NL-Uu Hs. 6 E 37 (Cat. 1846)

Universiteitsbibliotheek, Utrecht, Netherlands

flyleaves collected in a modern portfolio: 14th century

Archive	Universiteitsbibliotheek, Utrecht, Netherlands (NL-Uu)
Shelfmark	Hs. 6 E 37 (Cat. 1846)
Numbering System	None
Measurements	320 x 240 mm
Other Identifiers	RISM: NL-Uu 37 Other catalogues/source: Utr
Notations	Ars Nova
External Links	14th-century French music notation tutorials transcribed texts images
Provenance	Low Countries
Contents	42 pieces from 7 composers

General Description

Different groups of leaves removed from other manuscripts. Group I is a quarto set, II an octavo set, and III consists of 1.5 pages from a 14th century Dutch Antiphonal. I and II are polyphonic. I is made up of 4 bifolios, 1 single sheet and a smaller fragment. The smaller fragment is f. IV. Both f. V (the single sheet) and f. VI are erased. The music comprises Glorias, often with Tro, Patrems (erased), and Dutch and French songs. The leaves in group I come from printed books L. fol. 54 and 56, and 106 C. 2 and 4. The old folio numbers on the first bifolio (f. 17 and 26) suggest these may have been the outer leaves of a quinio. Section II of Uu 37 is what appears to be a typical late 14th century French chansonnier, but its Netherlands origin is revealed by the music on f. 32.

Cuthbert and Fankauser, 2013

Notation

Ars Nova: dotted semibreve with descending tail at the left;

Cuthbert and Fankauser, 2013

Ruling

11 or 12 red five-line staves per page; 9 red five-line staves per page, brown staves on f. 19v-20v and 25-26;

Cuthbert and Fankauser, 2013

RISM Description

RISM B/IV 2: A modern portfolio containing 3 different groups of leaves removed from other manuscripts. Group I is a quarto set, II an octavo set, and III consists of 1.5 pages from a 14th century Dutch Antiphonal. Both I and II, however, are polyphonic. I is made up of 4 bifolios, 1 single sheet and a smaller fragment, all meas. c. 320 x 240 mm. if full size. The smaller fragment is f. IV. Both f. V (the single sheet) and f. VI are erased. The Ars Nova notation dates from c.1400 and is written on 11 or 12 red five-line staves per page. An unusual note-form is the dotted semibreve with descending tail at the left. The music comprises Glorias, often with Tro, Patrems (erased), and Dutch and French songs. The leaves in group I come from printed books L. fol. 54 and 56, and 106 C. 2 and 4. The old folio numbers on the first bifolio (f. 17 and 26) suggest these may have been the outer leaves of a quinio. Section II of Uu 37 is what appears to be a typical late 14th century French chansonnier, but its Netherlands origin is revealed by the music on f. 32. The maximum page size here is 220 x 170 mm. Fortunately, an old foliation at t.m.r. is intact except on what I call f. 25-26 and on the last bifolio. This has been wrongly numbered 31 and 32 by a later hand (39-40 seems more reasonable). The Ars Nova notation usually employs 9 red five-line staves per page, but on f. 19v-20v and 25-26 the staves are brown. Red notes appear in the later pieces, which have concordances with F-CH 564 and the Codex Reina. As in section I of the source, initials are red or blue. It is interesting to find Machaut well represented here by 2 Ballades. The only composer named is the otherwise unknown Clericus de Landis bone memorie. J. Susay composed Uu 37 II 5, which is here anonymous.

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Répertoire International des Sources Musicales

