GB-Lbl Egerton 2011

British Library, London, England

partbook: Early 17th Century

Archive British Library, London, England (GB-Lbl)
Shelfmark Egerton 2011
Image Availability DIAMM does not have images of this source.
Surface Paper
Numbering System Foliation
Measurements 135 x 213 mm
Other Identifiers
  • CCM: LonBLE 2009
Relationships
External Links
Provenance
  • Norfolk, England
Contents 81 pieces from 8 composers
General Description

A Tenor partbook from a set originally of five volumes (much of repertory concordant with LonBLE 2010, but that volume does not belong to present set although it provides the missing Altus for many pieces). Music copied by a single scribe, employed by Edward Paston (1550-1630) of Norfolk, a country gentleman and collector of music. Owned in 1669 by Stephen Aldhouse, of Matlask, Norfolk, a witness to Paston's will. Purchased by British Museum at a Puttick's sale in 1866.

DIAMM, 2017
Binding

New covers of red cloth and leather on cardboard; glued inside, front and back, are original covers of brown leather stamped with ornamental designs

DIAMM, 2017
Notation

not indicated

DIAMM, 2017
Foliation

Original ink foliation, 1-61; new pencil foliation, 62-63

DIAMM, 2017
Decoration

No initials or decoration

DIAMM, 2017
Index

Modern alphabetical index on ff. 63'-64' of Discantus book

DIAMM, 2017
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

1 motet, 4 anthems, 3 carols, 49 English secular pieces (most are English adaptations of French or Italian secular pieces; 1 piece without text in this source) = 57

Byrd-22, (A. Ferrabosco I)-18, (A. Gabrieli-1, (Lassus)-1, (Philippe de Monte)-3, (Palestrina)-1, (Striggio)-1, (Orazio Vecchi) -1, (Vespa)-1, (Vinci)-1, (Wilder)-1, anon-6

3 paper partbooks of an original 5 (D-i + i + 65 + iv folios, T-ii + i + 63 + iii, B-i + i + 63 + iii), 135 x 213. D book has original ink foliation, 1-61; new pencil foliation, 62-66 (includes first modern back flyleaf); T and B books have original ink foliation, 1-61; new pencil foliation, 62-63. New covers of red cloth and leather on cardboard; glued inside, front and back, are original covers of brown leather stamped with ornamental designs. Modern alphabetical index on ff. 63'-64' of D book. Music copied by a single scribe, employed by Edward Paston (see BrettEP for list of other books in the same hand and for discussion of related manuscripts from Paston's circle). No initials or decoration. Much of repertory concordant with LonBLE 2010 (see next entry), but latter does not belong to present set.

Early 17th century. Of English provenance; originated in the household of Edward Paston (1550-1630) of Norfolk, a country gentleman and collector of music. Owned in 1669 by Stephen Aldhouse, of Matlask, Norfolk, a witness to Paston's will. Purchased by British Museum at a Puttick's sale in 1866.

Vol 4

Composers: Change "(Wilder)-1" to "(R. Parsons I/Wilder)-1."

