D-Mbs Clm. 5539

Bayerische Staatsbibliothek, München (Munich), Germany

theory treatises and chant book with added polyphony: Early 15th century

Archive	Bayerische Staatsbibliothek, München (Munich), Germany (D-Mbs)
Shelfmark	Clm. 5539
Image Availability	The images on this record are linked using IIIF.
Surface	Parchment
Numbering System	Foliation
Measurements	218 x 145 mm
Other Identifiers	RISM: D-Mbs 5539 RISM: MuC
Notations	decadent mensural notation square
Relationships	Augustinian Monastery at Diessen (owner) Arezzo, Guido d' (ca. 991–ca. 1033) (author (of treatise))
External Links	images IIIF Manifest
External Authorities	RISM Online (sources/456052945)
Provenance	Augustinian Monastery at Diessen , Diessen, Bavaria, Germany
Contents	29 pieces from 1 composers

General Description

Contains the Anonymous Mettenleiter (f. 1-24), a short but influential tractatulus beginning Gaudent brevitate moderni (f. 24-27) and Guido's Micrologus, etc. {f. 120-142). The musical contents consist of tropes, sequences, motets with or without T and other oddments, and are in two-part polyphony, in score. The only three-part works are nos. 5 and 18; only no. 5 is in score. A red wavy line often separates the two parts in polyphonic score writing. The rules for recognising modes have alphabetical notation over the top of the text. Probably from Augustinian monastery at Diessen.

DIAMM, 2017

Binding

dark brown leather over wooden boards with blind tooling on the front and back covers.

DIAMM, 2017

Notation

Varied. Square, decadent mensural (similar to that found in MS London, British Museum, Add. 27630)

DIAMM, 2017

Ruling

7 red four-line staves per page (square notation); two-part polyphony in score employs 6 out of the 7 staves, leaving the bottom one blank; pair of yellow and red lines or on a single red line only

DIAMM, 2017

Foliation

28v-39v, 72-81v, 146v-149

DIAMM, 2017

Foliation

Modern ink fotiation at t.r.r.

DIAMM, 2017

Surface

Parchment

DIAMM, 2017

RISM Description

RISM B/IV 2: A parchment manuscript meas. 218 x 145 mm. and containing 193 folios plus 1 flyleaf at the beginning. It dates from c. 1400 at the earliest, and probably originated in the Augustinian monastery at Diessen. The modern ink fotiation is at t.r.r. Unusually, this codex is entirely concerned with music, though a considerable part of it deals with music theory. The main theoretical works are the Anonymous Mettenleiter (f. 1-24), a short but influential tractatulus beginning Gaudent brevitate moderni (f. 24-27) and Guido's Micrologus, etc. {f. 120-142), The musical contents consist of tropes, sequences, motets with or without T and other oddments, and the notation is as varied as the contents. Square notation is predominant, using 7 red four-line staves per page. The two-part polyphony in score employs 6 out of the 7 staves, leaving the bottom one blank. The only three-part works are nos. 5 and 18. Only no. 5 is in score and it takes up the bottom 6 of the 7 staves. A red wavy line often separates the two parts in polyphonic score writing. A decadent mensural notation similar to that found in ms London, British Museum, Add. 27630 is used for the polyphony. The script is semi-Gothic with red and blue or black-red initials. The front flyleaf employs the same type of neumes, elegant pedes muscarum, as the last two pages of the ms, f. 192v-193. These also occur on f. 145v-149v (which include the two-part Iube domne ... Primo tempore) and again in Guido's Epistola de ignoto cantu on a pair of yellow and red lines or on a single red line only. Finally, the rules for recognising modes have alphabetical notation over the top of the text. The binding of the ms is of dark brown leather over wooden boards with blind tooling on the front and back covers.

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of any of this content without permission may result in legal action.

