / Benedict[us] [...] q[u]i venit
|
|||
| 85v–86r | Plainsong Mass for a Mean: Agnus dei | at end 'mr shep[er]de' | |
|
Appears on:
85v–86r
Source Attribution:
at end 'mr shep[er]de'
Voice:
[no designation]
Languages:
Latin
Clef:
f4
Voice Text:
Agn[us] / Agn[us] dei
|
|||
| 86v–87r | Mass for a Mean: Kyrie | mr applebye | |
|
Appears on:
86v–87r
Source Attribution:
mr applebye
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f4
Voice Text:
for a mene / kyrye leyson
|
|||
| 87r | Mass for a Mean: Alleluia | - | |
|
Appears on:
87r
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f4
Voice Text:
Alleluya / Alle [...] Alleluya
|
|||
| 87r–89v | Mass for a Mean: Gloria | - | |
|
Appears on:
87r–89v
Voice:
[no designation]
Languages:
Latin
Clef:
f4
Voice Text:
Et in terra pax
General NoteAnnotations/Corrections: cut-off figure in outer bottom corner of f. 87 (4?); stem/note corr. in bottom line of f. 87v; in penultimate stave of f. 88v, top line towards end corr.; '4' in outer bottom corner of f. 89; |
|||
| 90r–92v | Mass for a Mean: Credo | - | |
|
Appears on:
90r–92v
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f4
Voice Text:
patre[m] / Patre[m] o[m]nipote[n]tem
General NoteAnnotations/Corrections: 4' in bottom outer corner of f. 90 (and cut-off somthing on f. 91); Notes: title actually at bottom of f. 89v; |
|||
| 92v–94r | Mass for a Mean: Sanctus | - | |
|
Appears on:
92v–94r
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f4
Voice Text:
Sanct[us] / Sanct[us] sanct[us] / Sanct[us]
|
|||
| 94r–94v | Mass for a Mean: Benedictus | - | |
|
Appears on:
94r–94v
Voice:
[no designation]
Languages:
Latin
Clef:
f4
Voice Text:
Qui venit
General NoteNotes: no gap between Sanctus and Benedictus, merely a barline; |
|||
| 94v–96v | Mass for a Mean: Agnus dei | at end 'thomas appelbye' | |
|
Appears on:
94v–96v
Source Attribution:
at end 'thomas appelbye'
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f4
Voice Text:
Agn[us] / Agn[us] dei
General NoteAnnotations/Corrections: cut-off number in bottom outer corner of f. 95 (4?); Notes: under last line of music, one line with the composer and one blank line - both of these lines, however, have the clef and two flats; |
|||
| 97r–97v | Audivi vocem de caelo | master Tauerner | |
|
Appears on:
97r–97v
Source Attribution:
master Tauerner
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c2
Voice Text:
In die o[m]niu[m] sanctoru[m] Audiui / Audivi / media nocte
General NoteAnnotations/Corrections: 31.' under note in bottom line of f. 97v; Notes: 8th Respond at Matins, All Saints; |
|||
| 98r–98v | Audivi vocem de caelo | master Talles | |
|
Appears on:
98r–98v
Source Attribution:
master Talles
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c4
Voice Text:
Audivi /
General NoteNotes: C-clef is just semi-circle; 8th Respond at Matins, All Saints; |
|||
| 98v–99r | Audivi vocem de caelo | mr shep[er]de | |
|
Appears on:
98v–99r
Source Attribution:
mr shep[er]de
Voice:
[no designation]
Languages:
Latin
Mensuration:
c
Clef:
c4
Voice Text:
Audivi /
General NoteNotes: C-clef is just semi-circle; 8th Respond at Matins, All Saints; |
|||
| 99v | [Hodie] Gloria in excelsis | docter Cooper | |
|
Appears on:
99v
Source Attribution:
docter Cooper
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c2
Voice Text:
In die Natalis d[omi]ni / Gloria In excelsis deo
|
|||
| 100r–100v | [Hodie] Gloria in excelsis | mr taverner | |
|
Appears on:
100r–100v
Source Attribution:
mr taverner
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-o
Clef:
c3
Voice Text:
Gloria In excelsis deo
General NoteNotes: finger print (in ink) in outer marging and second line of f. 100; |
|||
| 101r | [Hodie] Gloria in excelsis | mr talles | |
|
Appears on:
101r
Source Attribution:
mr talles
Voice:
[no designation]