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1 Benedictus - Anonymous

Benedictus

Anonymous
Appears on: 1
Genres: Canticle
1v While that the sun -
Appears on: 1v
Genres: Consort song
2–2v From Citheron - 1a pars (of 3): From Citheron the warlike boy -
Appears on: 2–2v
Genres: Consort song
3–3v From Citheron - 2a pars (of 3): There careless thoughts -
Appears on: 3–3v
Genres: Consort song
3v–4 From Citheron - 3a pars (of 3): If love be just -
Appears on: 3v–4
Genres: Consort song
4v–5 When Flora fair - 1a pars (of 2): When Flora fair - Anonymous
Appears on: 4v–5
Genres: Madrigal (English)
5v–6 When Flora fair - 2a pars (of 2): All creatures then - Anonymous
Appears on: 5v–6
Genres: Madrigal (English)
6v From my delight - 1a pars (of 2): From my delight - Anonymous
Appears on: 6v
Genres: Madrigal (English)
7 From my delight - 2a pars (of 2): O sighs o sobs - Anonymous
Appears on: 7
Genres: Madrigal (English)
7v In trust is hidden treason - Anonymous
Appears on: 7v
Genres: Madrigal (English)
8–8v I heard a mess of merry shepherds (= Je file quand Dieu) -
Appears on: 8–8v
Genres: Contrafactum, Madrigal (English)
9–9v He that enjoyed - 1a pars (of 2): He that enjoyed (=Cara la mia vita) -
Appears on: 9–9v
Genres: Contrafactum, Madrigal (English)
9v–10 He that enjoyed - 2a pars (of 2): For when that he had tasted (=Cara la mia vita, 2p.) -
Appears on: 9v–10
Genres: Contrafactum, Madrigal (English)
10v–11 How happy is that shepherd - Anonymous
Appears on: 10v–11
Genres: Madrigal (English)
11v–12 She that was named Queen - Anonymous
Appears on: 11v–12
Genres: Madrigal (English)
12v–13 Where Troy stood - Anonymous

Where Troy stood

Anonymous
Appears on: 12v–13
Genres: Madrigal (English)
13v–14 O love thy fire - 1a pars (of 2): O love thy fire exceedeth (= Non ardo e son nel foco) -
Appears on: 13v–14
Genres: Contrafactum, Madrigal (English)
14–14v O love thy fire - 2a pars (of 2): My heart is fire (= Foco e 'l mio cor) -
Appears on: 14–14v
Genres: Contrafactum, Madrigal (English)
15 In fountain clear - 1a pars (of 2): In fountain clear (= Tu dolce anima mia) -
Appears on: 15
Genres: Contrafactum, Madrigal (English)
15–15v In fountain clear - 2a pars (of 2): Actaeon (= Ond'e come se sia non so) -
Appears on: 15–15v
Genres: Contrafactum, Madrigal (English)
15v–16 How shall he sing (= Las voulez vous) -
Appears on: 15v–16
Genres: Contrafactum, Song
16v Upon a stage of silver - 1a pars (of 4): Upon a stage of silver (= Vorrei lagnarmi) -
Appears on: 16v
Genres: Song
17 Upon a stage of silver - 2a pars (of 4): Her hands full sore she wringed (= Vorrei lagnarmi) -
Appears on: 17
Genres: Song
17v Upon a stage of silver - 3a pars (of 4): O Richard cruel tyrant' (= S'io taccio) -
Appears on: 17v
Genres: Song
18 Upon a stage of silver - 4a pars (of 4): How didst thou slay my children (= S'io taccio) -
Appears on: 18
Genres: Song
18v–19 List not to Sirens singing (= Chi ha cor da partire) -
Appears on: 18v–19
Genres: Contrafactum, Madrigal (English)
19v–20 Cambises' somne [dream] - Anonymous
Appears on: 19v–20
Genres: Madrigal (English)
20v Ye Shepherds - 1a pars (of 2): Ye shepherds of fields and mountains (= Non fingo egli e pur) -
Appears on: 20v
Genres: Contrafactum, Madrigal (English)
21 Ye Shepherds - 2a pars (of 2): By fair Aurora's springing (= Non fingo egli e pur, 2p.) -
Appears on: 21
Genres: Contrafactum, Madrigal (English)
21v–22 O spiteful love (= Non ha tante) -
Appears on: 21v–22
Genres: Contrafactum, Madrigal (English)
22v–23 You that do stand - Anonymous

