D-Mbs Mus. MS 511

Bayerische Staatsbibliothek, München (Munich), Germany

choirbook: 1596/97

Archive Bayerische Staatsbibliothek, München (Munich), Germany (D-Mbs)
Shelfmark Mus. MS 511
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface Paper
Numbering System Foliation
Measurements 385 x 285 mm
Notations
  • black void mensural
Relationships
External Links
External Authorities
Provenance
Contents 31 pieces from 11 composers
General Description

Contains one Mass, individual parts of the Mass, parts for the Proprium and Officium, and sacred songs. On fols. 1r, 15v, 97r and 133v are Latin poems. Copied by one (unidentified) scribe. MS is from the Benedictine Monastery of Thierhaupten.

Bente, Hell, Göllner, Wackernagel (1989)
Binding

Brown cardboard cover; first half of the 19th century

Bente, Hell, Göllner, Wackernagel (1989)
Notation

black void mensural

Bente, Hell, Göllner, Wackernagel (1989)
Decoration

Initials in black and red woodcuts: headings occasionally written with red or green ink.

Bente, Hell, Göllner, Wackernagel (1989)

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1bis v–8 5 monophonic Credo settings - Anonymous
Appears on: 1bis v–8
Genres: Mass Ordinary
General Note

Settings on: ff. 1bis-2; ff. 2v-4; ff. 4-5v; ff. 5v-7; ff. 7v-8v

9v–13 Credo super Ave maris stella (bicinium) - Anonymous
Appears on: 9v–13
Genres: Credo (patrem omnipotentem), Mass Ordinary
13–15 monophonic Credo setting - Anonymous
Appears on: 13–15
Genres: Credo (patrem omnipotentem), Mass Ordinary
16v–19 Responsiones ad missam (4vv) - Anonymous
Appears on: 16v–19
Genres: Response
20v–21 Puer natus in Bethlehem / Ein Kind geboren zu Betlehem - Anonymous
Appears on: 20v–21
Genres: Motet
General Note

4 parts in 'score' (beneath one another across the opening); texted in Latin with a 2nd German text under the last stave

22v–23 Surrexit Christus hodie - Anonymous
Appears on: 22v–23
Genres: Hymn
24v–26 Missa 1 toni: Kyrie Jeremia Brugnuolo Veronensi monacho
Appears on: 24v–26
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Jeremia Brugnuolo Veronensi monacho
26v–32 Missa 1 toni: Gloria -
Appears on: 26v–32
Genres: Gloria (et in terra pax), Mass Ordinary
32v–42 Missa 1 toni: Credo -
Appears on: 32v–42
Genres: Credo (patrem omnipotentem), Mass Ordinary
42v–45 Missa 1 toni: Sanctus -
Appears on: 42v–45
Genres: Mass Ordinary, Sanctus [& Benedictus]
45v–48 Missa 1 toni: Agnus Dei -
Appears on: 45v–48
Genres: Agnus Dei, Mass Ordinary
49v–50 Missa Dum complerentur: Credo Ioannes Petrus Aloysius Praenestinus
Appears on: 49v–50
Genres: Credo (patrem omnipotentem), Mass Ordinary
Source Attribution: Ioannes Petrus Aloysius Praenestinus
General Note

'Et incarnatus est' only: for use 'ad placitum' in the preceding mass

51v–52 Missa Le berger et la bergere: Credo [Et incarnatus only] Orlandus di Lasso
Appears on: 51v–52
Genres: Credo (patrem omnipotentem), Mass Ordinary
Source Attribution: Orlandus di Lasso
General Note

another 'Et incarnartus' setting for use 'ad placitum' in the previous mass

53v–64 Magnificat 1 toni: Et exultavit Hippolytus Baccusius
Appears on: 53v–64
Genres: BVM, Canticle, Magnificat
Source Attribution: Hippolytus Baccusius
65v–66 Magnificat Si par souhait: (exc) Fecit potentiam Orlandus
Appears on: 65v–66
Genres: BVM, Canticle, Magnificat
Source Attribution: Orlandus
General Note

Bicinium

66v–67 Magnificat 1 toni: (exc) Esurientes Iacobi Reineri
Appears on: 66v–67
Genres: BVM, Canticle, Magnificat
Source Attribution: Iacobi Reineri
General Note

