GB-Cp MS 46 [Organ] (Peterhouse Partbooks: Former/Latter Caroline Set organ book)

Peterhouse, Perne Library, Cambridge, England

organ book: Copied c. 1625-40, assembled c. 1635-43

Archive	Peterhouse, Perne Library, Cambridge, England (GB-Cp)
Shelfmark	MS 46 [Organ] (Peterhouse Partbooks: Former/Latter Caroline Set organ book)
Surface	Paper
Numbering System	None
Format	portrait
Measurements	c. 295 x 188, with much variety mm
Other Identifiers	CCM: CambriU Peter. 485-91 olim (Former shelfmark): Photocopy number 493
Notations	black void mensural
External Links	Peterhouse Partbooks general summary (essay)
Provenance	Peterhouse College chapel , Cambridge, England
Contents	40 pieces from 21 composers

General Description

Originally a collection of separate bifolios or other small gatherings, with some single leaves. Many scribal hands are present; among the identified scribes are William Smith, Henry Palmer, John Geeres, Henry Loosemore, Thomas Wilson, Robert Ramsey, John Amner, and John Lugge. A number of scribes remain unidentified; two of these also copied portions of various liturgical manuscripts at Durham Cathedral (MorehS). Assembled at Peterhouse College for use of the college chapel. The gathering and assembling of materials for the part-books was probably directed by John Cosin, Master of Peterhouse from 1634. Cosin commissioned the composition of some of the pieces. Some of the gatherings were copied in Cambridge; others were probably copied at Durham and Ely, and then acquired by Cosin through friends and associates in those places. The books were later transferred from the Peterhouse College library to the Cambridge University Library.

The Peterhouse Partbooks are not numbered consecutively as they were not all discovered and included in the library's collection at the same time. For some years they were also referred to by the numbers given to a set of photocopies of the books (which still exist), while three newly-discovered books did not have shelf-marks. The list below gives the sets in order and with the photocopy numbers for ease of cross-reference.

Latter Caroline Set
DECANI
Medius - MS. 44 - photocopy 485
Contratenor - MS. 42 - photocopy 486
Tenor - MS. 35 - photocopy 487
Bass - MS. 37 - photocopy 488
CANTORIS
Medius - MS. 45 - photocopy 489
Contratenor - MS. 53 - LOST
Tenor - MS. 43 - photocopy 490
Bass - MS. 36 - photocopy 491
Organ Book - MS. 46 - photocopy 493

JCM, 2010

Binding

Rebound in new covers in the 19th century; the original bindings were probably of black leather, with the Peterhouse College arms and voice designations stamped on the side.

JCM, 2010

Notation

black void mensural

JCM, 2010

Foliation

Many leaves have page or folio numbers from the earlier collections to which they once belonged. Most of the old numbers are cancelled and replaced with foliation using letters and numerals (A, A1, A2, etc.)

JCM, 2010

Index

Original index.

JCM, 2010

Surface

paper

JCM, 2010

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

1 Mass, 1 Kyrie-Credo pair, 8 Te Deums, 57 Services or Service sections, 120 anthems, 28 motets, 1 textless piece — 216

Amner-7, A. Batten-ll, Beck-l, Bennet-l, Boyce-l, Byrd-13, Child-8, Deering-2, Derrick-1, M. East-5, J. Farrant II-1, R. Far-rant-1, A. Ferrabosco 1-1, Fido-1, Geeres-2, Gibbons-11, N. Giles -4, Heath-1, Hinde-1, Hooper-3, J. Hutchinson-l, R. Hutchin-son-3, M. Jeffries-1, Juxon-1, R. Knight-1, Laud-1, Loosemore -6, J. Lugge-2, J. Marson-1, Molle-5, Morley-5, T. Mudd II-3, J. Mundy-11, Palmer-1, Parsley-1, R. Parsons II-3, Patrick-1, Philips-1, Portman-3, Ramsey-10, Shepherd-1, Edward Smith-1, W. Smith-1, Stonard-3, Strogers-2, Tallis-12, Taverner-1, Tom-kins-14, Tye-2, Ward-1, Warwick-1, Weelkes-1, R. White-1, W. White-1, T. Wilkinson-3, Wilson-15, anon-19