Répertoire International des Sources Musicales

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
28v–29	… tripudio … Benedicamus Domino	-	Anonymous
… tripudio … Benedicamus Domino Anonymous Appears on: 28v–29 Genres: Benedicamus Domino, Motet Voice: [no designation] Languages: Latin Clef: c4 Voice Text: . . . tripudio. . . Benedicamus domino Voice: [no designation] Languages: none Clef: c3 General Note almost illegible due to erasure except for last two staves Layout score
29v–30	Sanctus, Sanctus. [Tro] Quem pium benedicit	-	Anonymous
Sanctus, Sanctus. [Tro] Quem pium benedicit Anonymous Appears on: 29v–30 Genres: Mass Ordinary, Troped Sanctus Voice: [no designation] Languages: none Clef: c4 Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Sanctus, Sanctus. [Tro] Quem pium benedicit Layout score
30–30v	Sanctus [Tro] Maria mater egregia	-	Anonymous
Sanctus [Tro] Maria mater egregia Anonymous Appears on: 30–30v Genres: Mass Ordinary, Troped Sanctus Voice: [no designation] Languages: none Clef: c4 Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Sanctus [Tro] Maria mater egregia Layout score
30v–31	Agnus Dei [Tro] Mortis dira ferens	-	Anonymous
Agnus Dei [Tro] Mortis dira ferens Anonymous Appears on: 30v–31 Genres: Mass Ordinary, Troped Agnus Voice: [no designation] Languages: none Clef: c3 Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Agnus dei [Tro] Mortis dira ferens Layout score
31v	Deus, in adjutorium intende	-	Anonymous
Deus, in adjutorium intende Anonymous Appears on: 31v Genres: Motet Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Deus, in adiutorium intende Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Deus, in adiutorium intende Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Deus, in adiutorium intende Layout score
32	Gaudens in Domino in hoc sollemnio	-	Anonymous
Gaudens in Domino in hoc sollemnio Anonymous Appears on: 32 Genres: Motet Voice: [no designation] Languages: none Clef: c4 Voice: [no designation] Languages: Latin Clef: f3 Voice Text: Gaudens in domino in hoc sollempnio General Note In natali domini ad matutinum Layout score
32v–33v	Jube Domine, silentium. Primo tempore alleviata	-	Anonymous
Jube Domine, silentium. Primo tempore alleviata Anonymous Appears on: 32v–33v Genres: Motet Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Iube domne silentium. . . Primo tempore alleviata Voice: [no designation] Languages: none Clef: f3 Layout score
34–34v	Ave, virgo virginum, verbi	-	Anonymous
Ave, virgo virginum, verbi Anonymous Appears on: 34–34v Genres: Motet Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Ave, virgo virginum, verbi Voice: [no designation] Languages: none Clef: c3 Layout score
35–35v	Exiit diluculo rustica	-	Anonymous
Exiit diluculo rustica Anonymous Appears on: 35–35v Genres: Motet Voice: [no designation] Languages: none Clef: c4 Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Exiit diluculo rustica Layout score
36	Sonent laudes pueri, sonent et provecti	-	Anonymous
Sonent laudes pueri, sonent et provecti Anonymous Appears on: 36 Genres: Motet Voice: [no designation] Languages: none Clef: c4 Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Sonent laudes pueri, sonent et provecti Layout score
37–37v	Gratulentur parvuli, nato rege	-	Anonymous
Gratulentur parvuli, nato rege Anonymous Appears on: 37–37v Genres: Motet Voice: [no designation] Languages: none Clef: c2 Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Gratulentur parvuli, nato rege Layout score
38–39	Procurans odium effectu proprio	-	Anonymous
Procurans odium effectu proprio Anonymous Appears on: 38–39 Genres: Motet Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Procurans odium effectu proprio Layout score
39v	Kyrie eleison	-	Anonymous
Kyrie eleison Anonymous Appears on: 39v Genres: Kyrie eleison, Mass Ordinary Voice: [no designation] Languages: Greek Clef: f2 Voice: [no designation] Languages: Greek Clef: f2 Voice Text: Kyrie eleyson Layout score
72–80v	Hodie natus in Israel - 1a pars (of 2): Hodie natus in Israel	-	Anonymous
Hodie natus in Israel - 1a pars (of 2): Hodie natus in Israel Anonymous Appears on: 72–80v Genres: Motet Voice: Tenor Languages: Latin Voice Text: In seculum Voice: Triplum Languages: Latin Clef: c2 Voice Text: Hodie natus in Israhel. Voice: Motetus Languages: Latin Clef: c2 Voice Text: Salus virgini per quam homnium. General Note T om. Layout parts
72–80v	Hodie natus in Israel - 2a pars (of 2): Salus virgini per quam homnium - In saeculum	-	Anonymous
Hodie natus in Israel - 2a pars (of 2): Salus virgini per quam homnium - In saeculum Anonymous Appears on: 72–80v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Salus virgini
72–73	Resurrexit hodie qui pridie / In saeculum	-	Anonymous
