V-CVbav MS Urb. lat. 1411

Biblioteca Apostolica Vaticana, Vatican City, Rome, Italy

manuscript of polyphony: c. 1440-50

Archive	Biblioteca Apostolica Vaticana, Vatican City, Rome, Italy (V-CVbav)
Shelfmark	MS Urb. lat. 1411
Image Availability	DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface	Mixed Paper and Parchment
Numbering System	Foliation
Measurements	215 x 142 mm
Other Identifiers	RISM: I-Rvat 1411 CCM: VatU 1411 olim (Former shelfmark): I-Rvat MS Urb. lat. 1411
Notations	black full mensural coloration in red
Relationships	Piero de Archangeli de li Bonaventuri da Urbino (owner) de' Medici, Piero (1416–1469) (owner)
External Links	images
Provenance	Italy
Contents	23 pieces from 6 composers

General Description

Copied by a single scribe. Probably copied in Florence. Given by Piero de' Medici (1416-69) to 'Piero de Archangeli de li Bonaventuri da Urbino' (inscription on f. 1'). Passed to present library in 1658, as part of collection owned by Dukes of Urbino.

DIAMM, 2017

Binding

Rebound in modern covers of brown leather over cardboard, gold tooled with papal arms

DIAMM, 2017

Notation

black mensural with red coloration

DIAMM, 2017

Ruling

Staff height 13.

DIAMM, 2017

Foliation

Parchment folios have modern foliation, 1-26, on upper right rectos

DIAMM, 2017

Decoration

Small inked initials; illuminated miniature on f. 2' includes heraldic emblems associated with Medici family of Florence and of city of Urbino (see SchavP for description and discussion).

DIAMM, 2017

Surface

i paper + 26 parchment + 20 + ii paper

DIAMM, 2017

RISM Description

RISM BIV/5

XVe s. 26ff. Parchemin, 219X150 mm. Foliotation ancienne en haut des ff. Les ff. 1 à 3, 23v à 26 sont blancs. Notation mesurée noire et rouge. 6 portées par p. Au f. 26v, 2 lignes de musique copiées postérieurement en notation blanche. Au f. 2v, armoiries en coul. portant les 6 palle des Médicis. Rehure ancienne (XVIe s.) maroquin rouge, fers dorés.

Ms. certainement copié en Italie, car, malgré la nette préférence accordée au répertoire français (15 chansons françaises pour 4 italiennes), les fautes de texte révèlent un scribe italien. Le f. lv porte: «Questo libro de Musicha fu donato a Piero de Archangelo de li Bonaventuri da Urbino dal Magro Piero di Chosimo de Medici di Fiorenza.» Les ms. a donc appartenu a Piero de' Medici (1416-1469), père de Lorenzo et ami de Dufay, ce qui explique peut-être qu'on y trouve deux unica de ce compositeur (nos 8 et 11). Cependant, c'est Binchois qui l'emporte avec 12 chansons dont deux unica (nos 10 et 18).

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of any of this content without permission may result in legal action.

Répertoire International des Sources Musicales

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

15 French secular pieces, 4 Italian secular pieces = 19

Binchois [Bincoys]-12, Ciconia-1, Dufay-3, Dunstable/(Bedingham)-1, anon-2

i paper + 26 parchment + 20 + ii paper folios, 215 x 142. Modern paper folios blank; not taken into further consideration here. Parchment folios have modern foliation, 1-26, on upper right rectos. Rebound in modern covers of brown leather over cardboard, gold tooled with papal arms. No index. Black mensural notation with red coloration. Copied by a single scribe. Staff height 13. Small inked initials; illuminated miniature on f. 2' includes heraldic emblems associated with Medici family of Florence and of city of Urbino (see SchavP for description and discussion).