Languages:
Latin
Clef:
f5
Voice Text:
hodie / Gloria in excelsis
General NoteAnnotations/Corrections: mistake in text in penultimate line of f. 101 (wome 'b' entered later?); '4' in bottom outer corner of f. 101; |
|||
| 101v–102r | [Hodie] Gloria in excelsis | mr shep[er]d | |
|
Appears on:
101v–102r
Source Attribution:
mr shep[er]d
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c2
Voice Text:
Gloria In excelsis deo
General NoteNotes: C-clef is just semi-circle; |
|||
| 102r–103v | In pace in idipsum | mr taverner | |
|
Appears on:
102r–103v
Source Attribution:
mr taverner
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f4
Voice Text:
for iij men & a childe / In pace / sidedero
General NoteAnnotations/Corrections: 4' in bottom outer corner of f. 102 and f. 103; Notes: Respond at Compline, Lent I to Passion Sunday; |
|||
| 103r–105r | In pace in idipsum | Mr talles | |
|
Appears on:
103r–105r
Source Attribution:
Mr talles
Voice:
[no designation]
Languages:
Latin
Clef:
c4
Voice Text:
In pace / sidedero
General NoteAnnotations/Corrections: 4' in bototm outer corner of f. 104 (on f. 105 only the top, rest cut off); Notes: C-clef is just semi-circle; Respond at Compline, Lent I to Passion Sunday; |
|||
| 105r–106r | In pace in idipsum | mr shep[er]de | |
|
Appears on:
105r–106r
Source Attribution:
mr shep[er]de
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c4
Voice Text:
In pace in pace / sidedero
General NoteAnnotations/Corrections: in bottom outer corner of f. 106 remainder of ?4? (mostly cut off); Notes: Respond at Compline, Lent I to Passion Sunday; |
|||
| 106v–107r | In pace in idipsum | master blytheman | |
|
Appears on:
106v–107r
Source Attribution:
master blytheman
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c4
Voice Text:
In pace [...] / Sidedero
General NoteAnnotations/Corrections: 4' in bottom outer corner of f. 107; Notes: Respond at Compline, Lent I to Passion Sunday; |
|||
| 107v–108r | In pace in idipsum | docter Tye | |
|
Appears on:
107v–108r
Source Attribution:
docter Tye
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f4
Voice Text:
In pace in pace / sidedero
General NoteAnnotations/Corrections: 2' under ligature in second line of f. 107v; Notes: Respond at Compline, Lent I to Passion Sunday; |
|||
| 108r–108v | In manus tuas I | mr shep[er]de | |
|
Appears on:
108r–108v
Source Attribution:
mr shep[er]de
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c4
Voice Text:
In man[us] / In man[us] tuas
General NoteAnnotations/Corrections: 4' in bottom outer corner of f. 108; Notes: Respond at Compline, Passion Sunday to Maundy Thursday; |
|||
| 108v–109r | In manus tuas II | mr shep[er]de | |
|
Appears on:
108v–109r
Source Attribution:
mr shep[er]de
Voice:
[no designation]
Languages:
Latin
Clef:
c4
Voice Text:
In man[us] Corus / Do ne Come[n]do
General NoteNotes: Respond at Compline, Passion Sunday to Maundy Thursday; |
|||
| 109r–109v | In manus tuas III | mr shep[er]de | |
|
Appears on:
109r–109v
Source Attribution:
mr shep[er]de
Voice:
[no designation]
Languages:
Latin
Clef:
f4
Voice Text:
In man[us] Corus / domine Come[n]do
General NoteAnnotations/Corrections: 4' in bottom outer corner of f. 109; note corr. in top line of f. 109v?; Notes: Respond at Compline, Passion Sunday to Maundy Thursday; |
|||
| 109v–110r | Exsurge Christe | mr mondy | |
|
Appears on:
109v–110r
Source Attribution:
mr mondy
Voice:
[no designation]
Languages:
Latin
Clef:
f4
Voice Text:
exurge xpe [= Christe]
General NoteAnnotations/Corrections: 4' in bottom outer corner of f. 110; Notes: last line of music followed by two blank staves that have clefs and flats; |
|||
| 110v–111r | Nos alium Deum nescimus | - | Anonymous |
Nos alium Deum nescimusAnonymous
Appears on:
110v–111r
Voice:
[no designation]
Languages:
Latin
Clef:
f4
