GB-Lbl Add. MS 30482 (Hamond Partbooks)

British Library, London, England

partbook: c. 1560-90

Archive British Library, London, England (GB-Lbl)
Shelfmark Add. MS 30482 (Hamond Partbooks)
Surface Mixed Paper and Parchment
Numbering System Foliation
Format landscape
Measurements 145-55 x 195-205 mm
Other Identifiers
  • CCM: LonBL 30480-4
Relationships
External Links
Provenance
  • Suffolk? England
Contents 92 pieces from 28 composers
General Description

A Tenor partbook from a set of five volumes. Copied by several scribes. Service music and anthems generally have full text underlaid; other pieces generally have text incipits or titles only. Of English origin; perhaps copied in Suffolk. Belonged in 1615 to Thomas Hamond (d. 1662), of Hawkedon, Suffolk; owned in 1776 by John Stafford Smith. Purchased by British Museum at a Sotheby's sale in 1877.

DIAMM, 2017
Binding

New covers of maroon leather and cloth on boards, but original limp vellum covers retained (now bound in as flyleaves)

DIAMM, 2017
Notation

not indicated

DIAMM, 2017
Ruling

Printed staves and decorative margins in each book (except Quintus), identical to those in LonBL 15166, similar to those in LonBLR A57.

DIAMM, 2017
Foliation

New pencil foliation 1-87 (begins with original parchment flyleaf and includes original paper flyleaf at back, but omits one leaf with blank staves following f. 61)

DIAMM, 2017
Surface

i paper + i parchment + 86 paper + i paper + i paper

DIAMM, 2017
DIAMM Note

Digitized with funding from the Arts and Humanities Research Council (UK) for the Tudor Partbooks project at the Universities of Oxford and Newcastle.

DIAMM, 2023
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

1 Kyrie, 2 Mass Ordinary sections, 20 motets, 11 Services or Service sections, 27 anthems, 12 English secular pieces, 8 French secular pieces, 2 Italian secular pieces, 1 In nomine, 1 dance, 2 textless pieces = 87

Adams-2, Bullmann-1, Byrd-4, Caustun-1, (Clemens non Papa)-1, (A. Ferrabosco I)-1, Ferynge-1, Franctynge-1, (C. Hollander/S. Hollander/Lassus)-1, E. Johnson-2, R. Johnson I-5, More-1, W. Mundy-2, Parsley-3, R. Parsons I-3, Partyne-1, Shepherd-5, Tallis-8, (Tallis/Weelkes)-1, Taverner-1, Tye-10, Weelkes-1, W. White-1, Whytbroke-1, Wilder [Phillip de Wildro]/(P. Philips)-1, (Wilder)-1, anon-27

5 partbooks (D-ii paper + i parchment + i paper + 89 paper + i parchment + i paper folios, A-i paper + i parchment + i paper + 93 paper + i paper + i paper, T-i paper + i parchment + 86 paper + i paper + i paper, B-i paper + i parchment + ii paper + 86 paper + i paper + i parchment + i paper, Q-i paper + i parchment + 19 paper + ii parchment + xxxiv paper), 145-55 x 195-205. New pencil foliation —D: 1-89 (begins with original paper flyleaf and omits one leaf with blank staves following f. 40); A: 1-94 (includes original paper flyleaves in front and back, but omits one leaf with blank staves following f. 67); T: 1-87 (begins with original parchment flyleaf and includes original paper flyleaf at back, but omits one leaf with blank staves following f. 61); B: 1-91 (includes all original folios); Q; 1-22 (includes all original folios). New covers of maroon leather and cloth on boards, but original parchment covers retained (now bound in as flyleaves). No index.

Copied by several scribes. Printed staves and decorative margins in each book (except Q), identical to those in LonBL 15166, similar to those in LonBLR A57. Service music and anthems generally have full text underlaid; other pieces generally have text incipits or titles only.