7 paper partbooks of an original 8 (Médius Decani-lbO folios, Contratenor De-cani-\4\, Tenor Decani-llá, Bassus Decani-169, Médius Cantoris-ltä, Tenor Cantoris-145, Bassus Cantoris-146), ca. 295 x 188 overall, but folios are of widely varying sizes. The manuscript is a collection of originally separate bifolios or other small gatherings, with some single leaves. Many of these have page or folio numbers from the earlier collections to which they once belonged. Most of the old numbers are cancelled and replaced with foliation using letters and numerals (A, Al, A2, etc.). Rebound in new covers in the 19th century; the original bindings were probably of black leather, with the Peterhouse College arms and voice designations stamped on the side. Original index. Many scribal hands are present; among the identified scribes are William Smith, Henry Palmer, John Geeres, Henry Loosemore, Thomas Wilson, Robert Ramsey, John Amner, and John Lugge. A number of scribes remain unidentified; two of these also copied portions of various liturgical manuscripts at Durham Cathedral (MorehS).

Copied ca. 1625-40, except for the Taverner Mass, which is in a mid-16th century hand, copied on paper identical to that found in the indices of CambriU Peter. 471-4. Assembled ca. 1635-43 at Peterhouse College in Cambridge, for use of the college chapel. The gathering and assembling of materials for the part-books was probably directed by John Cosin, Master of Peterhouse from 1634, whose High Church-oriented liturgical innovations aroused vigorous controversy. Cosin himself commissioned the composition of some of the pieces, and the influence of his ideas is reflected in much of the repertory. Some of the gatherings were copied in Cambridge; others were probably copied at Durham and Ely, and then acquired by Cosin through friends and associates in those places. (Cosin had been a prebendary at Durham Cathedral before coming to Cambridge, and he was also a close friend of Lancelot Andrewes, Bishop of Ely, another supporter of the High Church movement). The books were later transferred from the Peterhouse College library to the Cambridge University Library.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
1	Fragment of 4 bars in a	Anon	-
Fragment of 4 bars in a Appears on: 1 Source Attribution: Anon Voice: [no designation] Languages: insufficient Voice Text: [Fragment of 4 bars in a]
1v–2	G minor Service: Gloria	Jo: Amner	Amner, John (1579–1641)
G minor Service: Gloria Amner, John (1579–1641) Appears on: 1v–2 Genres: Anglican Service Music, Gloria (et in terra pax) Source Attribution: Jo: Amner Voice: [no designation] Languages: English Voice Text: [G minor service] - Gloria
2v	G minor Service: Gloria	[Amner]	Amner, John (1579–1641)
G minor Service: Gloria Amner, John (1579–1641) Appears on: 2v Genres: Anglican Service Music, Gloria (et in terra pax) Source Attribution: [Amner] Voice: [no designation] Languages: English Voice Text: [G minor service] - Gloria [opening passage, crossed out] General Note another copy - crossed out
3v–4v	This is the record of John	O. Gibbons	Gibbons, Orlando (ca. 1583–1625)
This is the record of John Gibbons, Orlando (ca. 1583–1625) Appears on: 3v–4v Genres: Anthem Source Attribution: O. Gibbons Voice: [no designation] Languages: English Voice Text: This is the record of John
5v–6v	Lord, what is man	Henry Palmer	Palmer, Henry (ca. 1590–1640)
Lord, what is man Palmer, Henry (ca. 1590–1640) Appears on: 5v–6v Genres: Anthem Source Attribution: Henry Palmer Voice: [no designation] Languages: English Voice Text: Lord, what is man
7–8v	O Lord, let me know mine end	[Tozer]	Tozer, Solomon
O Lord, let me know mine end Tozer, Solomon Appears on: 7–8v Genres: Anthem Source Attribution: [Tozer] Voice: [no designation] Languages: English Voice Text: O Lord, let me know mine end ['Tozar' in JBClark]
9–10	Have mercy upon me O God	Ad: Batten / [Giles]	Giles, Nathaniel (ca. 1558–1634)
Have mercy upon me O God Giles, Nathaniel (ca. 1558–1634) Appears on: 9–10 Genres: Anthem Source Attribution: Ad: Batten / [Giles] Voice: [no designation] Languages: English Voice Text: Have mercy upon me O God General Note The setting in the Latter set of books is by Giles; so, although the organ book clearly attributes this piec to Batten, it ought to be the accompaniment to the Giles setting
11–13	O sing unto the Lord a new song	Rich: Hinde / Hind	Hinde, Henry or Richard
O sing unto the Lord a new song Hinde, Henry or Richard Appears on: 11–13 Genres: Anthem Source Attribution: Rich: Hinde / Hind Voice: [no designation] Languages: English Voice Text: O sing unto the Lord