Ca. 1440-50. Probably copied in Florence. Given by Piero de' Medici (1416-69) to "Piero de Archangeli de li Bonaventuri da Urbino" (inscription on f. 1'). Passed to present library in 1658, as part of collection owned by Dukes of Urbino.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
3v–4	Con dollia me ne vo - 1a pars (of 2): Con dollia me ne vo	-	Anonymous
Con dollia me ne vo - 1a pars (of 2): Con dollia me ne vo Anonymous Appears on: 3v–4 Genres: Italian secular Voice: [no designation] Languages: Latin Voice Text: Con dollia me ne vo
3v–4	Con dollia me ne vo - 2a pars (of 2): Bienche credo che credo	-	Anonymous
Con dollia me ne vo - 2a pars (of 2): Bienche credo che credo Anonymous Appears on: 3v–4 Genres: Italian secular Voice: [no designation] Languages: Latin Voice Text: [2a p.]: Bienche credo che credo
4v–5	Fatem de moi tout ce que vous playra	-	Anonymous
Fatem de moi tout ce que vous playra Anonymous Appears on: 4v–5 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Fatem de moy tout ce que vous playra
5v–6	Adieu Adieu, mon joyeux souvenir	BINCOYS	Binchois, Gilles (ca. 1400–1460)
Adieu Adieu, mon joyeux souvenir Binchois, Gilles (ca. 1400–1460) Appears on: 5v–6 Genres: Chanson Source Attribution: BINCOYS Voice: [no designation] Languages: French Voice Text: Adieu adieu, mon joy[eux] souvenir Item Bibliography Rehm, Wolfgang (editor). 1957) & Vol. VI: Mehrstimmige Lamentationen aus der ersten Hälfte des 16. Jahrhunderts, Massenkeil, G (ed.) (1965) & Vol. VII-VIII. Heinrich Isaac Messen, Staehelin, Martin (ed.) (1970-1973. Die Chansons von Gilles Binchois (1400-1460). Musikalische Denkmäler. Pages: II. Blume, Friedrich, and Kurt Gude (editors). 1929-79. Das Chorwerk. Wolfenbüttel/Berlin. Pages: 22. Stainer, John F. R, Cécie Stainer, Edward W. B. Nicholson, and Stainer Sir John. 1898; reprinted as EBM I: 1966. Dufay and his Contemporaries: Fifty Compositions (Ranging from about A.D. 1400 to 1440) Transcribed from MS. Canonici misc. 213, in the Bodleian Library, Oxford, with an introduction by E.W.B. Nicholson, and a critical analysis of the music by Sir John Stainer. London.
6v–7	Dueil angoisseux (3vv) - 1a pars (of 2): Dueil angoisseux, rage desmesure	BINCOYS	Binchois, Gilles (ca. 1400–1460)
Dueil angoisseux (3vv) - 1a pars (of 2): Dueil angoisseux, rage desmesure Binchois, Gilles (ca. 1400–1460) Appears on: 6v–7 Genres: Chanson Source Attribution: BINCOYS Voice: [no designation] Languages: French Voice Text: Deul angoisseux, rage desmesure General Note [= Rerum conditor respice] Item Bibliography Marrocco, W. Thomas, and Nicholas Sandon (editors). 1977. The Oxford Anthology of Music: Medieval Music. London. Parris, Arthur. 1965. The sacred works of Gilles Binchois. Bryn Mawr College, Ph.D. Dissertation. Rehm, Wolfgang (editor). 1957) & Vol. VI: Mehrstimmige Lamentationen aus der ersten Hälfte des 16. Jahrhunderts, Massenkeil, G (ed.) (1965) & Vol. VII-VIII. Heinrich Isaac Messen, Staehelin, Martin (ed.) (1970-1973. Die Chansons von Gilles Binchois (1400-1460). Musikalische Denkmäler. Pages: II. Kultzen, Brigitte. 1956. Der Codex Escorial IV.a.24: Übertragung, Katalog, Historische Einordnung einer Chansonsammlung aus der zweiten Hälfte des 15. Jahrhunderts. University of Hamburg, Unpublished Ph.D. dissertation. Droz, Eugénie, and Geneviève Thibault. 1924. Poètes et musiciens du XVe siècle. Documents artistiques du XVe siècle. Paris. Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 14/15 (VII) à 5vx.
6v–7	Dueil angoisseux (3vv) - 2a pars (of 2): Coeur doloreux	BINCOYS	Binchois, Gilles (ca. 1400–1460)
