GB-Lbl Add. MS 30481 (Hamond Partbooks)

British Library, London, England

partbook: c. 1560-90

Archive	British Library, London, England (GB-Lbl)
Shelfmark	Add. MS 30481 (Hamond Partbooks)
Surface	Mixed Paper and Parchment
Numbering System	Foliation
Format	landscape
Measurements	145-55 x 195-205 mm
Other Identifiers	CCM: LonBL 30480-4
Relationships	Smith, John Stafford (1750–1836) (owner) British Museum (owner) Sotheby's auctioneers (owner) Hamond, Thomas (–1662) (owner)
External Links	British Library online catalogue entry
Provenance	Suffolk? England
Contents	103 pieces from 30 composers

General Description

An Altus partbook from a set of five volumes. Copied by several scribes. Service music and anthems generally have full text underlaid; other pieces generally have text incipits or titles only. Of English origin; perhaps copied in Suffolk. Belonged in 1615 to Thomas Hamond (d. 1662), of Hawkedon, Suffolk; owned in 1776 by John Stafford Smith. Purchased by British Museum at a Sotheby's sale in 1877.

DIAMM, 2017

Binding

New covers of maroon leather and cloth on boards, but original limp vellum covers retained (now bound in as flyleaves)

DIAMM, 2017

Notation

void mensural with diamond and round noteheads

DIAMM, 2017

Ruling

Printed staves and decorative margins in each book (except Quintus), identical to those in LonBL 15166, similar to those in LonBLR A57.

DIAMM, 2017

Foliation

New pencil foliation 1-94 (includes original paper flyleaves in front and back, but omits one leaf with blank staves following f. 67)

DIAMM, 2017

Surface

i paper + i parchment + i paper + 93 paper + i paper + i paper

DIAMM, 2017

DIAMM Note

Digitized with funding from the Arts and Humanities Research Council (UK) for the Tudor Partbooks project at the Universities of Oxford and Newcastle.

DIAMM, 2023

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

1 Kyrie, 2 Mass Ordinary sections, 20 motets, 11 Services or Service sections, 27 anthems, 12 English secular pieces, 8 French secular pieces, 2 Italian secular pieces, 1 In nomine, 1 dance, 2 textless pieces = 87

Adams-2, Bullmann-1, Byrd-4, Caustun-1, (Clemens non Papa)-1, (A. Ferrabosco I)-1, Ferynge-1, Franctynge-1, (C. Hollander/S. Hollander/Lassus)-1, E. Johnson-2, R. Johnson I-5, More-1, W. Mundy-2, Parsley-3, R. Parsons I-3, Partyne-1, Shepherd-5, Tallis-8, (Tallis/Weelkes)-1, Taverner-1, Tye-10, Weelkes-1, W. White-1, Whytbroke-1, Wilder [Phillip de Wildro]/(P. Philips)-1, (Wilder)-1, anon-27

5 partbooks (D-ii paper + i parchment + i paper + 89 paper + i parchment + i paper folios, A-i paper + i parchment + i paper + 93 paper + i paper + i paper, T-i paper + i parchment + 86 paper + i paper + i paper, B-i paper + i parchment + ii paper + 86 paper + i paper + i parchment + i paper, Q-i paper + i parchment + 19 paper + ii parchment + xxxiv paper), 145-55 x 195-205. New pencil foliation —D: 1-89 (begins with original paper flyleaf and omits one leaf with blank staves following f. 40); A: 1-94 (includes original paper flyleaves in front and back, but omits one leaf with blank staves following f. 67); T: 1-87 (begins with original parchment flyleaf and includes original paper flyleaf at back, but omits one leaf with blank staves following f. 61); B: 1-91 (includes all original folios); Q; 1-22 (includes all original folios). New covers of maroon leather and cloth on boards, but original parchment covers retained (now bound in as flyleaves). No index.

Copied by several scribes. Printed staves and decorative margins in each book (except Q), identical to those in LonBL 15166, similar to those in LonBLR A57. Service music and anthems generally have full text underlaid; other pieces generally have text incipits or titles only.