Ca. 1560-90 (ByrdW). Of English origin; perhaps copied in Suffolk. Belonged in 1615 to Thomas Hamond (d. 1662), of Hawkedon, Suffolk; owned in 1776 by John Stafford Smith. Purchased by British Museum at a Sotheby's sale in 1877.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

12r

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1v [Statement of ownership by Thomas Hamond, witnessed] - Anonymous
Appears on: 1v
2r–5r First, Flat, Short Service: Te Deum Parcele
Appears on: 2r–5r
Genres: Liturgical work, Te Deum
Source Attribution: Parcele
Voice: [no designation]
Languages: English
Clef: c4
Voice Text: We knowledge the to be the lord
General Note

Annotations/Corrections: Fol.5r is a later insertion, possibly copying out an earlier now-lost pastedown on the facing page; Notes: Morning Prayer;

5v–7r Venite [English] Robart Adams
Appears on: 5v–7r
Source Attribution: Robart Adams
Voice: [no designation]
Languages: English
Clef: c4
Voice Text: O com let vs syng vnto the lord
General Note

Notes: Morning Prayer;

7v–9r Benedictus [English] - Anonymous
Appears on: 7v–9r
Voice: [no designation]
Languages: English
Clef: c4
Voice Text: Blessed be the lord god of Israell
General Note

Notes: Morning Prayer;

9v–11r First, Flat, Short Service: Benedictus (Canticle) Parselye
Appears on: 9v–11r
Genres: Canticle
Source Attribution: Parselye
Voice: [no designation]
Languages: English
Clef: c4
Voice Text: Blessed be ye lord god of Israell
General Note

Annotations/Corrections: Later hand -Persley's Benedictus; Notes: Morning Prayer;

11v–14r Morning Service for Men: Te Deum Mr Moondaye
Appears on: 11v–14r
Source Attribution: Mr Moondaye
Voice: [no designation]
Languages: English
Clef: c3
Voice Text: We knowledge the to be the lord
General Note

Notes: Morning Prayer;

14v–15v Jubilate Deo (English) - Anonymous
Appears on: 14v–15v
Voice: [no designation]
Languages: English
Clef: c4
Voice Text: O be ioyfull in the lord all ye lands
General Note

Notes: Morning Prayer;

16r–17r O God, be merciful unto us -
Appears on: 16r–17r
Genres: Anglican Service Music, Anthem, Deus misereatur [Anglican = 2nd canticle at Evensong]
Voice: [no designation]
Languages: English
Clef: c5
Voice Text: O god be mercyfull vnto vs
General Note

Notes: Evening Prayer;

17v–18r Nunc Dimittis R Adamas
Appears on: 17v–18r
Source Attribution: R Adamas
Voice: [no designation]
Languages: English
Clef: c4
Voice Text: Lord nowe leteste yu thy sarvante departe in peace
General Note

Notes: Evening Prayer;

18v–19r [Evening Service]: Nunc dimittis -
Appears on: 18v–19r
Voice: [no designation]
Languages: English
Clef: c4
Voice Text: Lord let thy servant nowe depart in peace
General Note

Notes: Evening Prayer;

19v–21r Evening Service: Magnificat [English] Mr Whit brok
Appears on: 19v–21r
Source Attribution: Mr Whit brok
Voice: [no designation]
Languages: English
Clef: c4
Voice Text: My soule dothe magnify the lorde
General Note

Notes: Evening Prayer;

21v–22r Give alms of thy goods -
Appears on: 21v–22r
Voice: [no designation]
Languages: English
Clef: c4
Voice Text: Geue allmes of thi goods
General Note

Notes: Offertory Sentence from Communion;

22r–23r O praise God in his holiness (I) Mr Whyt
Appears on: 22r–23r
Genres: Anthem
Source Attribution: Mr Whyt
Voice: [no designation]
Languages: English
Clef: c4
Voice Text: O prays God in his holynese
23v–25r Praise the lord ye servants [= Praise ye the Lord ye children] -
Appears on: 23v–25r
Genres: Anthem
Voice: [no designation]
Languages: English
Clef: c5
Voice Text: Prayes ye ye lord ye children
25r–26v Christ rising again -
Appears on: 25r–26v
Genres: Anthem
Voice: [no designation]
Languages: English
Clef: c5
Voice Text: Christe rysyng agayne from the deade
26v–27v O merciful father, we beseech thee Feryng
Appears on: 26v–27v
Source Attribution: Feryng
Voice: [no designation]
Languages: English
Clef: c5
Voice Text: O mercyfull father we beseche ye
27v–28v O God for thy name's sake save me John Ffranclynge
Appears on: 27v–28v
Source Attribution: John Ffranclynge
Voice: [no designation]
Languages: English
Clef: c5
Voice Text: O god for yi nam sake saue me
29r–29v I give you a new commandment -
Appears on: 29r–29v
Genres: Anthem
Voice: [no designation]
Languages: English
Clef: c5
Voice Text: I geue yow a newe com[m]andement
30r–30v In judgement, Lord - Anonymous

