Nicole Schwindt
Thursday, 1 June, 2023
The spelling of fol. 32v in the inventory must be "Chanter ne scay ce poyse moy" ("Chanter ne scay ce poise moy" is the spelling in I-Bc, Q.15, fol. 44v).
Archive | Bodleian Library, Oxford, England (GB-Ob) |
---|---|
Shelfmark | MS. Canon. Misc. 213 |
Surface | Paper |
Numbering System | Foliation |
Measurements | 298 x 215 mm |
Other Identifiers |
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Notations |
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Copyists |
|
Relationships | |
External Links | |
External Authorities | |
Provenance |
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Contents | 327 pieces from 60 composers |
Composite of originally separate fascicles and small gatherings; two main layers (ff. 1-80 and ff. 81-140). Copied by a single scribe, who also wrote ff. 61-64 of ParisBNN 4379 (SchoopO); copied by three main scribes (ReaneylC). Six pieces copied from ParisBNN 4379 (SchoopO). Probably copied in Venice or vicinity (ReaneyO). Later owned by the Jesuit antiquarian Matteo Luigi Canonici (1727-1805) of Venice. Canonici collection passed to Giovanni Perissinotti in 1807; sold to Bodleian Library in 1817.
Covers of white parchment, with brown lettering-piece, probably date from ca. 1784.
Five watermarks resemble Briquet #3134, #5953, #7890, #8351, and #15608; other watermarks: (1) anvil (several variant forms); (2) three-peaked mountain (also in several forms); (3) ladder; (4) unidentified animal (dog?).
black full mensural and black void mensural
Original ink foliation, 1-140 (originally independent foliation system in second layer altered to form continuation of system in first layer).
140 ff
Inked Gothic initials.
Incomplete original index on ff. [ii-v']; pieces grouped alphabetically by first letter of text, with subgrouping under each letter by order of appearance (some errors and inconsistencies).
paper
This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.
(= MadanSC 19689)
1 Kyrie, 12 Glorias, 6 Credos, 1 Sanctus, 1 Agnus, 1 Magnificat, 38 motets, 6 laude, 235 French secular pieces, 24 Italian secular pieces = 325 + 1 duplicate = 326
Adam-3, Antonio da Cividale-3, Antonio Romano-1, Bartolomeo da Bologna-4, Bellengues [Cardot]-1, Benoit-1, Billart-1, Binchois-29, Binchois/(Grossin)-1, Brassart-3, Brolo-6, Carmen-2, Césaris-6, Charité-1, Chierisy-1, Ciconia-4, Cordier-7, Coutreman-1, Dominicus de Ferraria-1, Dufay-51, Dufay [index]/H. Lantins [music]-1, Dufay/(H. Lantins)-1, Dusart [Pbr. Johannes de Sarto]-2, Feraguti-3, Fontaine-5, Fontaine-G. Legrant-1, Fontaine Insula-1, Franchois-3, R. Gallo-Insula-1, Grenon-5, Grossin-3, Hasprois-2, Haucourt [Acourt]-2, Insula-2, La Beausse-1, A. Lantins-20, H. Lantins-19, H. Lantins/(A. Lantins)-1, Lebertoul-5, G. Legrant-5, J. Legrant-3, G. Liberti-3, R. Liebert-2, Loqueville-6, Malbecque-5, Passet-1, Paullet-1, Prepositi Brixiensis-4, Quadris-2 + 1?, Randulfo Romano-1, Reson-2, P. Rubeus [P. Rosso]-2, Ruttisi, Salinis-1, Tapissier-1, Vaux-1, Velut-5, Vide-7, Villeroye [Briquet]-1, Zachara da Teramo-1, Zacharia-2, Zocholo de Portunaonis-1, anon-61
v + 140 + i paper folios, 298 x 215. Composite of originally separate fascicles and small gatherings; two main layers (defined by ff. 1-80 and ff. 81-140). Original ink foliation, 1-140 (originally independent foliation system in second layer altered to form continuation of system in first layer). Covers of white parchment, with brown lettering-piece, probably date from ca. 1784. Incomplete original index on ff. [ii-v']; pieces grouped alphabetically by first letter of text, with subgrouping under each letter by order of appearance (some errors and inconsistencies).
Five pieces in black mensural notation; other contents in white mensural notation. Copied by a single scribe, who also wrote ff. 61-64 of ParisBNN 4379 (SchoopO); copied by three main scribes (ReaneylC). Six pieces copied from ParisBNN 4379 (SchoopO). Inked Gothic initials. Five watermarks resemble Briquet #3134, #5953, #7890, #8351, and #15608; other watermarks: (1) anvil (several variant forms); (2) three-peaked mountain (also in several forms); (3) ladder; (4) unidentified animal (dog?).
Ca. 1420-36; repertory ca. 1380-1436. Probably copied in Venice or vicinity (ReaneyO). Later owned by the Jesuit antiquarian Matteo Luigi Canonici (1727-1805) of Venice. Canonici collection passed to Giovanni Perissinotti in 1807; sold to Bodleian Library in 1817.
Vol 4
Composers: Change "Adam-3" to "Adam 1-3"; change "Insula-2" to "Francus de Insula-2."
22
Click an entry to see more information about that item.
Folio / Pages | Composition / Item title | Source attribution | Composers (? Uncertain) |
---|---|---|---|
1–2 | Et in terra pax [Gloria] [Kaye 1a] | - | |
Appears on:
1–2
Genres:
Gloria (et in terra pax), Mass Ordinary
Voice:
[no designation]
Languages:
Latin
Voice Text:
Et in terra pax hominibus
|
|||
2v–4 | Patrem omnipotentem [Credo] 'Aversi' [Kaye 19] | - | |
Appears on:
2v–4
Genres:
Credo (patrem omnipotentem), Mass Ordinary
Voice:
[no designation]
Languages:
Latin
Voice Text:
Patrem omnipotentem
|
|||
4v–5 | Excelsa civitas vincencia | B Feraguti | |
Appears on:
4v–5
Genres:
Motet
Source Attribution:
B Feraguti
Voice:
[no designation]
Languages:
Latin
Voice Text:
Excelsa civitas Vincentia
Voice:
[no designation]
Languages:
none
Voice:
[no designation]
Languages:
none
Item BibliographyGallo, Franco Alberto, and Giovanni Mantese. 1964. Ricerche sulle Origini della Cappella Musicale del Duomo di Vicenza. Civiltà Veneziana, Saggi. Venice and Rome. Pages: 69 (from BQ 15, with facs.). |
|||
5 | Craindre vous vueil doulce damme de pris | - | |
Appears on:
5
Genres:
Chanson, Rondeau
Voice:
[no designation]
Languages:
French
Voice Text:
Craindre vous vueil doulce damme de pris
|
|||
5v–6 | Ave Maria gratia plena | Beltrame Feragu | |
Appears on:
5v–6
Genres:
Antiphon, Ave Maria, Motet
Source Attribution:
Beltrame Feragu
Voice:
[no designation]
Languages:
none
Voice:
[no designation]
Languages:
Latin
Voice Text:
Ave Maria gratia plena
Voice:
[no designation]
Languages:
none
|
|||
6v–7 | Summus secretarius | Presbyter Johannes brasart | |
Appears on:
6v–7
Genres:
Motet
Source Attribution:
Presbyter Johannes brasart
Voice:
[no designation]
Languages:
Latin
Voice Text:
Summus secretarius
Voice:
[no designation]
Languages:
none
Voice:
[no designation]
Languages:
none
|
|||
7v–8 | O flos fragrans | Presbyter Johannes brasart de leodio | |
Appears on:
7v–8
Genres:
Motet
Source Attribution:
Presbyter Johannes brasart de leodio
Voice:
[no designation]
Languages:
Latin
Voice Text:
O flos fragans
Voice:
[no designation]
Languages:
Latin
Voice Text:
O flos fragans
Voice:
[no designation]
Languages:
Latin
Voice Text:
O flos flagrans iam vernalis
|
|||
8v | Inclita persplendens | + 1422 Frater Antonius de ciuitato conposuit ad honorem sancte katerine virginis & martiris | |
Appears on:
8v
Genres:
Motet
Source Attribution:
+ 1422 Frater Antonius de ciuitato conposuit ad honorem sancte katerine virginis & martiris
Voice:
[no designation]
Languages:
Latin
Voice Text:
Inclita persplendens
|
|||
9v–10 | O quam mirabilis progenies | Presbyter Johannes de sarto | |
Appears on:
9v–10
Genres:
Motet
Source Attribution:
Presbyter Johannes de sarto
Voice:
[no designation]
Languages:
Latin
Voice Text:
O quam mirabilis
Voice:
[no designation]
Languages:
none
Voice:
[no designation]
Languages:
none
|
|||
9v–10 | Jamais tant que je vous revoye | - | |
Appears on:
9v–10
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
Jamais tant que je vous revoye
|
|||
10v–11 | Gaude Dei genitrix | - | |
Appears on:
10v–11
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Voice Text:
Gaude dei genitrix
Voice:
[no designation]
Languages:
none
Voice:
[no designation]
Languages:
none
|
|||
11v–12 | Francorum nobilitati | B feraguti | |
Appears on:
11v–12
Genres:
Motet
Source Attribution:
B feraguti
Voice:
[no designation]
Languages:
Latin
Voice Text:
francorum et cetera
Voice:
[no designation]
Languages:
Latin
Voice Text:
Francorum nobilitati
Voice:
[no designation]
Languages:
Latin
Voice Text:
francorum et cetera
|
|||
12v–13 | Verbum patris hodie | Presbyter Johannes de sarto | |
Appears on:
12v–13
Genres:
Canonic
Source Attribution:
Presbyter Johannes de sarto
Voice:
[no designation]
Languages:
Latin
Voice Text:
Prima pars
Voice:
[no designation]
Languages:
Latin
Voice Text:
Canitur per 9/3 figure allegomj
Voice:
[no designation]
Languages:
Latin
Voice Text:
Verbum patris hodie
|
|||
13v–14 | Magnificat: Et exultavit spiritus meus | - | |
Appears on:
13v–14
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Voice Text:
Et exultavit spiritus meus
|
|||
15v | Verbum caro factum est de virgine Maria | Presbyter P del zocholo de portunaonis | |
Appears on:
15v
Genres:
Lauda
Source Attribution:
Presbyter P del zocholo de portunaonis
Voice:
[no designation]
Languages:
Latin
Voice Text:
VErbum caro factum est
Voice:
[no designation]
Languages:
Latin
Voice Text:
Verbum caro factum est de virgine Maria
|
|||
14v–16 | Fragments of much later date | - | - |
Appears on:
14v–16
Genres:
unknown
Voice:
[no designation]
Languages:
insufficient
Voice Text:
Fragments of much later date
|
|||
16v | Verbum caro factum est de virgine Maria | - | Anonymous |
Verbum caro factum est de virgine MariaAnonymous
Appears on:
16v
Genres:
Lauda
Voice:
[no designation]
Languages:
Latin
Voice Text:
Verbum caro factum est de virgine Maria
|
|||
17 | Ce jour de l'an | - | |
Appears on:
17
Genres:
Chanson, Rondeau
|
|||
17 | Je demande ma bienvenue | Acourt | |
Appears on:
17
Genres:
Chanson
Source Attribution:
Acourt
Voice:
[no designation]
Languages:
French
Voice Text:
Je demande ma bienvenue
|
|||
17v | Ce mois de may soyons lies et joyeus | - | |
Appears on:
17v
Genres:
Chanson, Rondeau
Voice:
[no designation]
Languages:
French
Voice Text:
Ce moys de may soyons lies et joyeus
|
|||
17v–18 | J'aime bien celui qui s'en va | - | |
Appears on:
17v–18
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
J'ayme bien celui qui s'en va
|
|||
18 | Je me complains piteusement | Guillermus dufay | |
Appears on:
18
Genres:
Ballade, Chanson
Source Attribution:
Guillermus dufay
Voice:
[no designation]
Languages:
French
Voice Text:
Je me complains piteusement
General Notedated precisely: "1425 a di 12 Iuio" (when Du Fay was in Laon) |
|||
18v | Pour ce que veoir je ne puis | - | |
Appears on:
18v
Genres:
Chanson, Rondeau
Voice:
[no designation]
Languages:
French
Voice Text:
Pour ce que veoir je ne puis
|
|||
18v–19 | Par droit je suis bien complaindre et gemir | - | |
Appears on:
18v–19
Genres:
Chanson, Rondeau
Voice:
[no designation]
Languages:
French
Voice Text:
Par droit je suis bien complaindre et gemir
|
|||
19 | Douce speranche mye confort tout oui | - | Anonymous |
Douce speranche mye confort tout ouiAnonymous
Appears on:
19
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
Douce speranche mye confort tout oui
|
|||
19v–20 | Mon coeur me fait tous dis penser | - | |
Appears on:
19v–20
Genres:
Chanson, Rondeau
Voice:
[no designation]
Languages:
French
Voice Text:
Mon cuer me fait tous dis penser