Ca. 1560-90 (ByrdW). Of English origin; perhaps copied in Suffolk. Belonged in 1615 to Thomas Hamond (d. 1662), of Hawkedon, Suffolk; owned in 1776 by John Stafford Smith. Purchased by British Museum at a Sotheby's sale in 1877.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
1bisr	-	-	Anonymous
[Unknown Title] Appears on: 1bisr
1bisv	Thomas Hamond holograph	-	Hamond of Hawkedon, Suffolk, Thomas
Thomas Hamond holograph Hamond of Hawkedon, Suffolk, Thomas Appears on: 1bisv
2r–3v	Magnificat	Partyn	Partyne, R
Magnificat Partyne, R Appears on: 2r–3v Genres: BVM, Canticle, Magnificat Source Attribution: Partyn General Note Notes: Evening Prayer;
4r–4v	Nunc Dimittis	Partyn	Partyne, R
Nunc Dimittis Partyne, R Appears on: 4r–4v Source Attribution: Partyn General Note Notes: Evening Prayer;
5r–7r	First, Flat, Short Service: Te Deum	-	Parsley [Percely], Osbert
First, Flat, Short Service: Te Deum Parsley [Percely], Osbert Appears on: 5r–7r Genres: Liturgical work, Te Deum General Note Notes: Morning Prayer;
8r	-	-	Anonymous
[Unknown Title] Appears on: 8r
8v–10r	Venite (C4 clef one voice part only)	-	Anonymous
Venite (C4 clef one voice part only) Anonymous Appears on: 8v–10r General Note Annotations/Corrections: NB not part of the Venite by Adams found in the other partbooks; Notes: Morning Prayer;
10v–12r	Benedictus [English]	-	Anonymous
Benedictus [English] Anonymous Appears on: 10v–12r General Note Notes: Morning Prayer;
12v–14r	First, Flat, Short Service: Benedictus (Canticle)	Parselye	Parsley [Percely], Osbert
First, Flat, Short Service: Benedictus (Canticle) Parsley [Percely], Osbert Appears on: 12v–14r Genres: Canticle Source Attribution: Parselye General Note Annotations/Corrections: Later hand - 'Persley's Benedictus'; Notes: Morning Prayer;
14v–17r	Morning Service for Men: Te Deum	-	Mundy, William (ca. 1528–ca. 1591)
Morning Service for Men: Te Deum Mundy, William (ca. 1528–ca. 1591) Appears on: 14v–17r General Note Notes: Morning Prayer;
17v–19r	O God, be merciful unto us	Doctor Tye	Tye, Christopher (ca. 1505–ca. 1573)
O God, be merciful unto us Tye, Christopher (ca. 1505–ca. 1573) Appears on: 17v–19r Genres: Anglican Service Music, Anthem, Deus misereatur [Anglican = 2nd canticle at Evensong] Source Attribution: Doctor Tye General Note Notes: Evening Prayer;
19r–20r	Jubilate Deo (English)	-	Anonymous
Jubilate Deo (English) Anonymous Appears on: 19r–20r General Note Notes: Morning Prayer;
20r–20v	Nunc Dimittis	-	Adams, Robert
Nunc Dimittis Adams, Robert Appears on: 20r–20v General Note Notes: Evening Prayer;
21r–21v	[Evening Service]: Nunc dimittis	Doctor Tye	Tye, Christopher (ca. 1505–ca. 1573)
[Evening Service]: Nunc dimittis Tye, Christopher (ca. 1505–ca. 1573) Appears on: 21r–21v Source Attribution: Doctor Tye General Note Notes: Evening Prayer;
22r–23v	Evening Service: Magnificat [English]	Mr Whit broke	Whytbroke, William
Evening Service: Magnificat [English] Whytbroke, William Appears on: 22r–23v Source Attribution: Mr Whit broke General Note Notes: Evening Prayer;
24r–24v	Give alms of thy goods	-	Tye, Christopher (ca. 1505–ca. 1573)
Give alms of thy goods Tye, Christopher (ca. 1505–ca. 1573) Appears on: 24r–24v General Note Notes: Offertory Sentence from Communion;
24v–25v	O praise God in his holiness (I)	Mr Whytt	White, Robert (ca. 1538–1574) (?) White, William
O praise God in his holiness (I) White, Robert (ca. 1538–1574) (?) White, William Appears on: 24v–25v Genres: Anthem Source Attribution: Mr Whytt
26r–27v	Praise the lord ye servants [= Praise ye the Lord ye children]	Doctor Tye	Tye, Christopher (ca. 1505–ca. 1573)
Praise the lord ye servants [= Praise ye the Lord ye children] Tye, Christopher (ca. 1505–ca. 1573) Appears on: 26r–27v Genres: Anthem Source Attribution: Doctor Tye
28r–29r	Christ rising again	Mr Sheppard	Sheppard, John (ca. 1515–1558)
Christ rising again Sheppard, John (ca. 1515–1558) Appears on: 28r–29r Genres: Anthem Source Attribution: Mr Sheppard
29r–30r	O merciful father, we beseech thee	-	Feryng
O merciful father, we beseech thee Feryng Appears on: 29r–30r
30v–31r	O God for thy name's sake save me	-	Frankling, John
O God for thy name's sake save me Frankling, John Appears on: 30v–31r
31v–32r	I give you a new commandment	-	Sheppard, John (ca. 1515–1558)
I give you a new commandment Sheppard, John (ca. 1515–1558) Appears on: 31v–32r Genres: Anthem General Note Annotations/Corrections: Later hand: 'In Day's Morning and Evening Prayer';
32v–33r	In judgement, Lord	-	Anonymous
In judgement, Lord Anonymous Appears on: 32v–33r
33v–35r	Service for Children: Venite	Thomas Causton	Caustun, Thomas (ca. 1520–1569)
Service for Children: Venite Caustun, Thomas (ca. 1520–1569) Appears on: 33v–35r Source Attribution: Thomas Causton General Note Annotations/Corrections: Later hand:' T Causton. Found in John Day's Morning nad Evening Prayer and there is said to be for Children'; Notes: Morning Prayer;
35v–37v	Service for Children: Te Deum	Thomas Canuton	Caustun, Thomas (ca. 1520–1569)
Service for Children: Te Deum Caustun, Thomas (ca. 1520–1569) Appears on: 35v–37v Source Attribution: Thomas Canuton General Note Annotations/Corrections: Later hand: 'Found In Day's Morning & evening Praier And noted to be for men'; Notes: Morning Prayer;
37v–39r	Service for Children: Benedictus (Canticle)	-	Caustun, Thomas (ca. 1520–1569)
Service for Children: Benedictus (Canticle) Caustun, Thomas (ca. 1520–1569) Appears on: 37v–39r General Note Annotations/Corrections: Later hand: 'this is said to be for children; at the end: Tho Causton'; Notes: Morning Prayer;
39v–40r	Service for Children: Gloria	-	Caustun, Thomas (ca. 1520–1569)
Service for Children: Gloria Caustun, Thomas (ca. 1520–1569) Appears on: 39v–40r General Note Annotations/Corrections: Later hand 'marked to be for children T.C.'; Notes: Communion;
40v–41r	O death rock me asleep	-	Anonymous
O death rock me asleep Anonymous Appears on: 40v–41r
41v	O come pale-faced death	Mr Johnson	Johnson (I), Robert (ca. 1500–ca. 1560)
O come pale-faced death Johnson (I), Robert (ca. 1500–ca. 1560) Appears on: 41v Source Attribution: Mr Johnson
42r	When Jesus went (adaptation of motet Salvator Mundi II)	-	Tallis, Thomas (ca. 1505–1585)
When Jesus went (adaptation of motet Salvator Mundi II) Tallis, Thomas (ca. 1505–1585) Appears on: 42r Genres: Anthem, Contrafactum
