D-Mbs Mus. MS 89

Bayerische Staatsbibliothek, München (Munich), Germany

choirbook: 1597

Archive Bayerische Staatsbibliothek, München (Munich), Germany (D-Mbs)
Shelfmark Mus. MS 89
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface Paper
Numbering System Foliation
Measurements 410 x 290 mm
Notations
  • black void mensural
Relationships
External Links
External Authorities
Provenance
Contents 66 pieces from 10 composers
General Description

Contains settigs of parts of the Officium, Falsibordoni, Introitus settings, and Masses. Copied by three (unidentified) scribes; the last two items (and the versicle texts on the preceding pages) are in a later, less careful, hand. There are several additions and corrections, especially in the headings, in a later hand. From Neumarkt/Oberpfalz, Kapuzinerkonvent. On f. 1r is a note about the owner: 'Loci Capucinorum Neofori.'

Bente, Hell, Göllner, Wackernagel (1989)
Binding

Original parchment cover. On the front cover at the top the letters 'B.C.', below this the date '1597'. Remnants of ties.

Bente, Hell, Göllner, Wackernagel (1989)
Notation

black void mensural

Bente, Hell, Göllner, Wackernagel (1989)
Foliation

1-129. Index page numbered 1 (in pencil); original foliation began on following folio, re-numbered 1A. Folios 108-114, 124-126 are apparently missing(?).

DIAMM, 2022
Decoration

Headings and part identifications (Stimmenbezeichnungen) in red; initials mostly not entered

Bente, Hell, Göllner, Wackernagel (1989)
Surface

Paper

Bente, Hell, Göllner, Wackernagel (1989)

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1 index - -

index

Appears on: 1
1a v–2 [Deus in adjutorium] Domine ad adiuvandum - Anonymous
Appears on: 1a v–2
Genres: Fauxbourdon/faburden
2v–4 [Deus in adjutorium] Domine ad adiuvandum Johannes Mathaeus Asula
Appears on: 2v–4
Genres: Antiphon
Source Attribution: Johannes Mathaeus Asula
4v–5 Deus in adjutorium (5vv) Teotorus Ricius
Appears on: 4v–5
Genres: Response
Source Attribution: Teotorus Ricius
5v–6 [Deus in adjutorium] Domine ad adiuvandum - Anonymous
Appears on: 5v–6
Genres: Antiphon
6v–7 [Deus in adjutorium] Domine ad adiuvandum (4vv, I) Or[landus] di Lass[us]
Appears on: 6v–7
Genres: Antiphon
Source Attribution: Or[landus] di Lass[us]
7v–8 [Deus in adjutorium] Domine ad adiuvandum (4vv, II) Orl[andus] di Las[sus]
Appears on: 7v–8
Genres: Antiphon
Source Attribution: Orl[andus] di Las[sus]
8v–16 Psalm tones 1-8 [untexted] - Anonymous
Appears on: 8v–16
Genres: Fauxbourdon/faburden
16v–19 Magnificat primi toni (4vv) [NR 17] Orland: di Lassus
Appears on: 16v–19
Genres: BVM, Canticle, Magnificat
Source Attribution: Orland: di Lassus
19v–22 Magnificat secundi toni (4vv) [NR 18] Orland: di Lass:
Appears on: 19v–22
Genres: BVM, Canticle, Magnificat
Source Attribution: Orland: di Lass:
22v–25 Magnificat tertii toni (4vv) [NR 19] Orland: di Lass:
Appears on: 22v–25
Genres: BVM, Canticle, Magnificat
Source Attribution: Orland: di Lass:
25v–28 Magnificat quarti toni (4vv) [NR 20] Orland: di Lass:
Appears on: 25v–28
Genres: BVM, Canticle, Magnificat
Source Attribution: Orland: di Lass:
28v–31 Magnificat quinti toni (4vv) [NR 21] Orland: di Lass:
Appears on: 28v–31
Genres: BVM, Canticle, Magnificat
Source Attribution: Orland: di Lass:
31v–34 Magnificat sexti toni (4vv) [NR 22] Orland: di Lass:
Appears on: 31v–34
Genres: BVM, Canticle, Magnificat
Source Attribution: Orland: di Lass:
34v–37 Magnificat septimi toni (4vv) [NR 23] Orland: di Lass:
Appears on: 34v–37
Genres: BVM, Canticle, Magnificat
Source Attribution: Orland: di Lass:
37v–40 Magnificat octavi toni (4vv) [NR 24] Orland: di Lass:
Appears on: 37v–40
Genres: BVM, Canticle, Magnificat
Source Attribution: Orland: di Lass:
40v–43 Salve regina (5vv, LVAnh 149) Orland: di Lass:
Appears on: 40v–43
Genres: Motet, Salve Regina
Source Attribution: Orland: di Lass:
Concordances

This does not appear to be the 5vv Salve published in 1597

43v–45 Salve regina (4vv, [LVAnh 150) Orland: di Lass:
Appears on: 43v–45
Genres: Motet, Salve Regina
Source Attribution: Orland: di Lass:
Concordances

Does not appear to be either of Lassus's published 4vv settings.

