GB-Ob MS. Canon. Misc. 213

Bodleian Library, Oxford, England

Composite of originally separate fascicles and small gatherings, fragments: Early 15th century

Archive Bodleian Library, Oxford, England (GB-Ob)
Shelfmark MS. Canon. Misc. 213
Surface Paper
Numbering System Foliation
Measurements 298 x 215 mm
Other Identifiers
  • CCM: OxfBC 213
  • Other catalogues/source: Ox213
  • olim (Former shelfmark): MadanSC 19689
Notations
  • black full mensural
  • black void mensural
Copyists
Relationships
External Links
External Authorities
Provenance
  • Venezia (Venice)? Veneto, Italy
Contents 327 pieces from 60 composers
General Description

Composite of originally separate fascicles and small gatherings; two main layers (ff. 1-80 and ff. 81-140). Copied by a single scribe, who also wrote ff. 61-64 of ParisBNN 4379 (SchoopO); copied by three main scribes (ReaneylC). Six pieces copied from ParisBNN 4379 (SchoopO). Probably copied in Venice or vicinity (ReaneyO). Later owned by the Jesuit antiquarian Matteo Luigi Canonici (1727-1805) of Venice. Canonici collection passed to Giovanni Perissinotti in 1807; sold to Bodleian Library in 1817.

DIAMM, 2011
Binding

Covers of white parchment, with brown lettering-piece, probably date from ca. 1784.

DIAMM, 2011
Watermark

Five watermarks resemble Briquet #3134, #5953, #7890, #8351, and #15608; other watermarks: (1) anvil (several variant forms); (2) three-peaked mountain (also in several forms); (3) ladder; (4) unidentified animal (dog?).

DIAMM, 2011
Notation

black full mensural and black void mensural

DIAMM, 2011
Foliation

Original ink foliation, 1-140 (originally independent foliation system in second layer altered to form continuation of system in first layer).

DIAMM, 2011
Foliation

140 ff

DIAMM, 2011
Decoration

Inked Gothic initials.

DIAMM, 2011
Index

Incomplete original index on ff. [ii-v']; pieces grouped alphabetically by first letter of text, with subgrouping under each letter by order of appearance (some errors and inconsistencies).

DIAMM, 2011
Surface

paper

DIAMM, 2011
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

(= MadanSC 19689)

1 Kyrie, 12 Glorias, 6 Credos, 1 Sanctus, 1 Agnus, 1 Magnificat, 38 motets, 6 laude, 235 French secular pieces, 24 Italian secular pieces = 325 + 1 duplicate = 326

Adam-3, Antonio da Cividale-3, Antonio Romano-1, Bartolomeo da Bologna-4, Bellengues [Cardot]-1, Benoit-1, Billart-1, Binchois-29, Binchois/(Grossin)-1, Brassart-3, Brolo-6, Carmen-2, Césaris-6, Charité-1, Chierisy-1, Ciconia-4, Cordier-7, Coutreman-1, Dominicus de Ferraria-1, Dufay-51, Dufay [index]/H. Lantins [music]-1, Dufay/(H. Lantins)-1, Dusart [Pbr. Johannes de Sarto]-2, Feraguti-3, Fontaine-5, Fontaine-G. Legrant-1, Fontaine Insula-1, Franchois-3, R. Gallo-Insula-1, Grenon-5, Grossin-3, Hasprois-2, Haucourt [Acourt]-2, Insula-2, La Beausse-1, A. Lantins-20, H. Lantins-19, H. Lantins/(A. Lantins)-1, Lebertoul-5, G. Legrant-5, J. Legrant-3, G. Liberti-3, R. Liebert-2, Loqueville-6, Malbecque-5, Passet-1, Paullet-1, Prepositi Brixiensis-4, Quadris-2 + 1?, Randulfo Romano-1, Reson-2, P. Rubeus [P. Rosso]-2, Ruttisi, Salinis-1, Tapissier-1, Vaux-1, Velut-5, Vide-7, Villeroye [Briquet]-1, Zachara da Teramo-1, Zacharia-2, Zocholo de Portunaonis-1, anon-61

v + 140 + i paper folios, 298 x 215. Composite of originally separate fascicles and small gatherings; two main layers (defined by ff. 1-80 and ff. 81-140). Original ink foliation, 1-140 (originally independent foliation system in second layer altered to form continuation of system in first layer). Covers of white parchment, with brown lettering-piece, probably date from ca. 1784. Incomplete original index on ff. [ii-v']; pieces grouped alphabetically by first letter of text, with subgrouping under each letter by order of appearance (some errors and inconsistencies).

Five pieces in black mensural notation; other contents in white mensural notation. Copied by a single scribe, who also wrote ff. 61-64 of ParisBNN 4379 (SchoopO); copied by three main scribes (ReaneylC). Six pieces copied from ParisBNN 4379 (SchoopO). Inked Gothic initials. Five watermarks resemble Briquet #3134, #5953, #7890, #8351, and #15608; other watermarks: (1) anvil (several variant forms); (2) three-peaked mountain (also in several forms); (3) ladder; (4) unidentified animal (dog?).

Ca. 1420-36; repertory ca. 1380-1436. Probably copied in Venice or vicinity (ReaneyO). Later owned by the Jesuit antiquarian Matteo Luigi Canonici (1727-1805) of Venice. Canonici collection passed to Giovanni Perissinotti in 1807; sold to Bodleian Library in 1817.

Vol 4

Composers: Change "Adam-3" to "Adam 1-3"; change "Insula-2" to "Francus de Insula-2."

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

22

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1–2 Et in terra pax [Gloria] [Kaye 1a] -
Appears on: 1–2
Genres: Gloria (et in terra pax), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Et in terra pax hominibus
2v–4 Patrem omnipotentem [Credo] 'Aversi' [Kaye 19] -
Appears on: 2v–4
Genres: Credo (patrem omnipotentem), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Patrem omnipotentem
4v–5 Excelsa civitas vincencia B Feraguti
Appears on: 4v–5
Genres: Motet
Source Attribution: B Feraguti
Voice: [no designation]
Languages: Latin
Voice Text: Excelsa civitas Vincentia

Voice: [no designation]
Languages: none

Voice: [no designation]
Languages: none

Item Bibliography

Gallo, Franco Alberto, and Giovanni Mantese. 1964. Ricerche sulle Origini della Cappella Musicale del Duomo di Vicenza. Civiltà Veneziana, Saggi.  Venice and Rome. Pages: 69 (from BQ 15, with facs.).

5 Craindre vous vueil doulce damme de pris -
Appears on: 5
Genres: Chanson, Rondeau
Voice: [no designation]
Languages: French
Voice Text: Craindre vous vueil doulce damme de pris
5v–6 Ave Maria gratia plena Beltrame Feragu
Appears on: 5v–6
Genres: Antiphon, Ave Maria, Motet
Source Attribution: Beltrame Feragu
Voice: [no designation]
Languages: none

Voice: [no designation]
Languages: Latin
Voice Text: Ave Maria gratia plena

Voice: [no designation]
Languages: none
6v–7 Summus secretarius Presbyter Johannes brasart
Appears on: 6v–7
Genres: Motet
Source Attribution: Presbyter Johannes brasart
Voice: [no designation]
Languages: Latin
Voice Text: Summus secretarius

Voice: [no designation]
Languages: none

Voice: [no designation]
Languages: none
7v–8 O flos fragrans Presbyter Johannes brasart de leodio
Appears on: 7v–8
Genres: Motet
Source Attribution: Presbyter Johannes brasart de leodio
Voice: [no designation]
Languages: Latin
Voice Text: O flos fragans

Voice: [no designation]
Languages: Latin
Voice Text: O flos fragans

Voice: [no designation]
Languages: Latin
Voice Text: O flos flagrans iam vernalis
8v Inclita persplendens + 1422 Frater Antonius de ciuitato conposuit ad honorem sancte katerine virginis & martiris
Appears on: 8v
Genres: Motet
Source Attribution: + 1422 Frater Antonius de ciuitato conposuit ad honorem sancte katerine virginis & martiris
Voice: [no designation]
Languages: Latin
Voice Text: Inclita persplendens
9v–10 O quam mirabilis progenies Presbyter Johannes de sarto
Appears on: 9v–10
Genres: Motet
Source Attribution: Presbyter Johannes de sarto
Voice: [no designation]
Languages: Latin
Voice Text: O quam mirabilis

Voice: [no designation]
Languages: none

Voice: [no designation]
Languages: none
9v–10 Jamais tant que je vous revoye -
Appears on: 9v–10
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Jamais tant que je vous revoye
10v–11 Gaude Dei genitrix -
Appears on: 10v–11
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Gaude dei genitrix

Voice: [no designation]
Languages: none

Voice: [no designation]
Languages: none
11v–12 Francorum nobilitati B feraguti
Appears on: 11v–12
Genres: Motet
Source Attribution: B feraguti
Voice: [no designation]
Languages: Latin
Voice Text: francorum et cetera

Voice: [no designation]
Languages: Latin
Voice Text: Francorum nobilitati

Voice: [no designation]
Languages: Latin
Voice Text: francorum et cetera
12v–13 Verbum patris hodie Presbyter Johannes de sarto
Appears on: 12v–13
Genres: Canonic
Source Attribution: Presbyter Johannes de sarto
Voice: [no designation]
Languages: Latin
Voice Text: Prima pars

Voice: [no designation]
Languages: Latin
Voice Text: Canitur per 9/3 figure allegomj

Voice: [no designation]
Languages: Latin
Voice Text: Verbum patris hodie
13v–14 Magnificat: Et exultavit spiritus meus -
Appears on: 13v–14
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Et exultavit spiritus meus
15v Verbum caro factum est de virgine Maria Presbyter P del zocholo de portunaonis
Appears on: 15v
Genres: Lauda
Source Attribution: Presbyter P del zocholo de portunaonis
Voice: [no designation]
Languages: Latin
Voice Text: VErbum caro factum est

Voice: [no designation]
Languages: Latin
Voice Text: Verbum caro factum est de virgine Maria
14v–16 Fragments of much later date - -
Appears on: 14v–16
Genres: unknown
Voice: [no designation]
Languages: insufficient
Voice Text: Fragments of much later date
16v Verbum caro factum est de virgine Maria - Anonymous
Appears on: 16v
Genres: Lauda
Voice: [no designation]
Languages: Latin
Voice Text: Verbum caro factum est de virgine Maria
17 Ce jour de l'an -
Appears on: 17
Genres: Chanson, Rondeau
17 Je demande ma bienvenue Acourt
Appears on: 17
Genres: Chanson
Source Attribution: Acourt
Voice: [no designation]
Languages: French
Voice Text: Je demande ma bienvenue
17v Ce mois de may soyons lies et joyeus -
Appears on: 17v
Genres: Chanson, Rondeau
Voice: [no designation]
Languages: French
Voice Text: Ce moys de may soyons lies et joyeus
17v–18 J'aime bien celui qui s'en va -
Appears on: 17v–18
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: J'ayme bien celui qui s'en va
18 Je me complains piteusement Guillermus dufay
Appears on: 18
Genres: Ballade, Chanson
Source Attribution: Guillermus dufay
Voice: [no designation]
Languages: French
Voice Text: Je me complains piteusement
General Note

dated precisely: "1425 a di 12 Iuio" (when Du Fay was in Laon)