In judgement, Lord

Anonymous
Appears on: 30r–30v
Voice: [no designation]
Languages: English
Clef: c5
Voice Text: In iudgemente lorde do yu note procede
31r–32r Service for Children: Venite Thomas Caustune
Appears on: 31r–32r
Source Attribution: Thomas Caustune
Voice: [no designation]
Languages: English
Clef: c4
Voice Text: O come let vs singe vnto ye lord
General Note

Notes: Morning Prayer;

33r–35r Service for Children: Te Deum Thomas caustune
Appears on: 33r–35r
Source Attribution: Thomas caustune
Voice: [no designation]
Languages: English
Clef: c4
Voice Text: We knowledge ye to be ye lord
General Note

Notes: Morning Prayer;

35r–37r Service for Children: Benedictus (Canticle) Thomas Caustune
Appears on: 35r–37r
Source Attribution: Thomas Caustune
Voice: [no designation]
Languages: English
Clef: c4
Voice Text: Blessed be ye lord god of Israell
General Note

Notes: Morning Prayer;

37v–38r Service for Children: Gloria -
Appears on: 37v–38r
Voice: [no designation]
Languages: English
Clef: c4
Voice Text: And in earth peace good will towardes men
General Note

Notes: Communion;

38v O death rock me asleep - Anonymous
Appears on: 38v
Voice: [no designation]
Languages: none
Clef: c4
Voice Text: O deathe O deathe rocke me a sleepe
39r O come pale-faced death -
Appears on: 39r
Voice: [no designation]
Languages: none
Mensuration: cut-c
Clef: c3
Voice Text: Com pale faced death
General Note

Annotations/Corrections: An attempted correction crossed out with label 'right';

39v–40v Prepare you time weareth away -
Appears on: 39v–40v
Voice: [no designation]
Languages: English
Mensuration: cut-c
Clef: c3
Voice Text: Prepare yow p[re]oare yowe tyme weareth awaye
General Note

Annotations/Corrections: Att he end:' therbe .3. versus more that be not heere sett downe.';

41r When Jesus went (adaptation of motet Salvator Mundi II) -
Appears on: 41r
Genres: Anthem, Contrafactum
Voice: [no designation]
Languages: English
Clef: c5
Voice Text: When Jesus went into Simon ye pharisyes house
41v–42r Save me, O God, for thy name's sake -
Appears on: 41v–42r
Genres: Anthem
Voice: [no designation]
Languages: English
Clef: c4
Voice Text: Save me O god for thy names sake
42v - - Anonymous

[Unknown Title]

Appears on: 42v
43r–44v From the depth I call on ye O Lord [de profundis] Tye
Appears on: 43r–44v
Source Attribution: Tye
Voice: [no designation]
Languages: English
Clef: c3
Voice Text: Ffrom the detpth I called on ye o lord
45r–46r Wipe away my sins [=Absterge Domine] -
Appears on: 45r–46r
Voice: [no designation]
Languages: English
Clef: c4
Voice Text: Wype away my synnes
46v–47r Blessed art thou that fearest God and walkest in his ways -
Appears on: 46v–47r
Genres: Motet
Voice: [no designation]
Languages: English
Clef: c4
Voice Text: Blessed art thou that feareste God
47r–48r My trust, O Lord, in thee is grounded -
Appears on: 47r–48r
Voice: [no designation]
Languages: English
Clef: c3
Voice Text: My trust o lord o lord in he is grounded
48v–49r With all our hearts and mouth (= Salvator mundi (I)) -
Appears on: 48v–49r
Genres: Anthem, Contrafactum
Voice: [no designation]
Languages: English
Clef: c4
Voice Text: Wyth all our harte & mouth we confes
49r–49v Deliver us good Lord from eternal death -
Appears on: 49r–49v
Voice: [no designation]
Languages: English
Clef: c4
Voice Text: Deliver vs good lord from eternall death
50r–51r When shall my sorrowful sighing slake tallys
Appears on: 50r–51r
Genres: Song
Source Attribution: tallys
Voice: [no designation]
Languages: English
Clef: c4
Voice Text: When shall my sorowfull syghing slake
51v Deliver us Lord both night and day - Anonymous
Appears on: 51v
Voice: [no designation]
Languages: English
Clef: c4
Voice Text: delyver vs lord Bothe nyght and daye
52r–52v I will give thanks unto the Lord = O happy dames that may embrace the fruit of your delight -
Appears on: 52r–52v
Genres: Song
Voice: [no designation]
Languages: English
Clef: c4
Voice Text: I wyll geue thanks vnto ye lord
52v–53v Defiled is my name Johnsone
Appears on: 52v–53v
Source Attribution: Johnsone
Voice: [no designation]
Languages: English
Clef: c3
Voice Text: Deffyled ys my name
54r–54v Lord thou has commanded by thy holy apostle Baruch Bulman
Appears on: 54r–54v
Genres: none
Source Attribution: Baruch Bulman
Voice: [no designation]
Languages: English
Clef: c3
Voice Text: lord thou hast commaunded by thy holy apostell
54v–55v O give thanks unto the Lord = in nomine section from Missa Gloria tibi trinitas Mr Taverner
Appears on: 54v–55v
Source Attribution: Mr Taverner
Voice: [no designation]
Languages: English
Clef: c4
Voice Text: O geue thankes vnto the lord
55v–57r I have loved -
Appears on: 55v–57r
Genres: Anthem
Voice: [no designation]
Languages: English
Clef: c4
Voice Text: I have loued I haue loved for ye lord will here ye voyce
57v–59r O Lord, rebuke me not in thine indignation -
Appears on: 57v–59r
Voice: [no designation]
Languages: English
Clef: c4
Voice Text: O lord Rebuke me not in thin Indignacion
59v–60v Ut re mi fa Mr Parsons
Appears on: 59v–60v
Source Attribution: Mr Parsons
Voice: [no designation]
Languages: none
Mensuration: cut-c
Clef: c4
Voice Text: Ut re mi fa
61r–61v Jesum Nazarenum -
Appears on: 61r–61v
Voice: [no designation]
Languages: Latin
Clef: c4
Voice Text: Jesum nazarenum
62r–62v Triumph with pleasant melody Mr Byrd
Appears on: 62r–62v
Genres: Song
Source Attribution: Mr Byrd
Voice: [no designation]
Languages: none
Clef: c4
Voice Text: Triumphe Triumphe
63r Lachrimae Weelkes
Appears on: 63r
Source Attribution: Weelkes
Voice: [no designation]
Languages: none
Clef: c4
Voice Text: Lachrimae / Lachrimae Mr Weelks
General Note