Dueil angoisseux (3vv) - 2a pars (of 2): Coeur doloreux Binchois, Gilles (ca. 1400–1460) Appears on: 6v–7 Genres: Chanson Source Attribution: BINCOYS Voice: [no designation] Languages: French Voice Text: 2a p.: Cuer doloreux Item Bibliography Marrocco, W. Thomas, and Nicholas Sandon (editors). 1977. The Oxford Anthology of Music: Medieval Music. London. Parris, Arthur. 1965. The sacred works of Gilles Binchois. Bryn Mawr College, Ph.D. Dissertation. Rehm, Wolfgang (editor). 1957) & Vol. VI: Mehrstimmige Lamentationen aus der ersten Hälfte des 16. Jahrhunderts, Massenkeil, G (ed.) (1965) & Vol. VII-VIII. Heinrich Isaac Messen, Staehelin, Martin (ed.) (1970-1973. Die Chansons von Gilles Binchois (1400-1460). Musikalische Denkmäler. Pages: II. Kultzen, Brigitte. 1956. Der Codex Escorial IV.a.24: Übertragung, Katalog, Historische Einordnung einer Chansonsammlung aus der zweiten Hälfte des 15. Jahrhunderts. University of Hamburg, Unpublished Ph.D. dissertation. Droz, Eugénie, and Geneviève Thibault. 1924. Poètes et musiciens du XVe siècle. Documents artistiques du XVe siècle. Paris. Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 14/15 (VII) à 5vx.
7v–9	O rosa bella / O dio d'amore - 1a pars (of 2): O rosa bella / O dio d'amore	JO. CICONIA	Ciconia, Johannes (ca. 1370–1412)
O rosa bella / O dio d'amore - 1a pars (of 2): O rosa bella / O dio d'amore Ciconia, Johannes (ca. 1370–1412) Appears on: 7v–9 Genres: Italian secular Source Attribution: JO. CICONIA Voice: [no designation] Languages: Italian Voice Text: O rosa bella / O dio d'amore Item Bibliography Clercx-Lejeune, Suzanne, and Suzanne Clercx. 1960. Johannes Ciconia, un musicien liégois et son temps. Académie Royale de Belgique, Classe des Beaux-Arts: Mémoires: Collection in-4, II série, vol. X, fasc. 1a/1b. 2 vols. Brussels: Palais des Académies. Pages: II. Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 14/15 (VII).
7v–9	O rosa bella / O dio d'amore - 2a pars (of 2): Ay lassa me	JO. CICONIA	Ciconia, Johannes (ca. 1370–1412)
O rosa bella / O dio d'amore - 2a pars (of 2): Ay lassa me Ciconia, Johannes (ca. 1370–1412) Appears on: 7v–9 Genres: Chanson Source Attribution: JO. CICONIA Voice: [no designation] Languages: Italian Voice Text: [2a p.]: Ay lassa me Item Bibliography Clercx-Lejeune, Suzanne, and Suzanne Clercx. 1960. Johannes Ciconia, un musicien liégois et son temps. Académie Royale de Belgique, Classe des Beaux-Arts: Mémoires: Collection in-4, II série, vol. X, fasc. 1a/1b. 2 vols. Brussels: Palais des Académies. Pages: II. Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 14/15 (VII).
9v–10	Se la face ay pale	G. DUFAY	Du Fay, Guillaume (1397–1474)
Se la face ay pale Du Fay, Guillaume (1397–1474) Appears on: 9v–10 Genres: Ballade, Chanson Source Attribution: G. DUFAY Voice: [no designation] Languages: Italian Voice Text: Se la face ay pale la cauce est amer General Note Publ. cf. PAVu 362 n° 43
10v–11	Mon coeur chante joyeusement	BINCOYS	Binchois, Gilles (ca. 1400–1460)
Mon coeur chante joyeusement Binchois, Gilles (ca. 1400–1460) Appears on: 10v–11 Genres: Chanson Source Attribution: BINCOYS Voice: [no designation] Languages: French Voice Text: Mon cuer chante meusemente General Note Publ. cf. PAVu 362 n° 14
11v–12	La dolce vista - 1a pars (of 2): La dolce vista del tuo voso pio / O lieta faccia	G. DUFAY	Du Fay, Guillaume (1397–1474)
La dolce vista - 1a pars (of 2): La dolce vista del tuo voso pio / O lieta faccia Du Fay, Guillaume (1397–1474) Appears on: 11v–12 Genres: textless Source Attribution: G. DUFAY Voice: [no designation] Languages: Italian Voice Text: La dolce vista del tuo voso pio / O lieta faccia Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 1,VI. Bannister, Enrico Marriott. 1913. Monumenti Vaticani di paleografia musicale latina. Codices e Vaticanis selecti phototypice expressi. 2 vols. Leipzig. Pages: II tab. 130c :facs.
11v–12	La dolce vista - 2a pars (of 2): [untexted]	G. DUFAY	Du Fay, Guillaume (1397–1474)
La dolce vista - 2a pars (of 2): [untexted] Du Fay, Guillaume (1397–1474) Appears on: 11v–12 Genres: Motet, textless Source Attribution: G. DUFAY Voice: [no designation] Languages: none Voice Text: 2a p.: without text Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 1,VI. Bannister, Enrico Marriott. 1913. Monumenti Vaticani di paleografia musicale latina. Codices e Vaticanis selecti phototypice expressi. 2 vols. Leipzig. Pages: II tab. 130c :facs.
