Click an entry to see more information about that item.
Folio / Pages | Composition / Item title | Source attribution | Composers (? Uncertain) |
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1 | index | - | - |
index
Appears on:
1
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1a v–2 | [Deus in adjutorium] Domine ad adiuvandum | - | Anonymous |
Appears on:
1a v–2
Genres:
Fauxbourdon/faburden
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2v–4 | [Deus in adjutorium] Domine ad adiuvandum | Johannes Mathaeus Asula | |
Appears on:
2v–4
Genres:
Antiphon
Source Attribution:
Johannes Mathaeus Asula
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4v–5 | Deus in adjutorium (5vv) | Teotorus Ricius | |
Appears on:
4v–5
Genres:
Response
Source Attribution:
Teotorus Ricius
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5v–6 | [Deus in adjutorium] Domine ad adiuvandum | - | Anonymous |
Appears on:
5v–6
Genres:
Antiphon
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6v–7 | [Deus in adjutorium] Domine ad adiuvandum (4vv, I) | Or[landus] di Lass[us] | |
Appears on:
6v–7
Genres:
Antiphon
Source Attribution:
Or[landus] di Lass[us]
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7v–8 | [Deus in adjutorium] Domine ad adiuvandum (4vv, II) | Orl[andus] di Las[sus] | |
Appears on:
7v–8
Genres:
Antiphon
Source Attribution:
Orl[andus] di Las[sus]
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8v–16 | Psalm tones 1-8 [untexted] | - | Anonymous |
Psalm tones 1-8 [untexted]Anonymous
Appears on:
8v–16
Genres:
Fauxbourdon/faburden
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16v–19 | Magnificat primi toni (4vv) [NR 17] | Orland: di Lassus | |
Appears on:
16v–19
Genres:
BVM, Canticle, Magnificat
Source Attribution:
Orland: di Lassus
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19v–22 | Magnificat secundi toni (4vv) [NR 18] | Orland: di Lass: | |
Appears on:
19v–22
Genres:
BVM, Canticle, Magnificat
Source Attribution:
Orland: di Lass:
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22v–25 | Magnificat tertii toni (4vv) [NR 19] | Orland: di Lass: | |
Appears on:
22v–25
Genres:
BVM, Canticle, Magnificat
Source Attribution:
Orland: di Lass:
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25v–28 | Magnificat quarti toni (4vv) [NR 20] | Orland: di Lass: | |
Appears on:
25v–28
Genres:
BVM, Canticle, Magnificat
Source Attribution:
Orland: di Lass:
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28v–31 | Magnificat quinti toni (4vv) [NR 21] | Orland: di Lass: | |
Appears on:
28v–31
Genres:
BVM, Canticle, Magnificat
Source Attribution:
Orland: di Lass:
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31v–34 | Magnificat sexti toni (4vv) [NR 22] | Orland: di Lass: | |
Appears on:
31v–34
Genres:
BVM, Canticle, Magnificat
Source Attribution:
Orland: di Lass:
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34v–37 | Magnificat septimi toni (4vv) [NR 23] | Orland: di Lass: | |
Appears on:
34v–37
Genres:
BVM, Canticle, Magnificat
Source Attribution:
Orland: di Lass:
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37v–40 | Magnificat octavi toni (4vv) [NR 24] | Orland: di Lass: | |
Appears on:
37v–40
Genres:
BVM, Canticle, Magnificat
Source Attribution:
Orland: di Lass:
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40v–43 | Salve regina (5vv, LVAnh 149) | Orland: di Lass: | |
Appears on:
40v–43
Genres:
Motet, Salve Regina
Source Attribution:
Orland: di Lass:
ConcordancesThis does not appear to be the 5vv Salve published in 1597 |
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43v–45 | Salve regina (4vv, [LVAnh 150) | Orland: di Lass: | |
Appears on:
43v–45
Genres:
Motet, Salve Regina
Source Attribution:
Orland: di Lass:
ConcordancesDoes not appear to be either of Lassus's published 4vv settings. |
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45v–47 | Ave Maria | Andreas Faber | |
Appears on:
45v–47
Genres:
Ave Maria, Motet
Source Attribution:
Andreas Faber
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47v–49 | Salve regina (4vv, LV 881) - 1a pars (of 2): Salve regina mater misericordiae | Or[lando] Di Lass[us] | |
Appears on:
47v–49
Genres:
Motet, Salve Regina
Source Attribution:
Or[lando] Di Lass[us]
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49v–50 | Salve regina (4vv, LV 881) - 2a pars (of 2): Et Jesum benedictum | - | |
Appears on:
49v–50
Genres:
Motet, Salve Regina
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50v–52 | Ave Maria (4vv) | Valenti[n]us Judex |
Judex, Valentin
(?)