42v–44r	Prepare you time weareth away	-	Mundy, William (ca. 1528–ca. 1591)
Prepare you time weareth away Mundy, William (ca. 1528–ca. 1591) Appears on: 42v–44r
45r–46r	Save me, O God, for thy name's sake	-	Tye, Christopher (ca. 1505–ca. 1573)
Save me, O God, for thy name's sake Tye, Christopher (ca. 1505–ca. 1573) Appears on: 45r–46r Genres: Anthem
46v	-	-	Anonymous
[Unknown Title] Appears on: 46v
47r–48v	From the depth I call on ye O Lord [de profundis]	good Tye	Tye, Christopher (ca. 1505–ca. 1573)
From the depth I call on ye O Lord [de profundis] Tye, Christopher (ca. 1505–ca. 1573) Appears on: 47r–48v Source Attribution: good Tye
49v–50r	Wipe away my sins [=Absterge Domine]	-	Tallis, Thomas (ca. 1505–1585)
Wipe away my sins [=Absterge Domine] Tallis, Thomas (ca. 1505–1585) Appears on: 49v–50r
50v–51r	Blessed art thou that fearest God and walkest in his ways	-	Van Wilder, Phillip
Blessed art thou that fearest God and walkest in his ways Van Wilder, Phillip Appears on: 50v–51r Genres: Motet
51v–52v	My trust, O Lord, in thee is grounded	doctor Tye	Tye, Christopher (ca. 1505–ca. 1573)
My trust, O Lord, in thee is grounded Tye, Christopher (ca. 1505–ca. 1573) Appears on: 51v–52v Source Attribution: doctor Tye
52v–53r	With all our hearts and mouth (= Salvator mundi (I))	-	Tallis, Thomas (ca. 1505–1585)
With all our hearts and mouth (= Salvator mundi (I)) Tallis, Thomas (ca. 1505–1585) Appears on: 52v–53r Genres: Anthem, Contrafactum
53v	-	-	Anonymous
[Unknown Title] Appears on: 53v
54r–55r	When shall my sorrowful sighing slake	tallys	Tallis, Thomas (ca. 1505–1585) (?)
When shall my sorrowful sighing slake Tallis, Thomas (ca. 1505–1585) (?) Appears on: 54r–55r Genres: Song Source Attribution: tallys
55r	Fond youth is a bubble = Purge me O Lord	tallys	Tallis, Thomas (ca. 1505–1585)
Fond youth is a bubble = Purge me O Lord Tallis, Thomas (ca. 1505–1585) Appears on: 55r Source Attribution: tallys
55v	Deliver us Lord both night and day	-	Anonymous
Deliver us Lord both night and day Anonymous Appears on: 55v
56r–56v	I will give thanks unto the Lord = O happy dames that may embrace the fruit of your delight	-	Sheppard, John (ca. 1515–1558)
I will give thanks unto the Lord = O happy dames that may embrace the fruit of your delight Sheppard, John (ca. 1515–1558) Appears on: 56r–56v Genres: Song
56v–57v	Defiled is my name	Johnsone	Johnson (I), Robert (ca. 1500–ca. 1560)
Defiled is my name Johnson (I), Robert (ca. 1500–ca. 1560) Appears on: 56v–57v Source Attribution: Johnsone
57v–58v	Deliver us good Lord from eternal death	Doctor Tye	Tye, Christopher (ca. 1505–ca. 1573)
Deliver us good Lord from eternal death Tye, Christopher (ca. 1505–ca. 1573) Appears on: 57v–58v Source Attribution: Doctor Tye
58v–59v	Lord thou has commanded by thy holy apostle	-	Bullmann, Baruch
Lord thou has commanded by thy holy apostle Bullmann, Baruch Appears on: 58v–59v Genres: none
59v	O give thanks unto the Lord = in nomine section from Missa Gloria tibi trinitas	-	Taverner, John
O give thanks unto the Lord = in nomine section from Missa Gloria tibi trinitas Taverner, John Appears on: 59v
60r–61v	I have loved	-	Tye, Christopher (ca. 1505–ca. 1573)
I have loved Tye, Christopher (ca. 1505–ca. 1573) Appears on: 60r–61v Genres: Anthem
62r–63v	O Lord, rebuke me not in thine indignation	-	Tye, Christopher (ca. 1505–ca. 1573)
O Lord, rebuke me not in thine indignation Tye, Christopher (ca. 1505–ca. 1573) Appears on: 62r–63v General Note Notes: Entering of musical notation incomplete;
63v–65r	Ut re mi fa	P[ar]sons	Parsons (I), Robert (ca. 1535–ca. 1572)
Ut re mi fa Parsons (I), Robert (ca. 1535–ca. 1572) Appears on: 63v–65r Source Attribution: P[ar]sons General Note Annotations/Corrections: At the second part: 'if you cannot sing the [song?] part let it aloune]'. In the margin in pencil 'song part'. Also pencil stars;
65r–66r	Jesum Nazarenum	-	Byrd, William (ca. 1540–1623)
Jesum Nazarenum Byrd, William (ca. 1540–1623) Appears on: 65r–66r
67r–67v	Triumph with pleasant melody	-	Byrd, William (ca. 1540–1623)
Triumph with pleasant melody Byrd, William (ca. 1540–1623) Appears on: 67r–67v Genres: Song General Note Annotations/Corrections: 'doubtful note' and 'false'; Notes: Across the top of 67r letters 'T h o t h I s b o k'; Bottom of 67r 'doubtfull note'; 67v 'doubtfull note' and 'false';
67bisr–67bisv	-	-	Anonymous
[Unknown Title] Appears on: 67bisr–67bisv
68r	Lachrimae	Mr Weelkes	Weelkes, Thomas (ca. 1576–1623)
Lachrimae Weelkes, Thomas (ca. 1576–1623) Appears on: 68r Source Attribution: Mr Weelkes General Note Annotations/Corrections: 'A 5 voc.' Added in different ink;
68v	Eliza is the fairest queen	-	Johnson, Edward
Eliza is the fairest queen Johnson, Edward Appears on: 68v
68v	Come again fair nature's treasure	Mr E. Johnson	Johnson, Edward
Come again fair nature's treasure Johnson, Edward Appears on: 68v Source Attribution: Mr E. Johnson
68v–69r	Candidi Facti sunt = Facti sunt Nazarei eius candidi	-	Tallis, Thomas (ca. 1505–1585)
Candidi Facti sunt = Facti sunt Nazarei eius candidi Tallis, Thomas (ca. 1505–1585) Appears on: 68v–69r Genres: Motet
69v–70r	-	-	Anonymous
[Unknown Title] Appears on: 69v–70r
70v	Sermone blando Illae dum pergunt concitae Apostolis	-	Tallis, Thomas (ca. 1505–1585)
Sermone blando Illae dum pergunt concitae Apostolis Tallis, Thomas (ca. 1505–1585) Appears on: 70v Genres: Motet
70v–71r	In manus tuas Domine	-	Tallis, Thomas (ca. 1505–1585)
In manus tuas Domine Tallis, Thomas (ca. 1505–1585) Appears on: 70v–71r Genres: Motet General Note Annotations/Corrections: Pencil 'Tallis' in margin;
71r–71v	O sacrum convivium in quo Christus sumitur	-	Tallis, Thomas (ca. 1505–1585)
O sacrum convivium in quo Christus sumitur Tallis, Thomas (ca. 1505–1585) Appears on: 71r–71v Genres: Motet General Note Annotations/Corrections: Pencil 'Tallis' in margin;
71v	Emendemus - 1a pars (of 2): Emendemus in melius	-	Byrd, William (ca. 1540–1623)
Emendemus - 1a pars (of 2): Emendemus in melius Byrd, William (ca. 1540–1623) Appears on: 71v Genres: Motet
72r	Emendemus - 2a pars (of 2): Adiuva nos Deus	-	Byrd, William (ca. 1540–1623)
Emendemus - 2a pars (of 2): Adiuva nos Deus Byrd, William (ca. 1540–1623) Appears on: 72r Genres: Motet