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Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
I A	Et in terra pax [Gloria] [Tro] Spiritus et alme	-	Anonymous
Et in terra pax [Gloria] [Tro] Spiritus et alme Anonymous Appears on: I A Genres: Mass Ordinary, Troped Gloria Voice: Tenor Languages: Latin Clef: c3 Voice Text: . . . patris. Amen Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Et in terra pax hominibus … [Tro] … Spiritus et alme General Note upper voice + second half of T; a very worn page also cut away vertically by a third at right Layout parts
I Av	Et in terra pax [Gloria] [Tro] Spiritus et alme	-	Egardus
Et in terra pax [Gloria] [Tro] Spiritus et alme Egardus Appears on: I Av Voice: Tenor Languages: none Clef: no clef Voice: [no designation] Languages: Latin Clef: no clef Voice Text: [Et in terra] pax hominibus bone … [Tro] … Spiritus et alme General Note upper voice + first half of T; page cut away vertically by a third at left; not the same pieces as itemKey 1149 Layout parts
I B	Et in terra [Tro] Armonizabit	-	Anonymous
Et in terra [Tro] Armonizabit Anonymous Appears on: I B Genres: Mass Ordinary, Troped Gloria Voice: Tenor Languages: none Clef: c4 Voice: [no designation] Languages: Latin Clef: c2 Voice Text: . . . carisma sanctum liberans. . . dei patris. Amen. Voice: Contratenor Languages: none Clef: c4 General Note end of upper voice + all of T and ContraT of an 'Et in terra [Tro] Armonizabit' Layout parts Item Bibliography Cattin, Giulio, and Francesco Facchin (editors). 1991. French Sacred Music (II). Polyphonic Music of the Fourteenth Century. Monaco: Éditions de l'Oiseau-Lyre. Pages: No. 118.
I Bv	Et in terra pax [Gloria]	-	Anonymous
Et in terra pax [Gloria] Anonymous Appears on: I Bv Genres: Gloria (et in terra pax), Mass Ordinary Voice: Contratenor Languages: none Clef: c4 Voice: Tenor Languages: none Clef: c4 Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Et in terra pax hominibus General Note complete untroped 'Et in terra'; page very worn Layout parts Item Bibliography Cattin, Giulio, and Francesco Facchin (editors). 1991. French Sacred Music (II). Polyphonic Music of the Fourteenth Century. Monaco: Éditions de l'Oiseau-Lyre. Pages: no. 47.
II A	Ave, Yesse, stirps regalis	-	Anonymous
Ave, Yesse, stirps regalis Anonymous Appears on: II A Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Ave, Yesse, stirps regalis General Note single upper voice; music of incipit, and text and music of Expl. cut away; page also cut away by a thrid at right Layout parts
II A	Salve, sancta parens	-	Anonymous
Salve, sancta parens Anonymous Appears on: II A Genres: Motet Voice: Solus Tenor Languages: Latin Clef: c3 Voice Text: Salve, sancta parens General Note one voicT and ContraT only, presumably of a Dutch song, for further stanzas appear below; cut away at righte only; page cut away by a third at right Layout parts
II A	untexted	-	Anonymous
untexted Anonymous Appears on: II A Genres: Song, textless Voice: Tenor Languages: none Clef: c3 Voice: Contratenor Languages: none Clef: c3 General Note T and ContraT only, presumably of a Dutch song, for further stanzas appear below; cut away at right Layout parts
II Av–II B	… goeden kaccharinc, drughen harinc! Brecken … en mach, hines gheenre duecht gewone	-	Anonymous
… goeden kaccharinc, drughen harinc! Brecken … en mach, hines gheenre duecht gewone Anonymous Appears on: II Av–II B Genres: Motet Voice: [no designation] Languages: Dutch Clef: c2 Voice Text: [. . . go]eden [ ] kaccharinc, drughen harinc! Brecken. . . en mach, hines gheenre duecht gewone Voice: Tenor Languages: none Clef: f3 General Note apparently a bifoliio forming the middle of a gathering; page cut away vertically by a third at left Layout parts
II Bv	Eya … Christus te vocavit coronam accipiens	-	Anonymous
Eya … Christus te vocavit coronam accipiens Anonymous Appears on: II Bv Genres: Motet Voice: Triplum Languages: Latin Clef: c2 Voice Text: [Eya]. . . Christus te vocavit coronam accipiens General Note top stave of music for this not very legible. Tr cut away Layout parts
II Bv	Och lief gesel, ic heb vernomen	-	Anonymous
Och lief gesel, ic heb vernomen Anonymous Appears on: II Bv Genres: Song Voice: [no designation] Languages: Dutch Clef: c2 Voice Text: Och lief gesel, ic heb ver[no]men General Note one voice of a Dutch song Layout parts
III A	Et in terra pax [Gloria]	-	Anonymous
Et in terra pax [Gloria] Anonymous Appears on: III A Genres: Gloria (et in terra pax), Mass Ordinary Voice: Contratenor Languages: Latin Clef: c4 Voice Text: Et in terra pax General Note probably a ContraT, though much cut away at right and at top stave; textless except for text incipits Layout parts Item Bibliography Cattin, Giulio, and Francesco Facchin (editors). 1991. French Sacred Music (II). Polyphonic Music of the Fourteenth Century. Monaco: Éditions de l'Oiseau-Lyre. Pages: no. 119.
III A	La grand doulcour, le plaisir et la joye	-	Anonymous
La grand doulcour, le plaisir et la joye Anonymous Appears on: III A Genres: Motet Voice: Tenor Languages: none Clef: c3 Voice: Contratenor Languages: none Clef: c3 Voice: [no designation] Languages: French Clef: c1 Voice Text: La grand doulcour, le plaisir et la joye General Note page cut away at right by a third; position of notes on stave uncertain in each voice at beginning Layout parts Item Bibliography Greene, Gordon Kay (editor). 1989. French Secular Music (V): Rondeaux and Miscellaneous Pieces. Polyphonic Music of the Fourteenth Century. Monaco: Éditions de l'Oiseau-Lyre. Pages: no. 48.