14–14v	Hear O my people	Stonnard	Stonard, William
Hear O my people Stonard, William Appears on: 14–14v Genres: Anthem Source Attribution: Stonnard Voice: [no designation] Languages: English Voice Text: Hear O my people
14v–15v	When the sorrows of hell	Stonnard	Stonard, William
When the sorrows of hell Stonard, William Appears on: 14v–15v Genres: Anthem Source Attribution: Stonnard Voice: [no designation] Languages: English Voice Text: When the sorrows of hell
15v–16v	Sing unto God	Stonnard	Stonard, William
Sing unto God Stonard, William Appears on: 15v–16v Genres: Anthem Source Attribution: Stonnard Voice: [no designation] Languages: English Voice Text: Sing unto God
17	anthem in G, bass line only	Tho: Wilson	Wilson, Thomas
anthem in G, bass line only Wilson, Thomas Appears on: 17 Genres: Anthem Source Attribution: Tho: Wilson Voice: [no designation] Languages: English Voice Text: [anthem in G, bass line only]
18–19	Ponder my words O Lord	Batten	Batten, Adrian (1591–1637)
Ponder my words O Lord Batten, Adrian (1591–1637) Appears on: 18–19 Genres: Anthem Source Attribution: Batten Voice: [no designation] Languages: English Voice Text: Ponder my words O Lord
19v–21	Praise the Lord O my soul	Batten	Batten, Adrian (1591–1637)
Praise the Lord O my soul Batten, Adrian (1591–1637) Appears on: 19v–21 Genres: Anthem Source Attribution: Batten Voice: [no designation] Languages: English Voice Text: Praise the Lord O my soul
21v	Fragment, crossed out	Anon	-
Fragment, crossed out Appears on: 21v Source Attribution: Anon Voice: [no designation] Languages: insufficient Voice Text: [Fragment, crossed out]
21v	O Lord, our governor	[Batten]	Batten, Adrian (1591–1637)
O Lord, our governor Batten, Adrian (1591–1637) Appears on: 21v Genres: Anthem Source Attribution: [Batten] Voice: [no designation] Languages: English Voice Text: O Lord our governor [inc]
22–23	Jesus came when the doors were shut	[Tomkins]	Tomkins, Thomas (1572–1656)
Jesus came when the doors were shut Tomkins, Thomas (1572–1656) Appears on: 22–23 Genres: Anthem Source Attribution: [Tomkins] Voice: [no designation] Languages: English Voice Text: Jesus came when the doors were shut 'to my loving scholar Thomas Wilson at Cambridge'
24–25v	Hear my cry, O God	Hilton	Hilton (Senior), John
Hear my cry, O God Hilton (Senior), John Appears on: 24–25v Genres: Anthem Source Attribution: Hilton Voice: [no designation] Languages: English Voice Text: Hear my cry O God
26–28	O God of gods	Hooper	Hooper, Edmund
O God of gods Hooper, Edmund Appears on: 26–28 Genres: Anthem Source Attribution: Hooper Voice: [no designation] Languages: English Voice Text: O God of gods
28–29	Almighty God, which hast given us (Collect for Christmas Day)	[Hooper]	Hooper, Edmund
Almighty God, which hast given us (Collect for Christmas Day) Hooper, Edmund Appears on: 28–29 Genres: Anglican Service Music Source Attribution: [Hooper] Voice: [no designation] Languages: English Voice Text: Collect for Christmas Day (Almighty God, which hast given us)
29v–30v	Thou art worthy, O Lord	Loosmor	Loosemore, Henry (1607–1670)
Thou art worthy, O Lord Loosemore, Henry (1607–1670) Appears on: 29v–30v Genres: Anthem Source Attribution: Loosmor Voice: [no designation] Languages: English Voice Text: Thou art worthy O Lord
31–34	Great Service: Magnificat	Bird	Byrd, William (ca. 1540–1623)
Great Service: Magnificat Byrd, William (ca. 1540–1623) Appears on: 31–34 Genres: BVM, Canticle, Magnificat Source Attribution: Bird Voice: [no designation] Languages: English Voice Text: Great Service - Magnificat
34–35v	Great Service: Nunc dimittis	Bird	Byrd, William (ca. 1540–1623)
Great Service: Nunc dimittis Byrd, William (ca. 1540–1623) Appears on: 34–35v Genres: Canticle Source Attribution: Bird Voice: [no designation] Languages: English Voice Text: Great Service - Nunc dimittis
35v–37	We praise thee O father	Orlando Gibbons	Gibbons, Orlando (ca. 1583–1625)
We praise thee O father Gibbons, Orlando (ca. 1583–1625) Appears on: 35v–37 Genres: Anthem Source Attribution: Orlando Gibbons Voice: [no designation] Languages: English Voice Text: We praise thee O father [for Easter Day]
37v–38	I will wash my hands	William Smith	Smith (I), William (1603–1645)
I will wash my hands Smith (I), William (1603–1645) Appears on: 37v–38 Genres: Anthem Source Attribution: William Smith Voice: [no designation] Languages: English Voice Text: I will wash my hands
39	Behold, it is Christ	[Hooper]	Hooper, Edmund
