GB-WO Add. 68 (Worcester fragments)

Dean and Chapter Library, Worcester, England

flyleaves, fragments: 14th century: c.1300

Archive	Dean and Chapter Library, Worcester, England (GB-WO)
Shelfmark	Add. 68 (Worcester fragments)
Surface	Parchment
Numbering System	Foliation
Format	portrait
Measurements	xii: 345 x 230 mm, xviii: 305 x 210 mm, xix: 276 x 202 mm, xx: 260 x 197 mm, xxix: 228 x 168 mm, xxx: 100 x 140 mm, xxxii: 238 x 206 mm, xxxiv: 109 x 51 mm, xxxix/1: 64 x 275 mm
Other Identifiers	RISM: Worc
Notations	English mensural
Relationships	Voragine, Jacobus de (author (of treatise)) ? Worcester Cathedral (commissioned/made for) Leyntall, Rogero (mentioned in liminary text) Alson, Willelmus (mentioned in liminary text) Dangour, Michael (mentioned in liminary text) Bocoke, Thomas (mentioned in liminary text) Louyd, William (mentioned in liminary text) Betol, Thomas (mentioned in liminary text) Morgan, Johannis (mentioned in liminary text) Flacchere, Wyllelmus (mentioned in liminary text)
Provenance	England
Contents	124 pieces from 1 composers

General Description

A collection of fragments from volumes in Worcester Cathedral library, from manuscripts which were subsequently re-used as flyleaves.Additional fragments are in the Bodleian Library and the British Library.

The original manuscripts were probably broken up in the 1520s; fragments have been recovered from volumes bound c. 1527-31, most surviving in Worcester Cathedral.

Fragments of 57 folios survive: fr. ix (2 leaves); x (2); xi (2); xii (1); xiii (4); xviii (2); xix (6); xx (2); xxviii (4); xxix (4); xxx (6); xxxi (1); xxxii (1); xxxiv (4); xxxv (6); xxxix (2); xl (2); xli (1); xlii (1). These come from 10 different manuscripts.

Fragments x, xi, xiii, xxviii, xxxi, xl, xli & xlii form part of 'Worcester 1' (the 'motet book'); fragments ix & xxxv form part of 'Worcester 2' (the 'large-format book'); and fragments xix & xxxii form part of 'Worcester 3' (the 'conductus book') - qq.v.

The remaining fragments (xii, xviii, xx, xxix, xxx, xxxiv & xxxix/1) are each the remains of different manuscripts. Of these, fr. xii is mostly palimpsest & illegible; fr. xxix is 2 bifolia which, though now sewn together, are not consecutive and may be in the wrong order; fr. xxx, b-recto has the old numeration 'IIII'; fr. xxxivA, which contains fragments of polyphony, was recovered from the same book as fr. xxviii but unlike fr. xxviii does not come from 'Worcester 1' (EECM57 contrary to Thomson 2001); fr. xxxivB is from a different source, and monophonic: and fr. xxxix/1 is in Franconian notation.

DIAMM, 2020

Notation

longs and breves, and the lozenge-shaped notes of the so-called English mensural notation

JCM, 2011

Ruling

9-12 red or brown five-line staves per page

DIAMM, 2020

Foliation

ix (2); x (2); xi (2); xii (1); xiii (4); xviii (2); xix (6); xx (2); xxviii (4); xxix (4); xxx (6); xxxi (1); xxxii (1); xxxiv (4); xxxv (6); xxxix (2); xl (2); xli (1); xlii (1)

JCM, 2011

Decoration

red-blue initials

DIAMM, 2020

Surface

Parchment

JCM, 2011

RISM Description

RISM B/IV 1: A collection of fragments, mostly polyphonic, which were formerly flyleaves in a number of Worcester manuscripts and are now kept in a plain cloth binder. Fragments ix, x, xi, xiii, xxviii, xxxi and xxxv have been dealt with under the ms Oxford, Bodleian Library, Lat. liturg. d. 20. The remaining fragments are xii, xviii, xix, xx, xxix, xxx, xxxii, and xxxiv, meas. respectively 345 x 230 mm, 305 x 210 mm., 276 x 202 mm., 260 x 197 mm., 228 x 168 mm., 100 x 140 mm., 238 x 206 mm., and 109 x 51 mm. at the maximum. In addition, there are 3 binding strips meas. 212 x 33 mm., 286 x 34 mm., and 141 x 36 mm., which are numbered xxxiv a, b and c. Of these three, c is little use and a is not much better; b is a horizontal strip beg.: "te dicat nova tibi promens cantica" on the recto and "-a resultet plectro laudu leta carmine" on the verso. Fragment xxxiv itself is another binding strip of the late 13th century, like the preceding: only 2 voices are visible on the verso and one on the recto. These pieces alone are not transcribed in DittmerWF, perhaps owing to their fragmentary state. They are in English mensural notation. Fragment xii is early 14th century: the recto contains long-breve notation, the verso has groups of semibreves but no minims. Fragment xviii is from the first half of the 13th century according to Dittmer, but perhaps a date in the second half of that century would be more realistic. The notation is of English mensural type again. Fragment xix is more substantial and consists of 3 bifolios, though only half of f. al, bl and cl remains. It dates from the Ars Nova period c. 1330 or a little earlier, but the notation is mainly of long-breve or Petronian type. There is, however, a faded piece in Ars Nova notation on f. al verso, and f. cl verso and c 2 contain odd minims. Fragment xx dates from c. 1300 and again uses long-breve or, on f. 2, English mensural notation. Fragment xxix, which contains several monodies, could well be as early as the mid-13th century, like fragment xxx. An old folio number XIIII appears at t.m.r. on f. a 2. There are 15 staves per page and the notation is of Notre Dame type, except that English mensural traits appear particularly in no. 4. Fragment xxx may in fact belong to the first half of the 13th century with its undifferentiated longs for single notes and its four-line staves. Fragment xxxii dates from the same period as xix and may be from the same original ms.

RISM Supplement:

WORCESTER, CATHEDRAL LIBRARY, ADD. MS 68, FRAGMENT XXXIX/1

s. xiii/xiv

2 fols, (fragmentary; foliated A and B). Parchment. Now 64 X 275 mm. Written space at least 122 mm wide. Ruling: freely-ruled red five-line staves (16-16.5 mm). Collation: a strip cut from the top of a bifolium; the evidence of the gutter is inconclusive, and although the modern foliation of the leaves has been followed here, it may be that B was originally the first of the two leaves. The bifolium has two original sewing-holes, 32 mm apart. Script: an erratic mixture of gothica textualis quadrata, semi-quadrata and sine pedibus. Notation: unstemmed semibreves, without dot of division, used melismatically. Decoration: capitals in text splashed in red, and a red ornament used to fill the gaps in the text underlay. Written in England, probably at Worcester. Used to bind WOc, MS F. 45, a s. xiv copy of Jacobus de Voragine, Legenda sanctorum, in which it was probably the turnover of the front pastedown (now lost). A fragment of the front flyleaf (frag, xxxix/2) survives, on which some notes and stave lines have been offset, together with some fragments of an account, s. xiii. Both fragments were removed in July 1940, when MS F. 45 was rebound by Baylis, Lewis and Co., and were placed in Add. MS 68 in August 1990. MS F. 45 was bound at Worcester, probably s. xv med., in white whittawed leather over bevelled oak boards (see Floyer and Hamilton), with two clasps; this binding was removed in 1940, although the boards, bearing marks from the clasp-pins, were retained. This manuscript may have been written at Worcester, and was in the possession of the Cathedral Priory by s. xv in; fol. lv, 'Liber ecclesie cathedralis beate Marie Wygorn' quem' [breaks off], s. xiv/xv; the verso of the last written folio bears the words 'Iste liber constat dompno Rogero Leyntall monacho Wigorn' ', followed by a list of payments, s. xv in. Other names scribbled s. xv ex. and s. xvi: 'Dompnus Willel-mus Alson', and 'Michael Dangour' (fol. lv); 'Thomas Bocoke', 'William Louyd', 'Thomas Betoll', 'Johannis Morgan', 'Wyllelmus Flacchere' (rear flyleaves). Other scribbles include: 'Nota quod istud adverbium alterutrum singnificat [sic] societatem sive bona fuerit sive mala, per Ion', s. xiv/xv (fol. lv); 'Putt it to no grefe it ys as mucc as to sae as thall a be in the telche', and 'Quam scripsit hoc carmen sit benedictus. amen', s. xv, and a short narrative of a horse theft [?], 'Will b.e here of this ferely. fare how Johanne Reveil tomyde his mare margarit hyllde be halter ...', s. xiv/xv (rear flyleaves). No. 247 in the catalogue of the Cathedral's books made c. 1622 by Patrick Young. I am grateful to Professor William Summers for drawing my attention to this source.

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Répertoire International des Sources Musicales