18v Pour ce que veoir je ne puis -
Appears on: 18v
Genres: Chanson, Rondeau
Voice: [no designation]
Languages: French
Voice Text: Pour ce que veoir je ne puis
18v–19 Par droit je suis bien complaindre et gemir -
Appears on: 18v–19
Genres: Chanson, Rondeau
Voice: [no designation]
Languages: French
Voice Text: Par droit je suis bien complaindre et gemir
19 Douce speranche mye confort tout oui - Anonymous
Appears on: 19
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Douce speranche mye confort tout oui
19v–20 Mon coeur me fait tous dis penser -
Appears on: 19v–20
Genres: Chanson, Rondeau
Voice: [no designation]
Languages: French
Voice Text: Mon cuer me fait tous dis penser
19v–20 Se je n'é mal fors que par leesse -
Appears on: 19v–20
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Se je n'é mal fors que par leesce
20v I pensieri dolce amor fanno dolere -
Appears on: 20v
Genres: Italian secular
Voice: [no designation]
Languages: Italian
Voice Text: I pensieri dolze amor fanno dolere
20v–21 Estrinés moi je vous estrineray -
Appears on: 20v–21
Genres: Chanson, Rondeau
Voice: [no designation]
Languages: French
Voice Text: Estrinés moy je vous estrineray
21 Adieu vous dis mes seigneurs et amis -
Appears on: 21
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Adieu vous dis mes seigneurs et amis
21v Se liesse est de ma partie -
Appears on: 21v
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Se liesse est de ma partie
21v Vit encore ce faux dangier -
Appears on: 21v
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Vit encore ce faux dangier
22 Per amor de costey -
Appears on: 22
Genres: Italian secular
Voice: [no designation]
Languages: Italian
Voice Text: Per amor de chostey
22v–23 O felix templum / O felix templum Magister Johannes Ciconia de leodio
Appears on: 22v–23
Genres: Motet
Source Attribution: Magister Johannes Ciconia de leodio
Voice: [no designation]
Languages: Latin

Voice: [no designation]
Languages: Latin
Voice Text: [t]Enor O felix templum iubila

Voice: [no designation]
Languages: Latin
Voice Text: O felix templum iubila
23v De s'i' t'amo con fede madonna mia -
Appears on: 23v
Genres: Italian secular
Voice: [no designation]
Languages: Italian
Voice Text: De s'i' t'amo con fede madonna mia
24 Or s'avanta omay chi vol amore -
Appears on: 24
Genres: Italian secular
Voice: [no designation]
Languages: Italian
Voice Text: Or s'avanta omay chi vol amore
24v I ochi d'una anzolleta che m'alcide -
Appears on: 24v
Genres: Italian secular
Voice: [no designation]
Languages: Italian
Voice Text: I ochi d'una anzolleta che m'alcide
25 O spirito gentil tu m'ay percosso -
Appears on: 25
Genres: Italian secular
Voice: [no designation]
Languages: Latin
Voice Text: O spirito gentil tu m'ay percosso
25v–26 Flos florum fons ortorum Guillermus Du[fa]y conposuit
Appears on: 25v–26
Genres: Motet
Source Attribution: Guillermus Du[fa]y conposuit
Voice: [no designation]
Languages: none

Voice: [no designation]
Languages: none

Voice: [no designation]
Languages: Latin
Voice Text: Flos florum fons hortorum
26 Mirar non posso ni conzerner dona -
Appears on: 26
Genres: Italian secular
Voice: [no designation]
Languages: Italian
Voice Text: Mirar non posso ni conzerner dona
26v–27 Pontifici decori speculi Johannes carmen Fuga 3um Temporum
Appears on: 26v–27
Genres: Canonic
Source Attribution: Johannes carmen Fuga 3um Temporum
Voice: [no designation]
Languages: Latin
Voice Text: TEnor Pontifici decori speculj

Voice: [no designation]
Languages: Latin
Voice Text: Pontifici decori speculj et cetera

Voice: [no designation]
Languages: Latin
Voice Text: Pontifici decori speculi
27 Benedicamus Domino = Va tent souspir je t'en supplie -
Appears on: 27
Genres: Chanson, Contrafactum, Motet
Voice: [no designation]
Languages: Italian
Voice Text: Va t'ent souspier je t'en supplie
27v–28 Anima mea liquefacta est G dufay Conposuit
Appears on: 27v–28
Genres: Motet
Source Attribution: G dufay Conposuit
Voice: [no designation]
Languages: Latin
Voice Text: Anima mea liquefacta est
28 Je vous viens voir, ma dame amie - Anonymous
Appears on: 28
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Je vous vieng voir ma dame amye
28v–29 Laetetur plebs fidelis / Pastor qui revelavit Nicolaus Zacharie (name partly cut off)
Appears on: 28v–29
Genres: Motet
Source Attribution: Nicolaus Zacharie (name partly cut off)
Voice: [no designation]
Languages: Latin
Voice Text: Laetetur plebs fidelis/Pastor qui revelavit

Voice: [no designation]
Languages: none

Voice: [no designation]
Languages: none

Voice: [no designation]
Languages: none
29v Io sum tuo servo o dolze anima bella -
Appears on: 29v
Genres: Italian secular
Voice: [no designation]
Languages: Latin
Voice Text: Io sum tuo servo o dolze anima bella
30 Entre vous nouviaux mariés -
Appears on: 30
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Entre vous nouviaux mariés
30 Nous vous verens bien malebouche -
Appears on: 30
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Nous vous verens bien malebouche
30v Las j'ai perdu mon espintel -
Appears on: 30v
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Las j'ay perdu mon espintel
30v Amours et qu'as tu en pensé -
Appears on: 30v
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Amours et qu'as tu en pensé
31 La belle se siet au piet de la tour -
Appears on: 31
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: La belle se sit a pi du sic la tour
General Note

with added 2nd voice attributed to Du Fay

31v–32 Sancte Sebastiane Guillermus duf[a]y Ad honorem sancti Sebastiani Martiris
Appears on: 31v–32
Genres: Motet
Source Attribution: Guillermus duf[a]y Ad honorem sancti Sebastiani Martiris
Voice: [no designation]
Languages: none

Voice: [no designation]
Languages: none

Voice: [no designation]
Languages: Latin
Voice Text: O sancte Sebastiane/O martyr Sebastiane/O quam mira refulsit/Gloria et honore

Voice: [no designation]
Languages: none
32v Chanter ne scay ce poyse moi -
Appears on: 32v
Genres: Rondeau, Song
Voice: [no designation]
Languages: French
Voice Text: Chanter ne scay ce poyse moy
32v Je suis defait se vous ne me refaites -
Appears on: 32v
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Je suy defait se vous ne me refaites
33 Sans oublyer sans faire departye -
Appears on: 33
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Sans oublyer sans faire departye
33v Je veul chanter de coeur joyeux -
Appears on: 33v
Genres: Chanson, Rondeau
Voice: [no designation]
Languages: French
Voice Text: Je veul chanter de cuer joieux
33v Helas ma dame par amours -
Appears on: 33v
Genres: Chanson, Rondeau
Voice: [no designation]
Languages: French
Voice Text: Helas ma dame par amours
34 He compagnons resvelons nous -
Appears on: 34
Genres: Chanson, Rondeau
Voice: [no designation]
Languages: French
Voice Text: He compagnons resvelons nous
34v Resvelons nous resvelons amoureux -
Appears on: 34v
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Resvelons nous resvelons amoureux
34v Bien veignés vous amoureuse liesse -
Appears on: 34v
Genres: Chanson, Rondeau
Voice: [no designation]
Languages: French
Voice Text: Bien veignés vous amoureuse liesse
34v–34 Entre vous gentils amoureux -
Appears on: 34v–34
Genres: Chanson, Rondeau
Voice: [no designation]
Languages: French
Voice Text: Entre vous gentils amoureux
35 A ma damme playsant et belle -
Appears on: 35
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: A ma damme playsant et belle
35 Ce rondelet je vous envoye / Le dieu d'amours si vous l'otroye -
Appears on: 35
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Ce rondelet je vous envoye / Le dieu d'amours si vous l'otroye
35v J'ai ma joye ben perdue -
Appears on: 35v
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: J'ay ma joye ben perdue
35v–36 Se ne prenés de moi pité -
Appears on: 35v–36
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Se ne prenés de moy pité
36 Prendre couvint de tout en gré -
Appears on: 36
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Prendre couvint de tout en gré
36v–37 Tra quante regione el sol si mobele -
Appears on: 36v–37
Genres: Chanson
Voice: [no designation]
Languages: Italian
Voice Text: Tra quante regione el sol si mobele
37 Pulchra speciosa et decora B rebrolis (added later)
Appears on: 37
Genres: Motet
Source Attribution: B rebrolis (added later)
Voice: [no designation]
Languages: Latin
Voice Text: Pulchra speciosa et decora
37v–38 Regina saeculi salvatrix sempiterna / Reparatrix Maria nobilis - Anonymous
Appears on: 37v–38
Genres: Motet
Voice: [no designation]
Languages: none

Voice: [no designation]
Languages: none

Voice: [no designation]
Languages: Latin
Voice Text: Regina saeculi salvatrix/Reparatrix Maria
37v–38 Nulx ne pouroit ymaginer -
Appears on: 37v–38
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Nulx ne pouroit ymaginer
38v Qui le sien vuelt bein maintenir - Anonymous
Appears on: 38v
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Qui le sien vuelt bein maintenir
38v–39 Certes belle quand de vous partiray -
Appears on: 38v–39
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Certes belle quant de vous partiray
39 Ma belle amour a qui je suis servant -
Appears on: 39
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Ma belle amour a qui je suy servant
39v Entrepris suis = Congratulamini mihi omnes -
Appears on: 39v
Genres: Contrafactum
Voice: [no designation]
Languages: French
Voice Text: Entrepris suis par grant lyesse
40 Qui est l'amant qui ne lairoit l'amer - Anonymous
Appears on: 40
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Qui est l'amant qui ne lairoit l'amer
40v L'alta belleza tua virtute valore Guillermus dufay ['Ugo de [Lantins]' erased]
Appears on: 40v
Genres: Italian secular
Source Attribution: Guillermus dufay ['Ugo de [Lantins]' erased]
Voice: [no designation]
Languages: Italian
Voice Text: L'alta bellaza tua virtute valore
41 Perché la vista dona da me fuge -
Appears on: 41
Genres: Chanson
Voice: [no designation]
Languages: Italian
Voice Text: Perché la vista dona da me fuge
41v O mortalis homo / O pastores / O vos multi yhs Franchoys lebertoul
Appears on: 41v
Genres: Ballade
Source Attribution: yhs Franchoys lebertoul
Voice: [no designation]
Languages: none

Voice: [no designation]
Languages: Latin
Voice Text: O mortalis homo/O pastores/O vos multi

Voice: [no designation]
Languages: none

Voice: [no designation]
Languages: none
41v–42 Playsir soulas desduit et joye - Anonymous
Appears on: 41v–42
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Playsir soulas desduit et joye
42 Ma leesse a changié son non -
Appears on: 42
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Ma leesse a changié son non
42v Tota pulchra es amica mea et macula II: Flores apparuerunt Arnoldus de [la]Ntins.
Appears on: 42v
Genres: Motet
Source Attribution: Arnoldus de [la]Ntins.
Voice: [no designation]
Languages: Latin
Voice Text: Tota pulchra es amica mea et macula