Voice Text:
Nos alium / Deu[m] nescim[us]
General NoteAnnotations/Corrections: signum congruentiae in fourth line of f. 110v and bottom line of f. 111; '4' in oter bottom corner of f. 111; Notes: in plainchant notation throughout (with plainchant F-clef); 8th Respond for Sundays in Historia Tobit; |
|||
| 111v–112r | O Salutaris hostia | - | Anonymous |
O Salutaris hostiaAnonymous
Appears on:
111v–112r
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f4
Voice Text:
O salutaris hostia
General NoteAnnotations/Corrections: 4' in bottom outer corner of f. 112; |
|||
| 112v | [blank staves] | - | - |
[blank staves]
Appears on:
112v
|
|||
| 113r–115r | Libera me Domine | at end: 'mr White' | |
|
Appears on:
113r–115r
Source Attribution:
at end: 'mr White'
Voice:
[no designation]
Languages:
Latin
Clef:
f4
Voice Text:
libera me / domine de morte [...] eterna
General NoteAnnotations/Corrections: signum congruentiae in bottom line of f. 113; text entered in second stave of f. 114v, next to pauses: 'dies'; Notes: libera me' at beginning in plainchant notation with F4-clef; 9th Respond at Matins for the Dead; |
|||
| 115r–116v | Gloria laus | doctor Tye | |
|
Appears on:
115r–116v
Source Attribution:
doctor Tye
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c4
Voice Text:
Gloria laus et honor tibi
General NoteAnnotations/Corrections: text corr. in bottom line of f. 115; corr. at beginning of first line on f. 115v?; Notes: Processional Hymn, Palm Sunday; |
|||
| 117r–122v | Passion [St Matthew] | - | Anonymous |
Passion [St Matthew]Anonymous
Appears on:
117r–122v
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f4
Voice Text:
The passion / Passio domini nostriJh[es]u Cristi Secu[n]du[m] matheu[m]
General NoteAnnotations/Corrections: note corr. in bottom line of f. 118v; '4' in bottom outer corner of f. 122; Notes: in third line of f. 120v (end of a section), note split (C-F); followed by two unnumbered folios with blank staves on both sides; |
|||
| 123r–124v | Gloria laus I | - | |
|
Appears on:
123r–124v
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-o
Clef:
f4
Voice Text:
Glorialaus / Gloria laus et honor tibi
General NoteAnnotations/Corrections: 4' in bottom outer corner of f. 124 (much of it cut off); Notes: Processional Hymn, Palm Sunday; |
|||
| 125r–126v | Gloria laus II | - | |
|
Appears on:
125r–126v
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c4
Voice Text:
Glorialaus / Gloria laus et honor tibi
General NoteAnnotations/Corrections: text corr. in bottom line of f. 125; note corr. in secont line of f. 126 (twice); Notes: C-clef is just semi-circle; Processional Hymn, Palm Sunday; |
|||
| 126v–127r | Alleluia [Verse: Confitemini] | - | |
|
Appears on:
126v–127r
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f4
Voice Text:
Victim[e] pasce / Alleluya / Confitemini domino
General NoteAnnotations/Corrections: 4' in bottom outer corner of f. 127; Notes: F-clef as in plainchant; mixture of plainchant and other notation; Alleluya, Easter Eve; |
|||
| 127v–129v | Christus resurgens | mr Knyght | |
|
Appears on:
127v–129v
Source Attribution:
mr Knyght
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f4
Voice Text:
In die pasce / Ex mortuis Ja[m] no[n] moritur
General NoteAnnotations/Corrections: 4' in bottom outer corner of f. 128 and f. 129 (there twice, one on top of the other); Notes: mixture of plainchant and other notation; Processional Antiphon, Easter Day; |
|||
| 129v–133r | Christus resurgens | mr Redfurde | |
|
Appears on:
129v–133r
Source Attribution:
mr Redfurde
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f5
Voice Text:
In die pasce / Christus resurgens
General NoteAnnotations/Corrections: cut-off figure in bottom outer corner of f. 130 (4?); text corr . in final 'Alleluya'; Notes: F-clef as in plainchant; generally mixture of plainchant and other notation; Processional Antiphon, Easter Day; |