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Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
fr. ix, 1r & 2v	Alleluia. Laetabitur justus	-	Anonymous
Alleluia. Laetabitur justus Anonymous Appears on: fr. ix, 1r & 2v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: … Et honore speciali/[T. Alleluya V. Letabitur iustus] Layout parts
fr. ix, 1r & 2v	Gaude, plaude na... obra / Al-, Gaude, plaude ... Judicabunt sancti / Al-, Gaude, plaude ... Judicabunt sancti	-	Anonymous
Gaude, plaude na... obra / Al-, Gaude, plaude ... Judicabunt sancti / Al-, Gaude, plaude ... Judicabunt sancti Anonymous Appears on: fr. ix, 1r & 2v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Gaude plaude/T. Alleluya V. Iudicabunt sancti Layout parts
fr. ix, 1v & 2r	...-nis et gloria in caelestis. Alleluia. V. Fulgebunt justi. et tamquam / ...nis et gloria in caelestis. Alleluia. V. Fulgebunt iust / ...nis et gloria in caelestia Alleluia V. Fulgebunt justi. et tamquam	-	Anonymous
...-nis et gloria in caelestis. Alleluia. V. Fulgebunt justi. et tamquam / ...nis et gloria in caelestis. Alleluia. V. Fulgebunt iust / ...nis et gloria in caelestia Alleluia V. Fulgebunt justi. et tamquam Anonymous Appears on: fr. ix, 1v & 2r Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Et tanquam scintille/ . . . et gloria in celestia/T. Alleluya V. Fulgebunt iusti Layout parts General Note latter part of all 3 voices practically complete, but opening fragmentary and mainly lost; end of Mot and T in Oxford, Lat. liturg. d. 20. f. 28
fr. ix, 1v & 2r	Alme veneremur diei preconia Alleluia. V. Justi epulentur	-	Anonymous
Alme veneremur diei preconia Alleluia. V. Justi epulentur Anonymous Appears on: fr. ix, 1v & 2r Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Alme veneremur diei/Alme veneremur diei/T. Alleluya V. Iusti epulentur Layout parts General Note Tr and beginning of T only; continuation of T and complete Mot in Oxford, Lat. liturg. d. 20, f. 28; as a whole, Tr and Mot are slightly mutilated, while T is largely missing
fr. x, 1r	Christe lux mundi perpetua ... clemens eleison	-	Anonymous
Christe lux mundi perpetua ... clemens eleison Anonymous Appears on: fr. x, 1r Genres: Mass Ordinary, Troped Kyrie Voice: [no designation] Languages: Latin, Greek Voice Text: Christe lux mundi perpetua . . . clemens eleyson General Note An isolated part of a presumably 3-part Kyrie Tro, beg. at the Christe. Layout parts
fr. x, 1v–fr. x, 2v	[Lux polis] refulgens [aure]a fit immensis / Lux et gloria regis caelici / Kyrie eleison	-	Anonymous
[Lux polis] refulgens [aure]a fit immensis / Lux et gloria regis caelici / Kyrie eleison Anonymous Appears on: fr. x, 1v–fr. x, 2v Genres: Kyrie eleison, Mass Ordinary, Motet Voice: [no designation] Languages: Latin, Greek Voice Text: [Lux polis] refulgens a[urea] fit inmensis/Lux et gloria/T. Kyrieleyson General Note Middle part of 3rd invocation lost. Layout parts
fr. x, 2r	[untexted]	-	Anonymous
[untexted] Anonymous Appears on: fr. x, 2r Genres: textless Voice: [no designation] Languages: none General Note Two isolated parts in 15th century white notes, complete as shown Layout parts
fr. x, 2v	Benedicta domina mundi per spatia	-	Anonymous
Benedicta domina mundi per spatia Anonymous Appears on: fr. x, 2v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Benedicta domina mundi per spacia General Note Isolated upper part of a presumably three-part work. Layout parts
fr. xi, 1r	Salve fenestra vitrea solis / ... grantis fumi virgula fumus ... nobis locum angelicus	-	Anonymous
Salve fenestra vitrea solis / ... grantis fumi virgula fumus ... nobis locum angelicus Anonymous Appears on: fr. xi, 1r Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Salve fenestra vitrea/ … -grantis fumi virgula fumus ex aromati … / … General Note Mot cut away at right; T fragmentary; Tr lost with f.cxxxv verso) Layout parts
fr. xi, 1r	Felix illa curia	-	Anonymous
Felix illa curia Anonymous Appears on: fr. xi, 1r Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Felix illa curia [void notation scribble] General Note 25 notes of a 15th century Tr only Layout parts
fr. xi, 1v	Gaude Maria, plaude, dulcis et amena ... radat rubigenem / Gaude, Maria virgo	-	Anonymous
Gaude Maria, plaude, dulcis et amena ... radat rubigenem / Gaude, Maria virgo Anonymous Appears on: fr. xi, 1v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: [Gaude Mari]ia plaude dulcis et amena/T. [Gaude] Maria virgo General Note Tr cut away at left; Mot lost; T opening cut away. Layout parts
fr. xi, 2r	O regina gloriae, Maria	-	Anonymous
O regina gloriae, Maria Anonymous Appears on: fr. xi, 2r Genres: Motet Voice: [no designation] Languages: Latin Voice Text: O regina glorie Maria/T. [pes] General Note Complete Mot plus second half of T only. Layout parts
fr. xi, 2v	O decus predicantium, predicatorum	-	Anonymous
O decus predicantium, predicatorum Anonymous Appears on: fr. xi, 2v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: O decus predicancium/T. [Agmina] General Note Tr plus first half of T only Layout parts
fr. xii, 1r	Ut recreatur caelitus in te corda reposita	-	Anonymous
Ut recreatur caelitus in te corda reposita Anonymous Appears on: fr. xii, 1r Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Ut recreatur celitus in te corda reposita General Note Tr and Primus T missing Layout parts Item Bibliography Dittmer, Luther A (editor). 1957. The Worcester Fragments: A Catalogue Raisonné and Transcription, s.l. Musicological Studies and Documents. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: facs.] no. 78.
fr. xii, 1v	Inter choros paradisicolarum / Invictis pueris inter flammas	-	Anonymous
Inter choros paradisicolarum / Invictis pueris inter flammas Anonymous Appears on: fr. xii, 1v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Inter choros paradisicolarum / Invitis pueris inter flammas Layout parts Item Bibliography Dittmer, Luther A (editor). 1957. The Worcester Fragments: A Catalogue Raisonné and Transcription, s.l. Musicological Studies and Documents. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: [facs.] no. 79.
fr. xii, 1v	Regnum sine termino manet / Regnum tuum solidum	-	Anonymous
Regnum sine termino manet / Regnum tuum solidum Anonymous Appears on: fr. xii, 1v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Regnum sine termino manet / Regnum tuum solidum Layout parts
fr. xii, 1v	Kyrie rex genitor ... Christe lux oriens	-	Anonymous
Kyrie rex genitor ... Christe lux oriens Anonymous Appears on: fr. xii, 1v Genres: Mass Ordinary General Note fragmentary voice that is the only material visible from the original musical layer now mainly erased; either Tenor of troped chant, or monophonic.
fr. xiii, 1r	Pro beati Pauli gloria dat preconia / O pastor patris summi regis gregi / O preclara patrie caelestis bina / Pro patribus	-	Anonymous
Pro beati Pauli gloria dat preconia / O pastor patris summi regis gregi / O preclara patrie caelestis bina / Pro patribus Anonymous Appears on: fr. xiii, 1r Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Pro beati Pauli/O pastor patris/O preclara patrie/T. Pes de Pro beati Pauli et de O pastor patris et de O preclara patrie [Pro patribus] General Note top stave cut away completely Layout parts
fr. xiii, 1r	white notation fragment on two lines	-	Anonymous
white notation fragment on two lines Anonymous Appears on: fr. xiii, 1r Genres: Motet Voice: [no designation] Languages: insufficient Voice Text: [white notation fragment on two lines]
fr. xiii, 1v–fr. xiii, 2r	Te Domine laudat angelicus ord ... Expl: servamus Marie filium / Te Dominum clamat angelicus ordo ... Expl: ut intremus regni / palatium / Pes super de Te Domine et de Te Dominum	-	Anonymous
Te Domine laudat angelicus ord ... Expl: servamus Marie filium / Te Dominum clamat angelicus ordo ... Expl: ut intremus regni / palatium / Pes super de Te Domine et de Te Dominum Anonymous Appears on: fr. xiii, 1v–fr. xiii, 2r Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Te domine laudat/Te dominum clamat/T. Pes super de Te domine et de Te dominum General Note Top stave of both pages cut away Layout parts
fr. xiii, 1v–fr. xiii, 2r	Virginis Marie laudemus preconia / Salve, gemma virginum que portasti / Pes super Virginis Marie et Salve, gemma	-	Anonymous
Virginis Marie laudemus preconia / Salve, gemma virginum que portasti / Pes super Virginis Marie et Salve, gemma Anonymous Appears on: fr. xiii, 1v–fr. xiii, 2r Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Virginis Marie laudemus/Salve gemma virginum/T. Pes super Virginis Marie et Salve gemma [Veritatem] Layout parts
fr. xiii, 2v	O debilis, o flebilis conditio ...Expl... sit interminabilis. / Pes super O debilis / Primus pes super O debilis	-	Anonymous
O debilis, o flebilis conditio ...Expl... sit interminabilis. / Pes super O debilis / Primus pes super O debilis Anonymous Appears on: fr. xiii, 2v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: O debilis o flebilis/T. Pes super O debilis/T. Primus pes super O debilis General Note Top stave of highest voice cut away Layout parts
fr. xiii, 3r	[Fulgens stella] .. qui quid homo gescit reconsilias / Pes de Fulgens stella	-	Anonymous
[Fulgens stella] .. qui quid homo gescit reconsilias / Pes de Fulgens stella Anonymous Appears on: fr. xiii, 3r Genres: Motet Voice: [no designation] Languages: Latin Voice Text: [Fulgens stella] . . . quiquid homo gescit/T. Pes de Fulgens stella General Note First half of Mot missing Layout parts
fr. xiii, 3v–fr. xiii, 4r	Dulcis Jesu memoria dans ... Expl... amare Dei filium. / Pes de Dulcis Jesu memoria.	-	Anonymous
Dulcis Jesu memoria dans ... Expl... amare Dei filium. / Pes de Dulcis Jesu memoria. Anonymous Appears on: fr. xiii, 3v–fr. xiii, 4r Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Dulcis Iesu memoria/Pes de Dulcis Iesu memoria General Note Top staves cut away; 33 internal measures of T lost Layout parts
fr. xiii, 4r	Puellare gremium mundo fudit gaudium / Purissima mate Domini Maria / Pes super Puellare et Purissima	-	Anonymous
Puellare gremium mundo fudit gaudium / Purissima mate Domini Maria / Pes super Puellare et Purissima Anonymous Appears on: fr. xiii, 4r Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Puellare gremium/Purissima mater/T. Pes super Puellare et Purissima Layout parts
fr. xiii, 4v	Sanctus et eternus Deus pater Expl: Sanctus, sanctus in excelsis. / Sanctus. Sanctus	-	Anonymous
Sanctus et eternus Deus pater Expl: Sanctus, sanctus in excelsis. / Sanctus. Sanctus Anonymous Appears on: fr. xiii, 4v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Sanctus et eternus deus/T. Sanctus General Note Top stave cut away but this Sanctus Tro reconstructed from [61] Layout parts
fr. xviii, 1r	Benedicta. V. Virgo Dei genitrix	-	Anonymous
Benedicta. V. Virgo Dei genitrix Anonymous Appears on: fr. xviii, 1r Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Benedicta. V. Virgo dei genitrix General Note very mutilated and apparently impossible to transcribe; as usual, the upper voice has a tropic text; the two voices are written in separate parts Layout parts
fr. xviii, 1v–fr. xviii, 2r	Alleluia. Nativitas gloriosae	-	Anonymous
Alleluia. Nativitas gloriosae Anonymous Appears on: fr. xviii, 1v–fr. xviii, 2r Genres: Motet Voice: [no designation] Languages: Latin Voice Text: [Al]leluya. V. Nativitas General Note although this organum is unique, the "Ex semine Habrahae" motet embedded in it is by Perotin and is identical with the clausula "Ex semine" in F 143; Tr of stave mostly erased Layout score
fr. xviii, 2r	Sanctus & Benedictus	-	Anonymous
Sanctus & Benedictus Anonymous Appears on: fr. xviii, 2r Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Sanctus Sanctus Sanctus dominus deus sabaoth … Benedictus
fr. xviii, 2r–fr. xviii, 2v	Ad honorem lumini regis	-	Anonymous
Ad honorem lumini regis Anonymous Appears on: fr. xviii, 2r–fr. xviii, 2v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Ad honorem lumini regis
fr. xix, 1r (a1-recto)–fr. xix, 1v (a1-verso)	... merenti modo scitienti	-	Anonymous
... merenti modo scitienti Anonymous Appears on: fr. xix, 1r (a1-recto)–fr. xix, 1v (a1-verso) Genres: Motet Voice: [no designation] Languages: Italian Voice Text: … merenti modo scitienti … General Note fragmentary owing to loss of right margin; opening also lost; conclusion erased Layout score Item Bibliography Dittmer, Luther A (editor). 1957. The Worcester Fragments: A Catalogue Raisonné and Transcription, s.l. Musicological Studies and Documents. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: [facs.] no. 82.
fr. xix, 1v (a1-verso)	fragment of 2-voice composition	-	Anonymous
fragment of 2-voice composition Anonymous Appears on: fr. xix, 1v (a1-verso) Voice: [no designation] Languages: none Voice Text: [frag. of two-voice composition in score in void notation] General Note a few jottings mainly in semibreves and minims Layout parts
fr. xix, 1v (a1-verso)	[Gloria, laus et honor] tibi sit	-	Anonymous
[Gloria, laus et honor] tibi sit Anonymous Appears on: fr. xix, 1v (a1-verso) Genres: Motet Voice: [no designation] Languages: Latin Voice Text: [Gloria laus et honor] tibi sit General Note practically illegible, but employs much semibreve-minim movement
fr. xix, 2r (b1-recto)	Benedictus	-	Anonymous
Benedictus Anonymous Appears on: fr. xix, 2r (b1-recto) Genres: Motet Voice: [no designation] Languages: Latin Voice Text: [Benedictus]
fr. xix, 2r (b1-recto)–fr. xix, 2v (b1-verso)	Sanctus & benedictus	-	Anonymous
Sanctus & benedictus Anonymous Appears on: fr. xix, 2r (b1-recto)–fr. xix, 2v (b1-verso) Genres: Mass Ordinary, Sanctus [& Benedictus] Voice: [no designation] Languages: Latin Voice Text: [Sanctus] General Note textless Sanctus, fragmentary owing to loss of right and left margin respectively Layout score