|
|||
19v–20 | Se je n'é mal fors que par leesse | - | |
Appears on:
19v–20
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
Se je n'é mal fors que par leesce
|
|||
20v | I pensieri dolce amor fanno dolere | - | |
Appears on:
20v
Genres:
Italian secular
Voice:
[no designation]
Languages:
Italian
Voice Text:
I pensieri dolze amor fanno dolere
|
|||
20v–21 | Estrinés moi je vous estrineray | - | |
Appears on:
20v–21
Genres:
Chanson, Rondeau
Voice:
[no designation]
Languages:
French
Voice Text:
Estrinés moy je vous estrineray
|
|||
21 | Adieu vous dis mes seigneurs et amis | - | |
Appears on:
21
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
Adieu vous dis mes seigneurs et amis
|
|||
21v | Se liesse est de ma partie | - | |
Appears on:
21v
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
Se liesse est de ma partie
|
|||
21v | Vit encore ce faux dangier | - | |
Appears on:
21v
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
Vit encore ce faux dangier
|
|||
22 | Per amor de costey | - | |
Appears on:
22
Genres:
Italian secular
Voice:
[no designation]
Languages:
Italian
Voice Text:
Per amor de chostey
|
|||
22v–23 | O felix templum / O felix templum | Magister Johannes Ciconia de leodio | |
Appears on:
22v–23
Genres:
Motet
Source Attribution:
Magister Johannes Ciconia de leodio
Voice:
[no designation]
Languages:
Latin
Voice:
[no designation]
Languages:
Latin
Voice Text:
[t]Enor O felix templum iubila
Voice:
[no designation]
Languages:
Latin
Voice Text:
O felix templum iubila
|
|||
23v | De s'i' t'amo con fede madonna mia | - | |
Appears on:
23v
Genres:
Italian secular
Voice:
[no designation]
Languages:
Italian
Voice Text:
De s'i' t'amo con fede madonna mia
|
|||
24 | Or s'avanta omay chi vol amore | - | |
Appears on:
24
Genres:
Italian secular
Voice:
[no designation]
Languages:
Italian
Voice Text:
Or s'avanta omay chi vol amore
|
|||
24v | I ochi d'una anzolleta che m'alcide | - | |
Appears on:
24v
Genres:
Italian secular
Voice:
[no designation]
Languages:
Italian
Voice Text:
I ochi d'una anzolleta che m'alcide
|
|||
25 | O spirito gentil tu m'ay percosso | - | |
Appears on:
25
Genres:
Italian secular
Voice:
[no designation]
Languages:
Latin
Voice Text:
O spirito gentil tu m'ay percosso
|
|||
25v–26 | Flos florum fons ortorum | Guillermus Du[fa]y conposuit | |
Appears on:
25v–26
Genres:
Motet
Source Attribution:
Guillermus Du[fa]y conposuit
Voice:
[no designation]
Languages:
none
Voice:
[no designation]
Languages:
none
Voice:
[no designation]
Languages:
Latin
Voice Text:
Flos florum fons hortorum
|
|||
26 | Mirar non posso ni conzerner dona | - | |
Appears on:
26
Genres:
Italian secular
Voice:
[no designation]
Languages:
Italian
Voice Text:
Mirar non posso ni conzerner dona
|
|||
26v–27 | Pontifici decori speculi | Johannes carmen Fuga 3um Temporum | |
Appears on:
26v–27
Genres:
Canonic
Source Attribution:
Johannes carmen Fuga 3um Temporum
Voice:
[no designation]
Languages:
Latin
Voice Text:
TEnor Pontifici decori speculj
Voice:
[no designation]
Languages:
Latin
Voice Text:
Pontifici decori speculj et cetera
Voice:
[no designation]
Languages:
Latin
Voice Text:
Pontifici decori speculi
|
|||
27 | Benedicamus Domino = Va tent souspir je t'en supplie | - | |
Appears on:
27
Genres:
Chanson, Contrafactum, Motet
Voice:
[no designation]
Languages:
Italian
Voice Text:
Va t'ent souspier je t'en supplie
|
|||
27v–28 | Anima mea liquefacta est | G dufay Conposuit | |
Appears on:
27v–28
Genres:
Motet
Source Attribution:
G dufay Conposuit
Voice:
[no designation]
Languages:
Latin
Voice Text:
Anima mea liquefacta est
|
|||
28 | Je vous viens voir, ma dame amie | - | Anonymous |
Je vous viens voir, ma dame amieAnonymous
Appears on:
28
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
Je vous vieng voir ma dame amye
|
|||
28v–29 | Laetetur plebs fidelis / Pastor qui revelavit | Nicolaus Zacharie (name partly cut off) | |
Appears on:
28v–29
Genres:
Motet
Source Attribution:
Nicolaus Zacharie (name partly cut off)
Voice:
[no designation]
Languages:
Latin
Voice Text:
Laetetur plebs fidelis/Pastor qui revelavit
Voice:
[no designation]
Languages:
none
Voice:
[no designation]
Languages:
none
Voice:
[no designation]
Languages:
none
|
|||
29v | Io sum tuo servo o dolze anima bella | - | |
Appears on:
29v
Genres:
Italian secular
Voice:
[no designation]
Languages:
Latin
Voice Text:
Io sum tuo servo o dolze anima bella
|
|||
30 | Entre vous nouviaux mariés | - | |
Appears on:
30
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
Entre vous nouviaux mariés
|
|||
30 | Nous vous verens bien malebouche | - | |
Appears on:
30
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
Nous vous verens bien malebouche
|
|||
30v | Las j'ai perdu mon espintel | - | |
Appears on:
30v
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
Las j'ay perdu mon espintel
|
|||
30v | Amours et qu'as tu en pensé | - | |
Appears on:
30v
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
Amours et qu'as tu en pensé
|
|||
31 | La belle se siet au piet de la tour | - | |
Appears on:
31
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
La belle se sit a pi du sic la tour
General Notewith added 2nd voice attributed to Du Fay |
|||
31v–32 | Sancte Sebastiane | Guillermus duf[a]y Ad honorem sancti Sebastiani Martiris | |
Appears on:
31v–32
Genres:
Motet
Source Attribution:
Guillermus duf[a]y Ad honorem sancti Sebastiani Martiris
Voice:
[no designation]
Languages:
none
Voice:
[no designation]
Languages:
none
Voice:
[no designation]
Languages:
Latin
Voice Text:
O sancte Sebastiane/O martyr Sebastiane/O quam mira refulsit/Gloria et honore
Voice:
[no designation]
Languages:
none
|
|||
32v | Chanter ne scay ce poyse moi | - | |
Appears on:
32v
Genres:
Rondeau, Song
Voice:
[no designation]
Languages:
French
Voice Text:
Chanter ne scay ce poyse moy
|
|||
32v | Je suis defait se vous ne me refaites | - | |
Appears on:
32v
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
Je suy defait se vous ne me refaites
|
|||
33 | Sans oublyer sans faire departye | - | |
Appears on:
33
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
Sans oublyer sans faire departye
|
|||
33v | Je veul chanter de coeur joyeux | - | |
Appears on:
33v
Genres:
Chanson, Rondeau
Voice:
[no designation]
Languages:
French
Voice Text:
Je veul chanter de cuer joieux
|
|||
33v | Helas ma dame par amours | - | |
Appears on:
33v
Genres:
Chanson, Rondeau
Voice:
[no designation]
Languages:
French
Voice Text:
Helas ma dame par amours
|
|||
34 | He compagnons resvelons nous | - | |
Appears on:
34
Genres:
Chanson, Rondeau
Voice:
[no designation]
Languages:
French
Voice Text:
He compagnons resvelons nous
|
|||
34v | Resvelons nous resvelons amoureux | - | |
Appears on:
34v
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
Resvelons nous resvelons amoureux
|
|||
34v | Bien veignés vous amoureuse liesse | - | |
Appears on:
34v
Genres:
Chanson, Rondeau
Voice:
[no designation]
Languages:
French
Voice Text:
Bien veignés vous amoureuse liesse
|
|||
34v–34 | Entre vous gentils amoureux | - | |
Appears on:
34v–34
Genres:
Chanson, Rondeau
Voice:
[no designation]
Languages:
French
Voice Text:
Entre vous gentils amoureux
|
|||
35 | A ma damme playsant et belle | - | |
Appears on:
35
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
A ma damme playsant et belle
|
|||
35 | Ce rondelet je vous envoye / Le dieu d'amours si vous l'otroye | - | |
Appears on:
35
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
Ce rondelet je vous envoye / Le dieu d'amours si vous l'otroye
|
|||
35v | J'ai ma joye ben perdue | - | |
Appears on:
35v
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
J'ay ma joye ben perdue
|
|||
35v–36 | Se ne prenés de moi pité | - | |
Appears on:
35v–36
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
Se ne prenés de moy pité
|
|||
36 | Prendre couvint de tout en gré | - | |
Appears on:
36
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
Prendre couvint de tout en gré
|
|||
36v–37 | Tra quante regione el sol si mobele | - | |
Appears on:
36v–37
Genres:
Chanson
Voice:
[no designation]
Languages:
Italian
Voice Text:
Tra quante regione el sol si mobele
|
|||
37 | Pulchra speciosa et decora | B rebrolis (added later) | |
Appears on:
37
Genres:
Motet
Source Attribution:
B rebrolis (added later)
Voice:
[no designation]
Languages:
Latin
Voice Text:
Pulchra speciosa et decora
|
|||
37v–38 | Regina saeculi salvatrix sempiterna / Reparatrix Maria nobilis | - | Anonymous |
Appears on:
37v–38
Genres:
Motet
Voice:
[no designation]
Languages:
none
Voice:
[no designation]
Languages:
none
Voice:
[no designation]
Languages:
Latin
Voice Text:
Regina saeculi salvatrix/Reparatrix Maria
|
|||
37v–38 | Nulx ne pouroit ymaginer | - | |
Appears on:
37v–38
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
Nulx ne pouroit ymaginer
|
|||
38v | Qui le sien vuelt bein maintenir | - | Anonymous |
Qui le sien vuelt bein maintenirAnonymous
Appears on:
38v
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
Qui le sien vuelt bein maintenir
|
|||
38v–39 | Certes belle quand de vous partiray | - | |
Appears on:
38v–39
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
Certes belle quant de vous partiray
|
|||
39 | Ma belle amour a qui je suis servant | - | |
Appears on:
39
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
Ma belle amour a qui je suy servant
|
|||
39v | Entrepris suis = Congratulamini mihi omnes | - | |
Appears on:
39v
Genres:
Contrafactum
Voice:
[no designation]
Languages:
French
Voice Text:
Entrepris suis par grant lyesse
|
|||
40 | Qui est l'amant qui ne lairoit l'amer | - | Anonymous |
Qui est l'amant qui ne lairoit l'amerAnonymous
Appears on:
40
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
Qui est l'amant qui ne lairoit l'amer
|
|||
40v | L'alta belleza tua virtute valore | Guillermus dufay ['Ugo de [Lantins]' erased] | |
Appears on:
40v
Genres:
Italian secular
Source Attribution:
Guillermus dufay ['Ugo de [Lantins]' erased]
Voice:
[no designation]
Languages:
Italian
Voice Text:
L'alta bellaza tua virtute valore
|
|||
41 | Perché la vista dona da me fuge | - | |
Appears on:
41
Genres:
Chanson
Voice:
[no designation]
Languages:
Italian
Voice Text:
Perché la vista dona da me fuge
|
|||
41v | O mortalis homo / O pastores / O vos multi | yhs Franchoys lebertoul | |
Appears on:
41v
Genres:
Ballade
Source Attribution:
yhs Franchoys lebertoul
Voice:
[no designation]
Languages:
none
Voice:
[no designation]
Languages:
Latin
Voice Text:
O mortalis homo/O pastores/O vos multi
Voice:
[no designation]
Languages:
none
Voice:
[no designation]
Languages:
none
|
|||
41v–42 | Playsir soulas desduit et joye | - | Anonymous |
Playsir soulas desduit et joyeAnonymous
Appears on:
41v–42
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
Playsir soulas desduit et joye
|
|||
42 | Ma leesse a changié son non | - | |
Appears on:
42
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
Ma leesse a changié son non
|
|||
42v | Tota pulchra es amica mea et macula II: Flores apparuerunt | Arnoldus de [la]Ntins. | |
Appears on:
42v
Genres:
Motet
Source Attribution:
Arnoldus de [la]Ntins.