|||
| 133r–134v | Dum transisset Sabbatum | Robarte Barbar (at end) | |
|
Appears on:
133r–134v
Source Attribution:
Robarte Barbar (at end)
Voice:
[no designation]
Languages:
Latin
Clef:
f4
Voice Text:
Sabatu[m] maria magdale
General NoteAnnotations/Corrections: signum congruentiae in bottom line of f. 133v; Notes: gap before first line of music, as for title of similar; 3rd Respond at Matins, Easter Day; |
|||
| 134v–135v | Dum transisset Sabbatum | mr Jhonson; at end 'mr iho[n]son' | |
|
Appears on:
134v–135v
Source Attribution:
mr Jhonson; at end 'mr iho[n]son'
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f4
Voice Text:
Du[m] tra[n]sisset sabatu[m]
General NoteAnnotations/Corrections: signum congruentiae in third line of f. 135 and top line of f. 135v; Notes: F-clef as in plainchant; final note of piece split in octave (E-E); 3rd Respond at Matins, Easter Day; |
|||
| 135v–136v | Dum transisset sabbatum [I - 5vv] | mr Taverner | |
|
Appears on:
135v–136v
Genres:
Motet
Source Attribution:
mr Taverner
Voice:
[no designation]
Languages:
Latin
Clef:
f4
Voice Text:
Sabatu[m] maria magdalene
General NoteAnnotations/Corrections: signum congruentiae in bottom line of f. 136; Notes: F-clef as in plainchant; 3rd Respond at Matins, Easter Day; |
|||
| 136v–138v | Vidi aquam egredientem | - | Anonymous |
Vidi aquam egredientemAnonymous
Appears on:
136v–138v
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f4
Voice Text:
Vidi aqua / Egrediente[m]
General NoteAnnotations/Corrections: in top line of f. 138v, one line of the stave has gone wrong; towards the end (on f. 138v) signum congruentiae; Notes: initial 'Vidi aqua' in plainchant notation and C4-clef; it seems that the 'A' of 'Aqua' is notted one note too early; Antiphon before Mass, Paschal time; |
|||
| 139r | Salve festa dies | master shep[er]de | |
|
Appears on:
139r
Source Attribution:
master shep[er]de
Voice:
[no designation]
Languages:
Latin
Clef:
f4
Voice Text:
Salve festa dies
General NoteNotes: F-clef as in plainchant; Processional Prose, Easter; |
|||
| 139v–140r | Sedit angelus | - | Anonymous |
Sedit angelusAnonymous
Appears on:
139v–140r
Voice:
[no designation]
Languages:
Latin
Clef:
c4
Voice Text:
Sedit angelus / Ad sepulcru[m] domini
General NoteAnnotations/Corrections: signum congruentiae in top line of f. 140; Notes: throughout in plainchant notation (and C-clefs as semi-circles); Processional Antiphon, Easter II and Sunday before Ascension Day; |
|||
| 140v–141r | Viri Galilei | - | Anonymous |
Viri GalileiAnonymous
Appears on:
140v–141r
Voice:
[no designation]
Languages:
Latin
Clef:
c5
Voice Text:
In die ascensionis / Viri galilei / quid admiramini
General NoteAnnotations/Corrections: signum congruentiae in bottom line of f. 140v, with some corr. around that corner; signum congruentiae in third line of. 141; a sharp-sign beneath the stave after the last word ; Notes: throughout in plainchant notation, but initial 'Viri galilei' with C4-clef of semi-circle, then C5-clef is the polyphonic one; under last line of music a blank-ruled stave with clef and flat; Processional Antiphon, Ascension Day; |
|||
| 141v–142r | Spiritus Sanctus procedens | - | Anonymous |
Spiritus Sanctus procedensAnonymous
Appears on:
141v–142r
Voice:
[no designation]
Languages:
Latin
Clef:
f4
Voice Text:
In die penthecostes / Spritit[us] sanctus / Procedens
General NoteAnnotations/Corrections: signum congruentiae in top line and fourth line of f. 142; also note corr. in fourth line of f. 142; Notes: throughout in plainchant notation; initial 'Spirit[us] sanctus' with a C4-clef; 3re Respond at Matins, Whitsunday; |
|||
| 142v–143v | Alma chorus Domini | - | Anonymous |
Alma chorus DominiAnonymous