III Av	Et in terra pax [Gloria] [Tro] Armonizabit	-	Anonymous
Et in terra pax [Gloria] [Tro] Armonizabit Anonymous Appears on: III Av Genres: Mass Ordinary, Troped Gloria Voice: [no designation] Languages: Latin Voice Text: Et in terra [Tro] Armonizabit General Note an illegible upper voice + first two staves of a second texted voice, also illegible; cut away at left
III B	Et in terra pax [Gloria] [Tro (tenor)] Ad Mariae gloriam	-	Anonymous
Et in terra pax [Gloria] [Tro (tenor)] Ad Mariae gloriam Anonymous Appears on: III B Genres: Mass Ordinary, Troped Gloria Voice: Tenor Languages: Latin Clef: c3 Voice Text: [Ad Marie gloriam] General Note an upper voice and T, both mainly illegible, of an 'Et in terra [Tro] Spiritus et alme Layout parts
III Bv	Et in terra pax [Gloria]	-	Anonymous
Et in terra pax [Gloria] Anonymous Appears on: III Bv Genres: Gloria (et in terra pax), Mass Ordinary Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Et in terra pax hominibus bone voluntatis Voice: Tenor Languages: none Clef: c4 General Note upper voice and T of an untroped 'Et in terra'; top half of top stave cut away Layout parts Item Bibliography Cuthbert, Michael Scott. 2006. Trecento fragments and Polyphony beyond the codex. Harvard University, Ph.D. Pages: p.184-5.
IV	Ic beghinne mijn liedekijn: wel op end laet	-	Anonymous
Ic beghinne mijn liedekijn: wel op end laet Anonymous Appears on: IV Genres: Song Voice: [no designation] Languages: Dutch Clef: no clef Voice Text: [Ic beghi]nne mijn liedekijn: wel op end laet General Note fragment of a Dutch song Layout parts
IVv	als ic di zach mijn zuete lief	-	Anonymous
als ic di zach mijn zuete lief Anonymous Appears on: IVv Genres: Song Voice: [no designation] Languages: Dutch Clef: no clef Voice Text: [als ic di zach] mijn zuete lief General Note fragment of a Dutch song with changing mensuration signs Layout parts
V	unidentified mass movement	-	-
unidentified mass movement Appears on: V Voice: [no designation] Languages: Latin Voice Text: unidentified mass movement
V	unidentified secular piece	-	-
unidentified secular piece Appears on: V Voice: [no designation] Languages: insufficient Voice Text: unidentified secular piece
Vv	unknown composition	-	-
unknown composition Appears on: Vv Voice: [no designation] Languages: insufficient Voice Text: unknown composition
VI A	Patrem omnipotentem [Credo]?	-	Anonymous
Patrem omnipotentem [Credo]? Anonymous Appears on: VI A Voice: [no designation] Languages: Latin Voice Text: Credo?
VI Av	Patrem omnipotentem [Credo]	-	Sortes
Patrem omnipotentem [Credo] Sortes Appears on: VI Av Voice: [no designation] Languages: Latin Voice Text: Credo
VI B	Patrem omnipotentem [Credo]	-	Anonymous
Patrem omnipotentem [Credo] Anonymous Appears on: VI B Voice: [no designation] Languages: Latin Voice Text: Credo
VI Bv–Bv	unknown composition	-	-
unknown composition Appears on: VI Bv–Bv Voice: [no designation] Languages: insufficient Voice Text: unknown composition
19	Les gent deduit que tant font bien	-	Anonymous
Les gent deduit que tant font bien Anonymous Appears on: 19 Genres: Motet Voice: Residuum Languages: none Clef: f3 Voice: Tenor Languages: French Clef: f3 Voice Text: Les gent deduit que tant font bien General Note T + end of ContraT only; the T is followed by a long theoretical discussion of this work Layout parts
19v–20	Quant Jason, Jazon mist en mer la nef	-	Anonymous
Quant Jason, Jazon mist en mer la nef Anonymous Appears on: 19v–20 Genres: Ballade Voice: Contratenor Languages: none Clef: c4 Voice: [no designation] Languages: French Clef: c2 Voice Text: Quant Jason, (Jazon) mist en mer la nef Voice: Tenor Languages: none Clef: c4 General Note text sometimes red as well as black; ContraT cut away vertically at right Layout parts
20	Filz, il te faut quoy / et je l'aray pas	-	Anonymous
Filz, il te faut quoy / et je l'aray pas Anonymous Appears on: 20 Genres: Motet Voice: [no designation] Languages: French Clef: c1 Voice Text: Filz, il te faut quoy \| et je l'aray pas Voice: Tenor Languages: none Clef: f3 General Note text partly in red ink; cut away vertically at right Layout parts
20v	Adieu vous di, tres douce compaygnie / per Fortune qui per grant aranie	-	Solage (fl. late 14th century) (?)
Adieu vous di, tres douce compaygnie / per Fortune qui per grant aranie Solage (fl. late 14th century) (?) Appears on: 20v Genres: Motet Voice: Contratenor Languages: none Clef: f4 Voice: Tenor Languages: none Clef: f5 Voice: [no designation] Languages: French Clef: c4 Voice Text: [Adie]u vous di, tres douche compaignie \| per Fortune qui per grant aranie General Note cut away vertically at left Layout parts
21	Prophilias, un des nobles de Roume / car Dionas d’Athenes le nous noume	-	Suzoy, Johannes (?)
Prophilias, un des nobles de Roume / car Dionas d’Athenes le nous noume Suzoy, Johannes (?) Appears on: 21 Genres: Motet Voice: Contratenor Languages: none Clef: c4 Voice: Tenor Languages: none Clef: c4 Voice: [no designation] Languages: French Clef: c2 Voice Text: Prophilias, un de[s] nobles de Romme \| car Dionas d’Athenes le nous noume General Note ContraT omitted Layout parts
21v–22r	En un gardin noble et de tres hault pris / Des o perssilons y vi grans e petis	-	Anonymous
En un gardin noble et de tres hault pris / Des o perssilons y vi grans e petis Anonymous Appears on: 21v–22r Genres: Motet Voice: Tenor Languages: none Clef: c3 Voice: [no designation] Languages: French Clef: c1 Voice Text: En un gardin noble et de tres hault pris \| Des o perssilons y vi grans e petis Voice: Contratenor Languages: none Clef: c3 General Note ContraT cut away vertically at righ; this voice also uncertain at beg. Layout parts
