V-CVbav MS Capp. Sist. 15

Biblioteca Apostolica Vaticana, Vatican City, Rome, Italy

composite of originally separate fascicles: c. 1495-1500

Archive	Biblioteca Apostolica Vaticana, Vatican City, Rome, Italy (V-CVbav)
Shelfmark	MS Capp. Sist. 15
Image Availability	DIAMM does not have images of this source.
Surface	Paper
Numbering System	Foliation
Measurements	550 x 410 mm
Other Identifiers	RISM: I-Rvat 15 CCM: VatS 15 olim (Former shelfmark): I-Rvat MS Capp. Sist. 15
Copyists	? Orto, Marbrianus de Music ? Despres, Josquin (ca. 1450–1521) Music scribal concordance [1] Music scribal concordance [6] (perhaps Josquin or de Orto?) Music
Relationships	Charles VIII (1470–1498) (owner) Gafridus de Pompadour (owner) Sistine Chapel (Cappella Sistina) (commissioned/made for)
External Links	Images
External Authorities	RISM Online (sources/857000004)
Provenance	Italy
Contents	105 pieces from 14 composers

General Description

Composite of originally separate fascicles. Copied by one main scribe, who also wrote ff. 218'-227 of VatS 23, ff. 87'-103 of VatS 41, ff. 36'-55, 69'-93, and 129'-140 of VatS 49, and ff. 39'-44, 59'-63, and 65'-70 of VatS 63 (SherrPM). Ff. 10'-12 and ff. 38-48 copied by second scribe, who also wrote ff. 204'-206 of VatS 35, ff. 50'-54', 185', and 187 of VatS 41, and all of VatS 197 (SherrPC). Contents in three sections: (1) hymns (ff. 2'-70); (2) Magnificats (ff. 71'-160); (3) motets (ff. 161'-269). Copied in Rome, for use by Cappella Sistina. French heraldry probably connected with visit of entourage of King Charles VIII to Rome in 1495 (SherrPC).

DIAMM, 2017

Physical Description

Some folios in poor condition due to ink corrosion

DIAMM, 2017

Binding

Covers of medium brown leather over boards, blind tooled with decorative borders and central diamond motif; brass clasps, studs, and bosses. Covers date from 18th century (LlorCS), but decoration imitates earlier style; see VatS 13 for other manuscripts with similar bindings.

DIAMM, 2017

Watermark

(1) generally resembles Briquet #2444; (2) resembles Briquet #4412; (3) resembles Briquet #6270; (4) resembles Briquet #13883; (5) unidentifiable (SherrPC).

DIAMM, 2017

Notation

not indicated

DIAMM, 2017

Ruling

Staff height 27.

DIAMM, 2017

Foliation

Early (but not original) ink foliation on upper right rectos (some errors and inconsistencies). Modern stamped foliation, 1-269, on lower right rectos (excludes front flyleaf). Modern foliation cited here.

DIAMM, 2017

Decoration

DIAMM, 2017

Surface

paper

DIAMM, 2017

DIAMM Note

SherrPMM’s ‘Scribe B’ copies pieces by de Orto & des Pres (only) in Vats 15, 35, 41 and 197. RodinWIR considers it therefore “tempting to identify Scribe B as one of the two composers”.

DIAMM, 2019

RISM Description

RISM

XVe/XVIe s. 269 ff. Papier 540x413 mm. Foliotation ancienne en ch. romains en haut des ff. Les ff. lv, 2, 70v, 71, 76v, 77, 84v, 85, 99v, 100, 107v, 108, 117v, 118,126v, 127,133v, 134, 140v, 141, 147v, 148, 153v, 154, 160v, 161, 238v, 239, 241v, 242, 252v, 253, 255v, 256, 269v sont blancs. Notation mesurée blanche. 11 portées par p. Initiales ornées en couleurs aux ff. 2v-3 et 141V-142. Reliure du XVIIIe s. à fermoirs de métal.

Pour la date de ce ms., Haberl suggère l'époque de Jules II (1503-1513), tandis que Gerber le situe plutôt à la fin du XVe (cf. Bibliographie). En fait, à côté d'hymnes de Dufay (mais que nous savons avoir été encore chantés au XVI s. à Rome), on y trouve des compositeurs de la génération suivante dont l'activité s'est prolongée de la fin du XVe au début du XVIe s.

Les hymnes de la 1ère partie du ms. (no 1 à 28) sont le plus souvent «durchkomponiert», les versets impairs en grégorien étant suivis des versets pairs en polyphonie, tous différents et de différents auteurs dont quelques-uns seulement ont pu être identifiés.

L'encre ayant rongé le papier, certains incipit n'ont pu être déchiffrés.

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of any of this content without permission may result in legal action.

Répertoire International des Sources Musicales

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

14 Magnificats, 28 hymns, 41 motets = 83

(A. Agricola/Brumel)-1, (Brumel)-1, (Busnois)-1, Compère-6, (Dufay)-2, (Dufay)-Josquin-anon?-1,* (Dufay)-Orto-1, (Dufay-anon)-17, (Isaac)-2, Josquin-3, (Martini)-3, Orto-1, (Pullois)-1, (Regis)-1, (Vinea)-1, Weerbecke [Gaspar]-3, anon-38

*Vs. 2 of hymn "Ave maris stella" on ff. 42'-46 identified as Dufay setting from concordant sources. Vs. 4 attributed here to "Josquin des pres." Vss. 6-7 anonymous; possibly by Josquin.

ii + 268 paper folios, 550 x 410. Composite of originally separate fascicles. Some folios in poor condition due to ink corrosion. Early (but not original) ink foliation on upper right rectos (some errors and inconsistencies). Modern stamped foliation, 1-269, on lower right rectos (excludes front flyleaf). Modern foliation cited here. Covers of medium brown leather over boards, blind tooled with decorative borders and central diamond motif; brass clasps, studs, and bosses. Covers date from 18th century (LlorCS), but decoration imitates earlier style; see VatS 13 for other manuscripts with similar bindings. No index. Copied by one main scribe, who also wrote ff. 218'-227 of VatS 23, ff. 87'-103 of VatS 41, ff. 36'-55, 69'-93, and 129'-140 of VatS 49, and ff. 39'-44, 59'-63, and 65'-70 of VatS 63 (SherrPM). Ff. 10'-12 and ff. 38-48 copied by second scribe, who also wrote ff. 204'-206 of VatS 35, ff. 50'-54', 185', and 187 of VatS 41, and all of VatS 197 (SherrPC). Staff height 27.

Illuminated miniatures, initials, and floral borders on ff. 2'-3; other folios have inked calligraphic initials decorated with grotesque heads. French heraldic emblems (including those of King Charles VIII and his wife, Anne of Brittany) on f. 78' and f. 118' (SherrPC); coat of arms of Gafridus de Pompadour, Bishop of Périgeux, on f. 134' (RothS). Watermarks: (1) generally resembles Briquet #2444; (2) resembles Briquet #4412; (3) resembles Briquet #6270; (4) resembles Briquet #13883; (5) unidentifiable (SherrPC). Contents in three sections: (1) hymns (ff. 2'-70); (2) Magnificats (ff. 71'-160); (3) motets (ff. 161'-269).

Ca. 1495-1500 (SherrPM). Copied in Rome, for use by Cappella Sistina. French heraldry probably connected with visit of entourage of King Charles VIII to Rome in 1495 (SherrPC).