Appears on:
142v–143v
Voice:
[no designation]
Languages:
Latin
Clef:
c5
Voice Text:
Alma chorus domini / Messias sothere
General NoteAnnotations/Corrections: in fourth line of f. 143, 'second' written in the stave, at end of following line 'this first'; Notes: C-clef is just semi-circle; mostly in plainchant notation throughout; Hymn at Compline, Whitsunday; |
|||
| 143r–144r | Kyrie | John mu[n]dye | |
|
Appears on:
143r–144r
Source Attribution:
John mu[n]dye
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f4
Voice Text:
In die pasce / Kiri e leson
General NoteNotes: (for Easter Day); |
|||
| 144r–144v | Haec dies quam fecit | John ensdall | |
|
Appears on:
144r–144v
Source Attribution:
John ensdall
Voice:
[no designation]
Languages:
Latin
Clef:
c4
Voice Text:
In die pasce / hec / Dies qua[m] fecit domin[us]
General NoteNotes: Cleft looks like a modern F-clef (open semi-circle with two dots); followed by two unnumbered folios with blank staves on both sides; Gradual, Easter Day; |
|||
| 145r–146r | Laudate pueri [beginning at 'Sit nomen'] | mr sheparde | |
|
Appears on:
145r–146r
Source Attribution:
mr sheparde
Voice:
[no designation]
Languages:
Latin
Clef:
f4
Voice Text:
Laudate pueri / Sit nome[n] d[omi]ni
General NoteNotes: On first page, writing different to the previous items - more ornate - but then back to the previous hand on f. 145v; Processional Psalm (cxii) Easter Day; |
|||
| 146r–150r | In exitu Israel [starts 'Facta est'] | mr shepard | |
|
Appears on:
146r–150r
Source Attribution:
mr shepard
Voice:
[no designation]
Languages:
Latin
Clef:
f4
Voice Text:
In exitu. Israell / ffacta est iudea sanctifica
General NoteAnnotations/Corrections: note corr. in bottom line of f. 146v?; 'mr birde' in margin of f. 148; 'mr mu[n]dy' in margin of f. 149; '4' in bottom outer corner of f. 150; Notes: Processional Psalm (cxii) Easter Day; |
|||
| 150v | [blank staves] | - | - |
[blank staves]
Appears on:
150v
General NoteNotes: followed by two unnumbered folios with blank staves on both sides; |
|||
| 151r–152v | In nomine Jesu omne genuflectatur | - | Anonymous |
In nomine Jesu omne genuflectaturAnonymous
Appears on:
151r–152v
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f4
Voice Text:
In nomine Jh[es]u. Omne genuflectatur
General NoteAnnotations/Corrections: at end of top line of f. 152 'vt sup[r]a; at end of third line of f. 152 'In no[m]i[n]e/ Jh[es]u vt sup[r]a'; at end 'Jh[es]u vt sup[r]a'; Notes: "In nomine Jh[es]u' at beginning on plainchant notation with C5-clef; Introit for Jesus Mass; |
|||
| 152v–155v | Constituit Deus pater | - | Anonymous |
Constituit Deus paterAnonymous
Appears on:
152v–155v
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f4
Voice Text:
grale / Constituit deus pater
General NoteAnnotations/Corrections: on f. 153v, between third and fourth linea circle in ink (like a note head without stem); at bottom of f. 154v, written into stave 'AdJuvanos'; in middle line of f. 155 'Alleluya' written into stave; at end of top line of f. 155v 'dulce nome[n]' written into stave; Notes: Gradual for Jesus Mass; |
|||
| 156r–157v | Dulcis Jesus Nazarenus | - | Anonymous |
Dulcis Jesus NazarenusAnonymous
Appears on:
156r–157v
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f4
Voice Text:
dulcis Jhesus nazaren[us]
General NoteAnnotations/Corrections: 4' in bottom outer corner of f. 156; Notes: initial 'dulcis Jhesus nazaren[us] in plainchant notation with C4-clef; Sequence for Jesus Mass; |
|||
| 157v–158v | Mass 'Apon the square': Kyrie | mr Whitbroke | |
|
Appears on:
157v–158v
Source Attribution:
mr Whitbroke
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-o
Clef:
c5
Voice Text:
Apon ye square Mayde by mr Whitbroke / Kyry e leyson
General NoteAnnotations/Corrections: dots around notes in top line of f. 158v; |