fr. xix, 2v (b1-verso)	Agnus Dei	-	Anonymous
Agnus Dei Anonymous Appears on: fr. xix, 2v (b1-verso) Genres: Agnus Dei, Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: Agnus dei General Note fragmentary owing to loss of left margin Layout score
fr. xix, 2v (b1-verso)–fr. xix, 3r (c1-recto)	[Gloria, laus et honor] tibi sit	-	Anonymous
[Gloria, laus et honor] tibi sit Anonymous Appears on: fr. xix, 2v (b1-verso)–fr. xix, 3r (c1-recto) Genres: Motet Voice: [no designation] Languages: Latin Voice Text: [Gloria laus et honor] tibi sit . . . General Note fragmentary owing to loss of left and right margins respectively Layout score
fr. xix, 3v (c1-verso)	[Gloria, laus et honor tibi sit]	-	Anonymous
[Gloria, laus et honor tibi sit] Anonymous Appears on: fr. xix, 3v (c1-verso) Genres: Motet Voice: [no designation] Languages: Latin Voice Text: [Gloria laus et honor] tibi sit rex Christe ... Expl ... cum prece, voto, himnis as[sumus ecce tibi.] General Note fragmentary owing to loss of left margin Layout score
fr. xix, 4r (c2-recto)	... nos sceleris sic que sanctifica ... dans regna celica ... Amen	-	Anonymous
... nos sceleris sic que sanctifica ... dans regna celica ... Amen Anonymous Appears on: fr. xix, 4r (c2-recto) Genres: Motet Voice: [no designation] Languages: Latin Voice Text: . . . nos sceleris sic que sanctifica. . . dans regna celica. Amen. General Note first part of composition lost Layout score
fr. xix, 4r (c2-recto)	jottings in semibreves and minims	-	Anonymous
jottings in semibreves and minims Anonymous Appears on: fr. xix, 4r (c2-recto) Genres: Motet Voice: [no designation] Languages: insufficient Voice Text: [jottings in semibreves and minims]
fr. xix, 4v (c2-verso)–fr. xix, 5r (b2-recto)	Et in terra pax [Gloria]	-	Anonymous
Et in terra pax [Gloria] Anonymous Appears on: fr. xix, 4v (c2-verso)–fr. xix, 5r (b2-recto) Genres: Gloria (et in terra pax), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: Et in terra pax Layout score
fr. xix, 5v (b2-verso)	Regina regnans regis palatio	-	Anonymous
Regina regnans regis palatio Anonymous Appears on: fr. xix, 5v (b2-verso) Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Regina regnans regis palatio General Note ending missing Layout score
fr. xix, 6r (a2-recto)	... angelorum agmina transcendens Maria	-	Anonymous
... angelorum agmina transcendens Maria Anonymous Appears on: fr. xix, 6r (a2-recto) Genres: Motet Voice: [no designation] Languages: Latin Voice Text: . . . angelorum agmina transcendens Maria General Note ending only Layout score
fr. xix, 6r (a2-recto)	Beata viscera Marie virginis	-	Anonymous
Beata viscera Marie virginis Anonymous Appears on: fr. xix, 6r (a2-recto) Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Beata viscera Marie virginis Layout score
fr. xix, 6v (a2-verso)	Salve, rosa florum salutis	-	Anonymous
Salve, rosa florum salutis Anonymous Appears on: fr. xix, 6v (a2-verso) Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Salve rosa florum salutis puerpera General Note ending missing Layout score
fr. xx, 1r	In excelsis gloria, in terris	-	Anonymous
In excelsis gloria, in terris Anonymous Appears on: fr. xx, 1r Genres: Motet Voice: [no designation] Languages: Latin Voice Text: [In excelsis gloria, in terris] / [In excelsis gloria, in terris] / [In excelsis gloria, in terris] General Note second half of lower two voices only Layout parts
fr. xx, 1v	Gaudeat ecclesia	-	Anonymous
Gaudeat ecclesia Anonymous Appears on: fr. xx, 1v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: [G-] gaudeat ecclesia ... Expl ... / G-, [g]audeat ecclesia cuncti General Note Tr and 2 staves of duplum only; top stave of Tr mainly cut away Layout parts
fr. xx, 2r	Super te, Jerusalem, de sancto / Sed fulsit virginitas de sancto / Dominus	-	Anonymous
Super te, Jerusalem, de sancto / Sed fulsit virginitas de sancto / Dominus Anonymous Appears on: fr. xx, 2r Genres: Motet Voice: [no designation] Languages: Latin Voice Text: [Super te, Ierusalem, de sancto] / Sed fulsit virginitas de sancto / [Dominus] General Note Tr and original T missing; Primus T is really the second T Layout parts
fr. xx, 2v	Crucifixum Dominum in carne	-	Anonymous
Crucifixum Dominum in carne Anonymous Appears on: fr. xx, 2v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Crucifixum dominum in carne General Note Duplum missing Layout parts
fr. xxviii, 1r	O quam glorifica, luce ... virgo Maria ... gaudia luce / O quam felix femina virgo serenissima / O quam beata domina Maria clementissima	-	Anonymous
O quam glorifica, luce ... virgo Maria ... gaudia luce / O quam felix femina virgo serenissima / O quam beata domina Maria clementissima Anonymous Appears on: fr. xxviii, 1r Genres: Motet Layout parts General Note Beginning is on fr. xxxi, f. 1v.
fr. xxviii, 1r	Senator regis curie qua lex abest	-	Anonymous
Senator regis curie qua lex abest Anonymous Appears on: fr. xxviii, 1r Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Senator regis curie/Primus pes/Secundus pes General Note Worcester fragment xxviii Layout parts
fr. xxviii, 1v	Virgo regalis fidei	-	Anonymous
Virgo regalis fidei Anonymous Appears on: fr. xxviii, 1v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Virgo regalis fidei/[Virgo regalis fidei]/Pes General Note Tr and T only, but Mot can be entirely reconstructed by voice exchange, except for the last 6 measures. Layout parts
fr. xxviii, 1v	O venie vena spes saeculi / Illumina morti datis	-	Anonymous
O venie vena spes saeculi / Illumina morti datis Anonymous Appears on: fr. xxviii, 1v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: O venie vena spes seculi/T. Illumina morti datis General Note Tr and T only, but all the first half of the Mot can be reconstructed by voice exchange, except for the first 5 measures. Layout parts
fr. xxviii, 2r	Virgo paris filium sine macula / Virgo Dei genitrix Quem	-	Anonymous
Virgo paris filium sine macula / Virgo Dei genitrix Quem Anonymous Appears on: fr. xxviii, 2r Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Virgo paris filium/T. [Virgo dei] genitrix General Note Mot and 30 internal measures of T only. Layout parts
fr. xxviii, 2r	ave parens	-	Anonymous
ave parens Anonymous Appears on: fr. xxviii, 2r Genres: Liturgical work Voice: [no designation] Languages: Latin Voice Text: .iiii. de ave parens/.v. General Note 1 or 2 isolated parts Layout parts
fr. xxviii, 2v–fr. xxviii, 3r	Aeternae virgo memorie que es sponsa / Aeternae virgo mater mirabilis	-	Anonymous
Aeternae virgo memorie que es sponsa / Aeternae virgo mater mirabilis Anonymous Appears on: fr. xxviii, 2v–fr. xxviii, 3r Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Eterne virgo memorie/Eterna virgo mater/T. [pes] Layout parts
fr. xxviii, 2v–fr. xxviii, 3r	Quam admirabilis et venerabilis	-	Anonymous
Quam admirabilis et venerabilis Anonymous Appears on: fr. xxviii, 2v–fr. xxviii, 3r Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Quam admirabilis/Quam admirabilis/Pes Layout parts
fr. xxviii, 3v	Sol in nube tegitur / Non hircorum sanguine / Pes	-	Anonymous
Sol in nube tegitur / Non hircorum sanguine / Pes Anonymous Appears on: fr. xxviii, 3v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Sol in nube tegitur/Non hircorum sanguine/Pes General Note Tr and part of T only, but, except for the first few measures, Mot can be reconstructed by voice exchange and T by repetition. Layout parts
fr. xxviii, 3v–fr. xxviii, 4r	15th-century work a2, with tenor on verso and superius on recto	-	Anonymous
15th-century work a2, with tenor on verso and superius on recto Anonymous Appears on: fr. xxviii, 3v–fr. xxviii, 4r Genres: Motet Voice: [no designation] Languages: none Voice Text: 15th-century work a2, with tenor on verso and superius on recto
fr. xxviii, 4v	Loquelis archangeli pavet puella	-	Anonymous
Loquelis archangeli pavet puella Anonymous Appears on: fr. xxviii, 4v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Loquelis archangeli/Quartus cantus General Note Tr and Quartus cantus only, but Mot can be reconstructed by voice exchange, except for the last 3 measures. Layout parts
fr. xxviii, 4v	Ave, magnifica Maria... Alleluia. Post partum virgo / Ave, mirifica Maria ... Alleluia. Post partum virgo. / Alleluia. Post partum virgo	-	Anonymous
Ave, magnifica Maria... Alleluia. Post partum virgo / Ave, mirifica Maria ... Alleluia. Post partum virgo. / Alleluia. Post partum virgo Anonymous Appears on: fr. xxviii, 4v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Ave magnifica Maria/[Ave mirifica Maria]/T. Alle[luya] V. Post partum virgo General Note Mot and part of T lost, but first 49 measures of Mot can be reconstructed by voice exchange. Layout parts
fr. xxix, 1r (a1r)	Singularis et insignis mundi domina	-	Anonymous
Singularis et insignis mundi domina Anonymous Appears on: fr. xxix, 1r (a1r) Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Singularis et insignis mundi domina General Note ending fragmentary Layout score
fr. xxix, 1v (a1v)	Sanctus (monophonic)	-	Anonymous
Sanctus (monophonic) Anonymous Appears on: fr. xxix, 1v (a1v) Genres: Mass Ordinary, Sanctus [& Benedictus]
fr. xxix, 1v (a1v)	Ave Maria gracia plena (monophonic)	-	Anonymous
Ave Maria gracia plena (monophonic) Anonymous Appears on: fr. xxix, 1v (a1v) Genres: Ave Maria, Motet
fr. xxix, 1v (a1v)	Ave virgo concipiens (monophonic)	-	Anonymous
Ave virgo concipiens (monophonic) Anonymous Appears on: fr. xxix, 1v (a1v) Genres: Motet
fr. xxix, 2r (b1r)	[illegible]	-	Anonymous
[illegible] Anonymous Appears on: fr. xxix, 2r (b1r) General Note erased sequence or conductus with 3 voice-parts
fr. xxix, 2r (b1r)	Virginis Mariae matris Eleyson [text only with unused 16-line stave above]	-	Anonymous
Virginis Mariae matris Eleyson [text only with unused 16-line stave above] Anonymous Appears on: fr. xxix, 2r (b1r) Genres: Motet, Text only Voice: [no designation] Languages: Latin Voice Text: … marie marrit … vidisti matrem … Eleyson. Preparant Mariam (text only with unused 16-line stave above)
fr. xxix, 2v (b1v)–Worc xxix f. 2v	Ave Maria gratia plena Dominus tecum	-	Anonymous
Ave Maria gratia plena Dominus tecum Anonymous Appears on: fr. xxix, 2v (b1v)–Worc xxix f. 2v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Ave maria gratia plena
fr. xxix, 2v (b1v)	Sanctus	-	Anonymous
Sanctus Anonymous Appears on: fr. xxix, 2v (b1v) Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Sanctus sanctus sanctus dominus deus sabaoth
fr. xxix, 2v (b1v)	... designatur cuius lilia ante partum et post partum	-	Anonymous
... designatur cuius lilia ante partum et post partum Anonymous Appears on: fr. xxix, 2v (b1v) Genres: Conductus, Sequence General Note sequence or conductus, text erased (except in 4th system) and notes not entered
fr. xxix, 3r (b2r)	Benedicta es caelorum regina monophonic	-	Anonymous
Benedicta es caelorum regina monophonic Anonymous Appears on: fr. xxix, 3r (b2r) Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Benedicta es celorum regina [monophonic]
fr. xxix, 3r (b2r)–fr. xxix, 3v (b2v)	Sponsa rectoris omnium summi patris	-	Anonymous
Sponsa rectoris omnium summi patris Anonymous Appears on: fr. xxix, 3r (b2r)–fr. xxix, 3v (b2v) Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Sponsa rectoris omnium summi patris Layout score
fr. xxix, 3v (b2v)	O sponsa Dei electa, esto nobis	-	Anonymous
O sponsa Dei electa, esto nobis Anonymous Appears on: fr. xxix, 3v (b2v) Genres: Motet Voice: [no designation] Languages: Latin Voice Text: O sponsa dei electa, esto nobis Layout score
fr. xxix, 4r (a2r)	[Alleluia. Virga florem germinavit ... mun]di pressuram futuram presciens	-	Anonymous
[Alleluia. Virga florem germinavit ... mun]di pressuram futuram presciens Anonymous Appears on: fr. xxix, 4r (a2r) Genres: Alleluia, Hymn Voice: [no designation] Languages: Latin Voice Text: … di pressuram futuram presciens General Note 2vv in score
fr. xxix, 4r (a2r)	Sanctus (monophonic)	-	Anonymous
Sanctus (monophonic) Anonymous Appears on: fr. xxix, 4r (a2r) Genres: Mass Ordinary, Sanctus [& Benedictus] Voice: [no designation] Languages: Latin Voice Text: Sanctus [monophonic]
fr. xxix, 4r (a2r)–fr. xxix, 4v (a2v)	O Maria virgo pia plena	-	Anonymous
O Maria virgo pia plena Anonymous Appears on: fr. xxix, 4r (a2r)–fr. xxix, 4v (a2v) Genres: Motet Voice: [no designation] Languages: Latin Voice Text: O Maria virgo pia plena [monophonic]
fr. xxx, a1r,-v–fr. xxx, b-recto	De spineto nata rosa	-	Anonymous
De spineto nata rosa Anonymous Appears on: fr. xxx, a1r,-v–fr. xxx, b-recto Genres: Motet Voice: [no designation] Languages: Latin Voice Text: De spineto nata rosa General Note cut away at right Layout score
fr. xxx, a2r–fr. xxx, a2v	... solatium. Et qui mente ... Expl ... jubilando caeli	-	Anonymous
... solatium. Et qui mente ... Expl ... jubilando caeli Anonymous Appears on: fr. xxx, a2r–fr. xxx, a2v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: ... solatium. Et qui mente ... Expl ... iubilando celi General Note fragment of lower part only Layout score
fr. xxx, b-verso	...ium virgo mundi lilium lumen fidelium O mater pia ...	-	Anonymous
...ium virgo mundi lilium lumen fidelium O mater pia ... Anonymous Appears on: fr. xxx, b-verso Genres: Motet Voice: [no designation] Languages: Latin Voice Text: ... precibus sepius vocata ... Expl ... exemplar egre[gium] General Note fragmentary Layout score
fr. xxx, b-verso	Mater patris et filia	-	Anonymous
Mater patris et filia Anonymous Appears on: fr. xxx, b-verso Genres: Motet Voice: [no designation] Languages: Latin Voice Text: [Alleluia. V. Virga florem] ... [mun]di pressuram futuram presciens ... (Expl.:) terminum ante dominum Layout score