72r	[Christe qui lux es (II)] Precamur sancte Domine	-	White, Robert (ca. 1538–1574)
[Christe qui lux es (II)] Precamur sancte Domine White, Robert (ca. 1538–1574) Appears on: 72r Genres: Motet
72r–72v	Kyrie Paschali	Mr Sheppard	Sheppard, John (ca. 1515–1558)
Kyrie Paschali Sheppard, John (ca. 1515–1558) Appears on: 72r–72v Genres: Kyrie eleison, Mass Ordinary Source Attribution: Mr Sheppard
72v	Haec dies	-	Sheppard, John (ca. 1515–1558)
Haec dies Sheppard, John (ca. 1515–1558) Appears on: 72v Genres: Motet General Note Annotations/Corrections: At end ' very good'; Notes: Scribe unaware he was copying this piece as well as the Kyrie;
72v–73r	De la court - 1a pars	Parsons	Parsons (I), Robert (ca. 1535–ca. 1572)
De la court - 1a pars Parsons (I), Robert (ca. 1535–ca. 1572) Appears on: 72v–73r Genres: Chanson Source Attribution: Parsons
73v–74r	Ne irascaris Domine [2p. Civitas sancti tui]	BIRDE	Byrd, William (ca. 1540–1623)
Ne irascaris Domine [2p. Civitas sancti tui] Byrd, William (ca. 1540–1623) Appears on: 73v–74r Genres: Anthem Source Attribution: BIRDE
74v	Galliard	-	Anonymous
Galliard Anonymous Appears on: 74v
74v–75r	[Christe qui lux es (II)] Precamur, sancte Domine	Bird	Byrd, William (ca. 1540–1623)
[Christe qui lux es (II)] Precamur, sancte Domine Byrd, William (ca. 1540–1623) Appears on: 74v–75r Source Attribution: Bird
75v	Ut re fa so la upon the dial = Parsley's clock	P[ar]sslye	Parsley [Percely], Osbert
Ut re fa so la upon the dial = Parsley's clock Parsley [Percely], Osbert Appears on: 75v Source Attribution: P[ar]sslye
76r–77r	Deus misereatur nostri et benedicat nobis	Robarte John sonne	Johnson (I), Robert (ca. 1500–ca. 1560)
Deus misereatur nostri et benedicat nobis Johnson (I), Robert (ca. 1500–ca. 1560) Appears on: 76r–77r Genres: Motet Source Attribution: Robarte John sonne General Note Annotations/Corrections: Corrections to notes on staves 4 and 5;
77r–77v	Levavi oculos	-	More, William
Levavi oculos More, William Appears on: 77r–77v Genres: Motet
78r	In nomine	-	Anonymous
In nomine Anonymous Appears on: 78r
78v	-	-	Anonymous
[Unknown Title] Appears on: 78v
78v–79r	Non e amo	-	Anonymous
Non e amo Anonymous Appears on: 78v–79r
79r–79v	O salutaris hostia	-	Tallis, Thomas (ca. 1505–1585)
O salutaris hostia Tallis, Thomas (ca. 1505–1585) Appears on: 79r–79v Genres: Motet
79v	Without redress I waste my mind	-	Anonymous
Without redress I waste my mind Anonymous Appears on: 79v
80r–80v	Cor mundum crea in me deus et spiritum [2a pars: Averte faciem tuam a peccatis meis]	-	Crecquillon, Thomas (ca. 1505–ca. 1557)
Cor mundum crea in me deus et spiritum [2a pars: Averte faciem tuam a peccatis meis] Crecquillon, Thomas (ca. 1505–ca. 1557) Appears on: 80r–80v
81r–81v	Deus in nomine tuo	-	Anonymous
Deus in nomine tuo Anonymous Appears on: 81r–81v
81v–82r	Domine in virtute tua (II) [2a pars: Magna gloria eius]	-	Johnson (I), Robert (ca. 1500–ca. 1560)
Domine in virtute tua (II) [2a pars: Magna gloria eius] Johnson (I), Robert (ca. 1500–ca. 1560) Appears on: 81v–82r Genres: Motet
83r	Amy tu te plaisir	-	Anonymous
Amy tu te plaisir Anonymous Appears on: 83r
83r–83v	Vostre jamais pas eritage	-	P, W
Vostre jamais pas eritage P, W Appears on: 83r–83v
83v–84r	D'un nouveau dart je suis frappe	-	Anonymous
D'un nouveau dart je suis frappe Anonymous Appears on: 83v–84r
84r–84v	D'un nouveau dart je suis frappe	-	Van Wilder, Phillip
D'un nouveau dart je suis frappe Van Wilder, Phillip Appears on: 84r–84v
84v–85r	Venit vox de caelo cum luce superna (2p. Respondit miles quis es tu Domine)	-	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Venit vox de caelo cum luce superna (2p. Respondit miles quis es tu Domine) Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 84v–85r Genres: Motet
85v–86r	Dum transisset sabbatum Maria Magdalena II: Et valde mane una sabbatorum veniunt	-	Hollander, Christian (?) Hollander, Sebastian (?)
Dum transisset sabbatum Maria Magdalena II: Et valde mane una sabbatorum veniunt Hollander, Christian (?) Hollander, Sebastian (?) Appears on: 85v–86r Genres: Motet
86v–87v	Caecilia virgo gloriosa semper evangelium (2p. Biduanis ac triduanis ieiuniis orans)	-	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Caecilia virgo gloriosa semper evangelium (2p. Biduanis ac triduanis ieiuniis orans) Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 86v–87v Genres: Motet
88r–90r	Domine in virtute tua (I) (2p: Magna gloria eius)	Johnson	Johnson (I), Robert (ca. 1500–ca. 1560)
Domine in virtute tua (I) (2p: Magna gloria eius) Johnson (I), Robert (ca. 1500–ca. 1560) Appears on: 88r–90r Genres: Motet Source Attribution: Johnson
90r	Quel foco che tanti anni in tutto	-	Rore, Cipriano de (ca. 1515–1565)
Quel foco che tanti anni in tutto Rore, Cipriano de (ca. 1515–1565) Appears on: 90r Genres: Italian secular
90v–91r	Or il ne m'est possible d'avoir quelque confort	-	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Or il ne m'est possible d'avoir quelque confort Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 90v–91r Genres: Chanson
91r–91v	Si je me plains	-	Anonymous
Si je me plains Anonymous Appears on: 91r–91v
91v–92r	A che cercar	-	Anonymous
A che cercar Anonymous Appears on: 91v–92r
92r	O Lord, turn not away your face	-	Anonymous
O Lord, turn not away your face Anonymous Appears on: 92r
92v	Mistrust oft times amiss	-	Anonymous
Mistrust oft times amiss Anonymous Appears on: 92v
92v	extract from unidentified Gloria: cum sancto	-	Anonymous
extract from unidentified Gloria: cum sancto Anonymous Appears on: 92v
92v	extract from unidentified Credo: et exspecto resurrectionem	-	Anonymous
extract from unidentified Credo: et exspecto resurrectionem Anonymous Appears on: 92v
92v	extract from unidentified Credo: et vitam venturi	-	Anonymous
extract from unidentified Credo: et vitam venturi Anonymous Appears on: 92v
92v	untitled	-	-
untitled Appears on: 92v
93r	[erased fragments of notation and text (mostly unreadable)]	-	-
[erased fragments of notation and text (mostly unreadable)] Appears on: 93r
93v	-	-	Anonymous
[Unknown Title] Appears on: 93v
94r	[Library examination notes in pencil; library stamp]	-	Anonymous
[Library examination notes in pencil; library stamp] Anonymous Appears on: 94r
94v	-	-	Anonymous
[Unknown Title] Appears on: 94v