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
2–5	Conditor alme siderum	[G. DUFAY	Du Fay, Guillaume (1397–1474)
Conditor alme siderum Du Fay, Guillaume (1397–1474) Appears on: 2–5 Genres: Hymn Source Attribution: [G. DUFAY Voice: [no designation] Languages: Latin Voice Text: Qui cum dolens interitu Voice: [no designation] Languages: Latin Voice Text: Qui cum dolens interitu Voice: [no designation] Languages: Latin Voice Text: Qui cum dolens interitu Voice: [no designation] Languages: Latin Voice Text: Qui cum dolens interitu General Note G.DUFAY 2ème strophe seul'] [Conditor alme syderum . . .] Publ. [6ème strophe seul'] cf. Bc 15 n° 293 Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice.
5v–8	Christe redemptor omnium . Tu lumen tu splendor (Christmas setting)	[G. DUFAY	Du Fay, Guillaume (1397–1474)
Christe redemptor omnium . Tu lumen tu splendor (Christmas setting) Du Fay, Guillaume (1397–1474) Appears on: 5v–8 Genres: Motet Source Attribution: [G. DUFAY Voice: [no designation] Languages: Latin Voice Text: Tu lumen tu splendor … Voice: [no designation] Languages: Latin Voice Text: Tu lumen tu splendor … Voice: [no designation] Languages: Latin Voice Text: Tu lumen tu splendor … General Note ff. 7v–8 have the same music set to v.6 of his 'Christe redemptor (v/24b) down a fourth General Note [G. DUFAY, 2ème strophe seul'] In nativitate domini hymnus. /[Christe redemptor omnium..)Publ. [2ème strophe seul'] cf. Bc 15 n° 295 Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice.
8v–10	Hostis Herodes impie	[G. DUFAY,	Du Fay, Guillaume (1397–1474)
Hostis Herodes impie Du Fay, Guillaume (1397–1474) Appears on: 8v–10 Genres: Hymn Source Attribution: [G. DUFAY, Voice: [no designation] Languages: Latin Voice Text: [Hostis Herodes impie …] Ibant magi quamviderant ... Voice: [no designation] Languages: Latin Voice Text: [Hostis Herodes impie …] Ibant magi quamviderant ... Voice: [no designation] Languages: Latin Voice Text: [Hostis Herodes impie …] Ibant magi quamviderant ... Voice: [no designation] Languages: Latin Voice Text: [Hostis Herodes impie …] Ibant magi quamviderant ... General Note , 4ème strophe seul1] In epiphania domini hymnus.[= A solis ortus cardine]Publ. [4ème strophe seul'] cf. AOs n° 161
10v–12	Lucis creator optime Qui mano junctum	De Orto	Orto, Marbrianus de
Lucis creator optime Qui mano junctum Orto, Marbrianus de Appears on: 10v–12 Genres: Motet Source Attribution: De Orto Voice: [no designation] Languages: Latin Voice Text: [Lucis creator optime . . .] Qui mano junctum ... Voice: [no designation] Languages: Latin Voice Text: [Lucis creator optime . . .] Qui mano junctum ... Voice: [no designation] Languages: Latin Voice Text: [Lucis creator optime . . .] Qui mano junctum ...
12v–14	Lucis creator optime Qui mane junctum	-	Anonymous
Lucis creator optime Qui mane junctum Anonymous Appears on: 12v–14 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: [Lucis creator optime … ] Qui mane junctum ... Voice: [no designation] Languages: Latin Voice Text: [Lucis creator optime … ] Qui mane junctum ... Voice: [no designation] Languages: Latin Voice Text: [Lucis creator optime … ] Qui mane junctum ... Voice: [no designation] Languages: Latin Voice Text: [Lucis creator optime … ] Qui mane junctum ...
14v–16	Audi benigne conditor Scrutator alme cordium	[G. DUFAY,	Du Fay, Guillaume (1397–1474)
Audi benigne conditor Scrutator alme cordium Du Fay, Guillaume (1397–1474) Appears on: 14v–16 Genres: Motet Source Attribution: [G. DUFAY, Voice: [no designation] Languages: Latin Voice Text: [Audi benigne conditor . . .] Scrutator alme cordium … Voice: [no designation] Languages: Latin Voice Text: [Audi benigne conditor . . .] Scrutator alme cordium … Voice: [no designation] Languages: Latin Voice Text: [Audi benigne conditor . . .] Scrutator alme cordium … Voice: [no designation] Languages: Latin Voice Text: [Audi benigne conditor . . .] Scrutator alme cordium … General Note [G. DUFAY, 4ème strophe seul']In quadragesima in ferialibus diebus ad vesperas. .[Audi benigne conditor . . .] Publ. [4ème strophe seul'] cf. MC 871 n° 40
16v–20	Aures ad nostras (Respice clemens)	[G. DUFAY,	Du Fay, Guillaume (1397–1474)
Aures ad nostras (Respice clemens) Du Fay, Guillaume (1397–1474) Appears on: 16v–20 Genres: Motet Source Attribution: [G. DUFAY, Voice: [no designation] Languages: Latin Voice Text: [Aures ad nostras ...] Respice clemens ... Voice: [no designation] Languages: Latin Voice Text: [Aures ad nostras ...] Respice clemens ... Voice: [no designation] Languages: Latin Voice Text: [Aures ad nostras ...] Respice clemens ... Voice: [no designation] Languages: Latin Voice Text: [Aures ad nostras ...] Respice clemens ... General Note [G. DUFAY, 6ème strophe seul']In dominicis diebus in quadragesima. [Aures ad nostras ...] Publ. [6ème strophe seul'] cf. MOe 1.11 n» 7
20v–23	Vexilla regis prodeunt	[G. DUFAY	Du Fay, Guillaume (1397–1474)
Vexilla regis prodeunt Du Fay, Guillaume (1397–1474) Appears on: 20v–23 Genres: Motet Source Attribution: [G. DUFAY Voice: [no designation] Languages: Latin Voice Text: [Vexilla regis prodeunt . . .] Quo vulneratus … Voice: [no designation] Languages: Latin Voice Text: [Vexilla regis prodeunt . . .] Quo vulneratus … Voice: [no designation] Languages: Latin Voice Text: [Vexilla regis prodeunt . . .] Quo vulneratus … Voice: [no designation] Languages: Latin Voice Text: [Vexilla regis prodeunt . . .] Quo vulneratus … General Note [G. DUFAY, 2ème et 6ème strophes seul'] Dominica de passione: ad vesperas hymnus. [Vexilla regis prodeunt . . .] Publ. [2ème et 6ème strophes seul'] cf. MC 871 n»41
23v–27	Ad cenam agni (3vv)	-	Du Fay, Guillaume (1397–1474)
Ad cenam agni (3vv) Du Fay, Guillaume (1397–1474) Appears on: 23v–27 Genres: Hymn Voice: [no designation] Languages: Latin Voice Text: [Ad cenam agni providi . . .] Cujus corpus … Voice: [no designation] Languages: Latin Voice Text: [Ad cenam agni providi . . .] Cujus corpus … Voice: [no designation] Languages: Latin Voice Text: [Ad cenam agni providi . . .] Cujus corpus … Voice: [no designation] Languages: Latin Voice Text: [Ad cenam agni providi . . .] Cujus corpus …
27v–29	Jesu nostra redemptio Quae te vicit clementia	-	Anonymous
Jesu nostra redemptio Quae te vicit clementia Anonymous Appears on: 27v–29 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: [Jhesu nostra redemptio . . .]Que te vicit clemência ... Voice: [no designation] Languages: Latin Voice Text: [Jhesu nostra redemptio . . .]Que te vicit clemência ... Voice: [no designation] Languages: Latin Voice Text: [Jhesu nostra redemptio . . .]Que te vicit clemência ... Voice: [no designation] Languages: Latin Voice Text: [Jhesu nostra redemptio . . .]Que te vicit clemência ... General Note In festo ascensionis domini.
29v–32	Veni creator spiritus	[G. DUFAY	Du Fay, Guillaume (1397–1474)
Veni creator spiritus Du Fay, Guillaume (1397–1474) Appears on: 29v–32 Genres: Hymn, Veni creator spiritus Source Attribution: [G. DUFAY Voice: [no designation] Languages: Latin Voice Text: [Veni creator spiritus . . .] Qui paraclitus diceris … Voice: [no designation] Languages: Latin Voice Text: [Veni creator spiritus . . .] Qui paraclitus diceris … Voice: [no designation] Languages: Latin Voice Text: [Veni creator spiritus . . .] Qui paraclitus diceris … Voice: [no designation] Languages: Latin Voice Text: [Veni creator spiritus . . .] Qui paraclitus diceris … General Note [G. DUFAY, 2ème strophe seul'] In festo penthecostes. [Veni creator spiritus . . .Publ. [2ème strophe seul', 1 des 2 versions] cf. Bc 15 n" 299; two versions, one with new T, contra in faulx bourdon Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice.
32v–34	O lux beata	G. DUFAY	Du Fay, Guillaume (1397–1474)
O lux beata Du Fay, Guillaume (1397–1474) Appears on: 32v–34 Genres: Hymn Source Attribution: G. DUFAY Voice: [no designation] Languages: Latin Voice Text: [O lux beatatrinitas … ] Te mane laudum . . . Voice: [no designation] Languages: Latin Voice Text: [O lux beatatrinitas … ] Te mane laudum . . . Voice: [no designation] Languages: Latin Voice Text: [O lux beatatrinitas … ] Te mane laudum . . . Voice: [no designation] Languages: Latin Voice Text: [O lux beatatrinitas … ] Te mane laudum . . . General Note [G. DUFAY, 2ème strophe seul']In diebus ferialibus sabbati. Publ. [2ème strophe seul'] cf. Bc 15 n" 300 Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice.
34v–37	Pange lingua gloriosi corporis misterium	[G. DUFAY	Du Fay, Guillaume (1397–1474)
Pange lingua gloriosi corporis misterium Du Fay, Guillaume (1397–1474) Appears on: 34v–37 Genres: Hymn Source Attribution: [G. DUFAY Voice: [no designation] Languages: Latin Voice Text: [Pange lingua..) Nobis datus … Voice: [no designation] Languages: Latin Voice Text: [Pange lingua..) Nobis datus … Voice: [no designation] Languages: Latin Voice Text: [Pange lingua..) Nobis datus … General Note [G. DUFAY, 2ème strophe seul1]In festo corporis Christi. Publ. 2ème strophe seul1] cf. Bc 15 n° 302 Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice.
37v–39	Ut queant Iaxis (Nuntius celso veniens)	DE ORTO et DUFAY	Du Fay, Guillaume (1397–1474) (?)
Ut queant Iaxis (Nuntius celso veniens) Du Fay, Guillaume (1397–1474) (?) Appears on: 37v–39 Genres: Motet Source Attribution: DE ORTO et DUFAY Voice: [no designation] Languages: Latin Voice Text: [Ut queant Iaxis ] Nuncius celso General Note DE ORTO [4ème strophe seul1][G. DUFAY, 2ème strophe seul1]In nativitate beati Johannis baptistePubl. [2ème strophe seul1] cf. Bc 15 n° 308
39v–41	Aurea luce et decore roseo	[G. DUFAY	Du Fay, Guillaume (1397–1474)
Aurea luce et decore roseo Du Fay, Guillaume (1397–1474) Appears on: 39v–41 Genres: Hymn Source Attribution: [G. DUFAY Voice: [no designation] Languages: Latin Voice Text: Aurea luce et decore ... Voice: [no designation] Languages: Latin Voice Text: Aurea luce et decore ... Voice: [no designation] Languages: Latin Voice Text: Aurea luce et decore ... Voice: [no designation] Languages: Latin Voice Text: Aurea luce et decore ... Concordances f.41v-42 contain the same music set to 'Doctor egregie' General Note [G. DUFAY, 1ère strophe seul1] Publ. [1ère strophe seul1] cf. Bc 15 n° 309 Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice.
41v–42	Doctor egregie	[G. DUFAY]	Du Fay, Guillaume (1397–1474)
Doctor egregie Du Fay, Guillaume (1397–1474) Appears on: 41v–42 Genres: Hymn Source Attribution: [G. DUFAY] Voice: [no designation] Languages: Latin Voice Text: Hostis Herodes impie General Note Semblable à la 1ère strophe de l'hymne précédent.Publ. cf. Bc 15 n° 309