Behold, it is Christ Hooper, Edmund Appears on: 39 Genres: Anthem Source Attribution: [Hooper] Voice: [no designation] Languages: English Voice Text: Behold it is Christ
39v–40	O praise God in his holiness (II)	[White]	White, William White, Robert (ca. 1538–1574) (?)
O praise God in his holiness (II) White, William White, Robert (ca. 1538–1574) (?) Appears on: 39v–40 Genres: Anthem Source Attribution: [White] Voice: [no designation] Languages: English Voice Text: O praise God in his holiness
40v	O Lord, make thy servant, Elizabeth [or James, or King Charles]	Birde	Byrd, William (ca. 1540–1623)
O Lord, make thy servant, Elizabeth [or James, or King Charles] Byrd, William (ca. 1540–1623) Appears on: 40v Genres: Anthem Source Attribution: Birde Voice: [no designation] Languages: English Voice Text: O Lord make thy servant [Charles]
41–41v	Sing joyfully unto God our strength (2p. Blow the trumpet)	Bird	Byrd, William (ca. 1540–1623)
Sing joyfully unto God our strength (2p. Blow the trumpet) Byrd, William (ca. 1540–1623) Appears on: 41–41v Genres: Anthem Source Attribution: Bird Voice: [no designation] Languages: English Voice Text: Sing joyfully
42–42v	O God the proud are risen against me	[Byrd]	Byrd, William (ca. 1540–1623)
O God the proud are risen against me Byrd, William (ca. 1540–1623) Appears on: 42–42v Genres: Anthem Source Attribution: [Byrd] Voice: [no designation] Languages: English Voice Text: O God, the proud are risen
43–44v	Thou art become gracious - Thou hast turned (Psalm for Christmas Day matins)	Tho: Wilson	Wilson, Thomas
Thou art become gracious - Thou hast turned (Psalm for Christmas Day matins) Wilson, Thomas Appears on: 43–44v Genres: Psalm Source Attribution: Tho: Wilson Voice: [no designation] Languages: English Voice Text: Lord thou art become gracious
45–46	Christ rising again	[Wilson]	Wilson, Thomas
Christ rising again Wilson, Thomas Appears on: 45–46 Genres: Anthem Source Attribution: [Wilson] Voice: [no designation] Languages: English Voice Text: [Christ rising again] [2+ only bass line]
46–46v	O God, be merciful unto us (= Deus misereatur (canticle))	Strogers	Strogers, Nicholas
O God, be merciful unto us (= Deus misereatur (canticle)) Strogers, Nicholas Appears on: 46–46v Genres: Anthem Source Attribution: Strogers Voice: [no designation] Languages: English Voice Text: O God be merciful unto us
47–47v	Almighty God which dost see (Collect for 2nd Sunday in Lent)	Thomas Wilson	Wilson, Thomas
Almighty God which dost see (Collect for 2nd Sunday in Lent) Wilson, Thomas Appears on: 47–47v Genres: Anglican Service Music Source Attribution: Thomas Wilson Voice: [no designation] Languages: English Voice Text: Collect for 2nd Sunday in Lent (Almighty God which dost see)
48	Grant we beseech thee (Collect for 4th Sunday in Lent)	Wilson	Wilson, Thomas
Grant we beseech thee (Collect for 4th Sunday in Lent) Wilson, Thomas Appears on: 48 Genres: Anglican Service Music Source Attribution: Wilson Voice: [no designation] Languages: English Voice Text: Collect for 4th Sunday in Lent (Grant we beseech thee)
49–50	Call to remembrance	[Hilton snr]	Hilton (Senior), John (?) Hilton (Junior), John (?)
Call to remembrance Hilton (Senior), John (?) Hilton (Junior), John (?) Appears on: 49–50 Genres: Anthem Source Attribution: [Hilton snr] Voice: [no designation] Languages: English Voice Text: Call to remembrance
50–50v	O Lord give ear unto my prayer (6vv) (= Memento homo)	[Byrd]	Byrd, William (ca. 1540–1623)
O Lord give ear unto my prayer (6vv) (= Memento homo) Byrd, William (ca. 1540–1623) Appears on: 50–50v Genres: Anthem Source Attribution: [Byrd] Voice: [no designation] Languages: English Voice Text: O God [Lord] give ear [Memento homo 1575]
51–52	Rejoice in the Lord O ye righteous	Jefferies	Jeffries (Jeffreys), Matthew (?)
Rejoice in the Lord O ye righteous Jeffries (Jeffreys), Matthew (?) Appears on: 51–52 Genres: Anthem Source Attribution: Jefferies Voice: [no designation] Languages: English Voice Text: Rejoice in the Lord
52v–53v	Behold now praise the Lord	White	White, William
Behold now praise the Lord White, William Appears on: 52v–53v Genres: Anthem Source Attribution: White Voice: [no designation] Languages: English Voice Text: Behold now praise the Lord
54–54v	Truly God is loving	[Loosemore]	Loosemore, Henry (1607–1670)
Truly God is loving Loosemore, Henry (1607–1670) Appears on: 54–54v Genres: Anthem Source Attribution: [Loosemore] Voice: [no designation] Languages: English Voice Text: [Truly God is loving unto Israel]