Composer	Compositions
Adams, Robert	Nunc Dimittis – 20r–20v
Anonymous	A che cercar – 91v–92r Amy tu te plaisir – 83r Benedictus [English] – 10v–12r D'un nouveau dart je suis frappe – 83v–84r Deliver us Lord both night and day – 55v Deus in nomine tuo – 81r–81v Galliard – 74v In judgement, Lord – 32v–33r In nomine – 78r Jubilate Deo (English) – 19r–20r Mistrust oft times amiss – 92v Non e amo – 78v–79r O Lord, turn not away your face – 92r O death rock me asleep – 40v–41r Si je me plains – 91r–91v Venite (C4 clef one voice part only) – 8v–10r Without redress I waste my mind – 79v [Library examination notes in pencil; library stamp] – 94r extract from unidentified Credo: et exspecto resurrectionem – 92v extract from unidentified Credo: et vitam venturi – 92v extract from unidentified Gloria: cum sancto – 92v [No description] – 92v [No description] – 1bisr [No description] – 78v [No description] – 94v [No description] – 8r [No description] – 93v [No description] – 53v [No description] – 69v–70r [No description] – 46v [No description] – 67bisr–67bisv [No description] – 93r
Bullmann, Baruch	Lord thou has commanded by thy holy apostle – 58v–59v
Byrd, William (ca. 1540–1623)	Emendemus - 1a pars (of 2): Emendemus in melius – 71v Emendemus - 2a pars (of 2): Adiuva nos Deus – 72r Jesum Nazarenum – 65r–66r Ne irascaris Domine [2p. Civitas sancti tui] – 73v–74r Triumph with pleasant melody – 67r–67v [Christe qui lux es (II)] Precamur, sancte Domine – 74v–75r
Caustun, Thomas (ca. 1520–1569)	Service for Children: Benedictus (Canticle) – 37v–39r Service for Children: Gloria – 39v–40r Service for Children: Te Deum – 35v–37v Service for Children: Venite – 33v–35r
Clemens non Papa, Jacob (ca. 1510–ca. 1556)	Caecilia virgo gloriosa semper evangelium (2p. Biduanis ac triduanis ieiuniis orans) – 86v–87v Or il ne m'est possible d'avoir quelque confort – 90v–91r Venit vox de caelo cum luce superna (2p. Respondit miles quis es tu Domine) – 84v–85r
Crecquillon, Thomas (ca. 1505–ca. 1557)	Cor mundum crea in me deus et spiritum [2a pars: Averte faciem tuam a peccatis meis] – 80r–80v
Feryng	O merciful father, we beseech thee – 29r–30r
Frankling, John	O God for thy name's sake save me – 30v–31r
Hamond of Hawkedon, Suffolk, Thomas	Thomas Hamond holograph – 1bisv
Hollander, Christian	(?) Dum transisset sabbatum Maria Magdalena II: Et valde mane una sabbatorum veniunt – 85v–86r
Hollander, Sebastian	(?) Dum transisset sabbatum Maria Magdalena II: Et valde mane una sabbatorum veniunt – 85v–86r
Johnson (I), Robert (ca. 1500–ca. 1560)	Defiled is my name – 56v–57v Deus misereatur nostri et benedicat nobis – 76r–77r Domine in virtute tua (I) (2p: Magna gloria eius) – 88r–90r Domine in virtute tua (II) [2a pars: Magna gloria eius] – 81v–82r O come pale-faced death – 41v
Johnson, Edward	Come again fair nature's treasure – 68v Eliza is the fairest queen – 68v
More, William	Levavi oculos – 77r–77v
Mundy, William (ca. 1528–ca. 1591)	Morning Service for Men: Te Deum – 14v–17r Prepare you time weareth away – 42v–44r
P, W	Vostre jamais pas eritage – 83r–83v
Parsley [Percely], Osbert	First, Flat, Short Service: Benedictus (Canticle) – 12v–14r First, Flat, Short Service: Te Deum – 5r–7r Ut re fa so la upon the dial = Parsley's clock – 75v
Parsons (I), Robert (ca. 1535–ca. 1572)	De la court - 1a pars – 72v–73r Ut re mi fa – 63v–65r
Partyne, R	Magnificat – 2r–3v Nunc Dimittis – 4r–4v
Rore, Cipriano de (ca. 1515–1565)	Quel foco che tanti anni in tutto – 90r
Sheppard, John (ca. 1515–1558)	Christ rising again – 28r–29r Haec dies – 72v I give you a new commandment – 31v–32r I will give thanks unto the Lord = O happy dames that may embrace the fruit of your delight – 56r–56v Kyrie Paschali – 72r–72v
Tallis, Thomas (ca. 1505–1585)	Candidi Facti sunt = Facti sunt Nazarei eius candidi – 68v–69r Fond youth is a bubble = Purge me O Lord – 55r In manus tuas Domine – 70v–71r O sacrum convivium in quo Christus sumitur – 71r–71v O salutaris hostia – 79r–79v Sermone blando Illae dum pergunt concitae Apostolis – 70v When Jesus went (adaptation of motet Salvator Mundi II) – 42r (?) When shall my sorrowful sighing slake – 54r–55r Wipe away my sins [=Absterge Domine] – 49v–50r With all our hearts and mouth (= Salvator mundi (I)) – 52v–53r
Taverner, John	O give thanks unto the Lord = in nomine section from Missa Gloria tibi trinitas – 59v
Tye, Christopher (ca. 1505–ca. 1573)	Deliver us good Lord from eternal death – 57v–58v From the depth I call on ye O Lord [de profundis] – 47r–48v Give alms of thy goods – 24r–24v I have loved – 60r–61v My trust, O Lord, in thee is grounded – 51v–52v O God, be merciful unto us – 17v–19r O Lord, rebuke me not in thine indignation – 62r–63v Praise the lord ye servants [= Praise ye the Lord ye children] – 26r–27v Save me, O God, for thy name's sake – 45r–46r [Evening Service]: Nunc dimittis – 21r–21v
Van Wilder, Phillip	Blessed art thou that fearest God and walkest in his ways – 50v–51r D'un nouveau dart je suis frappe – 84r–84v
Weelkes, Thomas (ca. 1576–1623)	Lachrimae – 68r
White, Robert (ca. 1538–1574)	(?) O praise God in his holiness (I) – 24v–25v [Christe qui lux es (II)] Precamur sancte Domine – 72r
White, William	O praise God in his holiness (I) – 24v–25v
Whytbroke, William	Evening Service: Magnificat [English] – 22r–23v