Bicinium

67v–69 Magnificat primi toni (5vv) [NR 9]: (exc) Sicut locutus est Orlandi
Appears on: 67v–69
Genres: BVM, Canticle, Magnificat
Source Attribution: Orlandi
69v–71 Magnificat primi toni [NR 9]: (exc) Sicut erat Orlandi
Appears on: 69v–71
Genres: BVM, Canticle, Magnificat
Source Attribution: Orlandi
73v–79 Salve regina (5vv, LVAnh 149) -
Appears on: 73v–79
Genres: Motet, Salve Regina
80v–85 Salve regina (5vv) Gregorius Aichinger
Appears on: 80v–85
Genres: Motet, Salve Regina
Source Attribution: Gregorius Aichinger
86v–88 Regina caeli laetare -
Appears on: 86v–88
Genres: Motet, Regina caeli laetare
88v–93 Regina caeli laetare Iacobus Regnart
Appears on: 88v–93
Genres: Motet, Regina caeli laetare
Source Attribution: Iacobus Regnart
98v–104 Magnificat quarti toni (5vv) [NR 52] Orlandi di Lasso
Appears on: 98v–104
Genres: BVM, Canticle, Magnificat
Source Attribution: Orlandi di Lasso
105v–111 Magnificat sexti toni (5vv) [NR 53] -
Appears on: 105v–111
Genres: BVM, Canticle, Magnificat
113v–119 Magnificat octavi toni (5vv) [NR 56] -
Appears on: 113v–119
Genres: BVM, Canticle, Magnificat
120v–122 Terribilis est locus - 1a pars (of 3): Terribilis est locus iste Ioannis Matthaei Asulae Veronensis
Appears on: 120v–122
Genres: Motet
Source Attribution: Ioannis Matthaei Asulae Veronensis
122v–123 Terribilis est locus - 2a pars (of 3): Quam dilecta tabernacula -
Appears on: 122v–123
Genres: Motet
123v–125 Terribilis est locus - 3a pars (of 3): Gloria Patri -
Appears on: 123v–125
Genres: Motet
126v–128 Domus mea domus orationis vocabitur B Clingenstein
Appears on: 126v–128
Genres: Communion, Motet
Source Attribution: B Clingenstein
129v–131 In tabernaculis - 1a pars (of 2): In tabernaculis iustorum Bernardus Klingenstein
Appears on: 129v–131
Genres: Motet
Source Attribution: Bernardus Klingenstein
131v–133 In tabernaculis - 2a pars (of 2): Haec est Jerusalem -
Appears on: 131v–133
Genres: Motet
Composer Compositions
Aichinger, Gregor (ca. 1564–1628)
Anonymous
Asula, Johannes Mathaeus
Baccusi, Ippolito (ca. 1550–1609)
Brugnuolo, Jeremias
Judex, Valentin
Klingenstein, Bernhard
Lassus, Orlande de (ca. 1532–1594)
Palestrina, Giovanni Pierluigi da (1525–1594)
Regnart, Jacob (ca. 1540–1599)
Reiner, Jacob
Composition Composers (? Uncertain) Folios / Pages
5 monophonic Credo settings Anonymous 1bis v–8
Credo super Ave maris stella (bicinium) Anonymous 9v–13
Domus mea domus orationis vocabitur 126v–128
In tabernaculis - 1a pars (of 2): In tabernaculis iustorum 129v–131
In tabernaculis - 2a pars (of 2): Haec est Jerusalem 131v–133
Magnificat primi toni [NR 9]: (exc) Sicut erat 69v–71
Magnificat 1 toni: (exc) Esurientes 66v–67
Magnificat 1 toni: Et exultavit 53v–64
Magnificat octavi toni (5vv) [NR 56] 113v–119
Magnificat primi toni (5vv) [NR 9]: (exc) Sicut locutus est 67v–69
Magnificat quarti toni (5vv) [NR 52] 98v–104
Magnificat sexti toni (5vv) [NR 53] 105v–111
Magnificat Si par souhait: (exc) Fecit potentiam 65v–66
Missa 1 toni: Agnus Dei 45v–48
Missa 1 toni: Credo 32v–42
Missa 1 toni: Gloria 26v–32
Missa 1 toni: Kyrie 24v–26
Missa 1 toni: Sanctus 42v–45
Missa Dum complerentur: Credo 49v–50
Missa Le berger et la bergere: Credo [Et incarnatus only] 51v–52
monophonic Credo setting Anonymous 13–15
Puer natus in Bethlehem / Ein Kind geboren zu Betlehem Anonymous 20v–21
Regina caeli laetare 86v–88
Regina caeli laetare 88v–93
Responsiones ad missam (4vv) Anonymous 16v–19
Salve regina (5vv) 80v–85
Salve regina (5vv, LVAnh 149) 73v–79
Surrexit Christus hodie Anonymous 22v–23
Terribilis est locus - 1a pars (of 3): Terribilis est locus iste 120v–122
Terribilis est locus - 2a pars (of 3): Quam dilecta tabernacula 122v–123
Terribilis est locus - 3a pars (of 3): Gloria Patri 123v–125

denotes primary source study

Bente, Martin, Marie Louise Göllner, Helmut Hell, and Bettina Wackernagel. 1989. Bayerische Staatsbibliothek. Katalog der Musikhandschriften, 1. Chorbücher und Handschriften in chorbuchartiger Notierung. Kataloge Bayerischer Musiksammlungen.  Munich.

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Bente, Hell, Göllner, Wackernagel (1989)

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Notation Note; Decoration Note; DIAMM Note