Resurrexit hodie qui pridie / In saeculum Anonymous Appears on: 72–73 Genres: Motet Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Resurrexit hodie qui pridie Voice: Tenor Languages: Latin Clef: c4 Voice Text: [In seculum] Layout parts
73–73v	Mellis stilla, maris stella, rosa / Domino	-	Anonymous
Mellis stilla, maris stella, rosa / Domino Anonymous Appears on: 73–73v Genres: Motet Voice: Tenor Languages: Latin Clef: f2c4 Voice Text: Domino Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Mellis stilla, maris stella, rosa Layout parts
74–75	Ave, gloriosa mater salvatoris / Domino	-	Anonymous
Ave, gloriosa mater salvatoris / Domino Anonymous Appears on: 74–75 Genres: Motet Voice: Tenor Languages: Latin Clef: f3 Voice Text: [Domino] Voice: [no designation] Languages: Latin Clef: f3 Voice Text: Ave, gloriosa mater salvatoris Layout parts
75–75v	O miranda Dei - 1a pars (of 2): O miranda Dei caritas, per peccatum / Salve, mater salutifera, claritatis / Kyrie	-	Anonymous
O miranda Dei - 1a pars (of 2): O miranda Dei caritas, per peccatum / Salve, mater salutifera, claritatis / Kyrie Anonymous Appears on: 75–75v Genres: Motet Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Salve, mater salutifera, claritatis Voice: [no designation] Languages: Latin Clef: c2 Voice Text: O miranda dei caritas, per peccatum Voice: Tenor Languages: Latin, Greek Clef: c4 Voice Text: Kyrie Layout parts
75–75v	O miranda Dei - 2a pars (of 2): Pro defectu cure pastoralis, grex delirat	-	Anonymous
O miranda Dei - 2a pars (of 2): Pro defectu cure pastoralis, grex delirat Anonymous Appears on: 75–75v Genres: Motet Voice: Tenor Languages: none Clef: c4 Voice: Contratenor Languages: none Clef: c4 Voice: [no designation] Languages: French Clef: c2 Voice Text: Pro defectu cure pastoralis, grex delirat General Note substitute Mot for 18 with identical music Layout parts
75v–76v	Flos de spina rumpitur, spina caret flos / Regnat	-	Anonymous
Flos de spina rumpitur, spina caret flos / Regnat Anonymous Appears on: 75v–76v Genres: Motet Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Flos de spina rumpitur, spina caret flos Voice: Tenor Languages: Latin Clef: no clef Voice Text: Regnat General Note Mot only Layout parts
76v–78	Quomodo fiet id, o virgo / O stupor omnium in modum	-	Anonymous
Quomodo fiet id, o virgo / O stupor omnium in modum Anonymous Appears on: 76v–78 Genres: Motet Voice: [no designation] Languages: Latin Clef: c2 Voice Text: O stupor omnium in modum Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Quomodo fiet id, o virgo General Note T om. Layout parts
78–79	Salve virgo virginum - 1a pars (of 3): Salve, virgo virginum, salve, lumen	-	Anonymous
Salve virgo virginum - 1a pars (of 3): Salve, virgo virginum, salve, lumen Anonymous Appears on: 78–79 Genres: Motet Voice: Motetus Languages: Latin Clef: c4 Voice Text: In Gedeonis vellere delituit Voice: Tenor Languages: Latin Clef: c5 Voice Text: Aptatur Voice: Altus Languages: Latin Clef: c2 Voice Text: Salve, virgo virginum, salve, lumen General Note T om. Layout parts
78–79	Salve virgo virginum - 2a pars (of 3): In Gedeonis vellere	-	Anonymous
Salve virgo virginum - 2a pars (of 3): In Gedeonis vellere Anonymous Appears on: 78–79 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: In gedeonis vellere
79	Salve virgo virginum - 3a pars (of 3): Speciosa preciosa dux, Haec in adiecto	-	Anonymous
Salve virgo virginum - 3a pars (of 3): Speciosa preciosa dux, Haec in adiecto Anonymous Appears on: 79 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Speciosa preciosa dux, Hec in adiecto
79v–80	Salve, virgo nobilis Maria / Verbum caro factum est / Et veritate Verbum	-	Anonymous
Salve, virgo nobilis Maria / Verbum caro factum est / Et veritate Verbum Anonymous Appears on: 79v–80 Genres: Motet Voice: Tenor Languages: Latin Clef: c4 Voice Text: Verbum Voice: Triplum Languages: Latin Clef: no clef Voice Text: Salve, virgo nobilis Maria Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Verbus caro factum est General Note Tr only Layout parts
80v–81	Rosula fructu perfulcitur / Audi nos	-	Anonymous
Rosula fructu perfulcitur / Audi nos Anonymous Appears on: 80v–81 Genres: Motet Voice: Tenor Languages: Latin Clef: c4 Voice Text: Audi nos Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Rosula fructu perfulcitur General Note Mot only Layout parts
81–81v	Flos virginum Maria filia	-	Anonymous
Flos virginum Maria filia Anonymous Appears on: 81–81v Genres: Motet Voice: Motetus Languages: Latin Clef: c2 Voice Text: Flos virginum Maria filia General Note Mot only Layout parts
146v–149	Jube Domine, silentium fieri. Primo tempore alleviata	-	Anonymous
Jube Domine, silentium fieri. Primo tempore alleviata Anonymous Appears on: 146v–149 Genres: Motet Voice: [no designation] Languages: none Clef: f3 Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Iube domine silentium. . . Primo tempore alleviata Layout score