Composer	Compositions
Amner, John (1579–1641)	G minor Service: Gloria – 2v G minor Service: Gloria – 1v–2
Anonymous	[No description] – 21v [No description] – 1
Batten, Adrian (1591–1637)	O Lord, our governor – 21v Ponder my words O Lord – 18–19 Praise the Lord O my soul – 19v–21
Byrd, William (ca. 1540–1623)	Great Service: Magnificat – 31–34 Great Service: Nunc dimittis – 34–35v O God the proud are risen against me – 42–42v O Lord give ear unto my prayer (6vv) (= Memento homo) – 50–50v O Lord, make thy servant, Elizabeth [or James, or King Charles] – 40v Sing joyfully unto God our strength (2p. Blow the trumpet) – 41–41v
Gibbons, Orlando (ca. 1583–1625)	This is the record of John – 3v–4v We praise thee O father – 35v–37
Giles, Nathaniel (ca. 1558–1634)	Have mercy upon me O God – 9–10
Hilton (Junior), John	(?) Call to remembrance – 49–50
Hilton (Senior), John	(?) Call to remembrance – 49–50 Hear my cry, O God – 24–25v
Hinde, Henry or Richard	O sing unto the Lord a new song – 11–13
Hooper, Edmund	Almighty God, which hast given us (Collect for Christmas Day) – 28–29 Behold, it is Christ – 39 O God of gods – 26–28
Jeffries (Jeffreys), Matthew	(?) Rejoice in the Lord O ye righteous – 51–52
Loosemore, Henry (1607–1670)	Thou art worthy, O Lord – 29v–30v Truly God is loving – 54–54v
Palmer, Henry (ca. 1590–1640)	Lord, what is man – 5v–6v
Smith (I), William (1603–1645)	I will wash my hands – 37v–38
Stonard, William	Hear O my people – 14–14v Sing unto God – 15v–16v When the sorrows of hell – 14v–15v
Strogers, Nicholas	O God, be merciful unto us (= Deus misereatur (canticle)) – 46–46v
Tomkins, Thomas (1572–1656)	Jesus came when the doors were shut – 22–23
Tozer, Solomon	O Lord, let me know mine end – 7–8v
White, Robert (ca. 1538–1574)	(?) O praise God in his holiness (II) – 39v–40
White, William	Behold now praise the Lord – 52v–53v O praise God in his holiness (II) – 39v–40
Wilson, Thomas	Almighty God which dost see (Collect for 2nd Sunday in Lent) – 47–47v Christ rising again – 45–46 Grant we beseech thee (Collect for 4th Sunday in Lent) – 48 Thou art become gracious - Thou hast turned (Psalm for Christmas Day matins) – 43–44v anthem in G, bass line only – 17