Voice:
[no designation]
Languages:
Latin
Voice Text:
Tota pulchra es amica mea et macula
Voice:
[no designation]
Languages:
Latin
Voice Text:
Tota pulcra es amica
Voice:
[no designation]
Languages:
Latin
Voice Text:
Tota pulcra es amica mea
|
|||
43 | Au pain faitich ne me veul plus tenir | - | |
Appears on:
43
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
Au pain faitich ne me veul plus tenir
|
|||
43v | Ariere tost charité verité | - | Anonymous |
Ariere tost charité veritéAnonymous
Appears on:
43v
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
Ariere tost charité verité
|
|||
44 | Amours mercy - 1a pars (of 2): Amours mercy de trestout mon pooir | - | |
Appears on:
44
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
Amours merchi de trestout mon poir
|
|||
44 | Amours mercy - 2a pars (of 2): C'est une fois que je n'ay souvenir | - | |
Appears on:
44
Genres:
Chanson
|
|||
44 | Ne me vueilliés belle oblier | - | |
Appears on:
44
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
Ne me vueilliés belle oblier
|
|||
44v | Bon jour bon mois bon an et bonne estraine | - | |
Appears on:
44v
Genres:
Chanson, Rondeau
Voice:
[no designation]
Languages:
French
Voice Text:
Bon jour bon mois bon an et bonne estraine
|
|||
44v | Donez comfort a votre ami | - | Anonymous |
Donez comfort a votre amiAnonymous
Appears on:
44v
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
Donés confort a vostre amy
|
|||
45 | Grant ennuy m'est tres douce simple et coye | - | |
Appears on:
45
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
Grant ennuy m'est tres douce simple et coye
|
|||
45v | Helas amour que ce que endure | - | |
Appears on:
45v
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
Helas amour que ce que endure
|
|||
45v–46 | Je suis espris d'une damme amoureuse | - | |
Appears on:
45v–46
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
Je suy espris d'une damme amoureuse
|
|||
46 | Ce j'eusse fait ce que je pence | - | |
Appears on:
46
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
Ce j'eusse fait ce que je pence
|
|||
46v | Plaindre m'estuet de ma damme jolye | - | |
Appears on:
46v
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
Plaindre m'escuet de ma damme jolye
|
|||
47 | Ma volonté ne changera | - | |
Appears on:
47
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
Ma volonté ne changera
|
|||
47 | Pour tant se j'ai le barbe grise | - | Anonymous |
Pour tant se j'ai le barbe griseAnonymous
Appears on:
47
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
Pour tant se j'ay le barbe grise
|
|||
47v–48 | Tres douchement et soutiement | - | |
Appears on:
47v–48
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
Tres douchement et soutiement
|
|||
48 | Dieu vous doinst bon jour et demy | - | |
Appears on:
48
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
Dieu vous doinst bon jour et demy
|
|||
48v–49 | Imera dat hodierno | Grossim de parisius | |
Appears on:
48v–49
Genres:
Motet
Source Attribution:
Grossim de parisius
Voice:
[no designation]
Languages:
Latin
Voice Text:
Jmera dat hodierno et cetera
Voice:
[no designation]
Languages:
Latin
Voice Text:
Imera dat hodierno
Voice:
[no designation]
Languages:
Latin
Voice Text:
Jmera dat hodierno quod promisit ab eterno et cetera
|
|||
49 | Ouvrés vostre huys a ceste foys | - | |
Appears on:
49
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
Ouvrés vostre huys a ceste foys
|
|||
49v | Espoir m'est venu conforter | - | |
Appears on:
49v
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
Espoir m'est venu conforter
|
|||
49v | Puisque je n'ai plus de maystresse | - | |
Appears on:
49v
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
Puis que je n'ay plus de maystresse
|
|||
49v | Joyeux penser et souvenir | - | |
Appears on:
49v
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
Joyeux penser et souvenir
|
|||
50 | J'ai tant de deul que nul homs peut avoir | - | |
Appears on:
50
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
J'ay tant de deul que nul homs peut avoir
|
|||
50v | Belle veuilliés moi retenir | - | |
Appears on:
50v
Genres:
Chanson, Rondeau
Voice:
[no designation]
Languages:
French
Voice Text:
Belle veuilliés moy retenir
|
|||
50v | Vaylle qye vaylle il faut s'aseürer | - | |
Appears on:
50v
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
Vaylle qye vaylle il faut [s'aseürer]
|
|||
51 | J'atendray tant qu'il vous playra | - | |
Appears on:
51
Genres:
Chanson, Rondeau
Voice:
[no designation]
Languages:
French
Voice Text:
J'atendray tant qu'il vous playra
|
|||
51v–1v | Mon douce espoir mon souvenir | - | |
Appears on:
51v–1v
Genres:
Rondeau, Song
Voice:
[no designation]
Languages:
French
Voice Text:
Mon doulx espoir mon souvenir
|
|||
51v | Joly et gay je me tenrai | - | |
Appears on:
51v
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
Joly et gay je me tenray
|
|||
52 | Je ne suy plus ceux que soloye | - | |
Appears on:
52
Genres:
Chanson, Rondeau
Voice:
[no designation]
Languages:
French
Voice Text:
Je ne suy plus ceux que soloye
|
|||
52 | Amours servir et honnourer | - | |
Appears on:
52
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
Amours servir et honnourer
|
|||
52v | In tua memoria / In tua memoria | Arnoldus delantins | |
Appears on:
52v
Genres:
Lauda
Source Attribution:
Arnoldus delantins
Voice:
[no designation]
Languages:
Latin
Voice Text:
In tua memoria
Voice:
Tenor
Languages:
none
|
|||
52v–53 | Accende lumen sensibus | Grossim de parisius | |
Appears on:
52v–53
Genres:
Motet
Source Attribution:
Grossim de parisius
Voice:
[no designation]
Languages:
Latin
Voice Text:
Accende lumen sensibus
|
|||
53 | Tout mon desir et mon voloir | - | |
Appears on:
53
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
Tout mon desir et mon voloir
|
|||
53v | Il est temps que je me retraye | - | |
Appears on:
53v
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
Il est temps que je me retraye
|
|||
53v–54 | Se la face ay pale | Guillermus du[fa]y | |
Appears on:
53v–54
Genres:
Ballade, Chanson
Source Attribution:
Guillermus du[fa]y
Voice:
[no designation]
Languages:
Italian
Voice Text:
Se la face ay pale
|
|||
54 | De coeur joyeux je veuil chanter | - | |
Appears on:
54
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
De cuer joyeux je veuil chanter
|
|||
54v | Puisque je suis cyprianés | - | |
Appears on:
54v
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
Puis que je suy cyprianés
|
|||
55–55v | C'est bien raison de devoir essaucier | Guillermus dufay | |
Appears on:
55–55v
Genres:
Ballade, Chanson
Source Attribution:
Guillermus dufay
Voice:
[no designation]
Languages:
French
Voice Text:
C'est bien raison de devoir essaucier
|
|||
55v | Je ne puis plus ce que y'ai peu - Unde veniet | - | |
Appears on:
55v
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
Je ne puis plus ce que y'ai peu / Tenor: Unde beniet auxilium michi
General NotePlanchartD (pp.658-660) notes the "clearly deliberate formal miscalculations" in the piece & suggests it is a 'musical joke' |
|||
56 | Esclave a deuil et forain de liesse | - | |
Appears on:
56
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
Esclave a dueil et forain de liesse
|
|||
56v | Adieu Adieu, mon joyeux souvenir | - | |
Appears on:
56v
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
Adieu adieu, mon joyeux souvenir
|
|||
56v | Triste plaisir et douleureuse yoie | - | |
Appears on:
56v
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
Triste plaisir et douleureuse yoie
|
|||
57 | Je suis exent entre aman pour amour | - | |
Appears on:
57
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
Je suy exent entre aman pour amour
|
|||
57v–58 | Et in terra pax [Gloria] | - | |
Appears on:
57v–58
Genres:
Gloria (et in terra pax), Mass Ordinary
Voice:
[no designation]
Languages:
Latin
Voice Text:
Et in terra pax
|
|||
58v–59 | Et in terra pax [Gloria] | - | |
Appears on:
58v–59
Genres:
Gloria (et in terra pax), Mass Ordinary
Voice:
[no designation]
Languages:
Latin
Voice Text:
Et in terra pax
|
|||
59v–60 | Et in terra pax [Gloria] | - | |
Appears on:
59v–60
Genres:
Gloria (et in terra pax), Mass Ordinary
Voice:
[no designation]
Languages:
Latin
Voice Text:
Et in terra pax
|
|||
59v–60 | Pour resjoyr la conpaignie | - | |
Appears on:
59v–60
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
Pour resjoyr la conpaignie
|
|||
60v–61 | Et in terra pax [Gloria] (iv/3.1) | - | |
Appears on:
60v–61
Genres:
Gloria (et in terra pax), Mass Ordinary
Voice:
[no designation]
Languages:
Latin
Voice Text:
Et in terra pax
|
|||
61 | Toutes mes joies sont estaintes | - | |
Appears on:
61
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
Toutes mes joyes sont estaintes
|
|||
61v | Et in terra pax [Gloria] | - | |
Appears on:
61v
Genres:
Gloria (et in terra pax), Mass Ordinary
Voice:
[no designation]
Languages:
Latin
Voice Text:
Et in terra pax
|
|||
62 | Ave Regina caelorum (1) | Guillermus du[fa]y; (Arnoldus de lantis deleted) | |
Appears on:
62
Genres:
BVM, Motet
Source Attribution:
Guillermus du[fa]y; (Arnoldus de lantis deleted)
Voice:
[no designation]
Languages:
Latin
Voice Text:
Ave regina caelorum
|
|||
62v | Veuilliés hoster de che dangier | - | |
Appears on:
62v
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
Veuilliés hoster de che dangier
|
|||
62v–63 | Dame que j'ai longtemps servie | - | Anonymous |
Dame que j'ai longtemps servieAnonymous