42v–46	Ave maris stella Sumens illud ave	JOSQUIN DES PRÉS et G.DUFAY	Du Fay, Guillaume (1397–1474)
Ave maris stella Sumens illud ave Du Fay, Guillaume (1397–1474) Appears on: 42v–46 Genres: Ave maris stella, BVM, Motet Source Attribution: JOSQUIN DES PRÉS et G.DUFAY Voice: [no designation] Languages: Latin Voice Text: [Ave Maris stella] Sumens illud ave General Note Publ. [2ème strophe seul1] cf. Bc 15 n° 304 [4ème strophe seul1]JOSQUIN DES PRÉS [4ème strophe seul'][G. DUFAY, 2ème strophe seul1]In omnibus festivitatibus gloriose virginisMarie. Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice. Smijers, Albert, Myroslaw Antonowycz, and Willem Elders (editors). 1925-, 1926-. Werken van Josquin des Prés: Motetten. Leipzig/ Amsterdam. Pages: II.
46–47	Nardi Maria pistici... Honor decus imperium 26.7	JOSQUIN DES PRÉS	Despres, Josquin (ca. 1450–1521)
Nardi Maria pistici... Honor decus imperium 26.7 Despres, Josquin (ca. 1450–1521) Appears on: 46–47 Genres: Motet Source Attribution: JOSQUIN DES PRÉS Voice: [no designation] Languages: Latin Voice Text: [Nardi Maria pistici...] Honor decus imperium … Item Bibliography Smijers, Albert, Myroslaw Antonowycz, and Willem Elders (editors). 1969. Werken van Josquin des Prés: Supplement. Amsterdam. Osthoff, Helmuth. 1962. Josquin Desprez. 2 vols. Tutzing.
47v–48	Petrus beatus cathenarum	-	Anonymous
Petrus beatus cathenarum Anonymous Appears on: 47v–48 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Petrus beatus cathenarum
48v–50	Tibi Christe splendor Patris	-	Anonymous
Tibi Christe splendor Patris Anonymous Appears on: 48v–50 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Tibi Christe splendor patris … Voice: [no designation] Languages: Latin Voice Text: Tibi Christe splendor patris … Voice: [no designation] Languages: Latin Voice Text: Tibi Christe splendor patris … Voice: [no designation] Languages: Latin Voice Text: Tibi Christe splendor patris … General Note In festo sancti Michaelis archangeli.
50v–53	Christe redemptor omnium/conserva (v/24b)	[G. DUFAY,	Du Fay, Guillaume (1397–1474)
Christe redemptor omnium/conserva (v/24b) Du Fay, Guillaume (1397–1474) Appears on: 50v–53 Genres: Hymn Source Attribution: [G. DUFAY, Voice: [no designation] Languages: Latin Voice Text: [Christe redemptor omnium . . .] Beata quoque agmina ... Voice: [no designation] Languages: Latin Voice Text: [Christe redemptor omnium . . .] Beata quoque agmina ... Voice: [no designation] Languages: Latin Voice Text: [Christe redemptor omnium . . .] Beata quoque agmina ... Voice: [no designation] Languages: Latin Voice Text: [Christe redemptor omnium . . .] Beata quoque agmina ... Voice: [no designation] Languages: Latin Voice Text: [Christe redemptor omnium . . .] Beata quoque agmina ... General Note [G. DUFAY, 2ème strophe seul1]In festo omnium sanctorum. Publ. [2ème strophe seul1] cf. Bc 15 n° 306 Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice.
53v–56	Exultet caelum laudibus [2 versions, with Ct or with faulxbourdon]	[G. DUFAY,	Du Fay, Guillaume (1397–1474)
Exultet caelum laudibus [2 versions, with Ct or with faulxbourdon] Du Fay, Guillaume (1397–1474) Appears on: 53v–56 Genres: Hymn Source Attribution: [G. DUFAY, Voice: [no designation] Languages: Latin Voice Text: [Exultet celum laudibus . . .] Vos secli justi ... Voice: [no designation] Languages: Latin Voice Text: [Exultet celum laudibus . . .] Vos secli justi ... Voice: [no designation] Languages: Latin Voice Text: [Exultet celum laudibus . . .] Vos secli justi ... Voice: [no designation] Languages: Latin Voice Text: [Exultet celum laudibus . . .] Vos secli justi ... General Note 2ème et 6ème strophes seul1] In nat(ivitate] apost[olorum] hymnus. Publ. [2ème strophe seul1 dans ses 2 versions et 6ème strophe] cf. Bc 15 n" 310 Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice.
56v–58	Deus tuorum militum (Hic nempe mundi gaudia)	G. DUFAY	Du Fay, Guillaume (1397–1474)
Deus tuorum militum (Hic nempe mundi gaudia) Du Fay, Guillaume (1397–1474) Appears on: 56v–58 Genres: Hymn Source Attribution: G. DUFAY Voice: [no designation] Languages: Latin Voice Text: [Deus tuorum militum . . .] Hic nempe mundi gaudia ... Voice: [no designation] Languages: Latin Voice Text: [Deus tuorum militum . . .] Hic nempe mundi gaudia ... Voice: [no designation] Languages: Latin Voice Text: [Deus tuorum militum . . .] Hic nempe mundi gaudia ... Voice: [no designation] Languages: Latin Voice Text: [Deus tuorum militum . . .] Hic nempe mundi gaudia ... General Note [G. DUFAY, 2ème strophe seul'] In nat[ivitate] unius martiris hymnus. Two versions: one with new T and CT
58v–59	Sanctorum meritis Hi sunt quos retinens	[G. DUFAY]	Du Fay, Guillaume (1397–1474)
Sanctorum meritis Hi sunt quos retinens Du Fay, Guillaume (1397–1474) Appears on: 58v–59 Genres: Hymn Source Attribution: [G. DUFAY] Voice: [no designation] Languages: Latin Voice Text: [Sanctorum meritis . . .]Hi sunt quos retinens . . . Voice: [no designation] Languages: Latin Voice Text: [Sanctorum meritis . . .]Hi sunt quos retinens . . . Voice: [no designation] Languages: Latin Voice Text: [Sanctorum meritis . . .]Hi sunt quos retinens . . . General Note Publ. cf. Bc 15 n° 312In festo plurimorum martirium. Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice.
59v–62	Sanctorum meritis Hi sunt quos retinens	-	Anonymous
Sanctorum meritis Hi sunt quos retinens Anonymous Appears on: 59v–62 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: [Sanctorum meritis . . .] Hi sunt quos retinens ... Voice: [no designation] Languages: Latin Voice Text: [Sanctorum meritis . . .] Hi sunt quos retinens ... Voice: [no designation] Languages: Latin Voice Text: [Sanctorum meritis . . .] Hi sunt quos retinens ... Voice: [no designation] Languages: Latin Voice Text: [Sanctorum meritis . . .] Hi sunt quos retinens ...
62v–64	Iste confessor (Qui pius prudens)	G. DUFAY	Du Fay, Guillaume (1397–1474)
Iste confessor (Qui pius prudens) Du Fay, Guillaume (1397–1474) Appears on: 62v–64 Genres: Motet Source Attribution: G. DUFAY Voice: [no designation] Languages: Latin Voice Text: [Iste confessor . . .] Qui prius prudens … Voice: [no designation] Languages: Latin Voice Text: [Iste confessor . . .] Qui prius prudens … Voice: [no designation] Languages: Latin Voice Text: [Iste confessor . . .] Qui prius prudens … General Note [G. DUFAY, 2ème strophe et Sup. de la 4ème] In festo unius confessoris. Publ. [2ème strophe dans ses 2 versions] cf. Bc 15 n° 313. Two versions: one with new T and CT Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice.
64v–66	Iste confessor qui prius prudens	-	Anonymous
Iste confessor qui prius prudens Anonymous Appears on: 64v–66 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: [Iste confessor . . .] Qui prius prudens . . . Voice: [no designation] Languages: Latin Voice Text: [Iste confessor . . .] Qui prius prudens . . . Voice: [no designation] Languages: Latin Voice Text: [Iste confessor . . .] Qui prius prudens . . . Voice: [no designation] Languages: Latin Voice Text: [Iste confessor . . .] Qui prius prudens . . .
66v–68	Jesu corona virginum (Qui pascis inter lilia)	G. DUFAY	Du Fay, Guillaume (1397–1474)
Jesu corona virginum (Qui pascis inter lilia) Du Fay, Guillaume (1397–1474) Appears on: 66v–68 Genres: Motet Source Attribution: G. DUFAY Voice: [no designation] Languages: Latin Voice Text: [Jhesu corona virginum] Qui pasch inter lilia General Note Sup. de la 2ème strophe, 4ème strophe et Sup. et T de la 5ème] In festo unius virginis. Publ. [4ème strophe seul1] cf. Bc 15 n° 315. Three versions: one with new T and CT, one with original S and T, new CT and B Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice.
68v–70	Urbs beata Jerusalem. Nova veniens e caelo	G. DUFAY	Du Fay, Guillaume (1397–1474)
Urbs beata Jerusalem. Nova veniens e caelo Du Fay, Guillaume (1397–1474) Appears on: 68v–70 Genres: Hymn Source Attribution: G. DUFAY Voice: [no designation] Languages: Latin Voice Text: [Urbs beata Jherusalem] Nova veniens e celo General Note [G. DUFAY, 4ème strophe et Sup. de la 2ème et de la 5ème strophe]Publ. [4ème strophe seul1] cf. Bc 15 n° 303: three versions: one with T and contra in faulx bourdon, one with two additional voices supplied for the fauxbourdon setting) Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice. Besseler, Heinrich, and Peter Gülke. 1973. Musik des Mittelalters und der Renaissance. Lfg. 5. Schriftbild der mehrstimmigen Musik. Musikgeschichte in Bildern. Leipzig. Pages: III / 5.
71v–76	Magnificat primi toni [K.696]	LOYSET COUPEIR	Compère, Loyset (ca. 1445–1518)
Magnificat primi toni [K.696] Compère, Loyset (ca. 1445–1518) Appears on: 71v–76 Genres: BVM, Canticle, Magnificat Source Attribution: LOYSET COUPEIR Voice: [no designation] Languages: Latin Voice Text: [Magnificat] Anima mea General Note Tous les versets.Publ. cf. Md 2269 n° 15
77v–84	Magnificat primi toni: Anima mea [K.141]	-	Anonymous
Magnificat primi toni: Anima mea [K.141] Anonymous Appears on: 77v–84 Genres: BVM, Canticle, Magnificat Voice: [no designation] Languages: Latin Voice Text: [Magnificat] Animea mea General Note Tous les versets. General Note Attr. by Llorens to ?Brumel; no attributed concordance known (Kirsch)
85v–91	Magnificat tone 2: Anima mea Dominum (or Et exultavit) [K.198]	-	Anonymous
Magnificat tone 2: Anima mea Dominum (or Et exultavit) [K.198] Anonymous Appears on: 85v–91 Genres: BVM, Canticle, Magnificat Voice: [no designation] Languages: Latin Voice Text: [Magnificat] Anima mea General Note Tous les versets
91v–95	Magnificat tertti toni: Anima mea [K.907]	[J. MARTINI]	Martini, Johannes (ca. 1430–1497)
Magnificat tertti toni: Anima mea [K.907] Martini, Johannes (ca. 1430–1497) Appears on: 91v–95 Genres: BVM, Canticle, Magnificat Source Attribution: [J. MARTINI] Voice: [no designation] Languages: Latin Voice Text: [Magnificat] Anima mea. General Note Tous les versets
95v–99	Magnificat 3 & 4 toni. Anima mea [K.747]	[G. DUFAY]	Du Fay, Guillaume (1397–1474)
Magnificat 3 & 4 toni. Anima mea [K.747] Du Fay, Guillaume (1397–1474) Appears on: 95v–99 Genres: BVM, Canticle, Magnificat Source Attribution: [G. DUFAY] Voice: [no designation] Languages: Latin Voice Text: [Magnificat] Anima mea General Note Tous les versets Publ. cf. Md 2269 n« 14
100v–107	Magnificat quarti toni:: Et exultavit [K.908]	[J. MARTINI]*	Martini, Johannes (ca. 1430–1497)
Magnificat quarti toni:: Et exultavit [K.908] Martini, Johannes (ca. 1430–1497) Appears on: 100v–107 Genres: BVM, Canticle, Magnificat Source Attribution: [J. MARTINI]* Voice: [no designation] Languages: Latin Voice Text: [Magnificat] Et exultavit General Note Tous les versets Concordances *D-brd-Mbs 3154
