D-Mbs Mus. MS 76

Bayerische Staatsbibliothek, München (Munich), Germany

choirbook: last quarter 16th cent.

Archive Bayerische Staatsbibliothek, München (Munich), Germany (D-Mbs)
Shelfmark Mus. MS 76
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface Paper
Numbering System Foliation
Measurements 505 x 380; no. 7: 490 x 370 mm
Notations
  • black void mensural
Copyists
External Links
External Authorities
Provenance
Contents 35 pieces from 9 composers
General Description

Contains Magnificat settings, Masses, Antiphons, Canticum Zachariae, one Passion (altogether 26 pieces). Copied by Franz Flori (nos 4, 7, 10), Valentin Neuhauser (nos 5, 9, 18-20) and several other scribes. From the Jesuit Church of St Michael, Munich.

Bente, Hell, Göllner, Wackernagel (1989)
Binding

Original covers of pigskin over cardboard; remnants of closing strings; cut coloured blue-red.

Bente, Hell, Göllner, Wackernagel (1989)
Liminary Note

on the front endpaper is an annotation about the owner: Templi Sancti Michaelis Societatis Iesu / Monacchii (also old shelfmark with provenance: Mss. Mus. 76 e choro Michaelis)

Bente, Hell, Göllner, Wackernagel (1989)
Notation

black void mensural

Bente, Hell, Göllner, Wackernagel (1989)
Date

Dates 1586 and 1591 noted in various pieces in the ms

DIAMM, 2022
Surface

Paper

Bente, Hell, Göllner, Wackernagel (1989)

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1v–7 Magnificat sexti toni (5vv) [NR 53] -
Appears on: 1v–7
Genres: BVM, Canticle, Magnificat
7v–13 Magnificat sexti toni (5vv): Et exultavit [NR 54] -
Appears on: 7v–13
Genres: BVM, Canticle, Magnificat
13v–21 Benedixisti Domine terram tuam avertisti -
Appears on: 13v–21
Genres: Motet, Offertory
23v–36 Magnificat S'io piango: Et exultavit Giulio gilio
Appears on: 23v–36
Genres: BVM, Canticle
Source Attribution: Giulio gilio
38v–51 Magnificat Se una fiamma: Et exultavit -
Appears on: 38v–51
Genres: BVM, Canticle, Magnificat
52v–65 Magnificat Dies est laetitiae Orlandi Lassi
Appears on: 52v–65
Genres: BVM, Canticle, Magnificat
Source Attribution: Orlandi Lassi
66v–82 Magnificat Benedicta es Orl[andus] Las[sus]
Appears on: 66v–82
Genres: BVM, Canticle, Magnificat
Source Attribution: Orl[andus] Las[sus]
84v–97 Magnificat Laetatus sum: Et exultavit Georgius Victorinus
Appears on: 84v–97
Genres: BVM, Canticle, Magnificat
Source Attribution: Georgius Victorinus
General Note

f. 84: "Magnificat Sex vocum super Motetam 'Laetatus sum in his quae dicta etc.' Antonii Gosswini, Admodum R. in Christo Patri et homini Simoni Hunelio Ducalis Collegii Societatis Iesu Monachii Rectori: composuit ac dedicavit Georgius Victorinus Hultzinensis, eiusdem collegii chori pro tempore Magister. Anno M.D.XCI". (Simon Hunelius is Simon Hiendl of the Jesuit College. 'Hultzinensis' might indicate that Victorinus is from either Hultschin, Silesia [now Hlucin, nr Racibórz] or ?Hültschken [now Holičky], Bohemia.)

99v–112 Magnificat Nasce la pena mia Antonio Morari
Appears on: 99v–112
Genres: BVM, Canticle, Magnificat
Source Attribution: Antonio Morari
113v–134 Magnificat Praeter rerum seriem Orlando di Lasso
Appears on: 113v–134
Genres: BVM, Canticle, Magnificat
Source Attribution: Orlando di Lasso
137v–140 Dum sacrum mysterium - Anonymous
Appears on: 137v–140
Genres: Antiphon
139v–140 Stetit angelus iuxta - Anonymous
Appears on: 139v–140
Genres: Antiphon
140v–142 Dum proeliaretur Michael archangelus - Anonymous
Appears on: 140v–142
Genres: Antiphon
141v–143 Archangele Michael constitui - Anonymous
Appears on: 141v–143
Genres: Antiphon
142v–143 Angeli Domini Dominum - Anonymous
Appears on: 142v–143
Genres: Antiphon
143v–146 Angeli archangeli throni - Anonymous
Appears on: 143v–146
Genres: Antiphon
145v–149 Princeps gloriosissime Michael - Anonymous
Appears on: 145v–149
Genres: Antiphon
151v–154 Benedicite Domino - 1a pars (of 2): Benedicite Domino omnes angeli - Anonymous
Appears on: 151v–154
Genres: Introit
154v–155 Benedicite Domino - 2a pars (of 2): Benedic anima mea - Anonymous
Appears on: 154v–155
Genres: Introit
155v–157 Aleluia. Sancte Michael archangele - Anonymous
Appears on: 155v–157
Genres: Alleluia, Motet
157v–159 Benedicite omnes angeli - Anonymous
Appears on: 157v–159
Genres: Communion
162v–169 Asperges me Domine ab authore Erasmo Emring
Appears on: 162v–169
Genres: Antiphon
Source Attribution: ab authore Erasmo Emring
171v–177 Asperges me Domine - Anonymous