fr. xxx, c-recto–fr. xxx, c-verso	Paranimphus salutat virginem	-	Anonymous
Paranimphus salutat virginem Anonymous Appears on: fr. xxx, c-recto–fr. xxx, c-verso Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Paranimphus salutat virginem General Note middle and end missing Layout score
fr. xxxi, 1r	Salve, sancta parens, virgo pare	-	Anonymous
Salve, sancta parens, virgo pare Anonymous Appears on: fr. xxxi, 1r Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Salve, sancta parens, virgo pare / Salve, sancta parens General Note Highest stave cut away but preserved in Oxford, Bodleian library, Mus. c.60, 1 Layout parts score
fr. xxxi, 1v	O quam glorifica, luce ... virgo Maria ... gaudia luce / O quam felix femina virgo serenissima / O quam beata domina Maria clementissima	-	Anonymous
O quam glorifica, luce ... virgo Maria ... gaudia luce / O quam felix femina virgo serenissima / O quam beata domina Maria clementissima Anonymous Appears on: fr. xxxi, 1v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: O quam glorifica luce/O quam felix femina/O quam beata domina/T. [pes] Layout parts General Note Highest stave on f.lxxiii verso cut away, but otherwise complete;continuation at the beginning of Worc fragment no. xxviii, f. 1r
fr. xxxii, 1r	... ardire ad valoris ... [or "... perduc ad polor nostra gaudia"]	-	Anonymous
... ardire ad valoris ... [or "... perduc ad polor nostra gaudia"] Anonymous Appears on: fr. xxxii, 1r Genres: Motet Voice: [no designation] Languages: Latin Voice Text: . . . . perduc ad polor nostra gaudia. [Anderson reads as " . . . ardire ad valoris."] General Note end of piece only; text practically illegible Layout score
fr. xxxii, 1r	Sanctus	-	Anonymous
Sanctus Anonymous Appears on: fr. xxxii, 1r Genres: Mass Ordinary, Sanctus [& Benedictus] Voice: [no designation] Languages: Latin Voice Text: Sanctus Layout score
fr. xxxii, 1v	Grata juvencula, decora[ta?] nimium, floret ut rosula	-	Anonymous
Grata juvencula, decora[ta?] nimium, floret ut rosula Anonymous Appears on: fr. xxxii, 1v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Grata iuvencula decora nimium, floret ut rosula Layout parts
fr. xxxiv A, 1r	... qua Christe exp... Virgo m...	-	Anonymous
... qua Christe exp... Virgo m... Anonymous Appears on: fr. xxxiv A, 1r Genres: Motet Voice: [no designation] Languages: Latin Voice Text: [E]rgo virgo tam beata General Note cut away at left margin and ending missing Layout score
fr. xxxiv A, 1v	textless	-	Anonymous
textless Anonymous Appears on: fr. xxxiv A, 1v Genres: textless General Note 2 staves of a repetitive tenor, one stave of a second hocketing voice
fr. xxxiv B-recto–fr. xxxiv B-verso	plainchant sequences	-	Anonymous
plainchant sequences Anonymous Appears on: fr. xxxiv B-recto–fr. xxxiv B-verso Genres: Sequence General Note Fragment B consists of 3 fragments (a, b, c) containing plainchant sequences for Christmas to Trinity, including 'Sonent regi nato', 'Laudes salvatori voce', 'Jubilans concrepa nunc', 'Eia musa dic quaeso', 'Lux iucunda lux insignis', and 'Vox clarescat mens purgetur'. These are on 4-line staves of gauge 10-11mm. Frag a 212 x 33 mm; b 34 x 286 mm; c 36 x 141 mm.
fr. xxxv, 1r–fr. xxxv, 1v	Alleluia. Regis caelorum mater	-	Anonymous
Alleluia. Regis caelorum mater Anonymous Appears on: fr. xxxv, 1r–fr. xxxv, 1v Genres: Alleluia, Proper Voice: [no designation] Languages: Latin Voice Text: Regis celorum - O regina glorie/Alleluia . . . / T. Alleluya V. Regis celorum mater Layout parts General Note Note: f. 1r begins with the end of the piece on f. 3v - see below
fr. xxxv, 2r	... Unus tamen est divinus ... Expl ... in excelsis / ...caelitus pater natus ... Expl ... in excelsis	-	Anonymous
... Unus tamen est divinus ... Expl ... in excelsis / ...caelitus pater natus ... Expl ... in excelsis Anonymous Appears on: fr. xxxv, 2r Genres: Mass Ordinary, Troped Sanctus Voice: [no designation] Languages: Latin Voice Text: ... Unus tamen est divinus/ . . . celitus pater natus Layout parts
fr. xxxv, 2r–fr. xxxv, 2v	Sanctus, sanctus, sanctus, adonay genitor / Osanna in excel ...Expl ... sis / Osanna in excel ... Expl ... sis	-	Anonymous
Sanctus, sanctus, sanctus, adonay genitor / Osanna in excel ...Expl ... sis / Osanna in excel ... Expl ... sis Anonymous Appears on: fr. xxxv, 2r–fr. xxxv, 2v Genres: Mass Ordinary, Troped Sanctus Voice: [no designation] Languages: Latin Voice Text: Sanctus sanctus sanctus adonay genitor/ . . . Osanna in excelsis/T. [Sanctus] Layout parts
fr. xxxv, 2v	Sanctus Deus ens ingenitus... / Benedictus qui venit ... Expl ... excelsis / Sanctus	-	Anonymous
Sanctus Deus ens ingenitus... / Benedictus qui venit ... Expl ... excelsis / Sanctus Anonymous Appears on: fr. xxxv, 2v Genres: Mass Ordinary, Troped Sanctus Voice: [no designation] Languages: Latin Voice Text: Sanctus Deus ens ingenitus/T. Sanctus Layout parts
fr. xxxv, 3r	Alleluia. O laus sanctorum, felix	-	Anonymous
Alleluia. O laus sanctorum, felix Anonymous Appears on: fr. xxxv, 3r Genres: Alleluia, Proper Voice: [no designation] Languages: Latin Voice Text: O laus sanctorum/T. Alleluya V. O laus sanctorum Layout parts
fr. xxxv, 3r–fr. xxxv, 3v	Alleluia. moduletur Sion filia ... Alleluia. Veni, mater gatiae	-	Anonymous
Alleluia. moduletur Sion filia ... Alleluia. Veni, mater gatiae Anonymous Appears on: fr. xxxv, 3r–fr. xxxv, 3v Genres: Alleluia, Proper Voice: [no designation] Languages: Latin Voice Text: Alleluia Veni mater/Alleluya moduletur Syon/T. Alleluya V. Veni mater gratie preces Layout parts
fr. xxxv, 3v–fr. xxxv, 1r	Ave, magnifica Maria ...Alleluia. V. Dulcis mater / A-, ave, mirifica Maria ...Alleluia. V. Dulcis mater / Alleluia. V. Dulce lignum	-	Anonymous
Ave, magnifica Maria ...Alleluia. V. Dulcis mater / A-, ave, mirifica Maria ...Alleluia. V. Dulcis mater / Alleluia. V. Dulce lignum Anonymous Appears on: fr. xxxv, 3v–fr. xxxv, 1r Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Ave magnifica Maria/Ave mirifica Maria/Alleluya V. Dulcis mater General Note only first 54 measures of Tr + rest of Mot + first 48 and last 11 bars of T; first 49 measures of Mot can be reconstructed by voice exchange. Layout parts
fr. xxxv, 4r	Sanctus & benedictus	-	Anonymous
Sanctus & benedictus Anonymous Appears on: fr. xxxv, 4r Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Benedictus/T. [Sanctus] . . . nomine domini
fr. xxxv, 4r–fr. xxxv, 4v	... in excelsis / Sanctus et eternus Deus / ...venit in nomine	-	Anonymous
... in excelsis / Sanctus et eternus Deus / ...venit in nomine Anonymous Appears on: fr. xxxv, 4r–fr. xxxv, 4v Genres: Mass Ordinary, Troped Sanctus Voice: [no designation] Languages: Latin Voice Text: Sanctus et eternus Deus/ . . . Osanna in celesti/T. [Sanctus] . . .venit in nomine Layout parts
fr. xxxv, 4v	Sanctus ex quo omnia pater / Benedictus	-	Anonymous
Sanctus ex quo omnia pater / Benedictus Anonymous Appears on: fr. xxxv, 4v Genres: Mass Ordinary, Troped Sanctus Voice: [no designation] Languages: Latin Voice Text: Sanctus ex quo omnia pater/T. [Sanctus] Layout parts
fr. xxxv, 4v	Sursum corda elevate dulci corda resonante	-	Anonymous
Sursum corda elevate dulci corda resonante Anonymous Appears on: fr. xxxv, 4v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Sursum corda elevate/T. Sursum corda Layout parts
fr. xxxv, 5r	Salve, mater redemptoris, fons / Salve, lux languentium / Salve, sine spina rosa, flos / Sancta parens enixa puerpera	-	Anonymous
Salve, mater redemptoris, fons / Salve, lux languentium / Salve, sine spina rosa, flos / Sancta parens enixa puerpera Anonymous Appears on: fr. xxxv, 5r Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Salve mater redemptoris/Salve lux languentium/Salve sine spina rosa/T. [Salve] sancta parens enixa puerpera Layout parts
fr. xxxv, 5v	Conditio nature defuit in filio / O natio nephandi generis / Mane prima sabbati	-	Anonymous
Conditio nature defuit in filio / O natio nephandi generis / Mane prima sabbati Anonymous Appears on: fr. xxxv, 5v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Conditio nature/T. General Note Mot missing Layout parts
fr. xxxv, 5v	Loquelis archangeli pavet puella	-	Anonymous
Loquelis archangeli pavet puella Anonymous Appears on: fr. xxxv, 5v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Loquelis archangeli/[Quartus cantus] General Note Tr and Quartus cantus, but Mot can be reconstructed by voice exchange, except for the last 3 measures Layout parts
fr. xxxv, 6r	Alleluia. Gaude, virgo, gaude In tuis laudibus / Gaude per quam cornu David	-	Anonymous
Alleluia. Gaude, virgo, gaude In tuis laudibus / Gaude per quam cornu David Anonymous Appears on: fr. xxxv, 6r Genres: Alleluia, Proper Voice: [no designation] Languages: Latin Voice Text: Alleluia. Gaude, virgo, gaude In tuis laudibus / Gaude per quam cornu David Layout parts General Note beginning preserved in MS. Lat. liturg. d. 20, 25v, while the present source contains the latter part of Tr and T, except for the last few notes of T
fr. xxxv, 6r	Alleluia. Psallat haec familia / Alleluia. Concinat haec familia	-	Anonymous
Alleluia. Psallat haec familia / Alleluia. Concinat haec familia Anonymous Appears on: fr. xxxv, 6r Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Alleluya psallat hec familia/Alleluia psallat hec familia/T. Alleluya concinat - Alleluya [V. Virga Iesse floruit] Layout parts General Note beginning preserved in MS. Lat. liturg. d. 20, 25v; this three-part voice-exchange motet has the same text in both upper parts
fr. xxxv, 6v	Peregrina moror errans in patria	-	Anonymous
Peregrina moror errans in patria Anonymous Appears on: fr. xxxv, 6v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Peregrina moror errans in patria/T. Layout parts
fr. xxxv, 6v	Rex omnipotentie matris precibus	-	Anonymous
Rex omnipotentie matris precibus Anonymous Appears on: fr. xxxv, 6v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Rex omnipotencie matris precibus Layout parts
fr. xxxix/1, A-recto	... tuis in laudibus tu celicis commenda ... [frag. motet on St Katherine]	-	Anonymous
... tuis in laudibus tu celicis commenda ... [frag. motet on St Katherine] Anonymous Appears on: fr. xxxix/1, A-recto Genres: Motet
fr. xxxix/1. A-verso	... Nunc in celis Katerina fluens deliciis ... [frag. motet on St Katherine]	-	Anonymous
... Nunc in celis Katerina fluens deliciis ... [frag. motet on St Katherine] Anonymous Appears on: fr. xxxix/1. A-verso Genres: Motet
fr. xxxix/1, B-recto	... archa panis angelici de qua nostra ... . [frag. Marian motet]	-	Anonymous
... archa panis angelici de qua nostra ... . [frag. Marian motet] Anonymous Appears on: fr. xxxix/1, B-recto Genres: Motet Voice: [no designation] Languages: Latin Voice Text: O Maria virgo pia plena dei gratia
fr. xxxix/1, B-verso	[Paranimphus salutat virginem] ... concipies parvulumque paries ...	-	Anonymous
[Paranimphus salutat virginem] ... concipies parvulumque paries ... Anonymous Appears on: fr. xxxix/1, B-verso Genres: Motet
fr. xl, a-recto	untexted	-	Anonymous
untexted Anonymous Appears on: fr. xl, a-recto Genres: Motet Voice: [no designation] Languages: none Voice Text: [textless]
fr. xl, a-recto	[Angelus ad virginem] ... in conclave virginis ... [pa]ries intacta	-	Anonymous
[Angelus ad virginem] ... in conclave virginis ... [pa]ries intacta Anonymous Appears on: fr. xl, a-recto Genres: Motet Voice: [no designation] Languages: Latin Voice Text: [Angelus ad virginem] . . . in conclave virginis . . . [pa]ries intacta
fr. xl, a-verso	…culorum tempore ... angeli per famina intacta ... vitam que dona morte ...	-	Anonymous
…culorum tempore ... angeli per famina intacta ... vitam que dona morte ... Anonymous Appears on: fr. xl, a-verso Genres: Motet Voice: [no designation] Languages: Latin Voice Text: . . . culorum tempore . . . angeli per famina intacta . . . vitam que dona morte . . .
fr. xl, b-recto	No ...	-	Anonymous
No ... Anonymous Appears on: fr. xl, b-recto Genres: Motet Voice: [no designation] Languages: insufficient Voice Text: No . . .
fr. xl, b-verso	… piste lumen caeli prin...	-	Anonymous
… piste lumen caeli prin... Anonymous Appears on: fr. xl, b-verso Genres: Motet Voice: [no designation] Languages: Italian Voice Text: . . . piste lumen celi prin . . .
fr. xli, 1r	Ave rex gentis Anglorum	-	Anonymous
Ave rex gentis Anglorum Anonymous Appears on: fr. xli, 1r Genres: Motet
fr. xli, 1v	Amor patris praesentatur	-	Anonymous
Amor patris praesentatur Anonymous Appears on: fr. xli, 1v Genres: Motet General Note continuation is on Lat. liturg. d. 20, 12r
fr. xli, 2r	... omnipotentia / ... magnificem ... virgini cum excellencia / laus honor reverencia	-	Anonymous
... omnipotentia / ... magnificem ... virgini cum excellencia / laus honor reverencia Anonymous Appears on: fr. xli, 2r Genres: Motet Voice: [no designation] Languages: insufficient Voice Text: [text lost] General Note beginning is on Lat. liturg. d. 20, 13v
fr. xli, 2v	untexted	-	Anonymous
untexted Anonymous Appears on: fr. xli, 2v Genres: Motet Voice: [no designation] Languages: none Voice Text: [textless]
fr. xlii, 1r	untexted	-	Anonymous
untexted Anonymous Appears on: fr. xlii, 1r Genres: Motet Voice: [no designation] Languages: none
fr. xlii, 1v	untexted	-	Anonymous
untexted Anonymous Appears on: fr. xlii, 1v Genres: textless Voice: [no designation] Languages: none
fr. xlii, 2r	untexted	-	Anonymous
untexted Anonymous Appears on: fr. xlii, 2r Genres: textless Voice: [no designation] Languages: none
fr. xlii, 2v	untexted	-	Anonymous
untexted Anonymous Appears on: fr. xlii, 2v Genres: Motet Voice: [no designation] Languages: none