Annotations/Corrections: A 5. voc:v' added in different ink;

63v Eliza is the fairest queen -
Appears on: 63v
Voice: [no designation]
Languages: none
Clef: c4
Voice Text: Elisa
63v Come again fair nature's treasure Mr Phillipes
Appears on: 63v
Source Attribution: Mr Phillipes
Voice: [no designation]
Languages: none
Mensuration: o-dot-3
Clef: c4
Voice Text: Com Agine
General Note

Annotations/Corrections: At end 'Finis Mr Phillipes a fine setter of songes';

63v–64r Candidi Facti sunt = Facti sunt Nazarei eius candidi -
Appears on: 63v–64r
Genres: Motet
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f4
Voice Text: Ffacti sunt nazarei eius
64r–64v Levavi oculos William More
Appears on: 64r–64v
Genres: Motet
Source Attribution: William More
Voice: [no designation]
Languages: none
Clef: c4
Voice Text: Levavy occilose
64bisr–65v - - Anonymous

[Unknown Title]

Appears on: 64bisr–65v
65v Sermone blando Illae dum pergunt concitae Apostolis -
Appears on: 65v
Genres: Motet
Voice: [no designation]
Languages: none
Mensuration: c-dot
Clef: c4
Voice Text: Ille du[m] p[er]gunt
65v–66r In manus tuas Domine -
Appears on: 65v–66r
Genres: Motet
Voice: [no designation]
Languages: none
Mensuration: cut-c
Clef: c4
Voice Text: In manus tuas domine
66r O sacrum convivium in quo Christus sumitur -
Appears on: 66r
Genres: Motet
Voice: [no designation]
Languages: none
Mensuration: cut-c
Clef: c4
Voice Text: O sacru[m] conviuiu[m]
General Note

Notes: Hand-ruled paper;

66v Emendemus - 1a pars (of 2): Emendemus in melius -
Appears on: 66v
Genres: Motet
Voice: [no designation]
Languages: none
Mensuration: cut-c
Clef: c4
Voice Text: Emende mus
General Note

Notes: Hand-ruled paper;

66v Emendemus - 2a pars (of 2): Adiuva nos Deus -
Appears on: 66v
Genres: Motet
67r [Christe qui lux es (II)] Precamur sancte Domine -
Appears on: 67r
Genres: Motet
Voice: [no designation]
Languages: none
Mensuration: cut-c
Clef: c4
Voice Text: Peckamur [different hand: peccamur]
General Note

Notes: Hand-ruled paper;