|||
| 158v–159v | Mass 'Apon the square': Gloria | - | |
|
Appears on:
158v–159v
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c5
Voice Text:
Et in terra pax
|
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| 159v–162v | Mass 'Apon the square': Credo | - | |
|
Appears on:
159v–162v
Voice:
[no designation]
Languages:
Latin
Mensuration:
c-dot
Clef:
c5
Voice Text:
patre[m] omnipotentem
General NoteAnnotations/Corrections: dots around notes in top and second line of f. 160 and in severa lines on f. 162 and f. 162v; Notes: initial 'patre[m] omnipotentem' in plaincant notation; time signature not until polyphony; |
|||
| 162v–163v | Mass 'Apon the square': Sanctus | - | |
|
Appears on:
162v–163v
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-o
Clef:
c5
Voice Text:
Sanctus sanctus Dominu[us]
General NoteNotes: First 'Sanctus' in plainchant notation, time signature not before polyphony; |
|||
| 163v–164r | Mass 'Apon the square': Benedictus | - | |
|
Appears on:
163v–164r
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c5
Voice Text:
In nomine domini
General NoteAnnotations/Corrections: at beginning 'Benedictus' under pauses with some correction at the end of the pauses, possibly an erased clef (with notation starting only here); dots around note in first three lines on f. 164; |
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| 164r–165r | Mass 'Apon the square': Agnus | - | |
|
Appears on:
164r–165r
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-o
Clef:
c5
Voice Text:
Agn[us] dei / Qui tollis
General NoteAnnotations/Corrections: dots around notes in bottom line of f. 164v and on f. 165; Notes: initial 'Agn[us] deo] in plainchant notation, with time signature not until polyphony; |
|||
| 165v–166r | Mass 'Apon the square' (I): Kyrie | - | |
|
Appears on:
165v–166r
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-o
Clef:
c4
Voice Text:
Apon the square by mr Mundaye / Kyrieley son
|
|||
| 166r–168v | Mass 'Apon the square' (I): Gloria | - | |
|
Appears on:
166r–168v
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c4
Voice Text:
Et in terra pax
General NoteNotes: in second line of f. 167v (end of a section), note split (C-C); |
|||
| 168v–172r | Mass 'Apon the square' (I): Credo | - | |
|
Appears on:
168v–172r
Voice:
[no designation]
Languages:
Latin
Mensuration:
c-dot
Clef:
c4
Voice Text:
Patre[m] o[m]nipote[n]te[m]
General NoteNotes: initial 'patre[m] om[n]ipote[n]te[m]' in plainchant notation with C4-clef and one flat; |
|||
| 172r–173r | Mass 'Apon the square' (I): Sanctus | - | |
|
Appears on:
172r–173r
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c5
Voice Text:
Sanctus / Sanctus Sanctus
General NoteNotes: initial 'Sanctus' in plainchant notation with C5-clef; |
|||
| 173r–174r | Mass 'Apon the square' (I): Benedictus | - | |
|
Appears on:
173r–174r
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c5
Voice Text:
Benedictu[s] In nomine
|
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| 174r–175v | Mass 'Apon the square' (I): Agnus | at end: 'mr Wyllya[m] Mondye' | |
|
Appears on:
174r–175v
Source Attribution:
at end: 'mr Wyllya[m] Mondye'
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-o
Clef:
c5
Voice Text:
Agnu[s] dei Qui tollis
General NoteNotes: initial 'Agn[us] dei in plainchant notation with C5-clef; |
|||
| 176r–176v | Mass 'Apon the square' (II): Kyrie | mr W[m] mondye' (at end) | |
|
Appears on:
176r–176v
Source Attribution:
mr W[m] mondye' (at end)
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-o
Clef:
f5
Voice Text:
Apon the squar bi mr mondye / Kyrie leyson
|
|||
| 176v–179r | Mass 'Apon the square' (II): Gloria | - | |
|
Appears on:
176v–179r
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c5
Voice Text:
Et in terra pax