Voice: [no designation]
Languages: Latin
Voice Text: Tota pulcra es amica

Voice: [no designation]
Languages: Latin
Voice Text: Tota pulcra es amica mea
43 Au pain faitich ne me veul plus tenir -
Appears on: 43
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Au pain faitich ne me veul plus tenir
43v Ariere tost charité verité - Anonymous
Appears on: 43v
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Ariere tost charité verité
44 Amours mercy - 1a pars (of 2): Amours mercy de trestout mon pooir -
Appears on: 44
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Amours merchi de trestout mon poir
44 Amours mercy - 2a pars (of 2): C'est une fois que je n'ay souvenir -
Appears on: 44
Genres: Chanson
44 Ne me vueilliés belle oblier -
Appears on: 44
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Ne me vueilliés belle oblier
44v Bon jour bon mois bon an et bonne estraine -
Appears on: 44v
Genres: Chanson, Rondeau
Voice: [no designation]
Languages: French
Voice Text: Bon jour bon mois bon an et bonne estraine
44v Donez comfort a votre ami - Anonymous
Appears on: 44v
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Donés confort a vostre amy
45 Grant ennuy m'est tres douce simple et coye -
Appears on: 45
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Grant ennuy m'est tres douce simple et coye
45v Helas amour que ce que endure -
Appears on: 45v
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Helas amour que ce que endure
45v–46 Je suis espris d'une damme amoureuse -
Appears on: 45v–46
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Je suy espris d'une damme amoureuse
46 Ce j'eusse fait ce que je pence -
Appears on: 46
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Ce j'eusse fait ce que je pence
46v Plaindre m'estuet de ma damme jolye -
Appears on: 46v
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Plaindre m'escuet de ma damme jolye
47 Ma volonté ne changera -
Appears on: 47
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Ma volonté ne changera
47 Pour tant se j'ai le barbe grise - Anonymous
Appears on: 47
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Pour tant se j'ay le barbe grise
47v–48 Tres douchement et soutiement -
Appears on: 47v–48
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Tres douchement et soutiement
48 Dieu vous doinst bon jour et demy -
Appears on: 48
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Dieu vous doinst bon jour et demy
48v–49 Imera dat hodierno Grossim de parisius
Appears on: 48v–49
Genres: Motet
Source Attribution: Grossim de parisius
Voice: [no designation]
Languages: Latin
Voice Text: Jmera dat hodierno et cetera

Voice: [no designation]
Languages: Latin
Voice Text: Imera dat hodierno

Voice: [no designation]
Languages: Latin
Voice Text: Jmera dat hodierno quod promisit ab eterno et cetera
49 Ouvrés vostre huys a ceste foys -
Appears on: 49
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Ouvrés vostre huys a ceste foys
49v Espoir m'est venu conforter -
Appears on: 49v
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Espoir m'est venu conforter
49v Puisque je n'ai plus de maystresse -
Appears on: 49v
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Puis que je n'ay plus de maystresse
49v Joyeux penser et souvenir -
Appears on: 49v
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Joyeux penser et souvenir
50 J'ai tant de deul que nul homs peut avoir -
Appears on: 50
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: J'ay tant de deul que nul homs peut avoir
50v Belle veuilliés moi retenir -
Appears on: 50v
Genres: Chanson, Rondeau
Voice: [no designation]
Languages: French
Voice Text: Belle veuilliés moy retenir
50v Vaylle qye vaylle il faut s'aseürer -
Appears on: 50v
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Vaylle qye vaylle il faut [s'aseürer]
51 J'atendray tant qu'il vous playra -
Appears on: 51
Genres: Chanson, Rondeau
Voice: [no designation]
Languages: French
Voice Text: J'atendray tant qu'il vous playra
51v–1v Mon douce espoir mon souvenir -
Appears on: 51v–1v
Genres: Rondeau, Song
Voice: [no designation]
Languages: French
Voice Text: Mon doulx espoir mon souvenir
51v Joly et gay je me tenrai -
Appears on: 51v
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Joly et gay je me tenray
52 Je ne suy plus ceux que soloye -
Appears on: 52
Genres: Chanson, Rondeau
Voice: [no designation]
Languages: French
Voice Text: Je ne suy plus ceux que soloye
52 Amours servir et honnourer -
Appears on: 52
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Amours servir et honnourer
52v In tua memoria / In tua memoria Arnoldus delantins
Appears on: 52v
Genres: Lauda
Source Attribution: Arnoldus delantins
Voice: [no designation]
Languages: Latin
Voice Text: In tua memoria

Voice: Tenor
Languages: none
52v–53 Accende lumen sensibus Grossim de parisius
Appears on: 52v–53
Genres: Motet
Source Attribution: Grossim de parisius
Voice: [no designation]
Languages: Latin
Voice Text: Accende lumen sensibus
53 Tout mon desir et mon voloir -
Appears on: 53
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Tout mon desir et mon voloir
53v Il est temps que je me retraye -
Appears on: 53v
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Il est temps que je me retraye
53v–54 Se la face ay pale Guillermus du[fa]y
Appears on: 53v–54
Genres: Ballade, Chanson
Source Attribution: Guillermus du[fa]y
Voice: [no designation]
Languages: Italian
Voice Text: Se la face ay pale
54 De coeur joyeux je veuil chanter -
Appears on: 54
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: De cuer joyeux je veuil chanter
54v Puisque je suis cyprianés -
Appears on: 54v
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Puis que je suy cyprianés
55–55v C'est bien raison de devoir essaucier Guillermus dufay
Appears on: 55–55v
Genres: Ballade, Chanson
Source Attribution: Guillermus dufay
Voice: [no designation]
Languages: French
Voice Text: C'est bien raison de devoir essaucier
55v Je ne puis plus ce que y'ai peu - Unde veniet -
Appears on: 55v
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Je ne puis plus ce que y'ai peu / Tenor: Unde beniet auxilium michi
General Note

PlanchartD (pp.658-660) notes the "clearly deliberate formal miscalculations" in the piece & suggests it is a 'musical joke'

56 Esclave a deuil et forain de liesse -
Appears on: 56
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Esclave a dueil et forain de liesse
56v Adieu Adieu, mon joyeux souvenir -
Appears on: 56v
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Adieu adieu, mon joyeux souvenir
56v Triste plaisir et douleureuse yoie -
Appears on: 56v
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Triste plaisir et douleureuse yoie
57 Je suis exent entre aman pour amour -
Appears on: 57
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Je suy exent entre aman pour amour
57v–58 Et in terra pax [Gloria] -
Appears on: 57v–58
Genres: Gloria (et in terra pax), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Et in terra pax
58v–59 Et in terra pax [Gloria] -
Appears on: 58v–59
Genres: Gloria (et in terra pax), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Et in terra pax
59v–60 Et in terra pax [Gloria] -
Appears on: 59v–60
Genres: Gloria (et in terra pax), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Et in terra pax
59v–60 Pour resjoyr la conpaignie -
Appears on: 59v–60
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Pour resjoyr la conpaignie
60v–61 Et in terra pax [Gloria] (iv/3.1) -
Appears on: 60v–61
Genres: Gloria (et in terra pax), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Et in terra pax
61 Toutes mes joies sont estaintes -
Appears on: 61
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Toutes mes joyes sont estaintes
61v Et in terra pax [Gloria] -
Appears on: 61v
Genres: Gloria (et in terra pax), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Et in terra pax
62 Ave Regina caelorum (1) Guillermus du[fa]y; (Arnoldus de lantis deleted)
Appears on: 62
Genres: BVM, Motet
Source Attribution: Guillermus du[fa]y; (Arnoldus de lantis deleted)
Voice: [no designation]
Languages: Latin
Voice Text: Ave regina caelorum
62v Veuilliés hoster de che dangier -
Appears on: 62v
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Veuilliés hoster de che dangier
62v–63 Dame que j'ai longtemps servie - Anonymous
Appears on: 62v–63
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Dame que j'ay loing tamp servie
63–63v Missa O pulcherrima: Kyrie verbum incarnatum -
Appears on: 63–63v
Genres: Kyrie eleison, Mass Ordinary
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Kyrie [troped]: Verbum incarnatum
64–64v Missa O pulcherrima: Et in terra pax [Gloria] -
Appears on: 64–64v
Genres: Gloria (et in terra pax), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Et in terra pax

Item Bibliography

Borren, Charles van den (editor). 1932; 2nd rev. edn., London, 1962. Polyphonia sacra: A Continental Miscellany of the Fifteenth Century.  Nashdom Abbey, Burnham, Bucks., and London: Plainsong and Mediaeval Music Society. Pages: pp. 10-15 (Ox and BU).

65–66 Missa O pulcherrima: Patrem omnipotentem [Credo] -
Appears on: 65–66
Genres: Credo (patrem omnipotentem), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Patrem omnipotentem
66 Plains de plours et gemisemens -
Appears on: 66
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Plains de plours et gemisemens
66v Quoy que dangier malebouche et leur gent -
Appears on: 66v
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Quoy que dangier malebouche et leur gent
66v Se ma dame je puis veir -
Appears on: 66v
Genres: Chanson, Rondeau
Voice: [no designation]
Languages: French
Voice Text: Se ma damme je puis veir
67 Sans desplaisir et sans esmay -
Appears on: 67
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Sans desplaisir et sans esmay
67 Je requier a tous amoureux -
Appears on: 67
Genres: Chanson, Rondeau
Voice: [no designation]
Languages: French
Voice Text: Je requier a tous amoureux
67v De plus en plus se renouvelle -
Appears on: 67v
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: De plus en plus se renouvelle
67v Soyés loyal a vo povoir - Anonymous
Appears on: 67v
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Soyés loyal a vo povoir
68 Missa O pulcherrima: Agnus Dei -
Appears on: 68
Genres: Agnus Dei, Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Agnus dei: Qui tollis peccata mundi
68v Et in terra pax [Gloria] -
Appears on: 68v
Genres: Gloria (et in terra pax), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Et in terra pax
69 Mon povre coeur n'a que tristresse - Anonymous
Appears on: 69
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Mon povre cuer n'a que tristresse
69 Mon coeur s'en va d'umble vouloir -
Appears on: 69
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Mon cuer s'en va d'umble vouloir
69v Les tres doulx ieux du viaire ma dame -
Appears on: 69v
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Les tres doulx ieux du viaire ma dam[e]
69v O caelestial lume agli ochi mei -
Appears on: 69v
Genres: Italian secular
Voice: [no designation]
Languages: Italian
Voice Text: O celestial lume agli ochi mei
70 Musicorum decus et species - Anonymous
Appears on: 70
Genres: Song
Voice: [no designation]
Languages: Latin
Voice Text: Musicorum decus et species
70v–71 Missa O pulcherrima: Sanctus [Tro: Qui hominem limo] -
Appears on: 70v–71
Genres: Mass Ordinary, Sanctus [& Benedictus], Troped Sanctus
Voice: [no designation]
Languages: Latin
Voice Text: Terras spernens emicans celitus
71 Vivere et recte reminiscere Bartolomeus brollo
Appears on: 71
Genres: Italian secular
Source Attribution: Bartolomeus brollo
Voice: [no designation]
Languages: none

Voice: [no designation]
Languages: none

Voice: [no designation]
Languages: none

Voice: [no designation]
Languages: Latin
Voice Text: Vivere et recte reminiscere
71v Or pleust a dieu qu'a son plaisir -
Appears on: 71v
Genres: Chanson, Rondeau
Voice: [no designation]
Languages: French
Voice Text: Or pleust dieu qu'a son plaisir
71v Mon seul et souverain desir -
Appears on: 71v
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Mon seul et souverain desir
72 Las que feray ne que je devenray -
Appears on: 72
Genres: Chanson, Rondeau
Voice: [no designation]
Languages: French
Voice Text: Las que feray ne que je devenray
72 Amours et souvenir de celle -
Appears on: 72
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Amours et souvenir de celle
72v Ce jour de l'an belle je vous supply -
Appears on: 72v
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Ce jour de l'an belle je vous supply
73 Quel fronte signorille in paradiso Guillermus du[fa]y Rome composuit
Appears on: 73
Genres: Italian secular
Source Attribution: Guillermus du[fa]y Rome composuit
Voice: [no designation]
Languages: French
Voice Text: Quel fronte signoriile in paradiso
General Note

attribution states this was composed by Du Fay in Rome

73 Dona i ardenti ray Guillermus du[fa]y
Appears on: 73
Genres: Italian secular
Source Attribution: Guillermus du[fa]y
Voice: [no designation]
Languages: Italian
Voice Text: Dona i ardenti ray
73v Mes yeulx ont fait mon coeur porter -
Appears on: 73v
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Mes yeulx ont fait mon cuer porter
74 Coeur triste et mas sans solas et sans joye - Anonymous
Appears on: 74
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Cuer triste et mas sans solas et sans joye
74v–75v Patrem omnipotentem [Credo] -
Appears on: 74v–75v
Genres: Credo (patrem omnipotentem), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Patrem omnipotentem
76 Mourir me voy il est pic de ma vie -
Appears on: 76
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Mourir me voy il est pic de ma vie
76 Tout a caup m'ont torné le dos -
Appears on: 76
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Tout a caup m'ont torné le dos
76v Rendre me vieng a vous sauve la vie -
Appears on: 76v
Genres: Chanson
Voice: [no designation]
Languages: Latin
Voice Text: Rendre me vieng a vous sauve la vie
76v A temps vendra celle jornee -
Appears on: 76v
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: A temps vendra celle jornee
77 Il m'est si grief vostre depart -
Appears on: 77
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Il m'est si grif vostre depart
Concordances

the Escorial concordance has a completely different Contratenor.

