I-MC 871

Biblioteca dell'Abbazia, Montecassino, Italy

manuscript with sections of polyphony and non-musical writings: 15th century

Archive	Biblioteca dell'Abbazia, Montecassino, Italy (I-MC)
Shelfmark	871
Image Availability	DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface	Mixed Paper and Parchment
Numbering System	None
Measurements	276 x 206 mm
Other Identifiers	RISM: I-MC 871 CCM: MonteA 871 olim (Former shelfmark): 871N
Notations	black void mensural
Relationships	? Monastery of SS. Severino and Sossio (copied at) ? Monastery of S. Michele Arcangelo de Planciano, Gaeta (copied at)
External Links	Transcription of the whole MS images
Provenance	Italy
Contents	169 pieces from 23 composers

General Description

Composite of several originally separate fascicles bound together in late 17th century. Only paper folios contain music; parchment folios contain miscellaneous religious writings (book of martyrs, rules for Benedictine Order, etc.) Main scribe probably a Benedictine monk at monastery of St. Michele Arcangelo de Planciano in Gaeta (PopeMC) or monastery of Sts. Severino and Sossio in Naples (CattCP); textless fragments on pp. 323, 429, and 432 are later additions in a different hand. Section with music probably copied at Benedictine monastery of Sts. Severino and Sossio in Naples (CattCP), or Benedictine monastery of St. Michele Arcangelo de Planciano in Gaeta (PopeMC). Owned by latter monastery in 16th century (inscription on p. 247: 'Est monasterij sancti angeli palantani de gaieta signatus lettera et numero'). Brought to central monastery of Benedictine Order at Monte Cassino at an unknown time, probably in 16th or 17th century.

DIAMM, 2017

Physical Description

Paper folios trimmed at time of binding, obliterating many attributions and some foliation. At least 70 folios lost; some folios now bound in incorrect order.

DIAMM, 2017

Binding

Rebound in modern covers of yellow leather over boards, with inscription 'N 871 / Martyrologium / Musica' on spine; leather spine of earlier (but not original) binding pasted inside present covers.

DIAMM, 2017

Watermark

resemble Briquet #462, #746, #2066 [= arms of Aragon], #3562-5(?), #3725, #7698, #11181, #12149.

DIAMM, 2017

Notation

black void mensural notation

DIAMM, 2017

Foliation

DIAMM, 2017

Decoration

Inked initials.

DIAMM, 2017

Index

Modern list of contents of composite volume on second modern flyleaf. Original index of musical portion on pp. 433-434 lists 171 pieces in alphabetical order by title; 46 pieces listed in index now missing, other pieces added to manuscript after index was prepared.

DIAMM, 2017

Surface

ii paper + 123 parchment + 95 paper

DIAMM, 2017

RISM Description

RISM B IV/5:

XVe s. 94 ff. (= 188 p.). Papier. 206X276 mm. Foliotation ancienne maintenant très inexacte, et pagination moderne: 247-135. Notation mesurée blanche. 7 ou 8 portées par p. Aux. pp. 433-434, table du ms. de la main du copiste principal, aux ff. 39 et 48, quelques lignes de musique copiées postérieurement.

Le Ms. 871 est un recueil factice comprenant des mss. liturgiques (sans musique) copiés sur parchemin au XlIIe s. et un ms. musical (le seul qui nous intéresse ici) copié sur papier deux siècles plus tard et occupant les pp. 247 à 435 de la pagination continue attribuée assez récemment au volume entier. La table qui figure aux pp. 433-434 permet de constater que de nombreuses pièces du ms. primitif ont disparu, tandis que d'autres ont été ajoutées postérieurement. Bien que le ms. primitif semble être de la main d'un seul scribe, très certainement italien, la copie a dû s'étaler sur une période de dix ou même vingt ans. Les filigranes tous datés des environs de 1470 et le répertoire qui, à côté de Dufay et Ockeghem, comporte aussi des musiciens plus jeunes comme Compère et Caron, suggèrent les 2 dernières décennies du XVe s. comme la date la plus probable de la copie. Très probablement compilé par un moine de SS. Severino e Sossio de Naples, ou de S. Angelo de Gaeta, ville qui faisait alors partie du royaume de Naples, il représente l'unique collection musicale de la 2e moitié du XVe s. en nette liaison avec la cour de Naples, dont il reflète les goûts avec un répertoire à peu près également réparti entre le religieux (61 pièces) et le profane (76 pièces). A l'occasion de réfections successives de la reliure, de nombreux noms d'auteurs ont disparu, des feuillets ont été perdus, l'ordre des cahiers a été bouleversé, la foliotation ancienne, qui devient de ce fait a peu près inutilisable, révélant alors qu'environ 1/5e du ms. mq. actuellement.

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of any of this content without permission may result in legal action.

Répertoire International des Sources Musicales

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

1 Sanctus fragment, 1 Mass Proper section, 3 Magnificats, 6 psalms, 35 hymns, 2 Lamentations, 15 motets, 4 laude, 3 motet-chansons, 32 French secular pieces, 26 Italian secular pieces, 8 Spanish secular pieces, 1 Latin/Italian secular piece, 5 textless pieces or fragments = 142 + 2 duplicates = 144

Anthonius Piccardus-1, (Bedingham)-1, (Bedingham/Dunstable) -1, (Bedingham/Frye)-1, (Caron)-1, Compère-1, Cornago-S, Cornago-Ockeghem-1, Damianus-2, Dufay-14, Dufay/(Binchois) -1, Dufay/(Ockeghem)-1, (Dux Burgensis)-1, Gafori-2, (Haynevan Ghizeghem)-2, (Janue)-1, (Molinet)-1, Ockeghem-2, Oriola-2, (Quadris)-1, Ycart [Bernardus]-1, anon-96

ii paper + 123 parchment + 95 paper folios, 276 x 206. Composite of several originally separate fascicles bound together in late 17th century. Only paper folios contain music; parchment folios contain miscellaneous religious writings (book of martyrs, rules for Benedictine Order, etc.) Paper folios trimmed at time of binding, obliterating many attributions and some foliation. At least 70 folios lost; some folios now bound in incorrect order.

Modern pencil pagination, 1-436 (numbers often omitted on versos); section with music [pp. 247-436] has original ink foliation, 1-160(?), which includes folios now missing. (Foliation inaccurate and inconsistent due to misbinding and faulty renumbering by later hands). Rebound in modern covers of yellow leather over boards, with inscription "N 871 / Martyrologium / Musica" on spine; leather spine of earlier (but not original) binding pasted inside present covers. Modern list of contents of composite volume on second modern flyleaf. Original index of musical portion on pp. 433-434 lists 171 pieces in alphabetical order by title; 46 pieces listed in index now missing, other pieces added to manu-script after index was prepared.

Main scribe probably a Benedictine monk at monastery of St. Michele Arcangelo de Planciano in Gaeta (PopeMC) or monastery of Sts. Severino and Sossio in Naples (CattCP); textless fragments on pp. 323, 429, and 432 are later additions in a different hand. Inked initials. Watermarks resemble Briquet #462, #746, #2066 [= arms of Aragon], #3562-5(?), #3725, #7698, #11181, #12149.