Composer	Compositions
Anonymous	Agnus Dei [Tro] Mortis dira ferens – 30v–31 Ave, gloriosa mater salvatoris / Domino – 74–75 Ave, virgo virginum, verbi – 34–34v Deus, in adjutorium intende – 31v Exiit diluculo rustica – 35–35v Flos de spina rumpitur, spina caret flos / Regnat – 75v–76v Flos virginum Maria filia – 81–81v Gaudens in Domino in hoc sollemnio – 32 Gratulentur parvuli, nato rege – 37–37v Hodie natus in Israel - 1a pars (of 2): Hodie natus in Israel – 72–80v Hodie natus in Israel - 2a pars (of 2): Salus virgini per quam homnium - In saeculum – 72–80v Jube Domine, silentium fieri. Primo tempore alleviata – 146v–149 Jube Domine, silentium. Primo tempore alleviata – 32v–33v Kyrie eleison – 39v Mellis stilla, maris stella, rosa / Domino – 73–73v O miranda Dei - 1a pars (of 2): O miranda Dei caritas, per peccatum / Salve, mater salutifera, claritatis / Kyrie – 75–75v O miranda Dei - 2a pars (of 2): Pro defectu cure pastoralis, grex delirat – 75–75v Procurans odium effectu proprio – 38–39 Quomodo fiet id, o virgo / O stupor omnium in modum – 76v–78 Resurrexit hodie qui pridie / In saeculum – 72–73 Rosula fructu perfulcitur / Audi nos – 80v–81 Salve virgo virginum - 1a pars (of 3): Salve, virgo virginum, salve, lumen – 78–79 Salve virgo virginum - 2a pars (of 3): In Gedeonis vellere – 78–79 Salve virgo virginum - 3a pars (of 3): Speciosa preciosa dux, Haec in adiecto – 79 Salve, virgo nobilis Maria / Verbum caro factum est / Et veritate Verbum – 79v–80 Sanctus [Tro] Maria mater egregia – 30–30v Sanctus, Sanctus. [Tro] Quem pium benedicit – 29v–30 Sonent laudes pueri, sonent et provecti – 36 … tripudio … Benedicamus Domino – 28v–29

Composer

Compositions

Anonymous

Agnus Dei [Tro] Mortis dira ferens – 30v–31
Ave, gloriosa mater salvatoris / Domino – 74–75
Ave, virgo virginum, verbi – 34–34v
Deus, in adjutorium intende – 31v
Exiit diluculo rustica – 35–35v
Flos de spina rumpitur, spina caret flos / Regnat – 75v–76v
Flos virginum Maria filia – 81–81v
Gaudens in Domino in hoc sollemnio – 32
Gratulentur parvuli, nato rege – 37–37v
Hodie natus in Israel - 1a pars (of 2): Hodie natus in Israel – 72–80v
Hodie natus in Israel - 2a pars (of 2): Salus virgini per quam homnium - In saeculum – 72–80v
Jube Domine, silentium fieri. Primo tempore alleviata – 146v–149
Jube Domine, silentium. Primo tempore alleviata – 32v–33v
Kyrie eleison – 39v
Mellis stilla, maris stella, rosa / Domino – 73–73v
O miranda Dei - 1a pars (of 2): O miranda Dei caritas, per peccatum / Salve, mater salutifera, claritatis / Kyrie – 75–75v
O miranda Dei - 2a pars (of 2): Pro defectu cure pastoralis, grex delirat – 75–75v
Procurans odium effectu proprio – 38–39
Quomodo fiet id, o virgo / O stupor omnium in modum – 76v–78
Resurrexit hodie qui pridie / In saeculum – 72–73
Rosula fructu perfulcitur / Audi nos – 80v–81
Salve virgo virginum - 1a pars (of 3): Salve, virgo virginum, salve, lumen – 78–79
Salve virgo virginum - 2a pars (of 3): In Gedeonis vellere – 78–79
Salve virgo virginum - 3a pars (of 3): Speciosa preciosa dux, Haec in adiecto – 79
Salve, virgo nobilis Maria / Verbum caro factum est / Et veritate Verbum – 79v–80
Sanctus [Tro] Maria mater egregia – 30–30v
Sanctus, Sanctus. [Tro] Quem pium benedicit – 29v–30
Sonent laudes pueri, sonent et provecti – 36
… tripudio … Benedicamus Domino – 28v–29