67r–67v Kyrie Paschali -
Appears on: 67r–67v
Genres: Kyrie eleison, Mass Ordinary
Voice: [no designation]
Languages: none
Mensuration: cut-c
Clef: c4
Voice Text: Kiry leson
General Note

Notes: Hand-ruled paper;

67v Haec dies -
Appears on: 67v
Genres: Motet
Voice: [no designation]
Languages: none
Mensuration: cut-c
Clef: c4
Voice Text: [(Haec) dies quam fecit Dominus]
67v–68r De la court - 1a pars Parsons
Appears on: 67v–68r
Genres: Chanson
Source Attribution: Parsons
Voice: [no designation]
Languages: none
Clef: c4
Voice Text: delaycourt
General Note

Notes: Hand-ruled paper for first page;

68v–69r Ne irascaris Domine [2p. Civitas sancti tui] -
Appears on: 68v–69r
Genres: Anthem
Voice: [no designation]
Languages: none
Mensuration: cut-c
Clef: c5
Voice Text: Ne irascaris
General Note

Annotations/Corrections: At end: 'good songe';

69v–70r [Christe qui lux es (II)] Precamur, sancte Domine Mr Bird
Appears on: 69v–70r
Source Attribution: Mr Bird
Voice: [no designation]
Languages: none
Clef: c3
Voice Text: Precamor Mr Bird
General Note

Notes: starts at bottom of page;

70v Ut re fa so la upon the dial = Parsley's clock -
Appears on: 70v
Voice: [no designation]
Languages: none
Clef: c4
Voice Text: [Untitled]
General Note

Notes: Large dial draw across the top two and a half staves;

70v Galliard - Anonymous

Galliard

Anonymous
Appears on: 70v
Voice: [no designation]
Languages: none
Clef: c4
Voice Text: [Untitled]
71r–71v Deus misereatur nostri et benedicat nobis Robart Johnson
Appears on: 71r–71v
Genres: Motet
Source Attribution: Robart Johnson
Voice: [no designation]
Languages: none
Clef: c4
Voice Text: Deus misereatur
72r In nomine - Anonymous

In nomine

Anonymous
Appears on: 72r
Voice: [no designation]
Languages: none
Mensuration: cut-c
Clef: c4
Voice Text: Innomine
72v - - Anonymous

[Unknown Title]

Appears on: 72v
Voice: [no designation]
Languages: none
Clef: c4
Voice Text: [Untitled]
72v–73r Non e amo - Anonymous

Non e amo

Anonymous
Appears on: 72v–73r
Voice: [no designation]
Languages: none
Clef: c4
Voice Text: No[n] neamo
73r–73v O salutaris hostia -
Appears on: 73r–73v
Genres: Motet
Voice: [no designation]
Languages: none
Clef: c4
Voice Text: O o salutaris hostia
73v Without redress I waste my mind - Anonymous
Appears on: 73v
Voice: [no designation]
Languages: none
Mensuration: cut-c
Clef: c3
Voice Text: Without redrosse
74r–74v Cor mundum crea in me deus et spiritum [2a pars: Averte faciem tuam a peccatis meis] -
Appears on: 74r–74v
Voice: [no designation]
Languages: none
Clef: c4
Voice Text: Cor mu[n]du[m] crea
75r–75v Deus in nomine tuo - Anonymous

Deus in nomine tuo

Anonymous
Appears on: 75r–75v
Voice: [no designation]
Languages: none
Clef: c3
Voice Text: Deus in no[mi]ne tu
75v–76v Domine in virtute tua (II) [2a pars: Magna gloria eius] -
Appears on: 75v–76v
Genres: Motet
Voice: [no designation]
Languages: none
Clef: c4
Voice Text: Deus in vertute tua [2p. Magna gl[or]ia eius]
77r Amy tu te plaisir - Anonymous

Amy tu te plaisir

Anonymous
Appears on: 77r
Voice: [no designation]
Languages: none
Clef: c3
Voice Text: Amytute planis
77r–77v Vostre jamais pas eritage -
Appears on: 77r–77v
Voice: [no designation]
Languages: none
Clef: c3
Voice Text: Vostre iamais p[ar] heritage
77v–78r D'un nouveau dart je suis frappe - Anonymous
Appears on: 77v–78r
Voice: [no designation]
Languages: none
Clef: c3
Voice Text: Dung noueau dart ie suis frape
78r D'un nouveau dart je suis frappe -
Appears on: 78r
Voice: [no designation]
Languages: none
Clef: c4
Voice Text: Dunge noueau dart ie suis
General Note

Annotations/Corrections: Correction added at bottom of page;