Ca. 1480-1500; repertory ca. 1430-80 (PopeMC); non-musical portions date from 13th and 14th centuries. Section with music probably copied at Benedictine monastery of Sts. Severino and Sossio in Naples (CattCP), or Benedictine monastery of St. Michele Arcangelo de Planciano in Gaeta (PopeMC). Owned by latter monastery in 16th century (inscription on p. 247: "Est monasterij sancti angeli palantani de gaieta signatus lettera et numero"). Brought to central monastery of Benedictine Order at Monte Cassino at an unknown time, probably in 16th or 17th century.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
1	O princeps Pilate	BERNARDUS	Ycart, Bernhard
O princeps Pilate Ycart, Bernhard Appears on: 1 Genres: Motet Source Attribution: BERNARDUS Voice: [no designation] Languages: Latin Voice Text: O princeps Pilate Item Bibliography Pope, Isabel. 1964. The musical manuscript Montecassino N879 [sic; recte 871]. Anuário Musical, 123-53. Pages: Ms 871.
1v–2	Patres nostri peccaverunt	CORNAGO	Cornago, Juan de
Patres nostri peccaverunt Cornago, Juan de Appears on: 1v–2 Genres: Motet Source Attribution: CORNAGO Voice: [no designation] Languages: Latin Voice Text: Patres nostri peccaverunt
1v–2	Patres nostri peccaverunt	-	Anonymous
Patres nostri peccaverunt Anonymous Appears on: 1v–2 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Patres nostri peccaverunt General Note Sa pars de Amor tu non me gabaste [n° 23]
2v	Adoramus te Domine	-	Anonymous
Adoramus te Domine Anonymous Appears on: 2v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Adoramus te domine
3	Adieu m'amour, adieu ma joie	DUFAY	Du Fay, Guillaume (1397–1474)
Adieu m'amour, adieu ma joie Du Fay, Guillaume (1397–1474) Appears on: 3 Genres: Chanson, Rondeau Source Attribution: DUFAY Voice: [no designation] Languages: French Voice Text: Adieu m'amour, adieu ma joye Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 1,VI. Blume, Friedrich, and Kurt Gude (editors). 1929-79. Das Chorwerk. Wolfenbüttel/Berlin. Pages: 19.
3v	A Florence la joeuse cite / Helas la fille / En ma chambre	-	Anonymous
A Florence la joeuse cite / Helas la fille / En ma chambre Anonymous Appears on: 3v Genres: Ballade
3v–4	In exitu Israel de Aegypto domus Jacob	-	Anonymous
In exitu Israel de Aegypto domus Jacob Anonymous Appears on: 3v–4 Genres: Psalm Voice: [no designation] Languages: Latin Voice Text: In exitu Israel de Aegypto domus Iacob General Note T et B: Ellas la fille Guilemin Item Bibliography Kultzen, Brigitte. 1956. Der Codex Escorial IV.a.24: Übertragung, Katalog, Historische Einordnung einer Chansonsammlung aus der zweiten Hälfte des 15. Jahrhunderts. University of Hamburg, Unpublished Ph.D. dissertation.
4	In exitu Israel de Aegypto domus Jacob	ORIOLA	Oriola, Pietro
In exitu Israel de Aegypto domus Jacob Oriola, Pietro Appears on: 4 Genres: Lauda Source Attribution: ORIOLA Voice: [no designation] Languages: Latin Voice Text: In exitu Israel de Aegypto domus Iacob
4v	O salutaris hostia	-	Anonymous
O salutaris hostia Anonymous Appears on: 4v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: O salutaris hostia
4v–5	Belle veuilliés moi retenir	[G. DUFAY]	Du Fay, Guillaume (1397–1474)
Belle veuilliés moi retenir Du Fay, Guillaume (1397–1474) Appears on: 4v–5 Genres: Chanson, Rondeau Source Attribution: [G. DUFAY] Voice: [no designation] Languages: French Voice Text: Belle voliés moy vengier de ce General Note Publ. cf. Fn 176 n° 27
5v–6	Qu'es mi vida preguntays	CORNAGO-OQUEGAM	Ockeghem, Jean de (ca. 1410–1497) (?) Cornago, Juan de (?)
Qu'es mi vida preguntays Ockeghem, Jean de (ca. 1410–1497) (?) Cornago, Juan de (?) Appears on: 5v–6 Genres: Motet Source Attribution: CORNAGO-OQUEGAM Voice: [no designation] Languages: French Voice Text: Qu'es mi vida preguntays General Note Ockeghem aurait remanié le Ct et ajouté le Cb Item Bibliography Haberkamp, Gertraut. 1968. Die weltliche Vokalmusik in Spanien um 1500. Der Cancionero musical de Colombina von Sevilla und außerspanische Handschriften. Münchner Veröffentlichungen zur Musikgeschichte. Tutzing. Pope, Isabel. 1964. The musical manuscript Montecassino N879 [sic; recte 871]. Anuário Musical, 123-53. Pages: Ms 871 Facs. Stevenson, Robert. 1960. Spanish Music in the Age of Columbus. The Hague. Pope, Isabel. 1958-61. The Secular Compositions of Johannes Cornago. Miscelânea en Homenaje a Monsenor Higinio Angles, 689-706. Barcelona. Anglès, Higinio (editor). 1941-1971. Monumentos de la Mùsica Espanola. Madrid (later Barcelona, later Rome). Pages: XXXIII.
6v–7	Puis fortuna m'avis en tal partit	-	Anonymous
Puis fortuna m'avis en tal partit Anonymous Appears on: 6v–7 Genres: Motet Voice: [no designation] Languages: French Voice Text: Puis fortuna m'avis en tal partit
7	Per poco tempo ch'io so stato fora trovo che amore	-	Anonymous
Per poco tempo ch'io so stato fora trovo che amore Anonymous Appears on: 7 Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: Per poco tempo ch'io so stato fora trovo che amore
7v	Tanto ha ch'io t'o contato li mei guai	-	Anonymous
Tanto ha ch'io t'o contato li mei guai Anonymous Appears on: 7v Genres: Motet Voice: [no designation] Languages: Italian Voice Text: Tanto ha ch'io t'o contato li mei guai
7v–8	O pellegrina o luce chiera stella	-	Anonymous
O pellegrina o luce chiera stella Anonymous Appears on: 7v–8 Genres: Chanson Voice: [no designation] Languages: Italian Voice Text: O pellegrina o luce o clara stella
8v–9	Soyez (Suis) aprentis en amours [= So ys emprentid]	[W. FRYE* ou J. BEDINGHAM]	Frye, Walter (–ca. 1475) (?) Bedingham, John (–ca. 1460) (?)
Soyez (Suis) aprentis en amours [= So ys emprentid] Frye, Walter (–ca. 1475) (?) Bedingham, John (–ca. 1460) (?) Appears on: 8v–9 Genres: Chanson, Contrafactum Source Attribution: [W. FRYE* ou J. BEDINGHAM] Voice: [no designation] Languages: French Voice Text: Suis aprentis en amours. Vos qui voles. Concordances US-NH General Note [= So yés emprentia][= Pour une suis desconforté] [= Sancta Maria succurre miseris] Aux autres vx.: Soyés aprentisP. ubl. cf. Fn 176 n° 43
8v–9	Suis aprentis en amours - 2a pars (of 2): Vos qui voles	[W. FRYE* ou J. BEDINGHAM]	Bedingham, John (–ca. 1460) (?) Frye, Walter (–ca. 1475) (?)
Suis aprentis en amours - 2a pars (of 2): Vos qui voles Bedingham, John (–ca. 1460) (?) Frye, Walter (–ca. 1475) (?) Appears on: 8v–9 Genres: textless Source Attribution: [W. FRYE* ou J. BEDINGHAM] Voice: [no designation] Languages: none Voice Text: 2a p.: no text General Note Publ. cf. Fn 176 n° 43 Concordances *US-NH
9v–10	Donde stas - 1a pars (of 2): Donde stas que non te veo	CORNAGO	Cornago, Juan de
Donde stas - 1a pars (of 2): Donde stas que non te veo Cornago, Juan de Appears on: 9v–10 Genres: Canzon, Secular song Source Attribution: CORNAGO Voice: [no designation] Languages: Italian Voice Text: Donde stas que non te veo Item Bibliography Haberkamp, Gertraut. 1968. Die weltliche Vokalmusik in Spanien um 1500. Der Cancionero musical de Colombina von Sevilla und außerspanische Handschriften. Münchner Veröffentlichungen zur Musikgeschichte. Tutzing. Anglès, Higinio (editor). 1941-1971. Monumentos de la Mùsica Espanola. Madrid (later Barcelona, later Rome). Pages: XXXIII.
9v–10	Donde stas - 2a pars (of 2): Mos tal es tu fermosura	CORNAGO	Cornago, Juan de
Donde stas - 2a pars (of 2): Mos tal es tu fermosura Cornago, Juan de Appears on: 9v–10 Genres: Canzon, Secular song Source Attribution: CORNAGO Voice: [no designation] Languages: Italian Voice Text: [2a p.]: Mos tal es tu fermosura Item Bibliography Haberkamp, Gertraut. 1968. Die weltliche Vokalmusik in Spanien um 1500. Der Cancionero musical de Colombina von Sevilla und außerspanische Handschriften. Münchner Veröffentlichungen zur Musikgeschichte. Tutzing. Anglès, Higinio (editor). 1941-1971. Monumentos de la Mùsica Espanola. Madrid (later Barcelona, later Rome). Pages: XXXII.
10v	Par le regard de vos beaux yeux	DUFAY	Du Fay, Guillaume (1397–1474)
Par le regard de vos beaux yeux Du Fay, Guillaume (1397–1474) Appears on: 10v Genres: Chanson, Rondeau Source Attribution: DUFAY Voice: [no designation] Languages: French Voice Text: Par le regart de vos beaulx yeulx General Note [= Resone unice eterni] Item Bibliography Perkins, Leeman L. 1977. The Mellon Chansonnier. New Haven. Pope, Isabel. 1964. The musical manuscript Montecassino N879 [sic; recte 871]. Anuário Musical, 123-53. Pages: Ms 871 Facs.:. Kultzen, Brigitte. 1956. Der Codex Escorial IV.a.24: Übertragung, Katalog, Historische Einordnung einer Chansonsammlung aus der zweiten Hälfte des 15. Jahrhunderts. University of Hamburg, Unpublished Ph.D. dissertation. [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 1,VI;. Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 61 (XXXI).
11	Voca la galiera	-	Anonymous
Voca la galiera Anonymous Appears on: 11 Genres: Song Voice: [no designation] Languages: Italian Voice Text: Voca la galiera
11v–12	Ex ore tuo = Yerra con poco saber	CORNAGO	Cornago, Juan de
Ex ore tuo = Yerra con poco saber Cornago, Juan de Appears on: 11v–12 Genres: Contrafactum Source Attribution: CORNAGO Voice: [no designation] Languages: Italian Voice Text: Yerra con poco saber General Note [Paroles au B] Item Bibliography Haberkamp, Gertraut. 1968. Die weltliche Vokalmusik in Spanien um 1500. Der Cancionero musical de Colombina von Sevilla und außerspanische Handschriften. Münchner Veröffentlichungen zur Musikgeschichte. Tutzing. Kultzen, Brigitte. 1956. Der Codex Escorial IV.a.24: Übertragung, Katalog, Historische Einordnung einer Chansonsammlung aus der zweiten Hälfte des 15. Jahrhunderts. University of Hamburg, Unpublished Ph.D. dissertation.
11v	Zappay lo campo	-	Anonymous
Zappay lo campo Anonymous Appears on: 11v Genres: Song Voice: [no designation] Languages: Italian Voice Text: Zappay (lo campo.)
12v	Départes vous male bouche.	[DUFAY [ou J. OCKEGHEM*]	Ockeghem, Jean de (ca. 1410–1497) (?) Du Fay, Guillaume (1397–1474) (?)
Départes vous male bouche. Ockeghem, Jean de (ca. 1410–1497) (?) Du Fay, Guillaume (1397–1474) (?) Appears on: 12v Genres: Chanson, Rondeau Source Attribution: [DUFAY [ou J. OCKEGHEM] Voice:* [no designation] Languages: French Voice Text: Départes vous male bouche General Note Publ. cf. Bc 16 n° 30 Concordances *F-Pn 15123
13	La vida de Culin no dura pas tot iors	-	Anonymous
La vida de Culin no dura pas tot iors Anonymous Appears on: 13 Genres: Song Voice: [no designation] Languages: Italian Voice Text: La vida de Culin no dura pas tot iors
13v–14	Amor tu non me gabaste - 1a pars (of 2): Amor tu non me gabaste	-	Anonymous
Amor tu non me gabaste - 1a pars (of 2): Amor tu non me gabaste Anonymous Appears on: 13v–14 Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: Amor tu non me gabaste Item Bibliography Hernon, Michael A. 1972. Perugia MS 431 (G20): A Study of the Secular Italian Pieces. George Peabody College for Teachers, Unpublished Ph.D. dissertation.
13v–14	Amor tu non me gabaste - 2a pars (of 2): Io averia voluntate	-	Anonymous
Amor tu non me gabaste - 2a pars (of 2): Io averia voluntate Anonymous Appears on: 13v–14 Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: [2a p.: Io averia voluntate. N° 3] Item Bibliography Hernon, Michael A. 1972. Perugia MS 431 (G20): A Study of the Secular Italian Pieces. George Peabody College for Teachers, Unpublished Ph.D. dissertation.
14	Piangendo chiamo surda et crudele morte	-	Anonymous
Piangendo chiamo surda et crudele morte Anonymous Appears on: 14 Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: Piangendo chiamo sorda e gruda morte Item Bibliography Hernon, Michael A. 1972. Perugia MS 431 (G20): A Study of the Secular Italian Pieces. George Peabody College for Teachers, Unpublished Ph.D. dissertation.
14v	Dolce speranza del cor mio	-	Anonymous
Dolce speranza del cor mio Anonymous Appears on: 14v Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: Dolce speranza del cor mio
15	Moro perche non dai fede	CORNAGO	Cornago, Juan de
Moro perche non dai fede Cornago, Juan de Appears on: 15 Genres: Italian secular Source Attribution: CORNAGO Voice: [no designation] Languages: Italian Voice Text: Moro perche non day fede General Note Publ. cf. Fn 176 n° 13
15v–16	Segun las penas me days	CORNAGO	Cornago, Juan de
Segun las penas me days Cornago, Juan de Appears on: 15v–16 Genres: Song Source Attribution: CORNAGO Voice: [no designation] Languages: Italian Voice Text: Segun las penas me days Item Bibliography Haberkamp, Gertraut. 1968. Die weltliche Vokalmusik in Spanien um 1500. Der Cancionero musical de Colombina von Sevilla und außerspanische Handschriften. Münchner Veröffentlichungen zur Musikgeschichte. Tutzing. Pages: (avec facs.).
16	Morte mercé - 1a pars (of 2): Morte mercé gentile aquil'altera	CORNAGO	Cornago, Juan de
Morte mercé - 1a pars (of 2): Morte mercé gentile aquil'altera Cornago, Juan de Appears on: 16 Genres: Italian secular Source Attribution: CORNAGO Voice: [no designation] Languages: Italian Voice Text: Morte mercé gentile aquil'altera Item Bibliography Haberkamp, Gertraut. 1968. Die weltliche Vokalmusik in Spanien um 1500. Der Cancionero musical de Colombina von Sevilla und außerspanische Handschriften. Münchner Veröffentlichungen zur Musikgeschichte. Tutzing. Kultzen, Brigitte. 1956. Der Codex Escorial IV.a.24: Übertragung, Katalog, Historische Einordnung einer Chansonsammlung aus der zweiten Hälfte des 15. Jahrhunderts. University of Hamburg, Unpublished Ph.D. dissertation.
16	Morte mercé - 2a pars (of 2): Amor con l'arco tesso	-	Cornago, Juan de
Morte mercé - 2a pars (of 2): Amor con l'arco tesso Cornago, Juan de Appears on: 16 Genres: Italian secular
17	Psalms	ORIOLA	Oriola, Pietro
Psalms Oriola, Pietro Appears on: 17 Genres: Psalm Source Attribution: ORIOLA Voice: [no designation] Languages: Latin Voice Text: Psalmen
17v–19	Dixit Dominus Domino meo Sede a dextris meis	-	Anonymous
Dixit Dominus Domino meo Sede a dextris meis Anonymous Appears on: 17v–19 Genres: Psalm Voice: [no designation] Languages: Latin Voice Text: [Dixit dominus domino meo.] Sede a dextris meis
18v–20	Confìtebor tibi Domine. In consilio justorum	-	Anonymous
Confìtebor tibi Domine. In consilio justorum Anonymous Appears on: 18v–20 Genres: Psalm Voice: [no designation] Languages: Latin Voice Text: [Confìtebor tibi domine.] In consilio justorum
20v–22	Beatus vir qui timet Dominum. In mandatis eius	-	Anonymous
Beatus vir qui timet Dominum. In mandatis eius Anonymous Appears on: 20v–22 Genres: Psalm Voice: [no designation] Languages: Latin Voice Text: [Beatus vir qui timet dominum. ] In mandatis ejus
21v–23	Laudate pueri Dominum Laudate nomen Domini	-	Anonymous
Laudate pueri Dominum Laudate nomen Domini Anonymous Appears on: 21v–23 Genres: Psalm Voice: [no designation] Languages: Latin Voice Text: [Laudate pueri dominum] Laudate nomen domini
23v–24	Laudate Dominum omnes gentes, laudate eum	-	Anonymous