Appears on:
62v–63
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
Dame que j'ay loing tamp servie
|
|||
63–63v | Missa O pulcherrima: Kyrie verbum incarnatum | - | |
Appears on:
63–63v
Genres:
Kyrie eleison, Mass Ordinary
Voice:
[no designation]
Languages:
Latin, Greek
Voice Text:
Kyrie [troped]: Verbum incarnatum
|
|||
64–64v | Missa O pulcherrima: Et in terra pax [Gloria] | - | |
Appears on:
64–64v
Genres:
Gloria (et in terra pax), Mass Ordinary
Voice:
[no designation]
Languages:
Latin
Voice Text:
Et in terra pax
Item BibliographyBorren, Charles van den (editor). 1932; 2nd rev. edn., London, 1962. Polyphonia sacra: A Continental Miscellany of the Fifteenth Century. Nashdom Abbey, Burnham, Bucks., and London: Plainsong and Mediaeval Music Society. Pages: pp. 10-15 (Ox and BU). |
|||
65–66 | Missa O pulcherrima: Patrem omnipotentem [Credo] | - | |
Appears on:
65–66
Genres:
Credo (patrem omnipotentem), Mass Ordinary
Voice:
[no designation]
Languages:
Latin
Voice Text:
Patrem omnipotentem
|
|||
66 | Plains de plours et gemisemens | - | |
Appears on:
66
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
Plains de plours et gemisemens
|
|||
66v | Quoy que dangier malebouche et leur gent | - | |
Appears on:
66v
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
Quoy que dangier malebouche et leur gent
|
|||
66v | Se ma dame je puis veir | - | |
Appears on:
66v
Genres:
Chanson, Rondeau
Voice:
[no designation]
Languages:
French
Voice Text:
Se ma damme je puis veir
|
|||
67 | Sans desplaisir et sans esmay | - | |
Appears on:
67
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
Sans desplaisir et sans esmay
|
|||
67 | Je requier a tous amoureux | - | |
Appears on:
67
Genres:
Chanson, Rondeau
Voice:
[no designation]
Languages:
French
Voice Text:
Je requier a tous amoureux
|
|||
67v | De plus en plus se renouvelle | - | |
Appears on:
67v
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
De plus en plus se renouvelle
|
|||
67v | Soyés loyal a vo povoir | - | Anonymous |
Soyés loyal a vo povoirAnonymous
Appears on:
67v
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
Soyés loyal a vo povoir
|
|||
68 | Missa O pulcherrima: Agnus Dei | - | |
Appears on:
68
Genres:
Agnus Dei, Mass Ordinary
Voice:
[no designation]
Languages:
Latin
Voice Text:
Agnus dei: Qui tollis peccata mundi
|
|||
68v | Et in terra pax [Gloria] | - | |
Appears on:
68v
Genres:
Gloria (et in terra pax), Mass Ordinary
Voice:
[no designation]
Languages:
Latin
Voice Text:
Et in terra pax
|
|||
69 | Mon povre coeur n'a que tristresse | - | Anonymous |
Mon povre coeur n'a que tristresseAnonymous
Appears on:
69
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
Mon povre cuer n'a que tristresse
|
|||
69 | Mon coeur s'en va d'umble vouloir | - | |
Appears on:
69
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
Mon cuer s'en va d'umble vouloir
|
|||
69v | Les tres doulx ieux du viaire ma dame | - | |
Appears on:
69v
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
Les tres doulx ieux du viaire ma dam[e]
|
|||
69v | O caelestial lume agli ochi mei | - | |
Appears on:
69v
Genres:
Italian secular
Voice:
[no designation]
Languages:
Italian
Voice Text:
O celestial lume agli ochi mei
|
|||
70 | Musicorum decus et species | - | Anonymous |
Musicorum decus et speciesAnonymous
Appears on:
70
Genres:
Song
Voice:
[no designation]
Languages:
Latin
Voice Text:
Musicorum decus et species
|
|||
70v–71 | Missa O pulcherrima: Sanctus [Tro: Qui hominem limo] | - | |
Appears on:
70v–71
Genres:
Mass Ordinary, Sanctus [& Benedictus], Troped Sanctus
Voice:
[no designation]
Languages:
Latin
Voice Text:
Terras spernens emicans celitus
|
|||
71 | Vivere et recte reminiscere | Bartolomeus brollo | |
Appears on:
71
Genres:
Italian secular
Source Attribution:
Bartolomeus brollo
Voice:
[no designation]
Languages:
none
Voice:
[no designation]
Languages:
none
Voice:
[no designation]
Languages:
none
Voice:
[no designation]
Languages:
Latin
Voice Text:
Vivere et recte reminiscere
|
|||
71v | Or pleust a dieu qu'a son plaisir | - | |
Appears on:
71v
Genres:
Chanson, Rondeau
Voice:
[no designation]
Languages:
French
Voice Text:
Or pleust dieu qu'a son plaisir
|
|||
71v | Mon seul et souverain desir | - | |
Appears on:
71v
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
Mon seul et souverain desir
|
|||
72 | Las que feray ne que je devenray | - | |
Appears on:
72
Genres:
Chanson, Rondeau
Voice:
[no designation]
Languages:
French
Voice Text:
Las que feray ne que je devenray
|
|||
72 | Amours et souvenir de celle | - | |
Appears on:
72
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
Amours et souvenir de celle
|
|||
72v | Ce jour de l'an belle je vous supply | - | |
Appears on:
72v
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
Ce jour de l'an belle je vous supply
|
|||
73 | Quel fronte signorille in paradiso | Guillermus du[fa]y Rome composuit | |
Appears on:
73
Genres:
Italian secular
Source Attribution:
Guillermus du[fa]y Rome composuit
Voice:
[no designation]
Languages:
French
Voice Text:
Quel fronte signoriile in paradiso
General Noteattribution states this was composed by Du Fay in Rome |
|||
73 | Dona i ardenti ray | Guillermus du[fa]y | |
Appears on:
73
Genres:
Italian secular
Source Attribution:
Guillermus du[fa]y
Voice:
[no designation]
Languages:
Italian
Voice Text:
Dona i ardenti ray
|
|||
73v | Mes yeulx ont fait mon coeur porter | - | |
Appears on:
73v
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
Mes yeulx ont fait mon cuer porter
|
|||
74 | Coeur triste et mas sans solas et sans joye | - | Anonymous |
Appears on:
74
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
Cuer triste et mas sans solas et sans joye
|
|||
74v–75v | Patrem omnipotentem [Credo] | - | |
Appears on:
74v–75v
Genres:
Credo (patrem omnipotentem), Mass Ordinary
Voice:
[no designation]
Languages:
Latin
Voice Text:
Patrem omnipotentem
|
|||
76 | Mourir me voy il est pic de ma vie | - | |
Appears on:
76
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
Mourir me voy il est pic de ma vie
|
|||
76 | Tout a caup m'ont torné le dos | - | |
Appears on:
76
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
Tout a caup m'ont torné le dos
|
|||
76v | Rendre me vieng a vous sauve la vie | - | |
Appears on:
76v
Genres:
Chanson
Voice:
[no designation]
Languages:
Latin
Voice Text:
Rendre me vieng a vous sauve la vie
|
|||
76v | A temps vendra celle jornee | - | |
Appears on:
76v
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
A temps vendra celle jornee
|
|||
77 | Il m'est si grief vostre depart | - | |
Appears on:
77
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
Il m'est si grif vostre depart
Concordancesthe Escorial concordance has a completely different Contratenor. |
|||
77 | Je donne a tous les amoureux | - | |
Appears on:
77
Genres:
Chanson, Rondeau
Voice:
[no designation]
Languages:
French
Voice Text:
Je donne a tous les amoureux
|
|||
77v | Mesdisans m'ont cuidié desfaire | - | |
Appears on:
77v
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
Mesdisans m'ont cuidié desfaire
|
|||
77v | Au grief hermitage de plours | - | |
Appears on:
77v
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
Au grief hermitage de plours
|
|||
78 | Je ne pouroye estre joyeux | - | |
Appears on:
78
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
Je ne pouroye estre joyeux
|
|||
78 | Layssiés moi coi je vous en prie | - | |
Appears on:
78
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
Layssiés moy coy je vous en prye
|
|||
78v | Ay douloureux disant helas | - | |
Appears on:
78v
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
Ay douloureux disant helas
|
|||
78v | Navré je suis d'un dart penetratif | - | |
Appears on:
78v
Genres:
Chanson, Rondeau
Voice:
[no designation]
Languages:
French
Voice Text:
Navré je sui d'un dart penetratif
|
|||
79 | Ce jour le doibt aussi fait la saison | Guillermus dufay | |
Appears on:
79
Genres:
Ballade, Chanson
Source Attribution:
Guillermus dufay
Voice:
[no designation]
Languages:
French
Voice Text:
Ce jour le doibt aussy fait la saison
|
|||
79v | Liesse m'a mandé salut | - | |
Appears on:
79v
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
Liesse m'a mandé salut
|
|||
79v | Las pouray je mon martire celer | - | |
Appears on:
79v
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
Las pouray je mon martire celer
|
|||
80 | Pourray je avoir vostre mercy | - | |
Appears on:
80
Genres:
Rondeau
Voice:
[no designation]
Languages:
French
Voice Text:
Pouray je avoir vostre mercy
|
|||
80 | En regardant vostre tres doulx maintieng | - | |
Appears on:
80
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
En regardant vostre tres doulx maintieng
|
|||
80v | O pulcherrima mulierum | Arnoldus de [la]ntins | |
Appears on:
80v
Genres:
Motet
Source Attribution:
Arnoldus de [la]ntins
Voice:
[no designation]
Languages:
Latin
Voice Text:
O pulcherrima mulierum
Voice:
[no designation]
Languages:
none
Voice:
[no designation]
Languages:
none
|
|||
81 | Jesu salvator saeculi / Quo vulneratus scelere | yhs Vbertus depsalinis | |
Appears on:
81
Genres:
Motet
Source Attribution:
yhs Vbertus depsalinis
Voice:
[no designation]
Languages:
none
Voice:
[no designation]
Languages:
none
Voice:
[no designation]
Languages:
Latin
Voice Text:
Iesu salvator saeculi/Quo vulneratus
|
|||
81v | Se je vous ai bien loyaulment aimee | - |
Grenon, Nicolas
(?)