77 Je donne a tous les amoureux -
Appears on: 77
Genres: Chanson, Rondeau
Voice: [no designation]
Languages: French
Voice Text: Je donne a tous les amoureux
77v Mesdisans m'ont cuidié desfaire -
Appears on: 77v
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Mesdisans m'ont cuidié desfaire
77v Au grief hermitage de plours -
Appears on: 77v
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Au grief hermitage de plours
78 Je ne pouroye estre joyeux -
Appears on: 78
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Je ne pouroye estre joyeux
78 Layssiés moi coi je vous en prie -
Appears on: 78
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Layssiés moy coy je vous en prye
78v Ay douloureux disant helas -
Appears on: 78v
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Ay douloureux disant helas
78v Navré je suis d'un dart penetratif -
Appears on: 78v
Genres: Chanson, Rondeau
Voice: [no designation]
Languages: French
Voice Text: Navré je sui d'un dart penetratif
79 Ce jour le doibt aussi fait la saison Guillermus dufay
Appears on: 79
Genres: Ballade, Chanson
Source Attribution: Guillermus dufay
Voice: [no designation]
Languages: French
Voice Text: Ce jour le doibt aussy fait la saison
79v Liesse m'a mandé salut -
Appears on: 79v
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Liesse m'a mandé salut
79v Las pouray je mon martire celer -
Appears on: 79v
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Las pouray je mon martire celer
80 Pourray je avoir vostre mercy -
Appears on: 80
Genres: Rondeau
Voice: [no designation]
Languages: French
Voice Text: Pouray je avoir vostre mercy
80 En regardant vostre tres doulx maintieng -
Appears on: 80
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: En regardant vostre tres doulx maintieng
80v O pulcherrima mulierum Arnoldus de [la]ntins
Appears on: 80v
Genres: Motet
Source Attribution: Arnoldus de [la]ntins
Voice: [no designation]
Languages: Latin
Voice Text: O pulcherrima mulierum

Voice: [no designation]
Languages: none

Voice: [no designation]
Languages: none
81 Jesu salvator saeculi / Quo vulneratus scelere yhs Vbertus depsalinis
Appears on: 81
Genres: Motet
Source Attribution: yhs Vbertus depsalinis
Voice: [no designation]
Languages: none

Voice: [no designation]
Languages: none

Voice: [no designation]
Languages: Latin
Voice Text: Iesu salvator saeculi/Quo vulneratus
81v Se je vous ai bien loyaulment aimee -
Appears on: 81v
Genres: Chanson, Rondeau
Voice: [no designation]
Languages: French
Voice Text: Se je vous ay bien loyalment amee
81v Je me recommande humblement -
Appears on: 81v
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Je me recomande humblement
82 Amoureux suy et me vient toute joye -
Appears on: 82
Genres: Chanson, Rondeau
Voice: [no designation]
Languages: French
Voice Text: Amoreux suy et me vient toute joye
82v Se j'estoye aseüree -
Appears on: 82v
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Se j'estoye aseüree
83 Puisqu'il vous plet mon present retenir / Pour ton present qui me fair resjouir - Anonymous
Appears on: 83
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Puis qu'il vous plet mon present retenir / Pour ton present qui me fair resjouir
83v Mon plus haut bien, ma joie et mon désir - Anonymous
Appears on: 83v
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Mon plus haut bien ma yoye et mon desir
84 Or sus mon coeur vers ma dame t'enclinne - Anonymous
Appears on: 84
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Or sus mon cuer vers ma dame t'enclinne
84v Pour la doulour l'annoy le grief martire / Qui dolente n'aura veu en sa vie -
Appears on: 84v
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Pour la doulour l'annoy le grief martire / Qui dolente n'aura veu en sa vie
84v Combien que loing de vous soie - Anonymous
Appears on: 84v
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Conbien que loins de vous soye
85 Amans doubles or doublés vos amours -
Appears on: 85
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Amans doubles or doublés vos amours
85v Dame d'honneur et de tous biens garnie - Anonymous
Appears on: 85v
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Dame d'onnour et de tous biens garnye
86 Se je me plains sans rayson n'est ce mye -
Appears on: 86
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Se je me plains sans rayson n'est ce mye
86v Adieu m'amour [=ma dame] et ma maistresse -
Appears on: 86v
Genres: Chanson, Rondeau
Voice: [no designation]
Languages: French
Voice Text: Adieu m'amour et ma maistresse
86v–87 Sans faire de vous departie -
Appears on: 86v–87
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Sans faire de vous departie
87 Or voist comme aler en porra -
Appears on: 87
Genres: Chanson
Voice: [no designation]
Languages: Italian
Voice Text: Or voist comme aler en porra
87v La plus jolie et la plus belle -
Appears on: 87v
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: La plus jolie et la plus belle
88 Je loy (loe, loue) amours et ma dame mercye -
Appears on: 88
Genres: Ballade, Chanson
Voice: [no designation]
Languages: French
Voice Text: Je loe amours et ma dame mercye
88v A son plaisir volentiers serviroye -
Appears on: 88v
Genres: Chanson, Rondeau
Voice: [no designation]
Languages: French
Voice Text: A son plaisir volentiers serviroye
89 Je voel servir plus c'onques mais -
Appears on: 89
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Je voel servir plus c'onques mais
89 Ma douce amour et ma maîtresse -
Appears on: 89
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Ma doulce amour et ma mestresse
89v–90 Un petit oyselet chantant -
Appears on: 89v–90
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Un petit oyselet chantant
90 Quant compaignons s'en vont juer -
Appears on: 90
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Quant compaignons s'en vont juer
90v Jusqu'a tant que je puisse veir / Puisqu'ensy est que je ne puis veir / Certes m'amour et ma doulce pensee -
Appears on: 90v
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Jusques a tant que je puisse veir / Puis qu'ensy est que je ne puis veir / Certes m'amour et ma doulce pensee
91 N'a pas long tenps que trouvay zephirus - Anonymous
Appears on: 91
Genres: Ballade
Voice: [no designation]
Languages: German
Voice Text: N'a pas long tenps que trouvay zephirus
91v Belle plaissant et gracieuxse -
Appears on: 91v
Genres: Chanson, Rondeau
Voice: [no designation]
Languages: French
Voice Text: Belle plaissant et gracieuxse
91v Adieu mon gracieux ami - Anonymous
Appears on: 91v
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Adieu mon gracieux amy
91v–92 Je vous pri que j'aie un baysier -
Appears on: 91v–92
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Je vous pri que j'aye un baysier
92 Le souvenir que doulx regart - Anonymous
Appears on: 92
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Le souvenir que doulx regart
92 Je ne vous ose regarder / Laysiés dangier paour aler - Anonymous
Appears on: 92
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Je ne vous ose regarder / Laysiés dangier paour aler
92v Adieu vous di, puisqu'ainsi est - Anonymous
Appears on: 92v
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Adieu vous dy puis qu'ensi est
92v Un soupir amoureusement - Anonymous
Appears on: 92v
Genres: Rondeau
Voice: [no designation]
Languages: French
Voice Text: Un soupir anoureuxement
93 Amours venés mon coeur reconforter - Anonymous
Appears on: 93
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Amours venés mon cuer reconforter
93 Mes ieux m'ont pourchachié la mort - Anonymous
Appears on: 93
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Mes ieux m'ont pourchachié la mort
93v Qui ne veroit que vos doulx ieux -
Appears on: 93v
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Qui ne veroit que vos doulx ieux
93v Puisque je suis amoureux -
Appears on: 93v
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Puis que je suy amoureux
94 Je ris je chante je m'esbas -
Appears on: 94
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Je ris je chante je m'esbas
94 Pour l'amour de mon bel ami -
Appears on: 94
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Pour l'amour de mon bel amy
94v Revien a moi revien douce plaisance - Anonymous
Appears on: 94v
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Revien a moy revien douce plaisance
95 Puisque je vois que ma joie - Anonymous
Appears on: 95
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Puis que je voy que ma joye
95 Pour vous tenir en la grace amoureuxe / Mon douce amy tenés vous tout temps gay -
Appears on: 95
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Pour vous tenir en la grace amoureuxe / Mon doulx amy tenés vous tout temps gay
95v Tristre dolent plain de pensee - Anonymous
Appears on: 95v
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Tristre dolent plain de pensee
95v Par un regart en un ris amoureux - Anonymous
Appears on: 95v
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Par un regart en un ris amoureux
95v–96 Qui se tendroit de vous amer - Anonymous
Appears on: 95v–96
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Qui se tendroit de vous amer
96 Belle que j'ain plus qu'autre creature - Anonymous
Appears on: 96
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Belle que j'ain plus qu'autre creature
96v Ma seul amour et ma belle maistresse -
Appears on: 96v
Genres: Chanson, Rondeau
Voice: [no designation]
Languages: French
Voice Text: Ma seul amour et ma belle maistresse
96v Pour mesdisans ne pour leur faulx parler -
Appears on: 96v
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Pour mesdisans ne pour leur faulx parler
96v–97 Ma chère maîtresse et amie -
Appears on: 96v–97
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Ma chiere mestresse et amye
97 Je ne vis pas je ne fais que languir -
Appears on: 97
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Je ne vis pas je ne fais que languir
97v L'aultre jour juer m'aloye -
Appears on: 97v
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: L'aultre jour juer m'aloye
98 Mon coeur pleure mais des yeux me fault rire -
Appears on: 98
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Mon coeur pleure mais des yeux me fault rire
98 Las que me demanderoye -
Appears on: 98
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Las que me demanderoye
98v El non mi val pensar e dir omey 'P. Rosso'
Appears on: 98v
Genres: Italian secular
Source Attribution: 'P. Rosso'
Voice: [no designation]
Languages: Italian
Voice Text: El non mi val pensar e dir omey
99 Et c'est assés pour m'esjouir -
Appears on: 99
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Et c'est assés pour m'esjouir
99 Il me convient guerpir ceste contree - Anonymous
Appears on: 99
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Il me convient guerpir ceste contree
99v O stella chi a respiender on se scura 'P. Russo.'
Appears on: 99v
Genres: Italian secular
Source Attribution: 'P. Russo.'
Voice: [no designation]
Languages: Italian
Voice Text: O stella chi a respiender on se scura
100 Laissiés ester vostres chans de liesse -
Appears on: 100
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Laissiés ester vostres chans de liesse
100v Nuda non era preso altro vestito -
Appears on: 100v
Genres: Ballata
Voice: [no designation]
Languages: Italian
Voice Text: Nuda non era preso altro vestito
100v De bien amer quand l'ai enpris -
Appears on: 100v
Genres: Rondeau, Song
Voice: [no designation]
Languages: French
Voice Text: De bien amer quant l'ay enpris
101 Jusqu'au jour d'uy pour aprendre a parler -
Appears on: 101
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Jusqu'au jour d'uy pour aprendre a parler
101v–102 Et in terra pax [Gloria] [Tro] Spiritus et alme (I) [BH5] -
Appears on: 101v–102
Genres: Gloria (et in terra pax), Mass Ordinary, Troped Gloria
Voice: [no designation]
Languages: Latin
Voice Text: Gloria. Et in terra pax [Tro] Spiritus et alme
102v–103 Benedicta viscera / Ave mater gracie / Ora pro nobis Deum Alleluia akany Gilet uelut
Appears on: 102v–103
Genres: Motet
Source Attribution: akany Gilet uelut
Voice: [no designation]
Languages: none