Laudate Dominum omnes gentes, laudate eum Anonymous Appears on: 23v–24 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: [Laudate dominum omnes gentes] Laudate eum
23v–24	Conditor alme siderum	-	Anonymous
Conditor alme siderum Anonymous Appears on: 23v–24 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Conditor alme syderum
24	Christe redemptor omnium conserva	-	Anonymous
Christe redemptor omnium conserva Anonymous Appears on: 24 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Christe redemptor omnium conserva
25	Christe redemptor omnium/conserva (v/24b)	(G. DUFAY]	Du Fay, Guillaume (1397–1474)
Christe redemptor omnium/conserva (v/24b) Du Fay, Guillaume (1397–1474) Appears on: 25 Genres: Hymn Source Attribution: (G. DUFAY] Voice: [no designation] Languages: Latin Voice Text: [Christe redemptor omnium] Tu lumen tu splendor patris General Note Publ. cf. Bc 15 n" 295 Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice.
25v	Hostis Herodes impie	-	Anonymous
Hostis Herodes impie Anonymous Appears on: 25v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Hostis Herodes impie
26	Aures ad nostras (Respice clemens)	DUFAY	Du Fay, Guillaume (1397–1474) (?)
Aures ad nostras (Respice clemens) Du Fay, Guillaume (1397–1474) (?) Appears on: 26 Genres: Hymn Source Attribution: DUFAY Voice: [no designation] Languages: Latin Voice Text: Aures ad nostras deitatis preces Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 1,V (Op. dub.). Blume, Friedrich, and Kurt Gude (editors). 1929-79. Das Chorwerk. Wolfenbüttel/Berlin. Pages: 49.
26v	Audi benigne conditor Scrutator alme cordium	[G. DUFAY]	Du Fay, Guillaume (1397–1474)
Audi benigne conditor Scrutator alme cordium Du Fay, Guillaume (1397–1474) Appears on: 26v Genres: Motet Source Attribution: [G. DUFAY] Voice: [no designation] Languages: Latin Voice Text: ] Audi benigne conditor Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 1,V. Blume, Friedrich, and Kurt Gude (editors). 1929-79. Das Chorwerk. Wolfenbüttel/Berlin. Pages: 49.
27	Vexilla regis prodeunt	[G. DUFAY]	Du Fay, Guillaume (1397–1474)
Vexilla regis prodeunt Du Fay, Guillaume (1397–1474) Appears on: 27 Genres: Motet Source Attribution: [G. DUFAY] Voice: [no designation] Languages: Latin Voice Text: Vexilla regis prodeunt … Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 1,V. Blume, Friedrich, and Kurt Gude (editors). 1929-79. Das Chorwerk. Wolfenbüttel/Berlin. Pages: 49. Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 14/15 (VII).
27v	Ad caenam agni providi Cuius corpus sanctissimum	-	Anonymous
Ad caenam agni providi Cuius corpus sanctissimum Anonymous Appears on: 27v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Ad cenam agni providi
28	Aurora lucis Tristes erant apostoli	-	Anonymous
Aurora lucis Tristes erant apostoli Anonymous Appears on: 28 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: [Aurora lucis] Tristes erant apostoli
28v	Hymnum canamus gloriae	-	Anonymous
Hymnum canamus gloriae Anonymous Appears on: 28v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Hymnum canamus glorie
29	Jesu nostra redemptio	-	Anonymous
Jesu nostra redemptio Anonymous Appears on: 29 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Jesu nostra redemptio
29v	Je ne vis oncques la pareille de vous	DUFAY [ou G. BINCHOIS*]	Binchois, Gilles (ca. 1400–1460) (?) Du Fay, Guillaume (1397–1474) (?)
Je ne vis oncques la pareille de vous Binchois, Gilles (ca. 1400–1460) (?) Du Fay, Guillaume (1397–1474) (?) Appears on: 29v Genres: Chanson Source Attribution: DUFAY [ou G. BINCHOIS] Voice:* [no designation] Languages: French Voice Text: Je ne vis onques la parelle de vous ma gracieuse dame] General Note Publ. cf. Fr 176 n° 34 Concordances *F-Pn 57
30	Veni creator spiritus	[G. DUFAY]	Du Fay, Guillaume (1397–1474)
Veni creator spiritus Du Fay, Guillaume (1397–1474) Appears on: 30 Genres: Hymn, Veni creator spiritus Source Attribution: [G. DUFAY] Voice: [no designation] Languages: Latin Voice Text: Veni creator spiritus General Note . Publ. cf. Bc 15 n° 299 Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice.
30v	Pange lingua gloriosi corporis misterium	-	Anonymous
Pange lingua gloriosi corporis misterium Anonymous Appears on: 30v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Pange lingua gloriosi
31	Pange lingua gloriosi corporis misterium	-	Anonymous
Pange lingua gloriosi corporis misterium Anonymous Appears on: 31 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Pange lingua gloriosi
31v	Christe redemptor omnium ex patre	-	Anonymous
Christe redemptor omnium ex patre Anonymous Appears on: 31v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Christe redemptor omnium ex patre
32	O lux beata	G. DUFAY	Du Fay, Guillaume (1397–1474)
O lux beata Du Fay, Guillaume (1397–1474) Appears on: 32 Genres: Hymn Source Attribution: G. DUFAY Voice: [no designation] Languages: Latin Voice Text: Alleluia General Note Publ. cf. Bc 15 n» 300 Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice.
32v	Alleluia	-	Anonymous
Alleluia Anonymous Appears on: 32v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Alleluia
33	Dixit Dominus Domino meo	-	Anonymous
Dixit Dominus Domino meo Anonymous Appears on: 33 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Dixit dominus domino meo
33v–34	Dixit Dominus Domino meo	-	Anonymous
Dixit Dominus Domino meo Anonymous Appears on: 33v–34 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Dixit dominus domino meo
33v–34	Fidelia omnia mandata	-	Stahel, Johann
Fidelia omnia mandata Stahel, Johann Appears on: 33v–34 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Fidelia omnia mandata
33v–34	In mandatis eius cupit	-	Anonymous
In mandatis eius cupit Anonymous Appears on: 33v–34 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: In mandatis eius cupit
33v–34	Sit nomen Domini benedictum	-	Anonymous
Sit nomen Domini benedictum Anonymous Appears on: 33v–34 Genres: Benedicamus Domino Voice: [no designation] Languages: Latin Voice Text: Sit nomen domini benedictum
34v–35	Benedicamus Domino	-	Anonymous
Benedicamus Domino Anonymous Appears on: 34v–35 Genres: Benedicamus Domino, Motet Voice: [no designation] Languages: Latin Voice Text: Benedicamus domino
34v–35	Lucis creator optime	-	Anonymous
Lucis creator optime Anonymous Appears on: 34v–35 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Lucis creator optime
34v–35	Miserere mei Domine	-	Anonymous
Miserere mei Domine Anonymous Appears on: 34v–35 Genres: Miserere mei Deus, Motet Voice: [no designation] Languages: Latin Voice Text: Miserere mei domine
35v	Te lucis ante terminum	-	Anonymous
Te lucis ante terminum Anonymous Appears on: 35v Genres: Te lucis ante terminum Voice: [no designation] Languages: Latin Voice Text: Te lucis ante terminum …
36	Ave maris stella	-	Anonymous
Ave maris stella Anonymous Appears on: 36 Genres: Ave maris stella, BVM, Motet Voice: [no designation] Languages: Latin Voice Text: Ave maris stella Item Bibliography Cattin, Giulio. 1972. Canti polifonici del repertorio benedettino in uno sconosciuto 'Liber quadragesimalis' e in altre fonti italiane dei secoli XV e XVI ine. Benedictina, 445-527.
36v	Tibi Christe splendor Patris / Collaudamus venerantes omnes caeli	-	Anonymous
Tibi Christe splendor Patris / Collaudamus venerantes omnes caeli Anonymous Appears on: 36v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Tibi Christe splendor patris
37	Ut queant laxis resonare fibris	-	Anonymous
Ut queant laxis resonare fibris Anonymous Appears on: 37 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Ut queant laxis resonare fibris …
37v	Phebus astris cum omnibus	ANTHONIUS PICCARDUS	Picardus, Anthonius
Phebus astris cum omnibus Picardus, Anthonius Appears on: 37v Genres: Motet Source Attribution: ANTHONIUS PICCARDUS Voice: [no designation] Languages: Latin Voice Text: Phebus astris cum omnibus
38	Exultet caelum laudibus	-	Anonymous
Exultet caelum laudibus Anonymous Appears on: 38 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Exultet celum laudibus
38v	Exultet caelum laudibus vos saecli justi judices	-	Anonymous
Exultet caelum laudibus vos saecli justi judices Anonymous Appears on: 38v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: [Exultet celum laudibus] Vos sedi justi judices
39v	Deus tuorum militum	-	Anonymous
Deus tuorum militum Anonymous Appears on: 39v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Deus tuorum militum
40	Iste confessor Domini sacratus	[J. DE QUADRIS]	Quadris, Johannes de
Iste confessor Domini sacratus Quadris, Johannes de Appears on: 40 Genres: Motet Source Attribution: [J. DE QUADRIS] Voice: [no designation] Languages: Latin Voice Text: Iste confessor domini sacratus … General Note Publ. cf. Fn 112 bis n" 18
40v	Iste confessor Domini sacratus	[A. JANUE]	Janue, Antonius
Iste confessor Domini sacratus Janue, Antonius Appears on: 40v Genres: Motet Source Attribution: [A. JANUE] Voice: [no designation] Languages: Latin Voice Text: Iste confessor domini sacratus General Note Publ. cf. Fn 112 bis n° 17
41	Jesu corona virginum	-	Anonymous
Jesu corona virginum Anonymous Appears on: 41 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Jesu corona virginum
41v	Christe redemptor omnium . Tu lumen tu splendor (Christmas setting)	[G. DUFAY]	Du Fay, Guillaume (1397–1474)
Christe redemptor omnium . Tu lumen tu splendor (Christmas setting) Du Fay, Guillaume (1397–1474) Appears on: 41v Genres: Motet Source Attribution: [G. DUFAY] Voice: [no designation] Languages: Latin Voice Text: Christe redemptor omnium conserva General Note Publ. cf. Bc 15 n" 306 Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice.
42	Christe redemptor omnium ex patre	FRANCHINUS GAFFORUS	Gaffurius, Franchinus (1451–1522)
Christe redemptor omnium ex patre Gaffurius, Franchinus (1451–1522) Appears on: 42 Genres: Motet Source Attribution: FRANCHINUS GAFFORUS Voice: [no designation] Languages: Latin Voice Text: Christe redemptor omnium ex patre
42v–44	Magnificat 3 & 4 toni. Anima mea [K.747]	DUFAY	Du Fay, Guillaume (1397–1474)
Magnificat 3 & 4 toni. Anima mea [K.747] Du Fay, Guillaume (1397–1474) Appears on: 42v–44 Genres: BVM, Canticle, Magnificat Source Attribution: DUFAY Voice: [no designation] Languages: Latin Voice Text: [Magnificat] Anima mea General Note Tous les versets.Publ. cf. Md 2269 n° 14
44v	Hostis Herodes impie	FRANCHINUS GAFFORUS	Gaffurius, Franchinus (1451–1522)
Hostis Herodes impie Gaffurius, Franchinus (1451–1522) Appears on: 44v Genres: Motet Source Attribution: FRANCHINUS GAFFORUS Voice: [no designation] Languages: Latin Voice Text: Hostis Herodes impie Item Bibliography Pope, Isabel. 1964. The musical manuscript Montecassino N879 [sic; recte 871]. Anuário Musical, 123-53. Pages: Ms 871 Façs.
45	Ave maris stella	DAMIANUS	Havericq, Damien
Ave maris stella Havericq, Damien Appears on: 45 Genres: Ave maris stella, BVM, Motet Source Attribution: DAMIANUS Voice: [no designation] Languages: Latin Voice Text: Ave maris stella Item Bibliography Gerber, Rudolf. 1956. Die Hymnen der Handschrift Monte Cassino 871. Anuário Musical, 1-21.
45v–45	Ave maris stella	-	Anonymous
Ave maris stella Anonymous Appears on: 45v–45 Genres: Ave maris stella, BVM, Motet Voice: [no designation] Languages: Latin Voice Text: Ave maris stella
47	Sanctorum meritis.	-	Anonymous
Sanctorum meritis. Anonymous Appears on: 47 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Sanctorum meritis. General Note C t et B seul'
47v–48	Magnificat sexti toni: Et exultavit [K.336]	-	Anonymous
Magnificat sexti toni: Et exultavit [K.336] Anonymous Appears on: 47v–48 Genres: BVM, Canticle, Magnificat Voice: [no designation] Languages: Latin Voice Text: [Magnificat] Et exultavit General Note Versets pairs
48v	Magnificat sexti toni: Et exultavit [K.352]	-	Anonymous
Magnificat sexti toni: Et exultavit [K.352] Anonymous Appears on: 48v Genres: BVM, Canticle, Magnificat Voice: [no designation] Languages: Latin Voice Text: [Magnificat] Et exultavit General Note Sup. et T seul' Versets pairs
101	O rosa bella, o Deitatis cella (= O quam suavis est domina)	[J. DUNSTABLE ou J. BEDINGHAM*]	Bedingham, John (–ca. 1460) (?) Dunstaple, John (ca. 1390–1453) (?)
O rosa bella, o Deitatis cella (= O quam suavis est domina) Bedingham, John (–ca. 1460) (?) Dunstaple, John (ca. 1390–1453) (?) Appears on: 101 Genres: Motet Source Attribution: [J. DUNSTABLE ou J. BEDINGHAM] Voice:* [no designation] Languages: Latin Voice Text: O rosa bella. General Note Ct seul' Concordances P-Pm 714 Item Bibliography Pirrotta, Nino. 1972. Ricercare e variazioni su "O rosa bella". Studi Musicali,* 59-77. Kultzen, Brigitte. 1956. Der Codex Escorial IV.a.24: Übertragung, Katalog, Historische Einordnung einer Chansonsammlung aus der zweiten Hälfte des 15. Jahrhunderts. University of Hamburg, Unpublished Ph.D. dissertation. Lewis, Anthony (editor). 1951-. Musica Britannica: A National Collection of Music. London. Pages: VIII. Lederer, Victor. 1906. Über Heimat und Ursprung der mehrstimmigen Tonkunst. Leipzig. Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 14/15 (VII). Ambros, August Wilhelm. 1880-82. Geschichte der Musik. 2. Auflage. 5 vols. Leipzig. Pages: II.
101	Quanto più li ochi mei.	-	Anonymous
Quanto più li ochi mei. Anonymous Appears on: 101 Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: Quanto più li ochi mei. Item Bibliography Cardamone, Donna G. 1972. The canzone villanesca alla napolitana and related Italian vocal-part music from 1537-1570. Harvard University, Ph. D. Dissertation.
101v	Coq en l'orge di Margot = N'oes vous point le coc me vante	-	Anonymous
Coq en l'orge di Margot = N'oes vous point le coc me vante Anonymous Appears on: 101v Genres: Secular Voice: [no designation] Languages: French Voice Text: Quoque l'orge di Margot [ = Nous vous point le coc me vante] Concordances E-E IV.a.24 Item Bibliography Kultzen, Brigitte. 1956. Der Codex Escorial IV.a.24: Übertragung, Katalog, Historische Einordnung einer Chansonsammlung aus der zweiten Hälfte des 15. Jahrhunderts. University of Hamburg, Unpublished Ph.D. dissertation. Pages: II.
102	Non gusto del male estranio	CORNAGO	Cornago, Juan de
Non gusto del male estranio Cornago, Juan de Appears on: 102 Genres: Italian secular Source Attribution: CORNAGO Voice: [no designation] Languages: Italian Voice Text: Non gusto del male estranio Item Bibliography Haberkamp, Gertraut. 1968. Die weltliche Vokalmusik in Spanien um 1500. Der Cancionero musical de Colombina von Sevilla und außerspanische Handschriften. Münchner Veröffentlichungen zur Musikgeschichte. Tutzing.
102v	De tous biens plaine est ma maîtresse	[HAYNE VAN GHIZEGHEM]	Ghizeghem, Hayne van (ca. 1445–ca. 1497)
De tous biens plaine est ma maîtresse Ghizeghem, Hayne van (ca. 1445–ca. 1497) Appears on: 102v Genres: Chanson Source Attribution: [HAYNE VAN GHIZEGHEM] Voice: [no designation] Languages: French Voice Text: [De tous biens pleine] [= Cum defecerint ligna] General Note Publ. cf. Bc 16 n° 115 Concordances SA-Csa 12