|
Appears on:
81v
Genres:
Chanson, Rondeau
Voice:
[no designation]
Languages:
French
Voice Text:
Se je vous ay bien loyalment amee
|
|||
81v | Je me recommande humblement | - | |
Appears on:
81v
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
Je me recomande humblement
|
|||
82 | Amoureux suy et me vient toute joye | - | |
Appears on:
82
Genres:
Chanson, Rondeau
Voice:
[no designation]
Languages:
French
Voice Text:
Amoreux suy et me vient toute joye
|
|||
82v | Se j'estoye aseüree | - | |
Appears on:
82v
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
Se j'estoye aseüree
|
|||
83 | Puisqu'il vous plet mon present retenir / Pour ton present qui me fair resjouir | - | Anonymous |
Appears on:
83
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
Puis qu'il vous plet mon present retenir / Pour ton present qui me fair resjouir
|
|||
83v | Mon plus haut bien, ma joie et mon désir | - | Anonymous |
Mon plus haut bien, ma joie et mon désirAnonymous
Appears on:
83v
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
Mon plus haut bien ma yoye et mon desir
|
|||
84 | Or sus mon coeur vers ma dame t'enclinne | - | Anonymous |
Or sus mon coeur vers ma dame t'enclinneAnonymous
Appears on:
84
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
Or sus mon cuer vers ma dame t'enclinne
|
|||
84v | Pour la doulour l'annoy le grief martire / Qui dolente n'aura veu en sa vie | - | |
Appears on:
84v
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
Pour la doulour l'annoy le grief martire / Qui dolente n'aura veu en sa vie
|
|||
84v | Combien que loing de vous soie | - | Anonymous |
Combien que loing de vous soieAnonymous
Appears on:
84v
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
Conbien que loins de vous soye
|
|||
85 | Amans doubles or doublés vos amours | - | |
Appears on:
85
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
Amans doubles or doublés vos amours
|
|||
85v | Dame d'honneur et de tous biens garnie | - | Anonymous |
Dame d'honneur et de tous biens garnieAnonymous
Appears on:
85v
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
Dame d'onnour et de tous biens garnye
|
|||
86 | Se je me plains sans rayson n'est ce mye | - | |
Appears on:
86
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
Se je me plains sans rayson n'est ce mye
|
|||
86v | Adieu m'amour [=ma dame] et ma maistresse | - | |
Appears on:
86v
Genres:
Chanson, Rondeau
Voice:
[no designation]
Languages:
French
Voice Text:
Adieu m'amour et ma maistresse
|
|||
86v–87 | Sans faire de vous departie | - |
Fontaine, Pierre
(?)
|
Appears on:
86v–87
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
Sans faire de vous departie
|
|||
87 | Or voist comme aler en porra | - |
La Beausse
(?)
|
Appears on:
87
Genres:
Chanson
Voice:
[no designation]
Languages:
Italian
Voice Text:
Or voist comme aler en porra
|
|||
87v | La plus jolie et la plus belle | - | |
Appears on:
87v
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
La plus jolie et la plus belle
|
|||
88 | Je loy (loe, loue) amours et ma dame mercye | - | |
Appears on:
88
Genres:
Ballade, Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
Je loe amours et ma dame mercye
|
|||
88v | A son plaisir volentiers serviroye | - |
Fontaine, Pierre
(?)
|
Appears on:
88v
Genres:
Chanson, Rondeau
Voice:
[no designation]
Languages:
French
Voice Text:
A son plaisir volentiers serviroye
|
|||
89 | Je voel servir plus c'onques mais | - | |
Appears on:
89
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
Je voel servir plus c'onques mais
|
|||
89 | Ma douce amour et ma maîtresse | - | |
Appears on:
89
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
Ma doulce amour et ma mestresse
|
|||
89v–90 | Un petit oyselet chantant | - | |
Appears on:
89v–90
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
Un petit oyselet chantant
|
|||
90 | Quant compaignons s'en vont juer | - | |
Appears on:
90
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
Quant compaignons s'en vont juer
|
|||
90v | Jusqu'a tant que je puisse veir / Puisqu'ensy est que je ne puis veir / Certes m'amour et ma doulce pensee | - | |
Appears on:
90v
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
Jusques a tant que je puisse veir / Puis qu'ensy est que je ne puis veir / Certes m'amour et ma doulce pensee
|
|||
91 | N'a pas long tenps que trouvay zephirus | - | Anonymous |
N'a pas long tenps que trouvay zephirusAnonymous
Appears on:
91
Genres:
Ballade
Voice:
[no designation]
Languages:
German
Voice Text:
N'a pas long tenps que trouvay zephirus
|
|||
91v | Belle plaissant et gracieuxse | - | |
Appears on:
91v
Genres:
Chanson, Rondeau
Voice:
[no designation]
Languages:
French
Voice Text:
Belle plaissant et gracieuxse
|
|||
91v | Adieu mon gracieux ami | - | Anonymous |
Adieu mon gracieux amiAnonymous
Appears on:
91v
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
Adieu mon gracieux amy
|
|||
91v–92 | Je vous pri que j'aie un baysier | - | |
Appears on:
91v–92
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
Je vous pri que j'aye un baysier
|
|||
92 | Le souvenir que doulx regart | - | Anonymous |
Le souvenir que doulx regartAnonymous
Appears on:
92
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
Le souvenir que doulx regart
|
|||
92 | Je ne vous ose regarder / Laysiés dangier paour aler | - | Anonymous |
Appears on:
92
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
Je ne vous ose regarder / Laysiés dangier paour aler
|
|||
92v | Adieu vous di, puisqu'ainsi est | - | Anonymous |
Adieu vous di, puisqu'ainsi estAnonymous
Appears on:
92v
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
Adieu vous dy puis qu'ensi est
|
|||
92v | Un soupir amoureusement | - | Anonymous |
Un soupir amoureusementAnonymous
Appears on:
92v
Genres:
Rondeau
Voice:
[no designation]
Languages:
French
Voice Text:
Un soupir anoureuxement
|
|||
93 | Amours venés mon coeur reconforter | - | Anonymous |
Amours venés mon coeur reconforterAnonymous
Appears on:
93
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
Amours venés mon cuer reconforter
|
|||
93 | Mes ieux m'ont pourchachié la mort | - | Anonymous |
Mes ieux m'ont pourchachié la mortAnonymous
Appears on:
93
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
Mes ieux m'ont pourchachié la mort
|
|||
93v | Qui ne veroit que vos doulx ieux | - | |
Appears on:
93v
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
Qui ne veroit que vos doulx ieux
|
|||
93v | Puisque je suis amoureux | - | |
Appears on:
93v
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
Puis que je suy amoureux
|
|||
94 | Je ris je chante je m'esbas | - | |
Appears on:
94
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
Je ris je chante je m'esbas
|
|||
94 | Pour l'amour de mon bel ami | - | |
Appears on:
94
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
Pour l'amour de mon bel amy
|
|||
94v | Revien a moi revien douce plaisance | - | Anonymous |
Revien a moi revien douce plaisanceAnonymous
Appears on:
94v
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
Revien a moy revien douce plaisance
|
|||
95 | Puisque je vois que ma joie | - | Anonymous |
Puisque je vois que ma joieAnonymous
Appears on:
95
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
Puis que je voy que ma joye
|
|||
95 | Pour vous tenir en la grace amoureuxe / Mon douce amy tenés vous tout temps gay | - | |
Appears on:
95
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
Pour vous tenir en la grace amoureuxe / Mon doulx amy tenés vous tout temps gay
|
|||
95v | Tristre dolent plain de pensee | - | Anonymous |
Tristre dolent plain de penseeAnonymous
Appears on:
95v
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
Tristre dolent plain de pensee
|
|||
95v | Par un regart en un ris amoureux | - | Anonymous |
Par un regart en un ris amoureuxAnonymous
Appears on:
95v
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
Par un regart en un ris amoureux
|
|||
95v–96 | Qui se tendroit de vous amer | - | Anonymous |
Qui se tendroit de vous amerAnonymous
Appears on:
95v–96
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
Qui se tendroit de vous amer
|
|||
96 | Belle que j'ain plus qu'autre creature | - | Anonymous |
Belle que j'ain plus qu'autre creatureAnonymous
Appears on:
96
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
Belle que j'ain plus qu'autre creature
|
|||
96v | Ma seul amour et ma belle maistresse | - | |
Appears on:
96v
Genres:
Chanson, Rondeau
Voice:
[no designation]
Languages:
French
Voice Text:
Ma seul amour et ma belle maistresse
|
|||
96v | Pour mesdisans ne pour leur faulx parler | - | |
Appears on:
96v
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
Pour mesdisans ne pour leur faulx parler
|
|||
96v–97 | Ma chère maîtresse et amie | - | |
Appears on:
96v–97
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
Ma chiere mestresse et amye
|
|||
97 | Je ne vis pas je ne fais que languir | - |
Galli, Giuseppe
(?)
|
Appears on:
97
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
Je ne vis pas je ne fais que languir
|
|||
97v | L'aultre jour juer m'aloye | - | |
Appears on:
97v
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
L'aultre jour juer m'aloye
|
|||
98 | Mon coeur pleure mais des yeux me fault rire | - | |
Appears on:
98
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
Mon coeur pleure mais des yeux me fault rire
|
|||
98 | Las que me demanderoye | - | |
Appears on:
98
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
Las que me demanderoye
|
|||
98v | El non mi val pensar e dir omey | 'P. Rosso' | |
Appears on:
98v
Genres:
Italian secular
Source Attribution:
'P. Rosso'
Voice:
[no designation]
Languages:
Italian
Voice Text:
El non mi val pensar e dir omey
|
|||
99 | Et c'est assés pour m'esjouir | - | |
Appears on:
99
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
Et c'est assés pour m'esjouir
|
|||
99 | Il me convient guerpir ceste contree | - | Anonymous |
Il me convient guerpir ceste contreeAnonymous
Appears on:
99
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
Il me convient guerpir ceste contree
|
|||
99v | O stella chi a respiender on se scura | 'P. Russo.' | |
Appears on:
99v
Genres:
Italian secular
Source Attribution:
'P. Russo.'