22v	Il m’est avis que sans repris de lay	-	Machaut, Guillaume de (ca. 1300–1377)
Il m’est avis que sans repris de lay Machaut, Guillaume de (ca. 1300–1377) Appears on: 22v Voice: [no designation] Languages: French Clef: no clef Voice Text: [Il m'est] advis que sans repris de lay Voice: [no designation] Languages: none Clef: no clef Voice: Tenor Languages: none Mensuration: c-dot Clef: c4 General Note cut away vertically at left Layout parts
27	Des dont que part de moi	-	Landis, Clericus de
Des dont que part de moi Landis, Clericus de Appears on: 27 Genres: Motet Voice: Tenor Languages: none Clef: c4 Voice: Contratenor Languages: none Clef: c4 Voice: [no designation] Languages: French Clef: c3 Voice Text: Des dont que part de moy General Note bottom stave of ContraT largely cut away Layout parts
27	Pleurez, dame, pleurez vostre servant / corps et desir et penser en servant	-	Machaut, Guillaume de (ca. 1300–1377)
Pleurez, dame, pleurez vostre servant / corps et desir et penser en servant Machaut, Guillaume de (ca. 1300–1377) Appears on: 27 Genres: Ballade Voice: Tenor Languages: none Clef: c4 Voice: Contratenor Languages: none Clef: c4 Voice: Cantus Languages: French Clef: c2 Voice Text: Pleurés, dame[s, pleurés vostre servant \| corps et desir et penser en servant] General Note T minus first 4 notes, and all ContraT; Cantus missing Layout parts
27v	L'ardant desier qui mon coeur art	-	Anonymous
L'ardant desier qui mon coeur art Anonymous Appears on: 27v Genres: Motet Voice: Contratenor Languages: none Clef: c4 Voice: Tenor Languages: none Clef: c4 Voice: [no designation] Languages: French Clef: c2 Voice Text: L'ardant desier qui mon cuer art General Note only one line of text Layout parts
27v	Or tam va	-	Anonymous
Or tam va Anonymous Appears on: 27v Genres: Motet Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Or tam va Voice: Contratenor Languages: none Clef: c4 Voice: Tenor Languages: none Clef: c4 General Note no text except incipit Layout parts
29	Merci ou mort / Merci oit mort at longtemps desiré	-	Anonymous
Merci ou mort / Merci oit mort at longtemps desiré Anonymous Appears on: 29 Genres: Motet Voice: Triplum Languages: French Clef: no clef Voice Text: [de Mersi oit] Voice: Contratenor Languages: French Clef: c3 Voice Text: Merchi ou mort Voice: Cantus Languages: French Clef: c2 Voice Text: [Mersi oit mort ay longtemps desiré] Voice: Tenor Languages: French Clef: no clef Voice Text: [Mersi oit mort] General Note isolated ContraT. For Cantus and T incipits see F-Pn 6771 f. 84 Layout parts
29	Beauté qui toutes autres pere envers moi / douceur fine a mon goust amere, corps digne	-	Machaut, Guillaume de (ca. 1300–1377)
Beauté qui toutes autres pere envers moi / douceur fine a mon goust amere, corps digne Machaut, Guillaume de (ca. 1300–1377) Appears on: 29 Genres: Ballade Voice: Contratenor Languages: none Clef: c5 Voice: Cantus Languages: French Clef: c3 Voice Text: Biauté qui toutes autres pere envers moy \| douceur fine a mon goust amere, corps digne Voice: Tenor Languages: none Clef: c5 General Note cut away vertically at right Layout parts
29v	S'espoir n'estoit qui me donne confort… riant / car arivés suy a trop cruel port	-	Anonymous
S'espoir n'estoit qui me donne confort… riant / car arivés suy a trop cruel port Anonymous Appears on: 29v Genres: Motet Voice: [no designation] Languages: French Clef: c3 Voice Text: [S'espoir n'e]stoit qui me donne confort… [rian]t \| [car arivés] suy a trop cruel port Voice: Tenor Languages: none Clef: c4 Voice: Contratenor Languages: none Clef: c4 General Note cut away vertically at left Layout parts
30	Ane a ffagos qui suy asses car il n'est que d'autre mes	-	Anonymous
Ane a ffagos qui suy asses car il n'est que d'autre mes Anonymous Appears on: 30 Genres: Motet Voice: Tenor Languages: none Clef: f3 Voice: Contratenor Languages: none Clef: f3 Voice: [no designation] Languages: French Clef: c3 Voice Text: Ane a ffagos qui suy asses car il n'est que d'autre mes Layout parts
30v	En discort sunt Desir et Esperanche La sentra soient liquels a plus posanche	-	Anonymous
En discort sunt Desir et Esperanche La sentra soient liquels a plus posanche Anonymous Appears on: 30v Genres: Motet Voice: [no designation] Languages: French Clef: c3 Voice Text: En discort sunt Desir et Esperanche La sentra soient liquels a plus posanche Voice: Contratenor Languages: none Clef: f3 Voice: Tenor Languages: none Clef: f3 General Note T and ContraT uncertian, and red notes smeared Layout parts
32	Ist mi bescheert, so moth ic liden / en can die const niet wederstriden	-	Anonymous
Ist mi bescheert, so moth ic liden / en can die const niet wederstriden Anonymous Appears on: 32 Genres: Motet Voice: Tenor Languages: none Clef: c4 Voice: [no designation] Languages: Dutch Clef: c2 Voice Text: Ist mi bescheert, so moth ic liden \| en can die const niet wederstriden Voice: Contratenor Languages: none Clef: c4 General Note page cut away vertically by a third at right Layout parts
32v	Espoirs me fuit a mon plus grant besoin / Revieng, espoir, confort	-	Anonymous
Espoirs me fuit a mon plus grant besoin / Revieng, espoir, confort Anonymous Appears on: 32v Genres: Rondeau Voice: [no designation] Languages: French Clef: c1 Voice Text: [Revien]g, espoir, confort. . . endormie. Voice: Contratenor Languages: none Clef: c3 Voice: [no designation] Languages: French Clef: c1 Voice Text: [Espoirs] me duit a mon plus grant besoin Voice: Tenor Languages: none Clef: no clef General Note page cut away vertically by a third at left Layout parts