102 bis	Puisque vos me Lasés seulete	-	Anonymous
Puisque vos me Lasés seulete Anonymous Appears on: 102 bis Genres: Chanson Voice: [no designation] Languages: French Voice Text: Puisque vos me Lasés seulete General Note T: Je ne vous amaré Marioneta . . . B: Marioneta je ne vous amaré
102 bis v–203 bis v	Celebris hic dies agitur = Le serviteur infortuné	-	Anonymous
Celebris hic dies agitur = Le serviteur infortuné Anonymous Appears on: 102 bis v–203 bis v Genres: Contrafactum Voice: [no designation] Languages: French Voice Text: Le serviteur infortuné [= Celebris his dies agitur] Concordances D-brd-Mbs 351a Item Bibliography Restori, Antonio. 1894. Un codice musicale pavese. Zeitschrift für Romanische Philologie, 381-401.
103	Le serviteur hault guerdonné assovy	DUFAY	Du Fay, Guillaume (1397–1474)
Le serviteur hault guerdonné assovy Du Fay, Guillaume (1397–1474) Appears on: 103 Genres: Chanson, Rondeau Source Attribution: DUFAY Voice: [no designation] Languages: French Voice Text: Le serviteur hault guerdoné General Note . [= I sol tuo vervitor][= Superno nunc emititur] Publ. cf. Fr 2794 n° 19 Concordances F-Pn 15123
103v–104	Mercé te chiamo o dolze anima mia	-	Anonymous
Mercé te chiamo o dolze anima mia Anonymous Appears on: 103v–104 Genres: Chanson, Frottola Voice: [no designation] Languages: Italian Voice Text: Merce ti chiamo o dolce anima mia General Note Publ. cf. Bu 2216 n' 39. Item Bibliography Besseler, Heinrich, and Peter Gülke. 1973. Musik des Mittelalters und der Renaissance. Lfg. 5. Schriftbild der mehrstimmigen Musik. Musikgeschichte in Bildern. Leipzig. Pages: III/5. Pope, Isabel. 1964. The musical manuscript Montecassino N879 [sic; recte 871]. Anuário Musical, 123-53. Pages: Ms 871 (facs).
104	Dell' arboro chanta tat de port	-	Anonymous
Dell' arboro chanta tat de port Anonymous Appears on: 104 Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: Dell' arboro chanta tat de port Item Bibliography Pope, Isabel. 1964. The musical manuscript Montecassino N879 [sic; recte 871]. Anuário Musical, 123-53. Pages: Ms 871 (facs).
104v–105	Lamentationes et oratio Ieremiae	-	Anonymous
Lamentationes et oratio Ieremiae Anonymous Appears on: 104v–105 Genres: Lamentations Voice: [no designation] Languages: Latin, Hebrew Voice Text: Lamentationes et oratio Ieremiae General Note (Ct)
105v–110	Lamentationes et oratio Jeremiae - 1a pars (of 5):	-	Anonymous
Lamentationes et oratio Jeremiae - 1a pars (of 5): Anonymous Appears on: 105v–110 Genres: Lamentations Voice: [no designation] Languages: Latin, Hebrew Voice Text: Lamentationes et oratio Ieremiae Item Bibliography Pope, Isabel. 1964. The musical manuscript Montecassino N879 [sic; recte 871]. Anuário Musical, 123-53. Pages: Ms 871 Facs.: ff. 105v-10.
105v–110	Lamentationes et oratio Jeremiae - 2a pars (of 5):	-	Anonymous
Lamentationes et oratio Jeremiae - 2a pars (of 5): Anonymous Appears on: 105v–110 Genres: Lamentations Voice: [no designation] Languages: Latin, Hebrew Voice Text: Lamentationes et oratio Ieremiae Item Bibliography Pope, Isabel. 1964. The musical manuscript Montecassino N879 [sic; recte 871]. Anuário Musical, 123-53. Pages: Ms 871 Facs.: ff. 105v-10.
105v–110	Lamentationes et oratio Jeremiae - 3a pars (of 5):	-	Anonymous
Lamentationes et oratio Jeremiae - 3a pars (of 5): Anonymous Appears on: 105v–110 Genres: Lamentations Voice: [no designation] Languages: Latin, Hebrew Voice Text: Lamentationes et oratio Ieremiae Item Bibliography Pope, Isabel. 1964. The musical manuscript Montecassino N879 [sic; recte 871]. Anuário Musical, 123-53. Pages: Ms 871 Facs.: ff. 105v-10.
105v–110	Lamentationes et oratio Jeremiae - 4a pars (of 5):	-	Anonymous
Lamentationes et oratio Jeremiae - 4a pars (of 5): Anonymous Appears on: 105v–110 Genres: Lamentations Voice: [no designation] Languages: Latin, Hebrew Voice Text: Lamentationes et oratio Ieremiae Item Bibliography Pope, Isabel. 1964. The musical manuscript Montecassino N879 [sic; recte 871]. Anuário Musical, 123-53. Pages: Ms 871 Facs.: ff. 105v-10.
105v–110	Lamentationes et oratio Jeremiae - 5a pars (of 5):	-	Anonymous
Lamentationes et oratio Jeremiae - 5a pars (of 5): Anonymous Appears on: 105v–110 Genres: Lamentations Voice: [no designation] Languages: Latin, Hebrew Voice Text: Lamentationes et oratio Ieremiae Item Bibliography Pope, Isabel. 1964. The musical manuscript Montecassino N879 [sic; recte 871]. Anuário Musical, 123-53. Pages: Ms 871 Facs.: ff. 105v-10.
105v–110	Lamentationes et oratio Ieremiae - 1a pars (of 4):	-	Anonymous
Lamentationes et oratio Ieremiae - 1a pars (of 4): Anonymous Appears on: 105v–110 Genres: Lamentations Voice: [no designation] Languages: Latin, Hebrew Voice Text: Lamentationes et oratio Ieremiae Item Bibliography Pope, Isabel. 1964. The musical manuscript Montecassino N879 [sic; recte 871]. Anuário Musical, 123-53. Pages: Ms 871 Facs.: ff. 105v-10.
105v–110	Lamentationes et oratio Ieremiae - 2a pars (of 4):	-	Anonymous
Lamentationes et oratio Ieremiae - 2a pars (of 4): Anonymous Appears on: 105v–110 Genres: Lamentations Voice: [no designation] Languages: Latin, Hebrew Voice Text: Lamentationes et oratio Ieremiae Item Bibliography Pope, Isabel. 1964. The musical manuscript Montecassino N879 [sic; recte 871]. Anuário Musical, 123-53. Pages: Ms 871 Facs.: ff. 105v-10.
105v–110	Lamentationes et oratio Ieremiae - 3a pars (of 4):	-	Anonymous
Lamentationes et oratio Ieremiae - 3a pars (of 4): Anonymous Appears on: 105v–110 Genres: Lamentations Voice: [no designation] Languages: Latin, Hebrew Voice Text: Lamentationes et oratio Ieremiae Item Bibliography Pope, Isabel. 1964. The musical manuscript Montecassino N879 [sic; recte 871]. Anuário Musical, 123-53. Pages: Ms 871 Facs.: ff. 105v-10.
105v–110	Lamentationes et oratio Ieremiae - 4a pars (of 4):	-	Anonymous
Lamentationes et oratio Ieremiae - 4a pars (of 4): Anonymous Appears on: 105v–110 Genres: Lamentations Voice: [no designation] Languages: Latin, Hebrew Voice Text: Lamentationes et oratio Ieremiae Item Bibliography Pope, Isabel. 1964. The musical manuscript Montecassino N879 [sic; recte 871]. Anuário Musical, 123-53. Pages: Ms 871 Facs.: ff. 105v-10.
105v–110	Lamentationes et oratio Jeremiae - 1a pars (of 4):	-	Anonymous
Lamentationes et oratio Jeremiae - 1a pars (of 4): Anonymous Appears on: 105v–110 Genres: Lamentations Voice: [no designation] Languages: Latin, Hebrew Voice Text: Lamentationes et oratio Ieremiae Item Bibliography Pope, Isabel. 1964. The musical manuscript Montecassino N879 [sic; recte 871]. Anuário Musical, 123-53. Pages: Ms 871 Facs.: ff. 105v-10.
105v–110	Lamentationes et oratio Jeremiae - 2a pars (of 4):	-	Anonymous
Lamentationes et oratio Jeremiae - 2a pars (of 4): Anonymous Appears on: 105v–110 Genres: Lamentations Voice: [no designation] Languages: Latin, Hebrew Voice Text: Lamentationes et oratio Ieremiae Item Bibliography Pope, Isabel. 1964. The musical manuscript Montecassino N879 [sic; recte 871]. Anuário Musical, 123-53. Pages: Ms 871 Facs.: ff. 105v-10.
105v–110	Lamentationes et oratio Jeremiae - 3a pars (of 4):	-	Anonymous
Lamentationes et oratio Jeremiae - 3a pars (of 4): Anonymous Appears on: 105v–110 Genres: Lamentations, Motet Voice: [no designation] Languages: Latin, Hebrew Voice Text: Lamentationes et oratio Ieremiae Item Bibliography Pope, Isabel. 1964. The musical manuscript Montecassino N879 [sic; recte 871]. Anuário Musical, 123-53. Pages: Ms 871 Facs.: ff. 105v-10.
105v–110	Lamentationes et oratio Jeremiae - 4a pars (of 4):	-	Anonymous
Lamentationes et oratio Jeremiae - 4a pars (of 4): Anonymous Appears on: 105v–110 Genres: Lamentations Voice: [no designation] Languages: Latin, Hebrew Voice Text: Lamentationes et oratio Ieremiae Item Bibliography Pope, Isabel. 1964. The musical manuscript Montecassino N879 [sic; recte 871]. Anuário Musical, 123-53.
110v–114	Oratio Jeremiae prohetae - 1a pars (of 6): Incipit oratio Jeremiae prophetae	-	Anonymous
Oratio Jeremiae prohetae - 1a pars (of 6): Incipit oratio Jeremiae prophetae Anonymous Appears on: 110v–114 Genres: Lamentations, Motet Voice: [no designation] Languages: Latin, Hebrew Voice Text: Incipit oració Hieremie
110v–114	Oratio Jeremiae prohetae - 2a pars (of 6): Recordare Domine	-	Anonymous
Oratio Jeremiae prohetae - 2a pars (of 6): Recordare Domine Anonymous Appears on: 110v–114 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Recordare domine
110v–114	Oratio Jeremiae prohetae - 3a pars (of 6): Hereditas nostra	-	Anonymous
Oratio Jeremiae prohetae - 3a pars (of 6): Hereditas nostra Anonymous Appears on: 110v–114 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Hereditas nostra
110v–114	Oratio Jeremiae prohetae - 4a pars (of 6): Servi dominati	-	Anonymous
Oratio Jeremiae prohetae - 4a pars (of 6): Servi dominati Anonymous Appears on: 110v–114 Genres: Motet Voice: [no designation] Languages: Italian Voice Text: Servi dominati
110v–114	Oratio Jeremiae prohetae - 5a pars (of 6): In manibus nostris	-	Anonymous
Oratio Jeremiae prohetae - 5a pars (of 6): In manibus nostris Anonymous Appears on: 110v–114 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: In manibus nostris
110v–114	Oratio Jeremiae prohetae - 6a pars (of 6): Pellis nostra	-	Anonymous
Oratio Jeremiae prohetae - 6a pars (of 6): Pellis nostra Anonymous Appears on: 110v–114 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Pellis nostra
114v	Fortune helas (= Gentil madona)	[J. BEDINGHAM)	Bedingham, John (–ca. 1460)
Fortune helas (= Gentil madona) Bedingham, John (–ca. 1460) Appears on: 114v Genres: Chanson, Contrafactum Source Attribution: [J. BEDINGHAM) Voice: [no designation] Languages: Italian Voice Text: Fortuna las. General Note [= Gentil madonna] Concordances D-brd-Mbs 3232 Item Bibliography Perkins, Leeman L. 1977. The Mellon Chansonnier.* New Haven. Kultzen, Brigitte. 1956. Der Codex Escorial IV.a.24: Übertragung, Katalog, Historische Einordnung einer Chansonsammlung aus der zweiten Hälfte des 15. Jahrhunderts. University of Hamburg, Unpublished Ph.D. dissertation.
115	Fortuna tort en vous est contrarie	-	Anonymous
Fortuna tort en vous est contrarie Anonymous Appears on: 115 Genres: Chanson Voice: [no designation] Languages: Italian Voice Text: Fortuna tort en vous est contrarie
115v	Que faray je mal fortuné	-	Anonymous
Que faray je mal fortuné Anonymous Appears on: 115v Genres: Chanson Voice: [no designation] Languages: French Voice Text: Que faray je mal fortuné General Note T: La vida de Colin
148–153v	S'il est ainsi - 1a pars (of 2): S'il est ainsi que plus je ne voye	[CARON]*	Caron, Firminus (ca. 1460–ca. 1475)
S'il est ainsi - 1a pars (of 2): S'il est ainsi que plus je ne voye Caron, Firminus (ca. 1460–ca. 1475) Appears on: 148–153v Genres: Chanson Source Attribution: [CARON]* Voice: [no designation] Languages: French Voice Text: S'il est ainsi que plus je ne Concordances US-NH Item Bibliography Perkins, Leeman L. 1977. The Mellon Chansonnier.* New Haven. Schuetze, George C, Jr. 1960-80. Collected works of Faugues, Transcription and introduction by G.C. Schuetze, jr. Collected works. Gesamtausgaben. New York. Pages: VI/2.
148–153v	S'il est ainsi - 2a pars (of 2): Helas je soloye obtenir	[CARON]*	Caron, Firminus (ca. 1460–ca. 1475)
S'il est ainsi - 2a pars (of 2): Helas je soloye obtenir Caron, Firminus (ca. 1460–ca. 1475) Appears on: 148–153v Genres: Chanson Source Attribution: [CARON]* Voice: [no designation] Languages: French Voice Text: 2a p.: [Helas je soloye obtenir] Concordances US-NH
148v	Gardés le trait della fenestre Belle gente amoreuse	-	Anonymous
Gardés le trait della fenestre Belle gente amoreuse Anonymous Appears on: 148v Genres: Chanson Voice: [no designation] Languages: French Voice Text: Gardés le trait della fenestre Belle gente amoreuse General Note Mq. début du Ct Publ. cf. Bc 16 n° 100
149	Resjois toy terre de France / Rex pacificus magnificatus	-	Busnoys, Antoine (ca. 1430–1492)
Resjois toy terre de France / Rex pacificus magnificatus Busnoys, Antoine (ca. 1430–1492) Appears on: 149 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Resjois toy terre de France General Note Ct: Rex pacificus magnificatus est; Author identified as 'Busnois' by Andrea Lindmayr-Brandl. Item Bibliography Gallagher, Sean. 2008. Caron and Florence: A New Ascription and the Copying of the Pixérécourt Chansonnier. "Recevez ce mien petit labeur": Studies in Renaissance Music in Honour of Ignace Bossuyt, edited by Sean Gallagher, 83-92. Leiden: Leuven University Press. Pages: 86.
149v	Brunette je vous ay amée lonc temps	-	Anonymous
Brunette je vous ay amée lonc temps Anonymous Appears on: 149v Genres: Chanson Voice: [no designation] Languages: French Voice Text: Brunette je vous ay amée lonc temps General Note T et Ct: Brunette au sorcil noir d'un joli vert vestus. Item Bibliography Gülke, Peter. 1961. Das Volkslied in der burgundischen Polyphonie des 15. Jahrhunderts. Festschrift Heinrich Besseler zum sechzigsten Geburtstag, Leipzig.
150	Je ne vis oncques la pareille de vous	[G. DUFAY ou G. BINCHOIS]	Binchois, Gilles (ca. 1400–1460) (?) Du Fay, Guillaume (1397–1474) (?)
Je ne vis oncques la pareille de vous Binchois, Gilles (ca. 1400–1460) (?) Du Fay, Guillaume (1397–1474) (?) Appears on: 150 Genres: Chanson Source Attribution: [G. DUFAY ou G. BINCHOIS] Voice: [no designation] Languages: French Voice Text: ] Je ne vis onques la parelle. General Note Publ. cf. Fn 176 n° 34 Concordances [= n°46]
150v–151	O tres pitéulx - 1a pars (of 2): O tres pitéulx de tout espoir fontayne [Lamentatio Sanctae Matris Ecclesiae Constantinopolitanae]	DUFFAY	Du Fay, Guillaume (1397–1474)
O tres pitéulx - 1a pars (of 2): O tres pitéulx de tout espoir fontayne [Lamentatio Sanctae Matris Ecclesiae Constantinopolitanae] Du Fay, Guillaume (1397–1474) Appears on: 150v–151 Genres: Chanson Source Attribution: DUFFAY Voice: [no designation] Languages: French Voice Text: [O] Tre pitéus de tut spoir fontayne General Note Publ. cf. Fr 2794 n- 30Cb des 2 parties: Omnes amici ejus spreverunt.
150v–151	O tres pitéulx - 2a pars (of 2): Dont suis de bien et de joye séparée	DUFFAY	Du Fay, Guillaume (1397–1474)
O tres pitéulx - 2a pars (of 2): Dont suis de bien et de joye séparée Du Fay, Guillaume (1397–1474) Appears on: 150v–151 Genres: Chanson Source Attribution: DUFFAY Voice: [no designation] Languages: French Voice Text: 2a p.: Dont suis de bien General Note Publ. cf. Fr 2794 n- 30Cb des 2 parties: Omnes amici ejus spreverunt.
151v	Qu'es mi vida Preguntays non vos la quiero negar	CORNAGO	Cornago, Juan de
Qu'es mi vida Preguntays non vos la quiero negar Cornago, Juan de Appears on: 151v Genres: Canción Source Attribution: CORNAGO Voice: [no designation] Languages: Latin Voice Text: [Qu'es mi vida] Preguntays non vos la quiero negar Concordances p. 380 [= n' 10 à4vx.] Item Bibliography Haberkamp, Gertraut. 1968. Die weltliche Vokalmusik in Spanien um 1500. Der Cancionero musical de Colombina von Sevilla und außerspanische Handschriften. Münchner Veröffentlichungen zur Musikgeschichte. Tutzing. Pope, Isabel. 1958-61. The Secular Compositions of Johannes Cornago. Miscelânea en Homenaje a Monsenor Higinio Angles, 689-706. Barcelona.
