D-Mbs Clm. 11764

Bayerische Staatsbibliothek, München (Munich), Germany

Gradual with added polyphony: 14th century

Archive Bayerische Staatsbibliothek, München (Munich), Germany (D-Mbs)
Shelfmark Clm. 11764
Image Availability The images on this record are linked using IIIF.
Surface Paper
Numbering System Foliation
Measurements 203 x 153 mm
Other Identifiers
  • RISM: D-Mbs 11764
  • RISM: MuR
Notations
  • Gothic neumes
  • rough neumes
Relationships
External Links
External Authorities
Provenance
Contents 2 pieces from 1 composers
General Description

A Gradual containing 259 folios (according to the modern ink foliation at t.r.r), with one modern flyleaf at each end. From the Augustinian monastery of Polling. At the end of the codex are some additions in very rough neumes and without illumination. A calendar follows on f. 225v-259. The polyphony is in the same hand as the MS corpus, and the Kyrie in score has text under both parts for the first line only. The second piece has only the line-endings polyphonic, as usual for this composition.

DIAMM, 2017
Binding

original white leather over wooden boards; restored in 1919 with paper over the covers and linen on the spine where the leather is worn.

DIAMM, 2017
Notation

Gothic neumes. Very rough neumes at end of codex.

DIAMM, 2017
Ruling

8 brown five-line staves per page

DIAMM, 2017
Foliation

247v-250v

DIAMM, 2017
Foliation

original red foliation at t.m.r.; supplemented by both pencil and ink at t.r.r. F. 96-97 have been torn out and f. 230-242 are missing.

DIAMM, 2017
Decoration

The script slants to the right, and initials are in red, black or both.

DIAMM, 2017
Surface

Paper

DIAMM, 2017
RISM Description

RISM B/IV 2: A 14th century paper Gradual meas. 203 x 153 mm. and containing 259 folios, according to the modern ink foliation at t.r.r. There is one modern flyleaf at each end. The original red foliation at t.m.r. is supplemented by both pencil and ink at t.r.r. In fact, f. 96-97 have been torn out and f. 230-242 are missing. The original white leather binding over wooden boards was restored in 1919 with paper over the covers and linen on the spine where the leather is worn. The source of Mbs 11764 is the Augustinian monastery of Polling. It is written in Gothic neumes on 8 brown five-line staves per page, using black ink for the notes. The script slants to the right, and initials are in red, black or both. At the end of the codex are some additions in very rough neumes and without illumination. A calendar follows on f. 225v-259. The polyphony is in the same hand as the ms corpus, and the Kyrie in score has text under both parts for the first line only. The second piece has only the line-endings polyphonic, as usual for this composition.

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of any of this content without permission may result in legal action.

Répertoire International des Sources Musicales

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
247v–248v Kyrie [Tro] fons bonitatis - Anonymous

Kyrie [Tro] fons bonitatis

Anonymous
Appears on: 247v–248v
Genres: Mass Ordinary, Troped Kyrie
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Kyrie [Tro] fons bonitatis
248v–250v Dominus vobiscum. Sequentia sancti ewangelii secundum Lucam. In illo tempore ingressus Jesus Zacheus - Anonymous

Dominus vobiscum. Sequentia sancti ewangelii secundum Lucam. In illo tempore ingressus Jesus Zacheus

Anonymous
Appears on: 248v–250v
Genres: Dominus vobiscum, Liturgical work
Voice: [no designation]
Languages: Latin
Voice Text: Dominus vobiscum. Sequentia sancti ewangelii secundum Lucam. In illo tempore in gressus Jhesus... Zacheus
General Note

monodic except for the line-endings

Layout

score
Composer Compositions
Anonymous
Composition Composers (? Uncertain) Folios / Pages
Dominus vobiscum. Sequentia sancti ewangelii secundum Lucam. In illo tempore ingressus Jesus Zacheus Anonymous 248v–250v
Kyrie [Tro] fons bonitatis Anonymous 247v–248v
These images are from an external IIIF service and are not hosted by DIAMM.

Images © Bayerische Staatsbibliothek, Munich

‡ denotes primary source study

Geering, Arnold. 1952. Die Organa und mehrstimmigen Conductus in den Handschriften des deutschen Sprachgebietes vom 13. bis 16. Jahrhundert.  Bern. Pages: Iff, 11, 23f, 32, 39f, 44, 50f, 59, 62, 79.

Schneider, Màrius. 1935. Geschichte der Mehrstimmigkeit. 2 vols. Pages: ex. 165 (transcription of no. 1).

Anglès, Higinio. 1931. El Còdex musical de las Huelgas. 3 vols. Pages: I, 104, 117f;.

Handschin, Jacques. 1928. Angelomontana Polyphonica. Schweizerisches Jahrbuch für Musikwissenschaft, 64ff. Pages: 70f.

Wolf, Johannes. 1926. Eine neue Quelle zur mehrstimmigen kirchlichen Praxis des 14. bis 15. Jahrhunderts. Festschrift Peter Wagner zum 60. Geburtstag, 222-37. Leipzig. Pages: 225ff.

Ludwig, Friedrich. 1923. Die Quellen der Motetten ältesten Stils. Archiv für Musikwissenschaft, 185-222, Vol. 5 (1924) 273-315. Pages: 304.

Wolf, Johannes. 1913-9; Reprinted: Hildesheim, 1963. Handbuch der Notationskunde.  Leipzig. Pages: I, 214.

Sigl, M. 1911. Zur Geschichte des Ordinarium Missae in der deutschen Choralilberlieferung. Pages: Beilage, 13ff (transcription of no. 1); WoIfE, 229 (transcription of no. 1); 10, 22, 30, 39, 44, 57, 62f, 75.

Ludwig, Friedrich. 1908. Die mehrstimmigen Werke der Handschrift Engelberg 314. Kirchenmusikalisches Jahrbuch, 48ff. Pages: 53.

This form is used to make comments on a source. If you wish to notify us of a correction to the record, you should use the "Contribute a change" form instead.

No comments have been made.

Contributions to this record are recorded here. If you wish to contribute information or a correction to this record, use the "Contribute a Change" link. This will then be reviewed by DIAMM staff and, if accepted, your contribution will be acknowledged here.

Reinhard Strohm

Monday, 2 November, 2020

Previously, the website wrongly listed 'Heilbronn Abbey' - while the references were either to 1) the Cistercian monastery (with Abbey) of 'Heilsbronn', in the town of Heilsbronn in the district of Ansbach in Middle Franconia, Bavaria, or to 2) the town of 'Heilbronn', near Stuttgart in South-West Germany.

DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Notation Note; Ruling Note; Foliation Note; Foliation Note; Surface Note

Répertoire Internationale des Sources Musicales

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description