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Appears on:
50v–52
Genres:
Ave Maria, Motet
Source Attribution:
Valenti[n]us Judex
ConcordancesThis is the famous "Victoria" Ave Maria (4vv) - attributed (surely wrongly) to Victoria in a Regensburg ms, in Munich 89 given to Valentin Judex, and in Graz 8 to Gallus. Also appears anonymously in Munich 3232b / D-Mbs 2 Mus.pr. 23#Beibd.1 |
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52v–53 | Regina caeli laetare | Valentinus Judex | |
Appears on:
52v–53
Genres:
Motet, Regina caeli laetare
Source Attribution:
Valentinus Judex
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53v–54 | Regina caeli | - | Anonymous |
Regina caeliAnonymous
Appears on:
53v–54
Genres:
Motet, Regina caeli laetare
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54v–56 | Alma redemptoris mater | Valentinus Judex | |
Appears on:
54v–56
Genres:
Antiphon
Source Attribution:
Valentinus Judex
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56v–57 | Terribilis est locus - 1a pars (of 3): Terribilis est locus iste | Andreas Faber | |
Appears on:
56v–57
Genres:
Motet
Source Attribution:
Andreas Faber
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56v–57 | Terribilis est locus - 2a pars (of 3): Vere etenim Dominus | - | |
Appears on:
56v–57
Genres:
Motet
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57v–58 | Terribilis est locus - 3a pars (of 3): Vidit Jacob in somnis | - | |
Appears on:
57v–58
Genres:
Motet
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58v–59 | [Christe cunctorum dominator] Cerneque puro Deus | Valentinus Judex | |
Appears on:
58v–59
Genres:
Antiphon
Source Attribution:
Valentinus Judex
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61v–64 | Gaudeamus omnes in Domino diem festum | Or: di Lass: [Jachet] | |
Appears on:
61v–64
Genres:
Motet
Source Attribution:
Or: di Lass: [Jachet]
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63v–64 | Justus ut palma [added as 2a pars to Jachet's 'Gaudeamus omnes'] | - | Anonymous |
Appears on:
63v–64
Genres:
Motet
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64v–66 | Salve sancta parens - 1a pars (of 2): Salve sancta parens | Blasius Amman | |
Appears on:
64v–66
Genres:
Motet
Source Attribution:
Blasius Amman
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65v–66 | Salve sancta parens - 2a pars (of 2): Sentiant omnes tuum adiuvamen | - | |
Appears on:
65v–66
Genres:
Motet
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66v–68 | Statuit ei Dominus - 1a pars (of 2): Statuit ei Dominus | Valentinus Judex [Blasius Ammon] | |
Appears on:
66v–68
Genres:
Motet
Source Attribution:
Valentinus Judex [Blasius Ammon]
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67v–68 | Statuit ei Dominus - 2a pars (of 2): Memento Domine David / Misericordias Domini | - |
Judex, Valentin
(?)
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Statuit ei Dominus - 2a pars (of 2): Memento Domine David / Misericordias Domini
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68v–69 | Terribilis est locus - 1a pars (of 2): Terribilis est locus iste | Valentinus Judex | |
Appears on:
68v–69
Genres:
Motet
Source Attribution:
Valentinus Judex
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69v–70 | Terribilis est locus - 2a pars (of 2): Quam dilecta tabernacula | - | |
Appears on:
69v–70
Genres:
Motet
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70v–71 | Puer natus - 1a pars (of 2): Puer natus est nobis | - | Anonymous |
Appears on:
70v–71
Genres:
Motet
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71v–72 | Puer natus - 2a pars (of 2): Cantate Domino canticum novum | - | Anonymous |
Appears on:
71v–72
Genres:
Motet
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72v–73 | Missa La La Maistre Pierre: Kyrie | Orland: Lass: | |
Appears on:
72v–73
Genres:
Kyrie eleison, Mass Ordinary
Source Attribution:
Orland: Lass:
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72v–75 | Missa La La Maistre Pierre: Gloria | - | |
Appears on:
72v–75
Genres:
Gloria (et in terra pax), Mass Ordinary
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75v–77 | Missa La La Maistre Pierre: Credo | - | |
Appears on:
75v–77
Genres:
Credo (patrem omnipotentem), Mass Ordinary
General NoteCredo only as far as "et homo factus est" |
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77v–79 | Missa La La Maistre Pierre: Sanctus | - | |
Appears on:
77v–79
Genres:
Mass Ordinary, Sanctus [& Benedictus]