Asperges me Domine

Anonymous
Appears on: 171v–177
Genres: Antiphon
177v–183 Asperges me Domine - Anonymous

Asperges me Domine

Anonymous
Appears on: 177v–183
Genres: Antiphon
185v–190 Missa Aspice Domine: Kyrie Philippus de Monte
Appears on: 185v–190
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Philippus de Monte
190v–195 Missa Aspice Domine: Gloria -
Appears on: 190v–195
Genres: Gloria (et in terra pax), Mass Ordinary
195v–206 Missa Aspice Domine: Credo -
Appears on: 195v–206
Genres: Credo (patrem omnipotentem), Mass Ordinary
206v–210 Missa Aspice Domine: Sanctus -
Appears on: 206v–210
Genres: Mass Ordinary, Sanctus [& Benedictus]
210v–212 Missa Aspice Domine: Agnus Dei -
Appears on: 210v–212
Genres: Agnus Dei, Mass Ordinary
213v–216 Missa Quiescat vox tua: Kyrie Joachimus Dönerus
Appears on: 213v–216
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Joachimus Dönerus
General Note

f. 213: "Missa super Quiescat vox tua. sex vocibus composita et Reverendis admodum in Christo patribus ac Dominis, Collegii societatis Iesu Monachii, Dominis ac patronis suis summa observantia colendis dedicata a Ioachimo Dönero Onoltino, eiusdem Collegii chori pro tempore praefecto. Anno 1591 15. Aprilis."

216v–221 Missa Quiescat vox tua: Gloria -
Appears on: 216v–221
Genres: Gloria (et in terra pax), Mass Ordinary
221v–230 Missa Quiescat vox tua: Credo -
Appears on: 221v–230
Genres: Credo (patrem omnipotentem), Mass Ordinary
230v–234 Missa Quiescat vox tua: Sanctus -
Appears on: 230v–234
Genres: Mass Ordinary, Sanctus [& Benedictus]
234v–236 Missa Quiescat vox tua: Agnus Dei -
Appears on: 234v–236
Genres: Agnus Dei, Mass Ordinary
239v–254 Passio secundum Matthaeum - Anonymous
Appears on: 239v–254
Genres: Passion
Composer Compositions
Anonymous
Döner, Joachim
Emring, Erasmus
Gilio (Gigli), Giulio
Lassus, Ferdinand de
Lassus, Orlande de (ca. 1532–1594)
Monte, Philippe de
Morari (Mortari), Antonio
Victorinus, Georgius
Composition Composers (? Uncertain) Folios / Pages
Aleluia. Sancte Michael archangele Anonymous 155v–157
Angeli archangeli throni Anonymous 143v–146
Angeli Domini Dominum Anonymous 142v–143
Archangele Michael constitui Anonymous 141v–143
Asperges me Domine 162v–169
Asperges me Domine Anonymous 171v–177
Asperges me Domine Anonymous 177v–183
Benedicite Domino - 1a pars (of 2): Benedicite Domino omnes angeli Anonymous 151v–154
Benedicite Domino - 2a pars (of 2): Benedic anima mea Anonymous 154v–155
Benedicite omnes angeli Anonymous 157v–159
Benedixisti Domine terram tuam avertisti 13v–21
Dum proeliaretur Michael archangelus Anonymous 140v–142
Dum sacrum mysterium Anonymous 137v–140
Magnificat Benedicta es 66v–82
Magnificat Dies est laetitiae 52v–65
Magnificat Laetatus sum: Et exultavit 84v–97
Magnificat Nasce la pena mia 99v–112
Magnificat Praeter rerum seriem 113v–134
Magnificat S'io piango: Et exultavit 23v–36
Magnificat Se una fiamma: Et exultavit 38v–51
Magnificat sexti toni (5vv) [NR 53] 1v–7
Magnificat sexti toni (5vv): Et exultavit [NR 54] 7v–13
Missa Aspice Domine: Agnus Dei 210v–212
Missa Aspice Domine: Credo 195v–206
Missa Aspice Domine: Gloria 190v–195
Missa Aspice Domine: Kyrie 185v–190
Missa Aspice Domine: Sanctus 206v–210
Missa Quiescat vox tua: Agnus Dei 234v–236
Missa Quiescat vox tua: Credo 221v–230
Missa Quiescat vox tua: Gloria 216v–221
Missa Quiescat vox tua: Kyrie 213v–216
Missa Quiescat vox tua: Sanctus 230v–234
Passio secundum Matthaeum Anonymous 239v–254
Princeps gloriosissime Michael Anonymous 145v–149
Stetit angelus iuxta Anonymous 139v–140

denotes primary source study

Bente, Martin, Marie Louise Göllner, Helmut Hell, and Bettina Wackernagel. 1989. Bayerische Staatsbibliothek. Katalog der Musikhandschriften, 1. Chorbücher und Handschriften in chorbuchartiger Notierung. Kataloge Bayerischer Musiksammlungen.  Munich.

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Bente, Hell, Göllner, Wackernagel (1989)

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Liminary Note; Notation Note; Surface Note; DIAMM Note