Voice:
[no designation]
Languages:
Italian
Voice Text:
O stella chi a respiender on se scura
|
|||
100 | Laissiés ester vostres chans de liesse | - | |
Appears on:
100
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
Laissiés ester vostres chans de liesse
|
|||
100v | Nuda non era preso altro vestito | - | |
Appears on:
100v
Genres:
Ballata
Voice:
[no designation]
Languages:
Italian
Voice Text:
Nuda non era preso altro vestito
|
|||
100v | De bien amer quand l'ai enpris | - | |
Appears on:
100v
Genres:
Rondeau, Song
Voice:
[no designation]
Languages:
French
Voice Text:
De bien amer quant l'ay enpris
|
|||
101 | Jusqu'au jour d'uy pour aprendre a parler | - | |
Appears on:
101
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
Jusqu'au jour d'uy pour aprendre a parler
|
|||
101v–102 | Et in terra pax [Gloria] [Tro] Spiritus et alme (I) [BH5] | - | |
Appears on:
101v–102
Genres:
Gloria (et in terra pax), Mass Ordinary, Troped Gloria
Voice:
[no designation]
Languages:
Latin
Voice Text:
Gloria. Et in terra pax [Tro] Spiritus et alme
|
|||
102v–103 | Benedicta viscera / Ave mater gracie / Ora pro nobis Deum Alleluia | akany Gilet uelut | |
Appears on:
102v–103
Genres:
Motet
Source Attribution:
akany Gilet uelut
Voice:
[no designation]
Languages:
none
Voice:
[no designation]
Languages:
none
Voice:
[no designation]
Languages:
none
Voice:
[no designation]
Languages:
Latin
Voice Text:
Benedicta viscera/Ave mater gratiae/Ora pro nobis deum alleluja
|
|||
103v–104 | Et in terra pax [Gloria] [BH8] | - | |
Appears on:
103v–104
Genres:
Gloria (et in terra pax), Mass Ordinary
Voice:
[no designation]
Languages:
Latin
Voice Text:
Et in terra pax
|
|||
104 | Belle plaissant plus que nulle autre nee II: Puisque je sui de vous tres fort amee | - | |
Appears on:
104
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
Belle plaissant plus que nulle autre nee / 2nd: Puis que je sui de vous tres fort amee
|
|||
104v–105 | Et in terra pax [Gloria] | - | |
Appears on:
104v–105
Genres:
Gloria (et in terra pax), Mass Ordinary
Voice:
[no designation]
Languages:
Latin
Voice Text:
Et in terra pax
|
|||
105v–107 | Patrem omnipotentem [Credo] | - | |
Appears on:
105v–107
Genres:
Credo (patrem omnipotentem), Mass Ordinary
Voice:
[no designation]
Languages:
Latin
Voice Text:
Parem omnipotentem
|
|||
107v | De tous le biens dont nature est ouvriere | - | Anonymous |
Appears on:
107v
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
De tous les biens dont nature est ouvriere
|
|||
108 | Il n'est dangier que de vilain | - | Anonymous |
Il n'est dangier que de vilainAnonymous
Appears on:
108
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
Il n'est dangier que de vilain
|
|||
108v | Pour le desfault du noble dieu bachus | - | |
Appears on:
108v
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
Pour le desfault du noble dieu bachus
|
|||
108v–109 | J’aime Qui? Vous. Moy! Voire, douce figure | - | |
Appears on:
108v–109
Genres:
Motet
Voice:
[no designation]
Languages:
French
Voice Text:
J'aim. qui. vous. moy. voyre douce figure
|
|||
109 | Je suis assés plus esbahis | - | Anonymous |
Je suis assés plus esbahisAnonymous
Appears on:
109
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
Je suy assés plus esbahis
|
|||
109 | Se fortune s'est tournee | - | Anonymous |
Se fortune s'est tourneeAnonymous
Appears on:
109
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
Se fortune s'est tournee
|
|||
109v | Se mes deux yeux peussent a vous parler | - | |
Appears on:
109v
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
Se mes deux yeux peussent a vous parler
|
|||
109v–110 | A l'aventure va gauvain | - | |
Appears on:
109v–110
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
A l'aventure va gauvain
|
|||
110 | Se par plour ou par deuil mener | - | |
Appears on:
110
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
Se par plour ou par dueil mener / 2nd: Se par plour ou par dueil mener
|
|||
110v | Je suis celuy qui veul toudis servir | - | |
Appears on:
110v
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
Je suy celuy qui veul toudis servir
|
|||
110v | Que vaut avoir qui ne vit liement | - | |
Appears on:
110v
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
Que vaut avoir qui ne vit liement
|
|||
111 | Tant ay de plaisir et de desplaisance | - | |
Appears on:
111
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
Tant ay de plaisir et de desplaisance
|
|||
111 | Mon tres doux coeur mon souverain desir | - | Anonymous |
Mon tres doux coeur mon souverain desirAnonymous
Appears on:
111
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
Mon tres doux [cuer] mon souverain desir
|
|||
111 | Plus loing de joye que de deuil | - | Anonymous |
Plus loing de joye que de deuilAnonymous
Appears on:
111
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
Plus loing de joye que de dueil
|
|||
111v–112 | Or avant gentilz fillettes | - | |
Appears on:
111v–112
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
Or avant gentilz fillettes
|
|||
111v | Faisons bonne chiere et lye | - | Anonymous |
Faisons bonne chiere et lyeAnonymous
Appears on:
111v
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
Faisons bonne chiere et lye
|
|||
112 | Je suis si las venus pour tant atendre | - | |
Appears on:
112
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
Je suy si las venus pour tant atendre
|
|||
112v | La doulce flour qui de moi honnouree | - | |
Appears on:
112v
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
La doulce flour qui de moy honnouree
|
|||
113–113v | Parem omnipotentem | - | |
Appears on:
113–113v
Genres:
Credo (patrem omnipotentem), Mass Ordinary
Voice:
[no designation]
Languages:
Latin
Voice Text:
Parem omnipotentem
|
|||
113v | Regardés de coeur piteux | - | Anonymous |
Regardés de coeur piteuxAnonymous
Appears on:
113v
Genres:
Chanson
Voice:
[no designation]
Languages:
Latin
Voice Text:
Regardés de [cuer] piteux
|
|||
114 | Se j'ai perdu toute ma part | - | Anonymous |
Se j'ai perdu toute ma partAnonymous
Appears on:
114
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
Se j'ay perdu toute ma part
|
|||
114v–115 | Salve virgo virginum / Vita via veritas / Salve regina misericordie | Billart Conposuit | |
Appears on:
114v–115
Genres:
Motet
Source Attribution:
Billart Conposuit
Voice:
[no designation]
Languages:
none
Voice:
[no designation]
Languages:
Latin
Voice Text:
Salve virgo virginum/Vita via veritas/Salve regina
Voice:
[no designation]
Languages:
none
Voice:
[no designation]
Languages:
none
|
|||
114v–115 | Pour deleissier tristesse et joye avoir | - | Anonymous |
Pour deleissier tristesse et joye avoirAnonymous
Appears on:
114v–115
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
Pour deleissier tristesse et joye avoir
|
|||
115v | Confort d'amours humblement | - | Anonymous |
Confort d'amours humblementAnonymous
Appears on:
115v
Genres:
Chanson
Voice:
[no designation]
Languages:
Latin
Voice Text:
Confort d'amours humblement
|
|||
115v | Esperance mi fait vivre en doulour | - | Anonymous |
Esperance mi fait vivre en doulourAnonymous
Appears on:
115v
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
Esperance mi fait vivre en doulour
|
|||
116 | Dame excellent ou sont bonté scavoir | - | |
Appears on:
116
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
Dame excellent ou sont bonté scavoir
|
|||
116v–117 | A virtutis ignitio / Ergo beata nascio/ T: Benedicta filia tua a Domino | Cesaris Conposuit | |
Appears on:
116v–117
Genres:
Motet
Source Attribution:
Cesaris Conposuit
Voice:
[no designation]
Languages:
none
Voice:
[no designation]
Languages:
none
Voice:
[no designation]
Languages:
none
Voice:
[no designation]
Languages:
Latin
Voice Text:
A virtutis ignitio/Ergo beata nascio/Benedicta filia tua
|
|||
116v–117 | Medée fu en amer veritable de en coeur vrai si ferme et si stable | - | Anonymous |
Appears on:
116v–117
Genres:
Motet
Voice:
[no designation]
Languages:
French
Voice Text:
Medee fu en amer veritable
|
|||
117v–118 | Clarus ortus clarior opere / 2nd: Gloriosa mater ecclesia / Tenor: Justus non conturbabitur | [name cut off] conposuit | |
Appears on:
117v–118
Genres:
Motet
Source Attribution:
[name cut off] conposuit
Voice:
[no designation]
Languages:
none
Voice:
[no designation]
Languages:
none
Voice:
[no designation]
Languages:
Latin
Voice Text:
Clarus ortus/Gloriosa mater ecclesiae
Voice:
[no designation]
Languages:
none
|
|||
118v–119 | Strenua quem duxit / 2nd: Gaudeat et tanti | Frater Antonius [partly cut off] Deciuitato ordinis predicatorum 1423 cugno di 8 | |
Appears on:
118v–119
Genres:
Motet
Source Attribution:
Frater Antonius [partly cut off] Deciuitato ordinis predicatorum 1423 cugno di 8
Voice:
[no designation]
Languages:
none
Voice:
[no designation]
Languages:
none
Voice:
[no designation]
Languages:
Latin
Voice Text:
Strenua quem duxit/Gaudeat et tanti
Voice:
[no designation]
Languages:
none
|
|||
118v–119 | Belle vueilliés vostre mercy donner | - | |
Appears on:
118v–119
Genres:
Chanson, Rondeau
Voice:
[no designation]
Languages:
French
Voice Text:
Belle vueilliés vostre mercy donner
|
|||
119v–120 | Ut per te omnes celitus / Ingens alumnus Padue | M Johannes ciconja De leodio conposuit | |
Appears on:
119v–120
Genres:
Motet
Source Attribution:
M Johannes ciconja De leodio conposuit
Voice:
[no designation]
Languages:
Latin
Voice Text:
Ut per te omnes caelitum/Ingens alumnus Paduae
Voice:
[no designation]
Languages:
Latin
Voice Text:
UT te per omnes et cetera
Voice:
[no designation]
Languages:
Latin
Voice Text:
UT te per omnes et cetera
Voice:
[no designation]
Languages:
Latin
Voice Text:
Ingens alumnus Paduae,
|
|||
119v–120 | Amours n'ont cure de tristresse | - | |
Appears on:
119v–120
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
Amours n'ont cure de tristresse
|
|||
120v–121 | Prophetarum fulti suffragio / 2nd: Ave virtus virrtutum caritas / Tenor: Infelix propera | Nicolaus grenon Conposuit | |
Appears on:
120v–121
Genres:
Motet
Source Attribution:
Nicolaus grenon Conposuit
Voice:
[no designation]
Languages:
none
Voice:
[no designation]
Languages:
Latin
Voice Text:
Ave virtus virtutum/Prophetarum fulti suffragio
Voice:
[no designation]
Languages:
none
Voice:
[no designation]
Languages:
none
|
|||
121v | De tristresse de deuil de desplaysance | - | |
Appears on:
121v
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
De tristresse de dueil de desplaysance
|
|||
121v | Savez pourquoi suis si gay | - | |
Appears on:
121v
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
Savés pour quoy suy sy gay
|
|||
121v–122 | Pastourelle en un vergier | - | |
Appears on:
121v–122
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
Pastourelle en un vergier
|
|||
122 | Pour une fois et our toute ma vye | - | |
Appears on:
122
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
Pour une fois et our toute ma vye
|
|||
122 | Mon seul vouloir ma souveraine joie / Certes m'amour c'est ma vie et ma joie | - | |
Appears on:
122
Genres:
Chanson, Rondeau
Voice:
[no designation]
Languages:
French
Voice Text:
Mon seul voloir ma souverayne joye / 2nd: Certes m'amour c'est ma vye et ma joye
|
|||
122v | Depuis un peux un joyeux parlement | - | |
Appears on:
122v
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
Depuis un peu un joyeux parlement
|
|||
122v | Toute beauté et tout honneur | - | Anonymous |
Toute beauté et tout honneurAnonymous
Appears on:
122v
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
Toute biaulté et toute honneur
|
|||
123 | Ma douce amour, je me dois | - | |
Appears on:
123
Genres:
Motet
Voice:
[no designation]