12v–13	En sera il mieulx a voustre coeur	BINCOYS	Binchois, Gilles (ca. 1400–1460)
En sera il mieulx a voustre coeur Binchois, Gilles (ca. 1400–1460) Appears on: 12v–13 Genres: Chanson Source Attribution: BINCOYS Voice: [no designation] Languages: French Voice Text: En sera il mieulx a voustre cuer Item Bibliography Marrocco, W. Thomas, and Nicholas Sandon (editors). 1977. Medieval Music. London. Rehm, Wolfgang (editor). 1957) & Vol. VI: Mehrstimmige Lamentationen aus der ersten Hälfte des 16. Jahrhunderts, Massenkeil, G (ed.) (1965) & Vol. VII-VIII. Heinrich Isaac Messen, Staehelin, Martin (ed.) (1970-1973. Die Chansons von Gilles Binchois (1400-1460). Musikalische Denkmäler. Pages: II.
13v–14	Files a marier ne vous mariez ja	BINCOYS	Binchois, Gilles (ca. 1400–1460)
Files a marier ne vous mariez ja Binchois, Gilles (ca. 1400–1460) Appears on: 13v–14 Genres: Chanson Source Attribution: BINCOYS Voice: [no designation] Languages: French Voice Text: Files a marier ne vous mariez ja Item Bibliography Marrocco, W. Thomas, and Nicholas Sandon (editors). 1977. Medieval Music. London. Rehm, Wolfgang (editor). 1957) & Vol. VI: Mehrstimmige Lamentationen aus der ersten Hälfte des 16. Jahrhunderts, Massenkeil, G (ed.) (1965) & Vol. VII-VIII. Heinrich Isaac Messen, Staehelin, Martin (ed.) (1970-1973. Die Chansons von Gilles Binchois (1400-1460). Musikalische Denkmäler. Pages: II.
14v–15	Trop long temps ai esté en desplaisir	G. DUFAY	Du Fay, Guillaume (1397–1474)
Trop long temps ai esté en desplaisir Du Fay, Guillaume (1397–1474) Appears on: 14v–15 Genres: Chanson, Rondeau Source Attribution: G. DUFAY Voice: [no designation] Languages: French Voice Text: Trop lonctamps ai esté en desplaisir Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 1, VI. Wolf, Johannes. 1924. Die Tonschriften in Jedermann-Bücherei. Breslau. Pages: facs.
15v–16	Esclave puist il donc en	BINCOYS	Binchois, Gilles (ca. 1400–1460)
Esclave puist il donc en Binchois, Gilles (ca. 1400–1460) Appears on: 15v–16 Genres: Motet Source Attribution: BINCOYS Voice: [no designation] Languages: Italian Voice Text: Eschave piscil devenis General Note [sic pour: Esclave puist-il devenir] Item Bibliography Marrocco, W. Thomas, and Nicholas Sandon (editors). 1977. Medieval Music. London. Rehm, Wolfgang (editor). 1957) & Vol. VI: Mehrstimmige Lamentationen aus der ersten Hälfte des 16. Jahrhunderts, Massenkeil, G (ed.) (1965) & Vol. VII-VIII. Heinrich Isaac Messen, Staehelin, Martin (ed.) (1970-1973. Die Chansons von Gilles Binchois (1400-1460). Musikalische Denkmäler. Pages: II. Kultzen, Brigitte. 1956. Der Codex Escorial IV.a.24: Übertragung, Katalog, Historische Einordnung einer Chansonsammlung aus der zweiten Hälfte des 15. Jahrhunderts. University of Hamburg, Unpublished Ph.D. dissertation.
16v–17	Vostre tres doulx regart playsant	BINCOYS	Binchois, Gilles (ca. 1400–1460)
Vostre tres doulx regart playsant Binchois, Gilles (ca. 1400–1460) Appears on: 16v–17 Genres: Chanson Source Attribution: BINCOYS Voice: [no designation] Languages: French Voice Text: Vostre tres doulx regart playsant Item Bibliography Rehm, Wolfgang (editor). 1957) & Vol. VI: Mehrstimmige Lamentationen aus der ersten Hälfte des 16. Jahrhunderts, Massenkeil, G (ed.) (1965) & Vol. VII-VIII. Heinrich Isaac Messen, Staehelin, Martin (ed.) (1970-1973. Die Chansons von Gilles Binchois (1400-1460). Musikalische Denkmäler. Pages: II. Blume, Friedrich, and Kurt Gude (editors). 1929-79. Das Chorwerk. Wolfenbüttel/Berlin. Pages: 22.
17v–18	Je ne fay tousjour	-	Binchois, Gilles (ca. 1400–1460)