152	Donzella non est = me colpeis si fago mudanza	-	Anonymous
Donzella non est = me colpeis si fago mudanza Anonymous Appears on: 152 Genres: Chanson Voice: [no designation] Languages: Italian Voice Text: Donzella non est [sic pour me] colpeis si fago mudanza General Note [= Senora non me culpeys] Concordances E-Sc 28 Item Bibliography Haberkamp, Gertraut. 1968. Die weltliche Vokalmusik in Spanien um 1500. Der Cancionero musical de Colombina von Sevilla und außerspanische Handschriften. Münchner Veröffentlichungen zur Musikgeschichte. Tutzing. Anglès, Higinio (editor). 1941-1971. Monumentos de la Mùsica Espanola. Madrid (later Barcelona, later Rome). Pages: 33.
152v–153	Amours amours trop me fiers de tes dars	[HAYNE]	Ghizeghem, Hayne van (ca. 1445–ca. 1497)
Amours amours trop me fiers de tes dars Ghizeghem, Hayne van (ca. 1445–ca. 1497) Appears on: 152v–153 Genres: Chanson Source Attribution: [HAYNE] Voice: [no designation] Languages: Latin Voice Text: Miserere nostri domine/Vexilla regis General Note Publ. cf. Bc 16 n° 20[Paroles au bas du ff. 152v] Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice.
157v–158	Miserere nostri Domine / Vexilla regis - 1a pars (of 3):	-	Anonymous
Miserere nostri Domine / Vexilla regis - 1a pars (of 3): Anonymous Appears on: 157v–158 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Miserere nostri domine/Vexilla regis
157v–158	Miserere nostri Domine / Vexilla regis - 3a pars (of 3):	-	Anonymous
Miserere nostri Domine / Vexilla regis - 3a pars (of 3): Anonymous Appears on: 157v–158 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Miserere nostri domine/Vexilla regis
157v–158	Miserere nostri Domine / Vexilla regis - 2a pars (of 3):	-	Anonymous
Miserere nostri Domine / Vexilla regis - 2a pars (of 3): Anonymous Appears on: 157v–158 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Miserere nostri domine/Vexilla regis
158v–159	Mort tu as navré de tont dart le père de / Miserere	OQUEGAN	Ockeghem, Jean de (ca. 1410–1497)
Mort tu as navré de tont dart le père de / Miserere Ockeghem, Jean de (ca. 1410–1497) Appears on: 158v–159 Genres: Chanson Source Attribution: OQUEGAN Voice: [no designation] Languages: French Voice Text: Mort tu as navré de tont dart le père de General Note A la fin du Cb: Pie Jhesu domine dona ei pacem Item Bibliography Marrocco, W. Thomas, and Nicholas Sandon (editors). 1977. Medieval Music. London.
159v	De vous regarder seulement	-	Anonymous
De vous regarder seulement Anonymous Appears on: 159v Genres: Chanson Voice: [no designation] Languages: French Voice Text: De vos regarder seulment
160	Je vous prie mon tres douce amie / Tant que mon argent dura / Ma tres douce amie	[G. DUFAY ]	Du Fay, Guillaume (1397–1474)
Je vous prie mon tres douce amie / Tant que mon argent dura / Ma tres douce amie Du Fay, Guillaume (1397–1474) Appears on: 160 Genres: Chanson Source Attribution: [G. DUFAY ] Voice: [no designation] Languages: French Voice Text: Je vos pri mon tres. [doulx ami] General Note Publ. cf. Fn 107 bis n» 16
160v	Petite camusette à la mort m'avez mis / S'elle m'aimera	[J. OCKEGHEM]	Ockeghem, Jean de (ca. 1410–1497)
Petite camusette à la mort m'avez mis / S'elle m'aimera Ockeghem, Jean de (ca. 1410–1497) Appears on: 160v Genres: Motet Source Attribution: [J. OCKEGHEM] Voice: [no designation] Languages: French Voice Text: Petite camusette. General Note [= S'elle m'amerà je ne scay]Publ. cf. Fc 2439 n" 30 Concordances F-Pn 57
161–161v	Viva viva rey Ferrando - 1a pars (of 2): Viva viva rey Ferrando	-	Anonymous
Viva viva rey Ferrando - 1a pars (of 2): Viva viva rey Ferrando Anonymous Appears on: 161–161v Genres: Song Voice: [no designation] Languages: Italian Voice Text: Viva viva rey Ferrando Item Bibliography Pope, Isabel, and Masakata Kanazawa (editors). 1978. The Musical Manuscript Montecassino 871: A Neapolitan Repertory of Sacred and Secular Musk of the Late Fifteenth Century. Oxford. Pages: Ms 871 (facs). Reidemeister, Peter. 1973. Die Chanson-Handschrift 78 C 28 des Berliner Kupferstichkabinetts: Studien zur Form der Chanson im 15. Jahrhundert. Berliner Musikwissenschaftliche Arbeiten. Munich. Haberkamp, Gertraut. 1968. Die weltliche Vokalmusik in Spanien um 1500. Der Cancionero musical de Colombina von Sevilla und außerspanische Handschriften. Münchner Veröffentlichungen zur Musikgeschichte. Tutzing.
161–161v	Viva viva rey Ferrando - 2a pars (of 2): Vagan todas luminaria	-	Anonymous
Viva viva rey Ferrando - 2a pars (of 2): Vagan todas luminaria Anonymous Appears on: 161–161v Genres: Song Voice: [no designation] Languages: Italian Voice Text: 2a p.: Vagan todas luminaria Item Bibliography Pope, Isabel, and Masakata Kanazawa (editors). 1978. The Musical Manuscript Montecassino 871: A Neapolitan Repertory of Sacred and Secular Musk of the Late Fifteenth Century. Oxford. Pages: Ms 871 (facs). Reidemeister, Peter. 1973. Die Chanson-Handschrift 78 C 28 des Berliner Kupferstichkabinetts: Studien zur Form der Chanson im 15. Jahrhundert. Berliner Musikwissenschaftliche Arbeiten. Munich. Haberkamp, Gertraut. 1968. Die weltliche Vokalmusik in Spanien um 1500. Der Cancionero musical de Colombina von Sevilla und außerspanische Handschriften. Münchner Veröffentlichungen zur Musikgeschichte. Tutzing.
132	[untexted]	-	-
[untexted] - Appears on: 132 Voice: [no designation] Languages: none Voice Text: without text General Note Mq. T et début du Sup.
132v–133	Ung lanceman a tout.	-	Anonymous
Ung lanceman a tout. Anonymous Appears on: 132v–133 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Ung lanceman a tout. General Note [Paroles au basdu f. 132v] Item Bibliography Pope, Isabel, and Masakata Kanazawa (editors). 1978. The Musical Manuscript Montecassino 871: A Neapolitan Repertory of Sacred and Secular Musk of the Late Fifteenth Century. Oxford. Pages: Ms 871 (facs).
133v–134	Dedos la mer	-	Anonymous
Dedos la mer Anonymous Appears on: 133v–134 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Dedos la mer General Note [Paroles au bas du f.133v]Publ. cf. Fc 176 n° 45
134v–135	Ave regina caelorum	LOYSET COMPÈRE	Compère, Loyset (ca. 1445–1518)
Ave regina caelorum Compère, Loyset (ca. 1445–1518) Appears on: 134v–135 Genres: Motet Source Attribution: LOYSET COMPÈRE Voice: [no designation] Languages: Latin Voice Text: Ave regina caelorum General Note [Paroles au bas du f.134v]Publ. cf. Bc 17 n° 12
135v–136	Ave regina caelorum	-	Anonymous
Ave regina caelorum Anonymous Appears on: 135v–136 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Ave regina caelorum
136v–137	Non sia gia mai	[DUX BURGENSIS]	Burgensis, Dux
Non sia gia mai Burgensis, Dux Appears on: 136v–137 Genres: Italian secular Source Attribution: [DUX BURGENSIS] Voice: [no designation] Languages: Italian Voice Text: Non sia gya may General Note [= Madame trop vous mesprenés][= Si fault] [= Or est mon bien]Publ. cf. Bc 16 n° 35 Concordances F-Pn 15123
137v	Puisque je vis le regard gratieux	-	Anonymous
Puisque je vis le regard gratieux Anonymous Appears on: 137v Genres: Chanson Voice: [no designation] Languages: French Voice Text: Puisque je vis General Note [Paroles au bas du f. 137v]Publ. cf. Fn 176 n° 40
138	Jerusalem luge - 5a pars (of 8): Cum autem venissem ad locum	-	Quadris, Johannes de
Jerusalem luge - 5a pars (of 8): Cum autem venissem ad locum Quadris, Johannes de Appears on: 138 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Cum autem venissem ad locum General Note DiedeA, 412-413 (Fn 27), 414-415 (Csa), 416-417 (Pr), 418-420 (Mont), 412-413 (Jepp)
138v–139	Jerusalem luge - 5a pars (of 8): Cum autem venissem ad locum	-	Quadris, Johannes de
Jerusalem luge - 5a pars (of 8): Cum autem venissem ad locum Quadris, Johannes de Appears on: 138v–139 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Cum autem venissem ad locum General Note DiedeA, 412-413 (Fn 27), 414-415 (Csa), 416-417 (Pr), 418-420 (Mont), 412-413 (Jepp) Item Bibliography Pope, Isabel, and Masakata Kanazawa (editors). 1978. The Musical Manuscript Montecassino 871: A Neapolitan Repertory of Sacred and Secular Musk of the Late Fifteenth Century. Oxford. Pages: Ms 871 (facs).
139v–140	Ave verum corpus natum de Maria virgine	-	Anonymous
Ave verum corpus natum de Maria virgine Anonymous Appears on: 139v–140 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Ave verum corpus natum
140v–141	De mes douleurs	-	Anonymous
De mes douleurs Anonymous Appears on: 140v–141 Genres: Chanson Voice: [no designation] Languages: French Voice Text: De mes dolors General Note [Paroles au bas du f. 140v]
141v–142	Sepulchrum signantes	[J. MOLINET]	Molinet, Jehan
Sepulchrum signantes Molinet, Jehan Appears on: 141v–142 Genres: Motet Source Attribution: [J. MOLINET] Voice: [no designation] Languages: Latin Voice Text: Sepulchrum signantes General Note Mq.début du CtPubl. cf. Fn 178 n° 46
143	Sepulchrum signantes	-	Anonymous
Sepulchrum signantes Anonymous Appears on: 143 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Sepulchrum signantes
143v	Quanto mi dolse sta crudel partita	-	Anonymous
Quanto mi dolse sta crudel partita Anonymous Appears on: 143v Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: Quanto mi dolse sta crudel partita
143v	Quanto mi dolse la nigra partita	-	Anonymous
Quanto mi dolse la nigra partita Anonymous Appears on: 143v Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: Quanto mi dolse la nigra partita
144	Dindiridin ridin rindayna dindirron. Me levay un to matin	-	Anonymous
Dindiridin ridin rindayna dindirron. Me levay un to matin Anonymous Appears on: 144 Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: Dindiridin ridin rindayna dindirron. Me levay un to matin Item Bibliography Haberkamp, Gertraut. 1968. Die weltliche Vokalmusik in Spanien um 1500. Der Cancionero musical de Colombina von Sevilla und außerspanische Handschriften. Münchner Veröffentlichungen zur Musikgeschichte. Tutzing. Ghisi, Federico. 1948. Canzoni profane italiane del secondo Quat trocento in un codice musicale di Montecassino. Revue Belge de Musicologie, 8ff.
144v	Amor quando fat'io che me dai guerra	-	Anonymous
Amor quando fat'io che me dai guerra Anonymous Appears on: 144v Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: Amor quanto fath'io che me day guerra
144v–144 bis	Cor mio volonturiuso	-	Anonymous
Cor mio volonturiuso Anonymous Appears on: 144v–144 bis Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: Cor mio volonturiuso
144 bis	Vedo che fortuna me contrasta	-	Anonymous
Vedo che fortuna me contrasta Anonymous Appears on: 144 bis Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: Vedo che fortuna me contrasta Item Bibliography Hernon, Michael A. 1972. Perugia MS 431 (G20): A Study of the Secular Italian Pieces. George Peabody College for Teachers, Unpublished Ph.D. dissertation.
144 bis v–145	Chiave chiave	-	Anonymous
Chiave chiave Anonymous Appears on: 144 bis v–145 Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: Chiave chiave Item Bibliography Ghisi, Federico. 1948. Canzoni profane italiane del secondo Quat trocento in un codice musicale di Montecassino. Revue Belge de Musicologie, 8ff.
145	O tempo bono e chi me t'a levato	-	Anonymous
O tempo bono e chi me t'a levato Anonymous Appears on: 145 Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: O tempo bono e chi me t'a levato Item Bibliography Cardamone, Donna G. 1972. The canzone villanesca alla napolitana and related Italian vocal-part music from 1537-1570. Harvard University, Ph. D. Dissertation. Pope, Isabel. 1954. La musique espagnole à la cour de Naples dans la seconde moitié du XVIe siècle. 35. Paris.
145v–146	Alle stamegne donne alle bone stamegne	-	Anonymous
Alle stamegne donne alle bone stamegne Anonymous Appears on: 145v–146 Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: Alle stamegne donne alle bone stamegne Item Bibliography Ghisi, Federico. 1948. Canzoni profane italiane del secondo Quat trocento in un codice musicale di Montecassino. Revue Belge de Musicologie, 8ff.
146v–147	Alta regina fonte di ogni amor	-	Anonymous
Alta regina fonte di ogni amor Anonymous Appears on: 146v–147 Genres: Motet Voice: [no designation] Languages: Italian Voice Text: Alta regina fonte di ogni amor
147v	Mon fort souspirs	-	Anonymous
Mon fort souspirs Anonymous Appears on: 147v Genres: Chanson Voice: [no designation] Languages: French Voice Text: Mon fort souspirs. General Note [Paroles au bas du f. 147v]
148	Christus factus est - 1a pars (of 2): Christus factus est	-	Anonymous
Christus factus est - 1a pars (of 2): Christus factus est Anonymous Appears on: 148 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Christus factus est
148	Christus factus est - 2a pars (of 2):	-	Anonymous
Christus factus est - 2a pars (of 2): Anonymous Appears on: 148 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Christus factus est General Note T et Ct: E Rubinet.
148v	Christus factus est	DAMIANUS	Havericq, Damien
Christus factus est Havericq, Damien Appears on: 148v Genres: Motet Source Attribution: DAMIANUS Voice: [no designation] Languages: Latin Voice Text: Christus factus est General Note … Sup. et T seul'
149	Missa SIne nomine: Sanctus (Pleni sunt duo)	-	Vincenet, Johannes (–ca. 1480)
Missa SIne nomine: Sanctus (Pleni sunt duo) Vincenet, Johannes (–ca. 1480) Appears on: 149 Genres: Mass Ordinary, Sanctus [& Benedictus] Voice: [no designation] Languages: Latin Voice Text: Duo.[Sanctus] Pleni sunt General Note T seul'
149v	Serà nel core mio doglia et tormento	-	Anonymous
Serà nel core mio doglia et tormento Anonymous Appears on: 149v Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: Sera nel cor mio. [doglia et tormento] General Note Publ. cf. Bc 16 n" 108
150	Correndo multi cani ad una casa	-	Anonymous
Correndo multi cani ad una casa Anonymous Appears on: 150 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Correndo multi cani ad una caça Item Bibliography Ghisi, Federico. 1948. Canzoni profane italiane del secondo Quat trocento in un codice musicale di Montecassino. Revue Belge de Musicologie, 8ff. Ghisi, Federico. 1942. Bruchstücke einer neuen Musikhandschrift der italienischen Ars Nova und zwei unveröffentlichte Caccien der zweiten Hälfte des 15. Jahrhunderts. Archiv für Musikforschung, 17ff.
150v	Io vegio la mia vita ia finire	-	Anonymous
Io vegio la mia vita ia finire Anonymous Appears on: 150v Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: Io vegio la mia vita ia finire. Voice: [no designation] Languages: Italian Voice Text: Io vegio la mia vita ia finire. Voice: [no designation] Languages: Italian Voice Text: Io vegio la mia vita ia finire.