General NoteAnnotations/Corrections: note corr. in bottom line of f. 178; |
|||
| 179r–183r | Mass 'Apon the square' (II): Credo | - | |
|
Appears on:
179r–183r
Voice:
[no designation]
Languages:
Latin
Mensuration:
c-dot
Clef:
c5
Voice Text:
Patre[m] om[n]ipote[n]te[m] / ffactore[m] celi
General NoteAnnotations/Corrections: note corr. in bottom line of f. 179 and in second line of f. 179v; Notes: initial 'patre[m] om[n]ipote[n]te[m]' in plainchant notation with C5-clef; |
|||
| 183r–184r | Mass 'Apon the square' (II): Sanctus | - | |
|
Appears on:
183r–184r
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-o
Clef:
c4
Voice Text:
Sactus / Sanctus sanct[us] sanctus
General NoteNotes: initial 'Sanctus' in plainchant notation with C5-clef; second line of f. 184 (beginning of Osanna) slightly extended into margin; |
|||
| 184v | Mass 'Apon the square' (II): Benedictus | - | |
|
Appears on:
184v
Voice:
[no designation]
Languages:
Latin
Mensuration:
c-dot
Clef:
c4
Voice Text:
Benedict[us] / Osa[n]na in excelsis
General NoteNotes: at beginning pauses noted (with cut semi-circle); |
|||
| 184v–186v | Mass 'Apon the square' (II): Agnus | - | |
|
Appears on:
184v–186v
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-o
Clef:
c4
Voice Text:
Agn[us] dei / qui tollis
General NoteAnnotations/Corrections: stave corr. in bottom line of f. 185v; Notes: initial 'Agn[us] dei] in plainchant notation with C5-clef; |
|||
| 187r–189r | Magnificat | - | |
|
Appears on:
187r–189r
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c4
Voice Text:
Et exultavit sp[iritu]s meus
General NoteNotes: before first line of music a gap, as for title or something; |
|||
| 189r–192r | Magnificat | mr talles | |
|
Appears on:
189r–192r
Source Attribution:
mr talles
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-o
Clef:
c5
Voice Text:
Et exultavit [...] sp[irit]us meus
|
|||
| 192r–194v | Magnificat | Master sheperde; at end 'mr sheperd' | |
|
Appears on:
192r–194v
Source Attribution:
Master sheperde; at end 'mr sheperd'
Voice:
[no designation]
Languages:
Latin
Clef:
f4
Voice Text:
Et exultavit spirit[us] meu[us]
General NoteAnnotations/Corrections: stem corr. in penultimate line of f. 193v; Notes: C5-clef with one flat at very beginning of first line, before the composer; in top line of f. 192v (end of a section), note split (D-D) - the same in the bottom line of f. 193 and in the penultimate line of f. 194; after the last line of music one other blank stave with clef and flat; |
|||
| 195r–198r | Magnificat a4 | Master Tan[er]ner; at end 'mr tan[er]ner' | |
|
Appears on:
195r–198r
Source Attribution:
Master Tan[er]ner; at end 'mr tan[er]ner'
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-o
Clef:
f4
Voice Text:
Et exultavit spirit[us] meus
General NoteNotes: third line on f. 195 slightly extended into margin - the same with first two lines on f. 195v; |
|||
| 198r–200v | Magnificat | Stanigs; at end 'stenynge' | |
|
Appears on:
198r–200v
Source Attribution:
Stanigs; at end 'stenynge'
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-o
Clef:
c5
Voice Text:
Et exultauit spirit[us] meus
General NoteAnnotations/Corrections: in penultimate line of f. 198v, two '4' under ligature; note corr. in penultimate line of f. 199v; Notes: bottom line of f. 199 slightly extended into margin; |
|||
| 201r–202v | Sancte Deus | mr phillippes van Wilder | |
|
Appears on:
201r–202v
Source Attribution:
mr phillippes van Wilder
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c4
Voice Text:
Sancte deus sancte fortis
General NoteAnnotations/Corrections: text corr. in second line of f. 202; |
|||
| 203r–204v | Sancte Deus | mr talles | |
|
Appears on:
203r–204v
Source Attribution:
mr talles
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c3
Voice Text:
Sancte deu[us] sancte fortis