You that do stand

Anonymous
Appears on: 22v–23
Genres: Madrigal (English)
23v–24 O sighs by love inflamed - Anonymous
Appears on: 23v–24
Genres: Madrigal (English)
24v–25 Eliza fair - 1a pars (of 2): Eliza fair - Anonymous
Appears on: 24v–25
Genres: Madrigal (English)
25v–26 Eliza fair - 2a pars (of 2): If great renown - Anonymous
Appears on: 25v–26
Genres: Madrigal (English)
26v–27 What rose - 1a pars (of 2): What rose is like the virgin (= Che nuova Cinthia e questa) -
Appears on: 26v–27
Genres: Contrafactum, Madrigal (English)
27v–28 What rose - 2a pars (of 2): O beauty most admired (= Ma maggior meraviglia è) -
Appears on: 27v–28
Genres: Contrafactum, Madrigal (English)
28v–29 I saw not love (= Di questa bionda) -
Appears on: 28v–29
Genres: Contrafactum, Madrigal (English)
29v–30 The nightingale so pleasant (= Le rossignol) -
Appears on: 29v–30
Genres: Contrafactum, Song
30v–31 The nymphs that in the groves do sport -
Appears on: 30v–31
Genres: Madrigal (English)
31v–32 Phillis a herdmaid - 1a pars (of 2): Phillis, a herdmaid dainty -
Appears on: 31v–32
Genres: Madrigal (English)
32–32v Phillis a herdmaid - 2a pars (of 2): Thyrsis this said lamenting -
Appears on: 32–32v
Genres: Madrigal (English)
33 In love where is denying - 1a pars (of 2): In love where is denying (= Non e lasso martire) -
Appears on: 33
Genres: Contrafactum, Madrigal (English)
33–33v In love where is denying - 2a pars (of 2): A marvel rare (= Non e lasso martire, 2p.) -
Appears on: 33–33v
Genres: Contrafactum, Madrigal (English)
33v–34 What thing more rare - 1a pars (of 2): What thing more rare (= Voi volete ch'io moia) -
Appears on: 33v–34
Genres: Contrafactum, Madrigal (English)
34–34v What thing more rare - 2a pars (of 2): No garden green (= Voi volete, 2p.) -
Appears on: 34–34v
Genres: Contrafactum, Madrigal (English)
35 Fair Phillida those wanton eyes (= Aupres de vous) -
Appears on: 35
Genres: Contrafactum, Song
35v–36 From stately tower - 1a pars (of 2): From stately tower - Anonymous
Appears on: 35v–36
Genres: Madrigal (English)
36–36v From stately tower - 2a pars (of 2): With her sweet looks - Anonymous
Appears on: 36–36v
Genres: Madrigal (English)
37 The Phrigian Knight - Anonymous
Appears on: 37
Genres: Madrigal (English)
37v–38 Crowned with flowers - 1a pars (of 2): Crowned with flowers and lilies - Anonymous
Appears on: 37v–38
Genres: Madrigal (English)
38v–39 Crowned with flowers - 2a pars (of 2): O worthy queen - Anonymous
Appears on: 38v–39
Genres: Madrigal (English)
39v Penelope - 1a pars (of 2): Penelope was ever praised (= Se pur e ver) -
Appears on: 39v
Genres: Contrafactum, Madrigal (English)
40 Penelope - 2a pars (of 2): Not Cupid with his wanton wings (= Qualunqu' a quella tutto) -
Appears on: 40
Genres: Contrafactum, Madrigal (English)
40v Who trusts - 1a pars (of 2): Who trusts to fortune's smiling (= O crude pene) -
Appears on: 40v
Genres: Madrigal (English)
41 Who trusts - 2a pars (of 2): Of Cupid (= O crude pene, 2p.) -
Appears on: 41
Genres: Madrigal (English)
41v–42 Though time has torn - Anonymous
Appears on: 41v–42
Genres: Madrigal (English)
42v–43 Crowned with flowers ... I saw fair Amarillis -
Appears on: 42v–43
Genres: Tablature
43v–44 Crowned with flowers ,,, I saw fair Amarillis -
Appears on: 43v–44
Genres: Madrigal (English)
44v–45 Crowned with flowers - 1a pars (of 2): Crowned with flowers and lilies -
Appears on: 44v–45
Genres: Madrigal (English)