Composer	Compositions
Anonymous	Ane a ffagos qui suy asses car il n'est que d'autre mes – 30 Ave, Yesse, stirps regalis – II A En discort sunt Desir et Esperanche La sentra soient liquels a plus posanche – 30v En un gardin noble et de tres hault pris / Des o perssilons y vi grans e petis – 21v–22r Espoirs me fuit a mon plus grant besoin / Revieng, espoir, confort – 32v Et in terra [Tro] Armonizabit – I B Et in terra pax [Gloria] – III A Et in terra pax [Gloria] – I Bv Et in terra pax [Gloria] – III Bv Et in terra pax [Gloria] [Tro (tenor)] Ad Mariae gloriam – III B Et in terra pax [Gloria] [Tro] Armonizabit – III Av Et in terra pax [Gloria] [Tro] Spiritus et alme – I A Eya … Christus te vocavit coronam accipiens – II Bv Filz, il te faut quoy / et je l'aray pas – 20 Ic beghinne mijn liedekijn: wel op end laet – IV Ist mi bescheert, so moth ic liden / en can die const niet wederstriden – 32 L'ardant desier qui mon coeur art – 27v La grand doulcour, le plaisir et la joye – III A Les gent deduit que tant font bien – 19 Merci ou mort / Merci oit mort at longtemps desiré – 29 Och lief gesel, ic heb vernomen – II Bv Or tam va – 27v Patrem omnipotentem [Credo] – VI B Patrem omnipotentem [Credo]? – VI A Quant Jason, Jazon mist en mer la nef – 19v–20 S'espoir n'estoit qui me donne confort… riant / car arivés suy a trop cruel port – 29v Salve, sancta parens – II A als ic di zach mijn zuete lief – IVv untexted – II A … goeden kaccharinc, drughen harinc! Brecken … en mach, hines gheenre duecht gewone – II Av–II B [No description] – Vv [No description] – V [No description] – V [No description] – VI Bv–Bv
Egardus	Et in terra pax [Gloria] [Tro] Spiritus et alme – I Av
Landis, Clericus de	Des dont que part de moi – 27
Machaut, Guillaume de (ca. 1300–1377)	Beauté qui toutes autres pere envers moi / douceur fine a mon goust amere, corps digne – 29 Il m’est avis que sans repris de lay – 22v Pleurez, dame, pleurez vostre servant / corps et desir et penser en servant – 27
Solage (fl. late 14th century)	(?) Adieu vous di, tres douce compaygnie / per Fortune qui per grant aranie – 20v
Sortes	Patrem omnipotentem [Credo] – VI Av
Suzoy, Johannes	(?) Prophilias, un des nobles de Roume / car Dionas d’Athenes le nous noume – 21