Je ne fay tousjour Binchois, Gilles (ca. 1400–1460) Appears on: 17v–18 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Je ne fay tous jours que penser Item Bibliography Marrocco, W. Thomas, and Nicholas Sandon (editors). 1977. Medieval Music. London. Rehm, Wolfgang (editor). 1957) & Vol. VI: Mehrstimmige Lamentationen aus der ersten Hälfte des 16. Jahrhunderts, Massenkeil, G (ed.) (1965) & Vol. VII-VIII. Heinrich Isaac Messen, Staehelin, Martin (ed.) (1970-1973. Die Chansons von Gilles Binchois (1400-1460). Musikalische Denkmäler. Pages: 11. Kultzen, Brigitte. 1956. Der Codex Escorial IV.a.24: Übertragung, Katalog, Historische Einordnung einer Chansonsammlung aus der zweiten Hälfte des 15. Jahrhunderts. University of Hamburg, Unpublished Ph.D. dissertation.
18v–19	Pour prison ne pour maladie	BINCOYS	Binchois, Gilles (ca. 1400–1460)
Pour prison ne pour maladie Binchois, Gilles (ca. 1400–1460) Appears on: 18v–19 Genres: Chanson Source Attribution: BINCOYS Voice: [no designation] Languages: French Voice Text: Pour prison ne pour maladie General Note Publ. cf. Fr 2794 n' 20
19v–20	Margarite fleur de valeur	BINCOYS	Binchois, Gilles (ca. 1400–1460)
Margarite fleur de valeur Binchois, Gilles (ca. 1400–1460) Appears on: 19v–20 Genres: Chanson Source Attribution: BINCOYS Voice: [no designation] Languages: French Voice Text: Margarite fleur de valeur Item Bibliography Rehm, Wolfgang (editor). 1957) & Vol. VI: Mehrstimmige Lamentationen aus der ersten Hälfte des 16. Jahrhunderts, Massenkeil, G (ed.) (1965) & Vol. VII-VIII. Heinrich Isaac Messen, Staehelin, Martin (ed.) (1970-1973. Die Chansons von Gilles Binchois (1400-1460). Musikalische Denkmäler. Pages: II. Blume, Friedrich, and Kurt Gude (editors). 1929-79. Das Chorwerk. Wolfenbüttel/Berlin. Pages: 22. Wolf, Johannes. 1904; Reprinted: Hildesheim, 1965. Geschichte der Mensural-Notation von 1250-1460 nach den theoretischen und praktischen Quellen. 3 vols. Leipzig. Pages: III(facs. in vol. II).
20v–21	Seulle esgarée de tout joieulx plaisir	BINCOYS	Binchois, Gilles (ca. 1400–1460)
Seulle esgarée de tout joieulx plaisir Binchois, Gilles (ca. 1400–1460) Appears on: 20v–21 Genres: Chanson Source Attribution: BINCOYS Voice: [no designation] Languages: French Voice Text: Seulle garée de tout joieulx plaisir … Item Bibliography Marrocco, W. Thomas, and Nicholas Sandon (editors). 1977. Medieval Music. London. Rehm, Wolfgang (editor). 1957) & Vol. VI: Mehrstimmige Lamentationen aus der ersten Hälfte des 16. Jahrhunderts, Massenkeil, G (ed.) (1965) & Vol. VII-VIII. Heinrich Isaac Messen, Staehelin, Martin (ed.) (1970-1973. Die Chansons von Gilles Binchois (1400-1460). Musikalische Denkmäler. Pages: II. Kultzen, Brigitte. 1956. Der Codex Escorial IV.a.24: Übertragung, Katalog, Historische Einordnung einer Chansonsammlung aus der zweiten Hälfte des 15. Jahrhunderts. University of Hamburg, Unpublished Ph.D. dissertation.
21v–22	Mon doulx espoir tres désireux Las quand se aige	BINCOYS	Binchois, Gilles (ca. 1400–1460)
Mon doulx espoir tres désireux Las quand se aige Binchois, Gilles (ca. 1400–1460) Appears on: 21v–22 Genres: Chanson Source Attribution: BINCOYS Voice: [no designation] Languages: French Voice Text: Mon doulx espoir tres désireux Las quant se aige Item Bibliography Marrocco, W. Thomas, and Nicholas Sandon (editors). 1977. Medieval Music. London. Rehm, Wolfgang (editor). 1957) & Vol. VI: Mehrstimmige Lamentationen aus der ersten Hälfte des 16. Jahrhunderts, Massenkeil, G (ed.) (1965) & Vol. VII-VIII. Heinrich Isaac Messen, Staehelin, Martin (ed.) (1970-1973. Die Chansons von Gilles Binchois (1400-1460). Musikalische Denkmäler. Pages: II. Kultzen, Brigitte. 1956. Der Codex Escorial IV.a.24: Übertragung, Katalog, Historische Einordnung einer Chansonsammlung aus der zweiten Hälfte des 15. Jahrhunderts. University of Hamburg, Unpublished Ph.D. dissertation.
22v–23	O rosa bella, o Deitatis cella (= O quam suavis est domina)	DONSTAPLE [ou BEDINGHAM*]	Bedingham, John (–ca. 1460) (?) Dunstaple, John (ca. 1390–1453) (?)
O rosa bella, o Deitatis cella (= O quam suavis est domina) Bedingham, John (–ca. 1460) (?) Dunstaple, John (ca. 1390–1453) (?) Appears on: 22v–23 Genres: Motet Source Attribution: DONSTAPLE [ou BEDINGHAM] Voice:* [no designation] Languages: Italian Voice Text: O rosa bella General Note PubL cf- MC 871 n" 81 Concordances 'P-Pm 714