Voice: [no designation]
Languages: none

Voice: [no designation]
Languages: none

Voice: [no designation]
Languages: Latin
Voice Text: Benedicta viscera/Ave mater gratiae/Ora pro nobis deum alleluja
103v–104 Et in terra pax [Gloria] [BH8] -
Appears on: 103v–104
Genres: Gloria (et in terra pax), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Et in terra pax
104 Belle plaissant plus que nulle autre nee II: Puisque je sui de vous tres fort amee -
Appears on: 104
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Belle plaissant plus que nulle autre nee / 2nd: Puis que je sui de vous tres fort amee
104v–105 Et in terra pax [Gloria] -
Appears on: 104v–105
Genres: Gloria (et in terra pax), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Et in terra pax
105v–107 Patrem omnipotentem [Credo] -
Appears on: 105v–107
Genres: Credo (patrem omnipotentem), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Parem omnipotentem
107v De tous le biens dont nature est ouvriere - Anonymous
Appears on: 107v
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: De tous les biens dont nature est ouvriere
108 Il n'est dangier que de vilain - Anonymous
Appears on: 108
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Il n'est dangier que de vilain
108v Pour le desfault du noble dieu bachus -
Appears on: 108v
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Pour le desfault du noble dieu bachus
108v–109 J’aime Qui? Vous. Moy! Voire, douce figure -
Appears on: 108v–109
Genres: Motet
Voice: [no designation]
Languages: French
Voice Text: J'aim. qui. vous. moy. voyre douce figure
109 Je suis assés plus esbahis - Anonymous
Appears on: 109
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Je suy assés plus esbahis
109 Se fortune s'est tournee - Anonymous
Appears on: 109
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Se fortune s'est tournee
109v Se mes deux yeux peussent a vous parler -
Appears on: 109v
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Se mes deux yeux peussent a vous parler
109v–110 A l'aventure va gauvain -
Appears on: 109v–110
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: A l'aventure va gauvain
110 Se par plour ou par deuil mener -
Appears on: 110
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Se par plour ou par dueil mener / 2nd: Se par plour ou par dueil mener
110v Je suis celuy qui veul toudis servir -
Appears on: 110v
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Je suy celuy qui veul toudis servir
110v Que vaut avoir qui ne vit liement -
Appears on: 110v
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Que vaut avoir qui ne vit liement
111 Tant ay de plaisir et de desplaisance -
Appears on: 111
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Tant ay de plaisir et de desplaisance
111 Mon tres doux coeur mon souverain desir - Anonymous
Appears on: 111
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Mon tres doux [cuer] mon souverain desir
111 Plus loing de joye que de deuil - Anonymous
Appears on: 111
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Plus loing de joye que de dueil
111v–112 Or avant gentilz fillettes -
Appears on: 111v–112
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Or avant gentilz fillettes
111v Faisons bonne chiere et lye - Anonymous
Appears on: 111v
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Faisons bonne chiere et lye
112 Je suis si las venus pour tant atendre -
Appears on: 112
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Je suy si las venus pour tant atendre
112v La doulce flour qui de moi honnouree -
Appears on: 112v
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: La doulce flour qui de moy honnouree
113–113v Parem omnipotentem -
Appears on: 113–113v
Genres: Credo (patrem omnipotentem), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Parem omnipotentem
113v Regardés de coeur piteux - Anonymous
Appears on: 113v
Genres: Chanson
Voice: [no designation]
Languages: Latin
Voice Text: Regardés de [cuer] piteux
114 Se j'ai perdu toute ma part - Anonymous
Appears on: 114
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Se j'ay perdu toute ma part
114v–115 Salve virgo virginum / Vita via veritas / Salve regina misericordie Billart Conposuit
Appears on: 114v–115
Genres: Motet
Source Attribution: Billart Conposuit
Voice: [no designation]
Languages: none

Voice: [no designation]
Languages: Latin
Voice Text: Salve virgo virginum/Vita via veritas/Salve regina

Voice: [no designation]
Languages: none

Voice: [no designation]
Languages: none
114v–115 Pour deleissier tristesse et joye avoir - Anonymous
Appears on: 114v–115
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Pour deleissier tristesse et joye avoir
115v Confort d'amours humblement - Anonymous
Appears on: 115v
Genres: Chanson
Voice: [no designation]
Languages: Latin
Voice Text: Confort d'amours humblement
115v Esperance mi fait vivre en doulour - Anonymous
Appears on: 115v
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Esperance mi fait vivre en doulour
116 Dame excellent ou sont bonté scavoir -
Appears on: 116
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Dame excellent ou sont bonté scavoir
116v–117 A virtutis ignitio / Ergo beata nascio/ T: Benedicta filia tua a Domino Cesaris Conposuit
Appears on: 116v–117
Genres: Motet
Source Attribution: Cesaris Conposuit
Voice: [no designation]
Languages: none

Voice: [no designation]
Languages: none

Voice: [no designation]
Languages: none

Voice: [no designation]
Languages: Latin
Voice Text: A virtutis ignitio/Ergo beata nascio/Benedicta filia tua
116v–117 Medée fu en amer veritable de en coeur vrai si ferme et si stable - Anonymous
Appears on: 116v–117
Genres: Motet
Voice: [no designation]
Languages: French
Voice Text: Medee fu en amer veritable
117v–118 Clarus ortus clarior opere / 2nd: Gloriosa mater ecclesia / Tenor: Justus non conturbabitur [name cut off] conposuit
Appears on: 117v–118
Genres: Motet
Source Attribution: [name cut off] conposuit
Voice: [no designation]
Languages: none

Voice: [no designation]
Languages: none

Voice: [no designation]
Languages: Latin
Voice Text: Clarus ortus/Gloriosa mater ecclesiae

Voice: [no designation]
Languages: none
118v–119 Strenua quem duxit / 2nd: Gaudeat et tanti Frater Antonius [partly cut off] Deciuitato ordinis predicatorum 1423 cugno di 8
Appears on: 118v–119
Genres: Motet
Source Attribution: Frater Antonius [partly cut off] Deciuitato ordinis predicatorum 1423 cugno di 8
Voice: [no designation]
Languages: none

Voice: [no designation]
Languages: none

Voice: [no designation]
Languages: Latin
Voice Text: Strenua quem duxit/Gaudeat et tanti

Voice: [no designation]
Languages: none
118v–119 Belle vueilliés vostre mercy donner -
Appears on: 118v–119
Genres: Chanson, Rondeau
Voice: [no designation]
Languages: French
Voice Text: Belle vueilliés vostre mercy donner
119v–120 Ut per te omnes celitus / Ingens alumnus Padue M Johannes ciconja De leodio conposuit
Appears on: 119v–120
Genres: Motet
Source Attribution: M Johannes ciconja De leodio conposuit
Voice: [no designation]
Languages: Latin
Voice Text: Ut per te omnes caelitum/Ingens alumnus Paduae

Voice: [no designation]
Languages: Latin
Voice Text: UT te per omnes et cetera

Voice: [no designation]
Languages: Latin
Voice Text: UT te per omnes et cetera

Voice: [no designation]
Languages: Latin
Voice Text: Ingens alumnus Paduae,
119v–120 Amours n'ont cure de tristresse -
Appears on: 119v–120
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Amours n'ont cure de tristresse
120v–121 Prophetarum fulti suffragio / 2nd: Ave virtus virrtutum caritas / Tenor: Infelix propera Nicolaus grenon Conposuit
Appears on: 120v–121
Genres: Motet
Source Attribution: Nicolaus grenon Conposuit
Voice: [no designation]
Languages: none

Voice: [no designation]
Languages: Latin
Voice Text: Ave virtus virtutum/Prophetarum fulti suffragio

Voice: [no designation]
Languages: none

Voice: [no designation]
Languages: none
121v De tristresse de deuil de desplaysance -
Appears on: 121v
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: De tristresse de dueil de desplaysance
121v Savez pourquoi suis si gay -
Appears on: 121v
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Savés pour quoy suy sy gay
121v–122 Pastourelle en un vergier -
Appears on: 121v–122
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Pastourelle en un vergier
122 Pour une fois et our toute ma vye -
Appears on: 122
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Pour une fois et our toute ma vye
122 Mon seul vouloir ma souveraine joie / Certes m'amour c'est ma vie et ma joie -
Appears on: 122
Genres: Chanson, Rondeau
Voice: [no designation]
Languages: French
Voice Text: Mon seul voloir ma souverayne joye / 2nd: Certes m'amour c'est ma vye et ma joye
122v Depuis un peux un joyeux parlement -
Appears on: 122v
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Depuis un peu un joyeux parlement
122v Toute beauté et tout honneur - Anonymous
Appears on: 122v
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Toute biaulté et toute honneur
123 Ma douce amour, je me dois -
Appears on: 123
Genres: Motet
Voice: [no designation]
Languages: French
Voice Text: Ma doulce amour je me doy bien complaindre
123 Amans amés secretement -
Appears on: 123
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Amans amés secretement
123v Quant de la belle me parti -
Appears on: 123v
Genres: Chanson
Voice: [no designation]
Languages: Italian
Voice Text: Quant de la belle me parti
123v Ma douce amour et tout mon vrai desir - Anonymous
Appears on: 123v
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Ma doulce amour et tout mon vray desir
124 Quant la doulce jouvencelle - Anonymous
Appears on: 124
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Quant la doulce jouvencelle
124 Tant plus vous voy tant plus me samblés belle - Anonymous
Appears on: 124
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Tant plus vous voy tant plus me samblés belle
124 En cest mois de may gracieux - Anonymous
Appears on: 124
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: En cest moys de may gracieux
124v Je vueil vivre au plaisir d'amours - Anonymous
Appears on: 124v
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Je vueil vivre au plaisir d'amours
124v Pour ce que je ne puis veir - Anonymous
Appears on: 124v
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Pour ce que je ne puis veir
124v Humble pitié plaisant et de bon ayre - Anonymous
Appears on: 124v
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Humble pitié plaisant et de bon ayre
125 Espris d'amours l'autre jour me trouvay - Anonymous
Appears on: 125
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Espris d'amours l'autre jour me trouvay
125v Tant plus ayme tant plus suy mal amé -
Appears on: 125v
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Tant plus ayme tant plus suy mal amé
125v Già per gran nobeltà trihumpho et fama -
Appears on: 125v
Genres: Ballata
Voice: [no designation]
Languages: Italian
Voice Text: Già per gran nobeltà trihumpho et fama
126 J'ai mis mon coeur et ma pensee Guillermus du[fa]y
Appears on: 126
Genres: Ballade, Chanson
Source Attribution: Guillermus du[fa]y
Voice: [no designation]
Languages: French
Voice Text: J'ay mis mon cuer et ma pensee
General Note

text forms an acrostic, "Isabette"

