D-Mbs Mus. MS 2749

Bayerische Staatsbibliothek, München (Munich), Germany

choirbook: 1582

Archive Bayerische Staatsbibliothek, München (Munich), Germany (D-Mbs)
Shelfmark Mus. MS 2749
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface Paper
Numbering System Foliation
Measurements 470 x 345 mm
Notations
  • black void mensural
Copyists
Relationships
External Links
External Authorities
Provenance
Contents 29 pieces from 2 composers
General Description

Passions, Resposnories and other Office settings, perhaps mostly by Lassus. Copied by Franz Flori and one other scribe. From the Court Chapel (Hofkapelle),

Bente, Hell, Göllner, Wackernagel (1989)
Physical Description

Folios trimmed, resulting in some losses to initials and titles.

Bente, Hell, Göllner, Wackernagel (1989)
Binding

Half-leather cover; first half 19th century. On the back is a label with old shelfmark 'Katalog No. 676', and in gold print on red label 'Pasiso [sic] / Secundum Marcum / et Lucam / K.'

Bente, Hell, Göllner, Wackernagel (1989)
Notation

black void mensural

Bente, Hell, Göllner, Wackernagel (1989)
Foliation

Other numberings: modern numbering of pieces

Bente, Hell, Göllner, Wackernagel (1989)
Foliation

Modern foliation

Bente, Hell, Göllner, Wackernagel (1989)
Decoration

Initials in black

Bente, Hell, Göllner, Wackernagel (1989)

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1v–6 Alma redemptoris mater (6vv) -
Appears on: 1v–6
Genres: Alma redemptoris mater, BVM, Motet
7v–9 Lumen ad revelationem (5vv) -
Appears on: 7v–9
Genres: Antiphon
9v–14 Ave regina caelorum (6vv) -
Appears on: 9v–14
Genres: Motet
16v–27 Passio Domini ... secundum Marcum -
Appears on: 16v–27
Genres: Passion
27v–37 Passio Domini ... secundum Lucam -
Appears on: 27v–37
Genres: Passion
38v–42 Amicus meus osculi Vs. Bonum erat -
Appears on: 38v–42
Genres: Responsory
42v–44 Judas mercator pessimus Vs. Melius illi erat -
Appears on: 42v–44
Genres: Responsory
44v–47 Unus ex discipulis Vs. Qui intingit mecum -
Appears on: 44v–47
Genres: Responsory
47v–51 Eram quasi agnus Vs. Omnes inimici mei -
Appears on: 47v–51
Genres: Responsory
51v–54 Una hora non potuistis Vs. Quid dormitis -
Appears on: 51v–54
Genres: Responsory
54v–57 Seniores populi consilium Vs. Collegerunt pontifices -
Appears on: 54v–57
Genres: Responsory
57v–60 Tanquam ad latronem Vs. Cumque iniecissent manus -
Appears on: 57v–60
Genres: Responsory
60v–63 Tenebrae factae sunt Vs. Exclamans Jesus -
Appears on: 60v–63
Genres: Responsory
63v–67 Animam mean dilectam Vs. Insurrexerunt in me -
Appears on: 63v–67
Genres: Responsory
67v–70 Tradiderunt me in manu Vs. Alieni insurrexerunt -
Appears on: 67v–70
Genres: Responsory
70v–73 Jesum tradidit impius Vs. Adduxerunt autem eum -
Appears on: 70v–73
Genres: Responsory
73v–76 Caligaverunt oculi mei Vs. O vos omnes -
Appears on: 73v–76
Genres: Responsory
76v–79 Recessit pastor noster Vs. Destrucit quidem claustra -
Appears on: 76v–79
Genres: Responsory
79v–81 O vos omnes Vs. Attendite universi populi -
Appears on: 79v–81
Genres: Responsory
81v–84 Ecce quomodo moritur Vs. Tanquam agnus coram -
Appears on: 81v–84
Genres: Responsory
84v–86 Astiterunt reges terrae Vs. Quare fremuerunt gentes -
Appears on: 84v–86
Genres: Responsory
86v–89 Aestimatus sum Vs. Posuerunt me in locu -
Appears on: 86v–89
Genres: Responsory
89v–92 Sepulto Domino signatum Vs. Accedentes principes sacerdotum -
Appears on: 89v–92
Genres: Responsory
94v–100 Missa Benedicta es: Kyrie Philippus de Monte
Appears on: 94v–100
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Philippus de Monte
100v–110 Missa Benedicta es: Gloria -
Appears on: 100v–110
Genres: Gloria (et in terra pax), Mass Ordinary
110v–123 Missa Benedicta es: Credo -
Appears on: 110v–123
Genres: Credo (patrem omnipotentem), Mass Ordinary
123v–132 Missa Benedicta es: Sanctus -
Appears on: 123v–132
Genres: Mass Ordinary, Sanctus [& Benedictus]
132v–135 Missa Benedicta es: Agnus Dei -
Appears on: 132v–135
Genres: Agnus Dei, Mass Ordinary
136v–143 Dies irae dies illa -
Appears on: 136v–143
Genres: Sequence
General Note