45v–46 Crowned with flowers - 2a pars (of 2): O worthy queen -
Appears on: 45v–46
Genres: Madrigal (English)
46v–47 Wedded to will is witless -
Appears on: 46v–47
Genres: Consort song
47v–48 O sweet deceit - 1a pars (of 2): O sweet deceit in speech contained -
Appears on: 47v–48
Genres: Madrigal (English)
48v–49 O sweet deceit - 2a pars (of 2): Like Harpias vile -
Appears on: 48v–49
Genres: Madrigal (English)
49v Arise O Lord - 1a pars (of 2): Arise O Lord why sleepest thou -
Appears on: 49v
Genres: Anthem
50 Arise O Lord - 2a pars (of 2): Help us, O God -
Appears on: 50
Genres: Anthem
50v–51 The fair young virgin -
Appears on: 50v–51
Genres: Consort song
51v Come to me, grief, for ever -
Appears on: 51v
Genres: Song
51v–52 O that we woeful wretches -
Appears on: 51v–52
Genres: Consort song
52v Lullaby - 1a pars (of 2): Lullaby, my sweet little baby -
Appears on: 52v
Genres: Song
53 Lullaby - 2a pars (of 2): Be still, my blessed babe -
Appears on: 53
Genres: Song
53v–54 Why do I use my paper, ink and pen? -
Appears on: 53v–54
Genres: Song
54v–55 O God give ear (5vv) -
Appears on: 54v–55
Genres: Anthem
55v Even from the depth unto thee -
Appears on: 55v
Genres: Anthem
55v–56 My mind to me a kingdom is -
Appears on: 55v–56
Genres: Sacred Song
56v In fields abroad -
Appears on: 56v
Genres: Song
57 What pleasure have great Princes -
Appears on: 57
Genres: Consort song
57v All as a sea -
Appears on: 57v
Genres: Consort song
58 When I was otherwise than now -
Appears on: 58
Genres: Song
58v–59 Ambitious Love has forced me to aspire -
Appears on: 58v–59
Genres: Consort song
59v–60 Out of the orient crystal skies -
Appears on: 59v–60
Genres: Consort song
60v–61 What vaileth it to rule -
Appears on: 60v–61
Genres: Consort song
Composer Compositions
Anonymous
Byrd, William (ca. 1540–1623)
Ferrabosco, Alfonso (the elder) (1543–1588)
Monte, Philippe de
Parsons (I), Robert (ca. 1535–ca. 1572)
Striggio, Alessandro (ca. 1536–1592)
Van Wilder, Phillip
Vecchi, Orazio (1550–1605)
Composition Composers (? Uncertain) Folios / Pages
All as a sea 57v
Ambitious Love has forced me to aspire 58v–59
Arise O Lord - 1a pars (of 2): Arise O Lord why sleepest thou 49v
Arise O Lord - 2a pars (of 2): Help us, O God 50
Benedictus Anonymous 1
Cambises' somne [dream] Anonymous 19v–20
Come to me, grief, for ever 51v
Crowned with flowers ,,, I saw fair Amarillis 43v–44
Crowned with flowers - 1a pars (of 2): Crowned with flowers and lilies Anonymous 37v–38
Crowned with flowers - 1a pars (of 2): Crowned with flowers and lilies 44v–45
Crowned with flowers - 2a pars (of 2): O worthy queen Anonymous 38v–39
Crowned with flowers - 2a pars (of 2): O worthy queen 45v–46
Crowned with flowers ... I saw fair Amarillis 42v–43
Eliza fair - 1a pars (of 2): Eliza fair Anonymous 24v–25
Eliza fair - 2a pars (of 2): If great renown Anonymous 25v–26
Even from the depth unto thee 55v
Fair Phillida those wanton eyes (= Aupres de vous) 35
From Citheron - 1a pars (of 3): From Citheron the warlike boy 2–2v
From Citheron - 2a pars (of 3): There careless thoughts 3–3v
From Citheron - 3a pars (of 3): If love be just 3v–4
From my delight - 1a pars (of 2): From my delight Anonymous 6v
From my delight - 2a pars (of 2): O sighs o sobs Anonymous 7
From stately tower - 1a pars (of 2): From stately tower Anonymous 35v–36
From stately tower - 2a pars (of 2): With her sweet looks Anonymous 36–36v
He that enjoyed - 1a pars (of 2): He that enjoyed (=Cara la mia vita) 9–9v