Composition	Composers (? Uncertain)	Folios / Pages
[Christe qui lux es (II)] Precamur, sancte Domine	Byrd, William (ca. 1540–1623)	74v–75r
[Christe qui lux es (II)] Precamur sancte Domine	White, Robert (ca. 1538–1574)	72r
[Evening Service]: Nunc dimittis	Tye, Christopher (ca. 1505–ca. 1573)	21r–21v
[Library examination notes in pencil; library stamp]	Anonymous	94r
A che cercar	Anonymous	91v–92r
Amy tu te plaisir	Anonymous	83r
Benedictus [English]	Anonymous	10v–12r
Blessed art thou that fearest God and walkest in his ways	Van Wilder, Phillip	50v–51r
Caecilia virgo gloriosa semper evangelium (2p. Biduanis ac triduanis ieiuniis orans)	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	86v–87v
Candidi Facti sunt = Facti sunt Nazarei eius candidi	Tallis, Thomas (ca. 1505–1585)	68v–69r
Christ rising again	Sheppard, John (ca. 1515–1558)	28r–29r
Come again fair nature's treasure	Johnson, Edward	68v
Cor mundum crea in me deus et spiritum [2a pars: Averte faciem tuam a peccatis meis]	Crecquillon, Thomas (ca. 1505–ca. 1557)	80r–80v
D'un nouveau dart je suis frappe	Anonymous	83v–84r
D'un nouveau dart je suis frappe	Van Wilder, Phillip	84r–84v
De la court - 1a pars	Parsons (I), Robert (ca. 1535–ca. 1572)	72v–73r
Defiled is my name	Johnson (I), Robert (ca. 1500–ca. 1560)	56v–57v
Deliver us good Lord from eternal death	Tye, Christopher (ca. 1505–ca. 1573)	57v–58v
Deliver us Lord both night and day	Anonymous	55v
Deus in nomine tuo	Anonymous	81r–81v
Deus misereatur nostri et benedicat nobis	Johnson (I), Robert (ca. 1500–ca. 1560)	76r–77r
Domine in virtute tua (I) (2p: Magna gloria eius)	Johnson (I), Robert (ca. 1500–ca. 1560)	88r–90r
Domine in virtute tua (II) [2a pars: Magna gloria eius]	Johnson (I), Robert (ca. 1500–ca. 1560)	81v–82r
Dum transisset sabbatum Maria Magdalena II: Et valde mane una sabbatorum veniunt	Hollander, Christian (?) Hollander, Sebastian (?)	85v–86r
Eliza is the fairest queen	Johnson, Edward	68v
Emendemus - 1a pars (of 2): Emendemus in melius	Byrd, William (ca. 1540–1623)	71v
Emendemus - 2a pars (of 2): Adiuva nos Deus	Byrd, William (ca. 1540–1623)	72r
Evening Service: Magnificat [English]	Whytbroke, William	22r–23v
extract from unidentified Credo: et exspecto resurrectionem	Anonymous	92v
extract from unidentified Credo: et vitam venturi	Anonymous	92v
extract from unidentified Gloria: cum sancto	Anonymous	92v
First, Flat, Short Service: Benedictus (Canticle)	Parsley [Percely], Osbert	12v–14r
First, Flat, Short Service: Te Deum	Parsley [Percely], Osbert	5r–7r
Fond youth is a bubble = Purge me O Lord	Tallis, Thomas (ca. 1505–1585)	55r
From the depth I call on ye O Lord [de profundis]	Tye, Christopher (ca. 1505–ca. 1573)	47r–48v
Galliard	Anonymous	74v
Give alms of thy goods	Tye, Christopher (ca. 1505–ca. 1573)	24r–24v
Haec dies	Sheppard, John (ca. 1515–1558)	72v
I give you a new commandment	Sheppard, John (ca. 1515–1558)	31v–32r
I have loved	Tye, Christopher (ca. 1505–ca. 1573)	60r–61v
I will give thanks unto the Lord = O happy dames that may embrace the fruit of your delight	Sheppard, John (ca. 1515–1558)	56r–56v
In judgement, Lord	Anonymous	32v–33r
In manus tuas Domine	Tallis, Thomas (ca. 1505–1585)	70v–71r
In nomine	Anonymous	78r
Jesum Nazarenum	Byrd, William (ca. 1540–1623)	65r–66r
Jubilate Deo (English)	Anonymous	19r–20r
Kyrie Paschali	Sheppard, John (ca. 1515–1558)	72r–72v
Lachrimae	Weelkes, Thomas (ca. 1576–1623)	68r
Levavi oculos	More, William	77r–77v
Lord thou has commanded by thy holy apostle	Bullmann, Baruch	58v–59v
Magnificat	Partyne, R	2r–3v
Mistrust oft times amiss	Anonymous	92v
Morning Service for Men: Te Deum	Mundy, William (ca. 1528–ca. 1591)	14v–17r
My trust, O Lord, in thee is grounded	Tye, Christopher (ca. 1505–ca. 1573)	51v–52v
Ne irascaris Domine [2p. Civitas sancti tui]	Byrd, William (ca. 1540–1623)	73v–74r
Non e amo	Anonymous	78v–79r
Nunc Dimittis	Partyne, R	4r–4v
Nunc Dimittis	Adams, Robert	20r–20v
O come pale-faced death	Johnson (I), Robert (ca. 1500–ca. 1560)	41v
O death rock me asleep	Anonymous	40v–41r
O give thanks unto the Lord = in nomine section from Missa Gloria tibi trinitas	Taverner, John	59v
O God for thy name's sake save me	Frankling, John	30v–31r
O God, be merciful unto us	Tye, Christopher (ca. 1505–ca. 1573)	17v–19r
O Lord, rebuke me not in thine indignation	Tye, Christopher (ca. 1505–ca. 1573)	62r–63v
O Lord, turn not away your face	Anonymous	92r
O merciful father, we beseech thee	Feryng	29r–30r
O praise God in his holiness (I)	White, Robert (ca. 1538–1574) (?) White, William	24v–25v
O sacrum convivium in quo Christus sumitur	Tallis, Thomas (ca. 1505–1585)	71r–71v
O salutaris hostia	Tallis, Thomas (ca. 1505–1585)	79r–79v
Or il ne m'est possible d'avoir quelque confort	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	90v–91r
Praise the lord ye servants [= Praise ye the Lord ye children]	Tye, Christopher (ca. 1505–ca. 1573)	26r–27v
Prepare you time weareth away	Mundy, William (ca. 1528–ca. 1591)	42v–44r
Quel foco che tanti anni in tutto	Rore, Cipriano de (ca. 1515–1565)	90r
Save me, O God, for thy name's sake	Tye, Christopher (ca. 1505–ca. 1573)	45r–46r
Sermone blando Illae dum pergunt concitae Apostolis	Tallis, Thomas (ca. 1505–1585)	70v
Service for Children: Benedictus (Canticle)	Caustun, Thomas (ca. 1520–1569)	37v–39r
Service for Children: Gloria	Caustun, Thomas (ca. 1520–1569)	39v–40r
Service for Children: Te Deum	Caustun, Thomas (ca. 1520–1569)	35v–37v
Service for Children: Venite	Caustun, Thomas (ca. 1520–1569)	33v–35r
Si je me plains	Anonymous	91r–91v
Thomas Hamond holograph	Hamond of Hawkedon, Suffolk, Thomas	1bisv
Triumph with pleasant melody	Byrd, William (ca. 1540–1623)	67r–67v
Ut re fa so la upon the dial = Parsley's clock	Parsley [Percely], Osbert	75v
Ut re mi fa	Parsons (I), Robert (ca. 1535–ca. 1572)	63v–65r
Venit vox de caelo cum luce superna (2p. Respondit miles quis es tu Domine)	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	84v–85r
Venite (C4 clef one voice part only)	Anonymous	8v–10r
Vostre jamais pas eritage	P, W	83r–83v
When Jesus went (adaptation of motet Salvator Mundi II)	Tallis, Thomas (ca. 1505–1585)	42r
When shall my sorrowful sighing slake	Tallis, Thomas (ca. 1505–1585) (?)	54r–55r
Wipe away my sins [=Absterge Domine]	Tallis, Thomas (ca. 1505–1585)	49v–50r
With all our hearts and mouth (= Salvator mundi (I))	Tallis, Thomas (ca. 1505–1585)	52v–53r
Without redress I waste my mind	Anonymous	79v