108v–117	Magnificat quarti toni: Et exultavit [K.632]	[A. BRUMEL ou A. AGRICOLA*]	Brumel, Antoine (ca. 1460–ca. 1513) (?) Agricola, Alexander (ca. 1445–1506) (?)
Magnificat quarti toni: Et exultavit [K.632] Brumel, Antoine (ca. 1460–ca. 1513) (?) Agricola, Alexander (ca. 1445–1506) (?) Appears on: 108v–117 Genres: BVM, Canticle, Magnificat Source Attribution: [A. BRUMEL ou A. AGRICOLA] Voice:* [no designation] Languages: Latin Voice Text: [Magnificat] Anima mea . Et exultavit General Note Tous les versets Concordances E-SE Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae.* The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 22, III.
118v–126	Magnificat: Et exultavit [K.272]	-	Anonymous
Magnificat: Et exultavit [K.272] Anonymous Appears on: 118v–126 Genres: BVM, Canticle, Magnificat Voice: [no designation] Languages: Latin Voice Text: [Magnificat] Anima mea .Et exultavit General Note Tous les versets
127v–133	Magnificat sexti toni: Anima mea [K.633]	[A. BRUMEL]*	Brumel, Antoine (ca. 1460–ca. 1513)
Magnificat sexti toni: Anima mea [K.633] Brumel, Antoine (ca. 1460–ca. 1513) Appears on: 127v–133 Genres: BVM, Canticle, Magnificat Source Attribution: [A. BRUMEL]* Voice: [no designation] Languages: Latin Voice Text: [Magnificat] Anima mea General Note Tousl es versets Concordances E-Bc 454 Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae.* The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 5, VI.
134v–140	Magnificat sexti toni: Anima mea [K.909]	[J. MARTINI]*	Martini, Johannes (ca. 1430–1497)
Magnificat sexti toni: Anima mea [K.909] Martini, Johannes (ca. 1430–1497) Appears on: 134v–140 Genres: BVM, Canticle, Magnificat Source Attribution: [J. MARTINI]* Voice: [no designation] Languages: Latin Voice Text: [Magnificat] Anima mea General Note Tous les versets Concordances *D-brd-Mbs 3154
141v–144	Magnificat sexti toni: anima mea [K.292]	-	Anonymous
Magnificat sexti toni: anima mea [K.292] Anonymous Appears on: 141v–144 Genres: BVM, Canticle, Magnificat Voice: [no designation] Languages: Latin Voice Text: [Magnificat] Anima mea General Note Tous les versets General Note Llorens suggested that this was a Du Fay composition; no known concordance with his name (Kirsch)
144v–147	Magnificat septimi toni: Anima mea [K.353]	-	Anonymous
Magnificat septimi toni: Anima mea [K.353] Anonymous Appears on: 144v–147 Genres: BVM, Canticle, Magnificat Voice: [no designation] Languages: Latin Voice Text: [Magnificat] Anima mea General Note Tous les versets
148v–153	Magnificat octavi toni: Anima mea [K.807]	GASPAR	Weerbecke, Gaspar van (ca. 1445–ca. 1516)
Magnificat octavi toni: Anima mea [K.807] Weerbecke, Gaspar van (ca. 1445–ca. 1516) Appears on: 148v–153 Genres: BVM, Canticle, Magnificat Source Attribution: GASPAR Voice: [no designation] Languages: Latin Voice Text: [Magnificat] Anima mea General Note Tous les versets
154v–160	Magnificat octavi toni: Anima mea [K.397]	-	Anonymous
Magnificat octavi toni: Anima mea [K.397] Anonymous Appears on: 154v–160 Genres: BVM, Canticle, Magnificat Voice: [no designation] Languages: Latin Voice Text: [Magnificat] Anima mea General Note Tous les versets
161v–162	O beata infantia - 1a pars (of 2): O beata infantia	-	Anonymous
O beata infantia - 1a pars (of 2): O beata infantia Anonymous Appears on: 161v–162 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: O beata infantia
162v–163	O beata infantia - 2a pars (of 2): O praesepe splendidum	-	Anonymous
O beata infantia - 2a pars (of 2): O praesepe splendidum Anonymous Appears on: 162v–163 Genres: Motet
163v–164	Clangat plebs - 1a pars (of 3): Clangat plebs flores theotece voce sonora	-	Regis, Johannes (ca. 1425–ca. 1496)
Clangat plebs - 1a pars (of 3): Clangat plebs flores theotece voce sonora Regis, Johannes (ca. 1425–ca. 1496) Appears on: 163v–164 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Clangat plebs flores theotece voce sonora
164v–166	Clangat plebs - 2a pars (of 3): Carmina cadentem	-	Regis, Johannes (ca. 1425–ca. 1496)
Clangat plebs - 2a pars (of 3): Carmina cadentem Regis, Johannes (ca. 1425–ca. 1496) Appears on: 164v–166 Genres: Motet
166v–167	Flos de spina - 1a pars (of 2): Flos de spina procreatur et flos flore fecundatur	-	Pullois, Johannes
Flos de spina - 1a pars (of 2): Flos de spina procreatur et flos flore fecundatur Pullois, Johannes Appears on: 166v–167 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Flos de spina procreatur
167v–168	Flos de spina - 2a pars (of 2): Quod celerat umbra legis	-	Pullois, Johannes
Flos de spina - 2a pars (of 2): Quod celerat umbra legis Pullois, Johannes Appears on: 167v–168 Genres: Motet
168v–170	Ave regina caelorum II: Gaude gloriosa	-	Anonymous
Ave regina caelorum II: Gaude gloriosa Anonymous Appears on: 168v–170 Genres: BVM, Motet Voice: [no designation] Languages: Latin Voice Text: Ave regina caelorum
170v–173	Angelorum decoratrix II: Pia pulcra es	-	Anonymous
Angelorum decoratrix II: Pia pulcra es Anonymous Appears on: 170v–173 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Angelorum decoratrix
173v–175	Salve virgo sanctissima - 1a pars (of 2): Salve virgo sanctissima super omnes feminas	-	Isaac, Heinrich (ca. 1450–1517)
Salve virgo sanctissima - 1a pars (of 2): Salve virgo sanctissima super omnes feminas Isaac, Heinrich (ca. 1450–1517) Appears on: 173v–175 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Salve virgo sanctissima super omnes feminas
175v–176	Salve virgo sanctissima - 2a pars (of 2): Ora precor mater piissima	-	Isaac, Heinrich (ca. 1450–1517)
Salve virgo sanctissima - 2a pars (of 2): Ora precor mater piissima Isaac, Heinrich (ca. 1450–1517) Appears on: 175v–176 Genres: Motet
176v–178	Anthonio turma fratrum nova cantica psallat II: Cleris ornatus duodenis	-	Anonymous
Anthonio turma fratrum nova cantica psallat II: Cleris ornatus duodenis Anonymous Appears on: 176v–178 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Anthonio turma fratrum nova cantica psallat
178v–179	Crucem sanctam subiit qui infernum	-	Anonymous
Crucem sanctam subiit qui infernum Anonymous Appears on: 178v–179 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Crucem sanctam subiit qui infernum
179v–180r	Crux triumphans - 1a pars (of 2): Crux triumphans decus potentium	-	Compère, Loyset (ca. 1445–1518)
Crux triumphans - 1a pars (of 2): Crux triumphans decus potentium Compère, Loyset (ca. 1445–1518) Appears on: 179v–180r Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Crux triumphans decus potentium
180v–181r	Crux triumphans - 2a pars (of 2): Jesus nomen dignum triumphale	-	Compère, Loyset (ca. 1445–1518)
Crux triumphans - 2a pars (of 2): Jesus nomen dignum triumphale Compère, Loyset (ca. 1445–1518) Appears on: 180v–181r Genres: Motet
181v–182	Ego dormio et cor - 1a pars (of 2): Ego dormio et cor meum vigilat vox dilecti	-	Vinea, Antonius de
Ego dormio et cor - 1a pars (of 2): Ego dormio et cor meum vigilat vox dilecti Vinea, Antonius de Appears on: 181v–182 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Ego dormio et cor meum vigilat
182v–183	Ego dormio et cor - 2a pars (of 2): Misit manum meam	-	Vinea, Antonius de
Ego dormio et cor - 2a pars (of 2): Misit manum meam Vinea, Antonius de Appears on: 182v–183 Genres: Motet
183v–184	Sile fragor - 1a pars (of 2): Sile fragor ac rerum tumultus	-	Compère, Loyset (ca. 1445–1518)
Sile fragor - 1a pars (of 2): Sile fragor ac rerum tumultus Compère, Loyset (ca. 1445–1518) Appears on: 183v–184 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Sile fragor ac rerum tumultus
184v–185	Sile fragor - 2a pars (of 2): Suscipe deitatis mater	-	Compère, Loyset (ca. 1445–1518)
Sile fragor - 2a pars (of 2): Suscipe deitatis mater Compère, Loyset (ca. 1445–1518) Appears on: 184v–185 Genres: Motet
185v–186	Ave Maria gratia plena - 1a pars (of 2): Ave Maria gratia plena Dominus tecum	Loyset Compere	Compère, Loyset (ca. 1445–1518)
Ave Maria gratia plena - 1a pars (of 2): Ave Maria gratia plena Dominus tecum Compère, Loyset (ca. 1445–1518) Appears on: 185v–186 Genres: Ave Maria, Motet Source Attribution: Loyset Compere Voice: [no designation] Languages: Latin Voice Text: Ave Maria gratia plena General Note [= Sancta Maria quesumus*]Publ. cf. Md 2267 n° 38
186v–187	Ave Maria gratia plena - 2a pars (of 2): Sancte Michael ora pro nobis ad Dominum	-	Compère, Loyset (ca. 1445–1518)
Ave Maria gratia plena - 2a pars (of 2): Sancte Michael ora pro nobis ad Dominum Compère, Loyset (ca. 1445–1518) Appears on: 186v–187 Genres: Motet
187v–189	Humilium decus - 1a pars (of 2): Humilium decus a caelorum cardine missum	-	Anonymous
Humilium decus - 1a pars (of 2): Humilium decus a caelorum cardine missum Anonymous Appears on: 187v–189 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Humilium decus a celorum cardine missum
189v–191	Humilium decus - 2a pars (of 2): Simile ducas ad iubar altum	-	Anonymous
Humilium decus - 2a pars (of 2): Simile ducas ad iubar altum Anonymous Appears on: 189v–191 Genres: Motet
191v–192	Alma redemptoris mater / Ave regina caelorum 23.2 - 1a pars (of 2): Alma redemptoris mater / Ave regina caelorum	[JOSQUIN DES PRÉS]	Despres, Josquin (ca. 1450–1521)
Alma redemptoris mater / Ave regina caelorum 23.2 - 1a pars (of 2): Alma redemptoris mater / Ave regina caelorum Despres, Josquin (ca. 1450–1521) Appears on: 191v–192 Genres: Alma redemptoris mater, BVM, Motet Source Attribution: [JOSQUIN DES PRÉS] Voice: [no designation] Languages: Latin Voice Text: Alma redemptoris mater/Ave regina General Note T et A: Ave regina ceLorumPubl. cf. CT 95-96 n° 31
192v–193	Alma redemptoris mater / Ave regina caelorum 23.2 - 2a pars (of 2): Tu que genuisti natura mirante / Gaude virgo gloriosa	[JOSQUIN DES PRÉS]	Despres, Josquin (ca. 1450–1521)
Alma redemptoris mater / Ave regina caelorum 23.2 - 2a pars (of 2): Tu que genuisti natura mirante / Gaude virgo gloriosa Despres, Josquin (ca. 1450–1521) Appears on: 192v–193 Genres: Alma redemptoris mater, BVM, Motet Source Attribution: [JOSQUIN DES PRÉS] Voice: [no designation] Languages: Latin Voice Text: Alma redemptoris mater/Ave regina General Note T et A: Gaude gLoriosaPubl. cf. CT 95-96 n° 31
193v–195	Propter gravamen - 1a pars (of 2): Propter gravamen et tormentum que torquebatur	-	Compère, Loyset (ca. 1445–1518)
Propter gravamen - 1a pars (of 2): Propter gravamen et tormentum que torquebatur Compère, Loyset (ca. 1445–1518) Appears on: 193v–195 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Propter gravamen et tormentum