Composition	Composers (? Uncertain)	Folios / Pages
Agnus Dei [Tro] Mortis dira ferens	Anonymous	30v–31
Ave, gloriosa mater salvatoris / Domino	Anonymous	74–75
Ave, virgo virginum, verbi	Anonymous	34–34v
Deus, in adjutorium intende	Anonymous	31v
Exiit diluculo rustica	Anonymous	35–35v
Flos de spina rumpitur, spina caret flos / Regnat	Anonymous	75v–76v
Flos virginum Maria filia	Anonymous	81–81v
Gaudens in Domino in hoc sollemnio	Anonymous	32
Gratulentur parvuli, nato rege	Anonymous	37–37v
Hodie natus in Israel - 1a pars (of 2): Hodie natus in Israel	Anonymous	72–80v
Hodie natus in Israel - 2a pars (of 2): Salus virgini per quam homnium - In saeculum	Anonymous	72–80v
Jube Domine, silentium fieri. Primo tempore alleviata	Anonymous	146v–149
Jube Domine, silentium. Primo tempore alleviata	Anonymous	32v–33v
Kyrie eleison	Anonymous	39v
Mellis stilla, maris stella, rosa / Domino	Anonymous	73–73v
O miranda Dei - 1a pars (of 2): O miranda Dei caritas, per peccatum / Salve, mater salutifera, claritatis / Kyrie	Anonymous	75–75v
O miranda Dei - 2a pars (of 2): Pro defectu cure pastoralis, grex delirat	Anonymous	75–75v
Procurans odium effectu proprio	Anonymous	38–39
Quomodo fiet id, o virgo / O stupor omnium in modum	Anonymous	76v–78
Resurrexit hodie qui pridie / In saeculum	Anonymous	72–73
Rosula fructu perfulcitur / Audi nos	Anonymous	80v–81
Salve virgo virginum - 1a pars (of 3): Salve, virgo virginum, salve, lumen	Anonymous	78–79
Salve virgo virginum - 2a pars (of 3): In Gedeonis vellere	Anonymous	78–79
Salve virgo virginum - 3a pars (of 3): Speciosa preciosa dux, Haec in adiecto	Anonymous	79
Salve, virgo nobilis Maria / Verbum caro factum est / Et veritate Verbum	Anonymous	79v–80
Sanctus [Tro] Maria mater egregia	Anonymous	30–30v
Sanctus, Sanctus. [Tro] Quem pium benedicit	Anonymous	29v–30
Sonent laudes pueri, sonent et provecti	Anonymous	36
… tripudio … Benedicamus Domino	Anonymous	28v–29

These images are from an external IIIF service and are not hosted by DIAMM.

Images © Bayerische Staatsbibliothek, Munich

‡ denotes primary source study

Göllner, Marie Louise (editor). 1993. The Manuscript Cod. lat. 5539 of the Bavarian State Library. Musicological Studies and Documents. 43 vols. Neuhausen nr. Stuttgart: Hänssler-Verlag, American Institute of Musicology. Pages: 69-94.

Fischer, Kurt von, Max Lütolf, and Gilbert Reaney (editors). 1969. Répertoire international des sources musicales. Series B IV. Pages: 74.

Dittmer, Luther A. 1959. Publications of Mediaeval Musical Manuscripts IV: Paris 13521 and 11411. Publications of Mediaeval Music Manuscripts. Brooklyn: Institute of Mediaeval Music.