Composer	Compositions
Anonymous	Con dollia me ne vo - 1a pars (of 2): Con dollia me ne vo – 3v–4 Con dollia me ne vo - 2a pars (of 2): Bienche credo che credo – 3v–4 Fatem de moi tout ce que vous playra – 4v–5
Bedingham, John (–ca. 1460)	(?) O rosa bella, o Deitatis cella (= O quam suavis est domina) – 22v–23
Binchois, Gilles (ca. 1400–1460)	Adieu Adieu, mon joyeux souvenir – 5v–6 Dueil angoisseux (3vv) - 1a pars (of 2): Dueil angoisseux, rage desmesure – 6v–7 Dueil angoisseux (3vv) - 2a pars (of 2): Coeur doloreux – 6v–7 En sera il mieulx a voustre coeur – 12v–13 Esclave puist il donc en – 15v–16 Files a marier ne vous mariez ja – 13v–14 Je ne fay tousjour – 17v–18 Margarite fleur de valeur – 19v–20 Mon coeur chante joyeusement – 10v–11 Mon doulx espoir tres désireux Las quand se aige – 21v–22 Pour prison ne pour maladie – 18v–19 Seulle esgarée de tout joieulx plaisir – 20v–21 Vostre tres doulx regart playsant – 16v–17
Ciconia, Johannes (ca. 1370–1412)	O rosa bella / O dio d'amore - 1a pars (of 2): O rosa bella / O dio d'amore – 7v–9 O rosa bella / O dio d'amore - 2a pars (of 2): Ay lassa me – 7v–9
Du Fay, Guillaume (1397–1474)	La dolce vista - 1a pars (of 2): La dolce vista del tuo voso pio / O lieta faccia – 11v–12 La dolce vista - 2a pars (of 2): [untexted] – 11v–12 Se la face ay pale – 9v–10 Trop long temps ai esté en desplaisir – 14v–15
Dunstaple, John (ca. 1390–1453)	(?) O rosa bella, o Deitatis cella (= O quam suavis est domina) – 22v–23