He that enjoyed - 2a pars (of 2): For when that he had tasted (=Cara la mia vita, 2p.) 9v–10
How happy is that shepherd Anonymous 10v–11
How shall he sing (= Las voulez vous) 15v–16
I heard a mess of merry shepherds (= Je file quand Dieu) 8–8v
I saw not love (= Di questa bionda) 28v–29
In fields abroad 56v
In fountain clear - 1a pars (of 2): In fountain clear (= Tu dolce anima mia) 15
In fountain clear - 2a pars (of 2): Actaeon (= Ond'e come se sia non so) 15–15v
In love where is denying - 1a pars (of 2): In love where is denying (= Non e lasso martire) 33
In love where is denying - 2a pars (of 2): A marvel rare (= Non e lasso martire, 2p.) 33–33v
In trust is hidden treason Anonymous 7v
List not to Sirens singing (= Chi ha cor da partire) 18v–19
Lullaby - 1a pars (of 2): Lullaby, my sweet little baby 52v
Lullaby - 2a pars (of 2): Be still, my blessed babe 53
My mind to me a kingdom is 55v–56
O God give ear (5vv) 54v–55
O love thy fire - 1a pars (of 2): O love thy fire exceedeth (= Non ardo e son nel foco) 13v–14
O love thy fire - 2a pars (of 2): My heart is fire (= Foco e 'l mio cor) 14–14v
O sighs by love inflamed Anonymous 23v–24
O spiteful love (= Non ha tante) 21v–22
O sweet deceit - 1a pars (of 2): O sweet deceit in speech contained 47v–48
O sweet deceit - 2a pars (of 2): Like Harpias vile 48v–49
O that we woeful wretches 51v–52
Out of the orient crystal skies 59v–60
Penelope - 1a pars (of 2): Penelope was ever praised (= Se pur e ver) 39v
Penelope - 2a pars (of 2): Not Cupid with his wanton wings (= Qualunqu' a quella tutto) 40
Phillis a herdmaid - 1a pars (of 2): Phillis, a herdmaid dainty 31v–32
Phillis a herdmaid - 2a pars (of 2): Thyrsis this said lamenting 32–32v
She that was named Queen Anonymous 11v–12
The fair young virgin 50v–51
The nightingale so pleasant (= Le rossignol) 29v–30
The nymphs that in the groves do sport 30v–31
The Phrigian Knight Anonymous 37
Though time has torn Anonymous 41v–42
Upon a stage of silver - 1a pars (of 4): Upon a stage of silver (= Vorrei lagnarmi) 16v
Upon a stage of silver - 2a pars (of 4): Her hands full sore she wringed (= Vorrei lagnarmi) 17
Upon a stage of silver - 3a pars (of 4): O Richard cruel tyrant' (= S'io taccio) 17v
Upon a stage of silver - 4a pars (of 4): How didst thou slay my children (= S'io taccio) 18
Wedded to will is witless 46v–47
What pleasure have great Princes 57
What rose - 1a pars (of 2): What rose is like the virgin (= Che nuova Cinthia e questa) 26v–27
What rose - 2a pars (of 2): O beauty most admired (= Ma maggior meraviglia è) 27v–28
What thing more rare - 1a pars (of 2): What thing more rare (= Voi volete ch'io moia) 33v–34
What thing more rare - 2a pars (of 2): No garden green (= Voi volete, 2p.) 34–34v
What vaileth it to rule 60v–61
When Flora fair - 1a pars (of 2): When Flora fair Anonymous 4v–5
When Flora fair - 2a pars (of 2): All creatures then Anonymous 5v–6
When I was otherwise than now 58
Where Troy stood Anonymous 12v–13
While that the sun 1v
Who trusts - 1a pars (of 2): Who trusts to fortune's smiling (= O crude pene) 40v
Who trusts - 2a pars (of 2): Of Cupid (= O crude pene, 2p.) 41
Why do I use my paper, ink and pen? 53v–54
Ye Shepherds - 1a pars (of 2): Ye shepherds of fields and mountains (= Non fingo egli e pur) 20v
Ye Shepherds - 2a pars (of 2): By fair Aurora's springing (= Non fingo egli e pur, 2p.) 21
You that do stand Anonymous 22v–23