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79v–80 | Missa La La Maistre Pierre: Agnus Dei | - | |
Appears on:
79v–80
Genres:
Agnus Dei, Mass Ordinary
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80v–81 | Missa Venatorum: Kyrie | Orland: di Lass: | |
Appears on:
80v–81
Genres:
Kyrie eleison, Mass Ordinary
Source Attribution:
Orland: di Lass:
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81v–83 | Missa Venatorum: Gloria | - | |
Appears on:
81v–83
Genres:
Gloria (et in terra pax), Mass Ordinary
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83v–85 | Missa Venatorum: Credo | - | |
Appears on:
83v–85
Genres:
Credo (patrem omnipotentem), Mass Ordinary
General NoteCredo only as far as "et homo factus est" |
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84v–88 | Missa Venatorum: Sanctus | - | |
Appears on:
84v–88
Genres:
Mass Ordinary, Sanctus [& Benedictus]
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88v–89 | Missa Venatorum: Agnus Dei | - | |
Appears on:
88v–89
Genres:
Agnus Dei, Mass Ordinary
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89v–90 | Missa Je ne mange point: Kyrie | Orland: di Lass: | |
Appears on:
89v–90
Genres:
Kyrie eleison, Mass Ordinary
Source Attribution:
Orland: di Lass:
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89v–92 | Missa Je ne mange point: Gloria | - | |
Appears on:
89v–92
Genres:
Gloria (et in terra pax), Mass Ordinary
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92v–94 | Missa Je ne mange point: Credo | - | |
Appears on:
92v–94
Genres:
Credo (patrem omnipotentem), Mass Ordinary
General NoteCredo only as far as "et homo factus est" |
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94v–96 | Missa Je ne mange point: Sanctus | - | |
Appears on:
94v–96
Genres:
Mass Ordinary, Sanctus [& Benedictus]
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96v–97 | Missa Je ne mange point: Agnus Dei | - | |
Appears on:
96v–97
Genres:
Agnus Dei, Mass Ordinary
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97–98 | Responsiones ad missam (4vv) | Orland: di Lass: | |
Appears on:
97–98
Genres:
Response
Source Attribution:
Orland: di Lass:
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98v–99 | Responsiones ad missam (4vv) | Andreas Faber | |
Appears on:
98v–99
Genres:
Response
Source Attribution:
Andreas Faber
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101v–102 | Scio cui - 1a pars (of 2): Scio cui credidi | Valintinus Judex | |
Appears on:
101v–102
Genres:
Introit, Motet
Source Attribution:
Valintinus Judex
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102v–103 | Scio cui - 2a pars (of 2): Caeli enarrant gloriam | - | |
Appears on:
102v–103
Genres:
Introit, Motet
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103v–104 | Nunc scio vere - 1a pars (of 2): Nunc scio vere | Valintinus Judex | |
Appears on:
103v–104
Genres:
Introit, Motet
Source Attribution:
Valintinus Judex
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104v–105 | Nunc scio vere - 2a pars (of 2): Domine probasti me | - | |
Appears on:
104v–105
Genres:
Introit, Motet
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105v–106 | Mihi autem nimis - 1a pars (of 2): Mihi autem nimis | Valintinus Judex | |
Appears on:
105v–106
Genres:
Introit, Motet
Source Attribution:
Valintinus Judex
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106v–107 | Mihi autem nimis - 2a pars (of 2): Domine probasti me | - | |
Appears on:
106v–107
Genres:
Introit, Motet
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115v–118 | Psalm tones [texted] | - | Anonymous |
Psalm tones [texted]Anonymous
Appears on:
115v–118
Genres:
Fauxbourdon/faburden
General NoteTexts underlaid: T1 "Laudate pueri", T3 "Laudate Dominum omnes", T4 "Lauda anima mea", T6 "Laudate Dominum quoniam", T8 "Lauda Jerusalem Dominum" -- other tones absent. |
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118v–121 | Psalm tones [untexted] | Ludovicus de Victoria | |
Appears on:
118v–121
Genres:
Fauxbourdon/faburden
Source Attribution:
Ludovicus de Victoria
General NoteTones I/VI, IV, VI, VII, VIII |
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127v–128 | Tonus Salisburgensis | - | Anonymous |
Tonus SalisburgensisAnonymous
Appears on:
127v–128
Genres:
Fauxbourdon/faburden
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128v–129 | Secundus tonus 'per quam dulcis' | - | Anonymous |
Secundus tonus 'per quam dulcis'Anonymous
Appears on:
128v–129
Genres:
Fauxbourdon/faburden
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