Composer	Compositions
Anonymous	... Nunc in celis Katerina fluens deliciis ... [frag. motet on St Katherine] – fr. xxxix/1. A-verso ... Unus tamen est divinus ... Expl ... in excelsis / ...caelitus pater natus ... Expl ... in excelsis – fr. xxxv, 2r ... angelorum agmina transcendens Maria – fr. xix, 6r (a2-recto) ... archa panis angelici de qua nostra ... . [frag. Marian motet] – fr. xxxix/1, B-recto ... ardire ad valoris ... [or "... perduc ad polor nostra gaudia"] – fr. xxxii, 1r ... designatur cuius lilia ante partum et post partum – fr. xxix, 2v (b1v) ... in excelsis / Sanctus et eternus Deus / ...venit in nomine – fr. xxxv, 4r–fr. xxxv, 4v ... merenti modo scitienti – fr. xix, 1r (a1-recto)–fr. xix, 1v (a1-verso) ... nos sceleris sic que sanctifica ... dans regna celica ... Amen – fr. xix, 4r (c2-recto) ... omnipotentia / ... magnificem ... virgini cum excellencia / laus honor reverencia – fr. xli, 2r ... qua Christe exp... Virgo m... – fr. xxxiv A, 1r ... solatium. Et qui mente ... Expl ... jubilando caeli – fr. xxx, a2r–fr. xxx, a2v ... tuis in laudibus tu celicis commenda ... [frag. motet on St Katherine] – fr. xxxix/1, A-recto ...-nis et gloria in caelestis. Alleluia. V. Fulgebunt justi. et tamquam / ...nis et gloria in caelestis. Alleluia. V. Fulgebunt iust / ...nis et gloria in caelestia Alleluia V. Fulgebunt justi. et tamquam – fr. ix, 1v & 2r ...ium virgo mundi lilium lumen fidelium O mater pia ... – fr. xxx, b-verso 15th-century work a2, with tenor on verso and superius on recto – fr. xxviii, 3v–fr. xxviii, 4r Ad honorem lumini regis – fr. xviii, 2r–fr. xviii, 2v Aeternae virgo memorie que es sponsa / Aeternae virgo mater mirabilis – fr. xxviii, 2v–fr. xxviii, 3r Agnus Dei – fr. xix, 2v (b1-verso) Alleluia. Gaude, virgo, gaude In tuis laudibus / Gaude per quam cornu David – fr. xxxv, 6r Alleluia. Laetabitur justus – fr. ix, 1r & 2v Alleluia. Nativitas gloriosae – fr. xviii, 1v–fr. xviii, 2r Alleluia. O laus sanctorum, felix – fr. xxxv, 3r Alleluia. Psallat haec familia / Alleluia. Concinat haec familia – fr. xxxv, 6r Alleluia. Regis caelorum mater – fr. xxxv, 1r–fr. xxxv, 1v Alleluia. moduletur Sion filia ... Alleluia. Veni, mater gatiae – fr. xxxv, 3r–fr. xxxv, 3v Alme veneremur diei preconia Alleluia. V. Justi epulentur – fr. ix, 1v & 2r Amor patris praesentatur – fr. xli, 1v Ave Maria gracia plena (monophonic) – fr. xxix, 1v (a1v) Ave Maria gratia plena Dominus tecum – fr. xxix, 2v (b1v)–Worc xxix f. 2v Ave rex gentis Anglorum – fr. xli, 1r Ave virgo concipiens (monophonic) – fr. xxix, 1v (a1v) Ave, magnifica Maria ...Alleluia. V. Dulcis mater / A-, ave, mirifica Maria ...Alleluia. V. Dulcis mater / Alleluia. V. Dulce lignum – fr. xxxv, 3v–fr. xxxv, 1r Ave, magnifica Maria... Alleluia. Post partum virgo / Ave, mirifica Maria ... Alleluia. Post partum virgo. / Alleluia. Post partum virgo – fr. xxviii, 4v Beata viscera Marie virginis – fr. xix, 6r (a2-recto) Benedicta domina mundi per spatia – fr. x, 2v Benedicta es caelorum regina monophonic – fr. xxix, 3r (b2r) Benedicta. V. Virgo Dei genitrix – fr. xviii, 1r Benedictus – fr. xix, 2r (b1-recto) Christe lux mundi perpetua ... clemens eleison – fr. x, 1r Conditio nature defuit in filio / O natio nephandi generis / Mane prima sabbati – fr. xxxv, 5v Crucifixum Dominum in carne – fr. xx, 2v De spineto nata rosa – fr. xxx, a1r,-v–fr. xxx, b-recto Dulcis Jesu memoria dans ... Expl... amare Dei filium. / Pes de Dulcis Jesu memoria. – fr. xiii, 3v–fr. xiii, 4r Et in terra pax [Gloria] – fr. xix, 4v (c2-verso)–fr. xix, 5r (b2-recto) Felix illa curia – fr. xi, 1r Gaude Maria, plaude, dulcis et amena ... radat rubigenem / Gaude, Maria virgo – fr. xi, 1v Gaude, plaude na... obra / Al-, Gaude, plaude ... Judicabunt sancti / Al-, Gaude, plaude ... Judicabunt sancti – fr. ix, 1r & 2v Gaudeat ecclesia – fr. xx, 1v Grata juvencula, decora[ta?] nimium, floret ut rosula – fr. xxxii, 1v In excelsis gloria, in terris – fr. xx, 1r Inter choros paradisicolarum / Invictis pueris inter flammas – fr. xii, 1v Kyrie rex genitor ... Christe lux oriens – fr. xii, 1v Loquelis archangeli pavet puella – fr. xxviii, 4v Loquelis archangeli pavet puella – fr. xxxv, 5v Mater patris et filia – fr. xxx, b-verso No ... – fr. xl, b-recto O Maria virgo pia plena – fr. xxix, 4r (a2r)–fr. xxix, 4v (a2v) O debilis, o flebilis conditio ...Expl... sit interminabilis. / Pes super O debilis / Primus pes super O debilis – fr. xiii, 2v O decus predicantium, predicatorum – fr. xi, 2v O quam glorifica, luce ... virgo Maria ... gaudia luce / O quam felix femina virgo serenissima / O quam beata domina Maria clementissima – fr. xxxi, 1v O quam glorifica, luce ... virgo Maria ... gaudia luce / O quam felix femina virgo serenissima / O quam beata domina Maria clementissima – fr. xxviii, 1r O regina gloriae, Maria – fr. xi, 2r O sponsa Dei electa, esto nobis – fr. xxix, 3v (b2v) O venie vena spes saeculi / Illumina morti datis – fr. xxviii, 1v Paranimphus salutat virginem – fr. xxx, c-recto–fr. xxx, c-verso Peregrina moror errans in patria – fr. xxxv, 6v Pro beati Pauli gloria dat preconia / O pastor patris summi regis gregi / O preclara patrie caelestis bina / Pro patribus – fr. xiii, 1r Puellare gremium mundo fudit gaudium / Purissima mate Domini Maria / Pes super Puellare et Purissima – fr. xiii, 4r Quam admirabilis et venerabilis – fr. xxviii, 2v–fr. xxviii, 3r Regina regnans regis palatio – fr. xix, 5v (b2-verso) Regnum sine termino manet / Regnum tuum solidum – fr. xii, 1v Rex omnipotentie matris precibus – fr. xxxv, 6v Salve fenestra vitrea solis / ... grantis fumi virgula fumus ... nobis locum angelicus – fr. xi, 1r Salve, mater redemptoris, fons / Salve, lux languentium / Salve, sine spina rosa, flos / Sancta parens enixa puerpera – fr. xxxv, 5r Salve, rosa florum salutis – fr. xix, 6v (a2-verso) Salve, sancta parens, virgo pare – fr. xxxi, 1r Sanctus – fr. xxix, 2v (b1v) Sanctus – fr. xxxii, 1r Sanctus & Benedictus – fr. xviii, 2r Sanctus & benedictus – fr. xix, 2r (b1-recto)–fr. xix, 2v (b1-verso) Sanctus & benedictus – fr. xxxv, 4r Sanctus (monophonic) – fr. xxix, 1v (a1v) Sanctus (monophonic) – fr. xxix, 4r (a2r) Sanctus Deus ens ingenitus... / Benedictus qui venit ... Expl ... excelsis / Sanctus – fr. xxxv, 2v Sanctus et eternus Deus pater Expl: Sanctus, sanctus in excelsis. / Sanctus. Sanctus – fr. xiii, 4v Sanctus ex quo omnia pater / Benedictus – fr. xxxv, 4v Sanctus, sanctus, sanctus, adonay genitor / Osanna in excel ...Expl ... sis / Osanna in excel ... Expl ... sis – fr. xxxv, 2r–fr. xxxv, 2v Senator regis curie qua lex abest – fr. xxviii, 1r Singularis et insignis mundi domina – fr. xxix, 1r (a1r) Sol in nube tegitur / Non hircorum sanguine / Pes – fr. xxviii, 3v Sponsa rectoris omnium summi patris – fr. xxix, 3r (b2r)–fr. xxix, 3v (b2v) Super te, Jerusalem, de sancto / Sed fulsit virginitas de sancto / Dominus – fr. xx, 2r Sursum corda elevate dulci corda resonante – fr. xxxv, 4v Te Domine laudat angelicus ord ... Expl: servamus Marie filium / Te Dominum clamat angelicus ordo ... Expl: ut intremus regni / palatium / Pes super de Te Domine et de Te Dominum – fr. xiii, 1v–fr. xiii, 2r Ut recreatur caelitus in te corda reposita – fr. xii, 1r Virginis Mariae matris Eleyson [text only with unused 16-line stave above] – fr. xxix, 2r (b1r) Virginis Marie laudemus preconia / Salve, gemma virginum que portasti / Pes super Virginis Marie et Salve, gemma – fr. xiii, 1v–fr. xiii, 2r Virgo paris filium sine macula / Virgo Dei genitrix Quem – fr. xxviii, 2r Virgo regalis fidei – fr. xxviii, 1v [Alleluia. Virga florem germinavit ... mun]di pressuram futuram presciens – fr. xxix, 4r (a2r) [Angelus ad virginem] ... in conclave virginis ... [pa]ries intacta – fr. xl, a-recto [Fulgens stella] .. qui quid homo gescit reconsilias / Pes de Fulgens stella – fr. xiii, 3r [Gloria, laus et honor tibi sit] – fr. xix, 3v (c1-verso) [Gloria, laus et honor] tibi sit – fr. xix, 2v (b1-verso)–fr. xix, 3r (c1-recto) [Gloria, laus et honor] tibi sit – fr. xix, 1v (a1-verso) [Lux polis] refulgens [aure]a fit immensis / Lux et gloria regis caelici / Kyrie eleison – fr. x, 1v–fr. x, 2v [Paranimphus salutat virginem] ... concipies parvulumque paries ... – fr. xxxix/1, B-verso [illegible] – fr. xxix, 2r (b1r) [untexted] – fr. x, 2r ave parens – fr. xxviii, 2r fragment of 2-voice composition – fr. xix, 1v (a1-verso) jottings in semibreves and minims – fr. xix, 4r (c2-recto) plainchant sequences – fr. xxxiv B-recto–fr. xxxiv B-verso textless – fr. xxxiv A, 1v untexted – fr. xl, a-recto untexted – fr. xlii, 2v untexted – fr. xli, 2v untexted – fr. xlii, 1r untexted – fr. xlii, 1v untexted – fr. xlii, 2r white notation fragment on two lines – fr. xiii, 1r … piste lumen caeli prin... – fr. xl, b-verso …culorum tempore ... angeli per famina intacta ... vitam que dona morte ... – fr. xl, a-verso