Set: Paston Manuscripts

Type: Linked by Origin or Contents

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GB-Lbl Add. MS 18936

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GB-Lbl Add. MS 18937

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GB-Lbl Add. MS 18938

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GB-Lbl Add. MS 18939

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GB-Lbl Add. MS 29388

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GB-Lbl Add. MS 29389

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GB-Lbl Add. MS 29390

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GB-Lbl Add. MS 29391

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GB-Lbl Add. MS 29392

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GB-Lbl Add. MS 29401

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GB-Lbl Add. MS 29402

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GB-Lbl Add. MS 29403

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GB-Lbl Add. MS 29404

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GB-Lbl Add. MS 29405

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GB-Lbl Add. MS 30823

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GB-Lbl Add. MS 30824

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GB-Lbl Add. MS 30825

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GB-Lbl Add. MS 34000

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GB-Lbl Add. MS 34001

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GB-Lbl Add. MS 34002

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GB-Lbl Add. MS 34049

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GB-Lbl Add. MS 41156

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GB-Lbl Add. MS 41157

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GB-Lbl Add. MS 41158

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GB-Lbl Egerton 2009

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GB-Lbl Egerton 2010

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GB-Lbl Egerton 2011

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GB-Lbl Egerton 2012

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GB-Lbl Madrigal Society G. 9

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GB-Lbl Madrigal Society G. 10

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GB-Lbl Madrigal Society G. 11

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GB-Lbl Madrigal Society G. 12

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GB-Lbl Madrigal Society G. 13

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GB-Lbl Madrigal Society G. 14

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GB-Lbl Madrigal Society G. 15

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GB-Lbl Madrigal Society G. 16

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GB-Lbl Madrigal Society G. 17

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GB-Lbl Madrigal Society G. 18

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GB-Lbl Madrigal Society G. 19

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GB-Lbl Madrigal Society G. 20

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GB-Lbl Madrigal Society G. 21

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GB-Lbl Madrigal Society G. 22

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GB-Lbl Madrigal Society G. 23

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GB-Lbl Madrigal Society G. 24

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GB-Lbl Madrigal Society G. 25

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GB-Lbl Madrigal Society G. 26

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GB-Lbl Madrigal Society G. 27

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GB-Lcm MS 2035 [Altus]

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GB-Lcm MS 2035 [Bassus]

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GB-Lcm MS 2035 [Discantus]

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GB-Lcm MS 2036 [Altus]

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GB-Lcm MS 2036 [Bassus]

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GB-Lcm MS 2036 [Discantus]