Composition	Composers (? Uncertain)	Folios / Pages
Almighty God which dost see (Collect for 2nd Sunday in Lent)	Wilson, Thomas	47–47v
Almighty God, which hast given us (Collect for Christmas Day)	Hooper, Edmund	28–29
anthem in G, bass line only	Wilson, Thomas	17
Behold now praise the Lord	White, William	52v–53v
Behold, it is Christ	Hooper, Edmund	39
Call to remembrance	Hilton (Senior), John (?) Hilton (Junior), John (?)	49–50
Christ rising again	Wilson, Thomas	45–46
G minor Service: Gloria	Amner, John (1579–1641)	1v–2
G minor Service: Gloria	Amner, John (1579–1641)	2v
Grant we beseech thee (Collect for 4th Sunday in Lent)	Wilson, Thomas	48
Great Service: Magnificat	Byrd, William (ca. 1540–1623)	31–34
Great Service: Nunc dimittis	Byrd, William (ca. 1540–1623)	34–35v
Have mercy upon me O God	Giles, Nathaniel (ca. 1558–1634)	9–10
Hear my cry, O God	Hilton (Senior), John	24–25v
Hear O my people	Stonard, William	14–14v
I will wash my hands	Smith (I), William (1603–1645)	37v–38
Jesus came when the doors were shut	Tomkins, Thomas (1572–1656)	22–23
Lord, what is man	Palmer, Henry (ca. 1590–1640)	5v–6v
O God of gods	Hooper, Edmund	26–28
O God the proud are risen against me	Byrd, William (ca. 1540–1623)	42–42v
O God, be merciful unto us (= Deus misereatur (canticle))	Strogers, Nicholas	46–46v
O Lord give ear unto my prayer (6vv) (= Memento homo)	Byrd, William (ca. 1540–1623)	50–50v
O Lord, let me know mine end	Tozer, Solomon	7–8v
O Lord, make thy servant, Elizabeth [or James, or King Charles]	Byrd, William (ca. 1540–1623)	40v
O Lord, our governor	Batten, Adrian (1591–1637)	21v
O praise God in his holiness (II)	White, William White, Robert (ca. 1538–1574) (?)	39v–40
O sing unto the Lord a new song	Hinde, Henry or Richard	11–13
Ponder my words O Lord	Batten, Adrian (1591–1637)	18–19
Praise the Lord O my soul	Batten, Adrian (1591–1637)	19v–21
Rejoice in the Lord O ye righteous	Jeffries (Jeffreys), Matthew (?)	51–52
Sing joyfully unto God our strength (2p. Blow the trumpet)	Byrd, William (ca. 1540–1623)	41–41v
Sing unto God	Stonard, William	15v–16v
This is the record of John	Gibbons, Orlando (ca. 1583–1625)	3v–4v
Thou art become gracious - Thou hast turned (Psalm for Christmas Day matins)	Wilson, Thomas	43–44v
Thou art worthy, O Lord	Loosemore, Henry (1607–1670)	29v–30v
Truly God is loving	Loosemore, Henry (1607–1670)	54–54v
We praise thee O father	Gibbons, Orlando (ca. 1583–1625)	35v–37
When the sorrows of hell	Stonard, William	14v–15v