Composer

Compositions

Anonymous

... Nunc in celis Katerina fluens deliciis ... [frag. motet on St Katherine] – fr. xxxix/1. A-verso
... Unus tamen est divinus ... Expl ... in excelsis / ...caelitus pater natus ... Expl ... in excelsis – fr. xxxv, 2r
... angelorum agmina transcendens Maria – fr. xix, 6r (a2-recto)
... archa panis angelici de qua nostra ... . [frag. Marian motet] – fr. xxxix/1, B-recto
... ardire ad valoris ... [or "... perduc ad polor nostra gaudia"] – fr. xxxii, 1r
... designatur cuius lilia ante partum et post partum – fr. xxix, 2v (b1v)
... in excelsis / Sanctus et eternus Deus / ...venit in nomine – fr. xxxv, 4r–fr. xxxv, 4v
... merenti modo scitienti – fr. xix, 1r (a1-recto)–fr. xix, 1v (a1-verso)
... nos sceleris sic que sanctifica ... dans regna celica ... Amen – fr. xix, 4r (c2-recto)
... omnipotentia / ... magnificem ... virgini cum excellencia / laus honor reverencia – fr. xli, 2r
... qua Christe exp... Virgo m... – fr. xxxiv A, 1r
... solatium. Et qui mente ... Expl ... jubilando caeli – fr. xxx, a2r–fr. xxx, a2v
... tuis in laudibus tu celicis commenda ... [frag. motet on St Katherine] – fr. xxxix/1, A-recto
...-nis et gloria in caelestis. Alleluia. V. Fulgebunt justi. et tamquam / ...nis et gloria in caelestis. Alleluia. V. Fulgebunt iust / ...nis et gloria in caelestia Alleluia V. Fulgebunt justi. et tamquam – fr. ix, 1v & 2r
...ium virgo mundi lilium lumen fidelium O mater pia ... – fr. xxx, b-verso
15th-century work a2, with tenor on verso and superius on recto – fr. xxviii, 3v–fr. xxviii, 4r
Ad honorem lumini regis – fr. xviii, 2r–fr. xviii, 2v
Aeternae virgo memorie que es sponsa / Aeternae virgo mater mirabilis – fr. xxviii, 2v–fr. xxviii, 3r
Agnus Dei – fr. xix, 2v (b1-verso)
Alleluia. Gaude, virgo, gaude In tuis laudibus / Gaude per quam cornu David – fr. xxxv, 6r
Alleluia. Laetabitur justus – fr. ix, 1r & 2v
Alleluia. Nativitas gloriosae – fr. xviii, 1v–fr. xviii, 2r
Alleluia. O laus sanctorum, felix – fr. xxxv, 3r
Alleluia. Psallat haec familia / Alleluia. Concinat haec familia – fr. xxxv, 6r
Alleluia. Regis caelorum mater – fr. xxxv, 1r–fr. xxxv, 1v
Alleluia. moduletur Sion filia ... Alleluia. Veni, mater gatiae – fr. xxxv, 3r–fr. xxxv, 3v
Alme veneremur diei preconia Alleluia. V. Justi epulentur – fr. ix, 1v & 2r
Amor patris praesentatur – fr. xli, 1v
Ave Maria gracia plena (monophonic) – fr. xxix, 1v (a1v)
Ave Maria gratia plena Dominus tecum – fr. xxix, 2v (b1v)–Worc xxix f. 2v
Ave rex gentis Anglorum – fr. xli, 1r
Ave virgo concipiens (monophonic) – fr. xxix, 1v (a1v)
Ave, magnifica Maria ...Alleluia. V. Dulcis mater / A-, ave, mirifica Maria ...Alleluia. V. Dulcis mater / Alleluia. V. Dulce lignum – fr. xxxv, 3v–fr. xxxv, 1r
Ave, magnifica Maria... Alleluia. Post partum virgo / Ave, mirifica Maria ... Alleluia. Post partum virgo. / Alleluia. Post partum virgo – fr. xxviii, 4v
Beata viscera Marie virginis – fr. xix, 6r (a2-recto)
Benedicta domina mundi per spatia – fr. x, 2v
Benedicta es caelorum regina monophonic – fr. xxix, 3r (b2r)
Benedicta. V. Virgo Dei genitrix – fr. xviii, 1r
Benedictus – fr. xix, 2r (b1-recto)
Christe lux mundi perpetua ... clemens eleison – fr. x, 1r
Conditio nature defuit in filio / O natio nephandi generis / Mane prima sabbati – fr. xxxv, 5v
Crucifixum Dominum in carne – fr. xx, 2v
De spineto nata rosa – fr. xxx, a1r,-v–fr. xxx, b-recto
Dulcis Jesu memoria dans ... Expl... amare Dei filium. / Pes de Dulcis Jesu memoria. – fr. xiii, 3v–fr. xiii, 4r
Et in terra pax [Gloria] – fr. xix, 4v (c2-verso)–fr. xix, 5r (b2-recto)
Felix illa curia – fr. xi, 1r
Gaude Maria, plaude, dulcis et amena ... radat rubigenem / Gaude, Maria virgo – fr. xi, 1v
Gaude, plaude na... obra / Al-, Gaude, plaude ... Judicabunt sancti / Al-, Gaude, plaude ... Judicabunt sancti – fr. ix, 1r & 2v
Gaudeat ecclesia – fr. xx, 1v
Grata juvencula, decora[ta?] nimium, floret ut rosula – fr. xxxii, 1v
In excelsis gloria, in terris – fr. xx, 1r
Inter choros paradisicolarum / Invictis pueris inter flammas – fr. xii, 1v
Kyrie rex genitor ... Christe lux oriens – fr. xii, 1v
Loquelis archangeli pavet puella – fr. xxviii, 4v
Loquelis archangeli pavet puella – fr. xxxv, 5v
Mater patris et filia – fr. xxx, b-verso
No ... – fr. xl, b-recto
O Maria virgo pia plena – fr. xxix, 4r (a2r)–fr. xxix, 4v (a2v)
O debilis, o flebilis conditio ...Expl... sit interminabilis. / Pes super O debilis / Primus pes super O debilis – fr. xiii, 2v
O decus predicantium, predicatorum – fr. xi, 2v
O quam glorifica, luce ... virgo Maria ... gaudia luce / O quam felix femina virgo serenissima / O quam beata domina Maria clementissima – fr. xxxi, 1v
O quam glorifica, luce ... virgo Maria ... gaudia luce / O quam felix femina virgo serenissima / O quam beata domina Maria clementissima – fr. xxviii, 1r
O regina gloriae, Maria – fr. xi, 2r
O sponsa Dei electa, esto nobis – fr. xxix, 3v (b2v)
O venie vena spes saeculi / Illumina morti datis – fr. xxviii, 1v
Paranimphus salutat virginem – fr. xxx, c-recto–fr. xxx, c-verso
Peregrina moror errans in patria – fr. xxxv, 6v
Pro beati Pauli gloria dat preconia / O pastor patris summi regis gregi / O preclara patrie caelestis bina / Pro patribus – fr. xiii, 1r
Puellare gremium mundo fudit gaudium / Purissima mate Domini Maria / Pes super Puellare et Purissima – fr. xiii, 4r
Quam admirabilis et venerabilis – fr. xxviii, 2v–fr. xxviii, 3r
Regina regnans regis palatio – fr. xix, 5v (b2-verso)
Regnum sine termino manet / Regnum tuum solidum – fr. xii, 1v
Rex omnipotentie matris precibus – fr. xxxv, 6v
Salve fenestra vitrea solis / ... grantis fumi virgula fumus ... nobis locum angelicus – fr. xi, 1r
Salve, mater redemptoris, fons / Salve, lux languentium / Salve, sine spina rosa, flos / Sancta parens enixa puerpera – fr. xxxv, 5r
Salve, rosa florum salutis – fr. xix, 6v (a2-verso)
Salve, sancta parens, virgo pare – fr. xxxi, 1r
Sanctus – fr. xxix, 2v (b1v)
Sanctus – fr. xxxii, 1r
Sanctus & Benedictus – fr. xviii, 2r
Sanctus & benedictus – fr. xix, 2r (b1-recto)–fr. xix, 2v (b1-verso)
Sanctus & benedictus – fr. xxxv, 4r
Sanctus (monophonic) – fr. xxix, 1v (a1v)
Sanctus (monophonic) – fr. xxix, 4r (a2r)
Sanctus Deus ens ingenitus... / Benedictus qui venit ... Expl ... excelsis / Sanctus – fr. xxxv, 2v
Sanctus et eternus Deus pater Expl: Sanctus, sanctus in excelsis. / Sanctus. Sanctus – fr. xiii, 4v
Sanctus ex quo omnia pater / Benedictus – fr. xxxv, 4v
Sanctus, sanctus, sanctus, adonay genitor / Osanna in excel ...Expl ... sis / Osanna in excel ... Expl ... sis – fr. xxxv, 2r–fr. xxxv, 2v
Senator regis curie qua lex abest – fr. xxviii, 1r
Singularis et insignis mundi domina – fr. xxix, 1r (a1r)
Sol in nube tegitur / Non hircorum sanguine / Pes – fr. xxviii, 3v
Sponsa rectoris omnium summi patris – fr. xxix, 3r (b2r)–fr. xxix, 3v (b2v)
Super te, Jerusalem, de sancto / Sed fulsit virginitas de sancto / Dominus – fr. xx, 2r
Sursum corda elevate dulci corda resonante – fr. xxxv, 4v
Te Domine laudat angelicus ord ... Expl: servamus Marie filium / Te Dominum clamat angelicus ordo ... Expl: ut intremus regni / palatium / Pes super de Te Domine et de Te Dominum – fr. xiii, 1v–fr. xiii, 2r
Ut recreatur caelitus in te corda reposita – fr. xii, 1r
Virginis Mariae matris Eleyson [text only with unused 16-line stave above] – fr. xxix, 2r (b1r)
Virginis Marie laudemus preconia / Salve, gemma virginum que portasti / Pes super Virginis Marie et Salve, gemma – fr. xiii, 1v–fr. xiii, 2r
Virgo paris filium sine macula / Virgo Dei genitrix Quem – fr. xxviii, 2r
Virgo regalis fidei – fr. xxviii, 1v
[Alleluia. Virga florem germinavit ... mun]di pressuram futuram presciens – fr. xxix, 4r (a2r)
[Angelus ad virginem] ... in conclave virginis ... [pa]ries intacta – fr. xl, a-recto
[Fulgens stella] .. qui quid homo gescit reconsilias / Pes de Fulgens stella – fr. xiii, 3r
[Gloria, laus et honor tibi sit] – fr. xix, 3v (c1-verso)
[Gloria, laus et honor] tibi sit – fr. xix, 2v (b1-verso)–fr. xix, 3r (c1-recto)
[Gloria, laus et honor] tibi sit – fr. xix, 1v (a1-verso)
[Lux polis] refulgens [aure]a fit immensis / Lux et gloria regis caelici / Kyrie eleison – fr. x, 1v–fr. x, 2v
[Paranimphus salutat virginem] ... concipies parvulumque paries ... – fr. xxxix/1, B-verso
[illegible] – fr. xxix, 2r (b1r)
[untexted] – fr. x, 2r
ave parens – fr. xxviii, 2r
fragment of 2-voice composition – fr. xix, 1v (a1-verso)
jottings in semibreves and minims – fr. xix, 4r (c2-recto)
plainchant sequences – fr. xxxiv B-recto–fr. xxxiv B-verso
textless – fr. xxxiv A, 1v
untexted – fr. xl, a-recto
untexted – fr. xlii, 2v
untexted – fr. xli, 2v
untexted – fr. xlii, 1r
untexted – fr. xlii, 1v
untexted – fr. xlii, 2r
white notation fragment on two lines – fr. xiii, 1r
… piste lumen caeli prin... – fr. xl, b-verso
…culorum tempore ... angeli per famina intacta ... vitam que dona morte ... – fr. xl, a-verso