195v–196	Propter gravamen - 2a pars (of 2): Et subvenii in hora ultima	-	Compère, Loyset (ca. 1445–1518)
Propter gravamen - 2a pars (of 2): Et subvenii in hora ultima Compère, Loyset (ca. 1445–1518) Appears on: 195v–196 Genres: Motet
196v–197	Quis numerare - 1a pars (of 3): Quis numerare queat bellorum saeva peracta / Da pacem Domine	-	Compère, Loyset (ca. 1445–1518)
Quis numerare - 1a pars (of 3): Quis numerare queat bellorum saeva peracta / Da pacem Domine Compère, Loyset (ca. 1445–1518) Appears on: 196v–197 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Quis numerare queat bellorum saeva peracta
197v–198	Quis numerare - 2a pars (of 3): Audivit ipse tamen populi gemitus / Da pacem Domine	-	Compère, Loyset (ca. 1445–1518)
Quis numerare - 2a pars (of 3): Audivit ipse tamen populi gemitus / Da pacem Domine Compère, Loyset (ca. 1445–1518) Appears on: 197v–198 Genres: Motet
198v–199	Quis numerare - 3a pars (of 3): Fundant preces Itali exorent	-	Compère, Loyset (ca. 1445–1518)
Quis numerare - 3a pars (of 3): Fundant preces Itali exorent Compère, Loyset (ca. 1445–1518) Appears on: 198v–199 Genres: Motet
199v–200	Vidi speciosam - 1a pars (of 2): Vidi speciosam sicut columbam ascendentem	-	Anonymous
Vidi speciosam - 1a pars (of 2): Vidi speciosam sicut columbam ascendentem Anonymous Appears on: 199v–200 Genres: Motet
200v–201	Vidi speciosam - 2a pars (of 2): Et circumdabunt cum flores rosae	-	Anonymous
Vidi speciosam - 2a pars (of 2): Et circumdabunt cum flores rosae Anonymous Appears on: 200v–201 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Vidi speciosam sicut columbam ascendentem
201v–202	Ave regina caelorum - 1a pars (of 3): Ave regina caelorum ave	Gaspar [van Weerbecke]	Weerbecke, Gaspar van (ca. 1445–ca. 1516)
Ave regina caelorum - 1a pars (of 3): Ave regina caelorum ave Weerbecke, Gaspar van (ca. 1445–ca. 1516) Appears on: 201v–202 Genres: BVM, Motet Source Attribution: Gaspar [van Weerbecke] Voice: [no designation] Languages: Latin Voice Text: Ave regina caelorum ave
202v–203	Ave regina caelorum - 2a pars (of 3): Gaude gloriosa	Gaspar [van Weerbecke]	Weerbecke, Gaspar van (ca. 1445–ca. 1516)
Ave regina caelorum - 2a pars (of 3): Gaude gloriosa Weerbecke, Gaspar van (ca. 1445–ca. 1516) Appears on: 202v–203 Genres: BVM, Motet Source Attribution: Gaspar [van Weerbecke] Voice: [no designation] Languages: Latin Voice Text: Ave regina caelorum ave
203v–204	Ave regina caelorum - 3a pars (of 3): Vale valde decora	Gaspar [van Weerbecke]	Weerbecke, Gaspar van (ca. 1445–ca. 1516)
Ave regina caelorum - 3a pars (of 3): Vale valde decora Weerbecke, Gaspar van (ca. 1445–ca. 1516) Appears on: 203v–204 Genres: Motet Source Attribution: Gaspar [van Weerbecke] Voice: [no designation] Languages: Latin Voice Text: Ave regina caelorum ave
204v–206	Dulcis amica Dei - 1a pars (of 2): Dulcis amica Dei digna genitrix virgo	Gaspar [van Weerbecke]	Weerbecke, Gaspar van (ca. 1445–ca. 1516)
Dulcis amica Dei - 1a pars (of 2): Dulcis amica Dei digna genitrix virgo Weerbecke, Gaspar van (ca. 1445–ca. 1516) Appears on: 204v–206 Genres: Motet Source Attribution: Gaspar [van Weerbecke] Voice: [no designation] Languages: Latin Voice Text: Dulcis amica dei digna genitrix virgo
206v–208	Dulcis amica Dei - 2a pars (of 2): Rogamus te piissima virgo pro papa nostro	-	Weerbecke, Gaspar van (ca. 1445–ca. 1516)
Dulcis amica Dei - 2a pars (of 2): Rogamus te piissima virgo pro papa nostro Weerbecke, Gaspar van (ca. 1445–ca. 1516) Appears on: 206v–208 Genres: Motet
208v–212	Salve regina mater misericordiae	-	Compère, Loyset (ca. 1445–1518) (?)
Salve regina mater misericordiae Compère, Loyset (ca. 1445–1518) (?) Appears on: 208v–212 Genres: BVM, Motet, Salve Regina Voice: [no designation] Languages: Latin Voice Text: Salve regina
212v–215	Salve regina mater misericordiae	[J. MARTINI]*	Martini, Johannes (ca. 1430–1497)
Salve regina mater misericordiae Martini, Johannes (ca. 1430–1497) Appears on: 212v–215 Genres: Motet, Salve Regina Source Attribution: [J. MARTINI]* Voice: [no designation] Languages: Latin Voice Text: Salve regina General Note Canon qui vult venire post me abnegetsemetipsum. Concordances *D-brd-Mbs 3154
215v–219	Salve regina mater misericordiae	-	Compère, Loyset (ca. 1445–1518) (?)
Salve regina mater misericordiae Compère, Loyset (ca. 1445–1518) (?) Appears on: 215v–219 Genres: BVM, Motet, Salve Regina Voice: [no designation] Languages: Latin Voice Text: Salve regina
219v–222	Salve regina mater misericordiae	-	Anonymous
Salve regina mater misericordiae Anonymous Appears on: 219v–222 Genres: BVM, Motet, Salve Regina Voice: [no designation] Languages: Latin Voice Text: Salve regina
222v–224	Salve regina mater misericordiae	-	Isaac, Heinrich (ca. 1450–1517)
Salve regina mater misericordiae Isaac, Heinrich (ca. 1450–1517) Appears on: 222v–224 Genres: Marian antiphon, Motet, Salve Regina Voice: [no designation] Languages: Latin Voice Text: Salve regina
224v–229	Salve regina mater misericordiae	-	Anonymous
Salve regina mater misericordiae Anonymous Appears on: 224v–229 Genres: BVM, Motet, Salve Regina Voice: [no designation] Languages: Latin Voice Text: Salve regina
229v–231	O felix urbs Aquentium preclara ad Iacencium	-	Anonymous
O felix urbs Aquentium preclara ad Iacencium Anonymous Appears on: 229v–231 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: O felix urbs Aquentium preclara ad Iacencium
231v–235	Virgo praecellens Deitatis mater - 1a pars (of 4): Virgo praecellens Deitatis mater	-	Anonymous
Virgo praecellens Deitatis mater - 1a pars (of 4): Virgo praecellens Deitatis mater Anonymous Appears on: 231v–235 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Virgo praecellens deitatis mater
231v–235	Virgo praecellens Deitatis mater - 2a pars (of 4): Anna te mundo genuit	-	Anonymous
Virgo praecellens Deitatis mater - 2a pars (of 4): Anna te mundo genuit Anonymous Appears on: 231v–235 Genres: Motet
231v–235	Virgo praecellens Deitatis mater - 3a pars (of 4): Pacis in terris chorus	-	Anonymous
Virgo praecellens Deitatis mater - 3a pars (of 4): Pacis in terris chorus Anonymous Appears on: 231v–235 Genres: Motet
231v–235	Virgo praecellens Deitatis mater - 4a pars (of 4): Ergo te nostrae	-	Anonymous
Virgo praecellens Deitatis mater - 4a pars (of 4): Ergo te nostrae Anonymous Appears on: 231v–235 Genres: Motet
235v–238	O pulcherrima mulierum surge amica mea II: Quo abiit dilectus III: Et ego illi qui pascit	-	Anonymous
O pulcherrima mulierum surge amica mea II: Quo abiit dilectus III: Et ego illi qui pascit Anonymous Appears on: 235v–238 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: O pulcherrima mulierum surge amica mea
239v–241	Anima mea liquefacta est / Stirps Jesse	-	Busnoys, Antoine (ca. 1430–1492)
Anima mea liquefacta est / Stirps Jesse Busnoys, Antoine (ca. 1430–1492) Appears on: 239v–241 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Anima mea liquefacta est/Stirps Iesse
242v–244	Gaude caelestis domina - 1a pars (of 2): Gaude caelestic domina	-	Busnoys, Antoine (ca. 1430–1492)
Gaude caelestis domina - 1a pars (of 2): Gaude caelestic domina Busnoys, Antoine (ca. 1430–1492) Appears on: 242v–244 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Gaude caelestis domina
244v–246	Gaude caelestis domina - 2a pars (of 2): Gaude quod sanctos superas	-	Busnoys, Antoine (ca. 1430–1492)
Gaude caelestis domina - 2a pars (of 2): Gaude quod sanctos superas Busnoys, Antoine (ca. 1430–1492) Appears on: 244v–246 Genres: Motet
246v–248	Illibata Dei virgo 24.3 - 1a pars (of 2): Illibata Dei virgo nutrix	-	Despres, Josquin (ca. 1450–1521)
Illibata Dei virgo 24.3 - 1a pars (of 2): Illibata Dei virgo nutrix Despres, Josquin (ca. 1450–1521) Appears on: 246v–248 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Illibata dei virgo nutrix
248v–250	Illibata Dei virgo 24.3 - 2a pars (of 2): Ave virginum decus hominum	-	Despres, Josquin (ca. 1450–1521)
Illibata Dei virgo 24.3 - 2a pars (of 2): Ave virginum decus hominum Despres, Josquin (ca. 1450–1521) Appears on: 248v–250 Genres: Motet
250v–252	Inviolata integra et casta es - 1a pars (of 2): Inviolata integra et casta es Maria	-	Anonymous
Inviolata integra et casta es - 1a pars (of 2): Inviolata integra et casta es Maria Anonymous Appears on: 250v–252 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Inviolata integra et casta es Maria
253v–255	Alma redemptoris mater	-	Anonymous
Alma redemptoris mater Anonymous Appears on: 253v–255 Genres: Alma redemptoris mater, BVM, Motet Voice: [no designation] Languages: Latin Voice Text: Alma redemptoris mater
256v–259	Regina caeli laetare alleluia II: Quia quem meruisti III: Resurrexit sicut dixit	-	Anonymous
Regina caeli laetare alleluia II: Quia quem meruisti III: Resurrexit sicut dixit Anonymous Appears on: 256v–259 Genres: Motet, Regina caeli laetare Voice: [no designation] Languages: Latin Voice Text: Regina caeli laetare alleluia
259v–261	Regina caeli laetare alleluia II: Resurrexit sicut dixit	-	Anonymous
Regina caeli laetare alleluia II: Resurrexit sicut dixit Anonymous Appears on: 259v–261 Genres: Motet, Regina caeli laetare Voice: [no designation] Languages: Latin Voice Text: Regina caeli laetare alleluia
261v–263	Regina caeli laetare alleluia	-	Anonymous
Regina caeli laetare alleluia Anonymous Appears on: 261v–263 Genres: Motet, Regina caeli laetare Voice: [no designation] Languages: Latin Voice Text: Regina caeli laetare alleluia
263v–265	Regina caeli laetare alleluia II: Resurrexit sicut dixit	-	Anonymous
Regina caeli laetare alleluia II: Resurrexit sicut dixit Anonymous Appears on: 263v–265 Genres: Motet, Regina caeli laetare Voice: [no designation] Languages: Latin Voice Text: Regina caeli laetare alleluia
265v–266	Petrus apostolus et Paulus doctor	[Du Fay] * A faux bourdon. Si placet	Du Fay, Guillaume (1397–1474)
Petrus apostolus et Paulus doctor Du Fay, Guillaume (1397–1474) Appears on: 265v–266 Genres: Mass Ordinary, Sanctus [& Benedictus] Source Attribution: [Du Fay] * A faux bourdon. Si placet Voice: [no designation] Languages: Latin Voice Text: Petrus apostolus et Paulus doctor General Note Two versions: one with new CT and B
266v–268	Da pacem Domine in diebus nostris II: Salva nos III: In diebus uris	-	Anonymous
Da pacem Domine in diebus nostris II: Salva nos III: In diebus uris Anonymous Appears on: 266v–268 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Da pacem domine in diebus nostris
268v–269	Da pacem Domine in diebus nostris	-	Anonymous
Da pacem Domine in diebus nostris Anonymous Appears on: 268v–269 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Da pacem domine in diebus nostris