Composition	Composers (? Uncertain)	Folios / Pages
Adieu Adieu, mon joyeux souvenir	Binchois, Gilles (ca. 1400–1460)	5v–6
Con dollia me ne vo - 1a pars (of 2): Con dollia me ne vo	Anonymous	3v–4
Con dollia me ne vo - 2a pars (of 2): Bienche credo che credo	Anonymous	3v–4
Dueil angoisseux (3vv) - 1a pars (of 2): Dueil angoisseux, rage desmesure	Binchois, Gilles (ca. 1400–1460)	6v–7
Dueil angoisseux (3vv) - 2a pars (of 2): Coeur doloreux	Binchois, Gilles (ca. 1400–1460)	6v–7
En sera il mieulx a voustre coeur	Binchois, Gilles (ca. 1400–1460)	12v–13
Esclave puist il donc en	Binchois, Gilles (ca. 1400–1460)	15v–16
Fatem de moi tout ce que vous playra	Anonymous	4v–5
Files a marier ne vous mariez ja	Binchois, Gilles (ca. 1400–1460)	13v–14
Je ne fay tousjour	Binchois, Gilles (ca. 1400–1460)	17v–18
La dolce vista - 1a pars (of 2): La dolce vista del tuo voso pio / O lieta faccia	Du Fay, Guillaume (1397–1474)	11v–12
La dolce vista - 2a pars (of 2): [untexted]	Du Fay, Guillaume (1397–1474)	11v–12
Margarite fleur de valeur	Binchois, Gilles (ca. 1400–1460)	19v–20
Mon coeur chante joyeusement	Binchois, Gilles (ca. 1400–1460)	10v–11
Mon doulx espoir tres désireux Las quand se aige	Binchois, Gilles (ca. 1400–1460)	21v–22
O rosa bella / O dio d'amore - 1a pars (of 2): O rosa bella / O dio d'amore	Ciconia, Johannes (ca. 1370–1412)	7v–9
O rosa bella / O dio d'amore - 2a pars (of 2): Ay lassa me	Ciconia, Johannes (ca. 1370–1412)	7v–9
O rosa bella, o Deitatis cella (= O quam suavis est domina)	Bedingham, John (–ca. 1460) (?) Dunstaple, John (ca. 1390–1453) (?)	22v–23
Pour prison ne pour maladie	Binchois, Gilles (ca. 1400–1460)	18v–19
Se la face ay pale	Du Fay, Guillaume (1397–1474)	9v–10
Seulle esgarée de tout joieulx plaisir	Binchois, Gilles (ca. 1400–1460)	20v–21
Trop long temps ai esté en desplaisir	Du Fay, Guillaume (1397–1474)	14v–15
Vostre tres doulx regart playsant	Binchois, Gilles (ca. 1400–1460)	16v–17