Images © The British Library

Set: MSS Additional 30480–4 (Hamond Partbooks)

Type: Partbooks

GB-Lbl Add. MS 30480 (Hamond Partbooks)

GB-Lbl Add. MS 30481 (Hamond Partbooks)

GB-Lbl Add. MS 30482 (Hamond Partbooks)

GB-Lbl Add. MS 30483 (Hamond Partbooks)

GB-Lbl Add. MS 30484 (Hamond Partbooks)

Set: TUDOR PARTBOOKS

Type: Project Collection

GB-CF MS D/DP Z6/1

GB-CF MS D/DP Z6/2

GB-Cfm MU MS 1005 (Fayrfax fragments)

GB-Cgc MS 667/760 (Caius Choirbook)

GB-Cjc MS 234 (K.31)

GB-Ckc Rowe 316

GB-Cp MS 31 [Contratenor] (Peterhouse Partbooks: Henrician Set)

GB-Cp MS 32 [Bassus] (Peterhouse Partbooks: Henrician Set)

GB-Cp MS 40 [Triplex] (Peterhouse Partbooks: Henrician Set)

GB-Cp MS 41 [Medius] (Peterhouse Partbooks: Henrician Set)

GB-Cqcl Old Library G.4.17

GB-Cu Dd.13.27

GB-DORmcghie McGhie manuscript

GB-Lbl [pr. bk.] C. 52. b. 21

No images available

GB-Lbl [pr. bk.] Music Library K. 2. f. 1 [Altus]

No images available

GB-Lbl [pr. bk.] Music Library K. 2. f. 1 [Discantus]

No images available

GB-Lbl [pr. bk.] Music Library K. 2. f. 1 [Medius]

No images available

GB-Lbl [pr. bk.] Music Library K. 2. f. 1 [Tenor]

No images available

GB-Lbl [pr. bk.] Music Library K. 2. f. 13

No images available

GB-Lbl [pr. bk.] Music Library K. 3. f. 9 [Altus]

No images available

GB-Lbl [pr. bk.] Music Library K. 3. f. 9 [Bassus]

No images available

GB-Lbl [pr. bk.] Music Library K. 3. f. 9 [Discantus]

No images available

GB-Lbl [pr. bk.] Music Library K. 3. f. 9 [Tenor]

GB-Lbl Add. MS 4900

GB-Lbl Add. MS 15166

GB-Lbl Add. MS 17802 (Gyffard Partbooks)

GB-Lbl Add. MS 17803 (Gyffard Partbooks)

GB-Lbl Add. MS 17804 (Gyffard Partbooks)

GB-Lbl Add. MS 17805 (Gyffard Partbooks)

GB-Lbl Add. MS 22597

GB-Lbl Add. MS 29996

GB-Lbl Add. MS 30480 (Hamond Partbooks)

GB-Lbl Add. MS 30481 (Hamond Partbooks)

GB-Lbl Add. MS 30482 (Hamond Partbooks)

GB-Lbl Add. MS 30483 (Hamond Partbooks)

GB-Lbl Add. MS 30484 (Hamond Partbooks)

GB-Lbl R.M.24.d.2 (Baldwin Commonplace Book)

GB-Lbl Royal Appendix 12

GB-Lbl Royal Appendix 13

GB-Lbl Royal Appendix 14

GB-Lbl Royal Appendix 15

GB-Lbl Royal Appendix 16

GB-Lbl Royal Appendix 17

GB-Lbl Royal Appendix 18

GB-Lbl Royal Appendix 19

GB-Lbl Royal Appendix 20

GB-Lbl Royal Appendix 21

GB-Lbl Royal Appendix 22

GB-Lbl Royal Appendix 23

GB-Lbl Royal Appendix 24

GB-Lbl Royal Appendix 25

GB-Lbl Royal Appendix 26

GB-Lbl Royal Appendix 27

GB-Lbl Royal Appendix 28

GB-Lbl Royal Appendix 29

GB-Lbl Royal Appendix 30

GB-Lbl Royal Appendix 31

GB-Lbl Royal Appendix 32

GB-Lbl Royal Appendix 33

GB-Lbl Royal Appendix 34

GB-Lbl Royal Appendix 35

No images available

GB-Lbl Royal Appendix 41

No images available

GB-Lbl Royal Appendix 42

No images available

GB-Lbl Royal Appendix 43

No images available

GB-Lbl Royal Appendix 44

GB-Lbl Royal Appendix 45 (Ludford)

GB-Lbl Royal Appendix 46 (Ludford)

GB-Lbl Royal Appendix 47 (Ludford)

GB-Lbl Royal Appendix 48 (Ludford)

GB-Lbl Royal Appendix 49

GB-Lbl Royal Appendix 50

GB-Lbl Royal Appendix 51

GB-Lbl Royal Appendix 52

GB-Lbl Royal Appendix 53

GB-Lbl Royal Appendix 54

GB-Lbl Royal Appendix 56

No images available

GB-Lbl Royal Appendix 57

GB-Lbl Royal Appendix 58

No images available

GB-Lbl Royal Appendix 59

No images available

GB-Lbl Royal Appendix 60

No images available

GB-Lbl Royal Appendix 61

No images available

GB-Lbl Royal Appendix 62

GB-Lbl Royal Appendix 74 (Lumley)

GB-Lbl Royal Appendix 75 (Lumley)

GB-Lbl Royal Appendix 76 (Lumley)

No images available

GB-Lcm [pr. bk.] B187

No images available

GB-Lcm [pr. bk.] B190 [Altus]

No images available

GB-Lcm [pr. bk.] B190 [Bassus]

No images available

GB-Lcm [pr. bk.] B190 [Discantus]

No images available

GB-Lcm [pr. bk.] B190 [Tenor]

GB-Llp MS 1 (Lambeth Choirbook; Arundel Choirbook)

GB-Lna SP I/246

GB-Ob MS. Mus. c. 784 (Willmott Manuscript)

GB-Ob MS. Mus. d. 103

GB-Ob MS. Mus. e. 1 (Sadler Partbooks)

GB-Ob MS. Mus. e. 2 (Sadler Partbooks)

GB-Ob MS. Mus. e. 3 (Sadler Partbooks)

GB-Ob MS. Mus. e. 4 (Sadler Partbooks)

GB-Ob MS. Mus. e. 5 (Sadler Partbooks)

GB-Ob MS. Mus. e. 21

GB-Ob MS. Mus. Sch. e. 376 (Forrest-Heather Partbooks)

GB-Ob MS. Mus. Sch. e. 377 (Forrest-Heather Partbooks)

GB-Ob MS. Mus. Sch. e. 378 (Forrest-Heather Partbooks)

GB-Ob MS. Mus. Sch. e. 379 (Forrest-Heather Partbooks)