126v Resvelliés vous et faites chiere lye Guillermus du[fa]y
Appears on: 126v
Genres: Ballade, Chanson
Source Attribution: Guillermus du[fa]y
Voice: [no designation]
Languages: French
Voice Text: Resvelliés vous et faites chiere lye
127 Biancha nel bruno aquilino aspecto - Anonymous
Appears on: 127
Genres: Italian secular
Voice: [no designation]
Languages: Italian
Voice Text: Biancha nel bruno aquilino aspecto
127v–128 Ad honorem sancte trinitatis Nicholaus grenon Conposuit
Appears on: 127v–128
Genres: Motet
Source Attribution: Nicholaus grenon Conposuit
Voice: [no designation]
Languages: Latin
Voice Text: Ad honorem sanctae trinitatis/Caelorum regnum sempiternum
128v–129 Invidia nimica Guillermus Dufay
Appears on: 128v–129
Genres: Italian secular
Source Attribution: Guillermus Dufay
Voice: [no designation]
Languages: Latin
Voice Text: Invidia inimica
128v–129 Prevalet simplicitas / Prevalet simplicitas Ar. de ructis
Appears on: 128v–129
Genres: Motet
Source Attribution: Ar. de ructis
Voice: [no designation]
Languages: Latin
Voice Text: Praevalet simplicitas
129v–130 Celsa sublimatur / Sabine praesul Hugo de [la]ntins. Ad honorem sancti Nicholai confessoris & episcopi Conposuit
Appears on: 129v–130
Genres: Motet
Source Attribution: Hugo de [la]ntins. Ad honorem sancti Nicholai confessoris & episcopi Conposuit
Voice: [no designation]
Languages: Latin
Voice Text: Celsa sublimatur/Sabine praesul
129v–130 Se ne prenés de moi pité Arnoldus de [La]ntins
Appears on: 129v–130
Genres: Chanson
Source Attribution: Arnoldus de [La]ntins
Voice: [no designation]
Languages: French
Voice Text: Se ne prenés de moy pité
General Note

annotated "1428 marciis marcii conposuit Veneciis" giving date & location of composition

130v–131 O gemma lux et speculum G du[fa]y Ad honorem beatissimi Nicolai episcopi & confessoris Conposuit
Appears on: 130v–131
Genres: Motet
Source Attribution: G du[fa]y Ad honorem beatissimi Nicolai episcopi & confessoris Conposuit
Voice: [no designation]
Languages: Latin
Voice Text: O gemma lux et speculum/Sacer pastor barensium
131v–132 Fortis cum quaevis actio Johannes de ludo conpossuit Ad honorem Sancti Jo euangeliste
Appears on: 131v–132
Genres: Motet
Source Attribution: Johannes de ludo conpossuit Ad honorem Sancti Jo euangeliste
Voice: [no designation]
Languages: Latin
Voice Text: Fortis cum quaevis actio
132v–133 Vasilissa ergo gaude Guillermus dufay Conposuit
Appears on: 132v–133
Genres: Motet
Source Attribution: Guillermus dufay Conposuit
Voice: [no designation]
Languages: Latin
Voice Text: Vasilissa ergo gaude
132v–133 Quant je mire vos doulce portraiture -
Appears on: 132v–133
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Quant je mire vos doulce portraiture
133v–134 Vergine bella -
Appears on: 133v–134
Genres: Motet
Voice: [no designation]
Languages: Italian
Voice Text: Vergene bella che de sol vestita
133v–134 Passato è il tempo omai di quei pensieri G Dufay
Appears on: 133v–134
Genres: Italian secular
Source Attribution: G Dufay
Voice: [no designation]
Languages: Italian
Voice Text: Passato è il tempo omai di quei pensieri
134v Mon cher ami qu'avez vous empensé Guillermus du[fa]y
Appears on: 134v
Genres: Ballade, Chanson
Source Attribution: Guillermus du[fa]y
Voice: [no designation]
Languages: French
Voice Text: Mon chier amy qu'avés vous empensé
135 Vince con lena zascun aspro orgoglio -
Appears on: 135
Genres: Italian secular
Voice: [no designation]
Languages: Italian
Voice Text: Vince con lena zascun aspro orgoglio
135 O dolce conpagno se tu voy cantare -
Appears on: 135
Genres: Italian secular
Voice: [no designation]
Languages: Latin
Voice Text: O dolye conpagno se tu voy cantare
135v–136 Et in terra pax [Gloria] ‘Vincecon Lena’ -
Appears on: 135v–136
Genres: Gloria (et in terra pax), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Et in terra pax hominibus
General Note

Linked imitatively with the virelai on previous folio

135v–136 Pour l'amour de ma douce amie -
Appears on: 135v–136
Genres: Chanson, Rondeau
Voice: [no designation]
Languages: French
Voice Text: Pour l'amour de ma doulce amye
136v–138 Patrem omnipotentem [Credo] ‘Morris desio’ -
Appears on: 136v–138
Genres: Credo (patrem omnipotentem), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Patrem omnipotentem
General Note