General NoteAnnotations/Corrections: 4' in bottom outer corner of f. 203; |
|||
| 204v–205v | Recordare Domine | Master bramston | |
|
Appears on:
204v–205v
Source Attribution:
Master bramston
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f4
Voice Text:
Recordare d[omi]ne testame[n]ti tui
General NoteAnnotations/Corrections: signum congruentiae in top line of f. 205; at end 'vt no[n] desoletz' and 'vt no[n] desoletuz' before and after 'gloria patri'; |
|||
| 205v–206v | Suub tuam protectionem | doctor tye; at end 'mr doctor Tye' | |
|
Appears on:
205v–206v
Source Attribution:
doctor tye; at end 'mr doctor Tye'
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-o
Clef:
c4
Voice Text:
Sub tua[m] / proteccion confugim[us]
|
|||
| 207r–208v | Gaude Maria Virgo | mr Johnson pryste | |
|
Appears on:
207r–208v
Source Attribution:
mr Johnson pryste
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f3
Voice Text:
Gavde maria virgo
General NoteAnnotations/Corrections: note, stave and text corr. in third line of f. 208; Notes: Marian Antiphon; |
|||
| 209r–210v | Salve Regina | pilyp alcoke | |
|
Appears on:
209r–210v
Source Attribution:
pilyp alcoke
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c4
Voice Text:
Salve Ad te clamam[us]
General NoteNotes: Marian Antiphon; |
|||
| 211r–211v | Sancta Maria Virgo | - | Anonymous |
Sancta Maria VirgoAnonymous
Appears on:
211r–211v
Voice:
[no designation]
Languages:
Latin
Clef:
f4
Voice Text:
Sancta maria virgo et mater
General NoteNotes: gap before first line of music, as for title or similar; Marian Antiphon; |
|||
| 212r–214r | Gaudete caelicolae | mr shep[er]de | |
|
Appears on:
212r–214r
Source Attribution:
mr shep[er]de
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-o
Clef:
f4
Voice Text:
Gaudete celicole omnes
General NoteNotes: very noticeable ink smear on f. 213; Jesus Antiphon; |
|||
| 214r–215r | Et portae inferi | - | Anonymous |
Et portae inferiAnonymous
Appears on:
214r–215r
Voice:
[no designation]
Languages:
Latin
Mensuration:
c
Clef:
f4
Voice Text:
Et porte inferi
General NoteNotes: the flat noted is an E-flat; gap before first line of music, as for title or similar; St Peter Antiphon; |
|||
| 215r–216r | Sancta Maria Virgo | mr knyghte | |
|
Appears on:
215r–216r
Source Attribution:
mr knyghte
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c2
Voice Text:
Maria virgo intercede
General NoteNotes: gap before first line of music, as for title or similar - at the same time, there is an F4-clef with flat at the beginning of line (matching the preceding piece); Marian Antiphon; |
|||
| 216v–217v | Speciosa facta es | mr hoskins | |
|
Appears on:
216v–217v
Source Attribution:
mr hoskins
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f4
Voice Text:
Speciosa facta es
General NoteAnnotations/Corrections: stave corr. in third line of f. 217; text corr. in top line of f. 217v; Notes: Marian Antiphon; |
|||
| 217v–218v | Nesciens Mater | mr Wrighte | |
|
Appears on:
217v–218v
Source Attribution:
mr Wrighte
Voice:
[no designation]
Languages:
Latin
Clef:
f4
Voice Text:
Peperit sine dolore
General NoteNotes: Marian Antiphon; |
|||
| 218v–219r | Ave Maria | - | Anonymous |
Ave MariaAnonymous
Appears on:
218v–219r
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f4
Voice Text:
Ave Ave maria
General NoteNotes: gap before first line of music, as for title or similar; Marian Antiphon; |
|||
| 219r–222r | O Bone Jesu | - | Anonymous |
O Bone JesuAnonymous
Appears on:
219r–222r
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f4
Voice Text:
O bone Jesu
General NoteAnnotations/Corrections: note corr. in fourth line of f. 220v; Notes: in blank stave after final line of music a single barline; Jesus Antiphon; |
|||
| 222v | [blank staves] | - | - |
[blank staves]
Appears on:
222v
|
|||