Setting in 5 partes, for verses 1-4, 5-8, 9-12, 13-17, and 18-19. First pars has only Latin text; the remaining partes have a German contrafact "Als dan herfir wirt bracht" under v.5, 9, 13, 18-19.

Composer Compositions
Lassus, Orlande de (ca. 1532–1594)
Monte, Philippe de
Composition Composers (? Uncertain) Folios / Pages
Aestimatus sum Vs. Posuerunt me in locu 86v–89
Alma redemptoris mater (6vv) 1v–6
Amicus meus osculi Vs. Bonum erat 38v–42
Animam mean dilectam Vs. Insurrexerunt in me 63v–67
Astiterunt reges terrae Vs. Quare fremuerunt gentes 84v–86
Ave regina caelorum (6vv) 9v–14
Caligaverunt oculi mei Vs. O vos omnes 73v–76
Dies irae dies illa 136v–143
Ecce quomodo moritur Vs. Tanquam agnus coram 81v–84
Eram quasi agnus Vs. Omnes inimici mei 47v–51
Jesum tradidit impius Vs. Adduxerunt autem eum 70v–73
Judas mercator pessimus Vs. Melius illi erat 42v–44
Lumen ad revelationem (5vv) 7v–9
Missa Benedicta es: Agnus Dei 132v–135
Missa Benedicta es: Credo 110v–123
Missa Benedicta es: Gloria 100v–110
Missa Benedicta es: Kyrie 94v–100
Missa Benedicta es: Sanctus 123v–132
O vos omnes Vs. Attendite universi populi 79v–81
Passio Domini ... secundum Lucam 27v–37
Passio Domini ... secundum Marcum 16v–27
Recessit pastor noster Vs. Destrucit quidem claustra 76v–79
Seniores populi consilium Vs. Collegerunt pontifices 54v–57
Sepulto Domino signatum Vs. Accedentes principes sacerdotum 89v–92
Tanquam ad latronem Vs. Cumque iniecissent manus 57v–60
Tenebrae factae sunt Vs. Exclamans Jesus 60v–63
Tradiderunt me in manu Vs. Alieni insurrexerunt 67v–70
Una hora non potuistis Vs. Quid dormitis 51v–54
Unus ex discipulis Vs. Qui intingit mecum 44v–47

denotes primary source study

Bente, Martin, Marie Louise Göllner, Helmut Hell, and Bettina Wackernagel. 1989. Bayerische Staatsbibliothek. Katalog der Musikhandschriften, 1. Chorbücher und Handschriften in chorbuchartiger Notierung. Kataloge Bayerischer Musiksammlungen.  Munich.

This form is used to make comments on a source. If you wish to notify us of a correction to the record, you should use the "Contribute a change" form instead.

No comments have been made.