Composer	Compositions
Agricola, Alexander (ca. 1445–1506)	(?) Magnificat quarti toni: Et exultavit [K.632] – 108v–117
Anonymous	Alma redemptoris mater – 253v–255 Angelorum decoratrix II: Pia pulcra es – 170v–173 Anthonio turma fratrum nova cantica psallat II: Cleris ornatus duodenis – 176v–178 Ave regina caelorum II: Gaude gloriosa – 168v–170 Crucem sanctam subiit qui infernum – 178v–179 Da pacem Domine in diebus nostris – 268v–269 Da pacem Domine in diebus nostris II: Salva nos III: In diebus uris – 266v–268 Humilium decus - 1a pars (of 2): Humilium decus a caelorum cardine missum – 187v–189 Humilium decus - 2a pars (of 2): Simile ducas ad iubar altum – 189v–191 Inviolata integra et casta es - 1a pars (of 2): Inviolata integra et casta es Maria – 250v–252 Iste confessor qui prius prudens – 64v–66 Jesu nostra redemptio Quae te vicit clementia – 27v–29 Lucis creator optime Qui mane junctum – 12v–14 Magnificat octavi toni: Anima mea [K.397] – 154v–160 Magnificat primi toni: Anima mea [K.141] – 77v–84 Magnificat septimi toni: Anima mea [K.353] – 144v–147 Magnificat sexti toni: anima mea [K.292] – 141v–144 Magnificat tone 2: Anima mea Dominum (or Et exultavit) [K.198] – 85v–91 Magnificat: Et exultavit [K.272] – 118v–126 O beata infantia - 1a pars (of 2): O beata infantia – 161v–162 O beata infantia - 2a pars (of 2): O praesepe splendidum – 162v–163 O felix urbs Aquentium preclara ad Iacencium – 229v–231 O pulcherrima mulierum surge amica mea II: Quo abiit dilectus III: Et ego illi qui pascit – 235v–238 Petrus beatus cathenarum – 47v–48 Regina caeli laetare alleluia – 261v–263 Regina caeli laetare alleluia II: Quia quem meruisti III: Resurrexit sicut dixit – 256v–259 Regina caeli laetare alleluia II: Resurrexit sicut dixit – 263v–265 Regina caeli laetare alleluia II: Resurrexit sicut dixit – 259v–261 Salve regina mater misericordiae – 224v–229 Salve regina mater misericordiae – 219v–222 Sanctorum meritis Hi sunt quos retinens – 59v–62 Tibi Christe splendor Patris – 48v–50 Vidi speciosam - 1a pars (of 2): Vidi speciosam sicut columbam ascendentem – 199v–200 Vidi speciosam - 2a pars (of 2): Et circumdabunt cum flores rosae – 200v–201 Virgo praecellens Deitatis mater - 1a pars (of 4): Virgo praecellens Deitatis mater – 231v–235 Virgo praecellens Deitatis mater - 2a pars (of 4): Anna te mundo genuit – 231v–235 Virgo praecellens Deitatis mater - 3a pars (of 4): Pacis in terris chorus – 231v–235 Virgo praecellens Deitatis mater - 4a pars (of 4): Ergo te nostrae – 231v–235
Brumel, Antoine (ca. 1460–ca. 1513)	(?) Magnificat quarti toni: Et exultavit [K.632] – 108v–117 Magnificat sexti toni: Anima mea [K.633] – 127v–133
Busnoys, Antoine (ca. 1430–1492)	Anima mea liquefacta est / Stirps Jesse – 239v–241 Gaude caelestis domina - 1a pars (of 2): Gaude caelestic domina – 242v–244 Gaude caelestis domina - 2a pars (of 2): Gaude quod sanctos superas – 244v–246
Compère, Loyset (ca. 1445–1518)	Ave Maria gratia plena - 1a pars (of 2): Ave Maria gratia plena Dominus tecum – 185v–186 Ave Maria gratia plena - 2a pars (of 2): Sancte Michael ora pro nobis ad Dominum – 186v–187 Crux triumphans - 1a pars (of 2): Crux triumphans decus potentium – 179v–180r Crux triumphans - 2a pars (of 2): Jesus nomen dignum triumphale – 180v–181r Magnificat primi toni [K.696] – 71v–76 Propter gravamen - 1a pars (of 2): Propter gravamen et tormentum que torquebatur – 193v–195 Propter gravamen - 2a pars (of 2): Et subvenii in hora ultima – 195v–196 Quis numerare - 1a pars (of 3): Quis numerare queat bellorum saeva peracta / Da pacem Domine – 196v–197 Quis numerare - 2a pars (of 3): Audivit ipse tamen populi gemitus / Da pacem Domine – 197v–198 Quis numerare - 3a pars (of 3): Fundant preces Itali exorent – 198v–199 (?) Salve regina mater misericordiae – 215v–219 (?) Salve regina mater misericordiae – 208v–212 Sile fragor - 1a pars (of 2): Sile fragor ac rerum tumultus – 183v–184 Sile fragor - 2a pars (of 2): Suscipe deitatis mater – 184v–185
Despres, Josquin (ca. 1450–1521)	Alma redemptoris mater / Ave regina caelorum 23.2 - 1a pars (of 2): Alma redemptoris mater / Ave regina caelorum – 191v–192 Alma redemptoris mater / Ave regina caelorum 23.2 - 2a pars (of 2): Tu que genuisti natura mirante / Gaude virgo gloriosa – 192v–193 Illibata Dei virgo 24.3 - 1a pars (of 2): Illibata Dei virgo nutrix – 246v–248 Illibata Dei virgo 24.3 - 2a pars (of 2): Ave virginum decus hominum – 248v–250 Nardi Maria pistici... Honor decus imperium 26.7 – 46–47
Du Fay, Guillaume (1397–1474)	Ad cenam agni (3vv) – 23v–27 Audi benigne conditor Scrutator alme cordium – 14v–16 Aurea luce et decore roseo – 39v–41 Aures ad nostras (Respice clemens) – 16v–20 Ave maris stella Sumens illud ave – 42v–46 Christe redemptor omnium . Tu lumen tu splendor (Christmas setting) – 5v–8 Christe redemptor omnium/conserva (v/24b) – 50v–53 Conditor alme siderum – 2–5 Deus tuorum militum (Hic nempe mundi gaudia) – 56v–58 Doctor egregie – 41v–42 Exultet caelum laudibus [2 versions, with Ct or with faulxbourdon] – 53v–56 Hostis Herodes impie – 8v–10 Iste confessor (Qui pius prudens) – 62v–64 Jesu corona virginum (Qui pascis inter lilia) – 66v–68 Magnificat 3 & 4 toni. Anima mea [K.747] – 95v–99 O lux beata – 32v–34 Pange lingua gloriosi corporis misterium – 34v–37 Petrus apostolus et Paulus doctor – 265v–266 Sanctorum meritis Hi sunt quos retinens – 58v–59 Urbs beata Jerusalem. Nova veniens e caelo – 68v–70 (?) Ut queant Iaxis (Nuntius celso veniens) – 37v–39 Veni creator spiritus – 29v–32 Vexilla regis prodeunt – 20v–23
Isaac, Heinrich (ca. 1450–1517)	Salve regina mater misericordiae – 222v–224 Salve virgo sanctissima - 1a pars (of 2): Salve virgo sanctissima super omnes feminas – 173v–175 Salve virgo sanctissima - 2a pars (of 2): Ora precor mater piissima – 175v–176
Martini, Johannes (ca. 1430–1497)	Magnificat quarti toni:: Et exultavit [K.908] – 100v–107 Magnificat sexti toni: Anima mea [K.909] – 134v–140 Magnificat tertti toni: Anima mea [K.907] – 91v–95 Salve regina mater misericordiae – 212v–215
Orto, Marbrianus de	Lucis creator optime Qui mano junctum – 10v–12
Pullois, Johannes	Flos de spina - 1a pars (of 2): Flos de spina procreatur et flos flore fecundatur – 166v–167 Flos de spina - 2a pars (of 2): Quod celerat umbra legis – 167v–168
Regis, Johannes (ca. 1425–ca. 1496)	Clangat plebs - 1a pars (of 3): Clangat plebs flores theotece voce sonora – 163v–164 Clangat plebs - 2a pars (of 3): Carmina cadentem – 164v–166
Vinea, Antonius de	Ego dormio et cor - 1a pars (of 2): Ego dormio et cor meum vigilat vox dilecti – 181v–182 Ego dormio et cor - 2a pars (of 2): Misit manum meam – 182v–183
Weerbecke, Gaspar van (ca. 1445–ca. 1516)	Ave regina caelorum - 1a pars (of 3): Ave regina caelorum ave – 201v–202 Ave regina caelorum - 2a pars (of 3): Gaude gloriosa – 202v–203 Ave regina caelorum - 3a pars (of 3): Vale valde decora – 203v–204 Dulcis amica Dei - 1a pars (of 2): Dulcis amica Dei digna genitrix virgo – 204v–206 Dulcis amica Dei - 2a pars (of 2): Rogamus te piissima virgo pro papa nostro – 206v–208 Magnificat octavi toni: Anima mea [K.807] – 148v–153

