Archive Le Labo (formerly Médiathèque d'agglomération de Cambrai, and Bibliothèque Municipale/Bibliothèque Comunale), Cambrai, France (F-CA)
Shelfmark MS 6 (MS D 6)
Surface Parchment
Numbering System Foliation
Measurements 500 x 335 mm
Other Identifiers
  • CCM: CambraiBM 6
Notations
  • black full mensural
  • red mensural
Copyists
Relationships
External Links
Provenance
Contents 22 pieces from 5 composers
General Description

Copied by one main scribe, with some additions by the scribe of MS D 11, probably Simon Mellet. The two flyleaves are from a chant manuscript. Additional leaves are pasted inside the front and back covers; these contain various ink scribblings, including the names (signatures?) of such composers as Franchois and Johannes Lupi. Most of the pieces are concordant with CambraiBM 11. The manuscript also contains a monophonic Mass Ordinary cycle and two other monophonic pieces. Copied for the Cathedral at Cambrai.

DIAMM, 2017
Binding

Modern covers of pasteboard. Was in original binding at the time of Molinier's catalogue (1891).

DIAMM, 2017
Notation

black/red mensural notation

DIAMM, 2017
Ruling

4- and 5- line staves, height 16.5/28.5 mm; up to 8 staves per page.

DIAMM, 2020
Foliation

Original ink foliation, 36 ff + 2 endpapers

DIAMM, 2017
Decoration

Red and blue initials on a background of red or black filigree work.

DIAMM, 2017
Surface

parchment

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

3 Kyries, 5 Glorias, 5 Credos, 3 hymns = 16

(Binchois)-2, (Dufay)-7, (Franchois)-1, anon-6

i + 36 + i parchment folios, 500x335. Original ink foliation. Modern covers of pasteboard. No index. Black/red mensural notation. Copied by a single scribe, who also copied CambraiBM 11. Red and blue initials on a background of red or black filigree work. The two flyleaves are from a chant manuscript. Additional leaves are pasted inside the front and back covers; these contain various ink scribblings, including the names of such composers as Franchois and Johannes Lupi. Most of the pieces are concordant with CambraiBM 11. The manuscript also contains a monophonic Mass Ordinary cycle and two other monophonic pieces.

Ca. 1430-40. Copied for the Cathedral at Cambrai.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

31

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1 Alleluia: O Maria pia mater - Anonymous
Appears on: 1
1–1v Salve decus purtatis - Anonymous
Appears on: 1–1v
2 Kyrie eleison (KGC group - iv/1) -
Appears on: 2
Genres: Kyrie eleison, Motet
2v–4 Et in terra pax [Gloria] (iv/4) (Amen tropes Resurrexit dominus; Tu m’a monte) -
Appears on: 2v–4
Genres: Gloria (et in terra pax), Mass Ordinary
4v–5 Kyrie eleison (iv/19) -
Appears on: 4v–5
Genres: Kyrie eleison, Mass Ordinary
5v–10 Patrem omnipotentem [Credo] (iv/4) (Amen tropes Dic Maria, La vilanella) -
Appears on: 5v–10
Genres: Credo (patrem omnipotentem), Mass Ordinary, Troped Credo
Voice: [no designation]
Languages: Latin
Voice Text: Patrem (Credo)
10v–12 Et in terra pax [Gloria] (iv/5) -
Appears on: 10v–12
Genres: Gloria (et in terra pax), Mass Ordinary
12v–13 Kyrie - Anonymous

Kyrie

Anonymous
Appears on: 12v–13
13v–17 Patrem omnipotentem [Credo] (iv/5) -
Appears on: 13v–17
Genres: Credo (patrem omnipotentem), Mass Ordinary
17v–20 Et in terra pax [Gloria] [Kaye 1a] -
Appears on: 17v–20
Genres: Gloria (et in terra pax), Mass Ordinary
20v–23 Patrem omnipotentem [Credo] [Kaye 1b] -
Appears on: 20v–23
Genres: Credo (patrem omnipotentem), Mass Ordinary
23v–24 Iam ter quaternis - Anonymous