Composition	Composers (? Uncertain)	Folios / Pages
Adieu vous di, tres douce compaygnie / per Fortune qui per grant aranie	Solage (fl. late 14th century) (?)	20v
als ic di zach mijn zuete lief	Anonymous	IVv
Ane a ffagos qui suy asses car il n'est que d'autre mes	Anonymous	30
Ave, Yesse, stirps regalis	Anonymous	II A
Beauté qui toutes autres pere envers moi / douceur fine a mon goust amere, corps digne	Machaut, Guillaume de (ca. 1300–1377)	29
Des dont que part de moi	Landis, Clericus de	27
En discort sunt Desir et Esperanche La sentra soient liquels a plus posanche	Anonymous	30v
En un gardin noble et de tres hault pris / Des o perssilons y vi grans e petis	Anonymous	21v–22r
Espoirs me fuit a mon plus grant besoin / Revieng, espoir, confort	Anonymous	32v
Et in terra [Tro] Armonizabit	Anonymous	I B
Et in terra pax [Gloria]	Anonymous	I Bv
Et in terra pax [Gloria]	Anonymous	III A
Et in terra pax [Gloria]	Anonymous	III Bv
Et in terra pax [Gloria] [Tro (tenor)] Ad Mariae gloriam	Anonymous	III B
Et in terra pax [Gloria] [Tro] Armonizabit	Anonymous	III Av
Et in terra pax [Gloria] [Tro] Spiritus et alme	Anonymous	I A
Et in terra pax [Gloria] [Tro] Spiritus et alme	Egardus	I Av
Eya … Christus te vocavit coronam accipiens	Anonymous	II Bv
Filz, il te faut quoy / et je l'aray pas	Anonymous	20
Ic beghinne mijn liedekijn: wel op end laet	Anonymous	IV
Il m’est avis que sans repris de lay	Machaut, Guillaume de (ca. 1300–1377)	22v
Ist mi bescheert, so moth ic liden / en can die const niet wederstriden	Anonymous	32
L'ardant desier qui mon coeur art	Anonymous	27v
La grand doulcour, le plaisir et la joye	Anonymous	III A
Les gent deduit que tant font bien	Anonymous	19
Merci ou mort / Merci oit mort at longtemps desiré	Anonymous	29
Och lief gesel, ic heb vernomen	Anonymous	II Bv
Or tam va	Anonymous	27v
Patrem omnipotentem [Credo]	Sortes	VI Av
Patrem omnipotentem [Credo]	Anonymous	VI B
Patrem omnipotentem [Credo]?	Anonymous	VI A
Pleurez, dame, pleurez vostre servant / corps et desir et penser en servant	Machaut, Guillaume de (ca. 1300–1377)	27
Prophilias, un des nobles de Roume / car Dionas d’Athenes le nous noume	Suzoy, Johannes (?)	21
Quant Jason, Jazon mist en mer la nef	Anonymous	19v–20
S'espoir n'estoit qui me donne confort… riant / car arivés suy a trop cruel port	Anonymous	29v
Salve, sancta parens	Anonymous	II A
untexted	Anonymous	II A
… goeden kaccharinc, drughen harinc! Brecken … en mach, hines gheenre duecht gewone	Anonymous	II Av–II B