Languages:
French
Voice Text:
Ma doulce amour je me doy bien complaindre
|
|||
123 | Amans amés secretement | - | |
Appears on:
123
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
Amans amés secretement
|
|||
123v | Quant de la belle me parti | - | |
Appears on:
123v
Genres:
Chanson
Voice:
[no designation]
Languages:
Italian
Voice Text:
Quant de la belle me parti
|
|||
123v | Ma douce amour et tout mon vrai desir | - | Anonymous |
Ma douce amour et tout mon vrai desirAnonymous
Appears on:
123v
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
Ma doulce amour et tout mon vray desir
|
|||
124 | Quant la doulce jouvencelle | - | Anonymous |
Quant la doulce jouvencelleAnonymous
Appears on:
124
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
Quant la doulce jouvencelle
|
|||
124 | Tant plus vous voy tant plus me samblés belle | - | Anonymous |
Appears on:
124
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
Tant plus vous voy tant plus me samblés belle
|
|||
124 | En cest mois de may gracieux | - | Anonymous |
En cest mois de may gracieuxAnonymous
Appears on:
124
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
En cest moys de may gracieux
|
|||
124v | Je vueil vivre au plaisir d'amours | - | Anonymous |
Je vueil vivre au plaisir d'amoursAnonymous
Appears on:
124v
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
Je vueil vivre au plaisir d'amours
|
|||
124v | Pour ce que je ne puis veir | - | Anonymous |
Pour ce que je ne puis veirAnonymous
Appears on:
124v
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
Pour ce que je ne puis veir
|
|||
124v | Humble pitié plaisant et de bon ayre | - | Anonymous |
Humble pitié plaisant et de bon ayreAnonymous
Appears on:
124v
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
Humble pitié plaisant et de bon ayre
|
|||
125 | Espris d'amours l'autre jour me trouvay | - | Anonymous |
Espris d'amours l'autre jour me trouvayAnonymous
Appears on:
125
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
Espris d'amours l'autre jour me trouvay
|
|||
125v | Tant plus ayme tant plus suy mal amé | - | |
Appears on:
125v
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
Tant plus ayme tant plus suy mal amé
|
|||
125v | Già per gran nobeltà trihumpho et fama | - | |
Appears on:
125v
Genres:
Ballata
Voice:
[no designation]
Languages:
Italian
Voice Text:
Già per gran nobeltà trihumpho et fama
|
|||
126 | J'ai mis mon coeur et ma pensee | Guillermus du[fa]y | |
Appears on:
126
Genres:
Ballade, Chanson
Source Attribution:
Guillermus du[fa]y
Voice:
[no designation]
Languages:
French
Voice Text:
J'ay mis mon cuer et ma pensee
General Notetext forms an acrostic, "Isabette" |
|||
126v | Resvelliés vous et faites chiere lye | Guillermus du[fa]y | |
Appears on:
126v
Genres:
Ballade, Chanson
Source Attribution:
Guillermus du[fa]y
Voice:
[no designation]
Languages:
French
Voice Text:
Resvelliés vous et faites chiere lye
|
|||
127 | Biancha nel bruno aquilino aspecto | - | Anonymous |
Biancha nel bruno aquilino aspectoAnonymous
Appears on:
127
Genres:
Italian secular
Voice:
[no designation]
Languages:
Italian
Voice Text:
Biancha nel bruno aquilino aspecto
|
|||
127v–128 | Ad honorem sancte trinitatis | Nicholaus grenon Conposuit | |
Appears on:
127v–128
Genres:
Motet
Source Attribution:
Nicholaus grenon Conposuit
Voice:
[no designation]
Languages:
Latin
Voice Text:
Ad honorem sanctae trinitatis/Caelorum regnum sempiternum
|
|||
128v–129 | Invidia nimica | Guillermus Dufay | |
Appears on:
128v–129
Genres:
Italian secular
Source Attribution:
Guillermus Dufay
Voice:
[no designation]
Languages:
Latin
Voice Text:
Invidia inimica
|
|||
128v–129 | Prevalet simplicitas / Prevalet simplicitas | Ar. de ructis | |
Appears on:
128v–129
Genres:
Motet
Source Attribution:
Ar. de ructis
Voice:
[no designation]
Languages:
Latin
Voice Text:
Praevalet simplicitas
|
|||
129v–130 | Celsa sublimatur / Sabine praesul | Hugo de [la]ntins. Ad honorem sancti Nicholai confessoris & episcopi Conposuit | |
Appears on:
129v–130
Genres:
Motet
Source Attribution:
Hugo de [la]ntins. Ad honorem sancti Nicholai confessoris & episcopi Conposuit
Voice:
[no designation]
Languages:
Latin
Voice Text:
Celsa sublimatur/Sabine praesul
|
|||
129v–130 | Se ne prenés de moi pité | Arnoldus de [La]ntins | |
Appears on:
129v–130
Genres:
Chanson
Source Attribution:
Arnoldus de [La]ntins
Voice:
[no designation]
Languages:
French
Voice Text:
Se ne prenés de moy pité
General Noteannotated "1428 marciis marcii conposuit Veneciis" giving date & location of composition |
|||
130v–131 | O gemma lux et speculum | G du[fa]y Ad honorem beatissimi Nicolai episcopi & confessoris Conposuit | |
Appears on:
130v–131
Genres:
Motet
Source Attribution:
G du[fa]y Ad honorem beatissimi Nicolai episcopi & confessoris Conposuit
Voice:
[no designation]
Languages:
Latin
Voice Text:
O gemma lux et speculum/Sacer pastor barensium
|
|||
131v–132 | Fortis cum quaevis actio | Johannes de ludo conpossuit Ad honorem Sancti Jo euangeliste | |
Appears on:
131v–132
Genres:
Motet
Source Attribution:
Johannes de ludo conpossuit Ad honorem Sancti Jo euangeliste
Voice:
[no designation]
Languages:
Latin
Voice Text:
Fortis cum quaevis actio
|
|||
132v–133 | Vasilissa ergo gaude | Guillermus dufay Conposuit | |
Appears on:
132v–133
Genres:
Motet
Source Attribution:
Guillermus dufay Conposuit
Voice:
[no designation]
Languages:
Latin
Voice Text:
Vasilissa ergo gaude
|
|||
132v–133 | Quant je mire vos doulce portraiture | - | |
Appears on:
132v–133
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
Quant je mire vos doulce portraiture
|
|||
133v–134 | Vergine bella | - | |
Appears on:
133v–134
Genres:
Motet
Voice:
[no designation]
Languages:
Italian
Voice Text:
Vergene bella che de sol vestita
|
|||
133v–134 | Passato è il tempo omai di quei pensieri | G Dufay | |
Appears on:
133v–134
Genres:
Italian secular
Source Attribution:
G Dufay
Voice:
[no designation]
Languages:
Italian
Voice Text:
Passato è il tempo omai di quei pensieri
|
|||
134v | Mon cher ami qu'avez vous empensé | Guillermus du[fa]y | |
Appears on:
134v
Genres:
Ballade, Chanson
Source Attribution:
Guillermus du[fa]y
Voice:
[no designation]
Languages:
French
Voice Text:
Mon chier amy qu'avés vous empensé
|
|||
135 | Vince con lena zascun aspro orgoglio | - | |
Appears on:
135
Genres:
Italian secular
Voice:
[no designation]
Languages:
Italian
Voice Text:
Vince con lena zascun aspro orgoglio
|
|||
135 | O dolce conpagno se tu voy cantare | - | |
Appears on:
135
Genres:
Italian secular
Voice:
[no designation]
Languages:
Latin
Voice Text:
O dolye conpagno se tu voy cantare
|
|||
135v–136 | Et in terra pax [Gloria] ‘Vincecon Lena’ | - | |
Appears on:
135v–136
Genres:
Gloria (et in terra pax), Mass Ordinary
Voice:
[no designation]
Languages:
Latin
Voice Text:
Et in terra pax hominibus
General NoteLinked imitatively with the virelai on previous folio |
|||
135v–136 | Pour l'amour de ma douce amie | - | |
Appears on:
135v–136
Genres:
Chanson, Rondeau
Voice:
[no designation]
Languages:
French
Voice Text:
Pour l'amour de ma doulce amye
|
|||
136v–138 | Patrem omnipotentem [Credo] ‘Morris desio’ | - | |
Appears on:
136v–138
Genres:
Credo (patrem omnipotentem), Mass Ordinary
Voice:
[no designation]
Languages:
Latin
Voice Text:
Patrem omnipotentem
General NoteLinked by imitation with his virelai on following folio |
|||
137v–138 | Morir desio po' che fortuna ormay | - | |
Appears on:
137v–138
Genres:
Italian secular
Voice:
[no designation]
Languages:
Italian
Voice Text:
Morir desio po' che fortuna ormay
|
|||
138v–139 | Venite adoremus Dominum / Salve sancta aeterna | - | |
Appears on:
138v–139
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Voice Text:
Venite adoremus dominum/Salve sancta aeterna
|
|||
139v–140 | Eya dulcis atque vernans / Vale placens peroratrix | Jo Tapssier Conposuit | |
Appears on:
139v–140
Genres:
Motet
Source Attribution:
Jo Tapssier Conposuit
Voice:
[no designation]
Languages:
Latin
Voice Text:
Eya dulcis atque vernans/Vale placens peroratrix
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139v | Ma belle dame je vous pri | - | |
Appears on:
139v
Genres:
Chanson, Rondeau
Voice:
[no designation]
Languages:
French
Voice Text:
Ma belle dame je vous pri
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|||
140 | Adieu ces bons vins de Lannoys | - | |
Appears on:
140
Genres:
Chanson, Rondeau
Voice:
[no designation]
Languages:
French
Voice Text:
Adieu ces bons vins de Lannoys
|
|||
140v | Ma belle dame souveraine | - | |
Appears on:
140v
Genres:
Chanson, Rondeau
Voice:
[no designation]
Languages:
French
Voice Text:
Ma belle dame souverainne
|
|||
140v | Si me fault faire departie | - | |
Appears on:
140v
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
Si me fault faire departie
|
Images © Bodleian Library, Oxford
‡ denotes primary source study
Wouters, Jos. None. Harmonische verschijningsvormen in de muziek van de XIIIe tot de XVIe eeuw. Amsterdam.
Upton, Elizabeth Randell. 2013. Music and Performance in the Later Middle Ages. The New Middle Ages. New York: Palgrave Macmillan.
Bent, Margaret. 2004. Divisi and a versi in early fifteenth-century mass movements. Antonio Zacara da Teramo e il suo tempo, edited by Margaret Bent, 95-137. Lucca: LIM.
Bent, Margaret. 1996. The early use of the sign Ø. Early Music, 199-225.
Bent, Margaret, and John Nadas (editors). 1995. Late Medieval and Early Renaissance Music in Facsimile. Chicago and London: The University of Chicago Press.
Fallows, David (editor). 1995. Oxford, Bodleian Library MS Canon. Misc. 213. Late Medieval and Early Renaissance Music in Facsimile. 1 vols. Chicago and London.
Boone, Graeme M. 1987. Dufay's Early Chansons: Chronology and Style in the Manuscript Oxford, Bodleian Library, Canonici Misc. 213. Harvard University, Ph.D. dissertation.
Reaney, Gilbert. 1987. The "international" style and the Oxford Manuscript, Bodleian Library, Canonici Misc. 213. Musica Disciplina, 15-26.
Bent, Margaret. 1980. The songs of Dufay: Some questions of form and authenticity. Early Music, 454-9. Notes: contents list (partial); facsimile (partial); mention of MS; discussion.
Hamm, Charles E, and Herbert Kellman (editors). 1979-1988. Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550. Renaissance Manuscript Studies. 5 vols. Neuhausen nr. Stuttgart: American Institute of Musicology, Hänssler Verlag. Pages: II, 275.
Barr, Cyrilla. 1978. Lauda singing and the tradition of the disciplinati. Mandato: A reconstruction of two texts of the office of tenebrae. L'Ars nova italiana del Trecento IV: Certaldo 1975, 21-44.
Caldwell, John. 1978. Medieval Music. London. Pages: 230-40. Notes: contents list (partial); concordances (partial); transcription (partial); mention of MS; discussion.
Cobin, Marian W. 1978. The Aosta Manuscript: A Central Source of Early Fifteenth-Century Sacred Polyphony. New York University, Unpublished Ph.D. dissertation. Pages: (I,102ff,192,204, 338ff. Notes: physical description; contents list (partial); concordances (partial); mention of MS; discussion.
Fallows, David. 1978. Robert Morton's Songs: A Study in Styles in the Mid-Fifteenth Century. University of California at Berkeley, Unpublished Ph.D. dissertation. Pages: 64,67,69,197. Notes: contents list (partial); concordances (partial); transcriptions (partial).
Cox, Bobby Wayne. 1977. The Motets of MS Bologna, Civico Museo Bibliografico Musicale, Q 15. North Texas State University, Ph.D. dissertation. Pages: I, 23ff, passim. Notes: contents list (partial); concordances (partial); transcriptions (partial); texts (partial); mention of MS; discussion.