Images © Perne Library, Peterhouse, Cambridge

Set: Latter Caroline Set

Type: Partbooks

GB-Cp MS 35 [Decani Tenor] (Peterhouse Partbooks: Latter Caroline Set)

GB-Cp MS 36 [Cantoris Bass] (Peterhouse Partbooks: Latter Caroline Set)

GB-Cp MS 37 [Decani Bass] (Peterhouse Partbooks: Latter Caroline Set)

GB-Cp MS 42 [Decani Contratenor] (Peterhouse Partbooks: Latter Caroline Set)

GB-Cp MS 43 [Cantoris Tenor] (Peterhouse Partbooks: Latter Caroline Set)

GB-Cp MS 44 [Decani Medius] (Peterhouse Partbooks: Latter Caroline Set)

GB-Cp MS 45 [Cantoris Medius] (Peterhouse Partbooks: Latter Caroline Set)

GB-Cp MS 46 [Organ] (Peterhouse Partbooks: Former/Latter Caroline Set organ book)

Set: Former Caroline Set

Type: Partbooks

GB-Cp MS 33 [Cantoris Bass] (Peterhouse Partbooks: Former Caroline Set)

GB-Cp MS 34 [Cantoris Medius] (Peterhouse Partbooks: Former Caroline Set)

GB-Cp MS 38 [Decani Bass] (Peterhouse Partbooks: Former Caroline Set)

GB-Cp MS 39 [Decani Contratenor I] (Peterhouse Partbooks: Former Caroline Set)

GB-Cp MS 46 [Organ] (Peterhouse Partbooks: Former/Latter Caroline Set organ book)

GB-Cp MS 47 [Decani Medius] (Peterhouse Partbooks: Former Caroline Set)

GB-Cp MS 48 [Decani Contratenor II] (Peterhouse Partbooks: Former Caroline Set)

GB-Cp MS 49 [Cantoris Contratenor I] (Peterhouse Partbooks: Former Caroline Set)

GB-Cp Music Fragments

‡ denotes primary source study

Payne, Ian. 1993. The provision and practice of sacred music at Cambridge colleges and selected cathedrals, c. 1547-c. 1646: a comparative study of the archival evidence. Garland.

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description