78v–79r Venit vox de caelo cum luce superna (2p. Respondit miles quis es tu Domine) -
Appears on: 78v–79r
Genres: Motet
Voice: [no designation]
Languages: none
Mensuration: cut-c
Clef: c3
Voice Text: Venit vox Decelo [2p. Respondit milis]
79r–80r Dum transisset sabbatum Maria Magdalena II: Et valde mane una sabbatorum veniunt -
Appears on: 79r–80r
Genres: Motet
Voice: [no designation]
Languages: none
Mensuration: cut-c
Clef: c3
Voice Text: Dum trassisset sabatum
80v–81v Caecilia virgo gloriosa semper evangelium (2p. Biduanis ac triduanis ieiuniis orans) -
Appears on: 80v–81v
Genres: Motet
Voice: [no designation]
Languages: none
Clef: c3
Voice Text: Cecilia virgo
81v–83v Domine in virtute tua (I) (2p: Magna gloria eius) -
Appears on: 81v–83v
Genres: Motet
Voice: [no designation]
Languages: Latin
Clef: c4
Voice Text: Domine in vertute tua letabite Rex [2p. Magna gloria eius in salutari tuo]
83v Quel foco che tanti anni in tutto -
Appears on: 83v
Genres: Italian secular
Voice: [no designation]
Languages: none
Clef: c4
Voice Text: Quell foco che
84r Or il ne m'est possible d'avoir quelque confort -
Appears on: 84r
Genres: Chanson
Voice: [no designation]
Languages: none
Mensuration: cut-c
Clef: c4
Voice Text: Or il ne mest possibele
84v–85r Si je me plains - Anonymous

Si je me plains

Anonymous
Appears on: 84v–85r
Voice: [no designation]
Languages: none
Clef: c4
Voice Text: Cy Je me plains de mo[n]
85r–85v A che cercar - Anonymous

A che cercar

Anonymous
Appears on: 85r–85v
Voice: [no designation]
Languages: none
Mensuration: cut-c
Clef: c3
Voice Text: [Untitled]
85v O Lord, turn not away your face - Anonymous
Appears on: 85v
Voice: [no designation]
Languages: none
Clef: c3
Voice Text: O lord turne not awaye y[our] face
86r Mistrust oft times amiss - Anonymous
Appears on: 86r
Voice: [no designation]
Languages: none
Clef: c4
Voice Text: [Untitled]
86r–86v extract from unidentified Gloria: cum sancto - Anonymous
Appears on: 86r–86v
Voice: [no designation]
Languages: none
Mensuration: o
Clef: c4
Voice Text: Com sancto
General Note

Notes: Library examination notes in pencil and library stamp.;

86v extract from unidentified Credo: et vitam venturi - Anonymous
Appears on: 86v
Voice: [no designation]
Languages: none
Mensuration: o
Clef: c4
Voice Text: Et vytam benenry
87r - - Anonymous

[Unknown Title]

Appears on: 87r
87v [library stamp] - -

[library stamp]