Composition	Composers (? Uncertain)	Folios / Pages
Ad cenam agni (3vv)	Du Fay, Guillaume (1397–1474)	23v–27
Alma redemptoris mater	Anonymous	253v–255
Alma redemptoris mater / Ave regina caelorum 23.2 - 1a pars (of 2): Alma redemptoris mater / Ave regina caelorum	Despres, Josquin (ca. 1450–1521)	191v–192
Alma redemptoris mater / Ave regina caelorum 23.2 - 2a pars (of 2): Tu que genuisti natura mirante / Gaude virgo gloriosa	Despres, Josquin (ca. 1450–1521)	192v–193
Angelorum decoratrix II: Pia pulcra es	Anonymous	170v–173
Anima mea liquefacta est / Stirps Jesse	Busnoys, Antoine (ca. 1430–1492)	239v–241
Anthonio turma fratrum nova cantica psallat II: Cleris ornatus duodenis	Anonymous	176v–178
Audi benigne conditor Scrutator alme cordium	Du Fay, Guillaume (1397–1474)	14v–16
Aurea luce et decore roseo	Du Fay, Guillaume (1397–1474)	39v–41
Aures ad nostras (Respice clemens)	Du Fay, Guillaume (1397–1474)	16v–20
Ave Maria gratia plena - 1a pars (of 2): Ave Maria gratia plena Dominus tecum	Compère, Loyset (ca. 1445–1518)	185v–186
Ave Maria gratia plena - 2a pars (of 2): Sancte Michael ora pro nobis ad Dominum	Compère, Loyset (ca. 1445–1518)	186v–187
Ave maris stella Sumens illud ave	Du Fay, Guillaume (1397–1474)	42v–46
Ave regina caelorum - 1a pars (of 3): Ave regina caelorum ave	Weerbecke, Gaspar van (ca. 1445–ca. 1516)	201v–202
Ave regina caelorum - 2a pars (of 3): Gaude gloriosa	Weerbecke, Gaspar van (ca. 1445–ca. 1516)	202v–203
Ave regina caelorum - 3a pars (of 3): Vale valde decora	Weerbecke, Gaspar van (ca. 1445–ca. 1516)	203v–204
Ave regina caelorum II: Gaude gloriosa	Anonymous	168v–170
Christe redemptor omnium . Tu lumen tu splendor (Christmas setting)	Du Fay, Guillaume (1397–1474)	5v–8
Christe redemptor omnium/conserva (v/24b)	Du Fay, Guillaume (1397–1474)	50v–53
Clangat plebs - 1a pars (of 3): Clangat plebs flores theotece voce sonora	Regis, Johannes (ca. 1425–ca. 1496)	163v–164
Clangat plebs - 2a pars (of 3): Carmina cadentem	Regis, Johannes (ca. 1425–ca. 1496)	164v–166
Conditor alme siderum	Du Fay, Guillaume (1397–1474)	2–5
Crucem sanctam subiit qui infernum	Anonymous	178v–179
Crux triumphans - 1a pars (of 2): Crux triumphans decus potentium	Compère, Loyset (ca. 1445–1518)	179v–180r
Crux triumphans - 2a pars (of 2): Jesus nomen dignum triumphale	Compère, Loyset (ca. 1445–1518)	180v–181r
Da pacem Domine in diebus nostris	Anonymous	268v–269
Da pacem Domine in diebus nostris II: Salva nos III: In diebus uris	Anonymous	266v–268
Deus tuorum militum (Hic nempe mundi gaudia)	Du Fay, Guillaume (1397–1474)	56v–58
Doctor egregie	Du Fay, Guillaume (1397–1474)	41v–42
Dulcis amica Dei - 1a pars (of 2): Dulcis amica Dei digna genitrix virgo	Weerbecke, Gaspar van (ca. 1445–ca. 1516)	204v–206
Dulcis amica Dei - 2a pars (of 2): Rogamus te piissima virgo pro papa nostro	Weerbecke, Gaspar van (ca. 1445–ca. 1516)	206v–208
Ego dormio et cor - 1a pars (of 2): Ego dormio et cor meum vigilat vox dilecti	Vinea, Antonius de	181v–182
Ego dormio et cor - 2a pars (of 2): Misit manum meam	Vinea, Antonius de	182v–183
Exultet caelum laudibus [2 versions, with Ct or with faulxbourdon]	Du Fay, Guillaume (1397–1474)	53v–56
Flos de spina - 1a pars (of 2): Flos de spina procreatur et flos flore fecundatur	Pullois, Johannes	166v–167
Flos de spina - 2a pars (of 2): Quod celerat umbra legis	Pullois, Johannes	167v–168
Gaude caelestis domina - 1a pars (of 2): Gaude caelestic domina	Busnoys, Antoine (ca. 1430–1492)	242v–244
Gaude caelestis domina - 2a pars (of 2): Gaude quod sanctos superas	Busnoys, Antoine (ca. 1430–1492)	244v–246
Hostis Herodes impie	Du Fay, Guillaume (1397–1474)	8v–10
Humilium decus - 1a pars (of 2): Humilium decus a caelorum cardine missum	Anonymous	187v–189
Humilium decus - 2a pars (of 2): Simile ducas ad iubar altum	Anonymous	189v–191
Illibata Dei virgo 24.3 - 1a pars (of 2): Illibata Dei virgo nutrix	Despres, Josquin (ca. 1450–1521)	246v–248
Illibata Dei virgo 24.3 - 2a pars (of 2): Ave virginum decus hominum	Despres, Josquin (ca. 1450–1521)	248v–250
Inviolata integra et casta es - 1a pars (of 2): Inviolata integra et casta es Maria	Anonymous	250v–252
Iste confessor (Qui pius prudens)	Du Fay, Guillaume (1397–1474)	62v–64
Iste confessor qui prius prudens	Anonymous	64v–66
Jesu corona virginum (Qui pascis inter lilia)	Du Fay, Guillaume (1397–1474)	66v–68
Jesu nostra redemptio Quae te vicit clementia	Anonymous	27v–29
Lucis creator optime Qui mane junctum	Anonymous	12v–14
Lucis creator optime Qui mano junctum	Orto, Marbrianus de	10v–12
Magnificat 3 & 4 toni. Anima mea [K.747]	Du Fay, Guillaume (1397–1474)	95v–99
Magnificat octavi toni: Anima mea [K.397]	Anonymous	154v–160
Magnificat octavi toni: Anima mea [K.807]	Weerbecke, Gaspar van (ca. 1445–ca. 1516)	148v–153
Magnificat primi toni [K.696]	Compère, Loyset (ca. 1445–1518)	71v–76
Magnificat primi toni: Anima mea [K.141]	Anonymous	77v–84
Magnificat quarti toni: Et exultavit [K.632]	Brumel, Antoine (ca. 1460–ca. 1513) (?) Agricola, Alexander (ca. 1445–1506) (?)	108v–117
Magnificat quarti toni:: Et exultavit [K.908]	Martini, Johannes (ca. 1430–1497)	100v–107
Magnificat septimi toni: Anima mea [K.353]	Anonymous	144v–147
Magnificat sexti toni: anima mea [K.292]	Anonymous	141v–144
Magnificat sexti toni: Anima mea [K.633]	Brumel, Antoine (ca. 1460–ca. 1513)	127v–133
Magnificat sexti toni: Anima mea [K.909]	Martini, Johannes (ca. 1430–1497)	134v–140
Magnificat tertti toni: Anima mea [K.907]	Martini, Johannes (ca. 1430–1497)	91v–95
Magnificat tone 2: Anima mea Dominum (or Et exultavit) [K.198]	Anonymous	85v–91
Magnificat: Et exultavit [K.272]	Anonymous	118v–126
Nardi Maria pistici... Honor decus imperium 26.7	Despres, Josquin (ca. 1450–1521)	46–47
O beata infantia - 1a pars (of 2): O beata infantia	Anonymous	161v–162
O beata infantia - 2a pars (of 2): O praesepe splendidum	Anonymous	162v–163
O felix urbs Aquentium preclara ad Iacencium	Anonymous	229v–231
O lux beata	Du Fay, Guillaume (1397–1474)	32v–34
O pulcherrima mulierum surge amica mea II: Quo abiit dilectus III: Et ego illi qui pascit	Anonymous	235v–238
Pange lingua gloriosi corporis misterium	Du Fay, Guillaume (1397–1474)	34v–37
Petrus apostolus et Paulus doctor	Du Fay, Guillaume (1397–1474)	265v–266
Petrus beatus cathenarum	Anonymous	47v–48
Propter gravamen - 1a pars (of 2): Propter gravamen et tormentum que torquebatur	Compère, Loyset (ca. 1445–1518)	193v–195
Propter gravamen - 2a pars (of 2): Et subvenii in hora ultima	Compère, Loyset (ca. 1445–1518)	195v–196
Quis numerare - 1a pars (of 3): Quis numerare queat bellorum saeva peracta / Da pacem Domine	Compère, Loyset (ca. 1445–1518)	196v–197
Quis numerare - 2a pars (of 3): Audivit ipse tamen populi gemitus / Da pacem Domine	Compère, Loyset (ca. 1445–1518)	197v–198
Quis numerare - 3a pars (of 3): Fundant preces Itali exorent	Compère, Loyset (ca. 1445–1518)	198v–199
Regina caeli laetare alleluia	Anonymous	261v–263
Regina caeli laetare alleluia II: Quia quem meruisti III: Resurrexit sicut dixit	Anonymous	256v–259
Regina caeli laetare alleluia II: Resurrexit sicut dixit	Anonymous	259v–261
Regina caeli laetare alleluia II: Resurrexit sicut dixit	Anonymous	263v–265
Salve regina mater misericordiae	Compère, Loyset (ca. 1445–1518) (?)	208v–212
Salve regina mater misericordiae	Martini, Johannes (ca. 1430–1497)	212v–215
Salve regina mater misericordiae	Compère, Loyset (ca. 1445–1518) (?)	215v–219
Salve regina mater misericordiae	Anonymous	219v–222
Salve regina mater misericordiae	Isaac, Heinrich (ca. 1450–1517)	222v–224
Salve regina mater misericordiae	Anonymous	224v–229
Salve virgo sanctissima - 1a pars (of 2): Salve virgo sanctissima super omnes feminas	Isaac, Heinrich (ca. 1450–1517)	173v–175
Salve virgo sanctissima - 2a pars (of 2): Ora precor mater piissima	Isaac, Heinrich (ca. 1450–1517)	175v–176
Sanctorum meritis Hi sunt quos retinens	Du Fay, Guillaume (1397–1474)	58v–59
Sanctorum meritis Hi sunt quos retinens	Anonymous	59v–62
Sile fragor - 1a pars (of 2): Sile fragor ac rerum tumultus	Compère, Loyset (ca. 1445–1518)	183v–184
Sile fragor - 2a pars (of 2): Suscipe deitatis mater	Compère, Loyset (ca. 1445–1518)	184v–185
Tibi Christe splendor Patris	Anonymous	48v–50
Urbs beata Jerusalem. Nova veniens e caelo	Du Fay, Guillaume (1397–1474)	68v–70
Ut queant Iaxis (Nuntius celso veniens)	Du Fay, Guillaume (1397–1474) (?)	37v–39
Veni creator spiritus	Du Fay, Guillaume (1397–1474)	29v–32
Vexilla regis prodeunt	Du Fay, Guillaume (1397–1474)	20v–23
Vidi speciosam - 1a pars (of 2): Vidi speciosam sicut columbam ascendentem	Anonymous	199v–200
Vidi speciosam - 2a pars (of 2): Et circumdabunt cum flores rosae	Anonymous	200v–201
Virgo praecellens Deitatis mater - 1a pars (of 4): Virgo praecellens Deitatis mater	Anonymous	231v–235
Virgo praecellens Deitatis mater - 2a pars (of 4): Anna te mundo genuit	Anonymous	231v–235
Virgo praecellens Deitatis mater - 3a pars (of 4): Pacis in terris chorus	Anonymous	231v–235
Virgo praecellens Deitatis mater - 4a pars (of 4): Ergo te nostrae	Anonymous	231v–235