Composer	Compositions
Anonymous	A Florence la joeuse cite / Helas la fille / En ma chambre – 3v Ad caenam agni providi Cuius corpus sanctissimum – 27v Adoramus te Domine – 2v Alle stamegne donne alle bone stamegne – 145v–146 Alleluia – 32v Alta regina fonte di ogni amor – 146v–147 Amor quando fat'io che me dai guerra – 144v Amor tu non me gabaste - 1a pars (of 2): Amor tu non me gabaste – 13v–14 Amor tu non me gabaste - 2a pars (of 2): Io averia voluntate – 13v–14 Aurora lucis Tristes erant apostoli – 28 Ave maris stella – 36 Ave maris stella – 45v–45 Ave regina caelorum – 135v–136 Ave verum corpus natum de Maria virgine – 139v–140 Beatus vir qui timet Dominum. In mandatis eius – 20v–22 Benedicamus Domino – 34v–35 Brunette je vous ay amée lonc temps – 149v Celebris hic dies agitur = Le serviteur infortuné – 102 bis v–203 bis v Chiave chiave – 144 bis v–145 Christe redemptor omnium conserva – 24 Christe redemptor omnium ex patre – 31v Christus factus est - 1a pars (of 2): Christus factus est – 148 Christus factus est - 2a pars (of 2): – 148 Conditor alme siderum – 23v–24 Confìtebor tibi Domine. In consilio justorum – 18v–20 Coq en l'orge di Margot = N'oes vous point le coc me vante – 101v Cor mio volonturiuso – 144v–144 bis Correndo multi cani ad una casa – 150 De mes douleurs – 140v–141 De vous regarder seulement – 159v Dedos la mer – 133v–134 Dell' arboro chanta tat de port – 104 Deus tuorum militum – 39v Dindiridin ridin rindayna dindirron. Me levay un to matin – 144 Dixit Dominus Domino meo – 33 Dixit Dominus Domino meo – 33v–34 Dixit Dominus Domino meo Sede a dextris meis – 17v–19 Dolce speranza del cor mio – 14v Donzella non est = me colpeis si fago mudanza – 152 Exultet caelum laudibus – 38 Exultet caelum laudibus vos saecli justi judices – 38v Fortuna tort en vous est contrarie – 115 Gardés le trait della fenestre Belle gente amoreuse – 148v Hostis Herodes impie – 25v Hymnum canamus gloriae – 28v In exitu Israel de Aegypto domus Jacob – 3v–4 In mandatis eius cupit – 33v–34 Io vegio la mia vita ia finire – 150v Jesu corona virginum – 41 Jesu nostra redemptio – 29 La vida de Culin no dura pas tot iors – 13 Lamentationes et oratio Ieremiae – 104v–105 Lamentationes et oratio Ieremiae - 1a pars (of 4): – 105v–110 Lamentationes et oratio Ieremiae - 2a pars (of 4): – 105v–110 Lamentationes et oratio Ieremiae - 3a pars (of 4): – 105v–110 Lamentationes et oratio Ieremiae - 4a pars (of 4): – 105v–110 Lamentationes et oratio Jeremiae - 1a pars (of 4): – 105v–110 Lamentationes et oratio Jeremiae - 1a pars (of 5): – 105v–110 Lamentationes et oratio Jeremiae - 2a pars (of 4): – 105v–110 Lamentationes et oratio Jeremiae - 2a pars (of 5): – 105v–110 Lamentationes et oratio Jeremiae - 3a pars (of 4): – 105v–110 Lamentationes et oratio Jeremiae - 3a pars (of 5): – 105v–110 Lamentationes et oratio Jeremiae - 4a pars (of 4): – 105v–110 Lamentationes et oratio Jeremiae - 4a pars (of 5): – 105v–110 Lamentationes et oratio Jeremiae - 5a pars (of 5): – 105v–110 Laudate Dominum omnes gentes, laudate eum – 23v–24 Laudate pueri Dominum Laudate nomen Domini – 21v–23 Lucis creator optime – 34v–35 Magnificat sexti toni: Et exultavit [K.336] – 47v–48 Magnificat sexti toni: Et exultavit [K.352] – 48v Mercé te chiamo o dolze anima mia – 103v–104 Miserere mei Domine – 34v–35 Miserere nostri Domine / Vexilla regis - 1a pars (of 3): – 157v–158 Miserere nostri Domine / Vexilla regis - 2a pars (of 3): – 157v–158 Miserere nostri Domine / Vexilla regis - 3a pars (of 3): – 157v–158 Mon fort souspirs – 147v O pellegrina o luce chiera stella – 7v–8 O salutaris hostia – 4v O tempo bono e chi me t'a levato – 145 Oratio Jeremiae prohetae - 1a pars (of 6): Incipit oratio Jeremiae prophetae – 110v–114 Oratio Jeremiae prohetae - 2a pars (of 6): Recordare Domine – 110v–114 Oratio Jeremiae prohetae - 3a pars (of 6): Hereditas nostra – 110v–114 Oratio Jeremiae prohetae - 4a pars (of 6): Servi dominati – 110v–114 Oratio Jeremiae prohetae - 5a pars (of 6): In manibus nostris – 110v–114 Oratio Jeremiae prohetae - 6a pars (of 6): Pellis nostra – 110v–114 Pange lingua gloriosi corporis misterium – 30v Pange lingua gloriosi corporis misterium – 31 Patres nostri peccaverunt – 1v–2 Per poco tempo ch'io so stato fora trovo che amore – 7 Piangendo chiamo surda et crudele morte – 14 Puis fortuna m'avis en tal partit – 6v–7 Puisque je vis le regard gratieux – 137v Puisque vos me Lasés seulete – 102 bis Quanto mi dolse la nigra partita – 143v Quanto mi dolse sta crudel partita – 143v Quanto più li ochi mei. – 101 Que faray je mal fortuné – 115v Sanctorum meritis. – 47 Sepulchrum signantes – 143 Serà nel core mio doglia et tormento – 149v Sit nomen Domini benedictum – 33v–34 Tanto ha ch'io t'o contato li mei guai – 7v Te lucis ante terminum – 35v Tibi Christe splendor Patris / Collaudamus venerantes omnes caeli – 36v Ung lanceman a tout. – 132v–133 Ut queant laxis resonare fibris – 37 Vedo che fortuna me contrasta – 144 bis Viva viva rey Ferrando - 1a pars (of 2): Viva viva rey Ferrando – 161–161v Viva viva rey Ferrando - 2a pars (of 2): Vagan todas luminaria – 161–161v Voca la galiera – 11 Zappay lo campo – 11v [untexted] – 132
Bedingham, John (–ca. 1460)	Fortune helas (= Gentil madona) – 114v (?) O rosa bella, o Deitatis cella (= O quam suavis est domina) – 101 (?) Soyez (Suis) aprentis en amours [= So ys emprentid] – 8v–9 (?) Suis aprentis en amours - 2a pars (of 2): Vos qui voles – 8v–9
Binchois, Gilles (ca. 1400–1460)	(?) Je ne vis oncques la pareille de vous – 29v (?) Je ne vis oncques la pareille de vous – 150
Burgensis, Dux	Non sia gia mai – 136v–137
Busnoys, Antoine (ca. 1430–1492)	Resjois toy terre de France / Rex pacificus magnificatus – 149
Caron, Firminus (ca. 1460–ca. 1475)	S'il est ainsi - 1a pars (of 2): S'il est ainsi que plus je ne voye – 148–153v S'il est ainsi - 2a pars (of 2): Helas je soloye obtenir – 148–153v
Compère, Loyset (ca. 1445–1518)	Ave regina caelorum – 134v–135
Cornago, Juan de	Donde stas - 1a pars (of 2): Donde stas que non te veo – 9v–10 Donde stas - 2a pars (of 2): Mos tal es tu fermosura – 9v–10 Ex ore tuo = Yerra con poco saber – 11v–12 Moro perche non dai fede – 15 Morte mercé - 1a pars (of 2): Morte mercé gentile aquil'altera – 16 Morte mercé - 2a pars (of 2): Amor con l'arco tesso – 16 Non gusto del male estranio – 102 Patres nostri peccaverunt – 1v–2 Qu'es mi vida Preguntays non vos la quiero negar – 151v (?) Qu'es mi vida preguntays – 5v–6 Segun las penas me days – 15v–16
Du Fay, Guillaume (1397–1474)	Adieu m'amour, adieu ma joie – 3 Audi benigne conditor Scrutator alme cordium – 26v (?) Aures ad nostras (Respice clemens) – 26 Belle veuilliés moi retenir – 4v–5 Christe redemptor omnium . Tu lumen tu splendor (Christmas setting) – 41v Christe redemptor omnium/conserva (v/24b) – 25 (?) Départes vous male bouche. – 12v (?) Je ne vis oncques la pareille de vous – 29v (?) Je ne vis oncques la pareille de vous – 150 Je vous prie mon tres douce amie / Tant que mon argent dura / Ma tres douce amie – 160 Le serviteur hault guerdonné assovy – 103 Magnificat 3 & 4 toni. Anima mea [K.747] – 42v–44 O lux beata – 32 O tres pitéulx - 1a pars (of 2): O tres pitéulx de tout espoir fontayne [Lamentatio Sanctae Matris Ecclesiae Constantinopolitanae] – 150v–151 O tres pitéulx - 2a pars (of 2): Dont suis de bien et de joye séparée – 150v–151 Par le regard de vos beaux yeux – 10v Veni creator spiritus – 30 Vexilla regis prodeunt – 27
Dunstaple, John (ca. 1390–1453)	(?) O rosa bella, o Deitatis cella (= O quam suavis est domina) – 101
Frye, Walter (–ca. 1475)	(?) Soyez (Suis) aprentis en amours [= So ys emprentid] – 8v–9 (?) Suis aprentis en amours - 2a pars (of 2): Vos qui voles – 8v–9
Gaffurius, Franchinus (1451–1522)	Christe redemptor omnium ex patre – 42 Hostis Herodes impie – 44v
Ghizeghem, Hayne van (ca. 1445–ca. 1497)	Amours amours trop me fiers de tes dars – 152v–153 De tous biens plaine est ma maîtresse – 102v
Havericq, Damien	Ave maris stella – 45 Christus factus est – 148v
Janue, Antonius	Iste confessor Domini sacratus – 40v
Molinet, Jehan	Sepulchrum signantes – 141v–142
Ockeghem, Jean de (ca. 1410–1497)	(?) Départes vous male bouche. – 12v Mort tu as navré de tont dart le père de / Miserere – 158v–159 Petite camusette à la mort m'avez mis / S'elle m'aimera – 160v (?) Qu'es mi vida preguntays – 5v–6
Oriola, Pietro	In exitu Israel de Aegypto domus Jacob – 4 Psalms – 17
Picardus, Anthonius	Phebus astris cum omnibus – 37v
Quadris, Johannes de	Iste confessor Domini sacratus – 40 Jerusalem luge - 5a pars (of 8): Cum autem venissem ad locum – 138 Jerusalem luge - 5a pars (of 8): Cum autem venissem ad locum – 138v–139
Stahel, Johann	Fidelia omnia mandata – 33v–34
Vincenet, Johannes (–ca. 1480)	Missa SIne nomine: Sanctus (Pleni sunt duo) – 149
Ycart, Bernhard	O princeps Pilate – 1