Appears on: 87v
Composer Compositions
Adams, Robert
Anonymous
Bullmann, Baruch
Byrd, William (ca. 1540–1623)
Caustun, Thomas (ca. 1520–1569)
Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Crecquillon, Thomas (ca. 1505–ca. 1557)
Feryng
Frankling, John
Hollander, Christian
Hollander, Sebastian
Johnson (I), Robert (ca. 1500–ca. 1560)
Johnson, Edward
More, William
Mundy, William (ca. 1528–ca. 1591)
P, W
Parsley [Percely], Osbert
Parsons (I), Robert (ca. 1535–ca. 1572)
Rore, Cipriano de (ca. 1515–1565)
Sheppard, John (ca. 1515–1558)
Tallis, Thomas (ca. 1505–1585)
Taverner, John
Tye, Christopher (ca. 1505–ca. 1573)
Van Wilder, Phillip
Weelkes, Thomas (ca. 1576–1623)
White, Robert (ca. 1538–1574)
White, William
Whytbroke, William
Composition Composers (? Uncertain) Folios / Pages
[Christe qui lux es (II)] Precamur, sancte Domine 69v–70r
[Christe qui lux es (II)] Precamur sancte Domine 67r
[Evening Service]: Nunc dimittis 18v–19r
[Statement of ownership by Thomas Hamond, witnessed] Anonymous 1v
A che cercar Anonymous 85r–85v
Amy tu te plaisir Anonymous 77r
Benedictus [English] Anonymous 7v–9r
Blessed art thou that fearest God and walkest in his ways 46v–47r
Caecilia virgo gloriosa semper evangelium (2p. Biduanis ac triduanis ieiuniis orans) 80v–81v
Candidi Facti sunt = Facti sunt Nazarei eius candidi 63v–64r
Christ rising again 25r–26v
Come again fair nature's treasure 63v
Cor mundum crea in me deus et spiritum [2a pars: Averte faciem tuam a peccatis meis] 74r–74v
D'un nouveau dart je suis frappe Anonymous 77v–78r
D'un nouveau dart je suis frappe 78r
De la court - 1a pars 67v–68r
Defiled is my name 52v–53v
Deliver us good Lord from eternal death 49r–49v
Deliver us Lord both night and day Anonymous 51v
Deus in nomine tuo Anonymous 75r–75v
Deus misereatur nostri et benedicat nobis 71r–71v
Domine in virtute tua (I) (2p: Magna gloria eius) 81v–83v
Domine in virtute tua (II) [2a pars: Magna gloria eius] 75v–76v
Dum transisset sabbatum Maria Magdalena II: Et valde mane una sabbatorum veniunt 79r–80r
Eliza is the fairest queen 63v
Emendemus - 1a pars (of 2): Emendemus in melius 66v
Emendemus - 2a pars (of 2): Adiuva nos Deus 66v
Evening Service: Magnificat [English] 19v–21r
extract from unidentified Credo: et vitam venturi Anonymous 86v
extract from unidentified Gloria: cum sancto Anonymous 86r–86v
First, Flat, Short Service: Benedictus (Canticle) 9v–11r
First, Flat, Short Service: Te Deum 2r–5r
From the depth I call on ye O Lord [de profundis] 43r–44v
Galliard Anonymous 70v
Give alms of thy goods 21v–22r
Haec dies 67v
I give you a new commandment 29r–29v
I have loved 55v–57r
I will give thanks unto the Lord = O happy dames that may embrace the fruit of your delight 52r–52v
In judgement, Lord Anonymous 30r–30v
In manus tuas Domine 65v–66r
In nomine Anonymous 72r
Jesum Nazarenum 61r–61v
Jubilate Deo (English) Anonymous 14v–15v
Kyrie Paschali 67r–67v
Lachrimae 63r
Levavi oculos 64r–64v
Lord thou has commanded by thy holy apostle 54r–54v
Mistrust oft times amiss Anonymous 86r
Morning Service for Men: Te Deum 11v–14r
My trust, O Lord, in thee is grounded 47r–48r
Ne irascaris Domine [2p. Civitas sancti tui] 68v–69r
Non e amo Anonymous 72v–73r
Nunc Dimittis 17v–18r
O come pale-faced death 39r
O death rock me asleep Anonymous 38v
O give thanks unto the Lord = in nomine section from Missa Gloria tibi trinitas 54v–55v
O God for thy name's sake save me 27v–28v
O God, be merciful unto us 16r–17r
O Lord, rebuke me not in thine indignation 57v–59r
O Lord, turn not away your face Anonymous 85v
O merciful father, we beseech thee 26v–27v
O praise God in his holiness (I) 22r–23r
O sacrum convivium in quo Christus sumitur 66r
O salutaris hostia 73r–73v
Or il ne m'est possible d'avoir quelque confort 84r
Praise the lord ye servants [= Praise ye the Lord ye children] 23v–25r
Prepare you time weareth away 39v–40v
Quel foco che tanti anni in tutto 83v
Save me, O God, for thy name's sake 41v–42r
Sermone blando Illae dum pergunt concitae Apostolis 65v
Service for Children: Benedictus (Canticle) 35r–37r
Service for Children: Gloria 37v–38r
Service for Children: Te Deum 33r–35r
Service for Children: Venite 31r–32r
Si je me plains Anonymous 84v–85r
Triumph with pleasant melody 62r–62v
Ut re fa so la upon the dial = Parsley's clock 70v
Ut re mi fa 59v–60v
Venit vox de caelo cum luce superna (2p. Respondit miles quis es tu Domine) 78v–79r
Venite [English] 5v–7r
Vostre jamais pas eritage 77r–77v
When Jesus went (adaptation of motet Salvator Mundi II) 41r
When shall my sorrowful sighing slake 50r–51r
Wipe away my sins [=Absterge Domine] 45r–46r
With all our hearts and mouth (= Salvator mundi (I)) 48v–49r
Without redress I waste my mind Anonymous 73v