Linked by imitation with his virelai on following folio

137v–138 Morir desio po' che fortuna ormay -
Appears on: 137v–138
Genres: Italian secular
Voice: [no designation]
Languages: Italian
Voice Text: Morir desio po' che fortuna ormay
138v–139 Venite adoremus Dominum / Salve sancta aeterna -
Appears on: 138v–139
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Venite adoremus dominum/Salve sancta aeterna
139v–140 Eya dulcis atque vernans / Vale placens peroratrix Jo Tapssier Conposuit
Appears on: 139v–140
Genres: Motet
Source Attribution: Jo Tapssier Conposuit
Voice: [no designation]
Languages: Latin
Voice Text: Eya dulcis atque vernans/Vale placens peroratrix
139v Ma belle dame je vous pri -
Appears on: 139v
Genres: Chanson, Rondeau
Voice: [no designation]
Languages: French
Voice Text: Ma belle dame je vous pri
140 Adieu ces bons vins de Lannoys -
Appears on: 140
Genres: Chanson, Rondeau
Voice: [no designation]
Languages: French
Voice Text: Adieu ces bons vins de Lannoys
140v Ma belle dame souveraine -
Appears on: 140v
Genres: Chanson, Rondeau
Voice: [no designation]
Languages: French
Voice Text: Ma belle dame souverainne
140v Si me fault faire departie -
Appears on: 140v
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Si me fault faire departie
Composer Compositions
(Sirede), Benoit
Anonymous
Aquanus, Adam (ca. 1492–)
Beauseron, Johannes (ca. 1475–1542)
Billart
Binchois, Gilles (ca. 1400–1460)
Brassart, Johannes (ca. 1400–1455)
Briquet (fl. early 15th century)
Brollo, Bartolomeo
Cardot
Carmen, Johannes
Cesaris, Johannes (fl. 1406-17)
Charite, Jean (–1461)
Cherisy
Ciconia, Johannes (ca. 1370–1412)
Cividale, Antonius de
Contreman
Cordier, Baude (fl. early 15 century)
Du Fay, Guillaume (1397–1474)
Feragut, Beltrame
Ferrara, Domenico da
Fontaine, Pierre
Galli, Giuseppe
Gemblaco (Gembloux), Johannes Franchois de
Grenon, Nicolas
Grossin, Estienne
Hasprois, Johannes Symonis (fl. 1378-1428)
Haucourt, Johannes de (ca. 1390–ca. 1420)
Insula, Francus de
Isaac, Heinrich (ca. 1450–1517)
L.J.
La Beausse
Lantins, Arnold de (–1432)
Lantins, Hugo de (fl. 1420-30)
Lebertoul, Franchois
Legrant, Guillaume
Legrant, Johannes
Libert, Gualterius
Libert, Reginaldus
Loqueville, Richard (–1418)
Malbecque, Guillaume de
Passet
Paullet, [Mahieu?]
Preposito
Quadris, Johannes de
Randulfus
Reson, Johannes
Romanus, Antonius
Rubeus, Petrus
Ruttis, Ar de
Salinis, Hymbert de (ca. 1378–)
Sarto, Johannes de
Tapissier, Johannes (ca. 1370–ca. 1410)
Vaux, Raulin de
Velut, Gilet
Vide, Jacobus
Zacara da Teramo, Antonio (ca. 1350–ca. 1413)
Zacharie, Nicolaus
Zocholo, P.
da Bologna, Bartholomeus (fl. c1405-1427)
Composition Composers (? Uncertain) Folios / Pages
A l'aventure va gauvain 109v–110
A ma damme playsant et belle 35
A son plaisir volentiers serviroye 88v
A temps vendra celle jornee 76v
A virtutis ignitio / Ergo beata nascio/ T: Benedicta filia tua a Domino 116v–117
Accende lumen sensibus 52v–53
Ad honorem sancte trinitatis 127v–128
Adieu Adieu, mon joyeux souvenir 56v
Adieu ces bons vins de Lannoys 140
Adieu m'amour [=ma dame] et ma maistresse 86v
Adieu mon gracieux ami Anonymous 91v
Adieu vous di, puisqu'ainsi est Anonymous 92v
Adieu vous dis mes seigneurs et amis 21
Amans amés secretement 123
Amans doubles or doublés vos amours 85
Amoureux suy et me vient toute joye 82
Amours et qu'as tu en pensé 30v
Amours et souvenir de celle 72
Amours mercy - 1a pars (of 2): Amours mercy de trestout mon pooir 44
Amours mercy - 2a pars (of 2): C'est une fois que je n'ay souvenir 44
Amours n'ont cure de tristresse 119v–120
Amours servir et honnourer 52
Amours venés mon coeur reconforter Anonymous 93
Anima mea liquefacta est 27v–28
Ariere tost charité verité Anonymous 43v
Au grief hermitage de plours 77v
Au pain faitich ne me veul plus tenir 43
Ave Maria gratia plena 5v–6
Ave Regina caelorum (1) 62
Ay douloureux disant helas 78v
Belle plaissant et gracieuxse 91v
Belle plaissant plus que nulle autre nee II: Puisque je sui de vous tres fort amee 104
Belle que j'ain plus qu'autre creature Anonymous 96
Belle veuilliés moi retenir 50v
Belle vueilliés vostre mercy donner 118v–119
Benedicamus Domino = Va tent souspir je t'en supplie 27
Benedicta viscera / Ave mater gracie / Ora pro nobis Deum Alleluia 102v–103
Biancha nel bruno aquilino aspecto Anonymous 127
Bien veignés vous amoureuse liesse 34v
Bon jour bon mois bon an et bonne estraine 44v
C'est bien raison de devoir essaucier 55–55v
Ce j'eusse fait ce que je pence 46
Ce jour de l'an 17
Ce jour de l'an belle je vous supply 72v
Ce jour le doibt aussi fait la saison 79
Ce mois de may soyons lies et joyeus 17v
Ce rondelet je vous envoye / Le dieu d'amours si vous l'otroye 35
Celsa sublimatur / Sabine praesul 129v–130
Certes belle quand de vous partiray 38v–39
Chanter ne scay ce poyse moi 32v
Clarus ortus clarior opere / 2nd: Gloriosa mater ecclesia / Tenor: Justus non conturbabitur 117v–118
Coeur triste et mas sans solas et sans joye Anonymous 74
Combien que loing de vous soie Anonymous 84v
Confort d'amours humblement Anonymous 115v
Craindre vous vueil doulce damme de pris 5
Dame d'honneur et de tous biens garnie Anonymous 85v
Dame excellent ou sont bonté scavoir 116
Dame que j'ai longtemps servie Anonymous 62v–63
De bien amer quand l'ai enpris 100v
De coeur joyeux je veuil chanter 54
De plus en plus se renouvelle 67v
De s'i' t'amo con fede madonna mia 23v
De tous le biens dont nature est ouvriere Anonymous 107v
De tristresse de deuil de desplaysance 121v
Depuis un peux un joyeux parlement 122v
Dieu vous doinst bon jour et demy 48
Dona i ardenti ray 73
Donez comfort a votre ami Anonymous 44v
Douce speranche mye confort tout oui Anonymous 19
El non mi val pensar e dir omey 98v
En cest mois de may gracieux Anonymous 124
En regardant vostre tres doulx maintieng 80
Entre vous gentils amoureux 34v–34
Entre vous nouviaux mariés 30
Entrepris suis = Congratulamini mihi omnes 39v
Esclave a deuil et forain de liesse 56
Esperance mi fait vivre en doulour Anonymous 115v
Espoir m'est venu conforter 49v
Espris d'amours l'autre jour me trouvay Anonymous 125
Estrinés moi je vous estrineray 20v–21
Et c'est assés pour m'esjouir 99
Et in terra pax [Gloria] 57v–58
Et in terra pax [Gloria] 58v–59
Et in terra pax [Gloria] 59v–60
Et in terra pax [Gloria] 61v
Et in terra pax [Gloria] 68v
Et in terra pax [Gloria] 104v–105
Et in terra pax [Gloria] (iv/3.1) 60v–61
Et in terra pax [Gloria] [BH8] 103v–104
Et in terra pax [Gloria] [Kaye 1a] 1–2
Et in terra pax [Gloria] [Tro] Spiritus et alme (I) [BH5] 101v–102
Et in terra pax [Gloria] ‘Vincecon Lena’ 135v–136
Excelsa civitas vincencia 4v–5
Eya dulcis atque vernans / Vale placens peroratrix 139v–140
Faisons bonne chiere et lye Anonymous 111v
Flos florum fons ortorum 25v–26
Fortis cum quaevis actio 131v–132
Fragments of much later date - 14v–16
Francorum nobilitati 11v–12
Gaude Dei genitrix 10v–11
Già per gran nobeltà trihumpho et fama 125v
Grant ennuy m'est tres douce simple et coye 45
He compagnons resvelons nous 34
Helas amour que ce que endure 45v
Helas ma dame par amours 33v
Humble pitié plaisant et de bon ayre Anonymous 124v
I ochi d'una anzolleta che m'alcide 24v
I pensieri dolce amor fanno dolere 20v
Il est temps que je me retraye 53v
Il m'est si grief vostre depart 77
Il me convient guerpir ceste contree Anonymous 99
Il n'est dangier que de vilain Anonymous 108
Imera dat hodierno 48v–49
In tua memoria / In tua memoria 52v
Inclita persplendens 8v
Invidia nimica 128v–129
Io sum tuo servo o dolze anima bella 29v
J'ai ma joye ben perdue 35v
J'ai mis mon coeur et ma pensee 126
J'ai tant de deul que nul homs peut avoir 50
J'aime bien celui qui s'en va 17v–18
J'atendray tant qu'il vous playra 51
Jamais tant que je vous revoye 9v–10
Je demande ma bienvenue 17
Je donne a tous les amoureux 77
Je loy (loe, loue) amours et ma dame mercye 88
Je me complains piteusement 18
Je me recommande humblement 81v
Je ne pouroye estre joyeux 78
Je ne puis plus ce que y'ai peu - Unde veniet 55v
Je ne suy plus ceux que soloye 52
Je ne vis pas je ne fais que languir 97
Je ne vous ose regarder / Laysiés dangier paour aler Anonymous 92
Je requier a tous amoureux 67
Je ris je chante je m'esbas 94
Je suis assés plus esbahis Anonymous 109
Je suis celuy qui veul toudis servir 110v
Je suis defait se vous ne me refaites 32v
Je suis espris d'une damme amoureuse 45v–46
Je suis exent entre aman pour amour 57
Je suis si las venus pour tant atendre 112
Je veul chanter de coeur joyeux 33v
Je voel servir plus c'onques mais 89
Je vous pri que j'aie un baysier 91v–92
Je vous viens voir, ma dame amie Anonymous 28
Je vueil vivre au plaisir d'amours Anonymous 124v
Jesu salvator saeculi / Quo vulneratus scelere 81
Joly et gay je me tenrai 51v
Joyeux penser et souvenir 49v
Jusqu'a tant que je puisse veir / Puisqu'ensy est que je ne puis veir / Certes m'amour et ma doulce pensee 90v
Jusqu'au jour d'uy pour aprendre a parler 101
J’aime Qui? Vous. Moy! Voire, douce figure 108v–109
L'alta belleza tua virtute valore 40v
L'aultre jour juer m'aloye 97v
La belle se siet au piet de la tour 31
La doulce flour qui de moi honnouree 112v
La plus jolie et la plus belle 87v
Laetetur plebs fidelis / Pastor qui revelavit 28v–29
Laissiés ester vostres chans de liesse 100
Las j'ai perdu mon espintel 30v
Las pouray je mon martire celer 79v
Las que feray ne que je devenray 72
Las que me demanderoye 98
Layssiés moi coi je vous en prie 78
Le souvenir que doulx regart Anonymous 92
Les tres doulx ieux du viaire ma dame 69v
Liesse m'a mandé salut 79v
Ma belle amour a qui je suis servant 39
Ma belle dame je vous pri 139v
Ma belle dame souveraine 140v
Ma chère maîtresse et amie 96v–97
Ma douce amour et ma maîtresse 89
Ma douce amour et tout mon vrai desir Anonymous 123v
Ma douce amour, je me dois 123
Ma leesse a changié son non 42
Ma seul amour et ma belle maistresse 96v
Ma volonté ne changera 47
Magnificat: Et exultavit spiritus meus 13v–14
Medée fu en amer veritable de en coeur vrai si ferme et si stable Anonymous 116v–117
Mes ieux m'ont pourchachié la mort Anonymous 93
Mes yeulx ont fait mon coeur porter 73v
Mesdisans m'ont cuidié desfaire 77v
Mirar non posso ni conzerner dona 26
Missa O pulcherrima: Agnus Dei 68
Missa O pulcherrima: Et in terra pax [Gloria] 64–64v
Missa O pulcherrima: Kyrie verbum incarnatum 63–63v
Missa O pulcherrima: Patrem omnipotentem [Credo] 65–66
Missa O pulcherrima: Sanctus [Tro: Qui hominem limo] 70v–71
Mon cher ami qu'avez vous empensé 134v
Mon coeur me fait tous dis penser 19v–20
Mon coeur pleure mais des yeux me fault rire 98
Mon coeur s'en va d'umble vouloir 69
Mon douce espoir mon souvenir 51v–1v
Mon plus haut bien, ma joie et mon désir Anonymous 83v
Mon povre coeur n'a que tristresse Anonymous 69
Mon seul et souverain desir 71v
Mon seul vouloir ma souveraine joie / Certes m'amour c'est ma vie et ma joie 122
Mon tres doux coeur mon souverain desir Anonymous 111
Morir desio po' che fortuna ormay 137v–138
Mourir me voy il est pic de ma vie 76
Musicorum decus et species Anonymous 70
N'a pas long tenps que trouvay zephirus Anonymous 91
Navré je suis d'un dart penetratif 78v
Ne me vueilliés belle oblier 44
Nous vous verens bien malebouche 30
Nuda non era preso altro vestito 100v
Nulx ne pouroit ymaginer 37v–38
O caelestial lume agli ochi mei 69v
O dolce conpagno se tu voy cantare 135
O felix templum / O felix templum 22v–23
O flos fragrans 7v–8
O gemma lux et speculum 130v–131
O mortalis homo / O pastores / O vos multi 41v
O pulcherrima mulierum 80v
O quam mirabilis progenies 9v–10
O spirito gentil tu m'ay percosso 25
O stella chi a respiender on se scura 99v
Or avant gentilz fillettes 111v–112
Or pleust a dieu qu'a son plaisir 71v
Or s'avanta omay chi vol amore 24
Or sus mon coeur vers ma dame t'enclinne Anonymous 84
Or voist comme aler en porra 87
Ouvrés vostre huys a ceste foys 49
Par droit je suis bien complaindre et gemir 18v–19
Par un regart en un ris amoureux Anonymous 95v
Parem omnipotentem 113–113v
Passato è il tempo omai di quei pensieri 133v–134
Pastourelle en un vergier 121v–122
Patrem omnipotentem [Credo] 74v–75v
Patrem omnipotentem [Credo] 105v–107
Patrem omnipotentem [Credo] 'Aversi' [Kaye 19] 2v–4
Patrem omnipotentem [Credo] ‘Morris desio’ 136v–138
Per amor de costey 22
Perché la vista dona da me fuge 41
Plaindre m'estuet de ma damme jolye 46v
Plains de plours et gemisemens 66
Playsir soulas desduit et joye Anonymous 41v–42
Plus loing de joye que de deuil Anonymous 111
Pontifici decori speculi 26v–27
Pour ce que je ne puis veir Anonymous 124v
Pour ce que veoir je ne puis 18v
Pour deleissier tristesse et joye avoir Anonymous 114v–115
Pour l'amour de ma douce amie 135v–136
Pour l'amour de mon bel ami 94
Pour la doulour l'annoy le grief martire / Qui dolente n'aura veu en sa vie 84v
Pour le desfault du noble dieu bachus 108v
Pour mesdisans ne pour leur faulx parler 96v
Pour resjoyr la conpaignie 59v–60
Pour tant se j'ai le barbe grise Anonymous 47
Pour une fois et our toute ma vye 122
Pour vous tenir en la grace amoureuxe / Mon douce amy tenés vous tout temps gay 95
Pourray je avoir vostre mercy 80
Prendre couvint de tout en gré 36
Prevalet simplicitas / Prevalet simplicitas 128v–129
Prophetarum fulti suffragio / 2nd: Ave virtus virrtutum caritas / Tenor: Infelix propera 120v–121
Puisqu'il vous plet mon present retenir / Pour ton present qui me fair resjouir Anonymous 83
Puisque je n'ai plus de maystresse 49v
Puisque je suis amoureux 93v
Puisque je suis cyprianés 54v
Puisque je vois que ma joie Anonymous 95
Pulchra speciosa et decora 37
Quant compaignons s'en vont juer 90
Quant de la belle me parti 123v
Quant je mire vos doulce portraiture 132v–133
Quant la doulce jouvencelle Anonymous 124
Que vaut avoir qui ne vit liement 110v
Quel fronte signorille in paradiso 73
Qui est l'amant qui ne lairoit l'amer Anonymous 40
Qui le sien vuelt bein maintenir Anonymous 38v
Qui ne veroit que vos doulx ieux 93v
Qui se tendroit de vous amer Anonymous 95v–96
Quoy que dangier malebouche et leur gent 66v
Regardés de coeur piteux Anonymous 113v
Regina saeculi salvatrix sempiterna / Reparatrix Maria nobilis Anonymous 37v–38
Rendre me vieng a vous sauve la vie 76v
Resvelliés vous et faites chiere lye 126v
Resvelons nous resvelons amoureux 34v
Revien a moi revien douce plaisance Anonymous 94v
Salve virgo virginum / Vita via veritas / Salve regina misericordie 114v–115
Sancte Sebastiane 31v–32
Sans desplaisir et sans esmay 67
Sans faire de vous departie 86v–87
Sans oublyer sans faire departye 33
Savez pourquoi suis si gay 121v
Se fortune s'est tournee Anonymous 109
Se j'ai perdu toute ma part Anonymous 114
Se j'estoye aseüree 82v
Se je me plains sans rayson n'est ce mye 86
Se je n'é mal fors que par leesse 19v–20
Se je vous ai bien loyaulment aimee 81v
Se la face ay pale 53v–54
Se liesse est de ma partie 21v
Se ma dame je puis veir 66v
Se mes deux yeux peussent a vous parler 109v
Se ne prenés de moi pité 35v–36
Se ne prenés de moi pité 129v–130
Se par plour ou par deuil mener 110
Si me fault faire departie 140v
Soyés loyal a vo povoir Anonymous 67v
Strenua quem duxit / 2nd: Gaudeat et tanti 118v–119
Summus secretarius 6v–7
Tant ay de plaisir et de desplaisance 111
Tant plus ayme tant plus suy mal amé 125v
Tant plus vous voy tant plus me samblés belle Anonymous 124
Tota pulchra es amica mea et macula II: Flores apparuerunt 42v
Tout a caup m'ont torné le dos 76
Tout mon desir et mon voloir 53
Toute beauté et tout honneur Anonymous 122v
Toutes mes joies sont estaintes 61
Tra quante regione el sol si mobele 36v–37
Tres douchement et soutiement 47v–48
Triste plaisir et douleureuse yoie 56v
Tristre dolent plain de pensee Anonymous 95v
Un petit oyselet chantant 89v–90
Un soupir amoureusement Anonymous 92v
Ut per te omnes celitus / Ingens alumnus Padue 119v–120
Vasilissa ergo gaude 132v–133
Vaylle qye vaylle il faut s'aseürer 50v
Venite adoremus Dominum / Salve sancta aeterna 138v–139
Verbum caro factum est de virgine Maria 15v
Verbum caro factum est de virgine Maria Anonymous 16v
Verbum patris hodie 12v–13
Vergine bella 133v–134
Veuilliés hoster de che dangier 62v
Vince con lena zascun aspro orgoglio 135
Vit encore ce faux dangier 21v
Vivere et recte reminiscere 71