GB-Ob MS. Mus. Sch. e. 380 (Forrest-Heather Partbooks)

GB-Ob MS. Mus. Sch. e. 381 (Forrest-Heather Partbooks)

GB-Ob MS. Mus. Sch. e. 420 (Wanley Partbooks)

GB-Ob MS. Mus. Sch. e. 421 (Wanley Partbooks)

GB-Ob MS. Mus. Sch. e. 422 (Wanley Partbooks)

GB-Ob MS. Mus. Sch. e. 423

GB-Ob MS. Tenbury 341

GB-Ob MS. Tenbury 342

GB-Ob MS. Tenbury 343

GB-Ob MS. Tenbury 344

GB-Ob MS. Tenbury 389

No images available

GB-Ob MS. Tenbury 807

No images available

GB-Ob MS. Tenbury 808

No images available

GB-Ob MS. Tenbury 809

No images available

GB-Ob MS. Tenbury 810

No images available

GB-Ob MS. Tenbury 811

No images available

GB-Ob MS. Tenbury 1382 (Southwell Tenor Book)

GB-Ob MS. Tenbury 1464

GB-Ob MS. Tenbury 1486 (Braikenridge Manuscript)

No images available

GB-Och Mus. 45

GB-Och Mus. 979 (Baldwin Partbooks)

GB-Och Mus. 980 (Baldwin Partbooks)

GB-Och Mus. 981 (Baldwin Partbooks)

GB-Och Mus. 982 (Baldwin Partbooks)

GB-Och Mus. 983 (Baldwin Partbooks)

GB-Och Mus. 984 (Dow Partbooks)

GB-Och Mus. 985 (Dow Partbooks)

GB-Och Mus. 986 (Dow Partbooks)

GB-Och Mus. 987 (Dow Partbooks)

GB-Och Mus. 988 (Dow Partbooks)

GB-Odiamm Contratenor partbook in private ownership (contact DIAMM)

GB-W X4/34/3 (Fayrfax fragments)

GB-WCc MS 153 Bassus (Winchester Partbooks)

GB-WCc MS 153 Contra Altus (Winchester Partbooks)

GB-WCc MS 153 Discantus (Winchester Partbooks)

GB-WCc MS 153 Tenor (Winchester Partbooks)

GB-WRec MS 178 (Eton Choirbook)

No images available

IRL-Dm [pr. bk.] Z4. 3. 1-5

No images available

IRL-Dtc [pr. bk.] OLS. 192. n. 40 [Altus]

No images available

IRL-Dtc [pr. bk.] OLS. 192. n. 40 [Bassus]

No images available

IRL-Dtc [pr. bk.] OLS. 192. n. 40 [Discantus]

No images available

IRL-Dtc [pr. bk.] OLS. 192. n. 40 [Superius (Quintus)]

No images available

IRL-Dtc [pr. bk.] OLS. 192. n. 40 [Tenor]

No images available

US-NYp Mus. Res. *MNZ (Chirk) [1] (Chirk Castle Partbooks)

No images available

US-NYp Mus. Res. *MNZ (Chirk) [2] (Chirk Castle Partbooks)

No images available

US-NYp Mus. Res. *MNZ (Chirk) [3] (Chirk Castle Partbooks)

No images available

US-NYp Mus. Res. *MNZ (Chirk) [4] (Chirk Castle Partbooks)

US-NYp Mus. Res. Drexel 4180

US-NYp Mus. Res. Drexel 4181

No images available

US-NYp Mus. Res. Drexel 4182

US-NYp Mus. Res. Drexel 4183

US-NYp Mus. Res. Drexel 4184

US-NYp Mus. Res. Drexel 4185

US-Ws V.a. 408

‡ denotes primary source study

‡ Butler, Katherine. 2019. From Liturgy and the Education of Choirboys to Protestant Domestic Music-Making: The History of the ‘Hamond’ Partbooks (GB-Lbl: Add. MSS 30480-4). Royal Musical Association Research Chronicle, 29–93.

Fenlon, Iain, and John Milsom. 1984. 'Ruled Paper Imprinted': Music Paper and Patents in Sixteenth-Century England. Journal of the American Musicological Society, 139-63. Pages: 146-7,161. Notes: physical description (partial); mention of MS; discussion.

Bernstein, Jane Agar. 1974. The Chanson in England 1530-1640: A Study of Sources and Styles. University of California at Berkeley, Unpublished Ph.D. dissertation. Pages: 263-83. Notes: physical description (partial); contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Blezzard, Judith H. 1972. The Sacred Music of the Lumley Books (British Museum Royal Appendix Manuscripts 74-76): An Edition and Critical Study. University of Leeds, Unpublished Ph.D. dissertation. Pages: I, 59-63, 73; II, Appendix I. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Daniel, Ralph T, and Peter Le Huray. 1972. The Sources of English Church Music 1549-1660. Early English Church Music. London. Notes: contents list (partial); concordances (partial).

Brett, Philip. 1965. The Songs of William Byrd. Cambridge University, Unpublished Ph.D. dissertation. Pages: 18, 34, 110, 232. Notes: physical description (partial); contents list (partial); concordances (partial); mention of MS; discussion.

Harrison, Frank Llewellyn (editor). 1963-. Early English Church Music. London: Stainer & Bell. Pages: XII, 118, 121-2, 124; XVII, 157; XIX, 324ff. Notes: contents list (partial); concordances (partial).

Lamont, Herbert Harry. 1963. John Shepherd: His Life and Music. University of Southern California, Unpublished Ph.D. dissertation. Pages: I, 99-100, 218, 221, 224. Notes: physical description (partial); contents list (partial); concordances (partial).

King, William Joseph. 1962. The English Anthem from the Early Tudor Period through the Restoration Era. Boston University, Unpublished Ph.D. dissertation. Pages: II, 11-8, 29-34. Notes: transcription (partial).

Hughes, Dom Anselm. 1953. Catalogue of the Musical Manuscripts at Peterhouse, Cambridge. Cambridge. Pages: I, 3-4, 265, 397-8; II, 139; III, 202, 219, 232.

Lewis, Anthony (editor). 1951-. Musica Britannica: A National Collection of Music. London. Pages: XV, 149, 165-6, 209, 212-3; XXII, 1-2, 36, 45, 58-9, 173ff; XLIV,xxviii,20-5,78,177,183-4,186-7,189,196. Notes: mention of MS; contents list (partial); concordances (partial); transcriptions (partial).

Fellowes, Edmund H (editor). 1937-50, 1962. The Collected Works of William Byrd. Pages: XV, 166, 171; XVII, 149, 163. Notes: mention of MS; contents list (partial); concordances (partial).

Fellowes, Edmund H (editor). 1923-48. Tudor Church Music. London, Oxford et al. Pages: I, xi; III, xxi; V, xxv, 207-10; VI, xviii, xxix, xxxii; X, 235, 256-70. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Madden, F. 1843-. Catalogue of Additions to the Manuscripts in the British Museum. Pages: [1876-81], 82. Notes: physical description (partial).

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Notation Note; Ruling Note; Foliation Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description