45v–47 Ave Maria Andreas Faber
Appears on: 45v–47
Genres: Ave Maria, Motet
Source Attribution: Andreas Faber
47v–49 Salve regina (4vv, LV 881) - 1a pars (of 2): Salve regina mater misericordiae Or[lando] Di Lass[us]
Appears on: 47v–49
Genres: Motet, Salve Regina
Source Attribution: Or[lando] Di Lass[us]
49v–50 Salve regina (4vv, LV 881) - 2a pars (of 2): Et Jesum benedictum -
Appears on: 49v–50
Genres: Motet, Salve Regina
50v–52 Ave Maria (4vv) Valenti[n]us Judex
Appears on: 50v–52
Genres: Ave Maria, Motet
Source Attribution: Valenti[n]us Judex
Concordances

This is the famous "Victoria" Ave Maria (4vv) - attributed (surely wrongly) to Victoria in a Regensburg ms, in Munich 89 given to Valentin Judex, and in Graz 8 to Gallus. Also appears anonymously in Munich 3232b / D-Mbs 2 Mus.pr. 23#Beibd.1

52v–53 Regina caeli laetare Valentinus Judex
Appears on: 52v–53
Genres: Motet, Regina caeli laetare
Source Attribution: Valentinus Judex
53v–54 Regina caeli - Anonymous

Regina caeli

Anonymous
Appears on: 53v–54
Genres: Motet, Regina caeli laetare
54v–56 Alma redemptoris mater Valentinus Judex
Appears on: 54v–56
Genres: Antiphon
Source Attribution: Valentinus Judex
56v–57 Terribilis est locus - 1a pars (of 3): Terribilis est locus iste Andreas Faber
Appears on: 56v–57
Genres: Motet
Source Attribution: Andreas Faber
56v–57 Terribilis est locus - 2a pars (of 3): Vere etenim Dominus -
Appears on: 56v–57
Genres: Motet
57v–58 Terribilis est locus - 3a pars (of 3): Vidit Jacob in somnis -
Appears on: 57v–58
Genres: Motet
58v–59 [Christe cunctorum dominator] Cerneque puro Deus Valentinus Judex
Appears on: 58v–59
Genres: Antiphon
Source Attribution: Valentinus Judex
61v–64 Gaudeamus omnes in Domino diem festum Or: di Lass: [Jachet]
Appears on: 61v–64
Genres: Motet
Source Attribution: Or: di Lass: [Jachet]
63v–64 Justus ut palma [added as 2a pars to Jachet's 'Gaudeamus omnes'] - Anonymous
Appears on: 63v–64
Genres: Motet
64v–66 Salve sancta parens - 1a pars (of 2): Salve sancta parens Blasius Amman
Appears on: 64v–66
Genres: Motet
Source Attribution: Blasius Amman
65v–66 Salve sancta parens - 2a pars (of 2): Sentiant omnes tuum adiuvamen -
Appears on: 65v–66
Genres: Motet
66v–68 Statuit ei Dominus - 1a pars (of 2): Statuit ei Dominus Valentinus Judex [Blasius Ammon]
Appears on: 66v–68
Genres: Motet
Source Attribution: Valentinus Judex [Blasius Ammon]
67v–68 Statuit ei Dominus - 2a pars (of 2): Memento Domine David / Misericordias Domini -
Appears on: 67v–68
Genres: Motet
68v–69 Terribilis est locus - 1a pars (of 2): Terribilis est locus iste Valentinus Judex
Appears on: 68v–69
Genres: Motet
Source Attribution: Valentinus Judex
69v–70 Terribilis est locus - 2a pars (of 2): Quam dilecta tabernacula -
Appears on: 69v–70
Genres: Motet
70v–71 Puer natus - 1a pars (of 2): Puer natus est nobis - Anonymous
Appears on: 70v–71
Genres: Motet
71v–72 Puer natus - 2a pars (of 2): Cantate Domino canticum novum - Anonymous
Appears on: 71v–72
Genres: Motet
72v–73 Missa La La Maistre Pierre: Kyrie Orland: Lass:
Appears on: 72v–73
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Orland: Lass:
72v–75 Missa La La Maistre Pierre: Gloria -
Appears on: 72v–75
Genres: Gloria (et in terra pax), Mass Ordinary
75v–77 Missa La La Maistre Pierre: Credo -
Appears on: 75v–77
Genres: Credo (patrem omnipotentem), Mass Ordinary
General Note