Images © The British Library

Set: TUDOR PARTBOOKS

Type: Project Collection

No images available

GB-Lbl Royal Appendix 41

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GB-Lbl Royal Appendix 42

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GB-Lbl Royal Appendix 43

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GB-Lbl Royal Appendix 44

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GB-Lbl Royal Appendix 57

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GB-Lbl Royal Appendix 59

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GB-Lbl Royal Appendix 60

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GB-Lbl Royal Appendix 61

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GB-Lbl Royal Appendix 62

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GB-Lcm [pr. bk.] B187

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GB-Lcm [pr. bk.] B190 [Altus]

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GB-Lcm [pr. bk.] B190 [Bassus]

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GB-Lcm [pr. bk.] B190 [Discantus]

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GB-Lcm [pr. bk.] B190 [Tenor]

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GB-Ob MS. Tenbury 807

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GB-Ob MS. Tenbury 808

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GB-Ob MS. Tenbury 809

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GB-Ob MS. Tenbury 810

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GB-Ob MS. Tenbury 811

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GB-Och Mus. 45

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IRL-Dm [pr. bk.] Z4. 3. 1-5

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US-NYp Mus. Res. Drexel 4182

denotes primary source study

Butler, Katherine. 2019. From Liturgy and the Education of Choirboys to Protestant Domestic Music-Making: The History of the ‘Hamond’ Partbooks (GB-Lbl: Add. MSS 30480-4). Royal Musical Association Research Chronicle, 29–93.

Fenlon, Iain, and John Milsom. 1984. 'Ruled Paper Imprinted': Music Paper and Patents in Sixteenth-Century England. Journal of the American Musicological Society, 139-63. Pages: 146-7,161. Notes: physical description (partial); mention of MS; discussion.

Bernstein, Jane Agar. 1974. The Chanson in England 1530-1640: A Study of Sources and Styles. University of California at Berkeley, Unpublished Ph.D. dissertation. Pages: 263-83. Notes: physical description (partial); contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Blezzard, Judith H. 1972. The Sacred Music of the Lumley Books (British Museum Royal Appendix Manuscripts 74-76): An Edition and Critical Study. University of Leeds, Unpublished Ph.D. dissertation. Pages: I, 59-63, 73; II, Appendix I. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Daniel, Ralph T, and Peter Le Huray. 1972. The Sources of English Church Music 1549-1660. Early English Church Music.  London. Notes: contents list (partial); concordances (partial).

Brett, Philip. 1965. The Songs of William Byrd. Cambridge University, Unpublished Ph.D. dissertation. Pages: 18, 34, 110, 232. Notes: physical description (partial); contents list (partial); concordances (partial); mention of MS; discussion.

Harrison, Frank Llewellyn (editor). 1963-. Early English Church Music.  London: Stainer & Bell. Pages: XII, 118, 121-2, 124; XVII, 157; XIX, 324ff. Notes: contents list (partial); concordances (partial).

Lamont, Herbert Harry. 1963. John Shepherd: His Life and Music. University of Southern California, Unpublished Ph.D. dissertation. Pages: I, 99-100, 218, 221, 224. Notes: physical description (partial); contents list (partial); concordances (partial).

King, William Joseph. 1962. The English Anthem from the Early Tudor Period through the Restoration Era. Boston University, Unpublished Ph.D. dissertation. Pages: II, 11-8, 29-34. Notes: transcription (partial).

Hughes, Dom Anselm. 1953. Catalogue of the Musical Manuscripts at Peterhouse, Cambridge.  Cambridge. Pages: I, 3-4, 265, 397-8; II, 139; III, 202, 219, 232.

Lewis, Anthony (editor). 1951-. Musica Britannica: A National Collection of Music.  London. Pages: XV, 149, 165-6, 209, 212-3; XXII, 1-2, 36, 45, 58-9, 173ff; XLIV,xxviii,20-5,78,177,183-4,186-7,189,196. Notes: mention of MS; contents list (partial); concordances (partial); transcriptions (partial).

Fellowes, Edmund H (editor). 1937-50, 1962. The Collected Works of William Byrd. Pages: XV, 166, 171; XVII, 149, 163. Notes: mention of MS; contents list (partial); concordances (partial).

Fellowes, Edmund H (editor). 1923-48. Tudor Church Music.  London, Oxford et al. Pages: I, xi; III, xxi; V, xxv, 207-10; VI, xviii, xxix, xxxii; X, 235, 256-70. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Madden, F. 1843-. Catalogue of Additions to the Manuscripts in the British Museum. Pages: [1876-81], 82. Notes: physical description (partial).

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Notation Note; Ruling Note; Foliation Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description