D-Mbs Clm. 14926

Bayerische Staatsbibliothek, München (Munich), Germany

chant book with added polyphony: Early 15th century

Archive Bayerische Staatsbibliothek, München (Munich), Germany (D-Mbs)
Shelfmark Clm. 14926
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Numbering System Foliation
Measurements 150 x 105 mm
Other Identifiers
  • RISM: D-Mbs14926
Notations
  • Gothic chorale
Relationships
External Links
External Authorities
Provenance
Contents 2 pieces from 1 composers
General Description

Large collection of Alleluias, hymns, antiphons, sequences, responses and Ordinary settings,probably from the Lower Rhine. It was formerly in St. Emmeran (Regensburg).

DIAMM, 2017
Binding

15th century pigskin over wooden boards; clasp missing

DIAMM, 2017
Notation

Gothic choral

DIAMM, 2017
Ruling

8 or 9 five-line staves per page, usually with red clef line

DIAMM, 2017
Foliation

138v-140

DIAMM, 2017
Foliation

Modern foliation f. 1-382.

DIAMM, 2017
RISM Description

Large collection of Alleluias, hymns, antiphons, sequences, responses and Ordinary settings. 382 folios in total. Modern foliation. 8 or 9 5-line staves per page. 15th century pigskin binding.

RISM B/IV 3: 15. Jh.; 382 Blätter 150 x 105 mm Moderne Foliierung von f. 1-382. Je Seite 8 oder 9 Fünfliniensysteme (meist mit roter Schlüssellinie) mit gotischer Choralnotation - Einband: 15. Jh.; mit Schweinsleder überzogene Holzdeckel; Schließe fehlt.

Diese vermutlich niederrheinische Sammlung von Alleluia, Hymnen, Antiphonen, Sequenzen, Responsorien und einzelnen Ordinariumssätzen des frühen 15. Jh. befand sich früher in St. Emmeram (Regensburg).

[Translation:] 382 leaves 150 x 105 mm. Modern foliation f. 1-382. 8 or 9 five-line systems per page (usually with red clef line) with gothic chant notation - Binding: 15 Century; with pigskin leather covered wooden lid, clasp missing.

This is collection of Alleluias, hymns, antiphons, sequences, and individual responsories and Mass Ordinaries from the early 15th Century probably from the Lower Rhine. It was formerly in St. Emmeran (Regensburg).

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of any of this content without permission may result in legal action.

Répertoire International des Sources Musicales

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
138v–139 Sanctus - Anonymous

Sanctus

Anonymous
Appears on: 138v–139
Genres: Mass Ordinary, Sanctus [& Benedictus]
Voice: [no designation]
Languages: Latin
Voice Text: Sanctus ...
139v–140 Agnus Dei - Anonymous

Agnus Dei

Anonymous
Appears on: 139v–140
Genres: Agnus Dei, Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Agnus dei ...
Composer Compositions
Anonymous
Composition Composers (? Uncertain) Folios / Pages
Agnus Dei Anonymous 139v–140
Sanctus Anonymous 138v–139

denotes primary source study

Stäblein, Bruno. None. Stäblein ? Pages: 310, 518 u. ö.

Thannabaur, Peter Josef. 1962. Das einstimmige Sanctus der römischen Messe in der handschriftlichen Überlieferung des 11. bis 16. Jahrhunderts. Erlanger Arbeiten zur Musikwissenschaft.  Munich. Pages: 112, 225.

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Notation Note; Ruling Note; Foliation Note; Foliation Note

Répertoire Internationale des Sources Musicales

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description