Iam ter quaternis

Anonymous
Appears on: 23v–24
Genres: Hymn
24v–27 Et in terra pax [Gloria] (with CT by Du Fay) (iv/30) -
Appears on: 24v–27
Genres: Gloria (et in terra pax), Mass Ordinary
27v–30 Patrem omnipotentem [Credo] - Anonymous
Appears on: 27v–30
30v O quam glorifica luce (I) - Anonymous
Appears on: 30v
Genres: Hymn
31 O quam glorifica luce (II) - Anonymous
Appears on: 31
Genres: Hymn
31v–33 Et in terra pax [Gloria] (iv/21) -
Appears on: 31v–33
Genres: Gloria (et in terra pax), Mass Ordinary
33v–36 Patrem omnipotentem [Credo] -
Appears on: 33v–36
Genres: Credo (patrem omnipotentem), Mass Ordinary
36v Kyrie - Anonymous

Kyrie

Anonymous
Appears on: 36v
36v–37 Et in terra pax [Gloria] - Anonymous
Appears on: 36v–37
37v Patrem omnipotentem [Credo] - Anonymous
Appears on: 37v
38 Gaude summe summa parens - Anonymous
Appears on: 38

Images ©2000 Ville de Cambrai

denotes primary source study

Curtis, Liane. 1999. Simon Mellet, scribe of Cambrai Cathedral. Plainsong and Medieval Music, 133-166.

Bent, Margaret. 1996. The early use of the sign Ø. Early Music, 199-225.

Curtis, Liane. 1994. The Origins of Cambrai, Bibliothèque Municipale Manuscript 6 and its Relationship to Cambrai 11. Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 6-35.

Curtis, Gareth R K, and Andrew B Wathey. 1994. Fifteenth-Century English Liturgical Music: A List of the Surviving Repertory. Royal Musical Association Research Chronicle, 1-69.

Curtis, Liane. 1991. Music Manuscripts and their Production in Fifteenth Century Cambrai. University of North Carolina at Chapel Hill, unpublished Ph. D. dissertation. Pages: 16-43, 185-188.

Bockholdt, Rudolf. 1979. Die Hymnen in der Handschrift Cambrai 6: Zwei Unbekannte Vertonungen von Dufay? Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 75-91. Notes: facsimile (partial); transcriptions (partial).

Coussemaker, Charles Edmond Henri de. 1975 (reprint). Notice sur les Collections Musicales de la Bibliothèque de Cambrai. Paris, 1843.  Hildesheim and New York. Pages: 37-43.

Monson, Craig. 1975. Stylistic Inconsistencies in a Kyrie Attributed to Dufay. Journal of the American Musicological Society, 245-67. Pages: 246.

Dartus, Edmond. 1974. Un grand musicien cambrésien: Guillaume Du Fay.  Cambrai. Pages: 19.

Ward, Tom Robert. 1969. The Polyphonic Office Hymn from the Late Fourteenth Century Until the Early Sixteenth Century. University of Pittsburgh, Unpublished Ph.D. dissertation. Pages: 40-1.

Parris, Arthur. 1965. The sacred works of Gilles Binchois. Bryn Mawr College, Ph.D. Dissertation. Pages: 92-4.

Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik.  Kassel. Pages: II,709-11.

de Van, Guillaume, and Heinrich Besseler (editors). 1948-66. Guillaume Dufay: Opera Omnia. Corpus mensurabilis musicae.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: IV,x, passim.

Marix, Jeanne (editor). 1937. Les musiciens de la cour de Bourgogne au XVe siècle (1420-1467) : Messes, motets, chansons.  Paris. Pages: xxviii.

Borren, Charles van den (editor). 1932; 2nd rev. edn., London, 1962. Polyphonia sacra: A Continental Miscellany of the Fifteenth Century.  Nashdom Abbey, Burnham, Bucks., and London: Plainsong and Mediaeval Music Society. Pages: xiii, passim.

Besseler, Heinrich. 1925. Studien zur Musik des Mittelalters: I. Neue Quellen des 14. und beginnenden 15. Jahrhunderts. Archiv für Musikwissenschaft, 167-252. Pages: 242-3.

Wolf, Johannes. 1904; Reprinted: Hildesheim, 1965. Geschichte der Mensural-Notation von 1250-1460 nach den theoretischen und praktischen Quellen. 3 vols. Leipzig. Pages: I, 196.

Molinier, Auguste. 1885-. Catalogue General des Manuscrits des Bibliothèques Publiques de France.  Paris. Pages: 2.

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Richard Dudas

Sunday, 26 July, 2020

link to BVMM's b/w images added

DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Notation Note; Foliation Note; Foliation Note; Decoration Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description