GB-Onc MS 368/1

New College, Oxford, England

fragments: 15th to 16th century: c.1490 & c.1510

Archive New College, Oxford, England (GB-Onc)
Shelfmark MS 368/1
Surface Parchment
Numbering System None
Measurements irregular shapes and widely varying sizes mm
Other Identifiers
  • CCM: OxfBNC 368
  • olim (Former shelfmark): (When last accessed by DIAMM this manuscript was housed in the Bodleian Library)
Notations
  • black full mensural
  • coloration in black void
  • coloration in red
Inventory This MS has not yet been inventoried by DIAMM. If you would like to submit an inventory, please send it to diamm@music.ox.ac.uk
Relationships
Provenance
  • England
Contents 5 pieces from 2 composers
General Description

Recovered from wallpaper in rooms of New College, Oxford. Music fragments apparently the only surviving remnants of two large choirbooks, one containing Masses, the other, Magnificats and votive antiphons. Probably copied in Oxford, for use by the New College chapel choir (Roger Bowers). Original manuscripts disassembled c. 1550(?) and used as backing for painted decoration of ceiling beams in main quadrangle of New College. Fragments discovered and removed by decorators in early 1960's, then placed in New College Library; deposited in Bodleian Library in 1978.

DIAMM, 2017
Physical Description

Highly fragile condition; accessible for study, but not yet for photography.

DIAMM, 2017
Binding

Fragments provisionally arranged in eight folders, of which the first three contain music: 368/1-music fragments numbered by Roger Bowers, #1-7A, 7B-10, #21-22, #31-41 (# 37 consists of two fragments stuck together); 368/2 - smaller musical fragments, numbered #1-9; 368/3 -non-musical fragments with musical offsets, numbered #1-3.

DIAMM, 2017
Notation

Black mensural notation with red coloration and black mensural notation with black void semiminims

DIAMM, 2017
Foliation

No original foliation remains.

DIAMM, 2017
Foliation

1-7A, 7B-10, 21-22, 31-41 (in Bodley)

DIAMM, 2017
Index

Modern inventory

DIAMM, 2017
Surface

Parchment

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

1 Mass, 1 Gloria-Credo pair, 2 Credo-Sanctus pairs, 2 Glorias, 3 Sanctus, 2 Magnificats, 5 motets, 5 unidentified pieces (probably motets) = 21 (all fragmentary)

(Turges)-1, anon-20

At least 140 parchment fragments (37 of which contain music), of irregular shapes and widely varying sizes, recovered from wallpaper in rooms of New College, Oxford. Highly fragile condition; accessible for study, but not yet for photography. Music fragments apparently the only surviving remnants of two large choirbooks, one containing Masses, the other, Magnificats and votive antiphons. No original foliation remains.

Fragments provisionally arranged in eight folders, of which the first three contain music: 368/1-music fragments numbered by Roger Bowers, #1-7A, 7B-10, #21-22, #31-41 (# 37 consists of two fragments stuck together); 368/2 - smaller musical fragments, numbered #1-9; 368/3 -non-musical fragments with musical offsets, numbered #1-3. Modern inventory. Black mensural notation with red coloration (Magnificats and motets); black mensural notation with black void semiminims (Masses).

Ca. 1490 (Magnificats and motets); ca. 1510 (Masses). Probably copied in Oxford, for use by the New College chapel choir (Roger Bowers). Original manuscripts disassembled ca. 1550(?) and used as backing for painted decoration of ceiling beams in main quadrangle of New College. Fragments discovered and removed by decorators in early 1960's, then placed in New College Library; deposited in Bodleian Library in 1978.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

7b

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
[-] Marian. Antiphon - Anonymous

Marian. Antiphon

Anonymous
Appears on: [-]
Genres: Marian antiphon
Voice: [no designation]
Languages: Latin
Voice Text: Marian. Antiphon
[-] Marian. Antiphon - Anonymous

Marian. Antiphon

Anonymous
Appears on: [-]
Genres: Marian antiphon
Voice: [no designation]
Languages: Latin
Voice Text: Marian. Antiphon
[-] Marian. Antiphon - Anonymous

Marian. Antiphon

Anonymous
Appears on: [-]
Genres: Marian antiphon
Voice: [no designation]
Languages: Latin
Voice Text: Marian. Antiphon
[-] O bone Jesu illumina oculos meos - Anonymous
Appears on: [-]
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: O bone Iesu illumina oculos meos
[-] Gaude flore virginali -
Appears on: [-]
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Gaude flore virginali
Composer Compositions
Anonymous
Turges, Edmund
Composition Composers (? Uncertain) Folios / Pages
Gaude flore virginali [-]
Marian. Antiphon Anonymous [-]
Marian. Antiphon Anonymous [-]
Marian. Antiphon Anonymous [-]
O bone Jesu illumina oculos meos Anonymous [-]

Images © New College, Oxford

denotes primary source study

Curtis, Gareth R K, and Andrew B Wathey. 1994. Fifteenth-Century English Liturgical Music: A List of the Surviving Repertory. Royal Musical Association Research Chronicle, 1-69.

de la Mare, A C, and Bruce C Barker-Benfield (editors). 1980. Manuscripts at Oxford: an exhibition in memory of Richard William Hunt (1908-1979), Keeper of Western Manuscripts at the Bodleian Library Oxford, 1945-1975.  Oxford. Pages: 115-6, Fig. 75. Notes: physical description (partial); contents list (partial); facsimile (partial).

Hamm, Charles E, and Herbert Kellman (editors). 1979-1988. Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550. Renaissance Manuscript Studies. 5 vols. Neuhausen nr. Stuttgart: American Institute of Musicology, Hänssler Verlag.

Hunt, Richard William. 1979. The Medieval Library. New College 1379-1979, 317-45. Oxford. Pages: 339. Notes: mention of MS.

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Julia Craig-McFeely

Thursday, 17 August, 2023

DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Physical Description Note; Binding Note; Notation Note; Foliation Note; Foliation Note; Contents Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description