Marrocco, W. Thomas (editor). 1977. Italian Secular Music (V): Andrea da Firenze, Andrea Stefani, Antonellus da Caserta, Anthonius Clericus Apostolicus, Arrigo (Henricus), Jacobelus Bianchi. Polyphonic Music of the Fourteenth Century. Monaco: Éditions de l'Oiseau-Lyre. Pages: X,110-1,129, 152,154. Notes: contents list (partial); transcription (partial).
Reynolds, Robert Davis, Jr. 1974. Evolution of Notational Practices in Manuscripts Between 1400-1450. Ohio State University, Unpublished Ph.D. dissertation. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.
Cuyler, Louise. 1973. The Emperor Maximilian I and Music. London. Pages: 12-5. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.
Hagopian, Viola L. 1973. Italian Ars Nova Musik: A Bibliographic Guide to Modem Editions and Related Literature. 2nd ed. Berkeley, Los Angeles, and London. Pages: pp. 43, 62-63, 63/n51, 77, 79, 80, 82, 83,. Notes: additional bibliography.
Cattin, Giulio (editor). 1972. Johannis de Quadris: Opera. Antiquat Musicae Italicae, Monumenta Veneta Sacra. Bologna. Pages: v,vii,1-8,77. Notes: contents list (partial); transcription (partial); facsimile (partial).
Schoop, Hans. 1971. Entstehung und Verwendung der Handschrift Oxford Bodleian Library, Canonici misc. 213. Publikationen der Schweizerischen Musikforschenden Gesellschaft Series II. Bern and Stuttgart. Notes: physical description; contents list (partial); concordances (partial); transcriptions (partial); facsimile (partial); mention of MS; discussion.
Reaney, Gilbert. 1970. The Italian Contribution to the Manuscript Oxford, Bodleian Library, Canonici Misc. 213. L'Ars Nova Italiana del Trecento, 443-64. Pages: 443-464. Notes: physical description (partial); contents list (partial); concordances (partial); mention of MS; discussion.
Cattin, Giulio. 1969. II Presbyter Johannes de Quadris. Quadrivium, 5-47. Pages: 5ff, 43-4, Tav. I. Notes: contents list (partial); concordances (partial); facsimile (partial); mention of MS; discussion.
Mixter, Keith E (editor). 1965-71. Johannis Brassart: Opera Omnia. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: II.xii-xiv.xvii-xviii.xxii,19-23. Notes: contents list (partial); concordances (partial); transcriptions (partial); facsimile (partial).
Brown, Samuel Emmons, Jr. 1962. The Motets of Ciconia, Dunstable, and Dufay. Indiana University, Unpublished Ph.D. dissertation. Notes: contents list (partial); concordances (partial); mention of MS; discussion.
Reaney, Gilbert. 1962. Bodleian Library.Canonici Misc. 213 (O) (Oxforder Handschriften). Die Musik in Geschichte und Gegenwart, . Pages: 517-518.
Borren, Charles van den. 1960. Dufay and his school. The New Oxford History of Music, edited by Charles van den Borren, London: Oxford University Press.
Clercx-Lejeune, Suzanne, and Suzanne Clercx. 1960. Johannes Ciconia, un musicien liégois et son temps. Académie Royale de Belgique, Classe des Beaux-Arts: Mémoires: Collection in-4, II série, vol. X, fasc. 1a/1b. 2 vols. Brussels: Palais des Académies. Pages: I, 58-61; II,113-8. Notes: contents list (partial); concordances (partial); incipits (partial); transcription (partial).
Davis, Bertran Earl. 1960. The Works of Johannes Vincenet. University of North Carolina, Unpublished Ph.D. dissertation. Pages: I,14; II,381-6. Notes: contents list (partial); transcriptions (partial); mention of MS; discussion.
Layton, Billy Jim. 1960. Italian Music for the Ordinary of the Mass 1300-1450. Harvard University, Unpublished Ph.D. dissertation. Pages: 48-9, 72,198ff,243ff,304ff. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.
Villard, Leon Jacques. 1960. Text Underlay in the Mass Ordinary of Dufay and Some of His Contemporaries. Northwestern University, Unpublished Ph.D. dissertation. Pages: 23ff, passim. Notes: contents list (partial); concordances (partial); transcriptions (partial); facsimile (partial); mention of MS; discussion.
Clercx-Lejeune, Suzanne, and Suzanne Clercx. 1956. Propos sur l'Ars nova. Revue belge de musicologie, 154–160. Pages: 154-160.
Reaney, Gilbert (editor). 1955-83. Early Fifteenth-Century Music. Corpus mensurabilis musicae. Rome: American Institute of Musicology. Pages: I,ix-xx, passim; II-VI, passim. Notes: contents list (partial); concordances (partial); transcriptions (partial); texts (partial); mention of MS; discussion.
Schmitz, Arnold (editor). 1955-. Musikalische Denkmäler. Mainz. Pages: II,13*,62ff, passim. Notes: contents list (partial); concordances (partial); transcriptions (partial).
Reaney, Gilbert. 1955. The Manuscript Oxford, Bodleian Library, Canonici Misc. 213. Musica Disciplina, 73-104. Notes: physical description; contents list; concordances; mention of MS; discussion.
Disertori, Benvenuto. 1954. La frottola nella storia della musica. Monumenta N.I., Cremona, Instituta et monumenta, Serie I. 9ff. Pages: xv, xviii.xxxv-xxxvi. Notes: contents list (partial); transcription (partial).
Hughes, Dom Anselm. 1951. Medieval Polyphony in the Bodleian Library, Oxford. Pages: 11-25. Notes: physical description (partial); contents list; concordances (partial).
Besseler, Heinrich. 1950; Reprinted: 1974. Bourdon und Fauxbourdon, Studien zum Ursprung der niederländischen Musik. Leipzig. Pages: 106ff, passim; Tafel IV-V. Notes: physical description (partial); contents list (partial); concordances (partial); transcriptions (partial); facsimile (partial); mention of MS; discussion.
Closson, Ernest, and Charles van den Borren. 1950. La musique en Belgique du Moyen Age à nos jours. Brussels. Pages: 48-50, 471. Notes: contents list (partial); facsimile (partial).
Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik. Kassel. Pages: II,1337,1665-6; IV,630, Tafel 1; X,517-8. Notes: physical description; contents list; incipitsst of contents (partial); facsimile (partial).
de Van, Guillaume, and Heinrich Besseler (editors). 1948-66. Guillaume Dufay: Opera Omnia. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: I, IV-VI, passim. Notes: physical description (partial); contents list (partial); concordances (partial); transcription (partial); texts (partial).
Plamenac, Dragan (editor). 1947-. Johannes Ockeghem: Collected Works. American Musicological Society. Pages: I,xxxiv,78. Notes: contents list (partial); concordances (partial); transcriptions (partial).
[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 11/IV.
Borren, Charles van den. 1946-47. The Codex Canonici 213 in the Bodleian Library at Oxford. Proceedings of the Royal Musical Association, 45-58. Notes: contents list (partial); mention of MS; discussion.
Spurbeck, Samuel Wayne. 1943. A Study of the Canonici Manuscript Misc. 213 (circa 1400-1440). Eastman School of Music, Unpublished Ph.D. dissertation. Pages: I-II). Notes: physical description; contents list; concordances (partial); transcription (partial); mention of MS; discussion.
Apel, Willi. 1942. (4th ed., 1949). The Notation of Polyphonic Music 900-1600. Cambridge, Massachusetts. Pages: 102-3, 117-9,123,141,143,175-9; Appendix, Nos. 12, 14, 19, 20, 25. Notes: contents list (partial); transcriptions (partial); facsimile (partial); mention of MS; discussion.
Borren, Charles van den. 1941. Etudes sur le quinzième siècle musical. Antwerp. Notes: physical description (partial); contents list (partial); mention of MS; discussion.
Pirro, André. 1940. Histoire de la Musique de h f in du XIVe siècle à la fin du XVIe. Paris. Pages: 55ff. Notes: contents list (partial); transcriptions (partial); mention of MS; discussion.
Marix, Jeanne (editor). 1937. Les musiciens de la cour de Bourgogne au XVe siècle (1420-1467) : Messes, motets, chansons. Paris. Notes: contents list (partial); concordances (partial); transcriptions (partial); facsimile (partial).
Borren, Charles van den (editor). 1932; 2nd rev. edn., London, 1962. Polyphonia sacra: A Continental Miscellany of the Fifteenth Century. Nashdom Abbey, Burnham, Bucks., and London: Plainsong and Mediaeval Music Society. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.
Blume, Friedrich (editor). 1929-. Das Chorwerk. Berlin/Wolfenbüttel. Pages: XIX,4,16-7; XXII,3,5,13-5. Notes: contents list (partial); concordances (partial); transcriptions (partial).
Besseler, Heinrich. 1925. Studien zur Musik des Mittelalters: I. Neue Quellen des 14. und beginnenden 15. Jahrhunderts. Archiv für Musikwissenschaft, 167-252. Pages: 239ff. Notes: physical description (partial); mention of MS; discussion.
Wolf, Johannes. 1924. Die Tonschriften in Jedermann-Bücherei. Breslau. Notes: physical description; contents list (partial); concordances (partial); mention of MS; discussion.
Wolf, Johannes. 1913-9; Reprinted: Hildesheim, 1963. Handbuch der Notationskunde. Leipzig. Pages: I, 386,456-7. Notes: physical description (partial).
Wolf, Johannes. 1904; Reprinted: Hildesheim, 1965. Geschichte der Mensural-Notation von 1250-1460 nach den theoretischen und praktischen Quellen. 3 vols. Leipzig. Pages: I,212-3,261ff,396ff. Notes: contents list (partial); concordances (partial); transcriptions (partial); facsimile (partial).
Stainer, John F. R, Cécie Stainer, Edward W. B. Nicholson, and Stainer Sir John. 1898; reprinted as EBM I: 1966. Dufay and his Contemporaries: Fifty Compositions (Ranging from about A.D. 1400 to 1440) Transcribed from MS. Canonici misc. 213, in the Bodleian Library, Oxford, with an introduction by E.W.B. Nicholson, and a critical analysis of the music by Sir John Stainer. London. Notes: physical description; contents list; concordances (partial); transcription (partial); facsimile (partial); mention of MS; discussion.
Stainer, John F. R. 1895-96. A Fifteenth Century MS. Book of Vocal Music in the Bodleian Library, Oxford. Proceedings of the Royal Musical Association, 1-22. Notes: physical description; contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.
This form is used to make comments on a source. If you wish to notify us of a correction to the record, you should use the "Contribute a change" form instead.
The spelling of fol. 32v in the inventory must be "Chanter ne scay ce poyse moy" ("Chanter ne scay ce poise moy" is the spelling in I-Bc, Q.15, fol. 44v).
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corrected composer attribution of "O docle conpagno"
Pointed out that 'Manifestans tuis arcana Dei' by Beltrame Feragut and 'Pacem bonis omnibus' by Johannes de Sarto, which were previously listed here as appearing on fol. 17r, are not on this folio - and that, on the other hand, 'Je demande ma bienvenue' by Johannes de Haucourt (on this folio) had been missing in the inventory.
Linked the concordant copies of Binchois' "Amours mercy" in this ms & the Seville chansonnier
Corrected Grenon's "La plus jolie et la plus belle" in inventory
Missing work by Du Fay added at f.17
Problem reported with image of 139v. This is a bug and a report has been raised.
Image for fol. 139v uploaded - waiting for server to update
Bibliography updated
NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description