Composition	Composers (? Uncertain)	Folios / Pages
... angelorum agmina transcendens Maria	Anonymous	fr. xix, 6r (a2-recto)
... archa panis angelici de qua nostra ... . [frag. Marian motet]	Anonymous	fr. xxxix/1, B-recto
... ardire ad valoris ... [or "... perduc ad polor nostra gaudia"]	Anonymous	fr. xxxii, 1r
... designatur cuius lilia ante partum et post partum	Anonymous	fr. xxix, 2v (b1v)
... in excelsis / Sanctus et eternus Deus / ...venit in nomine	Anonymous	fr. xxxv, 4r–fr. xxxv, 4v
... merenti modo scitienti	Anonymous	fr. xix, 1r (a1-recto)–fr. xix, 1v (a1-verso)
... nos sceleris sic que sanctifica ... dans regna celica ... Amen	Anonymous	fr. xix, 4r (c2-recto)
... Nunc in celis Katerina fluens deliciis ... [frag. motet on St Katherine]	Anonymous	fr. xxxix/1. A-verso
... omnipotentia / ... magnificem ... virgini cum excellencia / laus honor reverencia	Anonymous	fr. xli, 2r
... qua Christe exp... Virgo m...	Anonymous	fr. xxxiv A, 1r
... solatium. Et qui mente ... Expl ... jubilando caeli	Anonymous	fr. xxx, a2r–fr. xxx, a2v
... tuis in laudibus tu celicis commenda ... [frag. motet on St Katherine]	Anonymous	fr. xxxix/1, A-recto
... Unus tamen est divinus ... Expl ... in excelsis / ...caelitus pater natus ... Expl ... in excelsis	Anonymous	fr. xxxv, 2r
...-nis et gloria in caelestis. Alleluia. V. Fulgebunt justi. et tamquam / ...nis et gloria in caelestis. Alleluia. V. Fulgebunt iust / ...nis et gloria in caelestia Alleluia V. Fulgebunt justi. et tamquam	Anonymous	fr. ix, 1v & 2r
...ium virgo mundi lilium lumen fidelium O mater pia ...	Anonymous	fr. xxx, b-verso
15th-century work a2, with tenor on verso and superius on recto	Anonymous	fr. xxviii, 3v–fr. xxviii, 4r
[Alleluia. Virga florem germinavit ... mun]di pressuram futuram presciens	Anonymous	fr. xxix, 4r (a2r)
[Angelus ad virginem] ... in conclave virginis ... [pa]ries intacta	Anonymous	fr. xl, a-recto
[Fulgens stella] .. qui quid homo gescit reconsilias / Pes de Fulgens stella	Anonymous	fr. xiii, 3r
[Gloria, laus et honor tibi sit]	Anonymous	fr. xix, 3v (c1-verso)
[Gloria, laus et honor] tibi sit	Anonymous	fr. xix, 1v (a1-verso)
[Gloria, laus et honor] tibi sit	Anonymous	fr. xix, 2v (b1-verso)–fr. xix, 3r (c1-recto)
[illegible]	Anonymous	fr. xxix, 2r (b1r)
[Lux polis] refulgens [aure]a fit immensis / Lux et gloria regis caelici / Kyrie eleison	Anonymous	fr. x, 1v–fr. x, 2v
[Paranimphus salutat virginem] ... concipies parvulumque paries ...	Anonymous	fr. xxxix/1, B-verso
[untexted]	Anonymous	fr. x, 2r
Ad honorem lumini regis	Anonymous	fr. xviii, 2r–fr. xviii, 2v
Aeternae virgo memorie que es sponsa / Aeternae virgo mater mirabilis	Anonymous	fr. xxviii, 2v–fr. xxviii, 3r
Agnus Dei	Anonymous	fr. xix, 2v (b1-verso)
Alleluia. Gaude, virgo, gaude In tuis laudibus / Gaude per quam cornu David	Anonymous	fr. xxxv, 6r
Alleluia. Laetabitur justus	Anonymous	fr. ix, 1r & 2v
Alleluia. moduletur Sion filia ... Alleluia. Veni, mater gatiae	Anonymous	fr. xxxv, 3r–fr. xxxv, 3v
Alleluia. Nativitas gloriosae	Anonymous	fr. xviii, 1v–fr. xviii, 2r
Alleluia. O laus sanctorum, felix	Anonymous	fr. xxxv, 3r
Alleluia. Psallat haec familia / Alleluia. Concinat haec familia	Anonymous	fr. xxxv, 6r
Alleluia. Regis caelorum mater	Anonymous	fr. xxxv, 1r–fr. xxxv, 1v
Alme veneremur diei preconia Alleluia. V. Justi epulentur	Anonymous	fr. ix, 1v & 2r
Amor patris praesentatur	Anonymous	fr. xli, 1v
Ave Maria gracia plena (monophonic)	Anonymous	fr. xxix, 1v (a1v)
Ave Maria gratia plena Dominus tecum	Anonymous	fr. xxix, 2v (b1v)–Worc xxix f. 2v
ave parens	Anonymous	fr. xxviii, 2r
Ave rex gentis Anglorum	Anonymous	fr. xli, 1r
Ave virgo concipiens (monophonic)	Anonymous	fr. xxix, 1v (a1v)
Ave, magnifica Maria ...Alleluia. V. Dulcis mater / A-, ave, mirifica Maria ...Alleluia. V. Dulcis mater / Alleluia. V. Dulce lignum	Anonymous	fr. xxxv, 3v–fr. xxxv, 1r
Ave, magnifica Maria... Alleluia. Post partum virgo / Ave, mirifica Maria ... Alleluia. Post partum virgo. / Alleluia. Post partum virgo	Anonymous	fr. xxviii, 4v
Beata viscera Marie virginis	Anonymous	fr. xix, 6r (a2-recto)
Benedicta domina mundi per spatia	Anonymous	fr. x, 2v
Benedicta es caelorum regina monophonic	Anonymous	fr. xxix, 3r (b2r)
Benedicta. V. Virgo Dei genitrix	Anonymous	fr. xviii, 1r
Benedictus	Anonymous	fr. xix, 2r (b1-recto)
Christe lux mundi perpetua ... clemens eleison	Anonymous	fr. x, 1r
Conditio nature defuit in filio / O natio nephandi generis / Mane prima sabbati	Anonymous	fr. xxxv, 5v
Crucifixum Dominum in carne	Anonymous	fr. xx, 2v
De spineto nata rosa	Anonymous	fr. xxx, a1r,-v–fr. xxx, b-recto
Dulcis Jesu memoria dans ... Expl... amare Dei filium. / Pes de Dulcis Jesu memoria.	Anonymous	fr. xiii, 3v–fr. xiii, 4r
Et in terra pax [Gloria]	Anonymous	fr. xix, 4v (c2-verso)–fr. xix, 5r (b2-recto)
Felix illa curia	Anonymous	fr. xi, 1r
fragment of 2-voice composition	Anonymous	fr. xix, 1v (a1-verso)
Gaude Maria, plaude, dulcis et amena ... radat rubigenem / Gaude, Maria virgo	Anonymous	fr. xi, 1v
Gaude, plaude na... obra / Al-, Gaude, plaude ... Judicabunt sancti / Al-, Gaude, plaude ... Judicabunt sancti	Anonymous	fr. ix, 1r & 2v
Gaudeat ecclesia	Anonymous	fr. xx, 1v
Grata juvencula, decora[ta?] nimium, floret ut rosula	Anonymous	fr. xxxii, 1v
In excelsis gloria, in terris	Anonymous	fr. xx, 1r
Inter choros paradisicolarum / Invictis pueris inter flammas	Anonymous	fr. xii, 1v
jottings in semibreves and minims	Anonymous	fr. xix, 4r (c2-recto)
Kyrie rex genitor ... Christe lux oriens	Anonymous	fr. xii, 1v
Loquelis archangeli pavet puella	Anonymous	fr. xxviii, 4v
Loquelis archangeli pavet puella	Anonymous	fr. xxxv, 5v
Mater patris et filia	Anonymous	fr. xxx, b-verso
No ...	Anonymous	fr. xl, b-recto
O debilis, o flebilis conditio ...Expl... sit interminabilis. / Pes super O debilis / Primus pes super O debilis	Anonymous	fr. xiii, 2v
O decus predicantium, predicatorum	Anonymous	fr. xi, 2v
O Maria virgo pia plena	Anonymous	fr. xxix, 4r (a2r)–fr. xxix, 4v (a2v)
O quam glorifica, luce ... virgo Maria ... gaudia luce / O quam felix femina virgo serenissima / O quam beata domina Maria clementissima	Anonymous	fr. xxviii, 1r
O quam glorifica, luce ... virgo Maria ... gaudia luce / O quam felix femina virgo serenissima / O quam beata domina Maria clementissima	Anonymous	fr. xxxi, 1v
O regina gloriae, Maria	Anonymous	fr. xi, 2r
O sponsa Dei electa, esto nobis	Anonymous	fr. xxix, 3v (b2v)
O venie vena spes saeculi / Illumina morti datis	Anonymous	fr. xxviii, 1v
Paranimphus salutat virginem	Anonymous	fr. xxx, c-recto–fr. xxx, c-verso
Peregrina moror errans in patria	Anonymous	fr. xxxv, 6v
plainchant sequences	Anonymous	fr. xxxiv B-recto–fr. xxxiv B-verso
Pro beati Pauli gloria dat preconia / O pastor patris summi regis gregi / O preclara patrie caelestis bina / Pro patribus	Anonymous	fr. xiii, 1r
Puellare gremium mundo fudit gaudium / Purissima mate Domini Maria / Pes super Puellare et Purissima	Anonymous	fr. xiii, 4r
Quam admirabilis et venerabilis	Anonymous	fr. xxviii, 2v–fr. xxviii, 3r
Regina regnans regis palatio	Anonymous	fr. xix, 5v (b2-verso)
Regnum sine termino manet / Regnum tuum solidum	Anonymous	fr. xii, 1v
Rex omnipotentie matris precibus	Anonymous	fr. xxxv, 6v
Salve fenestra vitrea solis / ... grantis fumi virgula fumus ... nobis locum angelicus	Anonymous	fr. xi, 1r
Salve, mater redemptoris, fons / Salve, lux languentium / Salve, sine spina rosa, flos / Sancta parens enixa puerpera	Anonymous	fr. xxxv, 5r
Salve, rosa florum salutis	Anonymous	fr. xix, 6v (a2-verso)
Salve, sancta parens, virgo pare	Anonymous	fr. xxxi, 1r
Sanctus	Anonymous	fr. xxix, 2v (b1v)
Sanctus	Anonymous	fr. xxxii, 1r
Sanctus & Benedictus	Anonymous	fr. xviii, 2r
Sanctus & benedictus	Anonymous	fr. xix, 2r (b1-recto)–fr. xix, 2v (b1-verso)
Sanctus & benedictus	Anonymous	fr. xxxv, 4r
Sanctus (monophonic)	Anonymous	fr. xxix, 1v (a1v)
Sanctus (monophonic)	Anonymous	fr. xxix, 4r (a2r)
Sanctus Deus ens ingenitus... / Benedictus qui venit ... Expl ... excelsis / Sanctus	Anonymous	fr. xxxv, 2v
Sanctus et eternus Deus pater Expl: Sanctus, sanctus in excelsis. / Sanctus. Sanctus	Anonymous	fr. xiii, 4v
Sanctus ex quo omnia pater / Benedictus	Anonymous	fr. xxxv, 4v
Sanctus, sanctus, sanctus, adonay genitor / Osanna in excel ...Expl ... sis / Osanna in excel ... Expl ... sis	Anonymous	fr. xxxv, 2r–fr. xxxv, 2v
Senator regis curie qua lex abest	Anonymous	fr. xxviii, 1r
Singularis et insignis mundi domina	Anonymous	fr. xxix, 1r (a1r)
Sol in nube tegitur / Non hircorum sanguine / Pes	Anonymous	fr. xxviii, 3v
Sponsa rectoris omnium summi patris	Anonymous	fr. xxix, 3r (b2r)–fr. xxix, 3v (b2v)
Super te, Jerusalem, de sancto / Sed fulsit virginitas de sancto / Dominus	Anonymous	fr. xx, 2r
Sursum corda elevate dulci corda resonante	Anonymous	fr. xxxv, 4v
Te Domine laudat angelicus ord ... Expl: servamus Marie filium / Te Dominum clamat angelicus ordo ... Expl: ut intremus regni / palatium / Pes super de Te Domine et de Te Dominum	Anonymous	fr. xiii, 1v–fr. xiii, 2r
textless	Anonymous	fr. xxxiv A, 1v
untexted	Anonymous	fr. xl, a-recto
untexted	Anonymous	fr. xli, 2v
untexted	Anonymous	fr. xlii, 1r
untexted	Anonymous	fr. xlii, 1v
untexted	Anonymous	fr. xlii, 2r
untexted	Anonymous	fr. xlii, 2v
Ut recreatur caelitus in te corda reposita	Anonymous	fr. xii, 1r
Virginis Mariae matris Eleyson [text only with unused 16-line stave above]	Anonymous	fr. xxix, 2r (b1r)
Virginis Marie laudemus preconia / Salve, gemma virginum que portasti / Pes super Virginis Marie et Salve, gemma	Anonymous	fr. xiii, 1v–fr. xiii, 2r
Virgo paris filium sine macula / Virgo Dei genitrix Quem	Anonymous	fr. xxviii, 2r
Virgo regalis fidei	Anonymous	fr. xxviii, 1v
white notation fragment on two lines	Anonymous	fr. xiii, 1r
… piste lumen caeli prin...	Anonymous	fr. xl, b-verso
…culorum tempore ... angeli per famina intacta ... vitam que dona morte ...	Anonymous	fr. xl, a-verso