Gennrich, Friedrich. 1958. Bibliographie der ältesten französischen und lateinischen Motetten. Pages: XLIf, etc.

Gennrich, Friedrich. 1958. Ein altfranzösischer Motetten-Kodex. Faksimile-Ausgabe der Handschrift La Clayette, Paris, Bibliothèque Nationale, nouvelle acquisition francaise 13521. Pages: f. 369-369v, 375 (facsimile of nos. 16 and 17 after F-Cl).

Parrish, Carl. 1957. The Notation of Medieval Music. Pages: pl. XXXII-XXXHI (facsimile of no. 17 after GB-LoHa).

Auda, Antoine. 1953. Les "Motets Wallons" du manuscrit de Turin: Vari 42. 2 vols. Pages: I-II, nos. 3, 6 (facsimile and transcription of nos. 5, 21 after I-Tu).

Geering, Arnold. 1952. Die Organa und mehrstimmigen Conductus in den Handschriften des deutschen Sprachgebietes vom 13. bis 16. Jahrhundert. Bern. Pages: Iff, 12 and passim.

Handschin, Jacques. 1949. The Summer Canon and its Background. Musica Disciplina, 55-94, volume 5 (1951), 65-113. Pages: I, 60; II, 71.

Rokseth, Y. 1935+1939. Les Polyphonies du XIVe siecle. 4 vols. Pages: I-II I, nos. l,85,40,53,44,268,284(transcriptions of nos. 5,14,16,17, 19, 21 and 22 after F-Mo); IV, 80, 196, 260f, 266, 290, 293.

Handschin, Jacques. 1934. Erfordensia. Acta Musicologica, 97ff. Pages: 105, 108.

Spanke, Hans. 1932. Eine mittelalterliche Musikhandschrift. Zeitschrift für deutsches Altertum und deutsche Literatur, . Pages: 49ff.

Anglès, Higinio. 1931. El Còdex musical de las Huelgas. 3 vols. Pages: II-III, nos. 25, 92, 101, 108, 120, 157 (facsimile and transcription of nos. 4, 18, 17, 21, 22, and 16 after E-JTu); I, 104,115, 136, 227, 259f, 269f, 279f.

Handschin, Jacques. 1928. Angelomontana Polyphonica. Schweizerisches Jahrbuch für Musikwissenschaft, 64ff. Pages: supplement, nos. 3,10, 23 and 1 {transcriptions of nos. 4, 6, 8 and 13 after CH-EN 314); 67f, 69ff, 72f, 78f, 92.

Handschin, Jacques. 1927-28. Zur Frage der melodischen Paraphrasierung im Mittelalter. Zeitschrift für Musikwissenschaft, 513-59[also12(1929-30),192]. Pages: 516.

Besseler, Heinrich. 1926. Studien zur Musik des Mittelalters: II. Die Motette von Franko von Köln bis Philipp van Vitry. Archiv für Musikwissenschaft, 137-258. Pages: II, 178, 180.

Ursprung, Otto. 1924. Freisings mittelalterliche Musikgeschichte in Wissenschaftliche Festgabe zum 1200 jährigen Jubiläum des heiligen Korbinian. Pages: 275.

Ludwig, Friedrich. 1923. Die Quellen der Motetten ältesten Stils. Archiv für Musikwissenschaft, 185-222, Vol. 5 (1924) 273-315. Pages: 199, 203, 205, 209ff, 213f, 275, 287, 291, 304f, 307, 309f.

Ludwig, Friedrich. 1910. Repertorium organorum recentioris et motetorum vetustissimi stili. I. Catalogue raisonné. 1. Handschriften in Quadratnotation. Halle: Niemayer. Pages: 28, 73, 106,135, 180, 182, 193, 366, 392, 401 f, 405, 413, 435, 445.

Aubry, Pierre. 1908. Cent Motets du XIIIe siècle. 3 vols. Pages: I-II, nos. 101, 17, 58, 1, 85, 33, 98 (facsimile and transcription of nos. 5, 14, 16-18, 21, 22 after Ba); III, 57, 68,103,108.

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Répertoire Internationale des Sources Musicales

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description

D-Mbs Clm. 5539

Bayerische Staatsbibliothek, München (Munich), Germany

theory treatises and chant book with added polyphony: Early 15th century

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Répertoire Internationale des Sources Musicales

Monday, 23 January, 2017