‡ denotes primary source study

Rodin, Jesse. 2008. “When in Rome…”: What Josquin Learned in the Sistine Chapel. Journal of the American Musicological Society, 307-372. Pages: 319. Notes: discussion, scribal concordances.

Sherr, Richard Jonathan. 1996. Papal Music Manuscripts in the Late Fifteenth and Early Sixteenth Centuries. Renaissance Manuscript Studies. Neuhausen nr. Stuttgart.

Dean, Jeffrey J. 1984. The Scribes of the Sistine Chapel 1501-1527. University of Chicago, Unpublished Ph.D. dissertation. Pages: 49-57, 211-2,215,282.

Brown, Howard Mayer. 1983. A 'New' Chansonnier of the Early Sixteenth Century in the University Library of Uppsala: A Preliminary Report. Musica Disciplina, 171-233. Pages: 184,206.

Reynolds, Christopher Alan. 1982. The Music Chapel at San Pietro in Vaticano in the Later Fifteenth Century. Princeton University, Unpublished Ph.D. dissertation. Pages: 32-3,94,96, 222, 227ff, 252-7.

Roth, Adalbert. 1982. Studien zum frühen Repertoire der Päpstlichen Kapelle unter dem Pontifikat Sixtus' IV. (1471-1484). Die Chorbücher 14 und 51 des Fondo Cappella Sistina der Biblioteca Apostolica Vaticana. Johann Wolfgang Goethe-Universität (Frankfurt am Main), Unpublished Ph.D. dissertation. Pages: 191,244-5,247.

Reynolds, Christopher Alan. 1981. The Origins of San Pietro B 80 and the Development of a Roman Sacred Repertory. Early Music History, 257-304. Pages: 269-70, 297, 299-301.

Ward, Tom Robert. 1979. The Polyphonic Office Hymn from 1400 to 1520: A Descriptive Inventory. RMS. American Institute of Musicology. Pages: 50ff, passim.

Just, Martin. 1975. Der Mensuralkodex Mus. ms. 40021 der Staatsbibliothek Preussischer Kulturbesitz Berlin: Untersuchungen zum Repertoire einer deutschen Quelle des 15. Jahrhunderts. Würzburger Musikhistorische Beitrage. Tutzing. Pages: II,51,84-5,120-1, 153.

Sherr, Richard Jonathan. 1975. The Papal Chapel ca. 1492-1513 and Its Polyphonic Sources. Princeton University, Unpublished Ph.D. dissertation. Pages: 158-65, 204-15, passim.

Miller, Ronald Lee. 1974. The Musical Works of Marbriano de Orto: Transcription and Commentary. Indiana University, Unpublished Ph.D. dissertation. Pages: I,15-6,140-8; II,383-90.

Loach, Donald Glenn. 1969. Aegidius Tschudi's Songbook (St. Gall MS 463): A Humanistic Document from the Circle of Heinrich Glarean. University of California at Berkeley, Unpublished Ph.D. dissertation. Pages: I,303, 306,325.

Ward, Tom Robert. 1969. The Polyphonic Office Hymn from the Late Fourteenth Century Until the Early Sixteenth Century. University of Pittsburgh, Unpublished Ph.D. dissertation. Pages: 73-81, 85-7,213ff,516-7,551-6, passim.

Brawley, John Gray, Jr. 1968. The Magnificats, Hymns, Motets, and Secular Compositions of Johannes Martini. Yale University, Unpublished Ph.D. dissertation. Pages: I, 23ff, passim; II,6ff,32-9.

Gülke, Peter (editor). 1967. Johannis Pullois: Opera Omnia. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: xv-xvi.

Kanazawa, Masakata. 1966. Polyphonic music for Vespers in the fifteenth century. Harvard University, Ph.D. Dissertation, 2 vols. Pages: 216-9, passim.

Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts. Tutzing. Pages: 160-1.

Finscher, Ludwig. 1964. Loyset Compere: Life and Works. Musicological Studies and Documents. American Institute of Musicology. Pages: 27-8,44-6.

Osthoff, Helmuth. 1962. Josquin Desprez. 2 vols. Tutzing. Pages: II,7,68-9,77-9,375-7.

Lerner, Edward R (editor). 1961-70. Alexandrí Agricola: Opera Omnia. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: III,xiii,77-87.

Just, Martin. 1960. Studien zu Heinrich Isaacs Motetten. Eberhard-Karls-Universität, Tübingen, Unpublished Ph.D. dissertation. Pages: I, 33, 159,207-8; II,23,68-9,105.

Llorens Cisteró, José Maria. 1960. Capellae Sixtinae Codices. Vatican City. Pages: 21-9,477-80.

Lindenburg, Cornells W H (editor). 1956. Johannis Regis: Opera Omnia. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: II, ii.

de Van, Guillaume, and Heinrich Besseler (editors). 1948-66. Guillaume Dufay: Opera Omnia. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: V,xvii-ff, 137-8,141-2,144,146-8.

Smijers, Albert (editor). 1926-64. Werken van Josquin des Prez: Motetten. Amsterdam. Pages: V,viii-ix; V,x.

This form is used to make comments on a source. If you wish to notify us of a correction to the record, you should use the "Contribute a change" form instead.

No comments have been made.

Contributions to this record are recorded here. If you wish to contribute information or a correction to this record, use the "Contribute a Change" link. This will then be reviewed by DIAMM staff and, if accepted, your contribution will be acknowledged here.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description

Répertoire Internationale des Sources Musicales

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description