Images © Bodleian Library, Oxford

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Reaney, Gilbert. 1962. Bodleian Library.Canonici Misc. 213 (O) (Oxforder Handschriften). Die Musik in Geschichte und Gegenwart, . Pages: 517-518.

Borren, Charles van den. 1960. Dufay and his school. The New Oxford History of Music, edited by Charles van den Borren,  London: Oxford University Press.

Clercx-Lejeune, Suzanne, and Suzanne Clercx. 1960. Johannes Ciconia, un musicien liégois et son temps. Académie Royale de Belgique, Classe des Beaux-Arts: Mémoires: Collection in-4, II série, vol. X, fasc. 1a/1b. 2 vols. Brussels: Palais des Académies. Pages: I, 58-61; II,113-8. Notes: contents list (partial); concordances (partial); incipits (partial); transcription (partial).

Davis, Bertran Earl. 1960. The Works of Johannes Vincenet. University of North Carolina, Unpublished Ph.D. dissertation. Pages: I,14; II,381-6. Notes: contents list (partial); transcriptions (partial); mention of MS; discussion.

Layton, Billy Jim. 1960. Italian Music for the Ordinary of the Mass 1300-1450. Harvard University, Unpublished Ph.D. dissertation. Pages: 48-9, 72,198ff,243ff,304ff. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Villard, Leon Jacques. 1960. Text Underlay in the Mass Ordinary of Dufay and Some of His Contemporaries. Northwestern University, Unpublished Ph.D. dissertation. Pages: 23ff, passim. Notes: contents list (partial); concordances (partial); transcriptions (partial); facsimile (partial); mention of MS; discussion.

Clercx-Lejeune, Suzanne, and Suzanne Clercx. 1956. Propos sur l'Ars nova. Revue belge de musicologie, 154–160. Pages: 154-160.

Reaney, Gilbert (editor). 1955-83. Early Fifteenth-Century Music. Corpus mensurabilis musicae.  Rome: American Institute of Musicology. Pages: I,ix-xx, passim; II-VI, passim. Notes: contents list (partial); concordances (partial); transcriptions (partial); texts (partial); mention of MS; discussion.

Schmitz, Arnold (editor). 1955-. Musikalische Denkmäler.  Mainz. Pages: II,13*,62ff, passim. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Reaney, Gilbert. 1955. The Manuscript Oxford, Bodleian Library, Canonici Misc. 213. Musica Disciplina, 73-104. Notes: physical description; contents list; concordances; mention of MS; discussion.

Disertori, Benvenuto. 1954. La frottola nella storia della musica. Monumenta N.I., Cremona, Instituta et monumenta, Serie I. 9ff. Pages: xv, xviii.xxxv-xxxvi. Notes: contents list (partial); transcription (partial).

Hughes, Dom Anselm. 1951. Medieval Polyphony in the Bodleian Library, Oxford. Pages: 11-25. Notes: physical description (partial); contents list; concordances (partial).

Besseler, Heinrich. 1950; Reprinted: 1974. Bourdon und Fauxbourdon, Studien zum Ursprung der niederländischen Musik.  Leipzig. Pages: 106ff, passim; Tafel IV-V. Notes: physical description (partial); contents list (partial); concordances (partial); transcriptions (partial); facsimile (partial); mention of MS; discussion.

Closson, Ernest, and Charles van den Borren. 1950. La musique en Belgique du Moyen Age à nos jours.  Brussels. Pages: 48-50, 471. Notes: contents list (partial); facsimile (partial).

Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik.  Kassel. Pages: II,1337,1665-6; IV,630, Tafel 1; X,517-8. Notes: physical description; contents list; incipitsst of contents (partial); facsimile (partial).

de Van, Guillaume, and Heinrich Besseler (editors). 1948-66. Guillaume Dufay: Opera Omnia. Corpus mensurabilis musicae.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: I, IV-VI, passim. Notes: physical description (partial); contents list (partial); concordances (partial); transcription (partial); texts (partial).

Plamenac, Dragan (editor). 1947-. Johannes Ockeghem: Collected Works.  American Musicological Society. Pages: I,xxxiv,78. Notes: contents list (partial); concordances (partial); transcriptions (partial).

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 11/IV.

Borren, Charles van den. 1946-47. The Codex Canonici 213 in the Bodleian Library at Oxford. Proceedings of the Royal Musical Association, 45-58. Notes: contents list (partial); mention of MS; discussion.

Spurbeck, Samuel Wayne. 1943. A Study of the Canonici Manuscript Misc. 213 (circa 1400-1440). Eastman School of Music, Unpublished Ph.D. dissertation. Pages: I-II). Notes: physical description; contents list; concordances (partial); transcription (partial); mention of MS; discussion.

Apel, Willi. 1942. (4th ed., 1949). The Notation of Polyphonic Music 900-1600.  Cambridge, Massachusetts. Pages: 102-3, 117-9,123,141,143,175-9; Appendix, Nos. 12, 14, 19, 20, 25. Notes: contents list (partial); transcriptions (partial); facsimile (partial); mention of MS; discussion.

Borren, Charles van den. 1941. Etudes sur le quinzième siècle musical.  Antwerp. Notes: physical description (partial); contents list (partial); mention of MS; discussion.

Pirro, André. 1940. Histoire de la Musique de h f in du XIVe siècle à la fin du XVIe.  Paris. Pages: 55ff. Notes: contents list (partial); transcriptions (partial); mention of MS; discussion.

Marix, Jeanne (editor). 1937. Les musiciens de la cour de Bourgogne au XVe siècle (1420-1467) : Messes, motets, chansons.  Paris. Notes: contents list (partial); concordances (partial); transcriptions (partial); facsimile (partial).

Borren, Charles van den (editor). 1932; 2nd rev. edn., London, 1962. Polyphonia sacra: A Continental Miscellany of the Fifteenth Century.  Nashdom Abbey, Burnham, Bucks., and London: Plainsong and Mediaeval Music Society. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Blume, Friedrich (editor). 1929-. Das Chorwerk.  Berlin/Wolfenbüttel. Pages: XIX,4,16-7; XXII,3,5,13-5. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Besseler, Heinrich. 1925. Studien zur Musik des Mittelalters: I. Neue Quellen des 14. und beginnenden 15. Jahrhunderts. Archiv für Musikwissenschaft, 167-252. Pages: 239ff. Notes: physical description (partial); mention of MS; discussion.

Wolf, Johannes. 1924. Die Tonschriften in Jedermann-Bücherei.  Breslau. Notes: physical description; contents list (partial); concordances (partial); mention of MS; discussion.

Wolf, Johannes. 1913-9; Reprinted: Hildesheim, 1963. Handbuch der Notationskunde.  Leipzig. Pages: I, 386,456-7. Notes: physical description (partial).

Wolf, Johannes. 1904; Reprinted: Hildesheim, 1965. Geschichte der Mensural-Notation von 1250-1460 nach den theoretischen und praktischen Quellen. 3 vols. Leipzig. Pages: I,212-3,261ff,396ff. Notes: contents list (partial); concordances (partial); transcriptions (partial); facsimile (partial).

Stainer, John F. R, Cécie Stainer, Edward W. B. Nicholson, and Stainer Sir John. 1898; reprinted as EBM I: 1966. Dufay and his Contemporaries: Fifty Compositions (Ranging from about A.D. 1400 to 1440) Transcribed from MS. Canonici misc. 213, in the Bodleian Library, Oxford, with an introduction by E.W.B. Nicholson, and a critical analysis of the music by Sir John Stainer.  London. Notes: physical description; contents list; concordances (partial); transcription (partial); facsimile (partial); mention of MS; discussion.

Stainer, John F. R. 1895-96. A Fifteenth Century MS. Book of Vocal Music in the Bodleian Library, Oxford. Proceedings of the Royal Musical Association, 1-22. Notes: physical description; contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Public Comments

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Nicole Schwindt

Thursday, 1 June, 2023

The spelling of fol. 32v in the inventory must be "Chanter ne scay ce poyse moy" ("Chanter ne scay ce poise moy" is the spelling in I-Bc, Q.15, fol. 44v).

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Horst Weber

Monday, 29 July, 2024

corrected composer attribution of "O docle conpagno"

David Wyatt

Wednesday, 31 May, 2023

Pointed out that 'Manifestans tuis arcana Dei' by Beltrame Feragut and 'Pacem bonis omnibus' by Johannes de Sarto, which were previously listed here as appearing on fol. 17r, are not on this folio - and that, on the other hand, 'Je demande ma bienvenue' by Johannes de Haucourt (on this folio) had been missing in the inventory.

Clemens Goldberg

Wednesday, 24 May, 2023

Linked the concordant copies of Binchois' "Amours mercy" in this ms & the Seville chansonnier

Israel Ruiz de Infante

Tuesday, 28 February, 2023

Corrected Grenon's "La plus jolie et la plus belle" in inventory

Baptiste Chopin

Saturday, 21 March, 2020

Missing work by Du Fay added at f.17

Karen Cook

Wednesday, 28 November, 2018

Problem reported with image of 139v. This is a bug and a report has been raised.

Karen Cook

Wednesday, 14 November, 2018

Pablo Cantalapiedra

Monday, 30 July, 2018

Image for fol. 139v uploaded - waiting for server to update

Elizabeth Upton

Monday, 23 October, 2017

Bibliography updated

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description