Composition	Composers (? Uncertain)	Folios / Pages
[untexted]	-	132
A Florence la joeuse cite / Helas la fille / En ma chambre	Anonymous	3v
Ad caenam agni providi Cuius corpus sanctissimum	Anonymous	27v
Adieu m'amour, adieu ma joie	Du Fay, Guillaume (1397–1474)	3
Adoramus te Domine	Anonymous	2v
Alle stamegne donne alle bone stamegne	Anonymous	145v–146
Alleluia	Anonymous	32v
Alta regina fonte di ogni amor	Anonymous	146v–147
Amor quando fat'io che me dai guerra	Anonymous	144v
Amor tu non me gabaste - 1a pars (of 2): Amor tu non me gabaste	Anonymous	13v–14
Amor tu non me gabaste - 2a pars (of 2): Io averia voluntate	Anonymous	13v–14
Amours amours trop me fiers de tes dars	Ghizeghem, Hayne van (ca. 1445–ca. 1497)	152v–153
Audi benigne conditor Scrutator alme cordium	Du Fay, Guillaume (1397–1474)	26v
Aures ad nostras (Respice clemens)	Du Fay, Guillaume (1397–1474) (?)	26
Aurora lucis Tristes erant apostoli	Anonymous	28
Ave maris stella	Anonymous	36
Ave maris stella	Havericq, Damien	45
Ave maris stella	Anonymous	45v–45
Ave regina caelorum	Compère, Loyset (ca. 1445–1518)	134v–135
Ave regina caelorum	Anonymous	135v–136
Ave verum corpus natum de Maria virgine	Anonymous	139v–140
Beatus vir qui timet Dominum. In mandatis eius	Anonymous	20v–22
Belle veuilliés moi retenir	Du Fay, Guillaume (1397–1474)	4v–5
Benedicamus Domino	Anonymous	34v–35
Brunette je vous ay amée lonc temps	Anonymous	149v
Celebris hic dies agitur = Le serviteur infortuné	Anonymous	102 bis v–203 bis v
Chiave chiave	Anonymous	144 bis v–145
Christe redemptor omnium . Tu lumen tu splendor (Christmas setting)	Du Fay, Guillaume (1397–1474)	41v
Christe redemptor omnium conserva	Anonymous	24
Christe redemptor omnium ex patre	Anonymous	31v
Christe redemptor omnium ex patre	Gaffurius, Franchinus (1451–1522)	42
Christe redemptor omnium/conserva (v/24b)	Du Fay, Guillaume (1397–1474)	25
Christus factus est	Havericq, Damien	148v
Christus factus est - 1a pars (of 2): Christus factus est	Anonymous	148
Christus factus est - 2a pars (of 2):	Anonymous	148
Conditor alme siderum	Anonymous	23v–24
Confìtebor tibi Domine. In consilio justorum	Anonymous	18v–20
Coq en l'orge di Margot = N'oes vous point le coc me vante	Anonymous	101v
Cor mio volonturiuso	Anonymous	144v–144 bis
Correndo multi cani ad una casa	Anonymous	150
De mes douleurs	Anonymous	140v–141
De tous biens plaine est ma maîtresse	Ghizeghem, Hayne van (ca. 1445–ca. 1497)	102v
De vous regarder seulement	Anonymous	159v
Dedos la mer	Anonymous	133v–134
Dell' arboro chanta tat de port	Anonymous	104
Deus tuorum militum	Anonymous	39v
Dindiridin ridin rindayna dindirron. Me levay un to matin	Anonymous	144
Dixit Dominus Domino meo	Anonymous	33
Dixit Dominus Domino meo	Anonymous	33v–34
Dixit Dominus Domino meo Sede a dextris meis	Anonymous	17v–19
Dolce speranza del cor mio	Anonymous	14v
Donde stas - 1a pars (of 2): Donde stas que non te veo	Cornago, Juan de	9v–10
Donde stas - 2a pars (of 2): Mos tal es tu fermosura	Cornago, Juan de	9v–10
Donzella non est = me colpeis si fago mudanza	Anonymous	152
Départes vous male bouche.	Ockeghem, Jean de (ca. 1410–1497) (?) Du Fay, Guillaume (1397–1474) (?)	12v
Ex ore tuo = Yerra con poco saber	Cornago, Juan de	11v–12
Exultet caelum laudibus	Anonymous	38
Exultet caelum laudibus vos saecli justi judices	Anonymous	38v
Fidelia omnia mandata	Stahel, Johann	33v–34
Fortuna tort en vous est contrarie	Anonymous	115
Fortune helas (= Gentil madona)	Bedingham, John (–ca. 1460)	114v
Gardés le trait della fenestre Belle gente amoreuse	Anonymous	148v
Hostis Herodes impie	Anonymous	25v
Hostis Herodes impie	Gaffurius, Franchinus (1451–1522)	44v
Hymnum canamus gloriae	Anonymous	28v
In exitu Israel de Aegypto domus Jacob	Anonymous	3v–4
In exitu Israel de Aegypto domus Jacob	Oriola, Pietro	4
In mandatis eius cupit	Anonymous	33v–34
Io vegio la mia vita ia finire	Anonymous	150v
Iste confessor Domini sacratus	Quadris, Johannes de	40
Iste confessor Domini sacratus	Janue, Antonius	40v
Je ne vis oncques la pareille de vous	Binchois, Gilles (ca. 1400–1460) (?) Du Fay, Guillaume (1397–1474) (?)	29v
Je ne vis oncques la pareille de vous	Binchois, Gilles (ca. 1400–1460) (?) Du Fay, Guillaume (1397–1474) (?)	150
Je vous prie mon tres douce amie / Tant que mon argent dura / Ma tres douce amie	Du Fay, Guillaume (1397–1474)	160
Jerusalem luge - 5a pars (of 8): Cum autem venissem ad locum	Quadris, Johannes de	138
Jerusalem luge - 5a pars (of 8): Cum autem venissem ad locum	Quadris, Johannes de	138v–139
Jesu corona virginum	Anonymous	41
Jesu nostra redemptio	Anonymous	29
La vida de Culin no dura pas tot iors	Anonymous	13
Lamentationes et oratio Ieremiae	Anonymous	104v–105
Lamentationes et oratio Ieremiae - 1a pars (of 4):	Anonymous	105v–110
Lamentationes et oratio Ieremiae - 2a pars (of 4):	Anonymous	105v–110
Lamentationes et oratio Ieremiae - 3a pars (of 4):	Anonymous	105v–110
Lamentationes et oratio Ieremiae - 4a pars (of 4):	Anonymous	105v–110
Lamentationes et oratio Jeremiae - 1a pars (of 4):	Anonymous	105v–110
Lamentationes et oratio Jeremiae - 1a pars (of 5):	Anonymous	105v–110
Lamentationes et oratio Jeremiae - 2a pars (of 4):	Anonymous	105v–110
Lamentationes et oratio Jeremiae - 2a pars (of 5):	Anonymous	105v–110
Lamentationes et oratio Jeremiae - 3a pars (of 4):	Anonymous	105v–110
Lamentationes et oratio Jeremiae - 3a pars (of 5):	Anonymous	105v–110
Lamentationes et oratio Jeremiae - 4a pars (of 4):	Anonymous	105v–110
Lamentationes et oratio Jeremiae - 4a pars (of 5):	Anonymous	105v–110
Lamentationes et oratio Jeremiae - 5a pars (of 5):	Anonymous	105v–110
Laudate Dominum omnes gentes, laudate eum	Anonymous	23v–24
Laudate pueri Dominum Laudate nomen Domini	Anonymous	21v–23
Le serviteur hault guerdonné assovy	Du Fay, Guillaume (1397–1474)	103
Lucis creator optime	Anonymous	34v–35
Magnificat 3 & 4 toni. Anima mea [K.747]	Du Fay, Guillaume (1397–1474)	42v–44
Magnificat sexti toni: Et exultavit [K.336]	Anonymous	47v–48
Magnificat sexti toni: Et exultavit [K.352]	Anonymous	48v
Mercé te chiamo o dolze anima mia	Anonymous	103v–104
Miserere mei Domine	Anonymous	34v–35
Miserere nostri Domine / Vexilla regis - 1a pars (of 3):	Anonymous	157v–158
Miserere nostri Domine / Vexilla regis - 2a pars (of 3):	Anonymous	157v–158
Miserere nostri Domine / Vexilla regis - 3a pars (of 3):	Anonymous	157v–158
Missa SIne nomine: Sanctus (Pleni sunt duo)	Vincenet, Johannes (–ca. 1480)	149
Mon fort souspirs	Anonymous	147v
Moro perche non dai fede	Cornago, Juan de	15
Mort tu as navré de tont dart le père de / Miserere	Ockeghem, Jean de (ca. 1410–1497)	158v–159
Morte mercé - 1a pars (of 2): Morte mercé gentile aquil'altera	Cornago, Juan de	16
Morte mercé - 2a pars (of 2): Amor con l'arco tesso	Cornago, Juan de	16
Non gusto del male estranio	Cornago, Juan de	102
Non sia gia mai	Burgensis, Dux	136v–137
O lux beata	Du Fay, Guillaume (1397–1474)	32
O pellegrina o luce chiera stella	Anonymous	7v–8
O princeps Pilate	Ycart, Bernhard	1
O rosa bella, o Deitatis cella (= O quam suavis est domina)	Bedingham, John (–ca. 1460) (?) Dunstaple, John (ca. 1390–1453) (?)	101
O salutaris hostia	Anonymous	4v
O tempo bono e chi me t'a levato	Anonymous	145
O tres pitéulx - 1a pars (of 2): O tres pitéulx de tout espoir fontayne [Lamentatio Sanctae Matris Ecclesiae Constantinopolitanae]	Du Fay, Guillaume (1397–1474)	150v–151
O tres pitéulx - 2a pars (of 2): Dont suis de bien et de joye séparée	Du Fay, Guillaume (1397–1474)	150v–151
Oratio Jeremiae prohetae - 1a pars (of 6): Incipit oratio Jeremiae prophetae	Anonymous	110v–114
Oratio Jeremiae prohetae - 2a pars (of 6): Recordare Domine	Anonymous	110v–114
Oratio Jeremiae prohetae - 3a pars (of 6): Hereditas nostra	Anonymous	110v–114
Oratio Jeremiae prohetae - 4a pars (of 6): Servi dominati	Anonymous	110v–114
Oratio Jeremiae prohetae - 5a pars (of 6): In manibus nostris	Anonymous	110v–114
Oratio Jeremiae prohetae - 6a pars (of 6): Pellis nostra	Anonymous	110v–114
Pange lingua gloriosi corporis misterium	Anonymous	30v
Pange lingua gloriosi corporis misterium	Anonymous	31
Par le regard de vos beaux yeux	Du Fay, Guillaume (1397–1474)	10v
Patres nostri peccaverunt	Cornago, Juan de	1v–2
Patres nostri peccaverunt	Anonymous	1v–2
Per poco tempo ch'io so stato fora trovo che amore	Anonymous	7
Petite camusette à la mort m'avez mis / S'elle m'aimera	Ockeghem, Jean de (ca. 1410–1497)	160v
Phebus astris cum omnibus	Picardus, Anthonius	37v
Piangendo chiamo surda et crudele morte	Anonymous	14
Psalms	Oriola, Pietro	17
Puis fortuna m'avis en tal partit	Anonymous	6v–7
Puisque je vis le regard gratieux	Anonymous	137v
Puisque vos me Lasés seulete	Anonymous	102 bis
Qu'es mi vida preguntays	Ockeghem, Jean de (ca. 1410–1497) (?) Cornago, Juan de (?)	5v–6
Qu'es mi vida Preguntays non vos la quiero negar	Cornago, Juan de	151v
Quanto mi dolse la nigra partita	Anonymous	143v
Quanto mi dolse sta crudel partita	Anonymous	143v
Quanto più li ochi mei.	Anonymous	101
Que faray je mal fortuné	Anonymous	115v
Resjois toy terre de France / Rex pacificus magnificatus	Busnoys, Antoine (ca. 1430–1492)	149
S'il est ainsi - 1a pars (of 2): S'il est ainsi que plus je ne voye	Caron, Firminus (ca. 1460–ca. 1475)	148–153v
S'il est ainsi - 2a pars (of 2): Helas je soloye obtenir	Caron, Firminus (ca. 1460–ca. 1475)	148–153v
Sanctorum meritis.	Anonymous	47
Segun las penas me days	Cornago, Juan de	15v–16
Sepulchrum signantes	Molinet, Jehan	141v–142
Sepulchrum signantes	Anonymous	143
Serà nel core mio doglia et tormento	Anonymous	149v
Sit nomen Domini benedictum	Anonymous	33v–34
Soyez (Suis) aprentis en amours [= So ys emprentid]	Frye, Walter (–ca. 1475) (?) Bedingham, John (–ca. 1460) (?)	8v–9
Suis aprentis en amours - 2a pars (of 2): Vos qui voles	Bedingham, John (–ca. 1460) (?) Frye, Walter (–ca. 1475) (?)	8v–9
Tanto ha ch'io t'o contato li mei guai	Anonymous	7v
Te lucis ante terminum	Anonymous	35v
Tibi Christe splendor Patris / Collaudamus venerantes omnes caeli	Anonymous	36v
Ung lanceman a tout.	Anonymous	132v–133
Ut queant laxis resonare fibris	Anonymous	37
Vedo che fortuna me contrasta	Anonymous	144 bis
Veni creator spiritus	Du Fay, Guillaume (1397–1474)	30
Vexilla regis prodeunt	Du Fay, Guillaume (1397–1474)	27
Viva viva rey Ferrando - 1a pars (of 2): Viva viva rey Ferrando	Anonymous	161–161v
Viva viva rey Ferrando - 2a pars (of 2): Vagan todas luminaria	Anonymous	161–161v
Voca la galiera	Anonymous	11
Zappay lo campo	Anonymous	11v