‡ denotes primary source study

‡ Roth, Adalbert (editor). 2006. Biblioteca apostolica vaticana, Manuscript Urbanite Latino 1411.

Haar, James. 2004. The Vatican Manuscript Urb. Lat. 1411: An Undervalued Source? Manoscritti di polifonia nel quattrocento europeo, 65-92. Trent: Soprintendenza per i Beni librari e archivistici.

Hanen, Martha Knight. 1983. The Chansonnier El Escorial IV.a.24: Commentary and Edition. Musicological Studies. 3 vols. Henryville, Ottawa, and Binningen. Pages: I,24,31, 163-5, 170.

Fallows, David. 1981. Robertus de Anglia and the Oporto Song Collection. Source Materials and the Interpretation of Music: A Memorial Volume to Thurston Dart, 99-128. London. Pages: 112, 120.

Hamm, Charles E, and Herbert Kellman (editors). 1979-1988. Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550. Renaissance Manuscript Studies. 5 vols. Neuhausen nr. Stuttgart: American Institute of Musicology, Hänssler Verlag. Pages: IV, 68.

Pope, Isabel, and Masakata Kanazawa (editors). 1978. The Musical Manuscript Montecassino 871: A Neapolitan Repertory of Sacred and Secular Musk of the Late Fifteenth Century. Oxford. Pages: 605-8.

Schavran, Henrietta. 1978. The Manuscript Pavia, Biblioteca Universitaria, Codice Aldini 362: A Study of Song Tradition in Italy Circa 1440-1480. New York University, Unpublished Ph.D. dissertation. Pages: I,50,60-4,109ff,255-93,333-4.

Reidemeister, Peter. 1973. Die Chanson-Handschrift 78 C 28 des Berliner Kupferstichkabinetts: Studien zur Form der Chanson im 15. Jahrhundert. Berliner Musikwissenschaftliche Arbeiten. Munich. Pages: 21,87-8,105-6.

Pirrotta, Nino. 1972. Ricercare e variazioni su "O rosa bella". Studi Musicali, 59-77.

Bent, Margaret, Ian D Bent, and Brian Trowell (editors). 1970. John Dunstable complete works. Musica Britannica. London. Pages: VIII [rev. ed.], 200.

Jeppesen, Knud. 1968-70. La Frottola. Acta Jutlandica. 3 vols. Copenhagen. Pages: II, 92.

Clercx-Lejeune, Suzanne, and Suzanne Clercx. 1960. Johannes Ciconia, un musicien liégois et son temps. Académie Royale de Belgique, Classe des Beaux-Arts: Mémoires: Collection in-4, II série, vol. X, fasc. 1a/1b. 2 vols. Brussels: Palais des Académies. Pages: I, 56-7, 78-9; II, 75-7.

Fischer, Kurt von. 1956. Studien zur italienischen Musik des Trecento und frühen Quattrocento. Publikationen der Schweizerischen Musikforschenden Gesellschaft. Bern: Paul Haupt. Pages: 44-5, 56-7, 62-3.

Schmitz, Arnold (editor). 1955-. Musikalische Denkmäler. Mainz. Pages: II, 13*, 12-3,26-7,52,62-3.

de Van, Guillaume, and Heinrich Besseler (editors). 1948-66. Guillaume Dufay: Opera Omnia. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: VI,xx-xxi,xxv,xxxiii,lii,6,80.

Marix, Jeanne (editor). 1937. Les musiciens de la cour de Bourgogne au XVe siècle (1420-1467) : Messes, motets, chansons. Paris. Pages: 44,46-7,54,65-7,69,77.

Besseler, Heinrich. 1925. Studien zur Musik des Mittelalters: I. Neue Quellen des 14. und beginnenden 15. Jahrhunderts. Archiv für Musikwissenschaft, 167-252. Pages: 242.

[No Author] 1921. Codices Urbinates Latini. Biblioteca Vaticani. Vatican City. Pages: III, 314-5.

Bannister, Enrico Marriott (editor). 1913. Monumenti Vaticani di Paleografia Musicale Latina. Codices e Vaticanis Selecti. 2 vols. Leipzig. Pages: lviii,188, Tav. 130c.

Wolf, Johannes. 1904; Reprinted: Hildesheim, 1965. Geschichte der Mensural-Notation von 1250-1460 nach den theoretischen und praktischen Quellen. 3 vols. Leipzig. Pages: I,192-3,341-4,394; II,60-1; III,91-2.

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Clemens Goldberg

Thursday, 27 July, 2023

(partly) standardised title of Dufay's "Trop lonctamps" --> "Trop long temps" to assist searching

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description

Répertoire Internationale des Sources Musicales

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description