‡ denotes primary source study

Fankhauser, Eliane. 2014. A Collection of Collections: New Insights into the Origins and Making of the Utrecht Fragments, NL-Uu 37.I. Tijdschrift van de Koninklijke Vereniging voor Nederlandse Muziekgeschiedenis, 3-29. Notes: description; discussion; facsimile (partial); contents; physical description; concordances (partial).

Earp, Lawrence M. 1995. Guillaume de Machaut: A Guide to Research. New York and London: Garland.

Schreurs, Eugeen. 1995. An Anthology of Music Fragments from the Low Countries (Middle Ages-Renaissance). Leuven. Pages: 30-44.

Delft, Metha-Machteld van. 1960-61. Een Gloria-Fragment in de Universiteits-Bibliotheek te Utrecht. Tijdschrift der Vereeniging voor Nederlandsche Muziekgeschiedenis, 84–85. Pages: 85 (partial transcription of Uu 37 I, 3); 84.

Schrade, Leo (editor). 1954 -1956. The Polyphonic Music of the Fourteenth Century. 3 vols. Pages: III, (transcription of Uu 37 II, 8 and 14 after other sources).

Ludwig, Friedrich (editor). 1926-9. Guillaume de Machaut: Musikalische Werke, 1-3. Leipzig: Publikationen älterer Musik. Pages: I, 4, 37f (transcription of Uu 37 II, 8 and 14 after other sources).

Muller, J W. 1906. Brokstukken van Middeleeuwsche meerstemmige liederen. Tijdschrift voor Nederlandsche Taal- en Letterkunde, . Pages: 1ff.

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David Wyatt

Friday, 3 July, 2020

Added attribution of 'Prophilias' to Suzoy - as noted in the RISM description.

Répertoire Internationale des Sources Musicales

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description