Credo only as far as "et homo factus est"

77v–79 Missa La La Maistre Pierre: Sanctus -
Appears on: 77v–79
Genres: Mass Ordinary, Sanctus [& Benedictus]
79v–80 Missa La La Maistre Pierre: Agnus Dei -
Appears on: 79v–80
Genres: Agnus Dei, Mass Ordinary
80v–81 Missa Venatorum: Kyrie Orland: di Lass:
Appears on: 80v–81
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Orland: di Lass:
81v–83 Missa Venatorum: Gloria -
Appears on: 81v–83
Genres: Gloria (et in terra pax), Mass Ordinary
83v–85 Missa Venatorum: Credo -
Appears on: 83v–85
Genres: Credo (patrem omnipotentem), Mass Ordinary
General Note

Credo only as far as "et homo factus est"

84v–88 Missa Venatorum: Sanctus -
Appears on: 84v–88
Genres: Mass Ordinary, Sanctus [& Benedictus]
88v–89 Missa Venatorum: Agnus Dei -
Appears on: 88v–89
Genres: Agnus Dei, Mass Ordinary
89v–90 Missa Je ne mange point: Kyrie Orland: di Lass:
Appears on: 89v–90
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Orland: di Lass:
89v–92 Missa Je ne mange point: Gloria -
Appears on: 89v–92
Genres: Gloria (et in terra pax), Mass Ordinary
92v–94 Missa Je ne mange point: Credo -
Appears on: 92v–94
Genres: Credo (patrem omnipotentem), Mass Ordinary
General Note

Credo only as far as "et homo factus est"

94v–96 Missa Je ne mange point: Sanctus -
Appears on: 94v–96
Genres: Mass Ordinary, Sanctus [& Benedictus]
96v–97 Missa Je ne mange point: Agnus Dei -
Appears on: 96v–97
Genres: Agnus Dei, Mass Ordinary
97–98 Responsiones ad missam (4vv) Orland: di Lass:
Appears on: 97–98
Genres: Response
Source Attribution: Orland: di Lass:
98v–99 Responsiones ad missam (4vv) Andreas Faber
Appears on: 98v–99
Genres: Response
Source Attribution: Andreas Faber
101v–102 Scio cui - 1a pars (of 2): Scio cui credidi Valintinus Judex
Appears on: 101v–102
Genres: Introit, Motet
Source Attribution: Valintinus Judex
102v–103 Scio cui - 2a pars (of 2): Caeli enarrant gloriam -
Appears on: 102v–103
Genres: Introit, Motet
103v–104 Nunc scio vere - 1a pars (of 2): Nunc scio vere Valintinus Judex
Appears on: 103v–104
Genres: Introit, Motet
Source Attribution: Valintinus Judex
104v–105 Nunc scio vere - 2a pars (of 2): Domine probasti me -
Appears on: 104v–105
Genres: Introit, Motet
105v–106 Mihi autem nimis - 1a pars (of 2): Mihi autem nimis Valintinus Judex
Appears on: 105v–106
Genres: Introit, Motet
Source Attribution: Valintinus Judex
106v–107 Mihi autem nimis - 2a pars (of 2): Domine probasti me -
Appears on: 106v–107
Genres: Introit, Motet
115v–118 Psalm tones [texted] - Anonymous
Appears on: 115v–118
Genres: Fauxbourdon/faburden
General Note

Texts underlaid: T1 "Laudate pueri", T3 "Laudate Dominum omnes", T4 "Lauda anima mea", T6 "Laudate Dominum quoniam", T8 "Lauda Jerusalem Dominum" -- other tones absent.

118v–121 Psalm tones [untexted] Ludovicus de Victoria
Appears on: 118v–121
Genres: Fauxbourdon/faburden
Source Attribution: Ludovicus de Victoria
General Note