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GB-Lcm MS 2041

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GB-Ob MS. Tenbury 349

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GB-Ob MS. Tenbury 350

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GB-Ob MS. Tenbury 351

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GB-Ob MS. Tenbury 352

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GB-Ob MS. Tenbury 353

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GB-Ob MS. Tenbury 354

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GB-Ob MS. Tenbury 355

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GB-Ob MS. Tenbury 356

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GB-Ob MS. Tenbury 357

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GB-Ob MS. Tenbury 358

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GB-Ob MS. Tenbury 359

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GB-Ob MS. Tenbury 360

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GB-Ob MS. Tenbury 361

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GB-Ob MS. Tenbury 362

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GB-Ob MS. Tenbury 363

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GB-Ob MS. Tenbury 369

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GB-Ob MS. Tenbury 370

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GB-Ob MS. Tenbury 371

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GB-Ob MS. Tenbury 372

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GB-Ob MS. Tenbury 373

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GB-Ob MS. Tenbury 374

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GB-Ob MS. Tenbury 375

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GB-Ob MS. Tenbury 376

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GB-Ob MS. Tenbury 377

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GB-Ob MS. Tenbury 378

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US-Ws V.a. 405

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US-Ws V.a. 406

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US-Ws V.a. 407

Set: MSS Egerton 2009, 2011, 2012

Type: Partbooks

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GB-Lbl Egerton 2009

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GB-Lbl Egerton 2011

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GB-Lbl Egerton 2012

denotes primary source study

Charteris, Richard (editor). 1984. Alfonso Ferrabosco the Elder (1543-1588): Opera Omnia. Corpus mensurabilis musicae.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: III, xiv-xv, 48-56; IV, xviii-xx, 92-7, 130-43,150-67. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Charteris, Richard. 1984. Alfonso Ferrabosco the Elder (1543-1588): A Thematic Catalogue of his Music with a Biographical Calendar.  New York. Pages: 106,166ff,189. Notes: contents list (partial); concordances (partial).

Charteris, Richard. 1983. The English Songs of Alfonso Ferrabosco the Elder. Studies in Music [Nedlands, Australia], 79-86. Pages: 81-5. Notes: contents list (partial); concordances (partial); transcriptions (partial); texts (partial); mention of MS; discussion.

Charteris, Richard. 1982. New Light on Ferrabosco's Chansons. The Consort, 461-2. Notes: contents list (partial); concordances (partial); texts (partial).

Charteris, Richard. 1982. Newly Identified Italian Madrigals Englished. Music & Letters, 276-280. Pages: 278-9. Notes: contents list (partial); concordances (partial);.

Bernstein, Jane Agar. 1979. Philip van Wilder and the Netherlandish Chanson in England. Musica Disciplina, 55-75. Pages: 70-1. Notes: contents list (partial); concordances (partial).

Daniel, Ralph T, and Peter Le Huray. 1972. The Sources of English Church Music 1549-1660. Early English Church Music.  London. Notes: contents list (partial); concordances (partial).

Brett, Philip. 1965. The Songs of William Byrd. Cambridge University, Unpublished Ph.D. dissertation. Pages: 31-2, 109-10, 251-7, passim. Notes: physical description (partial); contents list; concordances; mention of MS; discussion.

Brett, Philip. 1964-68. Edward Paston (1550-1630): A Norfolk Gentleman and His Musical Collection. Transactions of the Cambridge Bibliographical Society, 51-69. Pages: 60, 64-5, 69. Notes: mention of MS; contents list (partial).

Brett, Philip. 1961-62. The English Consort Song, 1570-1625. Proceedings of the Royal Musical Association, 73-88. Pages: 78, 83-5. Notes: contents list (partial); mention of MS; discussion.

Brett, Philip, and Thurston Dart. 1960. Songs by William Byrd in Manuscripts at Harvard. Harvard Library Bulletin, 343-65. Notes: physical description (partial); contents list (partial); concordances (partial); mention of MS; discussion.

Hughes, Dom Anselm. 1953. Catalogue of the Musical Manuscripts at Peterhouse, Cambridge.  Cambridge. Pages: I, 8, 143, 279; II, 146-8; III, 389. Notes: physical description (partial); contents list.

Fellowes, Edmund H. 1948. William Byrd.  London, New York, and Toronto. Pages: 143, 159, 170, 172. Notes: contents list (partial); concordances (partial).

Fellowes, Edmund H (editor). 1937-50, 1962. The Collected Works of William Byrd. Pages: XV, 167, 170, 175. Notes: mention of MS; contents list (partial); concordances (partial).

Fellowes, Edmund H (editor). 1923-48. Tudor Church Music.  London, Oxford et al. Pages: II, xxi, xxxiii-xxxiv. Notes: physical description (partial); contents list (partial); concordances (partial).

Arkwright, G E P. 1911-13. Notes on the Ferrabosco Family. The Musical Antiquary, 220ff(III)42ff(IV). Pages: III, 227. Notes: contents list (partial); concordances (partial).

Madden, F. 1843-. Catalogue of Additions to the Manuscripts in the British Museum. Pages: [1861-75], 946. Notes: physical description (partial).

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description