‡ denotes primary source study

Goldberg, Clemens (editor). 2018. Montecassino, Biblioteca dell’Abbazia, Ms 871. Goldberg Stiftung. Notes: contents list; transcriptions.

Curtis, Gareth R K, and Andrew B Wathey. 1994. Fifteenth-Century English Liturgical Music: A List of the Surviving Repertory. Royal Musical Association Research Chronicle, 1-69.

Atlas, Allan W. 1985. Music at the Aragonese Court of Naples. Cambridge. Notes: contents list (partial); concordances (partial); transcription (partial); mention of MS; discussion.

Hanen, Martha Knight. 1983. The Chansonnier El Escorial IV.a.24: Commentary and Edition. Musicological Studies. 3 vols. Henryville, Ottawa, and Binningen. Pages: I, 24-5,28,33-4,36,38,165-9. Notes: physical description (partial); contents list (partial); concordances (partial); mention of MS; discussion.

Fallows, David. 1980. Neapolitan repertories 1460-90: Three recent editions. Early Music , 493-501. Notes: facsimile (partial).

Hamm, Charles E, and Herbert Kellman (editors). 1979-1988. Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550. Renaissance Manuscript Studies. 5 vols. Neuhausen nr. Stuttgart: American Institute of Musicology, Hänssler Verlag. Pages: II, 173-174.

Perkins, Leeman L, and Howard Garey (editors). 1979. The Mellon Chansonnier. New Haven and London. Pages: II, 163-4,198ff, passim. Notes: physical description; contents list (partial); concordances (partial); mention of MS; discussion.

Ward, Tom Robert. 1979. The Polyphonic Office Hymn from 1400 to 1520: A Descriptive Inventory. RMS. American Institute of Musicology. Notes: contents list (partial); concordances (partial); incipits (partial).

Pope, Isabel, and Masakata Kanazawa (editors). 1978. The Musical Manuscript Montecassino 871: A Neapolitan Repertory of Sacred and Secular Musk of the Late Fifteenth Century. Oxford. Notes: physical description; contents list; concordances; texts; facsimile (partial); texts; mention of MS; discussion.

Atlas, Allan W. 1977. On the Neapolitan Provenance of the Manuscript Perugia, Biblioteca Comunale Augusta, 431 (G 20). Musica Disciplina, 45ff. Pages: 45ff, 78-9, 86ff. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Thompson, James (editor). 1976. Les Oeuvres Completes de Philippe (?) Caron. Transcription et Notes Critiques de James Thomson. Brooklyn: Institute of Mediaeval Music. Pages: II, iv.xvii, 197-200. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Atlas, Allan W. 1975-6. The Cappella Giulia Chansonnier (Rome, Biblioteca Apostolica Vaticana, C. G.XIII.27). Musicological Studies. Brooklyn. Pages: I,136ff,248, passim. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Ruhland, Konrad. 1975. Der Mehrstimmige Psalmvortrag im 15. und 16. Jahrhundert: Studien zur Psalmodie auf der Grundlage von Faburdon, Fauxbourdon und Falsobordone. Ludwig-Maximilians-Universität (Munich), Ph.D. dissertation. Pages: 194-229, 313-8. Notes: contents list (partial); transcriptions (partial); facsimile (partial); mention of MS; discussion.

Reidemeister, Peter. 1973. Die Chanson-Handschrift 78 C 28 des Berliner Kupferstichkabinetts: Studien zur Form der Chanson im 15. Jahrhundert. Berliner Musikwissenschaftliche Arbeiten. Munich. Pages: 21,27-8,68,73,84ff, facsimile follows Transcription Nr. 34. Notes: physical description (partial); contents list (partial); concordances (partial); facsimile (partial).

Cattin, Giulio. 1972. Canti polifonici del repertorio benedettino in uno sconosciuto 'Liber quadragesimalis' e in altre fonti italiane dei secoli XV e XVI ine. Benedictina, 445-527. Pages: 471ff,487,491-6. Notes: contents list (partial); concordances (partial); texts (partial); mention of MS; discussion.

Ward, Tom Robert. 1972. The Polyphonic Office Hymn and the Liturgy of Fifteenth Century Italy. Musica Disciplina, 161-88. Notes: contents list (partial); incipits (partial); mention of MS; discussion.

Avagliano, F. 1970. I Codici liturgici dell'Archivio di Montecassino. Benedictina, 300ff. Pages: 300ff, n° 121.

Osthoff, Wolfgang. 1969. Theatergesang und Darstellende Musik in der Italienischen Renaissance. Münchner Veröffentlichungen zur Musikgeschichte. Tutzing. Pages: I,23-4. Notes: transcription (partial); mention of MS; discussion.

Ward, Tom Robert. 1969. The Polyphonic Office Hymn from the Late Fourteenth Century Until the Early Sixteenth Century. University of Pittsburgh, Unpublished Ph.D. dissertation. Pages: 55-63, 174f, 178f, 187 (concerne les hymnes) 216ff,541-3, passim. Notes: contents list (partial); concordances (partial); incipits (partial); transcription (partial); texts (partial); mention of MS; discussion.

Jeppesen, Knud. 1968-70. La Frottola. Acta Jutlandica. 3 vols. Copenhagen. Pages: II, 68ff et 158ff.

Besseler, Heinrich. 1968. Falsche Autornamen in den Handschriften Strassburg (Vitry) und Montecassino (Dufay). Acta Musicologica, 201-3. Pages: 201.

Haberkamp, Gertraut. 1968. Die weltliche Vokalmusik in Spanien um 1500. Der Cancionero musical de Colombina von Sevilla und außerspanische Handschriften. Münchner Veröffentlichungen zur Musikgeschichte. Tutzing. Pages: 66.

Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts. Tutzing. Pages: 149. Notes: physical description (partial); contents list (partial); concordances (partial); incipits (partial).

Gülke, Peter. 1961. Das Volkslied in der burgundischen Polyphonie des 15. Jahrhunderts. Festschrift Heinrich Besseler zum sechzigsten Geburtstag, Leipzig. Pages: 182,192,199-201. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Picker, Martin. 1960. The Chanson Albums of Marguerite of Austria: Manuscripts 228 and 11239 of the Bibliothèque Royale de Belgique, Bruxelles. University of California at Berkeley, Unpublished Ph.D. dissertation. Pages: I,362. Notes: physical description (partial); contents list (partial); concordances (partial).

Stevenson, Robert. 1960. Spanish Music in the Age of Columbus. The Hague. Pages: 122-4,183,202-3,218-9,223,299. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Pope, Isabel. 1958-61. The Secular Compositions of Johannes Cornago. Miscelânea en Homenaje a Monsenor Higinio Angles, 689-706. Barcelona. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Gerber, Rudolf. 1956. Zur italienischen Hymnenkomposition im 15. Jahrhundert. Acta Musicologica, 75-86. Pages: 76ff. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Gerber, Rudolf. 1956. Die Hymnen der Handschrift Monte Cassino 871. Anuário Musical, 1-21. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Kultzen, Brigitte. 1956. Der Codex Escorial IV.a.24: Übertragung, Katalog, Historische Einordnung einer Chansonsammlung aus der zweiten Hälfte des 15. Jahrhunderts. University of Hamburg, Unpublished Ph.D. dissertation. Pages: 72-4,78,80,84-5. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Pope, Isabel. 1954. La musique espagnole à la cour de Naples dans la seconde moitié du XVIe siècle. 35. Paris. Pages: 41.

Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik. Kassel. Pages: II, 1337; VI,1022; XII,985. Notes: physical description (partial).

de Van, Guillaume, and Heinrich Besseler (editors). 1948-66. Guillaume Dufay: Opera Omnia. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: V-VI, passim. Notes: physical description (partial); contents list (partial); concordances (partial); transcriptions (partial); texts (partial).

Ghisi, Federico. 1948. Canzoni profane italiane del secondo Quat trocento in un codice musicale di Montecassino. Revue Belge de Musicologie, 8ff. Notes: physical description (partial); contents list (partial); transcriptions (partial); facsimile (partial); mention of MS; discussion.

Anglès, Higinio (editor). 1941-1971. Monumentos de la Mùsica Espanola. Madrid (later Barcelona, later Rome). Pages: I, 116f.

Pirro, André. 1929. Un manuscrit musical du XVe siècle au MontCassin. Casinensia, 205-8.

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Robert Mitchell

Monday, 25 June, 2018

Montacassino Sanctus now given to Vincenet; Strahov Sanctus added as concocordnace of Trent 91; and all linked together as parts of same mass.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description

Répertoire Internationale des Sources Musicales

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description

I-MC 871

Biblioteca dell'Abbazia, Montecassino, Italy

manuscript with sections of polyphony and non-musical writings: 15th century

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