Images © The Dean and Chapter of Worcester Cathedral

Set: Worcester Fragments

Type: Fragments of a whole

GB-Lbl Add. MS 25031 (Worcester fragments)

GB-Ob MS. Bodl. 862

GB-Ob MS. Hatton 30

GB-Ob MS. Lat. liturg. d. 20 (Worcester fragments)

GB-WO Add. 68 (Worcester fragments)

‡ denotes primary source study

‡ Summers, William John, and Peter M Lefferts (editors). 2016. English 13th-Century Polyphony (EECM 57). Pages: pp. 32-39 & plates 179-309. Notes: physical description, contents, bibliography.

Sanders, Ernest H. 2001. Worcester Polyphony. New Grove Dictionary of Music and Musicians, 560-563.

Sanders, Ernest H, and Peter M Lefferts. 2001. English Polyphony, 1270-1400, The Worcester Fragments. New Grove Dictionary of Music and Musicians, 878-879.

Thomson, Rodney. 2001. A Descriptive Catalogue of the Medieval Manuscripts in Worcester Cathedral Library. Woodbridge, Suffolk, & Rochester, NY: D.S. Brewer, for the Dean and Chapter of Worcester Cathedral. Pages: xlvi, 22, 24, 27-9, 40, 73-4, 103-4, 133, 149, 167-8.

Wibberley, Roger. 2000. Ave virgo mater dei: towards a Reconstruction. Plainsong and Medieval Music, 41-49.

Malyshko, Olga E. 1998. Three Newly-Discovered Fragments at Worcester Cathedral: Another “Magnus Liber Organi” Flyleaf. Scriptorium, 66-88.

Page, Christopher. 1996. Marian Texts and Themes in an English Manuscript; a Miscellany in Two Parts. Plainsong and Medieval Music, 23-44. Pages: 34.

Caldwell, John. 1994. Worcester-Fragmente. Musik in Geschichte und Gegenwart, Bärenreiter. Pages: cols. 2058-2063.

Losseff, Nicky. 1994. The Best Concords: Polyphonic Music in Thirteenth-Century Britain. New York: Garland. Pages: 148-156.

Büttner, Fred. 1990. Klang und Konstruktion in der englischen Mehrstimmigkeit des 13. Jahrhunderts: Ein Beitrag zur Erforschung der Stimmtauschmotetten in den Worcester-Fragmenten. Tutzing. Pages: 188-191.

Crocker, Richard L. 1990. XIV. Polyphony in England in the Thirteenth Century. The New Oxford History of Music, II: The Early Middle Ages to 1300, edited by Richard L Crocker, 679-720. Oxford. Pages: 679-720.

Lefferts, Peter M. 1990. Cantilena and Antiphon: Music for Marian Services in Late Medieval England. Studies in Medieval Music: Festschrift for Ernest H. Sanders, 247-82. Columbia University. Pages: 278, 282.

Summers, William John. 1983-1985. Unknown and unidentified English polyphonic music from the fourteenth century. Royal Musical Association Research Chronicle, 57-67.

Lefferts, Peter M. 1983. The Motet in England in the Fourteenth Century. Columbia University, New York, Ph.D. https://digitalcommons.unl.edu/musicfacpub/29/(Accessed: 4 June 2019).

Sanders, Ernest H (editor). 1979. English Music of the 13th and Early 14th Centuries. Polyphonic Music of the Fourteenth Century. Monaco: Éditions de l'Oiseau-Lyre.

Reaney, Gilbert (editor). 1977. Two Anonymous Alleluias from the Worcester Fragments,. Newton Abbot: Antico Edition.

Wibberley, Roger. 1977. English Polyphonic Music of the late-thirteenth and early-fourteenth centuries: a reconstruciton, transcription and commentary. University of Oxford, DPhil thesis, 2 vols.

Ker, Neil R. 1969-1992. Medieval Manuscripts in British Libraries. 4 vols. Oxford. Pages: IV.

Ker, Neil R. 1964. Medieval Libraries of Great Britain: A List of Surviving Books. Royal Historical Society Guides and Handbooks. London.

Apfel, Ernst. 1959. Studien zur Satztechnik der mittelalterlichen englischen Musik. 2 vols. Pages: I, chapter 1, and chapter 2 up to p. 63.

‡ Dittmer, Luther A. 1959. Publications of Mediaeval Musical Manuscripts V: Worcester Add. 68, Westminster Abbey 33327, Madrid Bibl. Nac. 192. Publications of Mediaeval Music Manuscripts. Brooklyn: Institute of Mediaeval Music.

Harrison, Frank Llewellyn. 1958, second ed. 1963. Music in Medieval Britain. London: Routledge. Pages: 132ff.

‡ Dittmer, Luther A (editor). 1957. The Worcester Fragments: A Catalogue Raisonné and Transcription, s.l. Musicological Studies and Documents. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: introduction, 48ff.

Dittmer, Luther A. 1957. The Dating and the Notation of the Worcester Fragments. Musica Disciplina, 5-11.

Dittmer, Luther A. 1953. Binary Rhythm, Musical Theory and the Worcester Fragments. Musica Disciplina, 39-57.

Levy, K J. 1951. New material on the early motet in England. A Report on the Princeton MS. Garrett 119. Journal of the American Musicological Society, 220-239.

Atkins, I, and Neil R Ker. 1944. Catalogus librorum manuscriptorum bibliothecae Wigorniensis, made in 1622-1623 by Patrick Young. 52. Cambridge.

Hughes, Dom Anselm. 1928. Worcester Mediaeval Harmony of the Thirteenth and Fourteenth Centuries. Burnham: Plainsong and Mediaeval Music Society.

Floyer, J K, and S G Hamilton. 1906. Catalogue of Manuscripts Preserved in the Chapter Library of Worcester Cathedral. Pages: 17, 20-1, 30-1, 52, 81-2, 110-1, 120-1, 159-163.

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Monday, 23 January, 2017

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