Tones I/VI, IV, VI, VII, VIII

127v–128 Tonus Salisburgensis - Anonymous
Appears on: 127v–128
Genres: Fauxbourdon/faburden
128v–129 Secundus tonus 'per quam dulcis' - Anonymous
Appears on: 128v–129
Genres: Fauxbourdon/faburden
Composer Compositions
Ammon, Blasius (fl. c1440)
Anonymous
Asula, Johannes Mathaeus
Faber, Andreas
Handl (Gallus), Jacobus (1550–1591)
Judex, Valentin
Lassus, Orlande de (ca. 1532–1594)
Mantua, Jacquet de (1483–1559)
Riccio, Teodoro
Victoria, Tomas Luis de (1548–1611)
Composition Composers (? Uncertain) Folios / Pages
[Christe cunctorum dominator] Cerneque puro Deus 58v–59
[Deus in adjutorium] Domine ad adiuvandum Anonymous 1a v–2
[Deus in adjutorium] Domine ad adiuvandum 2v–4
[Deus in adjutorium] Domine ad adiuvandum Anonymous 5v–6
[Deus in adjutorium] Domine ad adiuvandum (4vv, I) 6v–7
[Deus in adjutorium] Domine ad adiuvandum (4vv, II) 7v–8
Alma redemptoris mater 54v–56
Ave Maria 45v–47
Ave Maria (4vv) 50v–52
Deus in adjutorium (5vv) 4v–5
Gaudeamus omnes in Domino diem festum 61v–64
Justus ut palma [added as 2a pars to Jachet's 'Gaudeamus omnes'] Anonymous 63v–64
Magnificat octavi toni (4vv) [NR 24] 37v–40
Magnificat primi toni (4vv) [NR 17] 16v–19
Magnificat quarti toni (4vv) [NR 20] 25v–28
Magnificat quinti toni (4vv) [NR 21] 28v–31
Magnificat secundi toni (4vv) [NR 18] 19v–22
Magnificat septimi toni (4vv) [NR 23] 34v–37
Magnificat sexti toni (4vv) [NR 22] 31v–34
Magnificat tertii toni (4vv) [NR 19] 22v–25
Mihi autem nimis - 1a pars (of 2): Mihi autem nimis 105v–106
Mihi autem nimis - 2a pars (of 2): Domine probasti me 106v–107
Missa Je ne mange point: Agnus Dei 96v–97
Missa Je ne mange point: Credo 92v–94
Missa Je ne mange point: Gloria 89v–92
Missa Je ne mange point: Kyrie 89v–90
Missa Je ne mange point: Sanctus 94v–96
Missa La La Maistre Pierre: Agnus Dei 79v–80
Missa La La Maistre Pierre: Credo 75v–77
Missa La La Maistre Pierre: Gloria 72v–75
Missa La La Maistre Pierre: Kyrie 72v–73
Missa La La Maistre Pierre: Sanctus 77v–79
Missa Venatorum: Agnus Dei 88v–89
Missa Venatorum: Credo 83v–85
Missa Venatorum: Gloria 81v–83
Missa Venatorum: Kyrie 80v–81
Missa Venatorum: Sanctus 84v–88
Nunc scio vere - 1a pars (of 2): Nunc scio vere 103v–104
Nunc scio vere - 2a pars (of 2): Domine probasti me 104v–105
Psalm tones 1-8 [untexted] Anonymous 8v–16
Psalm tones [texted] Anonymous 115v–118
Psalm tones [untexted] 118v–121
Puer natus - 1a pars (of 2): Puer natus est nobis Anonymous 70v–71
Puer natus - 2a pars (of 2): Cantate Domino canticum novum Anonymous 71v–72
Regina caeli Anonymous 53v–54
Regina caeli laetare 52v–53
Responsiones ad missam (4vv) 97–98
Responsiones ad missam (4vv) 98v–99
Salve regina (4vv, [LVAnh 150) 43v–45
Salve regina (4vv, LV 881) - 1a pars (of 2): Salve regina mater misericordiae 47v–49
Salve regina (4vv, LV 881) - 2a pars (of 2): Et Jesum benedictum 49v–50
Salve regina (5vv, LVAnh 149) 40v–43
Salve sancta parens - 1a pars (of 2): Salve sancta parens 64v–66
Salve sancta parens - 2a pars (of 2): Sentiant omnes tuum adiuvamen 65v–66
Scio cui - 1a pars (of 2): Scio cui credidi 101v–102
Scio cui - 2a pars (of 2): Caeli enarrant gloriam 102v–103
Secundus tonus 'per quam dulcis' Anonymous 128v–129
Statuit ei Dominus - 1a pars (of 2): Statuit ei Dominus 66v–68
Statuit ei Dominus - 2a pars (of 2): Memento Domine David / Misericordias Domini 67v–68
Terribilis est locus - 1a pars (of 2): Terribilis est locus iste 68v–69
Terribilis est locus - 1a pars (of 3): Terribilis est locus iste 56v–57
Terribilis est locus - 2a pars (of 2): Quam dilecta tabernacula 69v–70
Terribilis est locus - 2a pars (of 3): Vere etenim Dominus 56v–57
Terribilis est locus - 3a pars (of 3): Vidit Jacob in somnis 57v–58
Tonus Salisburgensis Anonymous 127v–128

denotes primary source study

Bente, Martin, Marie Louise Göllner, Helmut Hell, and Bettina Wackernagel. 1989. Bayerische Staatsbibliothek. Katalog der Musikhandschriften, 1. Chorbücher und Handschriften in chorbuchartiger Notierung. Kataloge Bayerischer Musiksammlungen.  Munich.

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Notation Note; Decoration Note; Surface Note; DIAMM Note